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Hello and welcome to The Code. | 0:00:12 | 0:00:13 | |
£3,500 is locked inside the safe. | 0:00:13 | 0:00:16 | |
All our players have to do to open it is crack a three-digit code. | 0:00:16 | 0:00:21 | |
Each time someone fails, more money's added, | 0:00:21 | 0:00:24 | |
so the jackpot goes up and up. | 0:00:24 | 0:00:26 | |
Last time, Emma and Theo had revealed one number in the code, | 0:00:26 | 0:00:30 | |
the number five. | 0:00:30 | 0:00:32 | |
So, let's welcome them back. | 0:00:32 | 0:00:34 | |
-Emma, Theo, welcome back. Lovely to see you again. -Hello. | 0:00:38 | 0:00:41 | |
Hi. Thank you, sir. | 0:00:41 | 0:00:42 | |
Refresh our memories, you're both from East London, | 0:00:42 | 0:00:45 | |
working in East London for a charity for prisoners overseas. | 0:00:45 | 0:00:49 | |
-That's right. -That's correct, yeah. | 0:00:49 | 0:00:51 | |
And, Emma, last time, you were telling us you are a supreme baker. | 0:00:51 | 0:00:54 | |
-Well, I don't know about that. -When it goes right. | 0:00:54 | 0:00:57 | |
Yes, when it goes right. I enjoy baking. | 0:00:57 | 0:00:59 | |
Yes, the kitchen probably enjoys it a bit less. | 0:00:59 | 0:01:02 | |
-You were talking about your peanut butter bake. -Yes. -You brought some? | 0:01:02 | 0:01:05 | |
-Cos that's like my favourite... -It doesn't travel well. | 0:01:05 | 0:01:08 | |
-It doesn't travel well? -No. -Very good. | 0:01:08 | 0:01:10 | |
-And, Theo, you work at the same charity? -That's right. | 0:01:10 | 0:01:13 | |
Now, last time, you were saying | 0:01:13 | 0:01:14 | |
that actually you are quite competitive with each other. | 0:01:14 | 0:01:16 | |
How do you think you're working as a team? | 0:01:16 | 0:01:18 | |
-I think we're working together pretty well, actually. -Yeah, so far. | 0:01:18 | 0:01:21 | |
Yeah. We haven't disgraced ourselves at an early stage | 0:01:21 | 0:01:24 | |
and we seem to have done all right. Yeah. Yeah, I think it's going OK. | 0:01:24 | 0:01:27 | |
Well, listen, guys, we wish you the very best today. | 0:01:27 | 0:01:29 | |
Lesley, they're doing brilliantly so far, aren't they? | 0:01:29 | 0:01:31 | |
They're doing extremely well. | 0:01:31 | 0:01:33 | |
It's just a case now of answering five more questions | 0:01:33 | 0:01:35 | |
to guarantee opening that safe. | 0:01:35 | 0:01:37 | |
-She makes it sound so simple. -Yeah. | 0:01:37 | 0:01:39 | |
And it is, it's an easy game to play. | 0:01:39 | 0:01:41 | |
It's a very difficult game to win, though. Are you ready? | 0:01:41 | 0:01:44 | |
-Yes. -Yes, I think so. -Humped up? -Yes. | 0:01:44 | 0:01:46 | |
Let's have a look at your next three answers. | 0:01:46 | 0:01:49 | |
Of course, you can | 0:01:52 | 0:01:53 | |
only see two questions at a time | 0:01:53 | 0:01:55 | |
before you have to commit. | 0:01:55 | 0:01:57 | |
Which one will you go for first? | 0:01:57 | 0:01:59 | |
I'm not sure. Patience and lucky | 0:01:59 | 0:02:00 | |
could be anything, couldn't they? | 0:02:00 | 0:02:02 | |
-Could be songs. -Yeah, true. | 0:02:02 | 0:02:03 | |
-Both of them. -Yeah, actually true. | 0:02:03 | 0:02:05 | |
Or... Anything else. | 0:02:05 | 0:02:07 | |
I don't know. Yeah. | 0:02:07 | 0:02:09 | |
As always, just one of those is correct, | 0:02:09 | 0:02:11 | |
that's the one we're looking for. | 0:02:11 | 0:02:13 | |
-Yeah. -Maybe Nicole Kidman would be good, | 0:02:13 | 0:02:14 | |
-process of elimination. -Yeah. | 0:02:14 | 0:02:17 | |
-We could start with Nicole. -Yeah. | 0:02:17 | 0:02:18 | |
I think we could take a guess at that. | 0:02:18 | 0:02:20 | |
-Something we feel we know something about? -Yeah, maybe. -Yeah, maybe. | 0:02:20 | 0:02:23 | |
Possibly. Let's have a look at | 0:02:23 | 0:02:25 | |
the question behind Nicole Kidman. | 0:02:25 | 0:02:26 | |
Hm. | 0:02:30 | 0:02:32 | |
That was his wife. | 0:02:32 | 0:02:34 | |
I don't think it was his first wife. | 0:02:34 | 0:02:36 | |
I can't remember the name of his first wife, though. | 0:02:37 | 0:02:40 | |
I'm not entirely sure, | 0:02:40 | 0:02:42 | |
-but my gut instinct says that that's incorrect. -OK. | 0:02:42 | 0:02:44 | |
OK. Well, we get to look | 0:02:44 | 0:02:46 | |
behind one other answer before we have to make | 0:02:46 | 0:02:48 | |
a decision here. | 0:02:48 | 0:02:49 | |
Do you want to choose this one? | 0:02:49 | 0:02:51 | |
-OK, maybe patience? -Patience. | 0:02:51 | 0:02:53 | |
Well, it was their first comeback single, | 0:02:59 | 0:03:01 | |
but whether it was number one... | 0:03:01 | 0:03:02 | |
It was definitely 2000, | 0:03:02 | 0:03:04 | |
it wasn't before then, was it? | 0:03:04 | 0:03:05 | |
OK. No, it was definitely... | 0:03:05 | 0:03:06 | |
No, it was while I was living in Spain | 0:03:06 | 0:03:09 | |
and it was on the radio all the time. | 0:03:09 | 0:03:11 | |
-OK, yeah. -So, no, it was definitely post-2000. | 0:03:11 | 0:03:15 | |
So we've got two answers there, | 0:03:15 | 0:03:17 | |
neither of which you are | 0:03:17 | 0:03:19 | |
as definitive, categorical | 0:03:19 | 0:03:21 | |
as you have been about... | 0:03:21 | 0:03:22 | |
We're a little bit | 0:03:22 | 0:03:24 | |
-in don't-know land. -Mm. | 0:03:24 | 0:03:25 | |
If you want to look at lucky, | 0:03:25 | 0:03:27 | |
one of them has to go. | 0:03:27 | 0:03:28 | |
We're more inclined to get rid | 0:03:28 | 0:03:29 | |
of Tom Cruise, aren't we, I think? | 0:03:29 | 0:03:31 | |
-HE LAUGHS -Generally, yes. | 0:03:31 | 0:03:34 | |
Um, yeah, I just had more | 0:03:34 | 0:03:36 | |
of an inkling about that one, | 0:03:36 | 0:03:37 | |
that that's an incorrect answer, | 0:03:37 | 0:03:39 | |
so I think we are going to go | 0:03:39 | 0:03:40 | |
and discount that one. | 0:03:40 | 0:03:41 | |
We're going to say | 0:03:41 | 0:03:42 | |
Nicole Kidman is an incorrect answer? | 0:03:42 | 0:03:45 | |
-BOTH: -Yes. -Yes. | 0:03:45 | 0:03:47 | |
OK. It's got to be | 0:03:47 | 0:03:49 | |
an incorrect answer. | 0:03:49 | 0:03:50 | |
It means we can look behind lucky, | 0:03:50 | 0:03:52 | |
we can carry on with the game. | 0:03:52 | 0:03:53 | |
You're doing so well. | 0:03:53 | 0:03:55 | |
Right, let's go. | 0:03:55 | 0:03:56 | |
-Well done. -Phew! | 0:03:59 | 0:04:00 | |
Well done. Good intuition. Lesley. | 0:04:02 | 0:04:04 | |
That's right, Theo. | 0:04:04 | 0:04:05 | |
Your instinct about Nicole Kidman | 0:04:05 | 0:04:07 | |
being wrong was right. | 0:04:07 | 0:04:09 | |
The correct answer is Mimi Rogers, | 0:04:09 | 0:04:11 | |
-his first wife. -Oh, yes. | 0:04:11 | 0:04:12 | |
Katie Holmes was his third wife. | 0:04:12 | 0:04:14 | |
That's right, yeah. | 0:04:14 | 0:04:15 | |
Great stuff. It means | 0:04:15 | 0:04:16 | |
we can bin that. It's an incorrect answer. | 0:04:16 | 0:04:18 | |
It leaves us with two. One of them must be correct. | 0:04:18 | 0:04:20 | |
And we can look at the question behind lucky now. | 0:04:20 | 0:04:24 | |
First instinct would say | 0:04:27 | 0:04:29 | |
that that would be incorrect. | 0:04:29 | 0:04:30 | |
I think there was a gangster, | 0:04:30 | 0:04:31 | |
but I think it was | 0:04:31 | 0:04:33 | |
an alliterative thing, | 0:04:33 | 0:04:34 | |
like Lucky Luciano or Lucky L, | 0:04:34 | 0:04:37 | |
something beginning with an L | 0:04:37 | 0:04:39 | |
rather than Benjamin Siegel. | 0:04:39 | 0:04:41 | |
I have no idea. I'm going to bow | 0:04:41 | 0:04:43 | |
to your superior knowledge | 0:04:43 | 0:04:44 | |
-of gangsters and take that. -THEY LAUGH | 0:04:44 | 0:04:47 | |
Theo, a degree in gangsters. | 0:04:49 | 0:04:51 | |
Well, | 0:04:51 | 0:04:52 | |
you're clawing your way through these now. I mean, | 0:04:52 | 0:04:55 | |
we had to take one of them | 0:04:55 | 0:04:57 | |
as being a correct answer. | 0:04:57 | 0:04:59 | |
Either patience or lucky | 0:04:59 | 0:05:00 | |
must be correct. | 0:05:00 | 0:05:01 | |
-Patience? -Should we go with...? | 0:05:01 | 0:05:03 | |
As being the correct one? | 0:05:03 | 0:05:04 | |
The correct one. | 0:05:04 | 0:05:05 | |
As being the correct one, yes. | 0:05:05 | 0:05:06 | |
Get rid of lucky and lock in patience. | 0:05:06 | 0:05:08 | |
Lock in patience | 0:05:08 | 0:05:10 | |
-as the correct answer. -Yes. -Hm. | 0:05:10 | 0:05:12 | |
We want that to go green. | 0:05:12 | 0:05:14 | |
We want that to be correct, | 0:05:14 | 0:05:15 | |
if you're going to get to put another digit into the code. | 0:05:15 | 0:05:18 | |
-Fantastic. -Yay! | 0:05:22 | 0:05:24 | |
Fantastic. I think you know | 0:05:24 | 0:05:25 | |
more than you know you know. | 0:05:25 | 0:05:27 | |
Lesley, patience. | 0:05:27 | 0:05:28 | |
Absolutely. Emma, you remembered | 0:05:28 | 0:05:30 | |
that this was out when you were in Spain. | 0:05:30 | 0:05:33 | |
Patience, coming from the album | 0:05:33 | 0:05:35 | |
Beautiful World released in 2006. | 0:05:35 | 0:05:38 | |
And the American gangster | 0:05:38 | 0:05:39 | |
Benjamin Siegel, known by what nickname? | 0:05:39 | 0:05:41 | |
Bugsy. | 0:05:41 | 0:05:43 | |
Well done for you | 0:05:43 | 0:05:44 | |
-for working that one out. -Bugsy Siegel, yeah. | 0:05:44 | 0:05:46 | |
So again, it wasn't the knowing of the answer that was important. | 0:05:46 | 0:05:50 | |
-No. -It was knowing it wasn't the answer. -Yeah. | 0:05:50 | 0:05:53 | |
And it got you the chance to put another digit into the code. | 0:05:53 | 0:05:56 | |
Two spots still remaining up there - the first and the third. | 0:05:56 | 0:06:00 | |
And you've had five digits from the keypad already. | 0:06:00 | 0:06:03 | |
-Where are you going to go next? -I think we'll choose zero. | 0:06:03 | 0:06:08 | |
Zero. | 0:06:08 | 0:06:09 | |
Is zero in the first box? | 0:06:09 | 0:06:11 | |
It's not there. Is zero in the third and final box? | 0:06:14 | 0:06:18 | |
-It is. -Oh, dear. | 0:06:20 | 0:06:23 | |
THEY LAUGH "Oh, dear." | 0:06:23 | 0:06:25 | |
-What a reaction. It is a good thing. -Yeah. | 0:06:25 | 0:06:28 | |
We've now got two digits in the code. | 0:06:28 | 0:06:31 | |
You're just one number away from taking the jackpot. | 0:06:31 | 0:06:35 | |
But again, at this level, things become really quite difficult. | 0:06:35 | 0:06:39 | |
Now you can only open one question at a time before you have to commit. | 0:06:39 | 0:06:44 | |
And as always, only one answer is correct. | 0:06:44 | 0:06:48 | |
Let's have a look at your next three answers. | 0:06:48 | 0:06:51 | |
Right(!) | 0:06:52 | 0:06:54 | |
I don't even know what | 0:06:56 | 0:06:57 | |
the questions could be for these. | 0:06:57 | 0:06:59 | |
-Just take them in order? -Yeah. | 0:06:59 | 0:07:00 | |
Yeah, we'll do that. | 0:07:00 | 0:07:01 | |
-Just take them in order. -Yeah. | 0:07:01 | 0:07:03 | |
Let's have a look at the question behind rock. | 0:07:03 | 0:07:05 | |
My geography of Cornwall | 0:07:12 | 0:07:13 | |
isn't that great. | 0:07:13 | 0:07:14 | |
I haven't heard of Rock as being | 0:07:14 | 0:07:16 | |
a village, but it could well be. | 0:07:16 | 0:07:18 | |
It is a village, but whether | 0:07:18 | 0:07:20 | |
Sharp's Brewery is there is | 0:07:20 | 0:07:22 | |
another question entirely. | 0:07:22 | 0:07:24 | |
My inclination is to say | 0:07:26 | 0:07:28 | |
it's not correct. | 0:07:28 | 0:07:29 | |
I'm happy to go with that | 0:07:29 | 0:07:30 | |
cos I really don't know the answer. | 0:07:30 | 0:07:32 | |
-Yeah. -So I'm happy to go | 0:07:32 | 0:07:33 | |
with Emma's inclination. | 0:07:33 | 0:07:35 | |
We are totally in the dark here. | 0:07:35 | 0:07:36 | |
-Yeah, we really are. -Yeah. -Yeah. | 0:07:36 | 0:07:37 | |
We've just got to guess | 0:07:37 | 0:07:38 | |
one way or the other. | 0:07:38 | 0:07:39 | |
So we'll discount that one? | 0:07:41 | 0:07:42 | |
Yeah. I think so. | 0:07:42 | 0:07:43 | |
We're going to mark | 0:07:43 | 0:07:44 | |
that down as an incorrect answer. | 0:07:44 | 0:07:46 | |
Yes. | 0:07:46 | 0:07:47 | |
We want to discard that so we can carry on | 0:07:47 | 0:07:49 | |
looking at one of the other two. | 0:07:49 | 0:07:51 | |
Is Rock an incorrect answer? | 0:07:51 | 0:07:55 | |
-BOTH: -Aw! | 0:07:59 | 0:08:01 | |
I don't know what to say. | 0:08:01 | 0:08:02 | |
It's just... You were playing blind, | 0:08:02 | 0:08:04 | |
absolutely. Lesley. | 0:08:04 | 0:08:05 | |
That's right. Rock, | 0:08:05 | 0:08:07 | |
the most common opening | 0:08:07 | 0:08:09 | |
in a game of rock, paper, scissors | 0:08:09 | 0:08:10 | |
and also home of Sharp's Brewery. | 0:08:10 | 0:08:12 | |
Quite close to Rick Stein's | 0:08:12 | 0:08:14 | |
-restaurant. -Hm. | 0:08:14 | 0:08:16 | |
Well, let's have a look at the others now, | 0:08:16 | 0:08:18 | |
just to see if that would've helped you at all. | 0:08:18 | 0:08:20 | |
Let's have a look at paper. | 0:08:20 | 0:08:21 | |
Does that sound right to you? Would you know? | 0:08:27 | 0:08:29 | |
I'd say no. I'd say it was | 0:08:29 | 0:08:31 | |
-more like a canvas. -Yeah. | 0:08:31 | 0:08:32 | |
I think we'd have guessed | 0:08:32 | 0:08:33 | |
that would have been incorrect. | 0:08:33 | 0:08:35 | |
And let's have a look at scissors. | 0:08:35 | 0:08:37 | |
-The Fosbury Flop. -Yeah. | 0:08:44 | 0:08:45 | |
The Fosbury Flop, so you would have | 0:08:45 | 0:08:47 | |
-known that was incorrect. -Yeah. -Oh! | 0:08:47 | 0:08:49 | |
Lesley, talk us through those. | 0:08:49 | 0:08:50 | |
Yes, da Vinci's Mona Lisa painted | 0:08:50 | 0:08:52 | |
not on paper, but on poplar wood. | 0:08:52 | 0:08:55 | |
And the men's high jump. | 0:08:55 | 0:08:58 | |
You knew the answer to this immediately - | 0:08:58 | 0:09:00 | |
Dick Fosbury's famous Fosbury Flop. | 0:09:00 | 0:09:02 | |
None of which helps you now, | 0:09:02 | 0:09:04 | |
I'm afraid. | 0:09:04 | 0:09:05 | |
What would have been your next number? | 0:09:05 | 0:09:07 | |
-Let's complete that top row and say number one. -Right, number one. | 0:09:07 | 0:09:10 | |
I kind of hope it's not there. | 0:09:10 | 0:09:12 | |
-Number seven. -There you go. -Little bit of work still to do. -Yeah. | 0:09:14 | 0:09:16 | |
Emma and Theo, you played brilliantly right up to the end, | 0:09:16 | 0:09:20 | |
but I'm afraid we have to say, on this occasion, | 0:09:20 | 0:09:22 | |
you have failed to break the code, so you have to leave the game. | 0:09:22 | 0:09:26 | |
Thank you so much for joining us. | 0:09:26 | 0:09:27 | |
-Thank you. Bye. -Thank you. | 0:09:27 | 0:09:29 | |
Well, Emma and Theo, unlucky. | 0:09:33 | 0:09:35 | |
But their loss is our next contestants' gain | 0:09:35 | 0:09:38 | |
because the jackpot goes up by £500. | 0:09:38 | 0:09:40 | |
So let's meet the next team hoping to crack the code. | 0:09:40 | 0:09:45 | |
-Come on in. Good to see you. Sally. -Hi. -Nice to meet you. And Sue. | 0:09:49 | 0:09:53 | |
-Hi, pleased to meet you. -Good stuff. | 0:09:53 | 0:09:55 | |
-Now, you're both from Bury St Edmunds. -We are. | 0:09:55 | 0:09:57 | |
-It's in Suffolk. -It is. -Yes. -Glad I got that right. | 0:09:57 | 0:10:00 | |
-How do you know each other? -We've been friends for ten years or more. | 0:10:00 | 0:10:03 | |
We're friends, neighbours. We live just down the road from each other. | 0:10:03 | 0:10:07 | |
-Children grew up together. -Yeah. -Around each other's houses. -Yes. | 0:10:07 | 0:10:11 | |
-In and out, all that stuff. -Yep. -OK, I've got it. | 0:10:11 | 0:10:14 | |
And, you know, what do you do for a living? | 0:10:14 | 0:10:16 | |
I'm a graphic designer | 0:10:16 | 0:10:18 | |
and I work part-time as a barmaid on the weekends. | 0:10:18 | 0:10:20 | |
Sue, how about you, what do you do? | 0:10:20 | 0:10:22 | |
-I'm a fundraising manager for West Suffolk Hospital. -OK. | 0:10:22 | 0:10:26 | |
I think I've definitely found my niche market, | 0:10:26 | 0:10:28 | |
cos I have done a few things in my time. | 0:10:28 | 0:10:30 | |
-Oh, really? What happened before? -I've been a driving instructor. -Yep. | 0:10:30 | 0:10:35 | |
I also trained as a hypnotherapist and a psychotherapist, | 0:10:35 | 0:10:39 | |
so don't look into my eyes for too long. | 0:10:39 | 0:10:41 | |
-Did you know, I was becoming quite... -See? Absolutely. | 0:10:41 | 0:10:44 | |
I can see that. Yeah, you're good. | 0:10:44 | 0:10:46 | |
And I've always fundraised, throughout my entire life, | 0:10:46 | 0:10:49 | |
and then this opportunity came up at my local hospital, which is | 0:10:49 | 0:10:52 | |
just the most amazing hospital, which I am passionate about. | 0:10:52 | 0:10:55 | |
-So the two kind of fit together. -You have strong powers of persuasion. | 0:10:55 | 0:10:58 | |
-Exactly. -Get people to hand over money. -Exactly. -It's working. | 0:10:58 | 0:11:01 | |
So you're going to give me lots, are you? Thank you. | 0:11:01 | 0:11:04 | |
I have no power over this. | 0:11:04 | 0:11:06 | |
Do you know what? It is all down to you two. | 0:11:06 | 0:11:08 | |
It really is. | 0:11:08 | 0:11:09 | |
It's down to you two and the way you, you know, | 0:11:09 | 0:11:11 | |
manage to play the game together. | 0:11:11 | 0:11:13 | |
If you did win some money today, what would you do? | 0:11:13 | 0:11:16 | |
Well, I'd love a new car. I've never had a new car. Never. | 0:11:16 | 0:11:19 | |
-I've just had old bangers. -Right. | 0:11:19 | 0:11:21 | |
And if I've got a bit of change, a nice holiday. | 0:11:21 | 0:11:23 | |
-So you'd like a new car and a holiday? -Yeah. | 0:11:23 | 0:11:26 | |
You might struggle. | 0:11:26 | 0:11:27 | |
You might struggle with... We might be able to help towards it. | 0:11:27 | 0:11:30 | |
-How about you? -A new car would be amazing. | 0:11:30 | 0:11:34 | |
I've always had my eye on a bit of an Aston Martin. | 0:11:34 | 0:11:36 | |
If you win today, you may be able to afford a wing mirror. | 0:11:36 | 0:11:38 | |
-Well, maybe I could hire one for the weekend. -There you go. | 0:11:38 | 0:11:41 | |
-We could go like Thelma and Louise. -Thelma and Louise. | 0:11:41 | 0:11:43 | |
Oh, yeah, I hope not. | 0:11:43 | 0:11:45 | |
No, not the end, we'll only have it for the weekend. | 0:11:45 | 0:11:47 | |
Great. Look, it's lovely to have you here. | 0:11:47 | 0:11:50 | |
And we do wish you the very best of luck. | 0:11:50 | 0:11:52 | |
Here's the good news, that Emma and Theo, | 0:11:52 | 0:11:54 | |
unfortunately for them, failed to win. | 0:11:54 | 0:11:57 | |
-And that means another £500 goes into the safe. -Brilliant. | 0:11:57 | 0:12:02 | |
And that gives us a jackpot | 0:12:02 | 0:12:04 | |
-of £4,000. -Wow. | 0:12:04 | 0:12:06 | |
That's what you're playing for today. | 0:12:07 | 0:12:09 | |
-That's a long weekend in an Aston Martin. -Yeah, it's good. | 0:12:09 | 0:12:11 | |
Let's reset your code. | 0:12:11 | 0:12:13 | |
Three blanks. We want to make those into three unique numbers. | 0:12:17 | 0:12:21 | |
-Let's have a look at your first three answers. -OK. | 0:12:21 | 0:12:23 | |
Remember, only one of them | 0:12:27 | 0:12:29 | |
is correct, that's the one | 0:12:29 | 0:12:30 | |
you're trying to find. | 0:12:30 | 0:12:32 | |
Go for the easy one? | 0:12:32 | 0:12:33 | |
Shall we start at the top? | 0:12:33 | 0:12:34 | |
-Yeah. -Start at the top and work | 0:12:34 | 0:12:35 | |
-our way down, I think. -Good stuff. | 0:12:35 | 0:12:37 | |
Let's see the question | 0:12:37 | 0:12:38 | |
behind November. | 0:12:38 | 0:12:40 | |
September, October... | 0:12:48 | 0:12:49 | |
-September? -Can we go | 0:12:52 | 0:12:53 | |
for the second one, please? | 0:12:53 | 0:12:55 | |
OK. | 0:12:55 | 0:12:56 | |
Let's open the question behind two. | 0:12:56 | 0:12:59 | |
I think it's four. It's not two, is it? | 0:13:04 | 0:13:06 | |
The Olympics are four, aren't they? | 0:13:06 | 0:13:08 | |
-Oh. -But does it kind of bypass | 0:13:08 | 0:13:10 | |
each other, so one...? | 0:13:10 | 0:13:11 | |
I don't know, actually. | 0:13:11 | 0:13:14 | |
OK, shall we leave that as a maybe? | 0:13:14 | 0:13:16 | |
Could we see the last one, please? | 0:13:16 | 0:13:17 | |
-Of course. -Kanga. -Let's reveal | 0:13:17 | 0:13:19 | |
the question behind Kanga. | 0:13:19 | 0:13:21 | |
Oh, dear. | 0:13:26 | 0:13:27 | |
-Do you know much about Winnie the Pooh? -No! | 0:13:27 | 0:13:30 | |
I don't know much | 0:13:30 | 0:13:31 | |
about Winnie the Pooh. | 0:13:31 | 0:13:32 | |
I was thinking Roo | 0:13:32 | 0:13:34 | |
when I saw Kanga, | 0:13:34 | 0:13:35 | |
not because of kangaroo, | 0:13:35 | 0:13:36 | |
but I did think Winnie the Pooh. | 0:13:36 | 0:13:38 | |
-Yeah. -So... -You've got | 0:13:38 | 0:13:41 | |
-the whole picture there now. -Yes. | 0:13:41 | 0:13:42 | |
Only one of those can be correct. | 0:13:42 | 0:13:44 | |
The other two must be incorrect. | 0:13:44 | 0:13:46 | |
Well, think the top one's | 0:13:46 | 0:13:48 | |
definitely incorrect. | 0:13:48 | 0:13:50 | |
Yes. The top one is definitely wrong | 0:13:50 | 0:13:52 | |
because it's September. | 0:13:52 | 0:13:53 | |
It's that Winter Olympics... | 0:13:53 | 0:13:55 | |
I am more leaning to | 0:13:55 | 0:13:57 | |
Winnie the Pooh's stories, | 0:13:57 | 0:13:59 | |
Roo's mum's called Kanga. | 0:13:59 | 0:14:02 | |
-Shall we go for that one then? -You tell me. | 0:14:02 | 0:14:04 | |
Don't blame me if it's wrong. | 0:14:04 | 0:14:07 | |
That would've been a quick hello, goodbye, if it is wrong. | 0:14:07 | 0:14:10 | |
-Goodbye, hello, yes. -The name of Roo's mother, Kanga. | 0:14:10 | 0:14:13 | |
It's got to be kangaroo. | 0:14:13 | 0:14:15 | |
Shall we go for Winnie the Pooh? Kanga. | 0:14:15 | 0:14:17 | |
OK, we're going to lock in Kanga | 0:14:17 | 0:14:19 | |
as the correct answer. | 0:14:19 | 0:14:22 | |
If it is correct, we get to choose a digit to try in the code. | 0:14:22 | 0:14:25 | |
If it is wrong, we are on our way | 0:14:25 | 0:14:28 | |
back to Bury St Edmunds. | 0:14:28 | 0:14:29 | |
Oh, please! | 0:14:29 | 0:14:31 | |
We want Kanga to turn green. | 0:14:31 | 0:14:32 | |
Is Kanga the correct answer? | 0:14:32 | 0:14:34 | |
-Yes! -Yeah! | 0:14:38 | 0:14:39 | |
-Thank God! -That's it, you've made it | 0:14:39 | 0:14:40 | |
-past the first question. -Yes! | 0:14:40 | 0:14:42 | |
-I can relax. -You can relax. Lesley. | 0:14:42 | 0:14:44 | |
That's right. | 0:14:44 | 0:14:46 | |
Sue, you said you didn't know much about Winnie the Pooh, | 0:14:46 | 0:14:48 | |
but you were leaning towards this | 0:14:48 | 0:14:50 | |
as the correct answer. You leant the right way. | 0:14:50 | 0:14:52 | |
Kanga - Kanga and Roo. | 0:14:52 | 0:14:55 | |
Kanga is Roo's mother. | 0:14:55 | 0:14:57 | |
Based on some toys that Christopher Robin Milne, | 0:14:57 | 0:14:59 | |
son of AA Milne, had as a child. | 0:14:59 | 0:15:01 | |
The month of the year that comes | 0:15:01 | 0:15:03 | |
last in alphabetical order. | 0:15:03 | 0:15:04 | |
I heard you, Sue, say the correct answer, which is September. | 0:15:04 | 0:15:08 | |
And the Winter Olympics, | 0:15:08 | 0:15:09 | |
held once every how many years? | 0:15:09 | 0:15:12 | |
They are held every four years. | 0:15:12 | 0:15:14 | |
A little while ago, | 0:15:14 | 0:15:15 | |
they were held in the same year | 0:15:15 | 0:15:16 | |
as the Summer Olympics, | 0:15:16 | 0:15:18 | |
up until 1992. | 0:15:18 | 0:15:20 | |
Now they are held overlapping two-year periods. | 0:15:20 | 0:15:22 | |
Thank you very much, Lesley. | 0:15:22 | 0:15:24 | |
I've saved face with my husband now, so that's good. | 0:15:24 | 0:15:26 | |
Listen, you don't have to worry. | 0:15:26 | 0:15:27 | |
You can hold your head high, knowing that much at least. | 0:15:27 | 0:15:31 | |
And you can also choose a digit from the keypad to try and | 0:15:31 | 0:15:34 | |
put into the code to see if it sticks. | 0:15:34 | 0:15:36 | |
-We did have a number lined up, didn't we? -Yeah. | 0:15:36 | 0:15:39 | |
If were lucky enough to get through the first question, which we have. | 0:15:39 | 0:15:42 | |
And it was through birthdays. | 0:15:42 | 0:15:44 | |
-I've got two children that were born on the ninth. -I've got a child. | 0:15:44 | 0:15:47 | |
And Sally's daughter is born on the ninth as well, so it had to be. | 0:15:47 | 0:15:50 | |
-Number nine. -Number nine. -OK. | 0:15:50 | 0:15:52 | |
Let's try number nine, see if it is in the code. Is it in the first box? | 0:15:52 | 0:15:57 | |
It's not in the first box. Is it in the second box? | 0:16:00 | 0:16:02 | |
No. Is it in the final box of the code? | 0:16:05 | 0:16:08 | |
-Yes! -Oh, my God! | 0:16:11 | 0:16:13 | |
Excellent. | 0:16:13 | 0:16:14 | |
Not only have you completed one question from the code, | 0:16:14 | 0:16:16 | |
you've actually got one number in the code as well. | 0:16:16 | 0:16:20 | |
But it also means that the game now moves up to the next level, | 0:16:20 | 0:16:23 | |
-which is harder. -Yes! | 0:16:23 | 0:16:25 | |
Now you see all three answers, but only two questions at a time. | 0:16:25 | 0:16:29 | |
-Then you have to commit. -Yep. -Yep. | 0:16:29 | 0:16:31 | |
Let's see your next three answers. | 0:16:31 | 0:16:33 | |
-Fine leg. -Fine leg, to me, has something to do with sport or... | 0:16:39 | 0:16:43 | |
-Food. -We're completely random, so let's choose another one. | 0:16:43 | 0:16:48 | |
We're at completely two ends of the spectrum. | 0:16:48 | 0:16:50 | |
-Your instincts are telling you not to go for that one, possibly? -Yeah. | 0:16:50 | 0:16:53 | |
-Can we see darkness, please? -Let's open the question | 0:16:53 | 0:16:56 | |
behind darkness. | 0:16:56 | 0:16:57 | |
It's, um, thieves. | 0:17:04 | 0:17:06 | |
-Thieves. -Thieves? -Great. | 0:17:06 | 0:17:07 | |
Well, you get to look at one | 0:17:07 | 0:17:08 | |
of the other questions before you | 0:17:08 | 0:17:10 | |
have to commit to that. | 0:17:10 | 0:17:12 | |
Fine leg. | 0:17:12 | 0:17:13 | |
And I said to you before, if anything keeps shouting at me, | 0:17:13 | 0:17:17 | |
just steer me away. | 0:17:17 | 0:17:18 | |
But fine leg, and I just... | 0:17:18 | 0:17:20 | |
-It's staring at me. -Is it really, | 0:17:20 | 0:17:22 | |
as well? Fine leg then. Go for it. | 0:17:22 | 0:17:23 | |
Let's open the question | 0:17:23 | 0:17:26 | |
behind fine leg. | 0:17:26 | 0:17:27 | |
See? | 0:17:30 | 0:17:31 | |
My son used to play cricket, | 0:17:38 | 0:17:39 | |
and I WISH that I had gone and watched more. | 0:17:39 | 0:17:43 | |
-But... -MATT LAUGHS | 0:17:43 | 0:17:44 | |
What is the fine leg? Is it the other wicket? | 0:17:44 | 0:17:46 | |
Because I'd say... | 0:17:46 | 0:17:48 | |
That's what I... In my head, when I saw fine leg, I saw sport. | 0:17:48 | 0:17:51 | |
It might be worth dismissing one that you're confident is wrong. | 0:17:51 | 0:17:55 | |
-Yeah. -Dismiss the first one. | 0:17:55 | 0:17:57 | |
-That's what we're going to do? BOTH: -Yep. | 0:17:57 | 0:17:59 | |
If it is wrong, then you get | 0:17:59 | 0:18:00 | |
to fight on. Have a look behind six. | 0:18:00 | 0:18:03 | |
If it is a correct answer, that's it, we're out of here. | 0:18:03 | 0:18:07 | |
Let darkness turn red and be an incorrect answer. | 0:18:07 | 0:18:11 | |
-Yes! -It is. | 0:18:14 | 0:18:15 | |
Absolutely spot-on. Lesley. | 0:18:15 | 0:18:18 | |
Absolutely. | 0:18:18 | 0:18:19 | |
And you were right, Sally, to say that it is the Prince Of Thieves, | 0:18:19 | 0:18:22 | |
not Prince Of Darkness. There is a film | 0:18:22 | 0:18:24 | |
Prince Of Darkness, but it's not | 0:18:24 | 0:18:26 | |
about Robin Hood and it doesn't star Kevin Costner. | 0:18:26 | 0:18:28 | |
Fantastic. | 0:18:28 | 0:18:30 | |
That means we can get rid of the incorrect answer. | 0:18:30 | 0:18:32 | |
Just leaves us with two. Let's look at the question behind six. | 0:18:32 | 0:18:35 | |
Hopefully, we'll know this. | 0:18:35 | 0:18:36 | |
It's not six, it's nine. | 0:18:43 | 0:18:44 | |
Oh, the first two years. | 0:18:45 | 0:18:47 | |
You'd think with my experience as a driving instructor... | 0:18:47 | 0:18:50 | |
Didn't we have a former driving instructor with us? | 0:18:50 | 0:18:52 | |
Just to let you know, | 0:18:52 | 0:18:53 | |
I actually stopped teaching people to drive in 1994. | 0:18:53 | 0:18:57 | |
-OK. -So clearly, things have changed now. -They may have changed. | 0:18:57 | 0:19:00 | |
-Oh, my gosh! -They might have changed it to six for the first two years. | 0:19:00 | 0:19:03 | |
"The first two years after passing your driving test..." | 0:19:03 | 0:19:05 | |
How many penalty points do you get for like a speeding...? | 0:19:05 | 0:19:09 | |
You get three, don't you? Is it three? | 0:19:09 | 0:19:11 | |
My head will be on the line if it is completely the wrong answer, but... | 0:19:11 | 0:19:14 | |
You're looking for the correct answer. | 0:19:14 | 0:19:16 | |
-Yeah, so... -One of those must be the correct answer. | 0:19:16 | 0:19:19 | |
If we're dismissing the penalty points, | 0:19:19 | 0:19:21 | |
-then I think we should go for the fine leg. -Fine leg. OK. | 0:19:21 | 0:19:24 | |
Let's lock it in. | 0:19:24 | 0:19:27 | |
If it's correct, | 0:19:27 | 0:19:28 | |
we get to put another digit into the code. | 0:19:28 | 0:19:31 | |
If it's incorrect... | 0:19:31 | 0:19:32 | |
..we're going home. Back to Bury St Edmunds. | 0:19:33 | 0:19:36 | |
Let's find out. Is fine leg the correct answer? | 0:19:36 | 0:19:41 | |
-Oh, no! -That's it. | 0:19:47 | 0:19:50 | |
-I'm so sorry. -That's clearly why | 0:19:50 | 0:19:51 | |
I don't teach people to drive any more. | 0:19:51 | 0:19:53 | |
-You're not a driving instructor any more. -Exactly. | 0:19:53 | 0:19:55 | |
-It's been a long time. -If you were, then you would know. -Absolutely. | 0:19:55 | 0:19:58 | |
Lesley, talk us through these. | 0:19:58 | 0:20:00 | |
That's right, the correct answer there - | 0:20:00 | 0:20:02 | |
the first two years after passing your driving test, | 0:20:02 | 0:20:05 | |
six points will cause you to lose your licence. | 0:20:05 | 0:20:07 | |
If it's any consolation, that came in in 1997. | 0:20:07 | 0:20:10 | |
For other drivers, it's 12 points in any three-year period. | 0:20:10 | 0:20:14 | |
Only two umpires on a cricket pitch, one behind the stumps | 0:20:14 | 0:20:16 | |
at the bowler's end and the other at square leg. | 0:20:16 | 0:20:20 | |
There you go, square leg. | 0:20:20 | 0:20:22 | |
Thank you, Lesley. But that's no help to you now. I'm so sorry. | 0:20:22 | 0:20:25 | |
-But it's been so lovely to meet you. -Thank you. | 0:20:25 | 0:20:27 | |
Sally and Sue, you haven't broken the code | 0:20:27 | 0:20:30 | |
and so you have to leave the game. Thank you for coming. And goodbye. | 0:20:30 | 0:20:34 | |
-Thank you. -Thank you very much. Bye. | 0:20:34 | 0:20:36 | |
Walking home, not in the Aston Martin. | 0:20:36 | 0:20:38 | |
-Not the Aston Martin. LAUGHING: -Clearly! | 0:20:38 | 0:20:40 | |
Yes, Sally and Sue will be going back in their old banger, | 0:20:42 | 0:20:46 | |
unfortunately. | 0:20:46 | 0:20:48 | |
But their loss is our next contestant's gain | 0:20:48 | 0:20:50 | |
because the jackpot goes up by £500, | 0:20:50 | 0:20:54 | |
so let's meet the next person hoping to crack the code. | 0:20:54 | 0:20:57 | |
-Hello, Colin, how are you? -Good, thanks. -Good to see you. | 0:21:03 | 0:21:05 | |
-So, Colin, you're from Surrey? -That's right. | 0:21:05 | 0:21:07 | |
-And you're a man of the stars. -Indeed, yeah. | 0:21:07 | 0:21:10 | |
So I'm a writer, basically, but on astronomy. | 0:21:10 | 0:21:13 | |
So scientists go out and look at the universe | 0:21:13 | 0:21:15 | |
and I write magazine articles, books explaining what's going on. | 0:21:15 | 0:21:18 | |
-When you're not writing about astronomy, what do you do? -Travel. | 0:21:18 | 0:21:22 | |
I kind of save all our money to go travelling. | 0:21:22 | 0:21:25 | |
Do go travelling alone? Do you have a family or...? | 0:21:25 | 0:21:28 | |
My wife and I. We don't have a family at the moment, | 0:21:28 | 0:21:30 | |
-but that's something that's probably not too far away. -OK. | 0:21:30 | 0:21:33 | |
Well, let's hope that's the case. | 0:21:33 | 0:21:35 | |
What would you do with the money if you did win today? | 0:21:35 | 0:21:37 | |
I think precisely that. Looking towards starting a family, | 0:21:37 | 0:21:40 | |
it would be useful to have a bit of extra cash. | 0:21:40 | 0:21:42 | |
I really hope we can help you do that today. That would be terrific. | 0:21:42 | 0:21:44 | |
OK, Colin, Sally and Sue failed. | 0:21:44 | 0:21:47 | |
That means another £500 goes into the safe. | 0:21:47 | 0:21:50 | |
And that makes a total | 0:21:52 | 0:21:54 | |
of £4,500. | 0:21:54 | 0:21:55 | |
-No solo flyers like you have won so far. -Wow. -Yeah. -No pressure(!) | 0:21:58 | 0:22:04 | |
Presumably, you must be pretty confident. | 0:22:04 | 0:22:06 | |
-You don't need anybody else. -Let's hope so. -Let's hope so. | 0:22:06 | 0:22:09 | |
Let's reset the code. | 0:22:09 | 0:22:10 | |
And if you're ready to play, Colin, | 0:22:15 | 0:22:16 | |
-let's look at your first three answers. -Sure. | 0:22:16 | 0:22:19 | |
Where do you want to start first? | 0:22:22 | 0:22:24 | |
Let's start at the top, Mongolia. | 0:22:24 | 0:22:25 | |
Mongolia. We'll start in Mongolia. | 0:22:25 | 0:22:27 | |
Let's reveal our question. | 0:22:27 | 0:22:29 | |
I would say most of Siberia | 0:22:34 | 0:22:35 | |
is probably in Russia, | 0:22:35 | 0:22:37 | |
so I am tempted to pass on that | 0:22:37 | 0:22:38 | |
for now and see what the others are. A bread knife? | 0:22:38 | 0:22:41 | |
Let's have a look at a bread knife. | 0:22:41 | 0:22:43 | |
Pretty sure it was a carving knife, | 0:22:50 | 0:22:52 | |
not a bread knife. So again, not... | 0:22:52 | 0:22:54 | |
not tempted quite yet. We'll see what A is. | 0:22:54 | 0:22:56 | |
We can have a look at A, | 0:22:56 | 0:22:58 | |
reveal that. | 0:22:58 | 0:22:59 | |
So Margaret Thatcher. | 0:23:09 | 0:23:11 | |
Um... | 0:23:11 | 0:23:13 | |
A, twice in her first name | 0:23:13 | 0:23:15 | |
and once in her surname? | 0:23:15 | 0:23:17 | |
So, yeah, that makes sense. | 0:23:17 | 0:23:18 | |
Two As in Margret and one in Thatcher. | 0:23:18 | 0:23:21 | |
OK, do you want to lock in A | 0:23:21 | 0:23:23 | |
as the correct answer in this first round? | 0:23:23 | 0:23:25 | |
Let's have one more check of Margaret and Thatcher | 0:23:25 | 0:23:27 | |
-just to make sure. -Of course. | 0:23:27 | 0:23:28 | |
-Yeah, that sounds good. -Happy to lock in A | 0:23:28 | 0:23:31 | |
as a correct answer. | 0:23:31 | 0:23:32 | |
That's locked in. | 0:23:32 | 0:23:34 | |
Is it a correct answer, | 0:23:34 | 0:23:36 | |
allowing us to put a digit | 0:23:36 | 0:23:37 | |
into the code to see if it sticks? | 0:23:37 | 0:23:39 | |
Let it go green. | 0:23:39 | 0:23:41 | |
Well done, Colin. | 0:23:43 | 0:23:44 | |
Great stuff. Good start. Lesley. | 0:23:44 | 0:23:46 | |
Well done, Colin, indeed. | 0:23:46 | 0:23:48 | |
A quick count up of the vowels | 0:23:48 | 0:23:50 | |
in Margaret Thatcher's name. | 0:23:50 | 0:23:52 | |
A, the correct answer. | 0:23:52 | 0:23:54 | |
Siberia is in Russia. | 0:23:54 | 0:23:56 | |
It does stretch down to Mongolia. | 0:23:56 | 0:23:58 | |
And in the famous nursery rhyme, | 0:23:58 | 0:24:00 | |
the farmer's wife - exactly as you said, Colin - | 0:24:00 | 0:24:03 | |
it's a carving knife, not a bread knife. | 0:24:03 | 0:24:05 | |
In some ways, the questions where you have to work it out, | 0:24:06 | 0:24:09 | |
and you can work it out, feel higher stakes, don't they? | 0:24:09 | 0:24:11 | |
-If you got it wrong, you've only got yourself to blame. -Yeah, very true. | 0:24:11 | 0:24:15 | |
You got it right, Colin, that allows you to put | 0:24:15 | 0:24:17 | |
a digit into the code. Which number will you go for? | 0:24:17 | 0:24:19 | |
-Let's go zero. -Zero. | 0:24:19 | 0:24:21 | |
Let's see if there's a zero in our code. Is it in the first box? | 0:24:21 | 0:24:24 | |
It's not in the first box. How about the second? | 0:24:27 | 0:24:29 | |
-Oh, it is! -It is. | 0:24:31 | 0:24:33 | |
Very strong early progress, Colin. Fantastic. | 0:24:34 | 0:24:38 | |
That means we're onto the next level. | 0:24:38 | 0:24:40 | |
Things get a little bit harder. | 0:24:40 | 0:24:42 | |
As before, you get to see three answers, but this time, | 0:24:42 | 0:24:45 | |
you only get to see two of the questions before you have to commit. | 0:24:45 | 0:24:49 | |
-You don't get the whole picture. -Sure. -Brilliant. | 0:24:49 | 0:24:52 | |
Let's see your next three answers. | 0:24:52 | 0:24:54 | |
Now it does become | 0:24:59 | 0:25:00 | |
-important which order you choose these questions in. -Yeah. | 0:25:00 | 0:25:03 | |
Given my background, maybe starting with the Earth | 0:25:03 | 0:25:06 | |
may be the right choice. | 0:25:06 | 0:25:08 | |
I would've been surprised | 0:25:08 | 0:25:09 | |
if you hadn't. I'll be honest. | 0:25:09 | 0:25:11 | |
Let's see the question behind the Earth. | 0:25:11 | 0:25:13 | |
This is great, yeah. | 0:25:21 | 0:25:23 | |
You could've written this question. | 0:25:23 | 0:25:24 | |
This is...this is... Yeah. | 0:25:24 | 0:25:26 | |
It's a view of the Earth from the moon, | 0:25:26 | 0:25:27 | |
taken by the Apollo astronauts, so that... | 0:25:27 | 0:25:30 | |
-OK. -That's a very nice start. -It's a nice start. | 0:25:30 | 0:25:32 | |
We don't have to make a decision yet. | 0:25:32 | 0:25:34 | |
We'll see the others, but... | 0:25:34 | 0:25:35 | |
-Which one you want to go for next? -Stop. -OK. | 0:25:35 | 0:25:38 | |
Let's have a look at the question behind stop. | 0:25:38 | 0:25:41 | |
-Saying stop. -I think it's slow. | 0:25:46 | 0:25:49 | |
I've been to Wales a few times. | 0:25:49 | 0:25:51 | |
I've driven there a few times. | 0:25:51 | 0:25:52 | |
I think it's slow. | 0:25:52 | 0:25:53 | |
You're thinking araf means slow. | 0:25:53 | 0:25:55 | |
In that case, we need to eliminate one of those two answers. | 0:25:55 | 0:25:58 | |
-Which one are you going to get rid of? -Stop. | 0:25:58 | 0:26:01 | |
OK. So we can see Greece, | 0:26:01 | 0:26:03 | |
we're going to eliminate stop. | 0:26:03 | 0:26:05 | |
We want that to be an incorrect answer. | 0:26:05 | 0:26:07 | |
It is. | 0:26:10 | 0:26:12 | |
Well done, Colin. Lesley. | 0:26:12 | 0:26:15 | |
Colin, you were very confident there | 0:26:15 | 0:26:17 | |
that if you saw the word araf | 0:26:17 | 0:26:18 | |
on the road when driving in Wales, | 0:26:18 | 0:26:20 | |
you should slow rather than stop. | 0:26:20 | 0:26:22 | |
-I think so. -Brilliant. | 0:26:22 | 0:26:24 | |
So we can get rid of that incorrect answer. | 0:26:24 | 0:26:26 | |
It gives us a chance to open Greece. | 0:26:26 | 0:26:27 | |
Let's have a look at that question. | 0:26:27 | 0:26:29 | |
-It's Spain, not Greece. -OK. -So... -You're happy then? | 0:26:39 | 0:26:42 | |
-Yep. -OK. | 0:26:42 | 0:26:43 | |
Let's lock that in as a correct answer. | 0:26:43 | 0:26:45 | |
Let's find out. | 0:26:45 | 0:26:47 | |
Is the Earth our correct answer? | 0:26:47 | 0:26:48 | |
Brilliant. You'd expect so. | 0:26:51 | 0:26:53 | |
-You'd hope so. -I would hope. -Lesley. | 0:26:53 | 0:26:55 | |
What a fortunate question to have fallen your way, Colin. Yes, | 0:26:55 | 0:26:59 | |
The Blue Marble, taken in 1972 | 0:26:59 | 0:27:02 | |
by the Apollo 17 astronauts, | 0:27:02 | 0:27:05 | |
the last men to be on the moon. | 0:27:05 | 0:27:07 | |
King Felipe the VI. | 0:27:07 | 0:27:09 | |
-Yes, he was king, exactly as Colin said, of Spain. -OK. | 0:27:09 | 0:27:13 | |
Thank you very much, Lesley. | 0:27:13 | 0:27:14 | |
It buys you the chance to put another digit into the keypad. | 0:27:14 | 0:27:17 | |
Zero worked out very well. Where do you want to go next? | 0:27:17 | 0:27:21 | |
-Two. -Number two. | 0:27:21 | 0:27:22 | |
We want to see two in the code. Is it there in the first box? | 0:27:22 | 0:27:26 | |
It's not in the first box. Is it in the last box? | 0:27:29 | 0:27:32 | |
-It's not there. -Would've been too good. | 0:27:34 | 0:27:36 | |
We can look at the keypad now, though, and you can see you have | 0:27:36 | 0:27:39 | |
-eliminated two numbers, and that's good to make that progress... -Yep. | 0:27:39 | 0:27:42 | |
..before the game gets any harder. | 0:27:42 | 0:27:44 | |
Let's have a look at your next three answers, please. | 0:27:44 | 0:27:47 | |
So, we'll go with ghost, | 0:27:51 | 0:27:55 | |
-I think. -OK. | 0:27:55 | 0:27:56 | |
Let's open the question behind ghost. | 0:27:56 | 0:27:59 | |
I'm trying to picture it. | 0:28:06 | 0:28:08 | |
Yellow. | 0:28:08 | 0:28:09 | |
I think. | 0:28:09 | 0:28:11 | |
Is it something you use? | 0:28:11 | 0:28:13 | |
It's not something I use, no. | 0:28:13 | 0:28:15 | |
But I think I've seen it. | 0:28:15 | 0:28:16 | |
I think it's yellow. And I've got a hunch | 0:28:16 | 0:28:18 | |
it's a bell rather than a ghost, but I'm not...sure. | 0:28:18 | 0:28:21 | |
So it's good to see the next one. | 0:28:21 | 0:28:23 | |
OK. We get to choose one other | 0:28:23 | 0:28:25 | |
answer before we have to commit. | 0:28:25 | 0:28:27 | |
The only thing Charmless Man means to me | 0:28:27 | 0:28:29 | |
is something from a Blur song, I think? | 0:28:29 | 0:28:32 | |
And then Tonga, country. | 0:28:32 | 0:28:35 | |
Let's go Charmless Man. | 0:28:35 | 0:28:37 | |
We're going to open up the question | 0:28:37 | 0:28:39 | |
behind Charmless Man. | 0:28:39 | 0:28:40 | |
Well, that doesn't work. | 0:28:49 | 0:28:51 | |
It's not an anagram of Damon Albarn, I don't think. | 0:28:51 | 0:28:55 | |
Because there's no C in it. | 0:28:55 | 0:28:57 | |
Nomad is an anagram of Damon. | 0:28:59 | 0:29:01 | |
OK. | 0:29:02 | 0:29:04 | |
One of those we have to lose | 0:29:04 | 0:29:05 | |
if we want to see the question behind Tonga and progress. | 0:29:05 | 0:29:08 | |
One of those has to go. | 0:29:08 | 0:29:10 | |
Yeah, I can't see how Charmless Man is an anagram of Damon Albarn, | 0:29:10 | 0:29:13 | |
-so I will kick that one out. -OK, | 0:29:13 | 0:29:15 | |
we want to reject Charmless Man as an incorrect answer. | 0:29:15 | 0:29:19 | |
We want it to go red. | 0:29:19 | 0:29:20 | |
Is Charmless Man | 0:29:20 | 0:29:22 | |
an incorrect answer? | 0:29:22 | 0:29:23 | |
It is. | 0:29:26 | 0:29:28 | |
Good reasoning. Well done. Lesley. | 0:29:28 | 0:29:30 | |
Yes, Colin, you didn't know the correct answer, | 0:29:30 | 0:29:32 | |
but you knew enough to identify that as incorrect. | 0:29:32 | 0:29:35 | |
The correct answer is Dan Abnormal. | 0:29:35 | 0:29:38 | |
There we go, Dan Abnormal. Right! | 0:29:38 | 0:29:41 | |
We can get rid of Dan Abnormal, off he goes, | 0:29:41 | 0:29:43 | |
and have a look at the question | 0:29:43 | 0:29:45 | |
behind Tonga. | 0:29:45 | 0:29:46 | |
Possibly Samoa. | 0:29:53 | 0:29:55 | |
I've got Western Samoa in my head. | 0:29:55 | 0:29:56 | |
It's in the same part of the world as Tonga, it's in the Pacific. | 0:29:56 | 0:29:59 | |
For some reason, I think Snapchat's a bell. | 0:29:59 | 0:30:02 | |
One of those must be correct. | 0:30:02 | 0:30:04 | |
Yeah, yeah. So I think it's... | 0:30:04 | 0:30:05 | |
We're looking for the correct answer. | 0:30:05 | 0:30:08 | |
Wow, that's really tricky. | 0:30:08 | 0:30:09 | |
Because if you have a bell... I'm picturing a bell shape. | 0:30:12 | 0:30:15 | |
That could be a head of a ghost with... | 0:30:15 | 0:30:17 | |
its arms. | 0:30:17 | 0:30:19 | |
Um... | 0:30:19 | 0:30:20 | |
And I'm thinking about Western Samoa. | 0:30:20 | 0:30:22 | |
It's definitely a place. Well, it used to be a place. | 0:30:22 | 0:30:24 | |
So I will say that the ghost is correct, | 0:30:24 | 0:30:28 | |
and keep that and get rid of Tonga being Western Tonga. | 0:30:28 | 0:30:31 | |
-We want to lock in ghost... -Yeah. -..as the correct answer. -Yeah. | 0:30:31 | 0:30:36 | |
Well, piecing those two bits together. | 0:30:38 | 0:30:40 | |
Very interesting the way you're working, Colin. | 0:30:40 | 0:30:43 | |
We want ghost to be a correct answer. We want it to turn green. | 0:30:43 | 0:30:46 | |
Wow. | 0:30:49 | 0:30:51 | |
-Bullet dodged. -MATT LAUGHS | 0:30:51 | 0:30:53 | |
You're not kidding, | 0:30:53 | 0:30:55 | |
cos you started out thinking it was a bell or something else. | 0:30:55 | 0:30:59 | |
Really intelligently done, Colin. I loved the way you did that. | 0:30:59 | 0:31:02 | |
-Lesley. -Well rescued. Yes, | 0:31:02 | 0:31:05 | |
the ghost in the Snapchat logo does look a little bit like a bell. | 0:31:05 | 0:31:09 | |
It's a white ghost on a yellow background. | 0:31:09 | 0:31:11 | |
And the country which removed the word Western from its name | 0:31:11 | 0:31:14 | |
in 1997 - not Tonga, but Samoa, exactly as you said. | 0:31:14 | 0:31:18 | |
Western Samoa, you recalled that was once a country. | 0:31:18 | 0:31:21 | |
-Yeah. -Thank you, Lesley. | 0:31:21 | 0:31:22 | |
-I mean, you had one foot out the door there. -Yeah. | 0:31:22 | 0:31:24 | |
But it did get you through, Colin, | 0:31:24 | 0:31:26 | |
and that means you get to choose another digit to put into the code. | 0:31:26 | 0:31:29 | |
-What's it going to be next? -Seven. | 0:31:29 | 0:31:31 | |
Is seven there, in the code, | 0:31:31 | 0:31:33 | |
taking Colin one step closer to £4,500? | 0:31:33 | 0:31:38 | |
Is it in the first box? | 0:31:38 | 0:31:40 | |
It's not in the first box. Is it in the last box? | 0:31:41 | 0:31:44 | |
It's not there. | 0:31:47 | 0:31:49 | |
-It's another number out of the game, though. -It's still two choices. | 0:31:49 | 0:31:52 | |
And you're at the stage of the game, as you say, | 0:31:52 | 0:31:54 | |
where it's easier. | 0:31:54 | 0:31:55 | |
So you made very rapid progress early on. | 0:31:55 | 0:31:57 | |
But it's not a bad thing to get rid of numbers while you still get | 0:31:57 | 0:32:01 | |
some choices and a bit of context and different questions to look at. | 0:32:01 | 0:32:05 | |
-OK, are you ready... -Yeah, go for it. -..for the next three answers? | 0:32:05 | 0:32:09 | |
-Let's go France. -France. | 0:32:15 | 0:32:17 | |
We're going to look | 0:32:17 | 0:32:18 | |
at France first. | 0:32:18 | 0:32:19 | |
Italy, not France. | 0:32:25 | 0:32:27 | |
-Do you know football? -Yeah. | 0:32:27 | 0:32:28 | |
-Absolutely confident on that one? -Yeah. -Great. You get to choose | 0:32:28 | 0:32:32 | |
-another one as well. -Uh... | 0:32:32 | 0:32:34 | |
-Al Pacino. -Let's have a look | 0:32:34 | 0:32:36 | |
at the question behind Al Pacino. | 0:32:36 | 0:32:38 | |
Pretty sure Al Pacino was in The Godfather. | 0:32:44 | 0:32:46 | |
And I think he plays one of the Corleones, but I've not seen it, | 0:32:46 | 0:32:48 | |
so I don't know whether it's Vito Corleone or not. | 0:32:48 | 0:32:51 | |
But it's certainly very plausible and I know that Serie A | 0:32:51 | 0:32:53 | |
is definitely wrong. | 0:32:53 | 0:32:54 | |
So we'll get rid of Serie A. | 0:32:54 | 0:32:57 | |
We want to reject France... | 0:32:57 | 0:32:58 | |
-Yep. -..as an incorrect answer. -Yes. | 0:32:58 | 0:33:01 | |
So we want to see France | 0:33:01 | 0:33:03 | |
turn red. | 0:33:03 | 0:33:05 | |
It is. Well done. | 0:33:07 | 0:33:09 | |
Good stuff, Colin. | 0:33:09 | 0:33:10 | |
Lesley, he was absolutely nailed-on confident about that one. | 0:33:10 | 0:33:13 | |
No messing about there, you knew | 0:33:13 | 0:33:15 | |
that Serie A is not in France, | 0:33:15 | 0:33:17 | |
but in Italy. | 0:33:17 | 0:33:18 | |
OK, so we can get rid of that, | 0:33:18 | 0:33:21 | |
discard an incorrect answer, and we can look | 0:33:21 | 0:33:23 | |
at the question behind a waterfall. | 0:33:23 | 0:33:25 | |
I'm pretty sure a cataract is a waterfall. | 0:33:33 | 0:33:35 | |
Cos you... One, because I think it's right. | 0:33:35 | 0:33:37 | |
But also, cos you have that cloudy, | 0:33:37 | 0:33:39 | |
misty thing that you have when you have cataracts, | 0:33:39 | 0:33:41 | |
as if you're looking through a waterfall. | 0:33:41 | 0:33:43 | |
We have to choose one | 0:33:43 | 0:33:44 | |
-as the correct answer. -We do. I've got to back myself, | 0:33:44 | 0:33:46 | |
I think, and say that a cataract is a waterfall. | 0:33:46 | 0:33:49 | |
Little bit of knowledge, little bit of hunch. Is that what it is? | 0:33:49 | 0:33:52 | |
Yeah, just something in the back of my head. | 0:33:52 | 0:33:54 | |
I'm more confident about that than Al Pacino. | 0:33:54 | 0:33:56 | |
So we're going to lock in waterfall | 0:33:56 | 0:33:58 | |
as a correct answer. | 0:33:58 | 0:34:00 | |
We want that to go green. If it is, you get another chance to choose | 0:34:00 | 0:34:04 | |
a digit and get a little bit closer to £4,500, | 0:34:04 | 0:34:07 | |
which we want you to win. | 0:34:07 | 0:34:08 | |
Well done. | 0:34:13 | 0:34:14 | |
Good stuff. | 0:34:14 | 0:34:15 | |
Worked out. Deduced there. Lesley. | 0:34:15 | 0:34:18 | |
Yes, Colin, you had a strong feeling that a cataract was | 0:34:18 | 0:34:21 | |
a kind of waterfall. | 0:34:21 | 0:34:23 | |
And the role of Vito Corleone in The Godfather Part 2, | 0:34:23 | 0:34:26 | |
not Al Pacino, who plays Michael Corleone, | 0:34:26 | 0:34:28 | |
but Robert DeNiro, who plays a young Vito | 0:34:28 | 0:34:31 | |
versus Marlon Brando's older Vito in the first film. | 0:34:31 | 0:34:35 | |
Thank you, Lesley. | 0:34:35 | 0:34:36 | |
Well done, Colin. Really intelligent play. | 0:34:36 | 0:34:38 | |
-It gives you the chance to stick another number into the code. -Three. | 0:34:38 | 0:34:43 | |
The number three. Is it in the first box? | 0:34:43 | 0:34:46 | |
It's not in the first box of the code. Is it in the last box? | 0:34:50 | 0:34:54 | |
It is. | 0:34:56 | 0:34:57 | |
There we are, two digits in the code. | 0:34:57 | 0:35:01 | |
You are there. Just one more to find. That's all it will take. | 0:35:01 | 0:35:05 | |
But again, we've moved it up a notch to a different level | 0:35:05 | 0:35:08 | |
and things are going to get more difficult. | 0:35:08 | 0:35:11 | |
Now you can open just one question at a time, | 0:35:11 | 0:35:15 | |
and then you have to commit to whether that is right or wrong. | 0:35:15 | 0:35:18 | |
-Are you up for this? -Yes. Let's hope for one that I can... | 0:35:18 | 0:35:21 | |
know straightaway. | 0:35:21 | 0:35:23 | |
No single player has ever cracked the code. | 0:35:23 | 0:35:27 | |
You would be the first, Colin. Let's see your next three answers. | 0:35:27 | 0:35:30 | |
More than before, | 0:35:36 | 0:35:37 | |
it's important the order in which you open them. | 0:35:37 | 0:35:39 | |
OK, Cornwall - obviously, a place in England. | 0:35:39 | 0:35:41 | |
It could be about that. | 0:35:41 | 0:35:43 | |
But I think it's also the surname of a writer, | 0:35:43 | 0:35:46 | |
so it could be a curveball on that side. | 0:35:46 | 0:35:47 | |
Afghanistan, I believe, is the first country | 0:35:47 | 0:35:51 | |
in the world alphabetically, if you rank them. | 0:35:51 | 0:35:53 | |
Random fact. Um... | 0:35:53 | 0:35:55 | |
Keema, I think is Indian food. | 0:35:55 | 0:35:58 | |
It is kind of like a naan bread. | 0:35:58 | 0:36:00 | |
Let's go for... | 0:36:00 | 0:36:02 | |
..Afghanistan. | 0:36:04 | 0:36:05 | |
OK. What is the question | 0:36:05 | 0:36:07 | |
behind Afghanistan? | 0:36:07 | 0:36:09 | |
So I think Bravo Two Zero | 0:36:19 | 0:36:22 | |
is about the First Gulf War. | 0:36:22 | 0:36:25 | |
Early 1990s. | 0:36:25 | 0:36:27 | |
I can't think of the guy who wrote... Lee somebody, maybe? | 0:36:27 | 0:36:31 | |
But I think it's First Gulf War, early 1990s, | 0:36:31 | 0:36:33 | |
which would make it Iraq rather than Afghanistan. | 0:36:33 | 0:36:37 | |
You're feeling that that is | 0:36:38 | 0:36:39 | |
-an incorrect answer. -I think so. | 0:36:39 | 0:36:41 | |
I think it's First Gulf War. | 0:36:41 | 0:36:42 | |
I think it's Iraq, not Afghanistan. | 0:36:42 | 0:36:44 | |
Do you want to reject that as an incorrect answer? | 0:36:44 | 0:36:47 | |
Yes. | 0:36:47 | 0:36:49 | |
We're going to reject Afghanistan | 0:36:49 | 0:36:51 | |
as an incorrect answer. | 0:36:51 | 0:36:53 | |
We need it to turn red | 0:36:53 | 0:36:54 | |
if we're going to see the questions | 0:36:54 | 0:36:56 | |
behind either of the other two | 0:36:56 | 0:36:57 | |
and move forward with this. | 0:36:57 | 0:36:59 | |
If it is a correct answer, | 0:36:59 | 0:37:01 | |
Colin is on his way home. | 0:37:01 | 0:37:02 | |
We don't want that. | 0:37:02 | 0:37:04 | |
Is Afghanistan an incorrect answer? | 0:37:04 | 0:37:08 | |
Make it go red. | 0:37:08 | 0:37:09 | |
Well done. | 0:37:12 | 0:37:13 | |
Brilliant. Good reasoning. Lesley. | 0:37:13 | 0:37:15 | |
Yes, well sussed out, Colin. | 0:37:15 | 0:37:17 | |
The One That Got Away, by Chris Ryan, | 0:37:17 | 0:37:20 | |
and Bravo Two Zero, by Andy McNab, | 0:37:20 | 0:37:22 | |
books not about Afghanistan, | 0:37:22 | 0:37:24 | |
but Iraq. | 0:37:24 | 0:37:25 | |
Absolutely, as you said it. | 0:37:25 | 0:37:27 | |
That's great. It means we can | 0:37:27 | 0:37:28 | |
get rid of an incorrect answer. | 0:37:28 | 0:37:30 | |
It leaves us with two, one of which | 0:37:30 | 0:37:32 | |
must be the correct answer, | 0:37:32 | 0:37:33 | |
either Cornwall or keema. | 0:37:33 | 0:37:35 | |
Where do you want to go next, Colin? | 0:37:35 | 0:37:36 | |
Yeah, so it's tricky. | 0:37:36 | 0:37:38 | |
Again, the literature curveball could come in with Cornwall. | 0:37:38 | 0:37:41 | |
I'm not as hot on literature as some other subjects. | 0:37:41 | 0:37:44 | |
Keema, I think it is a naan bread, | 0:37:44 | 0:37:46 | |
but then you might ask me what's... | 0:37:46 | 0:37:49 | |
with what in it. | 0:37:49 | 0:37:50 | |
I'm not sure I would know that off the top of my head either. | 0:37:51 | 0:37:54 | |
Let's go keema. | 0:37:54 | 0:37:55 | |
OK. We are going to have a look at the question behind keema. | 0:37:55 | 0:37:59 | |
Well, that's pretty much what you're anticipating. | 0:38:07 | 0:38:10 | |
It is. It is. | 0:38:10 | 0:38:12 | |
Trying to think of all the types of naan you can get. | 0:38:12 | 0:38:14 | |
So, in a peshwari naan, | 0:38:14 | 0:38:16 | |
cos it's what my wife has when we have Indian, is, I think, coconut. | 0:38:16 | 0:38:19 | |
It's not that. | 0:38:19 | 0:38:20 | |
Um... | 0:38:20 | 0:38:22 | |
Yeah, I'm pretty sure. | 0:38:22 | 0:38:24 | |
That rings a bell. | 0:38:24 | 0:38:25 | |
Your hunch, a bit more than a hunch maybe, is that keema is | 0:38:25 | 0:38:29 | |
the correct answer, keema describes a filling of minced meat in a naan? | 0:38:29 | 0:38:35 | |
Yeah. I think it does. | 0:38:35 | 0:38:37 | |
Brave. I like this. We want | 0:38:37 | 0:38:39 | |
-to lock that in as the correct answer. -Yeah. | 0:38:39 | 0:38:42 | |
There it is, locked in. | 0:38:42 | 0:38:44 | |
But we can have a look at Cornwall. No, we can't change our mind. | 0:38:44 | 0:38:47 | |
And see how it makes you feel if we | 0:38:47 | 0:38:50 | |
reveal the question behind Cornwall. | 0:38:50 | 0:38:51 | |
I think Devon has two coastlines. | 0:38:58 | 0:39:00 | |
So, does that make you feel more confident about the question | 0:39:00 | 0:39:03 | |
you've chosen as correct? | 0:39:03 | 0:39:04 | |
-I think it does. -OK. Everything crossed for you, Colin. | 0:39:04 | 0:39:08 | |
We want keema to be the correct answer. | 0:39:08 | 0:39:12 | |
We want keema to be the naan with a filling of minced meat. | 0:39:12 | 0:39:16 | |
We want it to go green | 0:39:16 | 0:39:18 | |
to give you a chance at the code. | 0:39:18 | 0:39:20 | |
Well done. Really good. | 0:39:24 | 0:39:25 | |
Really good work there. | 0:39:25 | 0:39:27 | |
You've only got one question to look at, and you nailed it. | 0:39:27 | 0:39:30 | |
I picked the order the right way. | 0:39:30 | 0:39:32 | |
If I'd had Cornwall first, | 0:39:32 | 0:39:33 | |
I think I would've been in more trouble than that. | 0:39:33 | 0:39:35 | |
-You wouldn't have been so sure. -Yeah. | 0:39:35 | 0:39:37 | |
Well, a bit of luck and a lot of judgment. Lesley. | 0:39:37 | 0:39:40 | |
Yes, in Indian cuisine, the kind of naan | 0:39:40 | 0:39:42 | |
which has a filling of minced meat is keema. | 0:39:42 | 0:39:45 | |
Keema can be almost any kind of meat. | 0:39:45 | 0:39:47 | |
And the only English county with two completely | 0:39:47 | 0:39:49 | |
separate coastlines. | 0:39:49 | 0:39:51 | |
Cornwall has one long coastline, Devon has two. | 0:39:51 | 0:39:54 | |
So very well worked out, Colin. | 0:39:54 | 0:39:56 | |
The first thing you'll be doing, as soon as you get back, | 0:39:56 | 0:39:58 | |
look at that road atlas and check them out. | 0:39:58 | 0:40:00 | |
-Or have a keema. -Or have a keema naan! | 0:40:00 | 0:40:02 | |
Have a keema naan first and then look at the road atlas. | 0:40:02 | 0:40:05 | |
-OK, this is where we're at. -Yeah. | 0:40:05 | 0:40:08 | |
We've got two digits in the code already, there's only one remaining. | 0:40:08 | 0:40:13 | |
There are six numbers on the keypad to choose from. | 0:40:13 | 0:40:18 | |
Which number would you like to pick next? | 0:40:18 | 0:40:20 | |
So, with the exception of zero, I've picked prime numbers so far. | 0:40:20 | 0:40:23 | |
-I've got two, three and seven. -Yeah. | 0:40:23 | 0:40:25 | |
And there's only one prime number left on the board, and that's five. | 0:40:25 | 0:40:29 | |
So I've got to stick with five. | 0:40:29 | 0:40:31 | |
-You're going to go with number five. -Yeah. -OK. | 0:40:31 | 0:40:34 | |
Let's make our way to the safe. | 0:40:34 | 0:40:36 | |
-Prime number theory, that's what's brought us here... -Yeah. | 0:40:43 | 0:40:46 | |
..with the number five to put in. | 0:40:46 | 0:40:48 | |
If it's the last number in the code, | 0:40:48 | 0:40:50 | |
then you get to open the safe and take £4,500 for you, | 0:40:50 | 0:40:53 | |
for your family. | 0:40:53 | 0:40:55 | |
-Are you ready? -Yes, very much. | 0:40:55 | 0:40:57 | |
Colin, punch in the number five. | 0:40:57 | 0:40:59 | |
We're looking for 5-0-3. | 0:41:06 | 0:41:08 | |
Is it there? | 0:41:11 | 0:41:12 | |
Be in the code, number five, come on. | 0:41:13 | 0:41:16 | |
It is in the stars? Has it been predetermined? | 0:41:18 | 0:41:21 | |
Come on, number five. | 0:41:25 | 0:41:27 | |
Oh, my God. | 0:41:27 | 0:41:28 | |
THEY LAUGH | 0:41:28 | 0:41:30 | |
-Come here. -Oh, my word! | 0:41:32 | 0:41:34 | |
Listen, that was fantastic, absolutely fantastic. | 0:41:35 | 0:41:39 | |
There you go, it's all yours, the safe is open. It's all yours. | 0:41:39 | 0:41:42 | |
Prime numbers! | 0:41:42 | 0:41:43 | |
-Wow. -It's all yours, Colin. | 0:41:45 | 0:41:46 | |
Right. | 0:41:47 | 0:41:49 | |
That is remarkable, absolutely remarkable. | 0:41:50 | 0:41:55 | |
The first solo player on The Code to take the jackpot. | 0:41:55 | 0:41:59 | |
£4,500. | 0:41:59 | 0:42:01 | |
Can you tell me what that means to you and your wife | 0:42:01 | 0:42:03 | |
and how it's going to change things for you now? | 0:42:03 | 0:42:06 | |
It means a lot. It means a real lot. | 0:42:06 | 0:42:08 | |
So for example, turn where we live now into a nursery, | 0:42:08 | 0:42:12 | |
the spare room, and it'll be just a lot better for us. | 0:42:12 | 0:42:15 | |
I'm so chuffed for you. I really am. | 0:42:15 | 0:42:16 | |
So, very intelligent playing there from Colin, | 0:42:16 | 0:42:19 | |
but also a lot of luck with the numbers, Lesley. | 0:42:19 | 0:42:21 | |
Absolutely, cracking that code with just five correct answers. | 0:42:21 | 0:42:26 | |
Colin, we couldn't be more pleased for you. | 0:42:26 | 0:42:28 | |
£4,500 is a good chunk of money. It's a good jackpot. | 0:42:28 | 0:42:32 | |
You've broken the code, well done. | 0:42:32 | 0:42:35 | |
-We wish you bon voyage and good luck. -Thank you. | 0:42:35 | 0:42:37 | |
Thank you, Colin. | 0:42:37 | 0:42:39 | |
Wow! What a player. Star man Colin, the fourth person in the series | 0:42:40 | 0:42:46 | |
to crack the code and the first solo winner, | 0:42:46 | 0:42:49 | |
going home with £4,500. | 0:42:49 | 0:42:52 | |
Unfortunately, that's all we've got time for. So thank you, Lesley. | 0:42:52 | 0:42:56 | |
-You're very welcome. -And thank you to you for watching. Goodbye. | 0:42:56 | 0:43:00 |