Browse content similar to 10/01/1978. Check below for episodes and series from the same categories and more!
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ORCHESTRAL FANFARE | 0:00:02 | 0:00:04 | |
MUSIC: The Sandow Girl | 0:00:12 | 0:00:14 | |
# Oh, the... | 0:00:40 | 0:00:43 | |
# Sandow, Sandow girl | 0:00:43 | 0:00:46 | |
# Oh the Sandow, Sandow girl | 0:00:46 | 0:00:49 | |
# She's... | 0:00:49 | 0:00:51 | |
# Smooth and slim and supple | 0:00:51 | 0:00:54 | |
# And compared with any couple of other girls | 0:00:54 | 0:01:00 | |
# The Sandow, Sandow girl | 0:01:00 | 0:01:04 | |
# Is a priceless, peerless pearl | 0:01:04 | 0:01:08 | |
# Even Sandow, I think | 0:01:08 | 0:01:11 | |
# Would be frightened to wink | 0:01:11 | 0:01:12 | |
# At his Sandow girl... # | 0:01:12 | 0:01:16 | |
Now if your limbs are listless | 0:01:52 | 0:01:54 | |
And your spirits start to fall | 0:01:54 | 0:01:56 | |
Then this is the advice | 0:01:56 | 0:01:58 | |
That I would give to one and all. | 0:01:58 | 0:02:02 | |
# Is your breathing poor? | 0:02:08 | 0:02:10 | |
# Are your muscles weak? | 0:02:10 | 0:02:11 | |
# Does your stomach sag? | 0:02:11 | 0:02:13 | |
# Do you lack technique? | 0:02:13 | 0:02:16 | |
# There's no need to be a clinging vine | 0:02:16 | 0:02:19 | |
# You too can have a body like mine | 0:02:19 | 0:02:22 | |
# Are your spirits low? | 0:02:22 | 0:02:24 | |
# Do you tend to moan? | 0:02:24 | 0:02:26 | |
# Are you claustrophobic when you're all alone? | 0:02:26 | 0:02:29 | |
# If you feel a tingling up and down your spine | 0:02:30 | 0:02:34 | |
# You too can have a body like mine | 0:02:34 | 0:02:38 | |
# One, two, three, four... | 0:02:38 | 0:02:41 | |
# Now's the time to loosen up your liver | 0:02:41 | 0:02:45 | |
# Five, six, seven, eight... | 0:02:45 | 0:02:48 | |
# When your ears start flapping and your kidneys quiver | 0:02:48 | 0:02:55 | |
# Does your heart beat faster when you touch your toes? | 0:02:55 | 0:02:59 | |
# Do your fingers twitch when you thumb your nose? | 0:02:59 | 0:03:03 | |
# If your metatarsals are in sad decline | 0:03:03 | 0:03:06 | |
# You too can have a body like mine. # | 0:03:06 | 0:03:10 | |
DRUMROLL | 0:03:10 | 0:03:12 | |
FANFARE AND APPLAUSE | 0:03:24 | 0:03:26 | |
DRUMROLL | 0:03:26 | 0:03:28 | |
FANFARE AND APPLAUSE | 0:03:32 | 0:03:34 | |
DRUMROLL | 0:03:34 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:39 | |
FANFARE AND APPLAUSE | 0:03:43 | 0:03:45 | |
# Oh, the Sandow, Sandow girl | 0:03:49 | 0:03:53 | |
# Is a priceless, peerless pearl | 0:03:53 | 0:03:56 | |
# Even Sandow, I think | 0:03:56 | 0:03:59 | |
# Would be frightened to wink | 0:03:59 | 0:04:01 | |
# At his Sandow girl | 0:04:01 | 0:04:06 | |
# Sandow, Sandow, Sandow, Sandow | 0:04:06 | 0:04:10 | |
# Girl! # | 0:04:10 | 0:04:13 | |
CHEERING AND APPLAUSE | 0:04:18 | 0:04:21 | |
CHEERING | 0:04:30 | 0:04:31 | |
Once again, good evening, | 0:04:31 | 0:04:36 | |
ladies and gentlemen! | 0:04:36 | 0:04:40 | |
Initiating our jollifications for the jubilee, | 0:04:42 | 0:04:48 | |
that jaunty juxtaposition of femininity and muscularity | 0:04:48 | 0:04:56 | |
featured Miss Jan Hunt, Miss Inge-Lise | 0:04:56 | 0:04:59 | |
and the Players' Theatre. | 0:04:59 | 0:05:01 | |
And now, all the way from Germany, | 0:05:01 | 0:05:04 | |
ladies and gentlemen, the Hurricanes! | 0:05:04 | 0:05:09 | |
APPLAUSE | 0:05:09 | 0:05:12 | |
JAUNTY MUSIC PLAYS | 0:05:12 | 0:05:14 | |
CLATTERING | 0:05:35 | 0:05:37 | |
Hey! | 0:06:00 | 0:06:01 | |
Ah! | 0:06:01 | 0:06:02 | |
-Oh! -CHEERING | 0:06:02 | 0:06:04 | |
APPLAUSE | 0:06:28 | 0:06:31 | |
APPLAUSE | 0:06:48 | 0:06:50 | |
Hey! | 0:06:50 | 0:06:51 | |
DRUMROLL | 0:07:09 | 0:07:13 | |
AUDIENCE GASPS | 0:07:20 | 0:07:22 | |
CHEERING AND APPLAUSE | 0:07:51 | 0:07:55 | |
Voila! | 0:08:00 | 0:08:01 | |
CHEERING AND APPLAUSE | 0:08:01 | 0:08:05 | |
FANFARE | 0:08:05 | 0:08:08 | |
Emergent aspirants to stellar status, | 0:08:23 | 0:08:29 | |
ingenuously avid for your approbation. | 0:08:29 | 0:08:33 | |
Direct from Ilkley Senior Dancing Academy... | 0:08:34 | 0:08:39 | |
LAUGHTER AND CHEERING | 0:08:39 | 0:08:41 | |
..Bubbles and Cuddles! | 0:08:41 | 0:08:44 | |
CHEERING AND APPLAUSE | 0:08:44 | 0:08:47 | |
MUSIC PLAYS | 0:08:47 | 0:08:52 | |
# Call me a taxi, the train's gonna leave at 4:20 | 0:08:57 | 0:09:01 | |
# For the land of the plenty | 0:09:01 | 0:09:04 | |
# And I've just got to go | 0:09:04 | 0:09:05 | |
# Can't you see? Can't you see? | 0:09:05 | 0:09:07 | |
# I like the Broadway but somehow the West has me sighing | 0:09:07 | 0:09:11 | |
# To forget it, I'm trying | 0:09:11 | 0:09:14 | |
# But I can't keep away from where I should be | 0:09:14 | 0:09:19 | |
# Won't you meet me out in Wichita? | 0:09:19 | 0:09:22 | |
# Meet you out in Wichita? | 0:09:22 | 0:09:24 | |
# I said out in Wichita | 0:09:24 | 0:09:25 | |
# Introduce you to my pa | 0:09:25 | 0:09:27 | |
# Like to have you meet Mama and my sister and very merry uncle Jerry | 0:09:27 | 0:09:30 | |
# If you'll only promise to be there | 0:09:30 | 0:09:33 | |
# If you'll only take the dare | 0:09:33 | 0:09:34 | |
# We'll go to the Cresco Fair | 0:09:34 | 0:09:35 | |
# Oh, you're a little ways from there | 0:09:35 | 0:09:37 | |
# Out in Wichita, Kansas | 0:09:37 | 0:09:39 | |
# Gee-whiz! | 0:09:39 | 0:09:40 | |
-# Won't you meet me down in Wichita? -I will meet you down in Wichita | 0:09:40 | 0:09:44 | |
# I said Wichita | 0:09:44 | 0:09:46 | |
# The only place to go down in Kansas | 0:09:46 | 0:09:48 | |
# Like to have you meet Mama and my sister and very merry uncle Jerry | 0:09:48 | 0:09:51 | |
-# If you'll only promise to be there -I will take you there | 0:09:51 | 0:09:54 | |
-# To the Cresco Fair -To the Cresco Fair | 0:09:54 | 0:09:56 | |
# Oh, yes, I'll take you there | 0:09:56 | 0:09:58 | |
-# Out in Wichita, Kansas -Down in Wichita, Kansas | 0:09:58 | 0:10:01 | |
# Won't you meet me out in Wichita? | 0:10:01 | 0:10:04 | |
# I said out in Wichita | 0:10:04 | 0:10:05 | |
# I said out in Wichita | 0:10:05 | 0:10:06 | |
# Love to introduce you to my pa | 0:10:06 | 0:10:08 | |
# Like to have you meet Mama and my sister and very merry uncle Jerry | 0:10:08 | 0:10:11 | |
# If you'll only promise to be there | 0:10:11 | 0:10:14 | |
# If you only take the dare | 0:10:14 | 0:10:16 | |
-# We'll go to the Cresco Fair -Oh, you live a ways from there | 0:10:16 | 0:10:18 | |
# Out in Wichita, Kansas | 0:10:18 | 0:10:20 | |
# Gee-whiz! | 0:10:20 | 0:10:22 | |
-# Won't you meet me out in Wichita? -Won't you meet me down in Wichita? | 0:10:22 | 0:10:25 | |
# I said out in Wichita | 0:10:25 | 0:10:27 | |
# The only place to be | 0:10:27 | 0:10:28 | |
# Like to have you meet Mama and my sister and very merry uncle Jerry | 0:10:28 | 0:10:32 | |
-# If you'll only promise to be there -I will take you to the Cresco Fair | 0:10:32 | 0:10:36 | |
-# We'll go to the Cresco Fair -Oh, yes, I'll take you there | 0:10:36 | 0:10:39 | |
# Out in Wichita, Kansas | 0:10:39 | 0:10:40 | |
# Gee-whiz! # | 0:10:40 | 0:10:42 | |
BOTH: Take it away, Mr Music Man. | 0:10:42 | 0:10:45 | |
MUSIC CONTINUES | 0:10:45 | 0:10:48 | |
# Won't you meet me out in Wichita? | 0:11:15 | 0:11:18 | |
# I said out in Wichita | 0:11:18 | 0:11:21 | |
# Like to have you meet Mama and my sister and very merry uncle Jerry | 0:11:21 | 0:11:25 | |
# If you'll only promise to be there | 0:11:25 | 0:11:29 | |
# We'll go to the Cresco Fair | 0:11:29 | 0:11:31 | |
# Out in Wichita | 0:11:31 | 0:11:33 | |
# No place like home | 0:11:33 | 0:11:37 | |
# There's no place | 0:11:37 | 0:11:40 | |
# Like Wichita, Kansas | 0:11:40 | 0:11:42 | |
# Who here fancies Cresco Fair, Western bear | 0:11:42 | 0:11:45 | |
# Ma and Pa and very merry uncle Jerry | 0:11:45 | 0:11:48 | |
# Down in Wichita, Kansas! | 0:11:48 | 0:11:53 | |
# Dooby-dooby-dooby-doo-doo! # | 0:11:53 | 0:11:56 | |
CHEERING | 0:11:56 | 0:12:00 | |
Bubbles and Cuddles were impersonated | 0:12:10 | 0:12:13 | |
by Miss Doreen Hermitage and Miss Julia Sutton. | 0:12:13 | 0:12:17 | |
And now an Iberian extravaganza. | 0:12:17 | 0:12:21 | |
-AUDIENCE: -Ooh! | 0:12:21 | 0:12:22 | |
An exemplary exuberance of vocal virtuosity. | 0:12:22 | 0:12:26 | |
-AUDIENCE: -Wow! | 0:12:26 | 0:12:28 | |
Spanish ventriloquism. | 0:12:28 | 0:12:30 | |
Senor Jose Luis Moreno! | 0:12:30 | 0:12:34 | |
CHEERING AND APPLAUSE | 0:12:34 | 0:12:39 | |
-Ladies and gentlemen... -Where? | 0:12:46 | 0:12:49 | |
-LAUGHTER -Look in front of you! -Why? | 0:12:49 | 0:12:52 | |
Gracias, amigos, senoras, senores... | 0:12:52 | 0:12:55 | |
Why are you speaking? | 0:12:55 | 0:12:57 | |
-(Monchito, there's people over there.) -(Where?) | 0:12:57 | 0:12:59 | |
-(The people!) -(Where?!) | 0:12:59 | 0:13:00 | |
-THERE! -I JUST SAID...! | 0:13:00 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:06 | |
-What is that?! It's a carnival? -No! | 0:13:06 | 0:13:09 | |
We are in one of the most beautiful theatres, and this is a great show. | 0:13:09 | 0:13:14 | |
The Parliament? | 0:13:14 | 0:13:16 | |
LAUGHTER | 0:13:16 | 0:13:17 | |
APPLAUSE | 0:13:17 | 0:13:19 | |
That's too much. | 0:13:19 | 0:13:21 | |
Thank you, thank you. | 0:13:21 | 0:13:23 | |
You'll carry on with the show now? | 0:13:23 | 0:13:24 | |
-(Are you angry?) -Go ahead. | 0:13:26 | 0:13:28 | |
(I don't know what to say.) | 0:13:28 | 0:13:29 | |
They're waiting for you. Please! | 0:13:29 | 0:13:32 | |
LAUGHTER | 0:13:32 | 0:13:34 | |
-AUDIENCE: -Aww. | 0:13:36 | 0:13:37 | |
I'm sorry... | 0:13:37 | 0:13:39 | |
MONCHITO WHIMPERS | 0:13:39 | 0:13:43 | |
Do you remember this beautiful, romantic song... | 0:13:45 | 0:13:49 | |
-My God! -..from Spain? | 0:13:49 | 0:13:52 | |
Which one? | 0:13:52 | 0:13:53 | |
-Te Quiero, Te Quiero. -"I love you, I love you"? -Yes. | 0:13:53 | 0:13:55 | |
OK, Maestro. Carry on! | 0:13:55 | 0:13:58 | |
MUSIC STARTS | 0:13:58 | 0:13:59 | |
MUSIC DROWNS SPEECH | 0:13:59 | 0:14:02 | |
-You sing with me, right? -Right. | 0:14:02 | 0:14:04 | |
-Now take it easy, yeah? -OK. | 0:14:04 | 0:14:06 | |
Now? | 0:14:07 | 0:14:09 | |
# De por que te estoy queriendo | 0:14:09 | 0:14:13 | |
# No me pidas la razon | 0:14:13 | 0:14:14 | |
# No-o-o-o-o! | 0:14:14 | 0:14:16 | |
# Pues yo mismo no me entiendo | 0:14:16 | 0:14:18 | |
# Con mi propio corazon | 0:14:18 | 0:14:21 | |
# Al llegar la madrugada | 0:14:21 | 0:14:24 | |
-# Mi cancion... -..desesperada | 0:14:24 | 0:14:27 | |
# Te dara la explicacion | 0:14:27 | 0:14:28 | |
# Cacaion, cacaion, cacaion... # | 0:14:28 | 0:14:30 | |
You! Bravo, Maestro! | 0:14:30 | 0:14:32 | |
# Por te quiero... # | 0:14:33 | 0:14:36 | |
-Softer. -Oh. | 0:14:36 | 0:14:38 | |
# Te quiero, te quiero | 0:14:38 | 0:14:40 | |
# Co-co-co... # | 0:14:40 | 0:14:41 | |
WOMAN LAUGHS | 0:14:41 | 0:14:43 | |
"Ha-ha"? What are you laughing about? | 0:14:43 | 0:14:44 | |
LAUGHTER | 0:14:44 | 0:14:47 | |
# Y hasta el fin... # | 0:14:47 | 0:14:50 | |
-Louder! -Why? Now! | 0:14:50 | 0:14:52 | |
# Te que-que-que-que-que... # | 0:14:52 | 0:14:54 | |
More. | 0:14:54 | 0:14:56 | |
# Qu-u-u-u-u-ue... # | 0:14:56 | 0:14:57 | |
Again. | 0:14:57 | 0:14:58 | |
MONCHITO HOLDS THE NOTE | 0:14:58 | 0:15:06 | |
FANFARE | 0:15:06 | 0:15:08 | |
CHEERING AND APPLAUSE | 0:15:08 | 0:15:11 | |
Thank you! Thank you! Thank you! | 0:15:11 | 0:15:13 | |
Gracias! Thank you! | 0:15:13 | 0:15:15 | |
Goodbye! | 0:15:15 | 0:15:16 | |
Thank you! | 0:15:16 | 0:15:18 | |
Thank you very much indeed. | 0:15:21 | 0:15:23 | |
It's really lovely to be here. | 0:15:23 | 0:15:25 | |
He's no good at all. | 0:15:25 | 0:15:27 | |
LAUGHTER | 0:15:27 | 0:15:28 | |
-We didn't hear that. -No. | 0:15:30 | 0:15:32 | |
I would like to introduce you now. One of my favourite... | 0:15:33 | 0:15:35 | |
SUDDEN DRUMROLL | 0:15:35 | 0:15:36 | |
CHEERING AND APPLAUSE | 0:15:38 | 0:15:40 | |
To be or not to be... | 0:15:47 | 0:15:51 | |
..that's the bloody question, ladies and gentlemen. | 0:15:54 | 0:15:57 | |
PUPPET BLOWS A RASPBERRY | 0:15:57 | 0:15:59 | |
Blah, blah, blah, blah | 0:15:59 | 0:16:00 | |
Why are you laughing the others are taking over? | 0:16:00 | 0:16:03 | |
How are you, my dear? | 0:16:04 | 0:16:07 | |
-You! -Yes? | 0:16:07 | 0:16:09 | |
Who are you? | 0:16:09 | 0:16:11 | |
-I'm part of the show. -Oh! | 0:16:11 | 0:16:13 | |
Ladies, gentlemen | 0:16:14 | 0:16:17 | |
and in between... | 0:16:17 | 0:16:19 | |
HE BLOWS A RASPBERRY | 0:16:19 | 0:16:21 | |
..this is part of the show. | 0:16:21 | 0:16:24 | |
How flush. | 0:16:24 | 0:16:27 | |
-Your name? -My name? -Please. | 0:16:27 | 0:16:30 | |
Jose. | 0:16:30 | 0:16:31 | |
LAUGHTER | 0:16:33 | 0:16:36 | |
-Jose? Something else? -Luis. -Oh! | 0:16:37 | 0:16:40 | |
-Surname? -Moreno. -HE BLOWS A RASPBERRY | 0:16:42 | 0:16:44 | |
LAUGHTER | 0:16:44 | 0:16:47 | |
MAN CHUCKLES LIKE A BLEAT | 0:16:47 | 0:16:48 | |
PUPPET MIMICS THE CHUCKLE | 0:16:48 | 0:16:50 | |
He laughs like a lamb! | 0:16:51 | 0:16:53 | |
"Ha-ah-ah-ah!" | 0:16:53 | 0:16:55 | |
-Moreno? -Yeah, that's my name. | 0:16:55 | 0:16:57 | |
-Nationality? -I'm Spanish. | 0:16:57 | 0:16:59 | |
What are you doing here? | 0:16:59 | 0:17:01 | |
-I'm working here. -Ladies and gentlemen... | 0:17:03 | 0:17:06 | |
..one Spaniard who works. | 0:17:07 | 0:17:10 | |
HE BLOWS A RASPBERRY | 0:17:10 | 0:17:13 | |
90% of the Spanish people I know, they work. | 0:17:13 | 0:17:16 | |
In England, yes. | 0:17:16 | 0:17:17 | |
LAUGHTER | 0:17:17 | 0:17:20 | |
APPLAUSE | 0:17:20 | 0:17:22 | |
INAUDIBLE | 0:17:24 | 0:17:28 | |
-By the way... -Yes? What are you? Profession? -My profession? -Yes. | 0:17:28 | 0:17:32 | |
I'm a ventriloquist. | 0:17:32 | 0:17:33 | |
Say that again. | 0:17:40 | 0:17:41 | |
-Ven. -Ven. | 0:17:43 | 0:17:45 | |
-Tri. -Tri. | 0:17:45 | 0:17:46 | |
-Loquist. -Rubbish. | 0:17:46 | 0:17:48 | |
-What is it? -A ventriloquist is a man who can speak with his stomach. | 0:17:49 | 0:17:53 | |
Disgusting! | 0:17:54 | 0:17:56 | |
I would like, only by curiosity, to know your name. | 0:17:58 | 0:18:01 | |
-Rockefeller. -HE BLOWS A RASPBERRY | 0:18:01 | 0:18:04 | |
-Very funny. So you must speak English? -Of course. | 0:18:04 | 0:18:08 | |
-Vous parlez Francais? -ROCKEFELLER REPLIES IN FRENCH | 0:18:08 | 0:18:11 | |
Y hablas Espanol? | 0:18:11 | 0:18:12 | |
MONCHITO REPLIES IN SPANISH | 0:18:12 | 0:18:13 | |
Shut up, bloody hell! I'm working! | 0:18:13 | 0:18:15 | |
LAUGHTER | 0:18:15 | 0:18:17 | |
-I have something for you. -What is it? -It's Scotch. -Oh! | 0:18:17 | 0:18:21 | |
Cheers to everyone! | 0:18:21 | 0:18:22 | |
GLUGGING | 0:18:22 | 0:18:23 | |
That's enough. | 0:18:26 | 0:18:27 | |
GLUGGING CONTINUES | 0:18:27 | 0:18:29 | |
HE SLURPS | 0:18:29 | 0:18:31 | |
Ai! | 0:18:31 | 0:18:34 | |
Oh! | 0:18:34 | 0:18:36 | |
HE SINGS DRUNKENLY | 0:18:36 | 0:18:41 | |
Ai! | 0:18:51 | 0:18:52 | |
MUSIC PLAYS | 0:18:52 | 0:18:55 | |
Thank you! | 0:18:59 | 0:19:01 | |
Garrulously gregarious. | 0:19:07 | 0:19:10 | |
-AUDIENCE: -Oh! | 0:19:10 | 0:19:12 | |
From the Latin "grex, gregis". In... | 0:19:12 | 0:19:15 | |
Ingratiating gaminery. | 0:19:15 | 0:19:18 | |
-AUDIENCE: -Ooh! | 0:19:18 | 0:19:19 | |
Your own, your very, very own Miss Dora Bryan! | 0:19:19 | 0:19:24 | |
CHEERING AND APPLAUSE | 0:19:24 | 0:19:29 | |
# I'm a lassie from Lancashire | 0:19:29 | 0:19:33 | |
# Just a lassie from Lancashire | 0:19:33 | 0:19:37 | |
# None could be fairer or rarer than Sarah | 0:19:37 | 0:19:42 | |
# My Lassie from Lancashire. # | 0:19:42 | 0:19:46 | |
-Hello. -Hello there. -You all right? -Yes, thank you. | 0:19:46 | 0:19:49 | |
-Hello, everybody. You all right? -AUDIENCE: -Yes! | 0:19:49 | 0:19:52 | |
Do you like the frock? It's nice, isn't it? | 0:19:52 | 0:19:53 | |
CHEERING AND WHISTLING | 0:19:53 | 0:19:54 | |
SHE GIGGLES | 0:19:54 | 0:19:56 | |
I like the way it goes in, don't you? | 0:19:56 | 0:19:58 | |
Goes in again on Friday. Yes, well... | 0:19:58 | 0:20:02 | |
Actually, I do have a little monologue for you tonight. | 0:20:02 | 0:20:05 | |
And it really tells the story of my life. | 0:20:05 | 0:20:09 | |
Because, you see, I went on the stage when I was 12. | 0:20:09 | 0:20:13 | |
Be about ten years ago, I suppose. | 0:20:13 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:16 | |
Well, time flies, doesn't it? | 0:20:16 | 0:20:18 | |
I went on the stage when I was a child, and everyone said I'd go far | 0:20:20 | 0:20:25 | |
I travelled a lot | 0:20:25 | 0:20:27 | |
But I never quite got to the heights that are reached by a star | 0:20:27 | 0:20:31 | |
I learned how to act, how to sing, how to dance | 0:20:31 | 0:20:35 | |
Cos doing anything else simply bored me | 0:20:35 | 0:20:38 | |
Some people cheered, some people jeered | 0:20:38 | 0:20:41 | |
And some just sat and ignored me... | 0:20:41 | 0:20:44 | |
SHE SNIFFS | 0:20:44 | 0:20:46 | |
-AUDIENCE: -Aww. | 0:20:46 | 0:20:48 | |
Shakespeare I tried, but it wasn't for me | 0:20:50 | 0:20:53 | |
The critics were booing and hissing | 0:20:53 | 0:20:56 | |
In Measure For Measure, I gave them no pleasure | 0:20:56 | 0:20:59 | |
So, in Love's Labours Lost | 0:20:59 | 0:21:01 | |
I went missing... | 0:21:01 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:04 | |
-I played Little Willy... -WHOOPING | 0:21:06 | 0:21:08 | |
I did! In East Lynne, you know. | 0:21:08 | 0:21:11 | |
Well, I get to the bit where he dies, you see | 0:21:12 | 0:21:16 | |
Then someone yelled, "Mouse!" from the front of the house | 0:21:16 | 0:21:20 | |
And I landed up in the flies | 0:21:20 | 0:21:22 | |
Then... Well, for a stunt, I was shot from a cannon | 0:21:25 | 0:21:29 | |
Oh, dear! | 0:21:29 | 0:21:30 | |
They fired and I started to shiver | 0:21:30 | 0:21:33 | |
I did a great curve and then I lost my nerve | 0:21:34 | 0:21:37 | |
and I landed headfirst in the river... | 0:21:37 | 0:21:40 | |
LAUGHTER | 0:21:40 | 0:21:41 | |
No, I can't leave the theatre | 0:21:41 | 0:21:44 | |
It runs in me blood | 0:21:44 | 0:21:46 | |
In this game, you've got to have guts | 0:21:46 | 0:21:49 | |
I found my right sphere - I stand at the rear | 0:21:49 | 0:21:54 | |
And I sell oranges, apples and nuts. | 0:21:54 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:57 | |
FANFARE | 0:21:57 | 0:21:59 | |
CHEERING AND APPLAUSE | 0:21:59 | 0:22:01 | |
All right, Len? You all right? | 0:22:01 | 0:22:04 | |
Actually, though, you know, it's funny because, | 0:22:08 | 0:22:11 | |
when I first went on the stage,... | 0:22:11 | 0:22:14 | |
-You know, I come from Lancashire. You know I come from...? -Yeah. | 0:22:14 | 0:22:17 | |
You can tell I'm from Lancashire? | 0:22:17 | 0:22:19 | |
That's why I speak like I do. | 0:22:19 | 0:22:22 | |
I can't help it, speaking like I do. | 0:22:22 | 0:22:25 | |
Well, anyway, my mother wanted me to train to be a ballet dancer. | 0:22:25 | 0:22:29 | |
Yes, you know, all that going around on your tip toes. | 0:22:31 | 0:22:33 | |
WHOOPING | 0:22:33 | 0:22:35 | |
I don't understand ballet dancing. | 0:22:35 | 0:22:37 | |
They should get people the right height to begin with, | 0:22:37 | 0:22:40 | |
-don't you think? -LAUGHTER | 0:22:40 | 0:22:42 | |
Anyway, I went to London and I started to change my name, | 0:22:45 | 0:22:49 | |
because I couldn't see it in lights. You know what my real name is? | 0:22:49 | 0:22:52 | |
It's Dora May Broadbent. | 0:22:52 | 0:22:54 | |
It is! | 0:22:55 | 0:22:56 | |
Well, it doesn't look right, does it? No. Dora May Broadbent, no. | 0:22:56 | 0:23:02 | |
So I thought, "Well, Bryan, that's a nice name." | 0:23:02 | 0:23:05 | |
You know, B for "beautiful". | 0:23:05 | 0:23:07 | |
R for "ravishing". | 0:23:07 | 0:23:09 | |
Y for "youthful". | 0:23:09 | 0:23:11 | |
LAUGHTER | 0:23:11 | 0:23:12 | |
A for "adorable". | 0:23:12 | 0:23:14 | |
And N for "nobody's going to believe a word of it". | 0:23:14 | 0:23:17 | |
LAUGHTER | 0:23:17 | 0:23:19 | |
It's a shame, isn't it? | 0:23:19 | 0:23:20 | |
Lots of people have changed their names, you know? | 0:23:20 | 0:23:22 | |
Yes, I thought of Florence Olivier. | 0:23:22 | 0:23:25 | |
LAUGHTER | 0:23:25 | 0:23:26 | |
Winifred... Winnifred Pickles, that's rather nice. | 0:23:29 | 0:23:33 | |
Enid Humperdinck. | 0:23:35 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:39 | |
You know, there's lots, isn't there? | 0:23:39 | 0:23:42 | |
Do you ever remember Lily Morris? | 0:23:42 | 0:23:44 | |
Well, can you imagine if my mum had called me... | 0:23:44 | 0:23:48 | |
Lily Broadbent? | 0:23:48 | 0:23:49 | |
-SHE TUTS -Oh! | 0:23:49 | 0:23:52 | |
MUSIC: Why Did They Call Me Lily? by Vivian Ellis | 0:23:52 | 0:23:55 | |
# Why did they call me Lily? | 0:23:58 | 0:24:00 | |
# They might have asked me first | 0:24:00 | 0:24:02 | |
# Gardening names are silly | 0:24:02 | 0:24:04 | |
# And Lily is the worst | 0:24:04 | 0:24:06 | |
# A lily reeks of beauty A lily wears a crown | 0:24:06 | 0:24:10 | |
# Lilies are tall and snooty But I like lying down! | 0:24:10 | 0:24:13 | |
# You might have called me Merry or Calorie or Cool | 0:24:13 | 0:24:17 | |
# Jolly or Jungle Berry or Taffeta or Tulle | 0:24:17 | 0:24:21 | |
# Or Nicotine or Columbine or Atom Bomb or Bubbly Wine | 0:24:21 | 0:24:25 | |
# Aspirin or Iodine but Lily isn't me | 0:24:25 | 0:24:29 | |
# Definitely absolutely Lily isn't me | 0:24:29 | 0:24:33 | |
# Why did they call me Lily? They don't know what they did | 0:24:33 | 0:24:37 | |
# They name a foal or filly more carefully than a kid | 0:24:37 | 0:24:40 | |
# Have some consideration and have another go | 0:24:40 | 0:24:44 | |
# Must it be vegetation? | 0:24:44 | 0:24:46 | |
# Then why not Mistletoe? | 0:24:46 | 0:24:48 | |
# A name that is kind and cosy A name that wears a smile | 0:24:48 | 0:24:52 | |
# Peppermint, say, or Posy Or call me Chamomile | 0:24:52 | 0:24:56 | |
# I'll answer too to Bubble Tenacity or Trouble | 0:24:56 | 0:25:00 | |
# Or Butterfly or Alkali Or why not let me be? | 0:25:00 | 0:25:04 | |
# Amame, Ammonia, | 0:25:04 | 0:25:06 | |
# Bacteria, Begonia | 0:25:06 | 0:25:08 | |
# Calypso, Calpurnia | 0:25:08 | 0:25:10 | |
# Hydrangea or Hernia | 0:25:10 | 0:25:11 | |
LAUGHTER | 0:25:11 | 0:25:13 | |
No... | 0:25:17 | 0:25:19 | |
# Well almost any name would do | 0:25:19 | 0:25:22 | |
# Victoria or Waterloo | 0:25:22 | 0:25:24 | |
# But Lily | 0:25:25 | 0:25:27 | |
# Is not for me. # | 0:25:27 | 0:25:32 | |
Bye-bye! | 0:25:41 | 0:25:42 | |
Corruscating crystallinity, | 0:25:50 | 0:25:54 | |
pellucid limpidity... | 0:25:54 | 0:25:57 | |
-AUDIENCE: -Ooh! | 0:25:57 | 0:25:58 | |
..lilting Lehar, | 0:25:58 | 0:26:00 | |
from Maryetta and Vernon Midgley! | 0:26:00 | 0:26:05 | |
APPLAUSE | 0:26:05 | 0:26:08 | |
MUSIC: Core 'ngrato (Catari Catari) By Salvatore Cardillo | 0:26:16 | 0:26:20 | |
THEY SING IN ITALIAN | 0:26:21 | 0:26:24 | |
MUSIC: Love Live Forever by Franz Lehar | 0:28:43 | 0:28:47 | |
# Love, life's beginning and ending Never depart | 0:28:56 | 0:29:02 | |
# Love from the heavens descending Rule in our hearts | 0:29:02 | 0:29:09 | |
# Love getting or giving Makes life worth the living | 0:29:09 | 0:29:15 | |
# For where love has not been what does life mean? | 0:29:15 | 0:29:22 | |
# Love I am weary of waiting Cold and alone | 0:29:22 | 0:29:29 | |
# Kissing your shadow and making love to a stone | 0:29:29 | 0:29:35 | |
# Time galloping after youth's music and laughter | 0:29:35 | 0:29:42 | |
# Love, love live forever | 0:29:42 | 0:29:48 | |
# And rule our hearts. # | 0:29:48 | 0:29:56 | |
MUSIC: Girls Were Made To Love And Kiss by Franz Lehar | 0:29:58 | 0:30:01 | |
# Girls were made to love and kiss | 0:30:05 | 0:30:12 | |
# And who am I | 0:30:12 | 0:30:16 | |
# To interfere with this? | 0:30:16 | 0:30:22 | |
# Is it well? | 0:30:22 | 0:30:26 | |
# Who can tell? | 0:30:26 | 0:30:31 | |
# But I know | 0:30:31 | 0:30:36 | |
# The good God made them so | 0:30:36 | 0:30:42 | |
# Am I ashamed to follow nature's way? | 0:30:42 | 0:30:53 | |
# Shall I be blamed if now and then I stray? | 0:30:53 | 0:31:03 | |
# Does it pay? | 0:31:03 | 0:31:07 | |
# Who can say? | 0:31:07 | 0:31:13 | |
# I'm a man | 0:31:13 | 0:31:18 | |
# And kiss them when I can. # | 0:31:18 | 0:31:28 | |
MUSIC: The Song of Vilja by Franz Lehar | 0:31:35 | 0:31:37 | |
# Vilja, oh, Vilja | 0:31:39 | 0:31:43 | |
# The witch of the wood | 0:31:43 | 0:31:49 | |
# Would I not die for you dear if I could? | 0:31:49 | 0:31:59 | |
# Vilja, oh, Vilja | 0:31:59 | 0:32:07 | |
# My love and my bride | 0:32:07 | 0:32:14 | |
# Softly and sadly he sighed | 0:32:14 | 0:32:24 | |
# Sadly he sighed | 0:32:24 | 0:32:28 | |
# Vilja. # | 0:32:28 | 0:32:36 | |
MUSIC: Finale from The Merry Widow by Franz Lehar | 0:32:39 | 0:32:42 | |
# You may study her ways as you can | 0:32:45 | 0:32:48 | |
# But a woman's too much for a man | 0:32:48 | 0:32:51 | |
# It is deeper than diving for pearls | 0:32:51 | 0:32:55 | |
# Courting girls, girls, girls, girls, girls | 0:32:55 | 0:32:58 | |
# With her fair flaxen hair, eyes of blue | 0:32:58 | 0:33:01 | |
# She's a long way too knowing for you | 0:33:01 | 0:33:04 | |
# She is dark or she's fair She may smile or may frown | 0:33:04 | 0:33:07 | |
# Never mind You will get done brown. # | 0:33:10 | 0:33:23 | |
Proliferative prolixity | 0:33:44 | 0:33:48 | |
of frenetic fatuities... | 0:33:48 | 0:33:52 | |
You've guessed. | 0:33:53 | 0:33:55 | |
The one and only | 0:33:55 | 0:33:56 | |
Mr Ken Dodd! | 0:33:56 | 0:33:58 | |
APPLAUSE | 0:33:58 | 0:34:01 | |
Shut it! | 0:34:15 | 0:34:17 | |
First of all, ladies and gentlemen, | 0:34:18 | 0:34:20 | |
I'd like to say how tickled I am, missus! | 0:34:20 | 0:34:24 | |
How, how... | 0:34:24 | 0:34:25 | |
How tickled I am, under the circumstances. | 0:34:27 | 0:34:31 | |
Standing here, this evening - here, in this magnificent... | 0:34:31 | 0:34:35 | |
shed. | 0:34:35 | 0:34:36 | |
This... | 0:34:39 | 0:34:40 | |
this fantastic, Victorian doss-house... | 0:34:40 | 0:34:45 | |
and seeing you all here, gathered - nay... | 0:34:45 | 0:34:48 | |
..assembled... | 0:34:49 | 0:34:50 | |
..even congregated, perhaps even const... | 0:34:52 | 0:34:54 | |
Seeing you all here, this evening. | 0:34:54 | 0:34:56 | |
Here, tonight, I've got my massive tickling stick. Here we go. | 0:34:56 | 0:35:00 | |
Geronimo! | 0:35:03 | 0:35:04 | |
Who's going to...? | 0:35:07 | 0:35:08 | |
Full thrust! | 0:35:13 | 0:35:14 | |
By Jove! | 0:35:14 | 0:35:16 | |
So, love... | 0:35:18 | 0:35:20 | |
By Jove! | 0:35:20 | 0:35:21 | |
It always blows your hat off, does it? | 0:35:23 | 0:35:25 | |
I know the feeling. | 0:35:28 | 0:35:29 | |
Oh, I'll have to get rid of this. Now... | 0:35:30 | 0:35:32 | |
Will you take it, please? I've been up the pole all day. | 0:35:32 | 0:35:35 | |
First of all, ladies and gentlemen, I would like to say | 0:35:35 | 0:35:38 | |
how...how ju-jubilified... Standing here, I knew, tonight, | 0:35:38 | 0:35:40 | |
I knew it was going to be a wonderful jubilee occasion, | 0:35:40 | 0:35:42 | |
and I'd like to say, ladies, what a beautiful day! | 0:35:42 | 0:35:45 | |
What a beautiful day for putting your bustle on back-to-front | 0:35:45 | 0:35:47 | |
and frightening the life out of your husband. | 0:35:47 | 0:35:49 | |
I knew this was going to be a jubilee occasion as soon as I came | 0:35:52 | 0:35:55 | |
on because half the audience are lit up. | 0:35:55 | 0:35:58 | |
Just once, just once in every... | 0:35:58 | 0:36:00 | |
..quarter of a century, once in very quarter of a century, | 0:36:04 | 0:36:07 | |
a moment like this happens - a theatrical moment | 0:36:07 | 0:36:09 | |
when artist and audience sort of blend together | 0:36:09 | 0:36:13 | |
in an absolutely momentous occasion. | 0:36:13 | 0:36:16 | |
Unfortunately, this isn't one of them. But, still, never mind. | 0:36:16 | 0:36:21 | |
I mean, you were probably saying... | 0:36:21 | 0:36:23 | |
You're probably sitting there amazed, as I am, | 0:36:23 | 0:36:25 | |
standing up here, looking at you. | 0:36:25 | 0:36:27 | |
You're probably saying, "Why are we all here?" | 0:36:29 | 0:36:31 | |
Why are we all here? | 0:36:31 | 0:36:32 | |
Because we're not all there, that's why! | 0:36:32 | 0:36:36 | |
Ladies and gentlemen, you're probably wondering | 0:36:36 | 0:36:38 | |
why we sent for you. | 0:36:38 | 0:36:39 | |
Well, it's like this, you see... | 0:36:39 | 0:36:42 | |
The audience here this evening have all been specially selected | 0:36:42 | 0:36:45 | |
specially from people who can't afford to buy new clothes. | 0:36:45 | 0:36:50 | |
It's like... | 0:36:55 | 0:36:56 | |
Really, it's... | 0:36:56 | 0:36:58 | |
No! | 0:36:58 | 0:36:59 | |
APPLAUSE | 0:36:59 | 0:37:01 | |
It's like performing at a rummage sale! | 0:37:04 | 0:37:07 | |
Ladies and gentlemen, we have with us this evening | 0:37:10 | 0:37:13 | |
several of our glorious soldiers, | 0:37:13 | 0:37:15 | |
several members of Her Majesty's Armed Forces, | 0:37:15 | 0:37:18 | |
and a gentleman, over here, who has a military bearing... | 0:37:18 | 0:37:21 | |
Put it away, sir. | 0:37:23 | 0:37:25 | |
I have been booked here this evening to raise titters. | 0:37:28 | 0:37:30 | |
It's a funny sort of a job, I agree, but there you are. | 0:37:30 | 0:37:35 | |
After all, missus, I mean, what is a laugh, love? | 0:37:35 | 0:37:37 | |
What is a laugh? | 0:37:37 | 0:37:38 | |
A laugh is a noise that comes out of a hole in your face. | 0:37:38 | 0:37:42 | |
Anywhere else, you're in dead trouble. | 0:37:42 | 0:37:44 | |
I could... | 0:37:48 | 0:37:49 | |
I have prepared, ladies and gentlemen, I have prepared not one | 0:37:51 | 0:37:54 | |
but three lectures. | 0:37:54 | 0:37:55 | |
Three lectures here for your edification, here, this evening. | 0:37:55 | 0:37:58 | |
Three lectures. | 0:37:58 | 0:37:59 | |
One - I could preach to you on the evils of strong drink, | 0:37:59 | 0:38:01 | |
if I could think of any. | 0:38:01 | 0:38:03 | |
Also, my second lecture is | 0:38:03 | 0:38:05 | |
"Why I'm Becoming A Mormon", | 0:38:05 | 0:38:06 | |
and my third is... | 0:38:06 | 0:38:09 | |
APPLAUSE | 0:38:11 | 0:38:12 | |
.."What Is Enjoyment?" | 0:38:16 | 0:38:18 | |
Me, myself, personally speaking, I like going round | 0:38:18 | 0:38:20 | |
depressing Irish terriers by speaking to them in Welsh. | 0:38:20 | 0:38:25 | |
Our... | 0:38:25 | 0:38:26 | |
Our dog, at home, his idea of enjoyment is to go round | 0:38:27 | 0:38:30 | |
worrying sheep. | 0:38:30 | 0:38:31 | |
He sits on the fence, shouting, "Mint sauce, mint sauce!" | 0:38:31 | 0:38:34 | |
Animals have always believed in enjoying themselves. | 0:38:38 | 0:38:42 | |
That's why you've never seen a tom cat going out to work. | 0:38:42 | 0:38:45 | |
This is our enjoyment - the music hall, ladies and gentlemen! | 0:38:45 | 0:38:47 | |
The music hall - | 0:38:47 | 0:38:48 | |
where Harry Champion invented the sparking plug, | 0:38:48 | 0:38:51 | |
and where big strapping girls in black tights... | 0:38:51 | 0:38:53 | |
-AUDIENCE MEMBER: -Ooh... | 0:38:53 | 0:38:54 | |
Eh?! | 0:38:54 | 0:38:55 | |
Control yourself! | 0:39:03 | 0:39:04 | |
Big strapping... | 0:39:08 | 0:39:10 | |
big strapping girls in black stockings can-canned | 0:39:10 | 0:39:13 | |
or can't-can'ted, according to their personal whims. | 0:39:13 | 0:39:17 | |
Missus, you see, this, love, this is an educational show, tonight. | 0:39:17 | 0:39:19 | |
This is an educational show. When you go out of here tonight | 0:39:19 | 0:39:22 | |
you'll say, "Well, that's taught me a lesson." | 0:39:22 | 0:39:24 | |
I am full of fantastic and futile facts. For instance... | 0:39:27 | 0:39:31 | |
Did you know that if the Earth was to suddenly stop spinning, now, | 0:39:35 | 0:39:40 | |
the Taj Mahal would hit you right in the back of the neck? | 0:39:40 | 0:39:43 | |
You did. Oh, well... Tonight, | 0:39:43 | 0:39:46 | |
friends, we shall be asking mind-boggling questions like, | 0:39:46 | 0:39:48 | |
"where do flies go in the winter time?" | 0:39:48 | 0:39:50 | |
And what are the tailors going to do about it? | 0:39:50 | 0:39:53 | |
I mean... | 0:39:55 | 0:39:56 | |
They say an elephant never forgets. | 0:39:58 | 0:40:00 | |
I've never had a birthday card from one, have you? | 0:40:00 | 0:40:03 | |
You see, folks, we very often, in these audiences, | 0:40:03 | 0:40:06 | |
here, at The Good Old Days, | 0:40:06 | 0:40:07 | |
we very often get a lot of intellectuals in the audience. | 0:40:07 | 0:40:10 | |
Not tonight, of course. But... | 0:40:10 | 0:40:12 | |
Not that there's anything wrong with this audience, | 0:40:12 | 0:40:14 | |
that a good, swift kick in it wouldn't cure. In fact, | 0:40:14 | 0:40:17 | |
I would like to place this on record - would you mind? | 0:40:17 | 0:40:19 | |
Would you take this down in double writing, please? | 0:40:19 | 0:40:22 | |
This is the best-looking audience | 0:40:22 | 0:40:24 | |
I have ever had the honour of playing to! | 0:40:24 | 0:40:27 | |
CHEERING AND APPLAUSE | 0:40:27 | 0:40:28 | |
And I shall mention this to the optician tomorrow morning... | 0:40:31 | 0:40:36 | |
Now, we've had numerous requests for a song, this evening. | 0:40:36 | 0:40:39 | |
And I'd like to sing because, as you know, I have had my voice trained. | 0:40:39 | 0:40:42 | |
-COUGHS -They put newspapers down for it. | 0:40:42 | 0:40:45 | |
And I'd like to... | 0:40:45 | 0:40:47 | |
sing you... | 0:40:47 | 0:40:48 | |
..a beautiful baritone song, | 0:40:49 | 0:40:50 | |
called - and I want you all to join in with me in singing Mistakes. | 0:40:50 | 0:40:54 | |
# We make mistakes and we worry | 0:41:01 | 0:41:08 | |
# All over nothing at all | 0:41:08 | 0:41:13 | |
# We make mistakes that bring heartaches | 0:41:15 | 0:41:21 | |
# And the teardrops fall like raindrops | 0:41:21 | 0:41:28 | |
# We make mistakes and feel sorry | 0:41:28 | 0:41:35 | |
# When we find someone new | 0:41:35 | 0:41:42 | |
# Ah, but I made the greatest mistake of all | 0:41:42 | 0:41:49 | |
# When I said goodbye to you. # | 0:41:49 | 0:41:59 | |
A triumphant fanfaronade | 0:42:29 | 0:42:32 | |
from the infallible | 0:42:32 | 0:42:34 | |
Players' Theatre! | 0:42:34 | 0:42:37 | |
# Right, right, right, right | 0:42:43 | 0:42:44 | |
# It's all right It's all right now | 0:42:44 | 0:42:48 | |
# There's no need to worry any more | 0:42:48 | 0:42:51 | |
# I saw the army wasn't strong | 0:42:51 | 0:42:55 | |
# Everything was wrong until the day I came along | 0:42:55 | 0:42:58 | |
# But then the band played They all hoorayed | 0:42:58 | 0:43:02 | |
# The guns fired a salvo of delight | 0:43:02 | 0:43:05 | |
# I joined the army yesterday | 0:43:05 | 0:43:08 | |
# So the army of today's all right | 0:43:08 | 0:43:11 | |
# There's something about a soldier There's something about a soldier | 0:43:19 | 0:43:23 | |
# There's something about a soldier that is fine, fine, fine | 0:43:23 | 0:43:26 | |
# He maybe a major general He maybe a sergeant major | 0:43:26 | 0:43:29 | |
# He maybe a simple private of the line, line, line | 0:43:29 | 0:43:33 | |
# But there's something about his bearing | 0:43:33 | 0:43:34 | |
# There's something in what he's wearing | 0:43:34 | 0:43:37 | |
# There's something about his buttons all a-shine, shine, shine | 0:43:37 | 0:43:39 | |
# Oh, a military chest seems to suit the ladies best | 0:43:39 | 0:43:43 | |
# There's something about a soldier that is fine, fine, fine | 0:43:43 | 0:43:47 | |
# When the man o' war or merchant ship comes sailing into port | 0:44:24 | 0:44:28 | |
# The jolly tar with joy will sing of land ahoy | 0:44:28 | 0:44:32 | |
# With a pocket full of money and a parrot in a cage | 0:44:32 | 0:44:36 | |
# He smiled at all the pretty girls upon the landing stage | 0:44:36 | 0:44:39 | |
# All the nice girls love a sailor | 0:44:39 | 0:44:43 | |
# All the nice girls love a tar | 0:44:43 | 0:44:46 | |
# For there's something about a sailor | 0:44:46 | 0:44:50 | |
# Well you know what sailors are | 0:44:50 | 0:44:54 | |
# Bright and breezy Free and easy | 0:44:54 | 0:44:57 | |
# He's the ladies' pride and joy | 0:44:57 | 0:45:01 | |
# Falls in love with Kate and Jane Then he's off to sea again | 0:45:01 | 0:45:04 | |
# Ship ahoy! Ship ahoy! | 0:45:04 | 0:45:08 | |
# All the nice girls love a sailor | 0:45:08 | 0:45:11 | |
# All the nice girls love a tar | 0:45:11 | 0:45:15 | |
# For there's something about a sailor | 0:45:15 | 0:45:19 | |
# Well you know what sailors are | 0:45:19 | 0:45:22 | |
# Bright and breezy Free and easy | 0:45:22 | 0:45:26 | |
# He's the ladies' pride and joy | 0:45:26 | 0:45:29 | |
# Falls in love with Kate and Jane Then he's off to sea again | 0:45:29 | 0:45:33 | |
# Ship ahoy! Ship ahoy! | 0:45:33 | 0:45:36 | |
# Well I'm a bit of a ruin that Cromwell knocked about a bit | 0:46:00 | 0:46:05 | |
# One that Oliver Cromwell knocked about a bit | 0:46:05 | 0:46:08 | |
# In the gay old days there used to be some doings | 0:46:08 | 0:46:12 | |
# No wonder that the poor old abbey went to ruins | 0:46:12 | 0:46:16 | |
# Those who've studied history sing and shout of it | 0:46:16 | 0:46:20 | |
# And you can bet your life there isn't a doubt of it | 0:46:20 | 0:46:23 | |
# Cos outside the Oliver Cromwell last Saturday night | 0:46:23 | 0:46:27 | |
# I was one of the ruins that Cromwell knocked about a bit | 0:46:27 | 0:46:31 | |
-# Oh, those who've studied history sing and shout of it -Shout of it | 0:46:31 | 0:46:35 | |
-# You can bet your life there isn't a doubt of it -Doubt of it | 0:46:35 | 0:46:38 | |
# Outside the Oliver Cromwell last Saturday night | 0:46:38 | 0:46:41 | |
# She was one of the ruins Cromwell knocked about a bit. # | 0:46:41 | 0:46:45 | |
Hmm! | 0:46:49 | 0:46:50 | |
# It's a long way to Tipperary | 0:47:34 | 0:47:37 | |
# It's a long way to go | 0:47:37 | 0:47:41 | |
# It's a long way to Tipperary | 0:47:41 | 0:47:44 | |
# To the sweetest girl I know | 0:47:44 | 0:47:48 | |
# Goodbye Piccadilly | 0:47:48 | 0:47:51 | |
# Farewell Leicester Square | 0:47:51 | 0:47:54 | |
# It's a long long way to Tipperary | 0:47:54 | 0:47:58 | |
# But my heart's right there | 0:47:58 | 0:48:02 | |
# Pack up your troubles in your old kit bag | 0:48:02 | 0:48:05 | |
# And smile, smile, smile | 0:48:05 | 0:48:09 | |
# While you've a lucifer to light your fag | 0:48:09 | 0:48:12 | |
# Smile boys, that's the style | 0:48:12 | 0:48:16 | |
# What's the use of worrying | 0:48:16 | 0:48:19 | |
# It never was worthwhile so | 0:48:19 | 0:48:23 | |
# Pack up your troubles in your old kit bag | 0:48:23 | 0:48:26 | |
# And smile, smile, smile | 0:48:26 | 0:48:30 | |
# Rule Britannia | 0:48:30 | 0:48:33 | |
# Britannia rules the waves | 0:48:33 | 0:48:37 | |
# Britons never never never shall be slaves. # | 0:48:37 | 0:48:48 | |
# Pack up your troubles in your old kit bag | 0:48:53 | 0:48:56 | |
# And smile, smile, smile | 0:48:56 | 0:49:00 | |
# While you've a lucifer to light your fag | 0:49:00 | 0:49:03 | |
# Smile boys, that's the style | 0:49:03 | 0:49:07 | |
# What's the use of worrying? | 0:49:07 | 0:49:10 | |
# It never was worthwhile so | 0:49:10 | 0:49:13 | |
# Pack up your troubles in your old kit bag | 0:49:13 | 0:49:17 | |
# And smile, smile, smile | 0:49:17 | 0:49:20 | |
# Rule Britannia | 0:49:20 | 0:49:23 | |
# Britannia rules the waves | 0:49:23 | 0:49:28 | |
# Britons never never never shall be slaves. # | 0:49:28 | 0:49:36 |