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Hello, and welcome to The Code. | 0:00:11 | 0:00:14 | |
£3,000 is locked inside the safe. | 0:00:14 | 0:00:16 | |
All our players have to do to open it | 0:00:16 | 0:00:19 | |
is crack this three-digit code. | 0:00:19 | 0:00:21 | |
Each time someone fails, | 0:00:21 | 0:00:22 | |
more money is added and the jackpot goes up and up. | 0:00:22 | 0:00:25 | |
Last time, Heather and Matthew from Stockton-on-Tees | 0:00:25 | 0:00:28 | |
had picked two numbers which weren't in the code | 0:00:28 | 0:00:32 | |
before we ran out of time. | 0:00:32 | 0:00:33 | |
So, let's welcome them back. | 0:00:33 | 0:00:35 | |
Hello again. Hello, lovely to see you, Heather. | 0:00:39 | 0:00:42 | |
-Nice to see you. -And Matthew. -Hello. | 0:00:42 | 0:00:45 | |
You're from Stockton-on-Tees, | 0:00:45 | 0:00:46 | |
a print content editor and a community nurse. | 0:00:46 | 0:00:49 | |
-That's right. -It's good to see you back, | 0:00:49 | 0:00:51 | |
we were rudely interrupted by the klaxon last time, | 0:00:51 | 0:00:55 | |
but we are back here and ready to go. | 0:00:55 | 0:00:57 | |
Just remind us, what would you do | 0:00:57 | 0:00:59 | |
if you got a share of the £3,000 today? | 0:00:59 | 0:01:02 | |
I've be wanting to go on a cruise for years. | 0:01:02 | 0:01:04 | |
-Right. How about you, Matthew? -I think I'd like a trip to New York. | 0:01:04 | 0:01:07 | |
-Right. -I've always wanted to go. | 0:01:07 | 0:01:09 | |
Bit of shopping, see something on Broadway. | 0:01:09 | 0:01:11 | |
Check out the shows? | 0:01:11 | 0:01:12 | |
-Absolutely. -Well, let's hope we can make that happen for you today. | 0:01:12 | 0:01:16 | |
Before we start, let's say hi to Lesley. | 0:01:16 | 0:01:18 | |
Welcome back, Heather and Matthew. I hope you do well today. | 0:01:18 | 0:01:21 | |
-Thank you. -Thank you. | 0:01:21 | 0:01:23 | |
Now, we have two numbers on the keypad which aren't in your code, | 0:01:23 | 0:01:28 | |
so we're making good progress. | 0:01:28 | 0:01:29 | |
It means at this stage of the game, | 0:01:29 | 0:01:31 | |
we still get to see all the questions and all the answers. | 0:01:31 | 0:01:34 | |
So, let's have a look at your next three answers. | 0:01:34 | 0:01:38 | |
Remember, only one of these is correct. | 0:01:42 | 0:01:44 | |
That's the one you're trying to find. | 0:01:44 | 0:01:46 | |
-Shall we go with Radio 2? -Yeah. | 0:01:46 | 0:01:48 | |
Let's have a look at the question behind Radio 2. | 0:01:48 | 0:01:50 | |
-Ooh! -I'm not sure about that. | 0:01:56 | 0:01:58 | |
-No, me neither. -Shall we choose another one? | 0:01:58 | 0:02:00 | |
-Godzilla, I think. -Yeah. -OK. | 0:02:00 | 0:02:02 | |
-That was King Kong. -That was King Kong, I'm sure it was. | 0:02:09 | 0:02:12 | |
I'm sure it was, too. I think that's probably wrong. | 0:02:12 | 0:02:14 | |
-Right. -Let's see hiccups, just in case. -Let's see hiccups. | 0:02:14 | 0:02:16 | |
-That sounds right. -Yeah, it does. | 0:02:22 | 0:02:25 | |
That would make sense, your diaphragm... | 0:02:25 | 0:02:27 | |
-And it... -It flutters. | 0:02:27 | 0:02:28 | |
-I guess. -I think that's more likely to be right than BBC. | 0:02:28 | 0:02:32 | |
Shall we go with the middle answer, then? | 0:02:32 | 0:02:34 | |
Yes. This is scary. | 0:02:34 | 0:02:35 | |
Not fairly confident, but it sounds the most plausible. | 0:02:35 | 0:02:39 | |
-It's your best guess. -Yes. We'll go with the middle answer. | 0:02:39 | 0:02:42 | |
It's locked in. | 0:02:42 | 0:02:43 | |
If it's a correct answer, we get to choose your third digit. | 0:02:43 | 0:02:47 | |
If it's the wrong answer, then we have to say bye-bye. | 0:02:47 | 0:02:51 | |
Is hiccups the correct answer? | 0:02:51 | 0:02:53 | |
Well done! Your best guess is serving you very well. Lesley. | 0:02:58 | 0:03:02 | |
Your medical knowledge probably coming into play there, Matthew. | 0:03:02 | 0:03:05 | |
The synchronous diaphragmatic flutter, | 0:03:05 | 0:03:07 | |
also known as a singultus, | 0:03:07 | 0:03:09 | |
or a myoclonic jerk of the diaphragm. | 0:03:09 | 0:03:12 | |
The movie monster captured on Skull Island, | 0:03:12 | 0:03:14 | |
Matthew knew this straightaway - Heather, you agreed. | 0:03:14 | 0:03:17 | |
Not Godzilla, but King Kong. | 0:03:17 | 0:03:18 | |
And the BBC national radio station | 0:03:18 | 0:03:21 | |
which replaced the Home Service in 1967? | 0:03:21 | 0:03:24 | |
At the same time as the Light Programme was rebranded as Radio 2, | 0:03:24 | 0:03:29 | |
Radio 4 came into being. | 0:03:29 | 0:03:31 | |
There we go. So the Home Service became Radio 4. | 0:03:31 | 0:03:34 | |
It buys you the chance to choose another digit from the code. | 0:03:34 | 0:03:37 | |
-Which one next? -Shall we do the corners? | 0:03:37 | 0:03:39 | |
-Let's do number 9. -Going for the corners. | 0:03:39 | 0:03:41 | |
Is 9 in the first box? | 0:03:41 | 0:03:44 | |
It's not. Is it in the second box? | 0:03:47 | 0:03:49 | |
-It is! -Ooh! | 0:03:51 | 0:03:53 | |
Ooh, indeed! It's nice, isn't it? | 0:03:53 | 0:03:55 | |
It's a nice feeling, | 0:03:55 | 0:03:57 | |
when it pings up number 9 there in the middle box. | 0:03:57 | 0:04:00 | |
It does now mean that the game moves on to the next level. | 0:04:00 | 0:04:03 | |
It gets that little bit harder. | 0:04:03 | 0:04:04 | |
This time, as before, you get to see all three answers, | 0:04:04 | 0:04:08 | |
but you only get to see two questions before you have to commit. | 0:04:08 | 0:04:12 | |
-OK? -Mm-hm. -OK. | 0:04:12 | 0:04:14 | |
-If you're clear on that, let's see your next three answers. -OK. | 0:04:14 | 0:04:18 | |
It does become more important which order now you choose these in. | 0:04:22 | 0:04:26 | |
Do you know anything about Joe Montana? | 0:04:26 | 0:04:28 | |
-I don't know what bee hummingbird is. -No, me neither. | 0:04:28 | 0:04:30 | |
So... Shall we see Awful Towers first? | 0:04:30 | 0:04:32 | |
-Yes. -Let's see the question behind Awful Towers. | 0:04:32 | 0:04:34 | |
-I remember a lot of people talking about it. -Mm-hm. | 0:04:42 | 0:04:45 | |
-But I don't remember it being called that. -No. | 0:04:45 | 0:04:48 | |
So if we think that's probably incorrect, | 0:04:48 | 0:04:51 | |
but can we see another question, please? | 0:04:51 | 0:04:52 | |
Which one? | 0:04:52 | 0:04:54 | |
Joe Montana, please. | 0:04:54 | 0:04:55 | |
-I'm not really sure. -Now... | 0:05:03 | 0:05:05 | |
I vaguely remember Bill Hanna and somebody's name | 0:05:05 | 0:05:08 | |
being at the end of something. | 0:05:08 | 0:05:10 | |
-Good logic! -Yeah! | 0:05:12 | 0:05:14 | |
But whether it was with Joe Montana, I've no idea. | 0:05:14 | 0:05:17 | |
Hanna and... No, it's Barbera! | 0:05:17 | 0:05:19 | |
Hanna-Barbera. Wasn't it? | 0:05:19 | 0:05:21 | |
I'm not sure. Really not sure. | 0:05:21 | 0:05:23 | |
-Or was it? -Heather, that was like a lightning bolt. | 0:05:23 | 0:05:25 | |
It can't be Hanna Montana, that would be stupid. It can't be. | 0:05:25 | 0:05:29 | |
We have to get rid of one of those | 0:05:29 | 0:05:30 | |
to be able to see behind bee hummingbird. | 0:05:30 | 0:05:32 | |
-Shall we get rid of the top one, then? -This is very stressful. OK. | 0:05:32 | 0:05:35 | |
We want to eliminate Joe Montana as an incorrect answer. | 0:05:35 | 0:05:39 | |
-Am I right? BOTH: -Yes. | 0:05:39 | 0:05:41 | |
OK. | 0:05:41 | 0:05:42 | |
If it's a correct answer, I'm afraid it's back to Stockton-on-Tees - | 0:05:42 | 0:05:45 | |
we don't want that. | 0:05:45 | 0:05:47 | |
We want this to turn red | 0:05:47 | 0:05:48 | |
and Joe Montana to be an incorrect answer. | 0:05:48 | 0:05:51 | |
-Oh! -Absolutely brilliant. | 0:05:56 | 0:05:57 | |
Well done. Lesley. | 0:05:57 | 0:05:59 | |
Heather, you said Hanna Montana would be stupid. | 0:05:59 | 0:06:03 | |
Your instinct's right there. | 0:06:03 | 0:06:05 | |
It's not Joe Montana, | 0:06:05 | 0:06:06 | |
but Joe Barbera. | 0:06:06 | 0:06:08 | |
Hanna-Barbera - Yogi Bear, Flintstones... | 0:06:08 | 0:06:11 | |
That was properly hard-fought for. | 0:06:11 | 0:06:13 | |
-Yeah! -It means we can get rid of that incorrect answer. | 0:06:13 | 0:06:17 | |
Let's bin it. And we get to see the question behind bee hummingbird. | 0:06:17 | 0:06:21 | |
If you think of a bee - a bee is small. | 0:06:26 | 0:06:28 | |
I think it's more likely to be right than the bottom one. | 0:06:28 | 0:06:31 | |
-Yeah. -Because my instinct was the bottom one wasn't right. | 0:06:31 | 0:06:34 | |
Well, let's lock in the middle one, then. | 0:06:34 | 0:06:36 | |
-Yeah? -Yeah. -Go with your instinct. | 0:06:36 | 0:06:37 | |
Going to do it. Let's lock in bee hummingbird as the correct answer. | 0:06:37 | 0:06:42 | |
Is bee hummingbird the correct answer? | 0:06:44 | 0:06:47 | |
We want it to go green. | 0:06:47 | 0:06:49 | |
-Yes! -Yes! | 0:06:52 | 0:06:53 | |
Good logic, good logic. | 0:06:53 | 0:06:56 | |
-Lesley. -That's right, Matthew, | 0:06:56 | 0:06:57 | |
you said that bees are small and so are bee hummingbirds - | 0:06:57 | 0:07:00 | |
roughly the size of a large bee. | 0:07:00 | 0:07:02 | |
The name of Banksy's bemusement park - | 0:07:02 | 0:07:05 | |
not Awful Towers, but Dismaland, | 0:07:05 | 0:07:06 | |
which was open for 36 days. | 0:07:06 | 0:07:09 | |
Wow. Well, it's far from dismal here. We're doing really well. | 0:07:09 | 0:07:12 | |
Three numbers down from the keypad. | 0:07:12 | 0:07:14 | |
You've got one in your code, | 0:07:14 | 0:07:16 | |
and now you get the chance to choose another one. | 0:07:16 | 0:07:18 | |
-You said all four corners. -Mm-hm. | 0:07:18 | 0:07:20 | |
-Are you sticking with that? -Yes, please, number 3. | 0:07:20 | 0:07:23 | |
Number 3 - is it there in your code? | 0:07:23 | 0:07:26 | |
Is it in the first box? | 0:07:28 | 0:07:29 | |
It isn't there. Is it in the final box? | 0:07:30 | 0:07:33 | |
It's not there. | 0:07:35 | 0:07:36 | |
Still good. Only six left to choose from now. | 0:07:37 | 0:07:40 | |
-Are you ready for your next three answers? -Yes. | 0:07:40 | 0:07:43 | |
Let's have a look. | 0:07:43 | 0:07:44 | |
Anything jump out? George Foreman was a boxer, wasn't he? | 0:07:51 | 0:07:54 | |
-I think. -He does a grilling machine. | 0:07:54 | 0:07:56 | |
Nitrogen is in the periodic table. | 0:07:56 | 0:07:59 | |
Mm-hm. And Mayday, obviously, a Bank Holiday. | 0:07:59 | 0:08:02 | |
Or what to say when you're about to crash. | 0:08:02 | 0:08:04 | |
-Yeah! -So, let's go with Mayday. | 0:08:04 | 0:08:08 | |
Let's have a look at the question behind Mayday. | 0:08:08 | 0:08:10 | |
-That is used in an emergency. -It's used in an emergency, | 0:08:16 | 0:08:18 | |
but does it come from the French for "help me"? | 0:08:18 | 0:08:21 | |
I think that's possible. | 0:08:21 | 0:08:23 | |
Well, you get to look behind another answer before you have to choose. | 0:08:23 | 0:08:27 | |
Shall we go George Foreman? | 0:08:27 | 0:08:29 | |
Yeah? Yeah. | 0:08:29 | 0:08:30 | |
Well, we know he's a boxer. | 0:08:35 | 0:08:37 | |
Much as I like his grilling machine. | 0:08:37 | 0:08:39 | |
But keep Mayday, because Mayday is used in emergencies. | 0:08:41 | 0:08:45 | |
So we'd be better off getting rid of George Foreman. | 0:08:45 | 0:08:47 | |
Let's get rid of George Foreman. | 0:08:47 | 0:08:49 | |
Despite your love of his toasted sandwich machine, | 0:08:49 | 0:08:52 | |
you want to get rid of George Foreman. | 0:08:52 | 0:08:54 | |
Is it an incorrect answer? | 0:08:55 | 0:08:57 | |
-Yes! -It is. | 0:08:59 | 0:09:01 | |
Well done. | 0:09:01 | 0:09:02 | |
You're working it out. Lesley. | 0:09:02 | 0:09:04 | |
The right answer is Muhammad Ali. | 0:09:04 | 0:09:06 | |
Did you know George Foreman has lots of children? | 0:09:06 | 0:09:08 | |
He has five sons all called George, | 0:09:08 | 0:09:10 | |
and one of his daughters is called Georgette. | 0:09:10 | 0:09:13 | |
Oh, goodness me. | 0:09:13 | 0:09:14 | |
That's a incorrect answer. It means we can get rid of that | 0:09:14 | 0:09:16 | |
and concentrate on the two that remain. | 0:09:16 | 0:09:19 | |
Let's see the question behind nitrogen. | 0:09:19 | 0:09:21 | |
-I don't think that's right. -Don't you? | 0:09:31 | 0:09:33 | |
I think it's quite big in Earth's atmosphere. | 0:09:33 | 0:09:35 | |
I think it's one of the big ones. | 0:09:35 | 0:09:37 | |
But, you know, I'm not much of a scientist. | 0:09:37 | 0:09:39 | |
Are you more swayed to Mayday? | 0:09:39 | 0:09:41 | |
-Are YOU more swayed to Mayday? -I am. -OK. Well, I am as well. | 0:09:41 | 0:09:44 | |
-OK. -So, let's go with Mayday. -We're locking Mayday as the right answer. | 0:09:44 | 0:09:47 | |
We'll lock that in as a correct answer? | 0:09:47 | 0:09:49 | |
-Yes, please. -Yes, please. | 0:09:49 | 0:09:51 | |
It's locked in. | 0:09:51 | 0:09:53 | |
We want it to go green to give us another chance | 0:09:53 | 0:09:56 | |
at the keypad and at the code. | 0:09:56 | 0:09:58 | |
Is Mayday our correct answer? | 0:09:58 | 0:10:00 | |
Well done! | 0:10:04 | 0:10:06 | |
You are nailing this. | 0:10:06 | 0:10:07 | |
I'm not quite sure how you're doing it, but you're doing it. | 0:10:07 | 0:10:10 | |
-Lesley? -They're doing it with reasoning and instinct. | 0:10:10 | 0:10:14 | |
Yes, Mayday, the term used in an emergency, | 0:10:14 | 0:10:17 | |
comes from the French "m'aidez". | 0:10:17 | 0:10:21 | |
Frederick Stanley Mockford introduced the term Mayday in 1923. | 0:10:21 | 0:10:26 | |
He was a radio officer at Croydon Airport | 0:10:26 | 0:10:27 | |
and there was lots of traffic | 0:10:27 | 0:10:29 | |
between London and Paris at that time | 0:10:29 | 0:10:31 | |
and so he brought in a French word, | 0:10:31 | 0:10:33 | |
because he thought it would be easy to understand. | 0:10:33 | 0:10:35 | |
The gas which accounts for more than 95% of the atmosphere in Venus, | 0:10:35 | 0:10:40 | |
not nitrogen, but carbon dioxide. | 0:10:40 | 0:10:43 | |
Thank you, Lesley. Well, you are | 0:10:43 | 0:10:46 | |
streaking ahead now and we've almost used up | 0:10:46 | 0:10:48 | |
half the numbers on the keypad. Where are you going to go next? | 0:10:48 | 0:10:52 | |
-Middle one? -OK, the middle. | 0:10:52 | 0:10:54 | |
-Five, please. -I had a feeling you might. | 0:10:54 | 0:10:56 | |
It's a lovely pattern. We're going to go for number five. | 0:10:56 | 0:10:59 | |
Is five in our code? | 0:10:59 | 0:11:01 | |
Is it in that first box? | 0:11:01 | 0:11:02 | |
-It is. -Oh! | 0:11:05 | 0:11:07 | |
Wow! That pattern is really working for you! | 0:11:07 | 0:11:11 | |
Right, this is starting to get really quite serious now. | 0:11:11 | 0:11:15 | |
You've got two numbers in your code, | 0:11:15 | 0:11:19 | |
you've still got five numbers left to choose from, but now, | 0:11:19 | 0:11:23 | |
the game becomes really much more difficult. | 0:11:23 | 0:11:26 | |
Now you can open just one box at a time to see the question | 0:11:26 | 0:11:30 | |
before you have to commit. It's kind of sudden death. | 0:11:30 | 0:11:34 | |
Only one of them is correct, same as before. | 0:11:34 | 0:11:37 | |
-Are you ready? -Yeah. | 0:11:37 | 0:11:39 | |
Let's have a look at your next three answers. | 0:11:39 | 0:11:42 | |
More than before, it's important the order in which you open these. | 0:11:46 | 0:11:49 | |
-OK. -I'd like to think I know a little bit about Lee Mead. | 0:11:49 | 0:11:51 | |
You know Lee Mead. A bird or ferry could be anything. | 0:11:51 | 0:11:54 | |
-It really could. -Do you want to go with him first? | 0:11:54 | 0:11:57 | |
-If I don't know it, I'm really sorry. -OK! | 0:11:57 | 0:11:59 | |
We'll go Lee Mead. | 0:11:59 | 0:12:01 | |
Let's have a look at the question behind Lee Mead. | 0:12:01 | 0:12:04 | |
It definitely wasn't Lee Mead, I know that for a fact. | 0:12:10 | 0:12:13 | |
-Absolutely confident that that's an incorrect answer? -Absolutely. | 0:12:13 | 0:12:16 | |
OK, Heather, Matthew, we want this to turn red. | 0:12:16 | 0:12:19 | |
We want Lee Mead to be an incorrect answer. | 0:12:19 | 0:12:22 | |
And it is. Nailed on. | 0:12:26 | 0:12:28 | |
-Lesley? -It's David Sneddon. | 0:12:28 | 0:12:30 | |
Lee Mead won Any Dream Will Do | 0:12:30 | 0:12:33 | |
-and became Joseph in Joseph And The Amazing Technicolor Dreamcoat. -OK. | 0:12:33 | 0:12:38 | |
It means we can get rid of that incorrect answer | 0:12:38 | 0:12:41 | |
and we can concentrate on these two. | 0:12:41 | 0:12:43 | |
A bird and ferry. | 0:12:43 | 0:12:47 | |
Which one are you going to go for? | 0:12:47 | 0:12:48 | |
We'll go with a bird, please. | 0:12:48 | 0:12:50 | |
I feel like it was an axe. | 0:12:57 | 0:12:59 | |
Really? | 0:12:59 | 0:13:01 | |
I don't know why I think that, I could be wrong. | 0:13:01 | 0:13:03 | |
I think it might have been an axe. | 0:13:03 | 0:13:05 | |
-What do you think? -Hawk, obviously...you hear a bird, hawk. | 0:13:05 | 0:13:10 | |
But that axe thing came from Norway, | 0:13:10 | 0:13:12 | |
so I think we go with what you said. | 0:13:12 | 0:13:14 | |
It's quite specific to be wrong, isn't it? | 0:13:14 | 0:13:16 | |
-Exactly. -I mean, it could be. | 0:13:16 | 0:13:18 | |
So, we'll get rid of it. | 0:13:18 | 0:13:19 | |
You think bird is an incorrect answer? | 0:13:21 | 0:13:23 | |
-Yes. -Yeah? Yeah. | 0:13:23 | 0:13:25 | |
We're going to discard it. | 0:13:25 | 0:13:27 | |
It means we can look at the question behind ferry | 0:13:29 | 0:13:32 | |
and see how it makes you feel. | 0:13:32 | 0:13:34 | |
I don't even know where those places are. | 0:13:41 | 0:13:43 | |
Well, it sounds like you would go on a ferry. | 0:13:43 | 0:13:46 | |
That's right then, that's right. | 0:13:46 | 0:13:47 | |
It could be islands, maybe, in Scotland. | 0:13:47 | 0:13:49 | |
-Yeah. -Well, listen, we're about to find out, we can't change it now. | 0:13:49 | 0:13:53 | |
But what we do want is for a bird to turn red. | 0:13:53 | 0:13:57 | |
What was a tomahawk originally? | 0:13:59 | 0:14:00 | |
Yes, well done! | 0:14:04 | 0:14:05 | |
Well done! | 0:14:06 | 0:14:08 | |
-Lesley? -Yes, Heather, | 0:14:08 | 0:14:09 | |
sometimes you don't know why you know something but you just do | 0:14:09 | 0:14:12 | |
and you knew that a tomahawk was an axe not a hawk. | 0:14:12 | 0:14:15 | |
The mode of public transport which would take you most directly | 0:14:15 | 0:14:18 | |
from Fishguard in Wales to Rosslare in Ireland, | 0:14:18 | 0:14:20 | |
-a ferry. -Fantastic work. | 0:14:20 | 0:14:23 | |
We are now at the stage | 0:14:23 | 0:14:24 | |
where we can choose one number to complete the code | 0:14:24 | 0:14:28 | |
and possibly open the safe on £3,000 for the two of you. | 0:14:28 | 0:14:33 | |
There are five to choose from, it's quite a lot to choose from. | 0:14:34 | 0:14:37 | |
-Your odds are pretty slim. -Mm-hm. | 0:14:37 | 0:14:39 | |
Which one are you going to go for? | 0:14:39 | 0:14:42 | |
In keeping with your pattern, where would you like to go? | 0:14:42 | 0:14:45 | |
-Zero? -Zero? OK. | 0:14:45 | 0:14:46 | |
Right, who's going to put the number in? | 0:14:46 | 0:14:48 | |
-I am. -Matthew, join me down by the safe. | 0:14:48 | 0:14:51 | |
Now, Matthew, you've chosen the number zero. | 0:14:58 | 0:15:01 | |
If that is in your code, then you, as a team, will take home £3,000. | 0:15:02 | 0:15:10 | |
If you're ready, punch in the number zero. | 0:15:10 | 0:15:12 | |
Come on. That final slot, £3,000. | 0:15:19 | 0:15:21 | |
We want to send Matthew to Broadway. | 0:15:21 | 0:15:23 | |
Be there! | 0:15:29 | 0:15:30 | |
-Yes! -You did it! Oh, my goodness! | 0:15:33 | 0:15:37 | |
There it is. Reach in and take £3,000. | 0:15:42 | 0:15:48 | |
Wow! | 0:15:48 | 0:15:49 | |
-That's amazing! -My goodness. -That's brilliant! | 0:15:52 | 0:15:57 | |
-That was absolutely amazing! -Thank you. | 0:15:57 | 0:15:59 | |
I couldn't be more chuffed for you both, honestly. | 0:15:59 | 0:16:01 | |
-Me neither, thank you. -That's absolutely fantastic. | 0:16:01 | 0:16:04 | |
Lesley, what about that? | 0:16:04 | 0:16:05 | |
That was marvellous, very, very pleased for you. | 0:16:05 | 0:16:08 | |
Congratulations. | 0:16:08 | 0:16:09 | |
-Thank you. -I look forward | 0:16:09 | 0:16:11 | |
to seeing pictures of you on Broadway, Matthew. | 0:16:11 | 0:16:14 | |
We're chuffed to bits for you, genuinely. | 0:16:14 | 0:16:16 | |
The third winners of the series | 0:16:16 | 0:16:18 | |
and you've been really great contestants. | 0:16:18 | 0:16:21 | |
You've broken the code and you've won, enjoy your money. | 0:16:21 | 0:16:24 | |
-Thank you very much. -Have a lovely time. | 0:16:24 | 0:16:26 | |
-Thanks ever so much. -Thank you. -Thank you. | 0:16:26 | 0:16:28 | |
Thank you, bye-bye. | 0:16:29 | 0:16:31 | |
And off they go. Back to Stockton-on-Tees and then New York. | 0:16:32 | 0:16:35 | |
Big congratulations to Heather and Matthew, | 0:16:35 | 0:16:38 | |
they walk away with £3,000. | 0:16:38 | 0:16:40 | |
The jackpot has been won which means a fresh £3,000 goes into the safe. | 0:16:40 | 0:16:45 | |
And let's meet the next team hoping to crack the code. | 0:16:51 | 0:16:54 | |
Here we go, lovely. | 0:17:01 | 0:17:03 | |
-Lisa, how do you do? -Nice to meet you. -And Gina. -Hi. -Good to see you. | 0:17:03 | 0:17:07 | |
Right, tell me about yourselves. | 0:17:07 | 0:17:09 | |
Where do you come from? What do you do? Lisa? | 0:17:09 | 0:17:11 | |
OK, I come from a little town in Chudleigh near Exeter. | 0:17:11 | 0:17:14 | |
-OK. -I'm a full-time carer to my disabled son | 0:17:14 | 0:17:16 | |
-and my other band of monkeys that I live with. -Right. | 0:17:16 | 0:17:19 | |
I'm very lucky in that | 0:17:19 | 0:17:21 | |
I haven't worked for the last 12 years, having been doing that, | 0:17:21 | 0:17:24 | |
so I fill my time with lots of other fun stuff. | 0:17:24 | 0:17:26 | |
OK, and how do you know Gina? | 0:17:26 | 0:17:28 | |
Gina shouted at me from across a car park in the middle of town one day | 0:17:28 | 0:17:31 | |
and said, "Oi, fancy a coffee?" | 0:17:31 | 0:17:32 | |
And I went, "Yeah, all right." | 0:17:32 | 0:17:34 | |
Literally, that was the introduction? | 0:17:34 | 0:17:36 | |
And since then, we realised that we had loads of stuff in common. | 0:17:36 | 0:17:39 | |
Gina, how about you? What do you do? | 0:17:39 | 0:17:40 | |
My name's Gina, I'm from Chudleigh and I'm a fitness instructor. | 0:17:40 | 0:17:44 | |
OK. You're one of the first teams | 0:17:44 | 0:17:46 | |
-that we've seen come down the stairs hand-in-hand. -Aw! | 0:17:46 | 0:17:48 | |
Even married couples haven't done that! | 0:17:48 | 0:17:50 | |
I know, our husbands are going to be so jealous. | 0:17:50 | 0:17:52 | |
We are super, super close because we do a lot of singing together. | 0:17:53 | 0:17:56 | |
We're into amateur dramatics, | 0:17:56 | 0:17:58 | |
we're quite involved in our town's playful things, | 0:17:58 | 0:18:02 | |
so we get involved with festivals and singing | 0:18:02 | 0:18:04 | |
and opening bits and pieces. | 0:18:04 | 0:18:06 | |
-Bit of hosting. -That keeps us IN trouble! | 0:18:06 | 0:18:09 | |
OK, brilliant. You've got big boots to fill now | 0:18:09 | 0:18:11 | |
because you're following two sets of winners. | 0:18:11 | 0:18:15 | |
-OK. -And this is an easy game to play, it's a very hard game to win. | 0:18:15 | 0:18:21 | |
-Are you ready? -We can do this, we are ready. | 0:18:21 | 0:18:23 | |
-We are, we're ready. -Reset the code. | 0:18:23 | 0:18:25 | |
There we are, it's all blank at the moment. | 0:18:28 | 0:18:30 | |
Now, let's have a look at your first three answers. | 0:18:30 | 0:18:33 | |
Remember, only one of those | 0:18:38 | 0:18:39 | |
is correct and, at this point, | 0:18:39 | 0:18:41 | |
you can open all three answers to reveal the questions. | 0:18:41 | 0:18:43 | |
Where are you going to start? | 0:18:43 | 0:18:45 | |
-Europe? Yes, let's do Europe. -Europe. | 0:18:45 | 0:18:47 | |
Let's have a look at that question. | 0:18:47 | 0:18:49 | |
Anacondas are giant snakes native to which continent? | 0:18:49 | 0:18:52 | |
OK, right, not liking that at all. | 0:18:52 | 0:18:55 | |
I don't think that's right. | 0:18:55 | 0:18:57 | |
Rubbish film and I don't think it just said, "Europe." | 0:18:57 | 0:18:59 | |
OK, where do you want to go next? | 0:18:59 | 0:19:02 | |
Jessica, go on. | 0:19:02 | 0:19:03 | |
-OK, that's Roger, not Jessica. -Roger Rabbit, definitely not that. | 0:19:12 | 0:19:15 | |
-That's useful, let's go with Kim, then. -OK. | 0:19:15 | 0:19:17 | |
-That's true. -That's true, you and your politics and European stuff. | 0:19:25 | 0:19:30 | |
We'll go with that as a good... I'm happy with that, are you? | 0:19:30 | 0:19:32 | |
-I'm happy. -We'll lock that in as your correct answer. | 0:19:32 | 0:19:35 | |
Lock it. | 0:19:35 | 0:19:36 | |
We can't change that now, | 0:19:36 | 0:19:38 | |
we want that to go green. | 0:19:38 | 0:19:40 | |
Is Kim our correct answer? | 0:19:40 | 0:19:43 | |
You've got it, your first one. | 0:19:45 | 0:19:48 | |
Kim Il-Sung, Lesley. | 0:19:48 | 0:19:50 | |
Kim is the most common surname in Korea, | 0:19:50 | 0:19:53 | |
usually comes before the given name. | 0:19:53 | 0:19:55 | |
Anacondas, giant snakes native to which continent? | 0:19:55 | 0:19:58 | |
There aren't any really, really big snakes in Europe. | 0:19:58 | 0:20:01 | |
They are from South America. | 0:20:01 | 0:20:03 | |
And the 1988 film in which Mickey Mouse from Disney | 0:20:03 | 0:20:06 | |
and Bugs Bunny from Warner Brothers appeared together for the first time | 0:20:06 | 0:20:10 | |
and exactly as Lisa said, Who Framed Roger Rabbit, not Jessica Rabbit. | 0:20:10 | 0:20:14 | |
Voice in the film by Kathleen Turner. | 0:20:14 | 0:20:16 | |
-Live and learn. -Live and learn. | 0:20:16 | 0:20:19 | |
Thank you very much, Lesley. | 0:20:19 | 0:20:20 | |
What that means is we get to pick a number now. | 0:20:20 | 0:20:22 | |
OK. We can pick zero to nine to put into the code. | 0:20:22 | 0:20:25 | |
Which one are you going to go for? | 0:20:25 | 0:20:26 | |
Go on, I'm giving you first choice because I'm feeling gen... | 0:20:26 | 0:20:29 | |
-Four. -OK, I was actually going to take it, but I'll take four! | 0:20:29 | 0:20:32 | |
Let's have a look. Is the number four in your code? | 0:20:32 | 0:20:34 | |
Is it in the first box? | 0:20:34 | 0:20:36 | |
It's not there. Is it in the second box? | 0:20:38 | 0:20:40 | |
No number four there. Is number four in the final box of the code? | 0:20:43 | 0:20:46 | |
It's not there either. | 0:20:48 | 0:20:49 | |
-I'm so sorry, I'm so sorry. -Don't apologise. -You choose next time. | 0:20:49 | 0:20:52 | |
-It's good. -It's good, it is. -It's still good | 0:20:52 | 0:20:54 | |
because you've eliminated number four | 0:20:54 | 0:20:56 | |
and you're still playing the game at the easiest level. | 0:20:56 | 0:20:59 | |
-It's OK. -Are you ready for your next three answers? | 0:20:59 | 0:21:01 | |
-We're ready. -Yes. -Let's have a look. | 0:21:01 | 0:21:03 | |
-Love that, that is a song! -It's not a song I've heard of! | 0:21:07 | 0:21:10 | |
-OK. -Let's just run, top to bottom. | 0:21:10 | 0:21:13 | |
Let's do it. Easy, eagle. | 0:21:13 | 0:21:14 | |
Eagle. Let's have a look at | 0:21:14 | 0:21:16 | |
the question behind eagle. | 0:21:16 | 0:21:17 | |
-Golf terms, they're all birds, aren't they? -Yes. | 0:21:22 | 0:21:24 | |
-There's birdies and... -Yes, and eagle is definitely a golf term. | 0:21:24 | 0:21:27 | |
-Definitely? -I know for a fact, yeah. -OK. Let's do Beagle, then. | 0:21:27 | 0:21:30 | |
I should know that, I follow all the NASA things on Twitter. | 0:21:39 | 0:21:41 | |
-Do you?! I didn't know that! -Did you not know that? | 0:21:41 | 0:21:44 | |
You're finding out new things about each other, as well! | 0:21:44 | 0:21:46 | |
Let's try Smeagol first, because I know who Smeagol is. | 0:21:46 | 0:21:49 | |
-OK. -Do you?! -Yes. -Let's find out what's the question behind Smeagol. | 0:21:49 | 0:21:53 | |
-It's not Smeagol. -Right. | 0:21:58 | 0:22:00 | |
That's a definite no. | 0:22:00 | 0:22:02 | |
So if you're really sure that all the golfing terms are birds, | 0:22:02 | 0:22:05 | |
and I'm really, really sure that you're right... | 0:22:05 | 0:22:07 | |
I know that eagle definitely is. | 0:22:07 | 0:22:09 | |
I just don't know if it definitely is for a par-5... | 0:22:09 | 0:22:11 | |
I'm really unsure about NASA, so my gut's telling me that you're right. | 0:22:11 | 0:22:14 | |
And I'll just ditch you at the station if you're wrong. | 0:22:16 | 0:22:19 | |
Shall we lock in Beagle? | 0:22:19 | 0:22:20 | |
Let's be clear. The correct answer here is which one? | 0:22:20 | 0:22:24 | |
-Eagle. -Eagle. -Eagle. We are locking in Eagle... -Eagle. | 0:22:25 | 0:22:27 | |
..as the correct answer. | 0:22:27 | 0:22:29 | |
If it turns green, | 0:22:29 | 0:22:30 | |
you get to choose another number | 0:22:30 | 0:22:32 | |
from the code. If it's wrong, Chudleigh is calling. | 0:22:32 | 0:22:36 | |
Is Eagle our correct answer? | 0:22:36 | 0:22:39 | |
-It is. -Yes! -Sorry, overexcited! | 0:22:42 | 0:22:44 | |
Well done. Lesley? | 0:22:44 | 0:22:45 | |
You knew that the golfing terms here were named after birds. | 0:22:45 | 0:22:49 | |
A birdie one under par, an eagle two under par, and an albatross, | 0:22:49 | 0:22:53 | |
a bit rarer, three under par. | 0:22:53 | 0:22:55 | |
The name of the NASA probe, not Beagle, but New Horizons. | 0:22:55 | 0:22:59 | |
Beagle 2 was the European Space Agency's | 0:22:59 | 0:23:02 | |
failed mission to Mars led by Colin Pillinger. | 0:23:02 | 0:23:05 | |
And the name of the dragon in The Hobbit - Smaug. | 0:23:05 | 0:23:09 | |
-Smaug, yes. -Ooh! -Great work. | 0:23:09 | 0:23:12 | |
What we have now is a chance to choose the second number | 0:23:12 | 0:23:16 | |
and see if it sticks in your code. | 0:23:16 | 0:23:18 | |
-What's it going to be next? -I want to go for number three, please. | 0:23:18 | 0:23:21 | |
Number three. OK. | 0:23:21 | 0:23:22 | |
Is it in the code? Is it in the first box, number three? | 0:23:22 | 0:23:25 | |
It's not in the first box. Is it in the second box? | 0:23:28 | 0:23:31 | |
Number three is not in the second box. | 0:23:32 | 0:23:34 | |
How about the third and final box? | 0:23:34 | 0:23:36 | |
No three in your code. | 0:23:38 | 0:23:39 | |
-It's gone, it's gone. -It's gone, exactly. | 0:23:39 | 0:23:42 | |
-You've only got eight left. -OK. | 0:23:42 | 0:23:43 | |
-Are you ready for your next three answers? -Ready. -We're ready. | 0:23:43 | 0:23:46 | |
Let's have a look. | 0:23:46 | 0:23:47 | |
Gina's Welsh so we should definitely uncover Cardiff. | 0:23:52 | 0:23:54 | |
-Cardiff first? -Yeah. -Let's have a look at the question behind Cardiff. | 0:23:54 | 0:23:57 | |
-Right. -You know what? I think that's right now. | 0:24:02 | 0:24:04 | |
Yeah, but Exeter's St David's. | 0:24:04 | 0:24:06 | |
Oh. Oh, OK. But St David's Welsh. | 0:24:06 | 0:24:08 | |
OK. How well do you know Cardiff? | 0:24:09 | 0:24:12 | |
Pretty well and I have been there on the train | 0:24:12 | 0:24:14 | |
and I've got an inkling that that is correct. | 0:24:14 | 0:24:16 | |
So you would have gone from Exeter St David's to Cardiff St David's? | 0:24:16 | 0:24:19 | |
That's a good point, I don't know! | 0:24:21 | 0:24:23 | |
Let's have a look at the next question. | 0:24:23 | 0:24:25 | |
-OK. -Which one is it going to be? | 0:24:25 | 0:24:27 | |
-Spanish Civil War, because it scares me. -Let's have a look. | 0:24:27 | 0:24:30 | |
OK, well, the name for war is guerre or something similar | 0:24:36 | 0:24:41 | |
in a particular language and I can't even remember, | 0:24:41 | 0:24:44 | |
it might be French I'm drawing from. | 0:24:44 | 0:24:46 | |
Let's do Ice Ice Baby, worry about that in a minute, I've no idea. | 0:24:46 | 0:24:49 | |
OK, let's have a look at the question behind Ice Ice Baby. | 0:24:49 | 0:24:52 | |
-You should remember that. -Oh, no! | 0:24:57 | 0:24:59 | |
-This is not what I thought it was going to be at all. -This is harder. | 0:24:59 | 0:25:03 | |
I'm trying to link this whole Pablo Picasso and... | 0:25:03 | 0:25:08 | |
How do you pronounce that? Gu... | 0:25:08 | 0:25:10 | |
-Guernica. -Guernica, thank you. | 0:25:10 | 0:25:12 | |
It's just a hard "G" isn't it? | 0:25:12 | 0:25:13 | |
Yeah, with the Spanish Civil War... | 0:25:13 | 0:25:15 | |
Something about that rings true. | 0:25:15 | 0:25:17 | |
And Wall's ice-cream tricycles. | 0:25:17 | 0:25:20 | |
I can't imagine it would be Ice Ice Baby, | 0:25:20 | 0:25:22 | |
but that's because it's so modern | 0:25:22 | 0:25:23 | |
and I'm thinking, "Would they have said that in the '20s?" | 0:25:23 | 0:25:26 | |
-We need to lock in one of these. -OK. | 0:25:26 | 0:25:27 | |
One of these is the correct answer. | 0:25:27 | 0:25:29 | |
I'd go with Cardiff, but... | 0:25:31 | 0:25:32 | |
you will absolutely kill me | 0:25:32 | 0:25:34 | |
if I'm wrong. | 0:25:34 | 0:25:35 | |
Do I go with my gut? My gut's saying Spanish Civil War. But... | 0:25:36 | 0:25:40 | |
-OK, we'll go with Cardiff... -No! | 0:25:41 | 0:25:43 | |
You sure? | 0:25:44 | 0:25:46 | |
-No, I'm not 100%. -I don't remember Picasso doing war paintings. | 0:25:46 | 0:25:50 | |
-Let's go with Cardiff. -You want Cardiff | 0:25:50 | 0:25:52 | |
-as your correct answer? -We're locking. | 0:25:52 | 0:25:53 | |
Let's lock in Cardiff. | 0:25:53 | 0:25:55 | |
-Oh, Lord! -We want this to go green. | 0:25:55 | 0:25:57 | |
We want Cardiff's station | 0:25:57 | 0:25:59 | |
to be called St David's. | 0:25:59 | 0:26:01 | |
Is it the correct answer? | 0:26:03 | 0:26:04 | |
-Oh! -Oh, I'm so sorry! | 0:26:08 | 0:26:10 | |
It's not the right answer. | 0:26:10 | 0:26:13 | |
-Let's find out which answer was correct. -I'm so sorry! | 0:26:13 | 0:26:18 | |
-Oh! -Oh, good Lord! -Oh, no! | 0:26:18 | 0:26:21 | |
-The Spanish Civil War was correct. -I'm so sorry, so sorry. | 0:26:21 | 0:26:24 | |
-Lesley? -Lisa, Gina, I'm so sorry. | 0:26:24 | 0:26:27 | |
Yes, the painting a response to the bombing in 1937 of Guernica. | 0:26:27 | 0:26:33 | |
St David's the main train station of which British city? | 0:26:33 | 0:26:37 | |
-You're Welsh? -Gina's Welsh. | 0:26:37 | 0:26:39 | |
I'm Welsh. I know, but I don't... | 0:26:39 | 0:26:40 | |
I never lived near Cardiff, but I have been. | 0:26:40 | 0:26:42 | |
Where do you live? | 0:26:42 | 0:26:43 | |
Exeter, St David's. | 0:26:43 | 0:26:45 | |
Exeter St David's is the right name for Exeter station. | 0:26:46 | 0:26:50 | |
-Oh, my Lord. -Cardiff Central is the main station in Cardiff. | 0:26:50 | 0:26:52 | |
We should have read that a bit longer, shouldn't we? | 0:26:52 | 0:26:55 | |
That's the royal "we"! | 0:26:55 | 0:26:57 | |
-Not me. -Moving on, then, | 0:26:57 | 0:26:59 | |
to the phrase which first appeared | 0:26:59 | 0:27:01 | |
on Wall's ice-cream tricycles in the 1920s. | 0:27:01 | 0:27:03 | |
Not Ice Ice Baby, which was a hit for Vanilla Ice in 1990, | 0:27:03 | 0:27:08 | |
but, "Stop me and buy one." | 0:27:08 | 0:27:10 | |
Stop me and buy one. | 0:27:10 | 0:27:12 | |
How are you travelling home? | 0:27:12 | 0:27:13 | |
Train, to Exeter St David's! | 0:27:13 | 0:27:15 | |
To Exeter St David's! | 0:27:15 | 0:27:16 | |
OK, well, have a good, long, hard look at the sign when you get there. | 0:27:16 | 0:27:20 | |
Do you know what, it's been a short visit, | 0:27:20 | 0:27:22 | |
but we very much enjoyed it and, on this occasion, | 0:27:22 | 0:27:25 | |
I'm afraid you haven't been able to break the code, | 0:27:25 | 0:27:28 | |
so we have to wish you bon voyage back to Chudleigh. | 0:27:28 | 0:27:32 | |
-Thank you. -Thank you. | 0:27:32 | 0:27:33 | |
-Bye! -Bye-bye. | 0:27:33 | 0:27:36 | |
Well, there go Lisa and Gina, back on the train to Exeter St David's. | 0:27:36 | 0:27:41 | |
Their loss is our next contestant's gain | 0:27:41 | 0:27:43 | |
because the jackpot now goes up by £500. | 0:27:43 | 0:27:46 | |
So, let's meet the next team hoping to crack the code. | 0:27:46 | 0:27:49 | |
Hello, nice to meet you. | 0:27:54 | 0:27:56 | |
-Hello. -Hello, nice to see you, you all right? | 0:27:56 | 0:27:59 | |
So, you are both from London, Essex originally, is that right? | 0:27:59 | 0:28:02 | |
-Yes. -So, how do you know each other? | 0:28:02 | 0:28:05 | |
We work other together at a charity | 0:28:05 | 0:28:06 | |
that works with British people who get arrested overseas. | 0:28:06 | 0:28:10 | |
Oh, wow! So, these are people who are in trouble | 0:28:10 | 0:28:12 | |
in other countries all around the world? | 0:28:12 | 0:28:14 | |
All around the world, yes. | 0:28:14 | 0:28:16 | |
That sounds kind of exciting and scary. | 0:28:16 | 0:28:18 | |
It is both of those things most days, yes. | 0:28:18 | 0:28:20 | |
Does that mean you guys get to travel at all? | 0:28:20 | 0:28:22 | |
Occasionally. In the time I've worked there, I've been to Jamaica, | 0:28:22 | 0:28:26 | |
Thailand and Ecuador, all visiting prisons. | 0:28:26 | 0:28:29 | |
They sound like glamorous locations, | 0:28:29 | 0:28:31 | |
but I'm spending my time visiting British people in prisons there, | 0:28:31 | 0:28:34 | |
so you really get to see how they live | 0:28:34 | 0:28:36 | |
and what prison conditions are like. | 0:28:36 | 0:28:38 | |
Yeah, this is pretty serious stuff. | 0:28:38 | 0:28:39 | |
-Mm. -So, what do you do when you're not working, you guys? | 0:28:39 | 0:28:42 | |
I'm very much into cooking and baking, | 0:28:42 | 0:28:46 | |
although I've had the odd disaster. | 0:28:46 | 0:28:48 | |
-Really? -Yes, completely flat macaroons and... | 0:28:48 | 0:28:51 | |
OK, macaroons are notoriously difficult. | 0:28:51 | 0:28:53 | |
Yes, I've yet to do a properly good one. | 0:28:53 | 0:28:55 | |
What's your signature dish? What's the show-stopper? | 0:28:55 | 0:28:58 | |
A peanut butter brownie tray-bake thing. | 0:28:58 | 0:29:01 | |
Does this happen in the office, Theo? Does Emma come in...? | 0:29:01 | 0:29:04 | |
She does bring them in, which is to her credit | 0:29:04 | 0:29:06 | |
and I can vouch for the fact that they are delicious. | 0:29:06 | 0:29:08 | |
OK, well, if you win big today, | 0:29:08 | 0:29:11 | |
-maybe that would be a way to celebrate? -Maybe it would, yeah. | 0:29:11 | 0:29:14 | |
Well, listen, Lisa and Gina, who were here before you, failed, | 0:29:14 | 0:29:17 | |
which is bad news for them but it's good news for you, | 0:29:17 | 0:29:20 | |
because it means another £500 finds its way into the safe. | 0:29:20 | 0:29:23 | |
The jackpot now goes up to £3,500. | 0:29:23 | 0:29:27 | |
So, we'll reset the code. | 0:29:29 | 0:29:31 | |
Three blanks that we hope to turn into three numbers. | 0:29:34 | 0:29:37 | |
And if you're ready, Emma and Theo, | 0:29:37 | 0:29:38 | |
let's look at your first three answers. | 0:29:38 | 0:29:40 | |
We've got our first laugh of the day, well done! | 0:29:46 | 0:29:49 | |
Where do we want to start there? | 0:29:49 | 0:29:50 | |
-Start with a good poop? -Oh! | 0:29:50 | 0:29:52 | |
-We're disagreeing already! -I don't know, | 0:29:53 | 0:29:55 | |
-they could be about anything. -They really could. | 0:29:55 | 0:29:58 | |
-We're keeping it wide open. -Yeah. | 0:29:58 | 0:30:00 | |
All right, then, we'll go with yours, we'll go for poop. | 0:30:00 | 0:30:02 | |
-We're going to go for a poop? -Yeah. -Here we go. | 0:30:02 | 0:30:04 | |
What four-letter word starts and ends | 0:30:04 | 0:30:06 | |
with the 14th letter of the alphabet | 0:30:06 | 0:30:08 | |
and has the 15th letter of the alphabet twice in between? | 0:30:08 | 0:30:12 | |
Well, it's not that, because O comes before P. | 0:30:12 | 0:30:15 | |
-So... -Yeah, that's right. | 0:30:15 | 0:30:17 | |
Well, we don't have to commit just yet. | 0:30:17 | 0:30:19 | |
Let's look at one of the others, where do you want to go next? | 0:30:19 | 0:30:22 | |
-Brother and sister? -Yeah, let's go for it. | 0:30:22 | 0:30:24 | |
Brother and sister, please. | 0:30:24 | 0:30:25 | |
I'm happy with that, I think that's right. | 0:30:30 | 0:30:32 | |
Yeah? They were, weren't they? They weren't married. | 0:30:32 | 0:30:34 | |
-You think that's the right answer? -I feel that's right. | 0:30:34 | 0:30:36 | |
Let's look at the last question. | 0:30:36 | 0:30:39 | |
-I know that's a swan. -That's a swan, yeah. -OK, yeah, we're happy. | 0:30:44 | 0:30:47 | |
-Happy to lock in one of those? -Yeah, absolutely. | 0:30:47 | 0:30:49 | |
Let's go for The Carpenters, they were brother and sister. | 0:30:49 | 0:30:51 | |
OK, brother and sister, locked in, please, as a correct answer. | 0:30:51 | 0:30:54 | |
If it is correct, you get to choose | 0:30:54 | 0:30:56 | |
a number to enter into the code | 0:30:56 | 0:30:58 | |
and see if it sticks. | 0:30:58 | 0:31:00 | |
It is, well done. | 0:31:02 | 0:31:03 | |
Good start. Lesley? | 0:31:04 | 0:31:06 | |
Emma and Theo, you made quick work of that one. | 0:31:06 | 0:31:09 | |
The relation, exactly, brother and sister, born in Connecticut, | 0:31:09 | 0:31:14 | |
making music together until Karen died in 1983. | 0:31:14 | 0:31:18 | |
The four-letter word which starts and ends with | 0:31:18 | 0:31:20 | |
the 14th letter of the alphabet, well, Emma, | 0:31:20 | 0:31:23 | |
you recognised it couldn't be right | 0:31:23 | 0:31:25 | |
because of the letter order. | 0:31:25 | 0:31:26 | |
The correct answer is noon. | 0:31:26 | 0:31:28 | |
And the ugly duckling turns into, | 0:31:28 | 0:31:30 | |
at the end of the fairy tale, | 0:31:30 | 0:31:32 | |
you both knew this one immediately, | 0:31:32 | 0:31:34 | |
it was not a prince, but a swan. | 0:31:34 | 0:31:36 | |
There we go. It means we get on the board with the digits. | 0:31:36 | 0:31:41 | |
Which one would you like to enter into the code to see if it's there? | 0:31:41 | 0:31:45 | |
Purely cos it was my nan's lucky number, | 0:31:45 | 0:31:47 | |
-I'd like to go with number two, please. -Number two for Nan. | 0:31:47 | 0:31:50 | |
Let's see if it's there. | 0:31:50 | 0:31:51 | |
Number two, is it in the first box? | 0:31:51 | 0:31:53 | |
It's not there. Is it in the second box? | 0:31:56 | 0:31:58 | |
There is no number two. Is number two in the third and final box? | 0:32:00 | 0:32:03 | |
No number two. | 0:32:03 | 0:32:05 | |
-Not so lucky for Nan! -No. | 0:32:05 | 0:32:06 | |
But not too bad for you, | 0:32:06 | 0:32:08 | |
because it does mean we eliminate a number and carry on playing the game | 0:32:08 | 0:32:11 | |
at the easiest stage, you can still see all three questions at once. | 0:32:11 | 0:32:16 | |
Are you ready to crack on with the next three answers? | 0:32:16 | 0:32:18 | |
-Yes. -Let's have a look. | 0:32:18 | 0:32:20 | |
-Shall we just start at the top? -Yeah. | 0:32:25 | 0:32:26 | |
-None of those say anything massive to me. -Yeah, yeah. | 0:32:26 | 0:32:29 | |
Let's have a look at the question behind Dean. | 0:32:29 | 0:32:31 | |
-I think that's right. -I think that's right as well. | 0:32:39 | 0:32:42 | |
I think the Forest of Dean is in Gloucestershire, | 0:32:42 | 0:32:44 | |
-but we'll definitely want to check that. -Yeah. -Absolutely. | 0:32:44 | 0:32:48 | |
Shall we try Austrian next? | 0:32:48 | 0:32:49 | |
-Yes. -Let's open the question behind Austrian. | 0:32:49 | 0:32:52 | |
-That's Swiss. -Yeah, that's Swiss. | 0:33:00 | 0:33:02 | |
-I've not made one, but... -Just checking! | 0:33:02 | 0:33:04 | |
-Shall we have a look behind 19? -Yeah, great. | 0:33:04 | 0:33:06 | |
I think that's incorrect, because it's... | 0:33:14 | 0:33:16 | |
Isn't it when you aim for 20 and veer to the right | 0:33:16 | 0:33:18 | |
-you always hit 1? -Yeah, I think so. | 0:33:18 | 0:33:20 | |
-Shall we go with Forest of Dean as the right answer, then? -Yeah. | 0:33:20 | 0:33:24 | |
-Happy to lock in Dean as the correct answer? -Yes. -Let's do that. | 0:33:24 | 0:33:27 | |
If Dean is the correct answer, | 0:33:27 | 0:33:29 | |
we get to choose | 0:33:29 | 0:33:30 | |
another digit for the code. | 0:33:30 | 0:33:32 | |
It is right. Well done. Lesley? | 0:33:34 | 0:33:37 | |
That's right, the Forest of Dean, | 0:33:37 | 0:33:40 | |
a National Park since 1938. | 0:33:40 | 0:33:42 | |
The European nationality | 0:33:42 | 0:33:44 | |
which goes before the word "roll", | 0:33:44 | 0:33:46 | |
you haven't made one, | 0:33:46 | 0:33:47 | |
but you recognised Swiss roll. | 0:33:47 | 0:33:49 | |
And on a standard dartboard, | 0:33:49 | 0:33:51 | |
what number is on the right-hand side of 20? | 0:33:51 | 0:33:53 | |
Not 19, but 1. | 0:33:53 | 0:33:55 | |
-It is? OK. -So, there we have it, | 0:33:55 | 0:33:57 | |
another chance to choose a digit to put into the code. | 0:33:57 | 0:33:59 | |
You guys are motoring through these. | 0:33:59 | 0:34:01 | |
Where do you want to go next? | 0:34:01 | 0:34:03 | |
We'll try number four this time. | 0:34:03 | 0:34:05 | |
Number four there, is it in the first box? | 0:34:05 | 0:34:07 | |
No. Is it in the second box? | 0:34:10 | 0:34:12 | |
It's not. Is it in the third and final box? | 0:34:14 | 0:34:17 | |
-No number four. -OK. | 0:34:19 | 0:34:21 | |
Still eliminating them from our enquiries. | 0:34:21 | 0:34:24 | |
Let's have a look at your next three answers. | 0:34:24 | 0:34:27 | |
-Shall we do them in order again? -Yeah. -Third nipple? -I think so. | 0:34:33 | 0:34:36 | |
A third nipple, please. | 0:34:36 | 0:34:38 | |
I don't know that, it doesn't ring any bells. | 0:34:44 | 0:34:46 | |
No, I mean, it could be, | 0:34:46 | 0:34:47 | |
because poly-anything means that you have several of something. | 0:34:47 | 0:34:51 | |
-Shall we look at Glasgow, then? -Yeah. | 0:34:52 | 0:34:54 | |
-It's not Glasgow, it's Edinburgh. -OK, very good. Cool. | 0:34:58 | 0:35:01 | |
-Yeah. -Good sporting knowledge, there! | 0:35:01 | 0:35:04 | |
-We hope! -Is that one of your strong points? | 0:35:04 | 0:35:06 | |
No! It's really not! | 0:35:06 | 0:35:08 | |
So we think that might be an incorrect answer. | 0:35:08 | 0:35:11 | |
Let's have a look at the question behind Annie. | 0:35:11 | 0:35:13 | |
-That's Cats. -Yeah. I'm fairly sure about the football one, | 0:35:20 | 0:35:23 | |
because I think it's Celtic and Rangers. | 0:35:23 | 0:35:26 | |
So I guess it must be the third-nipple question? | 0:35:26 | 0:35:29 | |
-Yeah? -If in a process of elimination... | 0:35:29 | 0:35:31 | |
-I'm happy to go with that. Shall we? -Yeah. | 0:35:31 | 0:35:33 | |
Just by the process of elimination, you think polythelia | 0:35:33 | 0:35:36 | |
is the condition which gives you a third nipple? | 0:35:36 | 0:35:39 | |
-You want to lock it in? -Yes. | 0:35:39 | 0:35:41 | |
Let's do it. OK, it is locked in. | 0:35:41 | 0:35:43 | |
Is it the correct answer? | 0:35:43 | 0:35:44 | |
Yes. Well done. The process of elimination worked. Lesley? | 0:35:49 | 0:35:54 | |
Polythelia could mean more than three nipples. | 0:35:54 | 0:35:56 | |
Famous fictional characters with three nipples include | 0:35:56 | 0:35:59 | |
Scaramanga from The Man With The Golden Gun, | 0:35:59 | 0:36:01 | |
Krusty the Clown has a spare nipple, | 0:36:01 | 0:36:03 | |
as does Chandler in Friends. | 0:36:03 | 0:36:06 | |
And Heart of Midlothian and Hibernian | 0:36:06 | 0:36:08 | |
are football teams from not Glasgow, but Edinburgh, | 0:36:08 | 0:36:11 | |
you had an instinct there that that one was wrong. | 0:36:11 | 0:36:14 | |
And Bombalurina, Grizabella and Macavity | 0:36:14 | 0:36:17 | |
are characters not from Annie, but from, exactly as Theo said, Cats. | 0:36:17 | 0:36:21 | |
Two and four so far, what do you want to go for? | 0:36:21 | 0:36:24 | |
-Let's go for a six, then. -Let's try number six in the code. | 0:36:24 | 0:36:28 | |
Is it in the first box? | 0:36:28 | 0:36:30 | |
No number six. | 0:36:32 | 0:36:34 | |
Is it in the second box? | 0:36:34 | 0:36:35 | |
Not there. Is number six in the third and final box? | 0:36:36 | 0:36:40 | |
There is no number six. | 0:36:42 | 0:36:44 | |
We've got seven left now, three of them must be there somewhere. | 0:36:44 | 0:36:47 | |
It's three unique numbers. | 0:36:47 | 0:36:49 | |
You're doing really well, guys. | 0:36:49 | 0:36:51 | |
Let's have a look at your next three answers. | 0:36:51 | 0:36:53 | |
Wow, OK. Don't know much about any of those, really. | 0:36:59 | 0:37:02 | |
No. Shall we start with climbing Everest? | 0:37:02 | 0:37:04 | |
-Yes, absolutely. -Yeah. | 0:37:04 | 0:37:06 | |
Let's have a look at the question behind climbing Everest. | 0:37:06 | 0:37:08 | |
-It sounds... -Could very well be. -..possible, doesn't it? | 0:37:15 | 0:37:18 | |
-But I'm not sure. Shall we go on to the next one? -Yeah. -OK. | 0:37:18 | 0:37:21 | |
-Oh, no, that's Fawlty Towers, isn't it? -Fawlty Towers, yeah. | 0:37:26 | 0:37:29 | |
-So, yeah, can we go on to the last one, please? -OK. | 0:37:29 | 0:37:31 | |
-That's January, so it's not August. -OK. -Is your Spanish good, Emma? | 0:37:36 | 0:37:41 | |
I did a degree in it, so... | 0:37:41 | 0:37:43 | |
-Oh! -So it ought to be! | 0:37:43 | 0:37:45 | |
So you feel that's worked out pretty well for you, then? | 0:37:45 | 0:37:48 | |
-Yeah! -Which one do we think we want to lock in? | 0:37:48 | 0:37:51 | |
-So we're locking in climbing Everest, then? -We are, yeah. | 0:37:51 | 0:37:54 | |
-By a process of deduction. -Yes. | 0:37:54 | 0:37:55 | |
Let's lock it in. | 0:37:55 | 0:37:57 | |
If it turns green, | 0:37:57 | 0:37:58 | |
you get to choose another digit | 0:37:58 | 0:38:01 | |
to put into the code. Is climbing Everest our correct answer? | 0:38:01 | 0:38:05 | |
-OK. -You are making mincemeat of this, aren't they? | 0:38:09 | 0:38:13 | |
This is not like climbing Everest at all! | 0:38:13 | 0:38:15 | |
No, this is just a walk in the park! | 0:38:15 | 0:38:17 | |
Apa Sherpa, the first man to climb Everest 20 times. | 0:38:17 | 0:38:22 | |
Basil The Rat, the last episode of Fawlty Towers | 0:38:22 | 0:38:26 | |
and, Emma, your Spanish background served you well in here. | 0:38:26 | 0:38:30 | |
You'll be able to tell us what August is. | 0:38:30 | 0:38:32 | |
-Agosto. -Not August, but January. | 0:38:32 | 0:38:35 | |
Wow, yeah, that was pretty accomplished right there. | 0:38:35 | 0:38:37 | |
Do you have a degree in anything else we need to know about? | 0:38:37 | 0:38:41 | |
It does mean that we have seven digits left to go, | 0:38:42 | 0:38:46 | |
three spaces in the code. | 0:38:46 | 0:38:48 | |
Which one are we going to go for next? | 0:38:48 | 0:38:50 | |
I'm not happy with how the even numbers are going so far, | 0:38:50 | 0:38:52 | |
-so I'm going to plump for number five, please. -Number five. | 0:38:52 | 0:38:56 | |
Is it in the first box? | 0:38:58 | 0:38:59 | |
It's not there. Is it in the second box? | 0:39:02 | 0:39:04 | |
-It is! -OK. -Good strategy, | 0:39:07 | 0:39:09 | |
going odd rather than even seems to have worked. | 0:39:09 | 0:39:12 | |
You've found your first number - you're onto the next level. | 0:39:12 | 0:39:15 | |
But it does get a little bit harder here. | 0:39:15 | 0:39:18 | |
As before, you get to see all three answers, | 0:39:18 | 0:39:20 | |
but you can only see two questions at a time before you have to commit. | 0:39:20 | 0:39:24 | |
You don't quite get the full picture. | 0:39:24 | 0:39:26 | |
Let's have a look at those three answers. | 0:39:26 | 0:39:29 | |
Obviously, the order in which you choose these | 0:39:35 | 0:39:38 | |
does become slightly more important. | 0:39:38 | 0:39:40 | |
Well, third round is the least obvious what it's about, isn't it? | 0:39:40 | 0:39:44 | |
Yes, I'd agree with that. The Shining I've seen a couple of times, | 0:39:44 | 0:39:46 | |
I've seen the documentary about it, | 0:39:46 | 0:39:48 | |
so I might know a little bit more about the background. | 0:39:48 | 0:39:50 | |
Sounds a good place to start, then. | 0:39:50 | 0:39:52 | |
Let's reveal the question behind The Shining. | 0:39:52 | 0:39:54 | |
That's One Flew Over The Cuckoo's Nest, I think. | 0:40:03 | 0:40:05 | |
Yeah, the Jack Nicholson connection, whereas The Shining is... | 0:40:05 | 0:40:08 | |
I think the novel was later cos it was a Stephen King, | 0:40:08 | 0:40:11 | |
and it's based in a hotel rather than a psychiatric hospital. | 0:40:11 | 0:40:14 | |
-Mm. -Fairly confident on that one? | 0:40:14 | 0:40:15 | |
-Yes. -Yeah. -We can still choose another question to reveal | 0:40:15 | 0:40:19 | |
-before we have to make a decision. -Shall we choose Westminster Abbey? | 0:40:19 | 0:40:23 | |
-OK. -Let's have a look at the question behind Westminster Abbey. | 0:40:23 | 0:40:26 | |
I haven't heard that phrase before, The Strangers' Gallery. | 0:40:32 | 0:40:36 | |
There's the Whispering Gallery in St Paul's, isn't there? | 0:40:36 | 0:40:38 | |
-I haven't heard of The Strangers' Gallery in any place. -I don't know. | 0:40:38 | 0:40:41 | |
What we're looking to do here | 0:40:41 | 0:40:43 | |
is eliminate one that you think is incorrect. | 0:40:43 | 0:40:45 | |
Well, we'll eliminate The Shining, then. | 0:40:45 | 0:40:48 | |
-Happy to eliminate The Shining? -Yeah. | 0:40:48 | 0:40:50 | |
We want The Shining to be an incorrect answer, | 0:40:50 | 0:40:53 | |
we want this one to turn red. | 0:40:53 | 0:40:55 | |
-It is. Great stuff. Lesley? -That's right, Theo, | 0:40:59 | 0:41:02 | |
you knew that The Shining was in a hotel | 0:41:02 | 0:41:04 | |
rather than in a psychiatric hospital. | 0:41:04 | 0:41:07 | |
The Shining also written in 1977, didn't win any Oscars. | 0:41:07 | 0:41:11 | |
The correct answer - One Flew Over The Cuckoo's Nest. | 0:41:11 | 0:41:14 | |
Nailed it. Let's get rid of that incorrect answer | 0:41:14 | 0:41:18 | |
and we can open the question behind third round. | 0:41:18 | 0:41:21 | |
-I think that is right, I think it is the third round. -OK. Yeah? -Yeah. -OK. | 0:41:28 | 0:41:32 | |
You want to commit to third round as your correct answer? | 0:41:32 | 0:41:35 | |
I'm happy to go with that cos you seem like... | 0:41:35 | 0:41:37 | |
-Oh, God... -Gut instinct, you knew it. -Mm. | 0:41:37 | 0:41:40 | |
Well, The Strangers' Gallery means nothing to me | 0:41:40 | 0:41:42 | |
and I think I've got more of an inkling about the football one | 0:41:42 | 0:41:45 | |
so we're going to go with that. | 0:41:45 | 0:41:46 | |
An inkling is sometimes enough. | 0:41:46 | 0:41:48 | |
-Yeah. -Let's lock in third round as our correct answer. | 0:41:48 | 0:41:52 | |
We want the third round to be right | 0:41:52 | 0:41:55 | |
and we get the chance to put another digit into the code. | 0:41:55 | 0:41:58 | |
-Well done! -It was a good inkling, it was a good inkling. Lesley? | 0:42:02 | 0:42:06 | |
That's right, a chance for | 0:42:06 | 0:42:08 | |
smaller teams who've got through to play bigger clubs. | 0:42:08 | 0:42:11 | |
And the London building in which you would find The Strangers' Gallery - | 0:42:11 | 0:42:14 | |
-the Houses of Parliament. -OK. | 0:42:14 | 0:42:17 | |
You've got just six numbers to choose from now. | 0:42:17 | 0:42:20 | |
Where are you going to go next? | 0:42:20 | 0:42:21 | |
We're having more luck with the odd numbers | 0:42:21 | 0:42:24 | |
-so let's go for number three. -As good a reason as any. | 0:42:24 | 0:42:26 | |
Number three. Is number three in our code? | 0:42:26 | 0:42:29 | |
Is it in the first box? | 0:42:29 | 0:42:30 | |
No. Is it in the final box of the code? | 0:42:33 | 0:42:36 | |
It's not there either. | 0:42:39 | 0:42:40 | |
But half the numbers have gone - only five left. | 0:42:40 | 0:42:44 | |
You're making very, very good progress, Emma... | 0:42:44 | 0:42:47 | |
KLAXON BLARES ..and Theo. | 0:42:47 | 0:42:49 | |
That sound means that we have to stop, but you're doing really well. | 0:42:49 | 0:42:53 | |
-Are you happy with the way you're going so far? -Yeah. -Yeah, yeah. | 0:42:53 | 0:42:56 | |
It's been full steam ahead - absolutely fantastic. | 0:42:56 | 0:42:58 | |
Lesley, thanks for all your facts today. | 0:42:58 | 0:43:00 | |
-You're very welcome. -Please be sure to join us next time | 0:43:00 | 0:43:03 | |
when Emma and Theo return | 0:43:03 | 0:43:04 | |
and we find out if they have what it takes | 0:43:04 | 0:43:06 | |
to crack the code and win the cash. | 0:43:06 | 0:43:08 | |
Thanks for watching, goodbye. | 0:43:08 | 0:43:09 |