Browse content similar to 10/03/1977. Check below for episodes and series from the same categories and more!
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# After the ball is over | 0:00:06 | 0:00:10 | |
# After the break of morn | 0:00:10 | 0:00:15 | |
# After the dancers' leaving | 0:00:15 | 0:00:20 | |
# After the stars are gone | 0:00:20 | 0:00:24 | |
# Many a heart is aching | 0:00:26 | 0:00:30 | |
# If you could read them all | 0:00:30 | 0:00:34 | |
# Many the hopes that have vanished | 0:00:36 | 0:00:41 | |
# After the ball. # | 0:00:41 | 0:00:47 | |
Once again, good evening, ladies and gentlemen! | 0:01:07 | 0:01:13 | |
Obligatory...orotundity... | 0:01:15 | 0:01:20 | |
initially...accolade. | 0:01:20 | 0:01:24 | |
An ozoniferous...extravaganza. | 0:01:25 | 0:01:31 | |
A seaside show now, exemplary in expertise, The Players' Theatre! | 0:01:32 | 0:01:40 | |
CHEERING AND APPLAUSE | 0:01:43 | 0:01:46 | |
# If Margate were down in Regent Street, | 0:01:49 | 0:01:53 | |
# Blackpool in Leicester Square | 0:01:53 | 0:01:56 | |
# If the Isle of Man was somewhere down the Strand | 0:01:56 | 0:02:00 | |
# Oh, it would be grand, listening to the band | 0:02:00 | 0:02:03 | |
# If Brighton Fair were in Trafalgar Square | 0:02:03 | 0:02:07 | |
# Piccadilly all surrounded by the sea | 0:02:07 | 0:02:10 | |
# And you could bathe with all the girls down Bond Street | 0:02:10 | 0:02:14 | |
# What a grand place London town would be. # | 0:02:14 | 0:02:18 | |
# All the girls are lovely by the seaside | 0:02:18 | 0:02:21 | |
# All the girls are lovely by the sea | 0:02:21 | 0:02:23 | |
# When you're strolling down beside the ocean | 0:02:25 | 0:02:28 | |
# The ocean, what a commotion | 0:02:28 | 0:02:31 | |
# All the girls are lovely by the seaside | 0:02:31 | 0:02:35 | |
# With their curls and bits of drapery | 0:02:35 | 0:02:39 | |
# French-y girls with eyes of blue give the goo-goo eye to you | 0:02:39 | 0:02:42 | |
# Whether they don't or whether they do, they're all lovely by the sea. # | 0:02:42 | 0:02:46 | |
# Where's the harm, where's the harm, will anyone tell me, pray? | 0:02:54 | 0:02:58 | |
# Should we take care out in the beautiful summer weather? | 0:02:58 | 0:03:01 | |
# When they tell you it's wrong, tell them to take a run | 0:03:01 | 0:03:05 | |
# Go along to it, but don't spoil the fun. # | 0:03:05 | 0:03:09 | |
# Oh, I do like to be beside the seaside | 0:03:10 | 0:03:13 | |
# I do like to be beside the sea | 0:03:13 | 0:03:17 | |
# I do like to stroll along the prom, prom, prom, | 0:03:17 | 0:03:21 | |
# Where the brass bands play tiddly-om-pom-pom | 0:03:21 | 0:03:24 | |
# Just let me be beside the seaside | 0:03:24 | 0:03:28 | |
# I'll be beside myself with glee | 0:03:28 | 0:03:31 | |
# There are lots of girls beside I should like to be beside | 0:03:31 | 0:03:35 | |
# Beside the seaside, beside the sea | 0:03:35 | 0:03:38 | |
# Beside the seaside, beside the sea. # | 0:03:38 | 0:03:43 | |
-For your aural and ocular... -AUDIENCE MURMURS | 0:03:57 | 0:04:03 | |
Ears and eyes! ..edification, the ineffable evanescence of nubility... | 0:04:03 | 0:04:11 | |
-..Miss Melanie Munro! -APPLAUSE AND CHEERING | 0:04:12 | 0:04:16 | |
CHEERING AND APPLAUSE | 0:04:16 | 0:04:18 | |
# I'm just 17 | 0:04:23 | 0:04:26 | |
# I've never been | 0:04:26 | 0:04:28 | |
# To any stately ball | 0:04:28 | 0:04:32 | |
# A shy young maid | 0:04:32 | 0:04:34 | |
# I'm half afraid | 0:04:34 | 0:04:36 | |
# To raise my eyes at all | 0:04:36 | 0:04:41 | |
# But I must learn to twist and turn | 0:04:41 | 0:04:45 | |
# To set my feet alight | 0:04:45 | 0:04:49 | |
# So come, hero | 0:04:49 | 0:04:52 | |
# And strive to show me how to dance tonight | 0:04:52 | 0:04:59 | |
SHE VOCALISES | 0:05:01 | 0:05:07 | |
# Dance on, hero | 0:05:12 | 0:05:14 | |
# The night is young | 0:05:14 | 0:05:17 | |
# The stars are fair above | 0:05:17 | 0:05:21 | |
# How tenderly | 0:05:21 | 0:05:23 | |
# Your eyes look down | 0:05:23 | 0:05:26 | |
# How sweet your words of love | 0:05:26 | 0:05:29 | |
# The world is fading far away | 0:05:29 | 0:05:33 | |
# And all things sad and false | 0:05:33 | 0:05:38 | |
# Oh, dear hero | 0:05:38 | 0:05:41 | |
# I love you so | 0:05:41 | 0:05:45 | |
# Tonight we'll dance like swans. # | 0:05:45 | 0:05:49 | |
SHE VOCALISES | 0:05:49 | 0:05:53 | |
SONG ENDS | 0:06:31 | 0:06:32 | |
BAND PLAYS NEW TUNE | 0:06:39 | 0:06:42 | |
# Susan Green was sweet 16 | 0:06:53 | 0:06:56 | |
# Had never yet been kissed | 0:06:56 | 0:06:59 | |
# And what you'd never had | 0:07:00 | 0:07:02 | |
# Why, of course, you'd never missed | 0:07:02 | 0:07:05 | |
LAUGHTER | 0:07:05 | 0:07:07 | |
# But Susan read a novel called | 0:07:07 | 0:07:11 | |
# Mama's Loving Boy | 0:07:11 | 0:07:14 | |
# It put ideas into her head | 0:07:14 | 0:07:18 | |
# And filled her full of joy | 0:07:18 | 0:07:22 | |
# She walked into a shop | 0:07:24 | 0:07:26 | |
# The salesman said, "Now, Miss | 0:07:26 | 0:07:30 | |
# "What would you like to have?" | 0:07:30 | 0:07:33 | |
# She shyly answered this | 0:07:33 | 0:07:38 | |
# I want a boy | 0:07:40 | 0:07:42 | |
# I want a boy | 0:07:42 | 0:07:45 | |
# Not for a toy | 0:07:45 | 0:07:47 | |
# Bound to annoy | 0:07:47 | 0:07:50 | |
# I want a nice young man | 0:07:50 | 0:07:53 | |
# Who will understand | 0:07:53 | 0:07:55 | |
# Don't want an amateur who'll just hold your hand | 0:07:55 | 0:07:59 | |
# I'd like to tease | 0:07:59 | 0:08:02 | |
# I'd like to squeeze | 0:08:02 | 0:08:04 | |
# I've heard that loving is simply divine | 0:08:04 | 0:08:10 | |
# One who'd meet you in the hall | 0:08:10 | 0:08:12 | |
# Kiss you, squeeze you, back to the wall | 0:08:12 | 0:08:14 | |
# Sit you down upon his lap | 0:08:14 | 0:08:16 | |
# Hug you till you snap | 0:08:16 | 0:08:18 | |
# I want a boy | 0:08:18 | 0:08:21 | |
# I want a boy | 0:08:21 | 0:08:23 | |
# I want a great big wonderful | 0:08:23 | 0:08:26 | |
# Lovable, delectable | 0:08:26 | 0:08:29 | |
# Great big wonderful | 0:08:29 | 0:08:33 | |
# Boy. # | 0:08:33 | 0:08:40 | |
APPLAUSE | 0:08:40 | 0:08:42 | |
Ingratiatingly endearing and diminutive dronery, | 0:08:57 | 0:09:02 | |
your own, my own, | 0:09:02 | 0:09:04 | |
everybody's own Mr Arthur Askey! | 0:09:04 | 0:09:09 | |
CHEERING AND APPLAUSE | 0:09:09 | 0:09:10 | |
Hello, playmates! | 0:09:25 | 0:09:26 | |
-AUDIENCE: -Hello! | 0:09:26 | 0:09:28 | |
I-I-I thank you. | 0:09:28 | 0:09:30 | |
Now, this is where the show picks up. | 0:09:31 | 0:09:33 | |
LAUGHTER | 0:09:33 | 0:09:34 | |
Cos I'm going to sing for you tonight, playmates. | 0:09:34 | 0:09:37 | |
-AUDIENCE: -Ooh! | 0:09:37 | 0:09:38 | |
Well, I'm a jolly good singer! | 0:09:38 | 0:09:41 | |
Oh, yes, I am! | 0:09:41 | 0:09:43 | |
-AUDIENCE: -Oh, no, you're not! | 0:09:43 | 0:09:45 | |
I jolly well am. | 0:09:45 | 0:09:47 | |
Anyway, I'm going to sing you a little song that is entitled... | 0:09:47 | 0:09:50 | |
-AUDIENCE MEMBER: -The Bee! -No! | 0:09:50 | 0:09:52 | |
LAUGHTER | 0:09:52 | 0:09:53 | |
APPLAUSE | 0:09:53 | 0:09:55 | |
The Bee? | 0:09:58 | 0:10:00 | |
That was me father, he used to sing that. | 0:10:00 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:05 | |
Little shorthouse with glasses, that was my dad. | 0:10:05 | 0:10:08 | |
No, this is rather on a higher scale. | 0:10:08 | 0:10:11 | |
This is simply entitled A Ballad. | 0:10:11 | 0:10:13 | |
Oh. | 0:10:19 | 0:10:20 | |
LAUGHTER | 0:10:20 | 0:10:22 | |
# I love the swallows flying high | 0:10:22 | 0:10:25 | |
# Ah-ha | 0:10:25 | 0:10:26 | |
-AUDIENCE: -# Ah-ha | 0:10:26 | 0:10:28 | |
# We all love swallows | 0:10:28 | 0:10:30 | |
# So do I | 0:10:30 | 0:10:31 | |
# Ah-ha | 0:10:31 | 0:10:33 | |
# I love the swallow and tomtit | 0:10:33 | 0:10:36 | |
# I love to hear the swallow flit | 0:10:36 | 0:10:39 | |
# But I'd sooner swallow gin in it | 0:10:39 | 0:10:42 | |
# Ah-ha | 0:10:42 | 0:10:44 | |
# Ah-ha... # | 0:10:44 | 0:10:47 | |
What do you think of it so far? | 0:10:47 | 0:10:49 | |
-AUDIENCE: -Rubbish! | 0:10:49 | 0:10:50 | |
LAUGHTER | 0:10:50 | 0:10:51 | |
Wait till you hear the next verse! | 0:10:51 | 0:10:53 | |
LAUGHTER | 0:10:53 | 0:10:54 | |
# A glorious thing is the English rose | 0:10:57 | 0:10:59 | |
# Ah-ha | 0:10:59 | 0:11:00 | |
# Ah-ha | 0:11:00 | 0:11:01 | |
# It's just like nectar to my nose | 0:11:01 | 0:11:04 | |
# Ah-ha | 0:11:04 | 0:11:06 | |
# I love the rose, it's so sublime | 0:11:06 | 0:11:09 | |
# If it's red or white, it's all the say-me | 0:11:09 | 0:11:12 | |
BOOING | 0:11:12 | 0:11:14 | |
# But I'd sooner have cod's roes any old time | 0:11:14 | 0:11:16 | |
# Ah-ha | 0:11:16 | 0:11:18 | |
# Ah-ha. # | 0:11:18 | 0:11:21 | |
Would you like The Bee Song? | 0:11:21 | 0:11:22 | |
-AUDIENCE: -Yes! | 0:11:22 | 0:11:24 | |
Well, this is a B song. I'll get on with it. | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:27 | |
This is the last verse. | 0:11:27 | 0:11:29 | |
# I love a haddock wet or dry | 0:11:29 | 0:11:31 | |
# Ah ha | 0:11:31 | 0:11:33 | |
# I love a haddock and I'll tell you why | 0:11:33 | 0:11:36 | |
# Ah-ha | 0:11:36 | 0:11:38 | |
# I had a sweetheart, tall and fair | 0:11:38 | 0:11:42 | |
# Fishmonger's daughter | 0:11:42 | 0:11:44 | |
# Name of Claire | 0:11:44 | 0:11:45 | |
# And she had a kind of way with her | 0:11:45 | 0:11:50 | |
# Ah-ha | 0:11:50 | 0:11:52 | |
# Ah-ha... # | 0:11:52 | 0:11:55 | |
Get ready with the applause. LAUGHTER | 0:11:55 | 0:11:57 | |
Don't rush it, I'll tell you when. | 0:11:57 | 0:11:59 | |
# Ah... | 0:11:59 | 0:12:02 | |
# Ha! # | 0:12:02 | 0:12:04 | |
APPLAUSE | 0:12:04 | 0:12:06 | |
So I'm going to sing you a little chorus song, now. | 0:12:16 | 0:12:18 | |
It's a little song, and I sing... | 0:12:18 | 0:12:20 | |
# Come on everybody | 0:12:20 | 0:12:22 | |
# We're going to sing. # | 0:12:22 | 0:12:23 | |
And you sing... | 0:12:23 | 0:12:24 | |
# Louder and louder and louder! Hoy! # | 0:12:24 | 0:12:28 | |
See? Each louder gets louder than the other louder. | 0:12:28 | 0:12:31 | |
You may have heard the song before. | 0:12:31 | 0:12:33 | |
It was sung years ago by Harry LOUDER. | 0:12:33 | 0:12:35 | |
LAUGHTER | 0:12:35 | 0:12:36 | |
But anyway, enjoy the song. Here we go. | 0:12:36 | 0:12:37 | |
# What's the use of being miserable? | 0:12:43 | 0:12:46 | |
# What's the use of being blue? | 0:12:46 | 0:12:49 | |
# I'm going to alter all that | 0:12:50 | 0:12:54 | |
# I'll tell you what we'll do | 0:12:54 | 0:12:57 | |
# Come on, everybody | 0:12:58 | 0:12:59 | |
# We're going to sing | 0:12:59 | 0:13:01 | |
# Louder and louder | 0:13:01 | 0:13:03 | |
# And louder | 0:13:03 | 0:13:04 | |
# Hoy! | 0:13:04 | 0:13:05 | |
# Never mind the rafters, just make them ring | 0:13:05 | 0:13:08 | |
# Louder and louder and louder | 0:13:08 | 0:13:11 | |
# Hoy! | 0:13:11 | 0:13:12 | |
# Let's all beguile the girls and boys | 0:13:12 | 0:13:16 | |
# Open up your throttles and make a noise | 0:13:16 | 0:13:19 | |
# Come on, everybody | 0:13:19 | 0:13:21 | |
# We're going to sing | 0:13:21 | 0:13:23 | |
# Louder and louder and louder | 0:13:23 | 0:13:25 | |
# Hoy! | 0:13:25 | 0:13:27 | |
# Come on everybody we're going to sing | 0:13:27 | 0:13:30 | |
# Louder and louder and louder. # | 0:13:30 | 0:13:34 | |
KNOCKING | 0:13:34 | 0:13:36 | |
(Come here.) | 0:13:36 | 0:13:38 | |
Are you a Mason? | 0:13:38 | 0:13:39 | |
LAUGHTER | 0:13:39 | 0:13:41 | |
What is it? | 0:13:41 | 0:13:42 | |
THEY WHISPER | 0:13:42 | 0:13:46 | |
Now, we're making too much noise. | 0:13:49 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:53 | |
-AUDIENCE: -Shame! -Shame! | 0:13:53 | 0:13:55 | |
We've just had word there's an old lady very ill in Bradford. | 0:13:55 | 0:13:58 | |
LAUGHTER | 0:13:58 | 0:13:59 | |
So we've got to keep it down a bit, so I'll tell you what, playmates, | 0:13:59 | 0:14:02 | |
instead of singing, "Louder and louder and louder," | 0:14:02 | 0:14:04 | |
we've got to sing, "Softer and softer and softer." | 0:14:04 | 0:14:07 | |
(Shh!) | 0:14:07 | 0:14:08 | |
All right, we'll try it. | 0:14:08 | 0:14:10 | |
HUSHED: # Come on, everybody | 0:14:12 | 0:14:14 | |
# We're going to sing | 0:14:14 | 0:14:16 | |
# Softer and softer and softer | 0:14:16 | 0:14:19 | |
# Shh! | 0:14:19 | 0:14:20 | |
# Never mind the rafters | 0:14:20 | 0:14:22 | |
# And make them ring | 0:14:22 | 0:14:24 | |
# Softer and softer and softer | 0:14:24 | 0:14:26 | |
# Shh! | 0:14:26 | 0:14:27 | |
# Do you know what I heard today? | 0:14:27 | 0:14:31 | |
# A lady's very ill 20 miles away | 0:14:31 | 0:14:35 | |
# Come on, everybody | 0:14:35 | 0:14:36 | |
# We're going to sing | 0:14:36 | 0:14:38 | |
# Softer and softer and softer | 0:14:38 | 0:14:41 | |
# Shh! # | 0:14:41 | 0:14:43 | |
Very good indeed. KNOCKING | 0:14:43 | 0:14:44 | |
Oh, God! | 0:14:44 | 0:14:45 | |
LAUGHTER What is it now? | 0:14:45 | 0:14:46 | |
We've just had a message that... | 0:14:46 | 0:14:49 | |
Oh! Oh, we're all right. | 0:14:49 | 0:14:51 | |
We can sing as loud as we like now. | 0:14:51 | 0:14:54 | |
The old lady's just died. | 0:14:54 | 0:14:55 | |
LAUGHTER | 0:14:55 | 0:14:56 | |
So we'll all sing loudly together! | 0:14:56 | 0:14:58 | |
# Come on, everybody | 0:14:59 | 0:15:02 | |
# We're going to sing | 0:15:02 | 0:15:03 | |
# Louder and louder and louder | 0:15:03 | 0:15:06 | |
# Hoy! | 0:15:06 | 0:15:07 | |
# Never mind the rafters, we'll make them ring | 0:15:07 | 0:15:11 | |
# Louder and louder and louder | 0:15:11 | 0:15:14 | |
# Hoy! | 0:15:14 | 0:15:15 | |
# Let's all beguile the girls and boys | 0:15:15 | 0:15:18 | |
# Open up your throttles and make a noise | 0:15:18 | 0:15:21 | |
# Come on, everybody | 0:15:21 | 0:15:23 | |
# We're going to sing | 0:15:23 | 0:15:25 | |
# Louder and louder and louder | 0:15:25 | 0:15:27 | |
# And louder | 0:15:30 | 0:15:33 | |
# And louder. # | 0:15:33 | 0:15:35 | |
APPLAUSE | 0:15:35 | 0:15:37 | |
Resonant in revivifying... | 0:15:53 | 0:15:57 | |
-AUDIENCE: -Oooh! | 0:15:57 | 0:16:00 | |
..reverberances, | 0:16:00 | 0:16:02 | |
inexhaustibly Hibernian... | 0:16:02 | 0:16:05 | |
-AUDIENCE: -Oh? | 0:16:05 | 0:16:06 | |
-Irish. -LAUGHTER | 0:16:06 | 0:16:08 | |
..Mr Josef Locke! | 0:16:08 | 0:16:11 | |
APPLAUSE | 0:16:11 | 0:16:13 | |
# We'll make a bonfire of our troubles | 0:16:14 | 0:16:18 | |
# And we'll watch them blaze away | 0:16:18 | 0:16:21 | |
# And when they've all gone up in smoke clouds | 0:16:21 | 0:16:25 | |
# We'll never worry should they come another day | 0:16:25 | 0:16:29 | |
# And as the bonfire keeps on burning | 0:16:29 | 0:16:33 | |
# Happy days will be returning | 0:16:33 | 0:16:37 | |
# While the band is playing | 0:16:37 | 0:16:41 | |
# We'll watch our troubles blaze away | 0:16:41 | 0:16:45 | |
# See them go right up to the sky | 0:16:45 | 0:16:48 | |
# And watch the flame go higher and higher | 0:16:48 | 0:16:52 | |
# Blazing away, blazing away | 0:16:52 | 0:16:56 | |
# Oh, come along, bring your worries | 0:16:56 | 0:16:59 | |
# We'll make a bonfire of our troubles | 0:16:59 | 0:17:04 | |
-# La-la-la-la -Blaze away | 0:17:04 | 0:17:08 | |
# And when they've all gone up in smoke clouds | 0:17:08 | 0:17:12 | |
-# We'll never worry should they -Come another day | 0:17:12 | 0:17:16 | |
# And as the bonfire keeps on burning | 0:17:16 | 0:17:20 | |
# Happy days will be returning | 0:17:20 | 0:17:24 | |
# While the band is playing | 0:17:24 | 0:17:28 | |
# We'll watch our troubles | 0:17:28 | 0:17:29 | |
# Blaze | 0:17:29 | 0:17:31 | |
# Awa-a-a-a-y. # | 0:17:31 | 0:17:37 | |
APPLAUSE | 0:17:37 | 0:17:39 | |
# I'll take you home again, Kathleen | 0:17:55 | 0:18:02 | |
# Across the ocean wide and wild | 0:18:03 | 0:18:09 | |
# To where your heart has ever been | 0:18:11 | 0:18:17 | |
# Since first you were my bonny bride | 0:18:17 | 0:18:25 | |
# The roses all have left your cheeks | 0:18:25 | 0:18:32 | |
# I've watched them fade away and die | 0:18:32 | 0:18:39 | |
# Your voice is sad | 0:18:39 | 0:18:43 | |
# When e'er you speak | 0:18:43 | 0:18:46 | |
# And tears bedim your loving eyes | 0:18:46 | 0:18:54 | |
# But I will take you back, Kathleen | 0:18:56 | 0:19:04 | |
# To where your heart will feel no pain... # | 0:19:04 | 0:19:10 | |
"When the fields." | 0:19:10 | 0:19:12 | |
# And when the fields are fresh and green | 0:19:12 | 0:19:20 | |
# I will take you to your home, again. # | 0:19:20 | 0:19:36 | |
CHEERING | 0:19:38 | 0:19:40 | |
Well, here's a brand-new one and I've never sung it before | 0:19:52 | 0:19:56 | |
and I don't tell lies, so... | 0:19:56 | 0:19:58 | |
LAUGHTER | 0:19:58 | 0:20:00 | |
What are you ha-ha-ing about? | 0:20:00 | 0:20:02 | |
But here it is, if you fancy it later on you can have a go | 0:20:02 | 0:20:05 | |
at the start - I'll give it... | 0:20:05 | 0:20:07 | |
Here it is, The Soldier's Dream! | 0:20:07 | 0:20:09 | |
AUDIENCE CLAP ALONG | 0:20:11 | 0:20:14 | |
Hi, ha, ha, hey! | 0:20:18 | 0:20:22 | |
# Out on the plains the weary soldiers now are sleeping | 0:20:24 | 0:20:28 | |
# They love to slumber while the evening breezes blow | 0:20:28 | 0:20:31 | |
# From the fields the smell of new-mown corn is creeping | 0:20:31 | 0:20:35 | |
# And the sentinel is pacing to and fro | 0:20:35 | 0:20:39 | |
# Then all at once the sky is filled with shapes of horsemen | 0:20:39 | 0:20:43 | |
# Lit up by lightning as the dying day goes by | 0:20:43 | 0:20:47 | |
# And the famous white horse is directing the course | 0:20:47 | 0:20:51 | |
HE SINGS | 0:20:51 | 0:20:55 | |
# See them pass by | 0:20:55 | 0:20:59 | |
HE SINGS | 0:20:59 | 0:21:03 | |
# Yes, they will die but they live in song and story... # | 0:21:18 | 0:21:26 | |
Hear the guns! | 0:21:28 | 0:21:30 | |
The trumpets sound, ha-ha-ha! | 0:21:32 | 0:21:34 | |
HE SINGS | 0:21:41 | 0:21:45 | |
# Yes, they will die but they live in song and story | 0:21:49 | 0:21:56 | |
# See them pass by | 0:21:56 | 0:21:59 | |
# Yes, sirree Yes, sirree, a glory | 0:21:59 | 0:22:04 | |
# Yes, they will die | 0:22:04 | 0:22:07 | |
# But they live in song and story. # | 0:22:07 | 0:22:16 | |
CHEERING | 0:22:16 | 0:22:20 | |
CHEERING | 0:22:32 | 0:22:34 | |
From... | 0:22:37 | 0:22:38 | |
Tingsryd... | 0:22:38 | 0:22:40 | |
CROWD PROTESTS | 0:22:40 | 0:22:41 | |
..in Sweden. | 0:22:41 | 0:22:43 | |
Invincible, in-vertiginous virtuosity... | 0:22:43 | 0:22:48 | |
Mr Bernie Wirengard! | 0:22:48 | 0:22:50 | |
CHEERING | 0:22:52 | 0:22:55 | |
ORCHESTRA PLAYS TIPSY MUSIC | 0:22:55 | 0:22:59 | |
LAUGHTER | 0:24:12 | 0:24:16 | |
CHEERING | 0:24:50 | 0:24:52 | |
LAUGHTER | 0:25:02 | 0:25:04 | |
AUDIENCE CLAPS IN TIME | 0:25:11 | 0:25:13 | |
CHEERING | 0:27:12 | 0:27:14 | |
SUSPENSEFUL DRUMROLL | 0:27:41 | 0:27:43 | |
CHEERING | 0:28:15 | 0:28:17 | |
CHEERING | 0:28:25 | 0:28:27 | |
ORCHESTRA PLAYS JAUNTY TUNE | 0:28:29 | 0:28:31 | |
Overweeningly winsome... | 0:28:52 | 0:28:55 | |
AUDIENCE GROANS | 0:28:55 | 0:28:57 | |
..infallibly infectious... | 0:28:57 | 0:29:00 | |
flirtatiousness... | 0:29:00 | 0:29:02 | |
Miss Aimi Macdonald! | 0:29:02 | 0:29:04 | |
CHEERING | 0:29:04 | 0:29:06 | |
# There's no mistake that I can act | 0:29:16 | 0:29:19 | |
# I'm talented and that's a fact | 0:29:19 | 0:29:22 | |
# I know because my mother told me so | 0:29:22 | 0:29:26 | |
# She kept a house for active folks | 0:29:26 | 0:29:29 | |
# And listened to their funny jokes | 0:29:29 | 0:29:32 | |
# So now I guess my mother ought to know | 0:29:32 | 0:29:36 | |
# In fact I'm great in everything | 0:29:36 | 0:29:41 | |
# I suppose you've never heard me sing | 0:29:41 | 0:29:45 | |
# Ma says I'd shine in opera with my style | 0:29:45 | 0:29:49 | |
# She says no-one would stand a chance | 0:29:49 | 0:29:53 | |
# With me and us alone we'd dance | 0:29:53 | 0:29:57 | |
# If I wore coloured beads | 0:29:57 | 0:30:01 | |
# And my big smile | 0:30:01 | 0:30:05 | |
# And if managers only thought the same as Mother | 0:30:05 | 0:30:09 | |
# It would fill poor Sarah Bernhardt with regrets | 0:30:09 | 0:30:13 | |
# Ellen Terry if she knew | 0:30:13 | 0:30:15 | |
# And Miss Lilian Baylis too | 0:30:15 | 0:30:18 | |
# They would chuck the stage and join the Suffragettes | 0:30:18 | 0:30:22 | |
# And if managers only thought the same as Mother | 0:30:22 | 0:30:26 | |
# They would label me the only tragic star | 0:30:26 | 0:30:31 | |
# Beerbohm Tree might be allowed | 0:30:31 | 0:30:34 | |
# Just to walk on with the crowd | 0:30:34 | 0:30:38 | |
# That's if managers only thought the same as Ma | 0:30:38 | 0:30:43 | |
# My darling mother thinks also | 0:30:54 | 0:30:57 | |
# To Parliament I ought to go | 0:30:57 | 0:31:00 | |
# I fancy myself too I must declare | 0:31:00 | 0:31:04 | |
# I don't know much about the law | 0:31:04 | 0:31:08 | |
# But Mama says the way I jaw | 0:31:08 | 0:31:11 | |
# Would suit the other dear old ladies there | 0:31:11 | 0:31:15 | |
# So vote for me when I begin | 0:31:15 | 0:31:19 | |
# I promise you if I get in | 0:31:19 | 0:31:22 | |
# To me the Members will take off their hats | 0:31:22 | 0:31:26 | |
# I'll change the budget, never fear | 0:31:26 | 0:31:30 | |
# Instead of taxing wine and beer | 0:31:30 | 0:31:33 | |
# I'll stick it on old bachelors... # | 0:31:33 | 0:31:36 | |
LAUGHTER | 0:31:36 | 0:31:38 | |
# And cards | 0:31:38 | 0:31:41 | |
# And if Parliament only thought the same as Mother | 0:31:41 | 0:31:45 | |
# I am going to be the Speaker in the chair | 0:31:45 | 0:31:50 | |
# I shall do away with men | 0:31:50 | 0:31:52 | |
# Only women will vote then | 0:31:52 | 0:31:54 | |
# Every night we'll have a mothers' meeting there | 0:31:54 | 0:31:58 | |
# And if Parliament only thinks the same as Mother | 0:31:58 | 0:32:03 | |
# I shall be the best Prime Minister by far | 0:32:03 | 0:32:07 | |
# And Lloyd George I'm certain will | 0:32:07 | 0:32:10 | |
# Pass an act and pay the bill | 0:32:10 | 0:32:15 | |
# That's if Parliament only thinks the same as Ma | 0:32:15 | 0:32:20 | |
# Trade union leaders will agree | 0:32:20 | 0:32:24 | |
# To ask me in to tea | 0:32:24 | 0:32:27 | |
# You see... # | 0:32:27 | 0:32:30 | |
AUDIENCE GROANS | 0:32:30 | 0:32:32 | |
# That's if Parliament only thinks the same | 0:32:32 | 0:32:36 | |
# Parliament only thinks the same | 0:32:36 | 0:32:38 | |
# Parliament only thinks the same as Ma! # | 0:32:38 | 0:32:41 | |
CHEERING | 0:32:41 | 0:32:43 | |
# Lovers sitting looking shy | 0:32:57 | 0:33:03 | |
# As lovers often will | 0:33:03 | 0:33:08 | |
# Waiting for that hour of bliss | 0:33:09 | 0:33:15 | |
# When all the house was still | 0:33:15 | 0:33:21 | |
# Then her mama went out | 0:33:22 | 0:33:26 | |
-AUDIENCE JOINS IN: -# Da-ra-ra-ra Da-ra-ra-dee | 0:33:26 | 0:33:30 | |
# Then her papa went out | 0:33:30 | 0:33:34 | |
# Da-ra-ra-ra da-ra-ra-dee | 0:33:34 | 0:33:37 | |
# She and her boy stayed home | 0:33:38 | 0:33:41 | |
# Two of them on their own | 0:33:41 | 0:33:44 | |
# Waiting to be Hoping to be | 0:33:45 | 0:33:49 | |
# Longing to be alone | 0:33:49 | 0:33:53 | |
# Nobody else about | 0:33:55 | 0:33:59 | |
# Da-ra-ra-ra Da-ra-ra-dee | 0:33:59 | 0:34:03 | |
# Then his cigar went out | 0:34:03 | 0:34:07 | |
# Da-ra-ra-ra Da-ra-ra-dee | 0:34:07 | 0:34:11 | |
# Even the fire went out | 0:34:11 | 0:34:15 | |
# But when the lights | 0:34:15 | 0:34:17 | |
# Went out | 0:34:17 | 0:34:24 | |
# Da-ra-ra-ra Da-ra-ra-ra | 0:34:25 | 0:34:29 | |
# Da-ra-ra-dee. # | 0:34:29 | 0:34:35 | |
APPLAUSE | 0:34:36 | 0:34:39 | |
BAND PLAYS INTERLUDE | 0:34:43 | 0:34:48 | |
CHEERING AND APPLAUSE | 0:34:59 | 0:35:03 | |
Apocalyptically... | 0:35:06 | 0:35:08 | |
-AUDIENCE: -Ooh! | 0:35:08 | 0:35:10 | |
"..thermoturgical" thespianism! | 0:35:10 | 0:35:14 | |
CHEERING | 0:35:14 | 0:35:16 | |
The one and only Mr Ron Moody. | 0:35:16 | 0:35:22 | |
CHEERING AND APPLAUSE | 0:35:22 | 0:35:24 | |
FANFARE | 0:35:24 | 0:35:28 | |
Thank you, ladies and gentlemen and Monsieur Roget. | 0:35:33 | 0:35:37 | |
As I entered the theatre this evening I was greeted with | 0:35:40 | 0:35:43 | |
cries of... | 0:35:43 | 0:35:45 | |
ENTHUSIASTIC TONE: "What are you doing back here again?" | 0:35:45 | 0:35:48 | |
It wasn't exactly like that. | 0:35:48 | 0:35:49 | |
It was rather more, rather more... | 0:35:49 | 0:35:51 | |
DISAPPOINTED TONE: "What are you doing back here again?" | 0:35:51 | 0:35:54 | |
LAUGHTER | 0:35:54 | 0:35:55 | |
So here we go, on with the show. | 0:35:55 | 0:35:59 | |
FANFARE | 0:35:59 | 0:36:03 | |
PARP | 0:36:03 | 0:36:04 | |
LAUGHTER | 0:36:04 | 0:36:07 | |
This... This is what it's like being on a stage. | 0:36:09 | 0:36:15 | |
PIANO BEGINS | 0:36:15 | 0:36:17 | |
Rather like a race you cannot win. | 0:36:17 | 0:36:19 | |
# Then you look around at this gilded cage. # | 0:36:20 | 0:36:25 | |
And you see the people looking in. | 0:36:25 | 0:36:27 | |
Of course, people, real people, human people, old people. | 0:36:27 | 0:36:31 | |
LAUGHTER | 0:36:31 | 0:36:33 | |
Smiling people, laughing people. Ha-ha-ha! | 0:36:33 | 0:36:37 | |
LAUGHTER | 0:36:37 | 0:36:40 | |
Crying people? | 0:36:42 | 0:36:45 | |
No. Happy people. | 0:36:45 | 0:36:49 | |
# Now I know why we do a show | 0:36:49 | 0:36:52 | |
# For the happy moments we can bring | 0:36:52 | 0:36:55 | |
# Same old tale from the nightingale | 0:36:55 | 0:36:59 | |
# Flying high so you can hear it sing | 0:36:59 | 0:37:03 | |
# At the zoo what the monkeys do | 0:37:03 | 0:37:06 | |
# No-one else would do for twice the wage | 0:37:06 | 0:37:09 | |
# That's the world we share | 0:37:09 | 0:37:11 | |
# And it's all out there | 0:37:11 | 0:37:13 | |
# When you walk upon a stage | 0:37:13 | 0:37:15 | |
# What a moment for Beerbohm Tree | 0:37:17 | 0:37:20 | |
# When Svengali cast a thousand spells | 0:37:20 | 0:37:23 | |
# Hear them cheer Maybe shed a tear | 0:37:23 | 0:37:27 | |
# For the fearful tale that Trilby tells | 0:37:27 | 0:37:30 | |
# Hear her sing | 0:37:30 | 0:37:33 | |
# Poor tormented thing | 0:37:33 | 0:37:36 | |
# Like a bird imprisoned in a cage | 0:37:36 | 0:37:39 | |
# See Svengali's eyes | 0:37:41 | 0:37:44 | |
# Grow to twice their size | 0:37:44 | 0:37:46 | |
# When you walk upon... # | 0:37:46 | 0:37:50 | |
See Svengali's eyes grow to twice their size... | 0:37:51 | 0:37:54 | |
LAUGHTER | 0:37:54 | 0:37:56 | |
When you walk upon... | 0:37:56 | 0:37:58 | |
SHOUTING: See Svengali's eyes grow to twice their size | 0:37:58 | 0:38:02 | |
When you walk upon a stage. | 0:38:02 | 0:38:06 | |
Trilby! Where are you, Trilby? | 0:38:06 | 0:38:10 | |
I know you're here tonight, Trilby. I feel it in my bones, Trilby. | 0:38:10 | 0:38:15 | |
Where are you, Trilby? | 0:38:15 | 0:38:16 | |
LAUGHTER | 0:38:16 | 0:38:19 | |
APPLAUSE | 0:38:19 | 0:38:22 | |
Smart cookie, huh? Trilby, where are you? I know you're here, Trilby. | 0:38:26 | 0:38:34 | |
Trilby, I will find you tonight. Trilby, I will find you! | 0:38:34 | 0:38:36 | |
I know you are here tonight, Trilby. | 0:38:36 | 0:38:39 | |
Tonight I will make a star... | 0:38:39 | 0:38:41 | |
LAUGHTER | 0:38:41 | 0:38:43 | |
Sing, Trilby. Sing. | 0:38:45 | 0:38:47 | |
Sing. Now is your big chance. Trilby, relax. Close your eyes. | 0:38:47 | 0:38:51 | |
When I snap my fingers you will sing as you have never sung before. | 0:38:53 | 0:38:56 | |
LAUGHTER | 0:38:56 | 0:39:00 | |
Oh! | 0:39:05 | 0:39:07 | |
Trilby! Sorry. I beg your pardon. | 0:39:08 | 0:39:11 | |
-You're OK. -Trilby! | 0:39:11 | 0:39:13 | |
Sing, Trilby! Sing, Trilby! Sing. Sing. | 0:39:14 | 0:39:19 | |
Sing. | 0:39:19 | 0:39:20 | |
LAUGHTER | 0:39:20 | 0:39:23 | |
Trilby, sing! Do me a favour, sing, Trilby. | 0:39:26 | 0:39:29 | |
PIANO TRILLS | 0:39:29 | 0:39:32 | |
# Ah-ah-ah-ah-ah-ah-ah | 0:39:32 | 0:39:38 | |
# Ah-ah... | 0:39:38 | 0:39:42 | |
SHE SINGS: Je Veux Vivre by Charles Gounod | 0:39:42 | 0:39:45 | |
APPLAUSE | 0:39:47 | 0:39:51 | |
LAUGHTER | 0:40:30 | 0:40:32 | |
SHE CONTINUES TO SING IN FRENCH | 0:40:32 | 0:40:36 | |
SHE STOPS SINGING | 0:40:46 | 0:40:47 | |
CHEERING AND APPLAUSE | 0:40:47 | 0:40:49 | |
SHE RESUMES SONG | 0:40:49 | 0:40:53 | |
HE MUTTERS | 0:40:57 | 0:41:01 | |
SHE CONTINUES TO SING | 0:41:01 | 0:41:04 | |
APPLAUSE | 0:41:12 | 0:41:14 | |
STILL SINGING | 0:41:16 | 0:41:19 | |
SHE STOPS | 0:41:23 | 0:41:24 | |
APPLAUSE | 0:41:24 | 0:41:26 | |
Can you come back next week? | 0:41:35 | 0:41:37 | |
I won't be here. | 0:41:38 | 0:41:40 | |
SHE RESUMES SINGING | 0:41:42 | 0:41:45 | |
LAUGHTER | 0:41:47 | 0:41:48 | |
SHE SCREAMS | 0:41:50 | 0:41:51 | |
LAUGHTER | 0:41:51 | 0:41:52 | |
APPLAUSE | 0:41:53 | 0:41:55 | |
Never mind. That is what we are here for. Happy people. | 0:42:02 | 0:42:07 | |
# Now I know how Caruso felt | 0:42:08 | 0:42:10 | |
# Singing Rigoletto in his prime | 0:42:10 | 0:42:14 | |
# Chaliapin was Godunov | 0:42:14 | 0:42:17 | |
# But he must have known it at the time | 0:42:17 | 0:42:21 | |
# Now I know how Al Jolson felt when his Sonny Boy had come of age | 0:42:21 | 0:42:28 | |
# You can hear the sound going round and round | 0:42:28 | 0:42:31 | |
# When you walk upon a stage | 0:42:31 | 0:42:34 | |
# Now I know how they must have felt | 0:42:35 | 0:42:38 | |
# In the grand old days... | 0:42:38 | 0:42:42 | |
# All else pales when they tell you tales | 0:42:42 | 0:42:45 | |
# That will make your skin begin to crawl | 0:42:45 | 0:42:48 | |
# Hear the whisper of Mr Hyde | 0:42:49 | 0:42:54 | |
# And of Quasimodo's dreadful rage | 0:42:55 | 0:42:58 | |
# Feel your blood run cold | 0:43:00 | 0:43:03 | |
# As it did of old | 0:43:03 | 0:43:06 | |
# When you walk upon | 0:43:06 | 0:43:10 | |
MUFFLED: # A stage. # | 0:43:10 | 0:43:11 | |
LAUGHTER | 0:43:11 | 0:43:13 | |
MUFFLED: Good evening... | 0:43:15 | 0:43:16 | |
LAUGHTER | 0:43:16 | 0:43:18 | |
Good evening, ladies and gentlemen. | 0:43:23 | 0:43:27 | |
My name is Dr Jekyll. | 0:43:27 | 0:43:30 | |
Dr Hire Me Jekyll, a specialist. | 0:43:30 | 0:43:34 | |
LAUGHTER | 0:43:34 | 0:43:37 | |
Sodium carbonate, potassium carbonate, | 0:43:37 | 0:43:39 | |
sodium sodium, potassium potassium, carbon tetrachloride. | 0:43:39 | 0:43:42 | |
sodium tetrachloride, carbon potassium tetrachloride, sodium tetrachloride. | 0:43:42 | 0:43:46 | |
Dare I? Dare I? | 0:43:46 | 0:43:49 | |
-AUDIENCE: -Yes! | 0:43:49 | 0:43:51 | |
LAUGHTER | 0:43:51 | 0:43:52 | |
HE GRUNTS | 0:43:52 | 0:43:55 | |
Ooh! Ah! Ah! | 0:43:58 | 0:44:00 | |
HE ROARS | 0:44:00 | 0:44:02 | |
Sodium carbonate, potassium carbonate, sodium chloride, potassium chloride. | 0:44:02 | 0:44:06 | |
LAUGHTER | 0:44:06 | 0:44:08 | |
HE ROARS | 0:44:08 | 0:44:11 | |
Oh! | 0:44:11 | 0:44:12 | |
LAUGHTER | 0:44:12 | 0:44:14 | |
HE ROARS | 0:44:17 | 0:44:22 | |
LAUGHTER | 0:44:24 | 0:44:27 | |
DRUMROLL | 0:44:33 | 0:44:37 | |
APPLAUSE | 0:44:43 | 0:44:45 | |
My name is Quasimodo. | 0:44:48 | 0:44:51 | |
I'm not a man and I'm not a beast. Heh-heh-heh! | 0:44:51 | 0:44:56 | |
I'm as shapeless as the man in the moon. The bells made me deaf. | 0:44:57 | 0:45:03 | |
Sanctuary! Sanctuary! | 0:45:03 | 0:45:06 | |
Room service! | 0:45:06 | 0:45:08 | |
LAUGHTER | 0:45:08 | 0:45:10 | |
Look not upon the face, young lady. Look at the heart. | 0:45:10 | 0:45:15 | |
The heart of a handsome man is often deformed. | 0:45:15 | 0:45:20 | |
A heart that cannot hold love belongs... | 0:45:20 | 0:45:23 | |
Oh, give us a kiss. | 0:45:23 | 0:45:25 | |
LAUGHTER | 0:45:25 | 0:45:26 | |
You didn't have to shrink away! | 0:45:26 | 0:45:28 | |
I'm going to jump. I don't care. | 0:45:30 | 0:45:31 | |
DRUMROLL | 0:45:31 | 0:45:33 | |
APPLAUSE | 0:45:33 | 0:45:35 | |
LAUGHTER | 0:45:47 | 0:45:50 | |
Count... Count Dracula. | 0:46:01 | 0:46:04 | |
No, madam, I am not a vegetarian. | 0:46:05 | 0:46:09 | |
I just don't like stakes. | 0:46:09 | 0:46:11 | |
I'm... | 0:46:13 | 0:46:15 | |
Looks like I'm stuck with these for the rest of the bloody evening. | 0:46:17 | 0:46:20 | |
# Now I know how they must have felt | 0:46:20 | 0:46:23 | |
# When they sang and danced their way to fame | 0:46:23 | 0:46:26 | |
# All the world said that they were mad | 0:46:27 | 0:46:30 | |
# Working day and night to make a name | 0:46:30 | 0:46:32 | |
# Living rough, for the life was tough... # | 0:46:34 | 0:46:37 | |
You try this with your teeth in. | 0:46:37 | 0:46:38 | |
MUFFLED: # And you wonder why | 0:46:40 | 0:46:43 | |
# When you walk upon | 0:46:43 | 0:46:44 | |
# When you talk upon | 0:46:44 | 0:46:46 | |
# When you sing upon | 0:46:46 | 0:46:48 | |
# When you dance upon | 0:46:48 | 0:46:50 | |
# When you walk upon a | 0:46:50 | 0:46:53 | |
# Chocolate cigarettes | 0:46:53 | 0:46:56 | |
# Tutti-frutti ices... # | 0:46:56 | 0:46:58 | |
APPLAUSE DROWNS SINGING | 0:46:58 | 0:47:02 | |
# When you walk upon a stage. # | 0:47:03 | 0:47:07 | |
CHEERING AND APPLAUSE | 0:47:08 | 0:47:11 | |
Thank you! | 0:47:21 | 0:47:23 | |
There's just time to ask Mr Ron Moody to lead the company | 0:47:25 | 0:47:29 | |
and yourselves in the last chorus for tonight, | 0:47:29 | 0:47:31 | |
Down At The Old Bull And Bush. | 0:47:31 | 0:47:32 | |
Ladies and gentlemen, Mr Ron Moody, the entire company, | 0:47:32 | 0:47:35 | |
Mr Bernard Herrmann, the entire and indefatigable orchestra... | 0:47:35 | 0:47:39 | |
CHEERING | 0:47:39 | 0:47:41 | |
..and this time, chiefly... | 0:47:41 | 0:47:44 | |
-ALL: -..yourselves. | 0:47:44 | 0:47:46 | |
# Come, come, come and make eyes at me | 0:47:50 | 0:47:54 | |
# Down at the Old Bull and Bush | 0:47:54 | 0:47:55 | |
# Da-da-da-da-da | 0:47:55 | 0:47:57 | |
# Come, come, drink some port wine with me | 0:47:57 | 0:48:01 | |
# Down at the Old Bull and Bush | 0:48:01 | 0:48:03 | |
# Hear the little German band | 0:48:05 | 0:48:07 | |
# Da-da-da-da-da | 0:48:07 | 0:48:09 | |
# Just let me hold your hand, dear | 0:48:09 | 0:48:11 | |
# Do, do come and have a drink or two | 0:48:13 | 0:48:16 | |
# Down at the Old Bull and Bush Bush, Bush. # | 0:48:16 | 0:48:21 | |
CHEERING AND APPLAUSE | 0:48:21 | 0:48:23 | |
ORCHESTRA PLAYS INSTRUMENTAL | 0:48:25 | 0:48:27 | |
AUDIENCE CLAPS ALONG | 0:48:27 | 0:48:30 |