Browse content similar to 01/03/1979. Check below for episodes and series from the same categories and more!
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# Ah, flippety hop, ah, flippety hop | 0:00:38 | 0:00:41 | |
# Where the boys and girls are found | 0:00:41 | 0:00:43 | |
# Hopping and skipping it round and round | 0:00:43 | 0:00:45 | |
# When we start the dancing we never know when to stop | 0:00:45 | 0:00:48 | |
# It's aye-aye, go as you please | 0:00:48 | 0:00:50 | |
# Ah, flippety hop | 0:00:50 | 0:00:52 | |
# Ah, flippety hop, ah, flippety hop | 0:00:52 | 0:00:55 | |
# Where the boys and girls are found | 0:00:55 | 0:00:57 | |
# Hopping and skipping it round and round | 0:00:57 | 0:00:59 | |
# When we start the dancing we never know when to stop | 0:00:59 | 0:01:02 | |
# It's aye-aye, go as you please | 0:01:02 | 0:01:04 | |
# Ah, flippety hop | 0:01:04 | 0:01:06 | |
# Casey would waltz with a strawberry blonde | 0:01:10 | 0:01:13 | |
# And the band played on | 0:01:13 | 0:01:17 | |
# He'd glide cross the floor with the girl he adored | 0:01:17 | 0:01:20 | |
# And the band played on | 0:01:20 | 0:01:25 | |
# His brain was so loaded it nearly exploded | 0:01:25 | 0:01:28 | |
# The poor girl would shake with alarm | 0:01:28 | 0:01:32 | |
# He'd ne'er leave the girl with the strawberry curls | 0:01:32 | 0:01:36 | |
# And the band played on | 0:01:36 | 0:01:39 | |
# And the band played on | 0:01:40 | 0:01:43 | |
# And they all walk a wibbly wobbly walk | 0:01:45 | 0:01:49 | |
# All talk a wibbly wobbly talk | 0:01:49 | 0:01:52 | |
# All wear wibbly wobbly ties | 0:01:52 | 0:01:56 | |
# Wink at all the pretty girls with wibbly wobbly eyes | 0:01:56 | 0:01:59 | |
# And they all smile a wibbly wobbly smile | 0:01:59 | 0:02:03 | |
# When the day is dawning | 0:02:03 | 0:02:06 | |
# And all do a wibbly wobbly walk | 0:02:06 | 0:02:09 | |
# They get a wibbly wobbly feeling in the morning | 0:02:09 | 0:02:12 | |
# And they all walk a wibbly wobbly walk | 0:02:12 | 0:02:16 | |
# All talk a wibbly wobbly talk | 0:02:16 | 0:02:19 | |
# All wear wibbly wobbly ties | 0:02:19 | 0:02:23 | |
# Wink at all the pretty girls with wibbly wobbly eyes | 0:02:23 | 0:02:26 | |
# And they all smile a wibbly wobbly smile | 0:02:26 | 0:02:30 | |
# When the day is dawning | 0:02:30 | 0:02:33 | |
# And all do the wibbly wobbly walk | 0:02:33 | 0:02:36 | |
# They get a wibbly wobbly feeling | 0:02:36 | 0:02:38 | |
# A wibbly wobbly feeling | 0:02:40 | 0:02:42 | |
# A wibbly wobbly wibbly wobbly wibbly wobbly walk. # | 0:02:43 | 0:02:47 | |
CHEERING AND APPLAUSE | 0:02:47 | 0:02:50 | |
FANFARE | 0:02:56 | 0:03:00 | |
CHEERING AND APPLAUSE | 0:03:02 | 0:03:05 | |
Once again, | 0:03:13 | 0:03:16 | |
good evening, ladies and gentlemen. | 0:03:16 | 0:03:21 | |
-AUDIENCE: -Good evening. | 0:03:21 | 0:03:23 | |
Guten Abend, meine Damen und Herren. | 0:03:23 | 0:03:28 | |
APPLAUSE | 0:03:28 | 0:03:31 | |
That is for the 52 dames who have made the trip | 0:03:36 | 0:03:39 | |
especially to see the show. | 0:03:39 | 0:03:41 | |
Applaud them for me. | 0:03:41 | 0:03:43 | |
APPLAUSE | 0:03:43 | 0:03:46 | |
Philoprogenitively... | 0:03:47 | 0:03:50 | |
-AUDIENCE: -Ooh! | 0:03:50 | 0:03:51 | |
..proliferate of para polysyllabically pertinence... | 0:03:51 | 0:03:56 | |
-AUDIENCE: -Ooh! | 0:03:56 | 0:03:58 | |
..epithets promulgating primarily | 0:03:58 | 0:04:02 | |
imperturbably epicene... | 0:04:02 | 0:04:05 | |
-AUDIENCE: -Ooh! | 0:04:05 | 0:04:07 | |
..Mr John Inman! | 0:04:07 | 0:04:10 | |
CHEERING AND APPLAUSE | 0:04:10 | 0:04:13 | |
Oh, stop, stop. I love it so much. | 0:04:20 | 0:04:22 | |
LAUGHTER | 0:04:22 | 0:04:24 | |
Don't you all look lovely? | 0:04:24 | 0:04:26 | |
-AUDIENCE: -Yes. | 0:04:26 | 0:04:28 | |
LAUGHTER | 0:04:28 | 0:04:29 | |
Who asked you? I was talking to this lot. | 0:04:29 | 0:04:33 | |
You do. All the pretty dresses, the earrings, the necklaces... | 0:04:33 | 0:04:38 | |
..and the ladies look nice, too. | 0:04:38 | 0:04:40 | |
LAUGHTER | 0:04:40 | 0:04:42 | |
You're looking at me thinking the same thing, aren't you? | 0:04:42 | 0:04:45 | |
Well, there's no chance at all because a bachelor I am | 0:04:45 | 0:04:49 | |
and a bachelor I'm going to be, just like my father. | 0:04:49 | 0:04:52 | |
I'll tell you about him. Shall we go? | 0:04:52 | 0:04:54 | |
BAND STRIKES UP | 0:04:54 | 0:04:58 | |
# Mammas galore are after me | 0:04:58 | 0:05:01 | |
# They think that I'm a catch | 0:05:01 | 0:05:03 | |
# But I was born a bachelor and still I mean to bach | 0:05:03 | 0:05:08 | |
# I look around at dear old pals who've got that married look | 0:05:08 | 0:05:12 | |
# But I've become a bachelor and I go home and sack the cook | 0:05:12 | 0:05:17 | |
# I'm tickled to death I'm single | 0:05:19 | 0:05:21 | |
# I'm tickled to death I'm free | 0:05:21 | 0:05:24 | |
# What the wives are saying doesn't apply to me | 0:05:24 | 0:05:29 | |
# I'm awfully glad I'm single | 0:05:29 | 0:05:32 | |
# I'm frightfully bucked I'm free | 0:05:32 | 0:05:35 | |
# I've seen the men who are married | 0:05:35 | 0:05:38 | |
# I've seen the hook being baited | 0:05:38 | 0:05:40 | |
# But I've been inoculated | 0:05:40 | 0:05:43 | |
# They can't catch me | 0:05:43 | 0:05:47 | |
# I'm tickled to death I'm single | 0:05:47 | 0:05:49 | |
# I'm tickled to death I'm free | 0:05:49 | 0:05:52 | |
# I've got my independence | 0:05:52 | 0:05:55 | |
# I've got the front door key | 0:05:55 | 0:05:58 | |
# I'm frightfully glad I've not got a W-I-F-E | 0:05:58 | 0:06:03 | |
# Marriage may bring the real times | 0:06:03 | 0:06:06 | |
# Honeymoon brings the real times | 0:06:06 | 0:06:09 | |
# But I like a change at mealtimes | 0:06:09 | 0:06:12 | |
# They can't catch me | 0:06:12 | 0:06:15 | |
# Now, marriage is a honeymoon where lives are wrecked | 0:06:21 | 0:06:26 | |
# And husband wants to fly away | 0:06:26 | 0:06:29 | |
# He gets severely pecked | 0:06:29 | 0:06:31 | |
# Now behind his prison bars he sees the love birds fly about | 0:06:31 | 0:06:36 | |
# Now he'd be wild and so would she if only he got out | 0:06:36 | 0:06:43 | |
# I'm tickled to death I'm single | 0:06:43 | 0:06:46 | |
# I'm tickled to death I'm free | 0:06:46 | 0:06:49 | |
# Eggs do not interest me | 0:06:49 | 0:06:51 | |
# I like them cooked for tea | 0:06:51 | 0:06:54 | |
# I can't believe the fable | 0:06:54 | 0:06:57 | |
# That birds in their nests agree | 0:06:57 | 0:07:00 | |
# I've seen the hen-pecked paters | 0:07:00 | 0:07:02 | |
# Looking like ragtime waiters | 0:07:02 | 0:07:05 | |
# Pushing perambulators | 0:07:05 | 0:07:08 | |
# They can't catch me. # | 0:07:08 | 0:07:11 | |
Whoop! See you later. | 0:07:11 | 0:07:13 | |
CHEERING AND APPLAUSE | 0:07:13 | 0:07:16 | |
Exotic embodiment | 0:07:23 | 0:07:26 | |
of rhapsodic romantic | 0:07:26 | 0:07:30 | |
aspirations, deliquescent for your delight, | 0:07:30 | 0:07:35 | |
Miss Rita Monet. | 0:07:35 | 0:07:38 | |
# Once upon a time | 0:07:47 | 0:07:50 | |
# Many years ago | 0:07:50 | 0:07:53 | |
# Lived a fair princess Hating to confess | 0:07:53 | 0:07:56 | |
# Loneliness was torturing her so | 0:07:56 | 0:07:59 | |
# Then a gypsy came | 0:07:59 | 0:08:02 | |
# Called to her by name | 0:08:02 | 0:08:05 | |
# Wooed her with a song Sensuous and strong | 0:08:05 | 0:08:09 | |
# All the Summer long Her passions seemed to tremble | 0:08:09 | 0:08:13 | |
# Like a living flame | 0:08:13 | 0:08:17 | |
# Play to me beneath the Summer moon | 0:08:20 | 0:08:24 | |
# Zigeuner | 0:08:24 | 0:08:28 | |
# Zigeuner | 0:08:28 | 0:08:31 | |
# Zigeuner | 0:08:31 | 0:08:34 | |
# All I ask of life is just to listen to the songs that you sing | 0:08:34 | 0:08:39 | |
# My spirit like a bird on the wing | 0:08:39 | 0:08:42 | |
# Your melodies adoring | 0:08:42 | 0:08:46 | |
# Soaring | 0:08:46 | 0:08:49 | |
# Call to me with some barbaric tune | 0:08:50 | 0:08:55 | |
# Zigeuner | 0:08:55 | 0:08:58 | |
# Zigeuner | 0:08:58 | 0:09:01 | |
# Zigeuner | 0:09:01 | 0:09:06 | |
# Now you have me in your power | 0:09:06 | 0:09:11 | |
# Play to me for just one hour | 0:09:11 | 0:09:16 | |
# Zigeuner | 0:09:18 | 0:09:24 | |
SHE SINGS NOTES | 0:09:29 | 0:09:33 | |
# Call to me with some barbaric tune | 0:09:49 | 0:09:55 | |
# Zigeuner | 0:09:55 | 0:09:58 | |
# Zigeuner | 0:09:58 | 0:10:01 | |
# Zigeuner | 0:10:01 | 0:10:05 | |
# Now you hold me in your power | 0:10:05 | 0:10:11 | |
# Play to me for just one hour | 0:10:11 | 0:10:19 | |
# Zigeuner. # | 0:10:19 | 0:10:27 | |
CHEERING AND APPLAUSE | 0:10:29 | 0:10:34 | |
SHE SINGS IN FOREIGN LANGUAGE | 0:10:40 | 0:10:44 | |
CHEERING AND APPLAUSE | 0:12:22 | 0:12:26 | |
Only one of the fringe benefits. | 0:12:34 | 0:12:38 | |
Light-fingered in legerdemain, | 0:12:38 | 0:12:42 | |
preposterously presumptuous | 0:12:42 | 0:12:45 | |
in prestidigitation, | 0:12:45 | 0:12:49 | |
conjuring | 0:12:49 | 0:12:51 | |
Mr John Wade. | 0:12:51 | 0:12:55 | |
FANFARE | 0:12:55 | 0:12:58 | |
Well, good evening. It is very nice to be back here, it is. | 0:13:05 | 0:13:08 | |
I was working it out. | 0:13:08 | 0:13:10 | |
About a year ago since I last graced these boards, | 0:13:10 | 0:13:12 | |
and it's a long time to be out of work. | 0:13:12 | 0:13:14 | |
LAUGHTER | 0:13:14 | 0:13:16 | |
What I normally try and do is to try and show you tricks you can do | 0:13:16 | 0:13:19 | |
with everyday little articles and things like this. | 0:13:19 | 0:13:21 | |
I have a thimble here, | 0:13:21 | 0:13:23 | |
because I spend a great deal of money on the equipment I use. | 0:13:23 | 0:13:25 | |
Take this thimble. You put it in your left hand, you take it off, | 0:13:25 | 0:13:28 | |
you give it a squeeze, it goes up your sleeve, | 0:13:28 | 0:13:30 | |
across your chest, down your sleeve and back on your finger. | 0:13:30 | 0:13:32 | |
Sensational, isn't it? | 0:13:32 | 0:13:34 | |
A lot of people think I use two thimbles for this. | 0:13:34 | 0:13:36 | |
As a matter of fact, we use four, of course. | 0:13:36 | 0:13:38 | |
Splendid thing. | 0:13:38 | 0:13:39 | |
-APPLAUSE -Many... | 0:13:39 | 0:13:42 | |
All that applause, I thought somebody else had walked on. | 0:13:45 | 0:13:48 | |
No, it's... | 0:13:48 | 0:13:50 | |
You really want to get away with it, bit of luck, | 0:13:50 | 0:13:52 | |
you get yourself a nice big one like that. Look at that. | 0:13:52 | 0:13:54 | |
FANFARE | 0:13:54 | 0:13:57 | |
Now, I didn't know what to do today, as you may have gathered. | 0:13:59 | 0:14:02 | |
So I said to the man who washes my motor car every day, | 0:14:02 | 0:14:04 | |
I said, "Sax," I said, "Let's, erm..." | 0:14:04 | 0:14:07 | |
-LAUGHTER -"..have a chat." | 0:14:07 | 0:14:09 | |
And he said, "Do a card trick," | 0:14:09 | 0:14:10 | |
so we'll try a card trick and let's do one that uses members of | 0:14:10 | 0:14:13 | |
the audience, people of the utmost integrity | 0:14:13 | 0:14:16 | |
and it may not be too easy tonight... | 0:14:16 | 0:14:19 | |
This is a rather dog-eared old pack of cards... I'm sorry to wake you. | 0:14:19 | 0:14:21 | |
Would you, erm...? | 0:14:21 | 0:14:23 | |
LAUGHTER | 0:14:23 | 0:14:25 | |
Would you take those cards in your hand, sir? Don't open them. | 0:14:25 | 0:14:28 | |
Don't look at them, and don't leave. | 0:14:28 | 0:14:30 | |
Just a minute. Just pop them in a pocket or something | 0:14:30 | 0:14:33 | |
and forget you have them just for a little while. | 0:14:33 | 0:14:35 | |
I have to say this. We haven't met before, have we? | 0:14:35 | 0:14:37 | |
-Indeed not, no. -No, jolly good. Now... | 0:14:37 | 0:14:40 | |
Now we're going to pick somebody else. | 0:14:40 | 0:14:41 | |
I'm just going to go to this gentleman here, | 0:14:41 | 0:14:43 | |
who didn't know I was going to ask him, but he's nice and handy. | 0:14:43 | 0:14:46 | |
-So from where you're sitting, would you help me with a trick? -Yes, sir. | 0:14:46 | 0:14:49 | |
I say from where you're sitting, | 0:14:49 | 0:14:50 | |
because most of the places where I work, they can't stand up. | 0:14:50 | 0:14:53 | |
LAUGHTER | 0:14:53 | 0:14:54 | |
Now, the gentleman there who has the real pack, | 0:14:54 | 0:14:56 | |
do you have an imagination? | 0:14:56 | 0:14:58 | |
LAUGHTER | 0:14:58 | 0:15:01 | |
Does he? | 0:15:01 | 0:15:02 | |
Going to need one now, because the gentleman who has the real pack, | 0:15:04 | 0:15:07 | |
we're going to use an invisible pack. I have one. | 0:15:07 | 0:15:09 | |
There. | 0:15:09 | 0:15:11 | |
-Can you see that invisible pack? -Yes. -Good lad. | 0:15:11 | 0:15:14 | |
There's always one, isn't there? No! | 0:15:16 | 0:15:18 | |
I'm going to throw this invisible pack to you. Will you catch them? | 0:15:20 | 0:15:23 | |
-Yes. -Coming down. | 0:15:23 | 0:15:24 | |
I missed them. | 0:15:24 | 0:15:26 | |
LAUGHTER | 0:15:26 | 0:15:28 | |
APPLAUSE | 0:15:28 | 0:15:30 | |
Take the rubber band off. | 0:15:33 | 0:15:36 | |
Put it in your pocket. | 0:15:36 | 0:15:38 | |
Not giving anything away here right now. | 0:15:38 | 0:15:40 | |
Undo the card case. | 0:15:40 | 0:15:42 | |
Take the cards out. Put the case on the lady's lap beside you. | 0:15:42 | 0:15:44 | |
You might as well enjoy yourself. That's it. | 0:15:44 | 0:15:47 | |
Now you have 54 invisible cards in your hands. | 0:15:47 | 0:15:50 | |
Spread them out a little. | 0:15:50 | 0:15:52 | |
54 because there are, of course, two jokers. | 0:15:52 | 0:15:54 | |
Him and one other. | 0:15:54 | 0:15:56 | |
LAUGHTER | 0:15:56 | 0:15:57 | |
Would you take the two jokers right out, sir? | 0:15:59 | 0:16:01 | |
Thank you very much indeed. | 0:16:01 | 0:16:03 | |
Now you have 52 invisible cards | 0:16:03 | 0:16:04 | |
and a fellow at the front door in a white coat waiting for both of us. | 0:16:04 | 0:16:07 | |
Right, now. | 0:16:07 | 0:16:09 | |
The only difficult thing I want you to do is take any one of those | 0:16:09 | 0:16:12 | |
invisible cards, any one you like at random, | 0:16:12 | 0:16:15 | |
and take it right out of the pack and hold it up | 0:16:15 | 0:16:17 | |
but don't let me see it. | 0:16:17 | 0:16:19 | |
LAUGHTER | 0:16:19 | 0:16:20 | |
Would you show it to the lady sitting next to you, please? | 0:16:22 | 0:16:25 | |
-Did you see it, madam? -Yes. | 0:16:26 | 0:16:28 | |
LAUGHTER | 0:16:28 | 0:16:30 | |
She's as mad as he is, you know. It's barkers. | 0:16:36 | 0:16:39 | |
Look at it yourself, sir, would you? | 0:16:39 | 0:16:41 | |
Remember it. Put it back in the pack. Now, when you put it back, | 0:16:41 | 0:16:45 | |
reverse it so it's the only card the wrong way round. | 0:16:45 | 0:16:48 | |
Lovely. Square them up, give them a little shuffle. | 0:16:48 | 0:16:51 | |
That's it. Put them back. You dropped one. | 0:16:51 | 0:16:53 | |
Two? Oh, beg your pardon. | 0:16:54 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:58 | |
They're coming to get us all in a minute. | 0:17:00 | 0:17:03 | |
Put them back in the case. You left it on the lady's lap. That's it. | 0:17:03 | 0:17:06 | |
And put the rubber band back, please. | 0:17:06 | 0:17:08 | |
And throw them back to me because I have to do this another time. | 0:17:08 | 0:17:11 | |
Thank you. | 0:17:11 | 0:17:12 | |
Well, it passes the time, doesn't it? | 0:17:12 | 0:17:15 | |
Do you still have the real pack, sir? | 0:17:15 | 0:17:18 | |
-I think so. -I hope so. Jolly good. | 0:17:18 | 0:17:20 | |
Would you just for the moment hold them like that, | 0:17:20 | 0:17:22 | |
so that people know that you don't touch them, | 0:17:22 | 0:17:24 | |
and neither do I, because we'll all be looking at this. | 0:17:24 | 0:17:26 | |
Now, thank you very much for playing the game. Bless your heart. | 0:17:26 | 0:17:29 | |
You had no idea this was going to happen, did you? | 0:17:29 | 0:17:31 | |
You took an invisible card out of an invisible pack | 0:17:31 | 0:17:34 | |
and you showed it to the lady sitting next to you. | 0:17:34 | 0:17:36 | |
None of us has met before. | 0:17:36 | 0:17:38 | |
What card did he show you? | 0:17:38 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:41 | |
-Have I to tell you? -You tell me. -Queen of diamonds. | 0:17:42 | 0:17:46 | |
The queen of diamonds? Now, you saw it as well, sir. | 0:17:46 | 0:17:48 | |
-Was it the queen of diamonds? -No. | 0:17:48 | 0:17:50 | |
LAUGHTER | 0:17:50 | 0:17:52 | |
I knew it. I knew it. | 0:18:02 | 0:18:04 | |
-What card did you see? -The ace of hearts. -Ace of hearts. | 0:18:06 | 0:18:10 | |
They are rather alike, aren't they? | 0:18:10 | 0:18:12 | |
We're going to have to come to a compromise. | 0:18:15 | 0:18:18 | |
Would you like to get your heads together? | 0:18:18 | 0:18:20 | |
It's been one of those days, hasn't it? It's been awful. | 0:18:20 | 0:18:23 | |
Everything's gone wrong at the moment. | 0:18:23 | 0:18:25 | |
I suppose it's the situation. | 0:18:25 | 0:18:26 | |
I always think, every time our prime minister goes | 0:18:26 | 0:18:29 | |
abroad on our behalf, I always think, | 0:18:29 | 0:18:31 | |
wouldn't it be wonderful if, when he came back, we'd all gone? | 0:18:31 | 0:18:33 | |
LAUGHTER | 0:18:33 | 0:18:36 | |
APPLAUSE | 0:18:36 | 0:18:39 | |
Have you come to an arrangement? | 0:18:43 | 0:18:45 | |
About a card? | 0:18:45 | 0:18:46 | |
-What have you chosen? -Ace of hearts. | 0:18:47 | 0:18:49 | |
The ace of hearts? You've compromised with him? | 0:18:49 | 0:18:52 | |
That's very nice. Ace of hearts. | 0:18:52 | 0:18:54 | |
-Do you want to change your mind? -No, no. -Please, it's not very easy. | 0:18:54 | 0:18:57 | |
LAUGHTER | 0:18:57 | 0:18:58 | |
-Ace of hearts, you're going to stick to it? -Yes. -Ace of hearts. | 0:18:58 | 0:19:01 | |
Can I have those cards back from you, sir? | 0:19:01 | 0:19:03 | |
Thank you very much indeed, you've been looking after them all along. | 0:19:03 | 0:19:05 | |
Bring them back over here. | 0:19:05 | 0:19:07 | |
We'll take the rubber band off the cards. | 0:19:07 | 0:19:09 | |
Open the pack up. You said the ace of hearts. | 0:19:09 | 0:19:11 | |
As we go through these cards, | 0:19:11 | 0:19:12 | |
there should be only one card the wrong way round. | 0:19:12 | 0:19:15 | |
Because that's what you did with your funny thing, wasn't it? | 0:19:15 | 0:19:18 | |
So let's go through these cards. Ace of hearts is what you said. | 0:19:18 | 0:19:20 | |
Let's just totter through the cards rather quickly. | 0:19:20 | 0:19:23 | |
And as we go through, I think right at the back... Isn't it funny? | 0:19:23 | 0:19:25 | |
I've got a feeling. Right at the | 0:19:25 | 0:19:26 | |
back, there's one card there with its back... | 0:19:26 | 0:19:28 | |
If it's the ace of hearts. Are we right? Did we do it right? | 0:19:28 | 0:19:31 | |
FANFARE CHEERING | 0:19:31 | 0:19:33 | |
That's it. There we go. | 0:19:33 | 0:19:35 | |
Thank you. | 0:19:35 | 0:19:37 | |
APPLAUSE | 0:19:37 | 0:19:40 | |
Munificently mellifluous, | 0:19:45 | 0:19:49 | |
quadraphonic | 0:19:49 | 0:19:51 | |
antiphonists. | 0:19:51 | 0:19:55 | |
Musical mixed doubles, | 0:19:55 | 0:19:58 | |
the Balladiers! | 0:19:58 | 0:20:01 | |
FANFARE | 0:20:01 | 0:20:04 | |
PIANO MUSIC | 0:20:10 | 0:20:14 | |
# Love's last word is spoken, cherie | 0:20:17 | 0:20:23 | |
# Now my heart is broken, cherie | 0:20:25 | 0:20:30 | |
# All our dreams have gone | 0:20:30 | 0:20:33 | |
# And like a broken melody | 0:20:33 | 0:20:39 | |
# Melody | 0:20:39 | 0:20:42 | |
# Love's last word is spoken, cherie | 0:20:42 | 0:20:48 | |
# My cherie | 0:20:48 | 0:20:52 | |
# Do you remember a night in September, my own | 0:20:52 | 0:21:00 | |
# Love was around us He came out and found us alone | 0:21:02 | 0:21:10 | |
# Now he has left us Bereft us of all we esteemed | 0:21:12 | 0:21:20 | |
# Words that once mattered | 0:21:22 | 0:21:26 | |
# And flattered Were not what they seemed | 0:21:26 | 0:21:32 | |
# Or we dreamed | 0:21:32 | 0:21:35 | |
# Or we dreamed | 0:21:35 | 0:21:39 | |
# Love's last word is spoken, cherie | 0:21:42 | 0:21:49 | |
# Now my heart is broken, cherie | 0:21:49 | 0:21:54 | |
# My cherie | 0:21:54 | 0:21:57 | |
# Faded the hours I spent with you | 0:21:57 | 0:22:03 | |
# Roaming the boulevards Content with you | 0:22:05 | 0:22:11 | |
# Once our hearts were blended, cherie | 0:22:13 | 0:22:19 | |
# Now our dream is ended, cherie | 0:22:21 | 0:22:28 | |
# All our dreams have gone | 0:22:28 | 0:22:31 | |
# And like a broken melody | 0:22:31 | 0:22:37 | |
# Melody | 0:22:37 | 0:22:41 | |
# Love's last word is spoken, cherie | 0:22:41 | 0:22:48 | |
# My cherie. # | 0:22:48 | 0:22:55 | |
APPLAUSE | 0:22:58 | 0:23:01 | |
FANFARE | 0:23:01 | 0:23:04 | |
The acme, | 0:23:11 | 0:23:14 | |
the apogee | 0:23:14 | 0:23:16 | |
of elocutionary eloquence | 0:23:16 | 0:23:18 | |
from Mr Raymond Bower! | 0:23:18 | 0:23:23 | |
FANFARE | 0:23:23 | 0:23:25 | |
Ladies and gentlemen, it is | 0:23:28 | 0:23:29 | |
my pleasure tonight to give you a rendering of a monologue... | 0:23:29 | 0:23:32 | |
Excuse me. | 0:23:32 | 0:23:34 | |
..which has been a favourite of mine for many years | 0:23:34 | 0:23:36 | |
and I'm sure is a great favourite of yours. I refer, of course... | 0:23:36 | 0:23:39 | |
..well, you can't get in anywhere. Thank you very much. | 0:23:39 | 0:23:42 | |
I refer, of course, to the Green Eye of the Little Yellow... | 0:23:42 | 0:23:44 | |
Good evening, good evening. | 0:23:44 | 0:23:46 | |
-Excuse me. -It's pouring down outside. | 0:23:48 | 0:23:51 | |
Excuse me! | 0:23:52 | 0:23:53 | |
Why, what have you done? | 0:23:53 | 0:23:55 | |
A little respect for the artiste, sir, if you please. | 0:23:56 | 0:23:59 | |
-I'm sorry. Do carry on. -Not at all. May I continue? -But do. -Thank you. | 0:23:59 | 0:24:02 | |
You're welcome. | 0:24:02 | 0:24:04 | |
I refer, of course, to the | 0:24:04 | 0:24:05 | |
Green Eye of the Little Yellow God by Milton Hayes. | 0:24:05 | 0:24:08 | |
-Thank you. -You're welcome again. | 0:24:08 | 0:24:10 | |
LAUGHTER | 0:24:10 | 0:24:12 | |
-Ahem. -Ahem. | 0:24:12 | 0:24:14 | |
There's a green-eyed yellow idol to the north of Kathmandu. | 0:24:16 | 0:24:19 | |
-There's a little marble cross below the town. -Excuse me. | 0:24:19 | 0:24:22 | |
-There's a broken... -Excuse me. | 0:24:22 | 0:24:24 | |
Have you been there recently? | 0:24:24 | 0:24:27 | |
-Have I been where? -Kathmandu. | 0:24:27 | 0:24:29 | |
Well, no, as a matter of fact, I haven't been there for some years. | 0:24:29 | 0:24:32 | |
No, it's painfully obvious, too. I was there only the other day. | 0:24:32 | 0:24:35 | |
All very interesting, but why are you telling me all this? | 0:24:35 | 0:24:38 | |
Well, I just wanted to put you right, geographically, that's all. | 0:24:38 | 0:24:40 | |
They've altered it all now, you know. | 0:24:40 | 0:24:43 | |
Ooh, yes, in the square, there's a new complex there, | 0:24:43 | 0:24:46 | |
there's a library and baths and all sorts of things. | 0:24:46 | 0:24:51 | |
They've moved the idol to the south of the town. | 0:24:51 | 0:24:53 | |
-To the south of the town? -Yes. | 0:24:53 | 0:24:55 | |
And that little cross you're talking about, that's above. | 0:24:57 | 0:25:00 | |
-Above the town? -Yes. | 0:25:00 | 0:25:02 | |
-Perhaps I'd better start again. -But do. -Thank you. | 0:25:02 | 0:25:06 | |
You're welcome. | 0:25:06 | 0:25:08 | |
Will you hold that for me, love? I brought it in with me. | 0:25:09 | 0:25:12 | |
The Green Eye of the Little Yellow God by Milton Hayes. | 0:25:12 | 0:25:15 | |
-Ahem. -Ahem. | 0:25:15 | 0:25:16 | |
-There's a green-eyed yellow idol to the north... -South! | 0:25:17 | 0:25:20 | |
South, south of Kathmandu. | 0:25:20 | 0:25:23 | |
-There's a little marble cross... -Above! -Above the town. | 0:25:23 | 0:25:28 | |
-There's a broken-hearted woman tends the grave of Mad Carew. -Wait. | 0:25:28 | 0:25:31 | |
I don't want to be awkward. Did you know Fanny Shannon? | 0:25:31 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:38 | |
-Did I know who? -Fanny Shannon. Colonel Shannon's eldest daughter. | 0:25:39 | 0:25:43 | |
No, I have not had the pleasure. | 0:25:43 | 0:25:45 | |
Ooh, I have. | 0:25:45 | 0:25:47 | |
Well, how would you have me describe her? | 0:25:49 | 0:25:52 | |
As a comparatively broken-hearted woman. | 0:25:52 | 0:25:55 | |
Comparatively broken-hearted woman, yes. | 0:25:55 | 0:25:58 | |
-Perhaps I'd better start again. -But do. | 0:25:58 | 0:26:00 | |
-Thank you. -You're welcome. | 0:26:00 | 0:26:02 | |
Polite fella, isn't he? He keeps bowing like that. | 0:26:02 | 0:26:05 | |
Ahem. | 0:26:05 | 0:26:07 | |
There's a comparatively broken-hearted woman tends | 0:26:07 | 0:26:10 | |
the grave of Mad Carew. | 0:26:10 | 0:26:12 | |
-And the little god forever gazes down... -Up! -Up. | 0:26:12 | 0:26:15 | |
-He was known as Mad Carew. -No, no, he wasn't | 0:26:18 | 0:26:22 | |
mad at all, no. | 0:26:22 | 0:26:25 | |
He was mentally deficient, yes. | 0:26:25 | 0:26:27 | |
You couldn't call him absolutely bonkers. | 0:26:30 | 0:26:32 | |
He was known as mentally deficient Carew. | 0:26:34 | 0:26:37 | |
By the subs at Kathmandu, | 0:26:39 | 0:26:40 | |
he was hotter than they felt inclined to tell. | 0:26:40 | 0:26:43 | |
Mm, too much curry powder. | 0:26:43 | 0:26:45 | |
You know about it the day after, don't you? | 0:26:45 | 0:26:48 | |
-But for all his foolish pranks... -Foolish pranks? | 0:26:48 | 0:26:52 | |
You call writing rude words on walls foolish pranks? | 0:26:52 | 0:26:55 | |
-Well, I didn't know. -Well, there, you see. | 0:26:55 | 0:26:58 | |
-But may I please continue? -But... Altogether. But do. | 0:26:58 | 0:27:03 | |
-Thank you. -You're welcome. | 0:27:03 | 0:27:05 | |
But for all his foolish pranks, he was worshipped in the ranks. | 0:27:05 | 0:27:09 | |
-And the colonel's daughter smiled on him as well. -I'm not having that. | 0:27:09 | 0:27:12 | |
My brother was going out with her at the time. | 0:27:12 | 0:27:15 | |
No, please, no! No, no, no! | 0:27:15 | 0:27:18 | |
No, please, please, I honestly... I take it back. | 0:27:18 | 0:27:22 | |
She was nearly 21. | 0:27:24 | 0:27:26 | |
21? She were 39 if she were a day. | 0:27:26 | 0:27:28 | |
And arrangements had begun to celebrate the birthday with a ball. | 0:27:32 | 0:27:36 | |
I don't remember that. | 0:27:36 | 0:27:37 | |
He wrote to ask what present she would like from mentally | 0:27:39 | 0:27:42 | |
deficient Carew. | 0:27:42 | 0:27:44 | |
-Then met next day as he dismissed a squad. -Platoon. | 0:27:44 | 0:27:48 | |
-As he dismissed a squad. -Platoon! | 0:27:49 | 0:27:52 | |
-A squad. -A subaltern can command a platoon. -A squad, a squad, a squad! | 0:27:52 | 0:27:56 | |
A platoon, a platoon, a platoon! | 0:27:56 | 0:27:59 | |
Sorry, love. Did I splash you then? | 0:27:59 | 0:28:01 | |
It's got to be a squad - it has to rhyme with yellow god. | 0:28:02 | 0:28:06 | |
I don't care what the hell it's got to rhyme with, | 0:28:06 | 0:28:08 | |
its Queen's regulations, it's a platoon. | 0:28:08 | 0:28:10 | |
Oh, shush. | 0:28:10 | 0:28:11 | |
May I please continue? | 0:28:11 | 0:28:13 | |
-Do. -Thank you. -You're very welcome. | 0:28:13 | 0:28:14 | |
Ugh! | 0:28:14 | 0:28:16 | |
-They met next day, as he dismissed a platoon... -Yes. | 0:28:16 | 0:28:19 | |
..and jestingly she told him then that nothing else would do, | 0:28:19 | 0:28:22 | |
-but the green eye of the... -Of the hairy great baboon! | 0:28:22 | 0:28:25 | |
..of the hairy great... Agh! | 0:28:25 | 0:28:28 | |
That's the way! | 0:28:28 | 0:28:30 | |
My landlady put summat up for me, actually. | 0:28:31 | 0:28:33 | |
I don't know where it... Oh, aye. Yes, this'll do, here... | 0:28:33 | 0:28:36 | |
In all my years at the theatre, | 0:28:42 | 0:28:44 | |
I've never known such a ridiculous... | 0:28:44 | 0:28:47 | |
-Sir! -What? | 0:28:50 | 0:28:52 | |
-Do you realise that this is my profession? -I beg your pardon? | 0:28:52 | 0:28:55 | |
This is my bread-and-butter. | 0:28:55 | 0:28:57 | |
No, it's not, it's my bread-and-butter, | 0:28:57 | 0:28:58 | |
-I've got it here! -Ugh! For goodness' sake. | 0:28:58 | 0:29:01 | |
There's a broken-hearted idol to the west of Mad Carew, | 0:29:01 | 0:29:04 | |
There's a... | 0:29:04 | 0:29:06 | |
There's a cross-eyed yellow woman doing all a cat can do... | 0:29:06 | 0:29:08 | |
HE SINGS | 0:29:08 | 0:29:10 | |
Oh, this is...! | 0:29:10 | 0:29:12 | |
I can't stand it, I can't stand it, I can't stand it! | 0:29:12 | 0:29:15 | |
No, you should be sitting up here where we are. Tell him! | 0:29:15 | 0:29:18 | |
What's going on behind that curtain? | 0:29:19 | 0:29:21 | |
Nothing is going on behind the curtain. | 0:29:21 | 0:29:23 | |
There's not much going on in front of it, either. | 0:29:23 | 0:29:26 | |
I'll give you a hand, it's no good. | 0:29:26 | 0:29:27 | |
-You can't do it all without the bloody... -No, no, please, sir! | 0:29:27 | 0:29:30 | |
No, don't...! | 0:29:30 | 0:29:31 | |
We want to have a singsong, though, don't we? | 0:29:31 | 0:29:33 | |
-You want a singsong, don't you? -I'm very sorry. Honestly... | 0:29:33 | 0:29:36 | |
We'll have a singsong, then. Come here. | 0:29:36 | 0:29:39 | |
I'll get me leg over. | 0:29:39 | 0:29:40 | |
Hey... | 0:29:40 | 0:29:42 | |
Wait, wait. Hey! | 0:29:42 | 0:29:44 | |
-Hey... -Can we just go back? -Right... | 0:29:44 | 0:29:46 | |
-Come down... -Whoa! | 0:29:46 | 0:29:47 | |
It's a good job I didn't have me kilt on. | 0:29:49 | 0:29:51 | |
LAUGHTER | 0:29:51 | 0:29:52 | |
Here we are. | 0:29:52 | 0:29:54 | |
Now, then, I'll give you a singsong. | 0:29:54 | 0:29:57 | |
When I was a lad, we used to sing good old rousing songs - | 0:30:00 | 0:30:03 | |
you know 'em, don't you? | 0:30:03 | 0:30:04 | |
Come on, then, let's have a go. | 0:30:04 | 0:30:08 | |
ALL: # Goodbye Dolly I must leave you | 0:30:08 | 0:30:12 | |
# Though it breaks my heart to go | 0:30:12 | 0:30:16 | |
# Something tells me I am needed | 0:30:16 | 0:30:19 | |
# At the front to fight the foe | 0:30:19 | 0:30:24 | |
# See - the soldier boys are marching | 0:30:24 | 0:30:28 | |
# And I can no longer stay | 0:30:28 | 0:30:32 | |
# Hark - I hear the bugle calling | 0:30:32 | 0:30:36 | |
# Goodbye Dolly Gray. # | 0:30:36 | 0:30:39 | |
The Chelsea Pensioner was, of course, your own Mr John Inman. | 0:30:54 | 0:30:58 | |
And now we have a melodious minstrel in a metropolitan... | 0:30:58 | 0:31:04 | |
-AUDIENCE: -Ooh! | 0:31:04 | 0:31:06 | |
..that's from London - miscellany. | 0:31:06 | 0:31:09 | |
Miss Julie Royce! | 0:31:09 | 0:31:13 | |
APPLAUSE | 0:31:13 | 0:31:15 | |
# Last week down our alley came a toff | 0:31:22 | 0:31:28 | |
# Nice old geezer with a nasty cough | 0:31:28 | 0:31:34 | |
# Sees my missus, takes his topper off | 0:31:36 | 0:31:42 | |
# In a very gentlemanly way | 0:31:42 | 0:31:46 | |
# "Ma'am", says he "I have some news to tell | 0:31:49 | 0:31:56 | |
# "Your rich uncle Tom of Camberwell | 0:31:56 | 0:32:03 | |
# "Popp'd off recent which ain't a sell | 0:32:04 | 0:32:10 | |
# "Leaving you 'is little donkey shay." | 0:32:10 | 0:32:15 | |
# Oh | 0:32:16 | 0:32:18 | |
# "Wot-cher!" all the neighbours cried | 0:32:20 | 0:32:25 | |
# "Who yer gonna meet, Bill? | 0:32:25 | 0:32:28 | |
# "Have yer bought the street, Bill?" | 0:32:28 | 0:32:31 | |
# Laugh! I thought I should 'ave died | 0:32:31 | 0:32:35 | |
# Knock'd 'em in the Old Kent Road! | 0:32:35 | 0:32:38 | |
# Some says nasty things about the moke | 0:32:40 | 0:32:44 | |
# One cove thinks 'is leg is really broke | 0:32:44 | 0:32:48 | |
# That's his envy cos we're carriage folk | 0:32:48 | 0:32:52 | |
# Like the toffs as rides in Rotten Row! | 0:32:52 | 0:32:54 | |
# Aha! | 0:32:54 | 0:32:56 | |
# Straight! it woke the alley up a bit | 0:32:56 | 0:33:00 | |
# Thought our lodger would 'ave 'ad a fit | 0:33:00 | 0:33:05 | |
# When my missus who's a real wit | 0:33:05 | 0:33:10 | |
# Says "I 'ates a bus because it's low!" | 0:33:10 | 0:33:13 | |
# Oh... | 0:33:13 | 0:33:16 | |
# "Wot-cher!" all the neighbours cried | 0:33:16 | 0:33:19 | |
# "Who yer gonna meet, Bill? | 0:33:19 | 0:33:22 | |
# "Have yer bought the street, Bill?" | 0:33:22 | 0:33:24 | |
# Laugh! I thought I should 'ave died | 0:33:24 | 0:33:28 | |
# Knock'd 'em in the Old Kent... | 0:33:28 | 0:33:31 | |
# Knock'd 'em in the Old Kent... | 0:33:31 | 0:33:33 | |
# Knock'd 'em in the Old Kent Road! | 0:33:33 | 0:33:35 | |
# Dah-dah-lah-dah, bum, bum! # | 0:33:35 | 0:33:38 | |
Whoo! | 0:33:38 | 0:33:39 | |
APPLAUSE | 0:33:39 | 0:33:41 | |
# And... | 0:33:43 | 0:33:45 | |
# My old man... | 0:33:45 | 0:33:47 | |
-ALL: -# ..said follow the van... # -You know it! | 0:33:47 | 0:33:49 | |
# And don't dilly-dally on the way | 0:33:49 | 0:33:54 | |
# Well, off went the van with the home packed in it | 0:33:54 | 0:33:59 | |
# I followed on with me old cock linnet | 0:33:59 | 0:34:04 | |
# But I dillied and I dallied | 0:34:04 | 0:34:07 | |
# And I dallied and I dillied | 0:34:07 | 0:34:09 | |
# I lost the van and don't know where to roam | 0:34:09 | 0:34:13 | |
# But you can't trust these specials like the old time coppers | 0:34:13 | 0:34:19 | |
# When you can't find your way home. # | 0:34:19 | 0:34:23 | |
# Well... | 0:34:23 | 0:34:26 | |
# Maybe it's because I'm a Londoner | 0:34:30 | 0:34:35 | |
# That I love London town | 0:34:35 | 0:34:39 | |
# Maybe it's because I'm a Londoner | 0:34:40 | 0:34:44 | |
# That I think of her wherever I go | 0:34:44 | 0:34:48 | |
# I get a funny feeling inside of me | 0:34:49 | 0:34:53 | |
# When walking up and down | 0:34:53 | 0:34:58 | |
# Oh, maybe it's because I'm a Londoner | 0:34:58 | 0:35:02 | |
# That I love London Town. # | 0:35:02 | 0:35:06 | |
# Well... # | 0:35:07 | 0:35:11 | |
MILITARY DRUMS | 0:35:11 | 0:35:15 | |
# It's a long way to Tipperary | 0:35:15 | 0:35:19 | |
# It's a long way to go | 0:35:19 | 0:35:22 | |
# It's a long way to Tipperary | 0:35:22 | 0:35:27 | |
# To the sweetest guy that I know! | 0:35:27 | 0:35:31 | |
# Oh, goodbye, Piccadilly | 0:35:31 | 0:35:36 | |
# And farewell, Leicester Square! | 0:35:36 | 0:35:39 | |
# It's a long, long way to Tipperary | 0:35:39 | 0:35:45 | |
# But my heart's right there. # | 0:35:45 | 0:35:48 | |
# So... | 0:35:49 | 0:35:51 | |
# You... | 0:35:51 | 0:35:54 | |
# Can... | 0:35:54 | 0:35:56 | |
# Pack up all of my cares and woe | 0:35:56 | 0:36:01 | |
# Here I go | 0:36:02 | 0:36:05 | |
# And I'm singing kinda low | 0:36:05 | 0:36:07 | |
# Bye-bye | 0:36:07 | 0:36:09 | |
# Bye-bye, you little blackbird... # | 0:36:10 | 0:36:14 | |
AUDIENCE MEMBER MIMICS BLACKBIRD | 0:36:14 | 0:36:16 | |
Was that you? | 0:36:16 | 0:36:18 | |
# Where somebody's waiting for me | 0:36:18 | 0:36:23 | |
# Sugar's sweet | 0:36:23 | 0:36:25 | |
# But not half as sweet as he | 0:36:25 | 0:36:27 | |
# Bye-bye, you little blackbird | 0:36:27 | 0:36:34 | |
# No-one can love or understand me | 0:36:36 | 0:36:44 | |
# You wanna hear those hard luck stories | 0:36:45 | 0:36:51 | |
# That they try to hand poor little me | 0:36:51 | 0:36:55 | |
# So, you better make my bed | 0:36:55 | 0:36:58 | |
# And light the light | 0:36:58 | 0:37:00 | |
# Cos I'll be home | 0:37:00 | 0:37:03 | |
# A little late tonight | 0:37:03 | 0:37:05 | |
# Blackbird, bye-bye... # | 0:37:05 | 0:37:12 | |
Yeah! Here we go! | 0:37:12 | 0:37:14 | |
# No-one can love or understand me | 0:37:16 | 0:37:20 | |
# You wanna hear those hard luck stories | 0:37:20 | 0:37:23 | |
# They try to hand poor little me | 0:37:23 | 0:37:25 | |
# So, make my bed and light the light | 0:37:25 | 0:37:28 | |
# Cos I'll be home a little late tonight | 0:37:28 | 0:37:31 | |
# Blackbird... | 0:37:31 | 0:37:35 | |
# Bye-bye. # | 0:37:35 | 0:37:43 | |
High altitudinous intrepidity... | 0:38:06 | 0:38:09 | |
-AUDIENCE: -Ooh! | 0:38:09 | 0:38:11 | |
..perilous on the palpitant perimeter of impossibility. | 0:38:11 | 0:38:17 | |
From Norway, the Duo Barodies! | 0:38:17 | 0:38:21 | |
CHEERING AND APPLAUSE | 0:43:00 | 0:43:02 | |
A much-requested tribute to Mr Bobby Howes | 0:43:17 | 0:43:22 | |
from the ubiquitous Players Theatre and the unquenchable Mr John Inman! | 0:43:22 | 0:43:30 | |
# Even when the darkest clouds are in the sky | 0:43:42 | 0:43:45 | |
# You mustn't sigh and you mustn't cry | 0:43:45 | 0:43:49 | |
# Spread a little happiness as you go by | 0:43:49 | 0:43:54 | |
# Please try | 0:43:54 | 0:43:57 | |
# What's the use of worrying and feeling blue | 0:43:57 | 0:44:01 | |
# When things go wrong, keep on smiling through | 0:44:01 | 0:44:04 | |
# And spread a little happiness till dreams come true | 0:44:04 | 0:44:11 | |
# Surely you'll be wise to make the best of every blues day | 0:44:11 | 0:44:19 | |
# Don't you realise it may be Monday or next Tuesday | 0:44:19 | 0:44:25 | |
# Your golden shoes day | 0:44:25 | 0:44:31 | |
# Even when the darkest clouds are in the sky | 0:44:31 | 0:44:35 | |
# You mustn't sigh and you mustn't cry | 0:44:35 | 0:44:38 | |
# Spread a little happiness as you go by. # | 0:44:38 | 0:44:44 | |
APPLAUSE | 0:44:56 | 0:44:58 | |
# Got a date with an angel | 0:44:58 | 0:45:01 | |
# Going to meet her at seven | 0:45:01 | 0:45:05 | |
# Got a date with an angel | 0:45:05 | 0:45:08 | |
# And I'm on my way to heaven | 0:45:08 | 0:45:13 | |
# It'll be sweet when I meet her | 0:45:13 | 0:45:16 | |
# I'll be sweet when I greet her | 0:45:16 | 0:45:20 | |
# Feel as proud as St Peter | 0:45:20 | 0:45:23 | |
# Cos I'm on my way to heaven | 0:45:23 | 0:45:27 | |
# Soon I'll hear the bells ring out | 0:45:28 | 0:45:32 | |
# And the choir will sing out | 0:45:32 | 0:45:35 | |
# And the pearly gates swing out | 0:45:35 | 0:45:39 | |
# She'll beckon to me | 0:45:39 | 0:45:43 | |
# I've been waiting a lifetime | 0:45:43 | 0:45:48 | |
# For this evening at seven | 0:45:48 | 0:45:51 | |
# Got a date with an angel | 0:45:51 | 0:45:54 | |
# And I'm on my way to heaven. # | 0:45:54 | 0:45:57 | |
# Life is just a bowl of cherries | 0:46:02 | 0:46:05 | |
# Don't be so serious | 0:46:05 | 0:46:07 | |
# Life's too mysterious | 0:46:07 | 0:46:09 | |
# You work, you slave, you worry so | 0:46:09 | 0:46:13 | |
# But you can't take your dough when you go, go, go | 0:46:13 | 0:46:17 | |
# Keep repeating it's the berries | 0:46:17 | 0:46:21 | |
# The strongest oak must fall | 0:46:21 | 0:46:25 | |
# The sweet things in life to you are just loaned | 0:46:25 | 0:46:29 | |
# So how can you lose what you've never owned? | 0:46:29 | 0:46:33 | |
# Life is just a bowl of cherries | 0:46:33 | 0:46:37 | |
# So live and laugh at it all | 0:46:37 | 0:46:41 | |
# Life is just a bowl of cherries | 0:46:41 | 0:46:45 | |
# Don't be so serious | 0:46:45 | 0:46:47 | |
# Life's too mysterious | 0:46:47 | 0:46:48 | |
# You work, you slave, you worry so | 0:46:48 | 0:46:52 | |
# But you can't take your dough when you go, go, go | 0:46:52 | 0:46:57 | |
# So, keep repeating it's the berries | 0:46:57 | 0:47:00 | |
# The strongest oak must fall | 0:47:00 | 0:47:04 | |
# The sweet things in life to you are just loaned | 0:47:04 | 0:47:08 | |
# So how can you lose what you've never owned? | 0:47:08 | 0:47:12 | |
# Life is just a bowl of cherries | 0:47:12 | 0:47:16 | |
# So live and laugh at it all. # | 0:47:16 | 0:47:20 | |
# Even when the darkest clouds are in the sky | 0:47:21 | 0:47:24 | |
# You mustn't sigh and you mustn't cry | 0:47:24 | 0:47:28 | |
# So spread a little happiness | 0:47:28 | 0:47:31 | |
# As you go by. # | 0:47:31 | 0:47:39 | |
There's only just time to ask Mr John Inman to lead the company | 0:47:57 | 0:48:00 | |
and yourselves in the last chorus for tonight, | 0:48:00 | 0:48:03 | |
Down At The Old Bull And Bush. | 0:48:03 | 0:48:05 | |
Ladies and gentlemen, Mr John Inman, the entire company, | 0:48:05 | 0:48:07 | |
Mr Bernard Herrmann, the entire and indefatigable orchestra... | 0:48:07 | 0:48:11 | |
AUDIENCE CHEERS | 0:48:11 | 0:48:14 | |
-..and this time, chiefly... ALL: -..yourself. | 0:48:14 | 0:48:19 | |
ALL: # Come, come, come and make eyes at me | 0:48:21 | 0:48:25 | |
# Down at the old Bull And Bush | 0:48:25 | 0:48:27 | |
# Da, da, da, da, da | 0:48:27 | 0:48:29 | |
# Come, come drink some port wine with me | 0:48:29 | 0:48:33 | |
# Down at the old Bull And Bush | 0:48:33 | 0:48:36 | |
# Hear the little German band | 0:48:36 | 0:48:38 | |
# Da-da-da-da-da-da-da | 0:48:38 | 0:48:40 | |
# Just let me hold your hand, dear | 0:48:40 | 0:48:43 | |
# Do, do come and have a drink or two | 0:48:43 | 0:48:47 | |
# Down at the old Bull And Bush. # | 0:48:47 | 0:48:52 | |
CHEERING AND APPLAUSE | 0:48:52 | 0:48:55 |