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Hello, and welcome to The Code. | 0:00:12 | 0:00:14 | |
£7,500 is locked inside the safe. | 0:00:14 | 0:00:19 | |
All our players have to do to open it | 0:00:19 | 0:00:21 | |
is crack this three-digit code. | 0:00:21 | 0:00:23 | |
Each time someone fails, more money is added | 0:00:23 | 0:00:27 | |
and the jackpot goes up and up. | 0:00:27 | 0:00:29 | |
Now, last time, David and Neil from Bolton | 0:00:29 | 0:00:32 | |
had answered three questions correctly | 0:00:32 | 0:00:34 | |
and picked out one of the numbers in the code - | 0:00:34 | 0:00:38 | |
the lucky number seven - before we ran out of time. | 0:00:38 | 0:00:41 | |
So, let's welcome them back. | 0:00:41 | 0:00:43 | |
-Good to see you again. -And you too. -David, and Neil. -Hello. | 0:00:48 | 0:00:52 | |
-Just to refresh our memories, from Bolton. -Yeah. -Yeah. | 0:00:52 | 0:00:55 | |
Playing as a duo. | 0:00:55 | 0:00:57 | |
What do we call this? Mates, bromance? Is that too much? | 0:00:57 | 0:00:59 | |
-Soul mates? -Soul mates. -Soul mates. -Yeah, it's that close. -I love that. | 0:00:59 | 0:01:03 | |
And, of course, a legendary tale - | 0:01:03 | 0:01:05 | |
your eyes met across a crowded pie factory. | 0:01:05 | 0:01:08 | |
-Yes. -They did. -Not sure it was eyes. | 0:01:08 | 0:01:09 | |
-Yeah, maybe... -Maybe! | 0:01:09 | 0:01:13 | |
-And so you met... What, in the line? Were you working? -We were working. | 0:01:13 | 0:01:17 | |
In different parts of the bakery. We kind of hit it off. | 0:01:17 | 0:01:20 | |
-Same sense of humour, a bit cheeky. -Yeah, that sort of thing. | 0:01:20 | 0:01:23 | |
What's it like working in a pie factory? | 0:01:23 | 0:01:24 | |
-Are you surrounded by temptation or...? -Incredible. | 0:01:24 | 0:01:27 | |
-Really? Really? -Yeah, very much so. -Yeah, some nice products. | 0:01:27 | 0:01:30 | |
Yeah? What kind of pies were they? Were they sweet, savoury? | 0:01:30 | 0:01:33 | |
All savoury. Meat and potato pies, steak pies. | 0:01:33 | 0:01:36 | |
-You provided meat pies. -Oh, yeah. | 0:01:36 | 0:01:38 | |
-Could even end up in a football stadium somewhere. -Absolutely. | 0:01:38 | 0:01:41 | |
-They did, they did. Yeah. -Wow. -Yeah. | 0:01:41 | 0:01:43 | |
-This is like a dream scenario. -It was incredible. | 0:01:43 | 0:01:46 | |
I mean, it must've been a very happy time for you both. | 0:01:46 | 0:01:48 | |
-Yes. -Very much so. | 0:01:48 | 0:01:50 | |
And you're here now and you're quizzing together, | 0:01:50 | 0:01:52 | |
which is a part of your life normally as well. | 0:01:52 | 0:01:54 | |
-It is. -You love your quizzes. -We do. | 0:01:54 | 0:01:55 | |
Slightly different to this one, though. | 0:01:55 | 0:01:57 | |
-Ever so slightly. -Yeah, just a bit. | 0:01:57 | 0:01:59 | |
Give me a flavour of the kind of question that you ask on your quiz. | 0:01:59 | 0:02:02 | |
We do mixes, don't we? We do really basic questions. | 0:02:02 | 0:02:04 | |
Yeah, we've done... | 0:02:04 | 0:02:06 | |
What is the name of the cat in the Felix adverts? | 0:02:06 | 0:02:09 | |
-I take it the answer's Felix. -It is. -OK. All right. | 0:02:09 | 0:02:11 | |
Actually, our quiz, you would've probably won it | 0:02:11 | 0:02:14 | |
-from that one answer. -Right. That's all it takes. | 0:02:14 | 0:02:16 | |
OK, well, it's a little bit harder here. | 0:02:16 | 0:02:18 | |
But luckily, we have Lesley, who knows all the answers. | 0:02:18 | 0:02:21 | |
-Hiya, Lesley. -Hello. Lovely to see you both again. | 0:02:21 | 0:02:23 | |
-I wish you all the luck in the world. -Thank you. | 0:02:23 | 0:02:25 | |
They were making brilliant progress | 0:02:25 | 0:02:27 | |
in their own imitable style last time. | 0:02:27 | 0:02:29 | |
Absolutely, and let's hope you make even further progress today. | 0:02:29 | 0:02:32 | |
OK. Let's remind ourselves where we are. | 0:02:32 | 0:02:34 | |
We have the lucky number seven up in the code. | 0:02:34 | 0:02:37 | |
We've eliminated three digits from the keypad. | 0:02:37 | 0:02:40 | |
It means we're playing the game at that level | 0:02:40 | 0:02:43 | |
where you only get to see two questions at a time | 0:02:43 | 0:02:46 | |
before you have to commit. | 0:02:46 | 0:02:47 | |
-£7,500 in that safe waiting for you. -Yep. | 0:02:47 | 0:02:51 | |
Let's have a look at your next three answers. | 0:02:51 | 0:02:55 | |
Oliver with the exclamation mark - it's got to be the musical. | 0:03:02 | 0:03:04 | |
-It's got to be the show. -Remember, | 0:03:04 | 0:03:06 | |
only one of those is correct. | 0:03:06 | 0:03:07 | |
That's the one that you're trying | 0:03:07 | 0:03:09 | |
to find. It is important which | 0:03:09 | 0:03:10 | |
one you choose first this time. | 0:03:10 | 0:03:12 | |
It can make a difference. So where | 0:03:12 | 0:03:13 | |
do you think you're going to go? | 0:03:13 | 0:03:15 | |
If we go Oliver!, at least we know we've got that one... | 0:03:15 | 0:03:17 | |
-Yeah, yeah. -Yeah. -We'll go for Oliver! | 0:03:17 | 0:03:19 | |
OK, let's reveal | 0:03:19 | 0:03:20 | |
the question behind Oliver! | 0:03:20 | 0:03:21 | |
The ballet dancer Sir Robert Helpmann | 0:03:23 | 0:03:26 | |
played The Child Catcher in which film? | 0:03:26 | 0:03:28 | |
-It wasn't Oliver! -It wasn't Oliver! | 0:03:28 | 0:03:29 | |
-It was Chitty Chitty Bang Bang. -Yeah. | 0:03:29 | 0:03:31 | |
OK, you're pretty confident. | 0:03:31 | 0:03:33 | |
Benny Hill play that as well? | 0:03:33 | 0:03:35 | |
Benny Hill wasn't in Oliver!, no. | 0:03:35 | 0:03:37 | |
-Was he not? -No. -I'm thinking | 0:03:37 | 0:03:38 | |
of Chitty Chitty Bang Bang. | 0:03:38 | 0:03:39 | |
It wasn't that, anyway. | 0:03:39 | 0:03:41 | |
The Child Catcher was in... | 0:03:41 | 0:03:42 | |
Yet to open another question anyway, | 0:03:42 | 0:03:44 | |
before you have to commit | 0:03:44 | 0:03:45 | |
to going with one thing or another. | 0:03:45 | 0:03:47 | |
That's the wrong one, | 0:03:47 | 0:03:48 | |
so do you want to go Kenny Dalglish? | 0:03:48 | 0:03:50 | |
-Can do. -Yeah? | 0:03:50 | 0:03:51 | |
OK, let's reveal the question | 0:03:51 | 0:03:52 | |
behind Kenny Dalglish. | 0:03:52 | 0:03:55 | |
-I know he managed Liverpool. -Right. | 0:04:04 | 0:04:06 | |
-Erm... -If we're unsure that, | 0:04:06 | 0:04:08 | |
do you think it'll be a question of | 0:04:08 | 0:04:10 | |
we know the Oliver! one was wrong, | 0:04:10 | 0:04:12 | |
so at least we can say Green | 0:04:12 | 0:04:13 | |
-and then it could come down to a 50-50, really. -Yeah. | 0:04:13 | 0:04:17 | |
-Do you want to get rid of Oliver!? -Yeah. -Get rid? Yeah? | 0:04:17 | 0:04:20 | |
-Both very confident about that one. -Yeah. -We're going to hope | 0:04:20 | 0:04:23 | |
that Oliver! is an incorrect answer. | 0:04:23 | 0:04:25 | |
We need to see this go red | 0:04:25 | 0:04:26 | |
so we can discount it | 0:04:26 | 0:04:27 | |
and try and find | 0:04:27 | 0:04:28 | |
the correct answer in the other two. | 0:04:28 | 0:04:31 | |
Well done. Well done. Great stuff. | 0:04:36 | 0:04:38 | |
The gentleman there was saying that it wasn't Oliver!, | 0:04:38 | 0:04:41 | |
it was Chitty Chitty Bang Bang. | 0:04:41 | 0:04:42 | |
Yes, the ballet dancer Robert Helpmann | 0:04:42 | 0:04:44 | |
played The Child Catcher - | 0:04:44 | 0:04:46 | |
exactly as David and Neil said - | 0:04:46 | 0:04:47 | |
in Chitty Chitty Bang Bang. | 0:04:47 | 0:04:50 | |
You mentioned Benny Hill. | 0:04:50 | 0:04:52 | |
He played The Toymaker in that film. | 0:04:52 | 0:04:54 | |
Congratulations. We can bin | 0:04:54 | 0:04:56 | |
an incorrect answer and concentrate | 0:04:56 | 0:04:58 | |
on the other two to try and find | 0:04:58 | 0:05:00 | |
the one correct answer. | 0:05:00 | 0:05:01 | |
-That's what we're looking for here. -Yeah. | 0:05:01 | 0:05:03 | |
Let's see the question behind Green. | 0:05:03 | 0:05:05 | |
-You know this. -That's black. -It's black. Yeah. -It's black. -Yeah. | 0:05:10 | 0:05:13 | |
It's definitely black. | 0:05:13 | 0:05:14 | |
Erm... | 0:05:14 | 0:05:16 | |
I was thinking about Dalglish, cos he managed... | 0:05:16 | 0:05:18 | |
No, it's not, cos you bet on black or red. | 0:05:18 | 0:05:21 | |
You bet on black and red at roulette. | 0:05:21 | 0:05:23 | |
I think the zero is white. | 0:05:25 | 0:05:27 | |
I'm not a gambler. | 0:05:28 | 0:05:30 | |
I'm trying to picture the roulette wheel. | 0:05:30 | 0:05:32 | |
Black and red, black and red... | 0:05:32 | 0:05:33 | |
Shall I keep on talking while you're...? | 0:05:33 | 0:05:35 | |
Yeah, you just...fill in some time. | 0:05:35 | 0:05:37 | |
-Well, Kenny Dalglish was... -THEY CHUCKLE | 0:05:37 | 0:05:39 | |
-Black and red... -He was at Liverpool, wasn't he, again? | 0:05:39 | 0:05:41 | |
Is it a colour? Is it white? | 0:05:41 | 0:05:43 | |
I think it's white. | 0:05:45 | 0:05:46 | |
Shall we have a look at the other one as well? | 0:05:47 | 0:05:49 | |
Kenny Dalglish - what you know about that? | 0:05:49 | 0:05:51 | |
Did he manage Scotland? | 0:05:51 | 0:05:53 | |
I don't think he did in '86, though. I'm thinking '86... | 0:05:53 | 0:05:56 | |
Would he have managed...? | 0:05:56 | 0:05:58 | |
World Cup team. | 0:05:58 | 0:05:59 | |
Yeah, I'm sure it was Liverpool then, but... | 0:05:59 | 0:06:02 | |
Yeah, because Alex Ferguson... | 0:06:02 | 0:06:04 | |
I do not know anything about roulette. | 0:06:04 | 0:06:06 | |
I've seen it, I know what it looks like. | 0:06:06 | 0:06:08 | |
But I don't remember seeing green. | 0:06:08 | 0:06:10 | |
-Just seems... -I'm sure it is white. | 0:06:10 | 0:06:13 | |
Have we got a shade of green, or...? | 0:06:13 | 0:06:15 | |
No? | 0:06:15 | 0:06:17 | |
Isn't the table green? | 0:06:17 | 0:06:18 | |
The table's green, but that doesn't really matter anyway. | 0:06:18 | 0:06:21 | |
But if it's a segment on there, will they be the same colour? | 0:06:21 | 0:06:24 | |
Do you know what I mean? | 0:06:24 | 0:06:25 | |
-OK... -I'm just trying to decide whether it's white or a colour. | 0:06:25 | 0:06:28 | |
I'm sure it... I think... Oh... | 0:06:28 | 0:06:30 | |
We'll go for roulette as correct maybe. | 0:06:32 | 0:06:34 | |
-As correct? -Mm. | 0:06:34 | 0:06:37 | |
You're saying that Green is the correct answer. | 0:06:37 | 0:06:39 | |
NEIL SIGHS Is that the way you're leaning now? | 0:06:39 | 0:06:41 | |
Cos I don't think they've got white, | 0:06:41 | 0:06:43 | |
don't think they've got white on it. | 0:06:43 | 0:06:44 | |
Kenny Dalglish was the manager for Liverpool for... | 0:06:44 | 0:06:47 | |
From what I remember, when I was younger, | 0:06:47 | 0:06:49 | |
when I was younger, for a long...a long time at Liverpool. | 0:06:49 | 0:06:52 | |
-I'll tell you the worst thing about this, David. -Is this bit? | 0:06:52 | 0:06:54 | |
I'm a massive Liverpool fan. | 0:06:54 | 0:06:56 | |
THEY LAUGH We need a decision. | 0:06:56 | 0:06:58 | |
See, I think, when I was younger, Kenny Dalglish was probably... | 0:06:58 | 0:07:01 | |
I think Kenny Dalglish was probably at Liverpool, though, then. | 0:07:01 | 0:07:05 | |
I think we go for roulette wheel as correct. | 0:07:05 | 0:07:07 | |
Cos you're going to blame me either way what I pick, aren't you? | 0:07:07 | 0:07:10 | |
-OK, we're going to lock it in. -OK. Yes. | 0:07:10 | 0:07:11 | |
We're going to lock it in. | 0:07:11 | 0:07:13 | |
Unless you tell me otherwise, we're locking in | 0:07:13 | 0:07:15 | |
Green as the correct answer. | 0:07:15 | 0:07:19 | |
-Cos we have to come to a decision. -Right. | 0:07:19 | 0:07:21 | |
Lock it in. | 0:07:21 | 0:07:22 | |
On a roulette wheel, what colour is the zero segment? | 0:07:22 | 0:07:26 | |
We want green | 0:07:26 | 0:07:27 | |
to be the correct answer. | 0:07:27 | 0:07:29 | |
It's taken us a long time to get there. | 0:07:29 | 0:07:31 | |
If for no other reason, we want that to show up green. | 0:07:31 | 0:07:35 | |
The correct answer buys us another chance | 0:07:35 | 0:07:37 | |
to put a digit into the code | 0:07:37 | 0:07:39 | |
and take these two wonderful gentleman | 0:07:39 | 0:07:41 | |
close to £7,500. | 0:07:41 | 0:07:44 | |
Is green our correct answer? | 0:07:45 | 0:07:48 | |
-Oh! -Yes! -Oh! | 0:07:53 | 0:07:54 | |
THEY CHUCKLE | 0:07:54 | 0:07:57 | |
Please don't do that to me. | 0:07:57 | 0:07:59 | |
Please don't do that to me again. | 0:07:59 | 0:08:01 | |
David, Neil...seriously. | 0:08:01 | 0:08:04 | |
I don't like this any more. | 0:08:04 | 0:08:05 | |
Talk about round the houses. | 0:08:05 | 0:08:07 | |
-Definitely was. -OK. | 0:08:07 | 0:08:08 | |
Lesley. | 0:08:08 | 0:08:10 | |
David and Neil, that is nail-biting. | 0:08:10 | 0:08:12 | |
I'm so happy for you. | 0:08:12 | 0:08:14 | |
On a roulette wheel, | 0:08:14 | 0:08:15 | |
the zero segment is not white, | 0:08:15 | 0:08:17 | |
-as Neal was insisting. -I know. | 0:08:17 | 0:08:19 | |
You were correct to go with green | 0:08:19 | 0:08:21 | |
as the correct answer. | 0:08:21 | 0:08:23 | |
On American roulette wheels, there | 0:08:23 | 0:08:25 | |
is a double zero space as well. | 0:08:25 | 0:08:27 | |
And this one caused you | 0:08:27 | 0:08:29 | |
so much agony. | 0:08:29 | 0:08:30 | |
You had all the right information. | 0:08:30 | 0:08:32 | |
And, Matt, Liverpool fan, you must | 0:08:32 | 0:08:33 | |
know the right answer to this one. | 0:08:33 | 0:08:35 | |
Well, I'm hoping... | 0:08:35 | 0:08:36 | |
You even said it. Alex Ferguson. | 0:08:36 | 0:08:38 | |
It is Alex Ferguson, isn't it? | 0:08:38 | 0:08:39 | |
-It is Alex Ferguson. -Right. | 0:08:39 | 0:08:41 | |
And you'll know that Kenny Dalglish | 0:08:41 | 0:08:43 | |
was at Liverpool | 0:08:43 | 0:08:44 | |
as player-manager in 1986. | 0:08:44 | 0:08:47 | |
Well done. We got there in the end. | 0:08:47 | 0:08:50 | |
Painful, painful process, but the right result, | 0:08:50 | 0:08:53 | |
which means you get to choose another digit from the keypad | 0:08:53 | 0:08:56 | |
to put into the code. | 0:08:56 | 0:08:57 | |
David and Neil, what's it going to be this time? | 0:08:57 | 0:09:00 | |
I chose last with three, so I think it's your turn now. | 0:09:00 | 0:09:03 | |
I don't think my nerves can take this any more. | 0:09:03 | 0:09:05 | |
THEY LAUGH Tell me about it. | 0:09:05 | 0:09:07 | |
I like the look of a line there. I think number five. | 0:09:07 | 0:09:10 | |
-Number five. -Let's go centre. -In the middle. | 0:09:10 | 0:09:12 | |
Is it in the code? Is it in the first box? | 0:09:12 | 0:09:14 | |
It's not there in the first box. | 0:09:17 | 0:09:19 | |
Is it in the second box? | 0:09:19 | 0:09:20 | |
It's not there. So... | 0:09:23 | 0:09:25 | |
..let's go again. Can we have three answers, please? | 0:09:26 | 0:09:29 | |
Remember, | 0:09:34 | 0:09:35 | |
only one of them is correct. That's | 0:09:35 | 0:09:37 | |
the one you're trying to identify. | 0:09:37 | 0:09:38 | |
OK, so, semibreve is in music. | 0:09:38 | 0:09:41 | |
The Seattle Seahawks. | 0:09:41 | 0:09:42 | |
Seattle's the big tower, isn't it? | 0:09:42 | 0:09:44 | |
-Frasier. Frasier's set there. -Helix - | 0:09:44 | 0:09:46 | |
genetics and things like that, | 0:09:46 | 0:09:48 | |
-a mathematical shape. -Yeah. | 0:09:48 | 0:09:50 | |
-Shall we just work down? -Pff. | 0:09:50 | 0:09:52 | |
My nerves are shot. Do whatever. | 0:09:52 | 0:09:53 | |
-So we'll go semibreve. -Yeah. | 0:09:53 | 0:09:55 | |
Let's reveal the question behind semibreve. | 0:09:55 | 0:09:57 | |
I honestly don't know that one. | 0:10:02 | 0:10:03 | |
You've the chance to open another | 0:10:03 | 0:10:05 | |
question before you have to make any decision. | 0:10:05 | 0:10:07 | |
-Shall we have a look at Seattle? -I think we should. | 0:10:07 | 0:10:09 | |
We've got more chance with that than with helix. | 0:10:09 | 0:10:11 | |
-Seattle? -Yeah. -Let's open the question behind Seattle. | 0:10:11 | 0:10:14 | |
Yeah, we know this. | 0:10:22 | 0:10:23 | |
-Yes, we know that. -That is... | 0:10:23 | 0:10:24 | |
We've mentioned that | 0:10:24 | 0:10:25 | |
the Space Needle is in Seattle. | 0:10:25 | 0:10:26 | |
You think that that's the correct answer. | 0:10:26 | 0:10:28 | |
We think that's the right answer. | 0:10:28 | 0:10:30 | |
So, semibreve, I think, we've got | 0:10:30 | 0:10:32 | |
to get rid of, cos we think Seattle's right. | 0:10:32 | 0:10:34 | |
It's right. | 0:10:34 | 0:10:35 | |
Only one correct answer. | 0:10:35 | 0:10:36 | |
-So, you feel semibreve...? -Yeah. | 0:10:36 | 0:10:38 | |
In that case, we're going to discard it. | 0:10:38 | 0:10:40 | |
If it is the correct answer, | 0:10:40 | 0:10:42 | |
then this journey comes to an end | 0:10:42 | 0:10:44 | |
right here and right now, and | 0:10:44 | 0:10:46 | |
there'll be depression across the pie factory. | 0:10:46 | 0:10:48 | |
Is it an incorrect answer? | 0:10:50 | 0:10:52 | |
Brilliant stuff. | 0:10:53 | 0:10:54 | |
-Well done. Lesley. -Glad that's gone. | 0:10:54 | 0:10:56 | |
Good decision, quick decision. | 0:10:56 | 0:10:58 | |
Semibreve, not the right answer. | 0:10:58 | 0:11:00 | |
It is a crotchet. | 0:11:00 | 0:11:02 | |
-Oh, yeah. -Four crotchets is one of semibreve. | 0:11:02 | 0:11:04 | |
That means we can bin | 0:11:04 | 0:11:07 | |
the incorrect answer, | 0:11:07 | 0:11:09 | |
and we can open up the question behind helix. | 0:11:09 | 0:11:12 | |
-The helix isn't a ring. -Yeah. | 0:11:20 | 0:11:21 | |
We're looking at two there. One has to be right. | 0:11:21 | 0:11:24 | |
You seemed very confident in the first place. | 0:11:24 | 0:11:26 | |
-So Seattle's the right answer, isn't it? -It's the right answer. | 0:11:26 | 0:11:29 | |
-Happy to lock that in? -Yes. -We're going to lock | 0:11:29 | 0:11:31 | |
in Seattle as the correct answer. | 0:11:31 | 0:11:33 | |
If it's right, it'll go green, | 0:11:33 | 0:11:34 | |
you get to choose another digit for the code. | 0:11:34 | 0:11:38 | |
Brilliant work. | 0:11:40 | 0:11:41 | |
Absolutely brilliant. | 0:11:41 | 0:11:43 | |
Seattle, the home of | 0:11:43 | 0:11:44 | |
the Space Needle. Lesley. | 0:11:44 | 0:11:46 | |
Exactly. The Space Needle, sometimes called the 400-day Wonder | 0:11:46 | 0:11:50 | |
as it was built in about that time, | 0:11:50 | 0:11:51 | |
very rapidly in time for the World's Fair. | 0:11:51 | 0:11:54 | |
David, when you saw Seattle come up on the screen, | 0:11:54 | 0:11:56 | |
you quickly mentioned Frasier, | 0:11:56 | 0:11:57 | |
and the Space Needle features prominently | 0:11:57 | 0:11:59 | |
in the credits of that programme. | 0:11:59 | 0:12:01 | |
And in geometry, the name for a figure | 0:12:01 | 0:12:03 | |
that is shaped like a ring doughnut or bagel. | 0:12:03 | 0:12:06 | |
Not a helix | 0:12:06 | 0:12:07 | |
but a torus. | 0:12:07 | 0:12:08 | |
Ah. | 0:12:08 | 0:12:10 | |
Thank you very much, Lesley. | 0:12:10 | 0:12:12 | |
-Finding the right answer really helps. -Absolutely. -It does. | 0:12:12 | 0:12:15 | |
You saw it, you pinpointed it, | 0:12:15 | 0:12:17 | |
you don't worry about anything else then. | 0:12:17 | 0:12:19 | |
If you can do that in future, that'd really help. | 0:12:19 | 0:12:21 | |
-We'll give it a go. -Yeah, we'll have a go at it. | 0:12:21 | 0:12:23 | |
OK, David and Neil, great situation to be in now. | 0:12:23 | 0:12:26 | |
You've only got six digits left on the keypad. | 0:12:26 | 0:12:29 | |
Which number are you going to choose next? | 0:12:29 | 0:12:31 | |
I'm feeling number one. What do you think? | 0:12:31 | 0:12:33 | |
It's your call. Any number's as good as another one. | 0:12:33 | 0:12:35 | |
-So we'll go for number one. -Number one. -Number one. | 0:12:35 | 0:12:38 | |
Is number one in your code? Let's have a look. | 0:12:38 | 0:12:40 | |
Is it in the first box? | 0:12:40 | 0:12:42 | |
It's not in the first box. | 0:12:44 | 0:12:45 | |
Is it in the second box? | 0:12:45 | 0:12:47 | |
It's not. It's not there. | 0:12:48 | 0:12:50 | |
-But, look. -Wow. | 0:12:50 | 0:12:52 | |
There are two spots there, there are only five digits left. | 0:12:52 | 0:12:54 | |
Let's have three more answers. | 0:12:54 | 0:12:56 | |
Haydn? Was Haydn a composer? | 0:13:01 | 0:13:03 | |
I don't know. I don't know. | 0:13:03 | 0:13:06 | |
Shall we have a look at Africa? | 0:13:06 | 0:13:07 | |
I think we should go Africa. | 0:13:07 | 0:13:08 | |
Cos we're not confident on any of | 0:13:08 | 0:13:10 | |
-them, really, are we? -No, we're not. | 0:13:10 | 0:13:11 | |
-Africa. -Let's reveal the question behind Africa. | 0:13:11 | 0:13:14 | |
Isn't Gobi more India way? | 0:13:18 | 0:13:20 | |
-Is Gobi India? -I think it is, I think it is. | 0:13:20 | 0:13:22 | |
-I think Gobi's in India. -Yeah. -OK, well you can open | 0:13:22 | 0:13:24 | |
another question | 0:13:24 | 0:13:26 | |
just to help you out. | 0:13:26 | 0:13:27 | |
You're decent at maths, though. | 0:13:27 | 0:13:29 | |
Am I? | 0:13:29 | 0:13:31 | |
-You choose. -I'll go percent. | 0:13:31 | 0:13:33 | |
Let's see the question behind percent. | 0:13:33 | 0:13:35 | |
Is percent not | 0:13:42 | 0:13:43 | |
one of the ones down at the bottom? | 0:13:43 | 0:13:44 | |
I think it is on this side. | 0:13:44 | 0:13:46 | |
-It's near the bottom. -Cos your hand's here, isn't it? | 0:13:46 | 0:13:48 | |
THEY CHUCKLE | 0:13:48 | 0:13:51 | |
The piano, it's the new rage. | 0:13:51 | 0:13:53 | |
I think percent is on... | 0:13:53 | 0:13:55 | |
But there are other ones | 0:13:55 | 0:13:56 | |
on the main thing, QWERTY... | 0:13:56 | 0:13:58 | |
It's down near there, near the enter key. | 0:13:58 | 0:14:00 | |
-You'd think it'd be one of the main... -You would. -It's used. | 0:14:00 | 0:14:03 | |
Obviously, not used as often now. | 0:14:03 | 0:14:05 | |
What have you got? So you've got exclamation, pound sign, | 0:14:05 | 0:14:09 | |
hash sign... | 0:14:09 | 0:14:10 | |
I think it's down there. | 0:14:10 | 0:14:12 | |
-But I might be wrong. -We have to try | 0:14:12 | 0:14:14 | |
and lose an incorrect answer. | 0:14:14 | 0:14:16 | |
We both think Gobi's in India, | 0:14:16 | 0:14:17 | |
-don't we? -Yeah. | 0:14:17 | 0:14:18 | |
Because I think of Gobi, | 0:14:18 | 0:14:20 | |
-it's also a dish... -Yeah. | 0:14:20 | 0:14:23 | |
..in an Indian restaurant. | 0:14:23 | 0:14:24 | |
-We'll hope that the Gobi's in India and not Africa. -OK. | 0:14:24 | 0:14:27 | |
We're thinking that Africa | 0:14:27 | 0:14:28 | |
is an incorrect answer. | 0:14:28 | 0:14:30 | |
We want it to turn red | 0:14:30 | 0:14:31 | |
so we can see the question | 0:14:31 | 0:14:33 | |
behind Haydn. | 0:14:33 | 0:14:34 | |
Please let Africa be | 0:14:34 | 0:14:35 | |
an incorrect answer and turn red. | 0:14:35 | 0:14:38 | |
-Yes! -Well done. Well done. | 0:14:39 | 0:14:40 | |
The gentlemen | 0:14:40 | 0:14:42 | |
were saying not Africa, but India. | 0:14:42 | 0:14:44 | |
In Asia. Covers parts of China and Mongolia. | 0:14:44 | 0:14:47 | |
-Right. -Right. -The Gobi Desert. | 0:14:47 | 0:14:49 | |
It's an incorrect answer. We can get rid of it. | 0:14:49 | 0:14:51 | |
We can have a look at the question behind Haydn now. | 0:14:51 | 0:14:54 | |
I always get mixed up, you know, with Beethoven only did one opera. | 0:15:00 | 0:15:04 | |
I don't know that was Fidelio. | 0:15:04 | 0:15:07 | |
-And he only did one opera, didn't he? -I'm coming back... Yeah. | 0:15:07 | 0:15:12 | |
-You've got to balance these two up. -Yeah. | 0:15:12 | 0:15:14 | |
I don't why I've got that as Beethoven's. | 0:15:14 | 0:15:17 | |
You see, to me, the percent, now I'm thinking about it, | 0:15:17 | 0:15:19 | |
despite saying all that | 0:15:19 | 0:15:20 | |
about it being at the bottom, | 0:15:20 | 0:15:22 | |
your plus signs and minus signs are on the numbers, | 0:15:22 | 0:15:24 | |
so it would make sense for percentage to be up there as well. | 0:15:24 | 0:15:27 | |
I don't know, cos you use a keyboard more than me. | 0:15:27 | 0:15:29 | |
-You use it every day. -Yeah, I know, but only for...letters. | 0:15:29 | 0:15:32 | |
I don't use it for numbers. | 0:15:32 | 0:15:33 | |
-This, a 50-50 call. -It is a split one, this. | 0:15:33 | 0:15:35 | |
-It is a split one. -Because... | 0:15:35 | 0:15:37 | |
-I'm leaning, again, towards the percentage. -Yeah. | 0:15:37 | 0:15:39 | |
I keep going back on what I've said before. | 0:15:39 | 0:15:41 | |
I think we'll go for percentage, then, I think. | 0:15:41 | 0:15:45 | |
You...never speak to me again if I'm wrong. | 0:15:45 | 0:15:48 | |
No, you're probably right. | 0:15:48 | 0:15:49 | |
It's only whether it's been one, only doing one opera. | 0:15:49 | 0:15:53 | |
-So percentage? -Yeah. | 0:15:53 | 0:15:54 | |
We're going to take percent, or percentage, | 0:15:54 | 0:15:56 | |
as our correct answer. | 0:15:56 | 0:15:59 | |
We want that to show up green. | 0:15:59 | 0:16:00 | |
Let's lock it in. | 0:16:00 | 0:16:01 | |
Is it the correct answer? | 0:16:03 | 0:16:04 | |
Well done. | 0:16:10 | 0:16:11 | |
-Oh, my God. -Well done. | 0:16:11 | 0:16:13 | |
-What a team effort. -Wow. | 0:16:13 | 0:16:16 | |
-We turned 180 degrees there, didn't we? -Yeah. | 0:16:16 | 0:16:18 | |
I think the Beethoven might begin with an R, actually. | 0:16:18 | 0:16:22 | |
I think Haydn only did symphonies, to be honest. | 0:16:22 | 0:16:24 | |
Let's find out because Lesley knows. | 0:16:24 | 0:16:28 | |
I thought you were going to go in the wrong direction there, | 0:16:28 | 0:16:30 | |
and you nailed it. | 0:16:30 | 0:16:32 | |
On a standard UK computer keyboard, | 0:16:32 | 0:16:34 | |
yes, the percentage symbol is above the number five. | 0:16:34 | 0:16:38 | |
You mentioned the hash. | 0:16:38 | 0:16:39 | |
-That's down the side on a standard UK keyboard. -Right. | 0:16:39 | 0:16:42 | |
-David, you knew that Beethoven only wrote one opera. -Yeah. | 0:16:42 | 0:16:46 | |
-And that was the correct answer. -That is... | 0:16:46 | 0:16:48 | |
-Haydn wrote 14 operas. -Oh, right. | 0:16:48 | 0:16:51 | |
That is really impressive. | 0:16:51 | 0:16:52 | |
Very impressive. | 0:16:52 | 0:16:54 | |
Really impressive. | 0:16:54 | 0:16:56 | |
Well, you really earned the right there to choose another number. | 0:16:56 | 0:16:59 | |
We've got a two, a four, a six, an eight and a nine. | 0:16:59 | 0:17:03 | |
-It's your choice. -Which one are you going to go for? | 0:17:03 | 0:17:05 | |
See, I quite like the patterns here, so... | 0:17:05 | 0:17:07 | |
-I'm going to go number nine. -Number nine. | 0:17:07 | 0:17:10 | |
Is it in your code? Is it in the first box? | 0:17:10 | 0:17:12 | |
It's not there. | 0:17:14 | 0:17:16 | |
Is the number nine in the second box? | 0:17:16 | 0:17:18 | |
Come on. | 0:17:19 | 0:17:20 | |
-Oh! -Oh, my goodness. | 0:17:20 | 0:17:22 | |
-Blank again. We're still at this stage. -Right. | 0:17:22 | 0:17:25 | |
Only two spots left. | 0:17:25 | 0:17:26 | |
Let's have a look at your next three answers. | 0:17:26 | 0:17:29 | |
Was that the Charge of the Light Brigade | 0:17:35 | 0:17:36 | |
or that the Crimean? | 0:17:36 | 0:17:38 | |
I think it was Crimean. | 0:17:38 | 0:17:39 | |
I should know this. It's gone. | 0:17:39 | 0:17:41 | |
-Hedgehog. -Hedgehog is a hedgehog. | 0:17:41 | 0:17:42 | |
-Could be bread. -Could be Sonic. | 0:17:42 | 0:17:44 | |
Could be Sonic, could be bread. | 0:17:44 | 0:17:45 | |
-Don't Push It? -Don't Push It. | 0:17:45 | 0:17:47 | |
That Don't Push It | 0:17:47 | 0:17:48 | |
-is really confusing. -It is, yeah. | 0:17:48 | 0:17:49 | |
-Shall we...? -Yeah. And it could | 0:17:49 | 0:17:51 | |
-throw everything up. -It could do. | 0:17:51 | 0:17:52 | |
We'll go for Don't Push It. | 0:17:52 | 0:17:53 | |
You don't understand it, it confuses | 0:17:53 | 0:17:55 | |
you. You want to choose it. Fine. | 0:17:55 | 0:17:57 | |
Let's reveal the question behind Don't Push It. | 0:17:57 | 0:18:00 | |
Not the foggiest. | 0:18:07 | 0:18:09 | |
I do always bet on the National. | 0:18:09 | 0:18:10 | |
You do bet on the National. | 0:18:10 | 0:18:12 | |
Very rarely win. | 0:18:12 | 0:18:13 | |
-It's a good name for a horse. -It is, | 0:18:13 | 0:18:15 | |
but something's telling me that | 0:18:15 | 0:18:16 | |
it wasn't AP McCoy that rode that. | 0:18:16 | 0:18:18 | |
We can look at the question behind | 0:18:18 | 0:18:20 | |
one other of those two. | 0:18:20 | 0:18:21 | |
-Hedgehog? -Hedgehog. | 0:18:21 | 0:18:23 | |
-BOTH: -Hedgehog. | 0:18:23 | 0:18:24 | |
Let's look at the question behind hedgehog, please. | 0:18:24 | 0:18:26 | |
He's a frog, or a toad. | 0:18:33 | 0:18:34 | |
-We can get rid of hedgehog. -Yeah. | 0:18:34 | 0:18:36 | |
Nailed on. You're happy with | 0:18:36 | 0:18:37 | |
-that one? -Yeah. -OK. | 0:18:37 | 0:18:38 | |
We're going to eliminate hedgehog as an incorrect answer. | 0:18:38 | 0:18:41 | |
OK, we want that to go red | 0:18:41 | 0:18:43 | |
so we can move on and | 0:18:43 | 0:18:44 | |
find out what's behind Boer War. | 0:18:44 | 0:18:46 | |
It is. | 0:18:49 | 0:18:50 | |
Well done. You knew that one. | 0:18:50 | 0:18:51 | |
Absolutely nailed on. | 0:18:51 | 0:18:52 | |
-Lesley. -Very confident | 0:18:52 | 0:18:53 | |
on this one. | 0:18:53 | 0:18:55 | |
Do you know the name of the hedgehog? | 0:18:55 | 0:18:56 | |
-Mrs Tiggy Winkle. -Mrs Tiggy Winkle. | 0:18:56 | 0:18:58 | |
The correct answer. | 0:18:58 | 0:18:59 | |
Jeremy Fisher is a frog. | 0:18:59 | 0:19:01 | |
OK. Fantastic. | 0:19:01 | 0:19:02 | |
It means that we can bin that incorrect answer. | 0:19:02 | 0:19:05 | |
It leaves us two, of which | 0:19:05 | 0:19:06 | |
one must be the correct answer. | 0:19:06 | 0:19:08 | |
Let's see the question now behind Boer War. | 0:19:08 | 0:19:10 | |
THEY CHUCKLE | 0:19:12 | 0:19:15 | |
-We should know this. -I'm sure it's the Cri... | 0:19:18 | 0:19:21 | |
I even said I'm sure it was the Crimean, | 0:19:21 | 0:19:23 | |
the Charge of the Light Brigade. | 0:19:23 | 0:19:24 | |
One of them's got to be correct. That's what we're looking for. | 0:19:26 | 0:19:29 | |
-Tough one. -It comes down to a 50-50 as to whether | 0:19:29 | 0:19:31 | |
it was the Boer War or the Crimean War, | 0:19:31 | 0:19:33 | |
the Charge of the Light Brigade. | 0:19:33 | 0:19:35 | |
Erm... | 0:19:35 | 0:19:37 | |
-You've been trusting your instincts all the way along. -Yeah. | 0:19:37 | 0:19:40 | |
-You initially had doubts about the horse. -I did. -Why? | 0:19:40 | 0:19:43 | |
I don't know. | 0:19:43 | 0:19:44 | |
Cos I just don't recognise | 0:19:44 | 0:19:45 | |
the name Don't Push It. That's all. | 0:19:45 | 0:19:48 | |
But I probably couldn't name you | 0:19:48 | 0:19:49 | |
last year's Grand National winner either. | 0:19:49 | 0:19:51 | |
-This is really, really annoying. -Yeah. | 0:19:51 | 0:19:53 | |
Is it worth me getting a chair? | 0:19:55 | 0:19:57 | |
-It's possible. -It is possible, yeah. | 0:19:57 | 0:19:59 | |
Maybe a bed. | 0:19:59 | 0:20:00 | |
Something tells me it was the Crimean, | 0:20:02 | 0:20:04 | |
the Charge of the Light Brigade. | 0:20:04 | 0:20:06 | |
What do you want to do? | 0:20:06 | 0:20:07 | |
Do you want to lock in AP McCoy? | 0:20:07 | 0:20:10 | |
I think... | 0:20:10 | 0:20:11 | |
-We're both the same, aren't we? -Yeah. -We're not sure. | 0:20:11 | 0:20:14 | |
It's a 50-50. Shall we? | 0:20:14 | 0:20:17 | |
Yeah. | 0:20:17 | 0:20:18 | |
We'll lock in Don't Push It. | 0:20:18 | 0:20:20 | |
Lock in Don't Push It | 0:20:20 | 0:20:22 | |
as the correct answer. I can't tell you... | 0:20:22 | 0:20:24 | |
I'm sweating here. | 0:20:24 | 0:20:26 | |
I really want you guys to do this. | 0:20:26 | 0:20:29 | |
Come on. | 0:20:29 | 0:20:30 | |
We want Don't Push It to be the correct answer. | 0:20:30 | 0:20:34 | |
That has got to be the horse that AP McCoy won the Grand National | 0:20:34 | 0:20:38 | |
for the one and only time that he did it. | 0:20:38 | 0:20:41 | |
Is Don't Push It the right answer? | 0:20:41 | 0:20:44 | |
Oh, my God! Come on, what?! | 0:20:50 | 0:20:52 | |
Oh! | 0:20:53 | 0:20:54 | |
-Well done. -Thank you. -Well done. Well done. Well done. | 0:20:55 | 0:20:58 | |
What time does the bar open? | 0:20:58 | 0:21:00 | |
We're not there yet. We're nowhere near it. | 0:21:00 | 0:21:03 | |
-Lesley. -Goodness me. | 0:21:03 | 0:21:05 | |
Neil was agonising about the Boer War, the Crimean War. | 0:21:05 | 0:21:08 | |
-Exactly. -What's the truth of it? | 0:21:08 | 0:21:10 | |
Well, Tony McCoy won the Grand National in 2010 | 0:21:10 | 0:21:14 | |
on his 15th attempt on Don't Push It. | 0:21:14 | 0:21:17 | |
And the Charge of the Light Brigade took place not in the Boer War, | 0:21:17 | 0:21:20 | |
but you were quite right to say in the Crimean War, | 0:21:20 | 0:21:23 | |
as commemorated in the poem by Tennyson. | 0:21:23 | 0:21:27 | |
"Half a league, half a league, half a league onward." | 0:21:27 | 0:21:29 | |
Oh. "Into the valley of Death." | 0:21:29 | 0:21:31 | |
That's exactly where we felt we were. | 0:21:31 | 0:21:34 | |
Listen, you guys have got the knowledge. | 0:21:34 | 0:21:36 | |
-Where's it coming from? -I honestly couldn't tell you. | 0:21:36 | 0:21:38 | |
-I really don't know. -Right, look at this now. | 0:21:38 | 0:21:41 | |
Four numbers on the board, two spots in the code. | 0:21:41 | 0:21:44 | |
Which one are you going to go for? | 0:21:44 | 0:21:46 | |
-Number two. -The number two. | 0:21:46 | 0:21:48 | |
-Light up the top line. -OK, is the number two in the code? | 0:21:48 | 0:21:51 | |
Please, let's make some progress. | 0:21:51 | 0:21:53 | |
Let's see if it's there. Is it in the first box? | 0:21:53 | 0:21:56 | |
It's not in the first box. | 0:21:59 | 0:22:01 | |
Is the number two in the second box? | 0:22:01 | 0:22:03 | |
-Wow. -Oh! -It's not there. | 0:22:06 | 0:22:08 | |
It's not there. | 0:22:08 | 0:22:09 | |
-So the odds have beaten you. -They have. | 0:22:09 | 0:22:12 | |
But you are now down to three numbers for two spaces. | 0:22:12 | 0:22:17 | |
You're still playing the game at an easier level. | 0:22:17 | 0:22:20 | |
I'm trying to pick out the positives here. | 0:22:20 | 0:22:22 | |
I'm dreading the third round. | 0:22:22 | 0:22:24 | |
Even though my knees are giving in, you know, it's fine, we can do this. | 0:22:24 | 0:22:27 | |
-Right, are you ready? BOTH: -Yes. | 0:22:27 | 0:22:30 | |
I think you boys were born ready. | 0:22:30 | 0:22:32 | |
Let's see the next three answers, please. | 0:22:32 | 0:22:34 | |
You pick. Just go for one. | 0:22:40 | 0:22:41 | |
Kofi Annan. I don't know why... | 0:22:42 | 0:22:44 | |
OK, let's reveal the question behind Kofi Annan. | 0:22:44 | 0:22:48 | |
That's a possibility. | 0:22:55 | 0:22:57 | |
Yeah, it is a possibility. | 0:22:57 | 0:22:58 | |
Yeah, that name was coming up | 0:22:58 | 0:22:59 | |
-all the time. -Yeah. | 0:22:59 | 0:23:00 | |
So it is a very strong | 0:23:00 | 0:23:01 | |
possibility, that. | 0:23:01 | 0:23:03 | |
OK. That's a possible. | 0:23:03 | 0:23:04 | |
We can open one more | 0:23:04 | 0:23:05 | |
-before we have to reject one. -Pisa? | 0:23:05 | 0:23:08 | |
-Pisa. -Pisa, you know... -Yeah. -OK. | 0:23:08 | 0:23:09 | |
-We'll go for Pisa, yeah. -Yeah. -Let's open the question behind Pisa. | 0:23:09 | 0:23:13 | |
Well, the clue's in his name. | 0:23:23 | 0:23:25 | |
He was born just outside of... | 0:23:25 | 0:23:27 | |
-He was Leonardo of... -Yeah. | 0:23:27 | 0:23:28 | |
-Vin... -Venice. -Venice. -Venice. -So... | 0:23:28 | 0:23:32 | |
We have to reject one of those. | 0:23:32 | 0:23:33 | |
So that's wrong, isn't it? | 0:23:33 | 0:23:34 | |
Get rid of that, yeah. | 0:23:34 | 0:23:36 | |
Get rid of Pisa, yeah? Yeah. | 0:23:36 | 0:23:37 | |
Happy to reject Pisa? | 0:23:37 | 0:23:39 | |
-BOTH: -Yeah. -OK. It's been a long journey. | 0:23:39 | 0:23:42 | |
But here we are rejecting Pisa. | 0:23:42 | 0:23:45 | |
We want that to go red. | 0:23:45 | 0:23:47 | |
Let these boys carry on. | 0:23:47 | 0:23:48 | |
Yes. | 0:23:51 | 0:23:52 | |
It was right. | 0:23:52 | 0:23:54 | |
-Lesley. -Exactly as you said. | 0:23:54 | 0:23:57 | |
Not Pisa, but close to Vinci, | 0:23:57 | 0:23:59 | |
hence the name da Vinci. | 0:23:59 | 0:24:00 | |
Leonardo of Vinci - | 0:24:00 | 0:24:02 | |
that's where he was from. | 0:24:02 | 0:24:03 | |
So, that's gone. Now let's find out the question behind Plus. | 0:24:03 | 0:24:07 | |
-Ed Sheeran fans are screaming at us now. -They are. | 0:24:14 | 0:24:17 | |
Something tells me it was Plus. | 0:24:17 | 0:24:19 | |
Yet again, there's two... | 0:24:19 | 0:24:21 | |
-As soon as we saw that come up... -Yeah, we both thought. | 0:24:21 | 0:24:23 | |
I couldn't tell you the years, though. | 0:24:23 | 0:24:25 | |
What are your instincts telling you? | 0:24:25 | 0:24:28 | |
-Mine has changed since I read that first one. -Yeah. | 0:24:28 | 0:24:31 | |
My instinct has changed to...the Ed Sheeran one. | 0:24:31 | 0:24:34 | |
Do you want to lock one in? | 0:24:35 | 0:24:37 | |
-How confident are you on the Kofi Annan? -I can't say. -No. | 0:24:37 | 0:24:40 | |
-It looks right, because, you know... -There's something about... | 0:24:40 | 0:24:43 | |
-Works at the UN. -..the Plus tells me... | 0:24:43 | 0:24:45 | |
-But the dates might not be right. I don't know. -Yeah. | 0:24:45 | 0:24:47 | |
Go for... Cos it was another symbol. | 0:24:47 | 0:24:49 | |
His first album was something like that again. | 0:24:49 | 0:24:51 | |
And I think it might have been Plus. | 0:24:51 | 0:24:53 | |
-Shall we go for it? -Yeah. -Yeah. We'll lock in Plus. | 0:24:53 | 0:24:56 | |
We're looking it in as a correct answer. | 0:24:56 | 0:24:58 | |
If it's correct, the chance to choose another digit. | 0:24:58 | 0:25:01 | |
There are only | 0:25:01 | 0:25:02 | |
three digits left. | 0:25:02 | 0:25:03 | |
We're so close right now. | 0:25:03 | 0:25:04 | |
We want Ed Sheeran's first album to be called Plus. | 0:25:04 | 0:25:09 | |
If it is, we carry on our merry way. | 0:25:09 | 0:25:12 | |
If it isn't... | 0:25:12 | 0:25:14 | |
time, please, at the bar. | 0:25:14 | 0:25:16 | |
Oh, my God. | 0:25:20 | 0:25:21 | |
How did you know that was Ed Sheeran's album? | 0:25:21 | 0:25:23 | |
THEY LAUGH Don't...don't question it. | 0:25:23 | 0:25:26 | |
Just let it work. If it's... It's working. You know things | 0:25:26 | 0:25:28 | |
-you don't know you know. -Yeah, I do. | 0:25:28 | 0:25:30 | |
-That's scary. -Lesley. | 0:25:30 | 0:25:32 | |
Ed Sheeran - tell me more. | 0:25:32 | 0:25:33 | |
Neil's quizzing instincts are powerful. | 0:25:33 | 0:25:37 | |
Ed Sheeran's second full album was called Multiply - | 0:25:37 | 0:25:39 | |
that's how it's known - | 0:25:39 | 0:25:40 | |
and his first album called Plus. | 0:25:40 | 0:25:43 | |
The main single from Plus was The A Team. | 0:25:43 | 0:25:47 | |
And the UN weapons inspection in Iraq from 2000 to 2003. | 0:25:47 | 0:25:50 | |
Not Kofi Annan, who's been UN Secretary General, | 0:25:50 | 0:25:53 | |
but Hans Blix. | 0:25:53 | 0:25:54 | |
-Hans Blix. -Hans Blix. | 0:25:54 | 0:25:57 | |
Wow. OK. | 0:25:57 | 0:25:58 | |
Listen, the Force is strong with you. | 0:25:58 | 0:26:00 | |
Only two spots to fill, so you're odds-on to get this right. | 0:26:00 | 0:26:05 | |
Can you do it? | 0:26:05 | 0:26:06 | |
What number are you going to go for next? | 0:26:06 | 0:26:08 | |
-We'll go for four. -Yeah. -Four. | 0:26:08 | 0:26:09 | |
The number four. OK. | 0:26:09 | 0:26:11 | |
Is four in your code? | 0:26:11 | 0:26:13 | |
Please, let it be there. | 0:26:14 | 0:26:16 | |
Is four in the first box? | 0:26:16 | 0:26:19 | |
LAUGHING: It's not there. | 0:26:21 | 0:26:23 | |
Is it in the second box? | 0:26:23 | 0:26:25 | |
-THEY CHEER -Come on! | 0:26:28 | 0:26:30 | |
We've got one. | 0:26:30 | 0:26:31 | |
So your code is blank-four-seven. | 0:26:31 | 0:26:34 | |
There are only two more digits on the keypad to choose. | 0:26:34 | 0:26:40 | |
-But this is the slightly bad news. -Yeah. | 0:26:40 | 0:26:44 | |
This is where the game goes to the next level, | 0:26:44 | 0:26:46 | |
and it is difficult now. | 0:26:46 | 0:26:48 | |
Because, yes, you still have the three answers, | 0:26:48 | 0:26:51 | |
but you get to open just one question at a time | 0:26:51 | 0:26:55 | |
-and have to make a decision just on that question. -Yeah. | 0:26:55 | 0:26:58 | |
It's sudden death. | 0:26:58 | 0:27:00 | |
We can do this. £7,500. | 0:27:00 | 0:27:02 | |
Let's have a look at your next three answers. | 0:27:02 | 0:27:05 | |
Is that done on purpose? | 0:27:13 | 0:27:14 | |
THEY LAUGH | 0:27:14 | 0:27:17 | |
That wouldn't be very nice. | 0:27:17 | 0:27:18 | |
-Yeah, it wouldn't. -Life's Too Short, | 0:27:18 | 0:27:20 | |
TV programme with Warwick Davis. | 0:27:20 | 0:27:22 | |
Yeah, it was a good show. | 0:27:22 | 0:27:23 | |
Crete is Greece. Lichtenstein, philosopher... | 0:27:23 | 0:27:25 | |
That's about all I know. | 0:27:25 | 0:27:27 | |
Was Lichtenstein the one that came up with the Superman theory? | 0:27:27 | 0:27:31 | |
I don't mean the superhero. | 0:27:31 | 0:27:32 | |
-Yeah, yeah. -I'm sure he came up with | 0:27:32 | 0:27:34 | |
the Superman theory. | 0:27:34 | 0:27:36 | |
I mean, Life's Too Short. | 0:27:36 | 0:27:37 | |
-Shall we? -We know what that is. | 0:27:37 | 0:27:39 | |
We know who it is. | 0:27:39 | 0:27:40 | |
-Shall we go for that one, then? -OK. -Life's Too Short. | 0:27:40 | 0:27:42 | |
We're going to choose | 0:27:42 | 0:27:44 | |
Life's Too Short to reveal first. | 0:27:44 | 0:27:45 | |
Let's have a look at the question. | 0:27:45 | 0:27:47 | |
-BOTH: -That was Extras. | 0:27:56 | 0:27:58 | |
Absolutely nailed on, | 0:27:58 | 0:27:59 | |
-sure about that. -Definitely. | 0:27:59 | 0:28:01 | |
We want to reject that | 0:28:01 | 0:28:02 | |
so we can have a look at the others | 0:28:02 | 0:28:04 | |
and carry on. | 0:28:04 | 0:28:05 | |
We're going to call that an incorrect answer. | 0:28:05 | 0:28:08 | |
Is Life's Too Short an incorrect answer? | 0:28:08 | 0:28:11 | |
Got it. | 0:28:14 | 0:28:15 | |
Well done. Lesley. | 0:28:15 | 0:28:17 | |
Ricky Gervais and Stephen Merchant | 0:28:17 | 0:28:19 | |
appear in Life's Too Short as | 0:28:19 | 0:28:20 | |
themselves opposite Warwick Davis. | 0:28:20 | 0:28:23 | |
Exactly as you said. | 0:28:23 | 0:28:24 | |
The right answer is Extras. | 0:28:24 | 0:28:26 | |
We can get rid of that right now | 0:28:26 | 0:28:27 | |
as an incorrect answer. It's gone. | 0:28:27 | 0:28:30 | |
Leaves us with Lichtenstein | 0:28:30 | 0:28:31 | |
and Crete. | 0:28:31 | 0:28:33 | |
Which one are we going to go for next, gents? | 0:28:33 | 0:28:35 | |
Do you want to be really daft and go for Liechtenstein? | 0:28:35 | 0:28:38 | |
-Yeah. -Yeah? -I... -It's a 50-50. | 0:28:38 | 0:28:40 | |
We've got to go for it now, haven't we? Regardless. | 0:28:40 | 0:28:42 | |
-OK. -So, yeah. -That's the one? -Liechtenstein, yeah. | 0:28:42 | 0:28:45 | |
Let reveal the | 0:28:45 | 0:28:47 | |
question behind Lichtenstein. | 0:28:47 | 0:28:49 | |
I think it might be right, that. | 0:28:56 | 0:28:57 | |
I'm trying to picture the flag to see if it makes a difference... | 0:28:57 | 0:29:00 | |
I think it might be God Save The Queen. | 0:29:00 | 0:29:02 | |
-I know there is... -The same tune. -Yeah. | 0:29:02 | 0:29:04 | |
-I know there is another one. -Yeah. | 0:29:04 | 0:29:06 | |
And that's not saying no to me. | 0:29:08 | 0:29:11 | |
-I think it might be right. -Shall we? | 0:29:11 | 0:29:13 | |
-Shall we? -It's... | 0:29:13 | 0:29:16 | |
-Shall we? -Yeah. | 0:29:16 | 0:29:17 | |
We don't know it's wrong, | 0:29:17 | 0:29:18 | |
but I know there is one that's got the same as... | 0:29:18 | 0:29:20 | |
-So... -Shall we lock it in? -Yeah. -Yeah? | 0:29:20 | 0:29:23 | |
O...K. | 0:29:23 | 0:29:24 | |
-We're going to lock it in? -Yes. | 0:29:27 | 0:29:29 | |
We're going to lock Lichtenstein in as a correct answer. | 0:29:29 | 0:29:32 | |
OK. It's locked in. | 0:29:32 | 0:29:35 | |
We can't change our minds now. | 0:29:35 | 0:29:37 | |
But it does mean we can open Crete, look at that question | 0:29:37 | 0:29:40 | |
and just see how it makes you feel. | 0:29:40 | 0:29:42 | |
Let's have a look. | 0:29:42 | 0:29:43 | |
Is that, like, Gibraltar? | 0:29:50 | 0:29:52 | |
That's what I was thinking, | 0:29:52 | 0:29:53 | |
cos Gibraltar's got loads of weird and odd little things. | 0:29:53 | 0:29:56 | |
I don't hear many people going, "Oh, it's them monkeys in Crete." | 0:29:56 | 0:29:59 | |
So your instincts and knowledge are telling you | 0:29:59 | 0:30:01 | |
-that could be an incorrect answer. BOTH: -Yeah. | 0:30:01 | 0:30:03 | |
Meaning Lichtenstein... You've chosen the right one... | 0:30:03 | 0:30:05 | |
-Yeah. -..with Lichtenstein. | 0:30:05 | 0:30:07 | |
-Are you ready to find out? BOTH: -Yes. | 0:30:07 | 0:30:10 | |
We want Lichtenstein to go green, | 0:30:11 | 0:30:14 | |
we want Lichtenstein to be the correct answer | 0:30:14 | 0:30:17 | |
to give you a shot, a really good shot at £7,500. | 0:30:17 | 0:30:21 | |
A 50-50 call - that's all it will take - | 0:30:21 | 0:30:24 | |
if that goes green. | 0:30:24 | 0:30:26 | |
-Yes! -That is it! | 0:30:33 | 0:30:35 | |
Oh! | 0:30:35 | 0:30:36 | |
We're not there yet, but, oh, my goodness, | 0:30:36 | 0:30:38 | |
we are within touching distance now. | 0:30:38 | 0:30:40 | |
Lesley, talk us through. | 0:30:40 | 0:30:42 | |
Lichtenstein has the same national anthem as us here in the UK? | 0:30:42 | 0:30:46 | |
Yes, it does. | 0:30:46 | 0:30:47 | |
It's an old piece of music. Nobody knows who composed it. | 0:30:47 | 0:30:50 | |
It happens, by coincidence, that it was used for both national anthems. | 0:30:50 | 0:30:54 | |
And the only monkeys that live in the wild in Europe, | 0:30:54 | 0:30:56 | |
again, you said the right answer | 0:30:56 | 0:30:58 | |
as well as knowing that Crete was wrong. | 0:30:58 | 0:31:00 | |
In Gibraltar. | 0:31:00 | 0:31:01 | |
-The only other free-ranging primates in Europe are humans. -Yeah. | 0:31:01 | 0:31:05 | |
MATT SIGHS Right. Where does that leave us? | 0:31:05 | 0:31:09 | |
It leaves us on the brink of something really, really special. | 0:31:09 | 0:31:13 | |
We have two numbers left. | 0:31:13 | 0:31:16 | |
We have only one square left to fill in the code. | 0:31:16 | 0:31:20 | |
If you choose the right one, you win £7,500 - | 0:31:20 | 0:31:23 | |
the biggest jackpot we've had so far on the show. | 0:31:23 | 0:31:25 | |
And, my goodness, you've put the work in. | 0:31:25 | 0:31:28 | |
It's a six or it's an eight. | 0:31:28 | 0:31:30 | |
Which one is it going to be? | 0:31:30 | 0:31:32 | |
-Eight's one of my favourite numbers. -Is it? -It is. -It is, yeah. | 0:31:32 | 0:31:35 | |
OK. Whose job is it going to be to punch in the number eight? | 0:31:35 | 0:31:39 | |
Well, David's already decided I'm doing it. | 0:31:39 | 0:31:41 | |
You're taking the walk? | 0:31:41 | 0:31:42 | |
I think it'll take me less time to get there than with David. | 0:31:42 | 0:31:45 | |
-It'll take me an age. -There is that, | 0:31:45 | 0:31:46 | |
and we've used up a lot of time so far. | 0:31:46 | 0:31:48 | |
You'll be on the second series if I do it. | 0:31:48 | 0:31:51 | |
But it's been worthwhile. | 0:31:51 | 0:31:52 | |
OK, Neil, join me at the safe. | 0:31:52 | 0:31:54 | |
-OK. Here we are. -Yeah. | 0:32:00 | 0:32:03 | |
50-50 shot. You've chosen the number eight. | 0:32:03 | 0:32:06 | |
-Are you ready? -I am. | 0:32:06 | 0:32:08 | |
Punch in the number eight. | 0:32:08 | 0:32:09 | |
Come on. | 0:32:15 | 0:32:16 | |
WHIPSERING: Come on, come on. | 0:32:16 | 0:32:18 | |
Come on. Number eight. Eight-four-seven. | 0:32:21 | 0:32:24 | |
That's what we want. Eight-four-seven. | 0:32:24 | 0:32:27 | |
-Oh, my... -Yes. -Come on! | 0:32:33 | 0:32:36 | |
-Congratulations. -Thank you. -Well done. | 0:32:40 | 0:32:44 | |
-Oh, wow. -That's it. | 0:32:44 | 0:32:45 | |
Only the second time this series. | 0:32:45 | 0:32:47 | |
-Look at it. -Oh, wow. -There you are. | 0:32:47 | 0:32:50 | |
There you are. It's real. | 0:32:50 | 0:32:52 | |
-Make it rain, Neil. -THEY LAUGH | 0:32:52 | 0:32:55 | |
"Make it rain." | 0:32:55 | 0:32:57 | |
-Do you want some of this, David? -All mine, son. -Would you like a bit? | 0:32:57 | 0:33:00 | |
You have earned every single penny of that. | 0:33:03 | 0:33:07 | |
You really have. | 0:33:07 | 0:33:08 | |
I don't think I could've gone through another round. | 0:33:08 | 0:33:10 | |
This is going towards therapy. | 0:33:10 | 0:33:12 | |
-Yes. -THEY LAUGH | 0:33:12 | 0:33:14 | |
Absolutely fantastic work. | 0:33:14 | 0:33:16 | |
-And to think, seriously, that first question. -Oh, yeah. | 0:33:16 | 0:33:19 | |
-You could've gone. You were going with cricket. -Yeah. | 0:33:19 | 0:33:21 | |
With that, that was going to be it, and we wouldn't have seen you. | 0:33:21 | 0:33:24 | |
You would've been here like a dose of salt. | 0:33:24 | 0:33:26 | |
-Some many questions like that. -Yeah, there were. -So many. | 0:33:26 | 0:33:28 | |
Lesley, what do you think of that? | 0:33:28 | 0:33:30 | |
Well, they say an army marches on its stomach. | 0:33:30 | 0:33:33 | |
You quizzed on your guts. | 0:33:33 | 0:33:35 | |
Congratulations. | 0:33:35 | 0:33:36 | |
We are chuffed to bits to be able to say | 0:33:36 | 0:33:39 | |
David and Neil have managed to break the code, | 0:33:39 | 0:33:42 | |
take away our biggest jackpot ever. | 0:33:42 | 0:33:43 | |
-Been a fantastic time. -It has. -Great. | 0:33:43 | 0:33:45 | |
Absolutely brilliant. Loved it. | 0:33:45 | 0:33:47 | |
Well, take all of that money, take it back to Bolton and enjoy it. | 0:33:47 | 0:33:50 | |
-Appreciate it. Thank you very much for having us. -Thank you. | 0:33:50 | 0:33:52 | |
Wow. Wow. | 0:33:57 | 0:33:59 | |
Big congratulations to Neil and David | 0:33:59 | 0:34:01 | |
who walk away with £7,500. | 0:34:01 | 0:34:04 | |
The jackpot has been won, | 0:34:04 | 0:34:06 | |
and that means the prize returns to £3,000. | 0:34:06 | 0:34:10 | |
Let's find out if our next team can do what Neil and David did | 0:34:14 | 0:34:17 | |
and break that code. | 0:34:17 | 0:34:19 | |
And here they come. Lovely to meet you. | 0:34:23 | 0:34:25 | |
-Heather, how are you? -Hi. Very well, thank you. | 0:34:25 | 0:34:27 | |
-And Matthew. -Hello. -Welcome to the show. -Thank you. | 0:34:27 | 0:34:30 | |
-You're both from Stockton-on-Tees. -Mm-hm. | 0:34:30 | 0:34:32 | |
What do you do, Heather? | 0:34:32 | 0:34:33 | |
-I'm a print content editor on the local newspaper. -OK. | 0:34:33 | 0:34:36 | |
-And how about you, Matthew? -I'm a community nurse. -OK. | 0:34:36 | 0:34:39 | |
How did you meet each other? | 0:34:39 | 0:34:40 | |
We've been friends since school. He was the new boy in our class. | 0:34:40 | 0:34:43 | |
Do you remember when he walked in the classroom? | 0:34:43 | 0:34:46 | |
Our was full of new boys. | 0:34:46 | 0:34:47 | |
-LAUGHING: How's that? -We always seemed to get the new boy. | 0:34:47 | 0:34:50 | |
So it took a while, but we became good friends. | 0:34:50 | 0:34:53 | |
Yeah, we've been friends for 17 years now. | 0:34:53 | 0:34:55 | |
Really? Wow. OK. | 0:34:55 | 0:34:57 | |
And in terms of hobbies, what sort of things do you do? | 0:34:57 | 0:34:59 | |
I enjoy a variety of things, but I like geo-caching. | 0:34:59 | 0:35:02 | |
Could you explain it for me? | 0:35:02 | 0:35:03 | |
Yeah, it's basically like treasure hunting using GPS. | 0:35:03 | 0:35:07 | |
So, you can get, like, an app on your phone | 0:35:07 | 0:35:09 | |
and you go out and you just find things that anybody's hidden. | 0:35:09 | 0:35:12 | |
So, you might find something under a tree or in a bush | 0:35:12 | 0:35:15 | |
or just hidden anywhere, really. | 0:35:15 | 0:35:17 | |
Is this a bit like orienteering | 0:35:17 | 0:35:19 | |
but actually people that you've never met | 0:35:19 | 0:35:21 | |
are leaving things for you to find? | 0:35:21 | 0:35:23 | |
That's right, yeah. | 0:35:23 | 0:35:24 | |
That does sound like terrific fun. | 0:35:24 | 0:35:26 | |
Heather, Matthew, it's lovely to have you on the show. | 0:35:26 | 0:35:28 | |
-BOTH: -Thank you. -I can't wait to play. | 0:35:28 | 0:35:30 | |
-Are you ready? -Yes. -We are. | 0:35:30 | 0:35:31 | |
In that case, let's reset the code. | 0:35:31 | 0:35:33 | |
There it is. Three blanks. | 0:35:37 | 0:35:39 | |
But behind them are hidden three unique numbers | 0:35:39 | 0:35:42 | |
that you need to find if you're going to open that door | 0:35:42 | 0:35:44 | |
and take the money home. | 0:35:44 | 0:35:46 | |
Shall we have a look at your first three answers? | 0:35:46 | 0:35:48 | |
-Yes. -Yes, please. -OK. Here they are. | 0:35:48 | 0:35:50 | |
-OK. -Where do you want to go first? | 0:35:55 | 0:35:57 | |
Shall we get football out the way first? | 0:35:57 | 0:35:58 | |
-Yeah. -Let's have a look at the question behind football. | 0:35:58 | 0:36:01 | |
The Superclasico in Argentina between Boca Juniors and River Plate | 0:36:02 | 0:36:07 | |
is a major rivalry in which sport? | 0:36:07 | 0:36:10 | |
I have absolutely no idea. | 0:36:10 | 0:36:12 | |
No, me neither. Erm... | 0:36:13 | 0:36:15 | |
OK. Where do you want to go next? | 0:36:15 | 0:36:16 | |
-December? -Yeah. -December, please. | 0:36:16 | 0:36:19 | |
Let's see the question behind December. | 0:36:19 | 0:36:21 | |
That can't be, can it? Because they | 0:36:25 | 0:36:28 | |
are the other half of the world. | 0:36:28 | 0:36:30 | |
-Mm-hm. -Which means that their winter is our summer. | 0:36:30 | 0:36:32 | |
So, in December, it must be warm. | 0:36:32 | 0:36:34 | |
-Are you positive? -Because | 0:36:34 | 0:36:35 | |
Australia will be the same and | 0:36:35 | 0:36:37 | |
they have barbecues at Christmas. | 0:36:37 | 0:36:39 | |
-That's a very valid point. -You wouldn't have a barbecue... | 0:36:39 | 0:36:41 | |
I don't know if it's true or not, | 0:36:41 | 0:36:43 | |
but I like the reasoning. | 0:36:43 | 0:36:44 | |
That's have a look at the question behind Frogger. | 0:36:44 | 0:36:46 | |
-No. -No. -No. | 0:36:51 | 0:36:53 | |
That's Pac-Man. | 0:36:53 | 0:36:54 | |
-That sounds like Pac-Man. -Yeah. | 0:36:54 | 0:36:56 | |
Frogger was the game where you | 0:36:56 | 0:36:57 | |
-jumped over the road. -Yeah. | 0:36:57 | 0:36:58 | |
I could never do that game. | 0:36:58 | 0:37:00 | |
Ghosts were Pac-Man. | 0:37:00 | 0:37:01 | |
-I'm sure that was Pac-Man. -So that | 0:37:01 | 0:37:03 | |
must mean clasico is football. | 0:37:03 | 0:37:05 | |
And the other two are | 0:37:05 | 0:37:06 | |
the wrong answers. | 0:37:06 | 0:37:08 | |
I think that's... Yeah. | 0:37:08 | 0:37:10 | |
Good reasoning. | 0:37:10 | 0:37:11 | |
-I hope so. -Do you want to lock in | 0:37:11 | 0:37:13 | |
football as a correct answer? | 0:37:13 | 0:37:15 | |
-Yeah. Yeah. -Yes, please. | 0:37:15 | 0:37:17 | |
There's definitely no ghosts | 0:37:17 | 0:37:18 | |
-in Frogger, so... -OK. -Yeah. | 0:37:18 | 0:37:20 | |
Let's see, though. Is it the correct answer? | 0:37:20 | 0:37:22 | |
We're going to lock it in. | 0:37:22 | 0:37:23 | |
We want football to turn green. | 0:37:25 | 0:37:27 | |
We want that to be | 0:37:27 | 0:37:28 | |
our correct answer. | 0:37:28 | 0:37:29 | |
It is. | 0:37:32 | 0:37:33 | |
-Yes! -There we go. Lesley. | 0:37:33 | 0:37:36 | |
Very well worked out. | 0:37:36 | 0:37:39 | |
Yes, football, the Superclasico, | 0:37:39 | 0:37:41 | |
intense rivalry between | 0:37:41 | 0:37:42 | |
those two teams. | 0:37:42 | 0:37:43 | |
The Boca Juniors fans call | 0:37:43 | 0:37:46 | |
the River Plate team Las Gallinas, | 0:37:46 | 0:37:48 | |
-meaning chickens. -Oh. | 0:37:48 | 0:37:50 | |
On average, the coldest | 0:37:50 | 0:37:51 | |
month in New Zealand. | 0:37:51 | 0:37:52 | |
Heather, you had this one nailed. | 0:37:52 | 0:37:55 | |
You knew that it was flipped, | 0:37:55 | 0:37:56 | |
so it is actually in July. | 0:37:56 | 0:37:59 | |
They have barbecues at Christmas. | 0:37:59 | 0:38:01 | |
The arcade game's enemies, | 0:38:01 | 0:38:02 | |
Blinky, Pinky, Inky and Clyde. | 0:38:02 | 0:38:04 | |
Matthew, you've clearly played Frogger cos you gave a summary | 0:38:04 | 0:38:08 | |
of the gameplay. | 0:38:08 | 0:38:10 | |
He jumps across the road, trying | 0:38:10 | 0:38:11 | |
to avoid traffic and so on. | 0:38:11 | 0:38:13 | |
The correct answer here is, | 0:38:13 | 0:38:14 | |
exactly as you said, Pac-Man. | 0:38:14 | 0:38:16 | |
Well done to my fellow | 0:38:16 | 0:38:17 | |
-geo-cacher. -Thank you. | 0:38:17 | 0:38:19 | |
Oh! OK, we have a geo-caching friend here. | 0:38:19 | 0:38:23 | |
You got the right answer. | 0:38:23 | 0:38:24 | |
That buys you one digit on the keypad to try out in the code. | 0:38:24 | 0:38:28 | |
-I want to say seven. I'm drawn to a seven. -OK. | 0:38:28 | 0:38:30 | |
We're going to try the number seven in the code. | 0:38:30 | 0:38:33 | |
Is it in the first box? | 0:38:33 | 0:38:35 | |
I almost don't want it to be. | 0:38:35 | 0:38:36 | |
Too late for that. | 0:38:38 | 0:38:39 | |
It's not in the first box. Is it in the second? | 0:38:39 | 0:38:42 | |
It isn't in the second. And is it in the third? | 0:38:44 | 0:38:47 | |
-No! -Not there. -Oh, dear. -No number seven in your code. | 0:38:49 | 0:38:53 | |
-You said you didn't want it to be there. -Mm. | 0:38:53 | 0:38:55 | |
-Is that because it gets harder? -Yes! -BOTH LAUGH | 0:38:55 | 0:38:58 | |
Yeah, you've worked that bit out. It's not always a good thing. | 0:38:58 | 0:39:00 | |
OK. There we are, though. | 0:39:00 | 0:39:03 | |
It does count out the number seven, and we carry on | 0:39:03 | 0:39:05 | |
playing the game at this level where you see all the questions. | 0:39:05 | 0:39:08 | |
Here they are. | 0:39:08 | 0:39:09 | |
Oh. | 0:39:14 | 0:39:15 | |
-Shall we go Postman Pat first? -Yeah. | 0:39:15 | 0:39:17 | |
Do it in reverse order this time. | 0:39:17 | 0:39:19 | |
-Postman Pat? -Yes, please. -OK. | 0:39:19 | 0:39:20 | |
That's reveal the question behind Postman Pat. | 0:39:20 | 0:39:23 | |
If I remember rightly, in the | 0:39:31 | 0:39:32 | |
Postman Pat Song, I'm sure | 0:39:32 | 0:39:35 | |
Jess was a black-and-white cat. | 0:39:35 | 0:39:37 | |
But, then, could you do | 0:39:37 | 0:39:38 | |
black and white in a statue? | 0:39:38 | 0:39:39 | |
Would it have to just be black? | 0:39:39 | 0:39:41 | |
I'm not sure. | 0:39:41 | 0:39:43 | |
How does that song go? Is it...? | 0:39:43 | 0:39:45 | |
-# Postman Pat... # -Maybe later. | 0:39:45 | 0:39:47 | |
# Postman Pat | 0:39:47 | 0:39:49 | |
# Postman Pat... # I can't remember. | 0:39:49 | 0:39:51 | |
# ..had a black-and-white cat. # | 0:39:51 | 0:39:52 | |
-# ..black-and-white cat. # -Jess. | 0:39:52 | 0:39:54 | |
I just wanted to hear the song. | 0:39:54 | 0:39:55 | |
5I'll be honest, Matthew. | 0:39:55 | 0:39:57 | |
-Lovely rendition. -Thank you. | 0:39:57 | 0:39:58 | |
Where are we going next? | 0:39:58 | 0:40:00 | |
Leicestershire or Anne Robinson? | 0:40:00 | 0:40:02 | |
Anne Robinson. | 0:40:02 | 0:40:04 | |
Let's reveal the question behind Anne Robinson. | 0:40:04 | 0:40:06 | |
Surely Anne Robinson | 0:40:12 | 0:40:13 | |
isn't old enough to have | 0:40:13 | 0:40:14 | |
launched anything in 1965. | 0:40:14 | 0:40:16 | |
I'm not at liberty to comment. | 0:40:16 | 0:40:18 | |
She's only going to be | 0:40:18 | 0:40:19 | |
-50-odd now, surely? -Yeah. Maybe 60s. | 0:40:19 | 0:40:22 | |
-She's probably had... -Even then, | 0:40:22 | 0:40:24 | |
she couldn't have done it. | 0:40:24 | 0:40:25 | |
-You can open the question behind Leicestershire. -Let's do that. | 0:40:25 | 0:40:28 | |
Let's do that. | 0:40:28 | 0:40:29 | |
-Oh. -We could do it like | 0:40:35 | 0:40:36 | |
-we did the football one. -Yeah. | 0:40:36 | 0:40:38 | |
-Are the other two wrong? -Yeah. | 0:40:38 | 0:40:39 | |
Oh, I don't know. | 0:40:39 | 0:40:41 | |
I don't think it's Anne Robinson, | 0:40:41 | 0:40:42 | |
so I think we go top or bottom... | 0:40:42 | 0:40:44 | |
I think is more likely | 0:40:44 | 0:40:45 | |
to be Leicestershire because | 0:40:45 | 0:40:46 | |
we don't know, and we don't think | 0:40:46 | 0:40:48 | |
it's the bottom one. | 0:40:48 | 0:40:49 | |
-OK. Let's go with... -So, we don't know | 0:40:49 | 0:40:51 | |
the top one. | 0:40:51 | 0:40:52 | |
Are you happy to lock that in? | 0:40:52 | 0:40:53 | |
Yes, Leicestershire. | 0:40:53 | 0:40:54 | |
Let's lock in Leicestershire as the correct answer. | 0:40:54 | 0:40:57 | |
Oh, this is very stressful. | 0:40:57 | 0:40:58 | |
We want this to turn green. | 0:40:58 | 0:41:00 | |
-Yes! -Oh! | 0:41:03 | 0:41:04 | |
Well done. | 0:41:04 | 0:41:06 | |
However you did it, doesn't matter. | 0:41:06 | 0:41:08 | |
You did it. Lesley. | 0:41:08 | 0:41:10 | |
Very well reasoned out, Heather and Matthew. | 0:41:10 | 0:41:13 | |
Yes, Melton Mowbray, home to | 0:41:13 | 0:41:15 | |
Stilton cheese and pork pies. | 0:41:15 | 0:41:18 | |
The pork pies, the Melton Mowbray pork pies | 0:41:18 | 0:41:20 | |
are a protected product. | 0:41:20 | 0:41:22 | |
You have to make it in a certain way | 0:41:22 | 0:41:23 | |
for it to be called Melton Mowbray. | 0:41:23 | 0:41:25 | |
And Stilton has a similar status. | 0:41:25 | 0:41:27 | |
The National Viewers and Listeners' | 0:41:27 | 0:41:30 | |
Association launched in 1965. | 0:41:30 | 0:41:32 | |
You talked about Anne Robinson. | 0:41:32 | 0:41:34 | |
She would've been 21 in that year, | 0:41:34 | 0:41:35 | |
so feasible, but not very likely. | 0:41:35 | 0:41:37 | |
The answer is Mary Whitehouse. | 0:41:37 | 0:41:39 | |
And on Highgate Hill in London, | 0:41:39 | 0:41:42 | |
there's no statue of Jess | 0:41:42 | 0:41:43 | |
the cat. So it's not Postman Pat, | 0:41:43 | 0:41:45 | |
who as far as I know has never been Lord Mayor of London. | 0:41:45 | 0:41:47 | |
The answer is Dick Whittington. | 0:41:47 | 0:41:50 | |
-Of course. -Makes more sense. | 0:41:50 | 0:41:52 | |
-That does make more sense. -You know what? | 0:41:52 | 0:41:54 | |
You've filled in the gaps in your knowledge there | 0:41:54 | 0:41:57 | |
with logic and reasoning. | 0:41:57 | 0:41:58 | |
That's a really good way, and you did it together. | 0:41:58 | 0:42:00 | |
That's going to carry you a long way. | 0:42:00 | 0:42:02 | |
It's time to pick a number now. Seven is gone. | 0:42:02 | 0:42:04 | |
There are nine numbers left. | 0:42:04 | 0:42:06 | |
Come on, you pick one this time. | 0:42:06 | 0:42:07 | |
I'll pick one because I was born on the first. | 0:42:07 | 0:42:10 | |
OK. Born on the first. | 0:42:10 | 0:42:12 | |
Number one, says Matthew. | 0:42:12 | 0:42:14 | |
Is it in the first box? | 0:42:14 | 0:42:15 | |
It's not in the first box. Is it in the second one? | 0:42:18 | 0:42:20 | |
It's not there either. | 0:42:23 | 0:42:24 | |
Is it in the final box of the code? | 0:42:24 | 0:42:26 | |
-BOTH: -Oh! -It's not there. | 0:42:29 | 0:42:30 | |
KLAXON BLARES | 0:42:30 | 0:42:32 | |
-Oh. -Yes, that sound means we've run out of time. | 0:42:32 | 0:42:36 | |
Heather and Matthew, you're going to have to come back next time. | 0:42:36 | 0:42:39 | |
But you are on your way, making steady progress towards £3,000. | 0:42:39 | 0:42:44 | |
-Can you do it? -Yes, definitely. -I think you can too. I hope so. | 0:42:44 | 0:42:47 | |
Lesley, thank you for your fantastic facts. | 0:42:47 | 0:42:50 | |
-You're very welcome. -What a show. | 0:42:50 | 0:42:51 | |
I mean, David and Neil opening the safe | 0:42:51 | 0:42:54 | |
for only the second time this series. | 0:42:54 | 0:42:56 | |
Walking away with the biggest jackpot so far. £7,500. | 0:42:56 | 0:43:01 | |
Join us next time. | 0:43:01 | 0:43:02 | |
We'll find out if Heather and Matthew can do the same | 0:43:02 | 0:43:05 | |
and crack the code. | 0:43:05 | 0:43:07 | |
Thanks for watching. Goodbye. | 0:43:07 | 0:43:09 |