Browse content similar to Compilation. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
For the last two months I've had such a lovely time, sitting | :00:38. | :00:42. | |
drinking wine, laughing and chatting with a parade of lovely | :00:42. | :00:47. | |
showbiz guests. But which one was the best? Yes, it's Sauvignon | :00:47. | :00:57. | |
:00:57. | :01:16. | ||
APPLAUSE Too kind. What a lovely warm | :01:16. | :01:21. | |
welcome. And welcome to my special compilation show. I love this time | :01:21. | :01:25. | |
of the year. Turkey's finished. Relatives are gone. All the | :01:25. | :01:29. | |
presents have been safely listed on eBay. That means it's time to look | :01:29. | :01:34. | |
back at some of my favourite guests and mopts from the last few months, | :01:34. | :01:37. | |
starting with... We're slighted you're here. I'm surprised you're | :01:37. | :01:41. | |
here so quickly. It seems you are so lovely to your fans that the | :01:41. | :01:47. | |
story of you as Captain Jack going to see that little girl in | :01:47. | :01:51. | |
Greenwich, that's an amazing story. APPLAUSE | :01:51. | :01:56. | |
For people who haven't heard, tell whaus happened. I got a letter, | :01:56. | :02:01. | |
this sweet letter from a little girl, who was going to school, like | :02:01. | :02:05. | |
three minutes from where we were shooting. She said, you know, we | :02:05. | :02:09. | |
need to escape. We need pirates to help us out. I thought well, on | :02:09. | :02:14. | |
lunch break we'll go over, bring about 12 pirates and go ape. And we | :02:14. | :02:22. | |
did. It was really fun and really sweet. I mean the kids were so | :02:22. | :02:29. | |
responsive. Some were scared, very scared. How the hell did that | :02:29. | :02:39. | |
:02:39. | :02:40. | ||
letter get to you? In a bottle. LAUGHTER | :02:40. | :02:46. | |
Now, during the summer we all read about Necker Island. So you did | :02:46. | :02:50. | |
save Richard Branson's mother's life? No I didn't. I carried her | :02:50. | :02:55. | |
down the stairs is the truth of it. It was genuinely very scary. It | :02:55. | :03:00. | |
really was. We did wake up at 4.30am to hear the sounds of some | :03:00. | :03:06. | |
of Richard's nephews voices yelling there was a fire. I jumped up. I | :03:06. | :03:08. | |
ran immediately towards the fire because clearly I thought I could | :03:08. | :03:16. | |
put it out. Hang on! So I'm running towards the flames and realise oh, | :03:16. | :03:19. | |
no actually, because another few minutes and we'll all be dead. So | :03:19. | :03:22. | |
turn around and Mia and Joe, my children, were at the bedroom door. | :03:22. | :03:27. | |
I said to them, it's a fire, it's fine, go inside for two minutes and | :03:27. | :03:32. | |
close the door. Then thinking, what do I do? I ran into the bedroom and | :03:32. | :03:36. | |
put on a bra. It's like, in disastrous moments like, that you | :03:36. | :03:40. | |
do the strangest things. I thought no, that's going to take too long, | :03:40. | :03:44. | |
off came the bra, on went the T- shirt, I grabbed the children and | :03:44. | :03:48. | |
picked up granny. We were at the top of slippery stone steps. We | :03:48. | :03:52. | |
were in the hurricane, that's the other thing that was so dramatic. | :03:52. | :03:57. | |
This lashing rain. It really did feel like being in a movie. So, no, | :03:57. | :04:05. | |
in truth I carried Eve Branson braless, me not her, maybe we were | :04:05. | :04:09. | |
both braless. I carried her down the stairs. These aspects didn't | :04:09. | :04:13. | |
come out in the original story. They really played down the whole | :04:13. | :04:19. | |
breast support issue. I never, ever play that one down. Is it true, and | :04:19. | :04:25. | |
this seems unlikely, that you own a single piece of every bit of | :04:25. | :04:28. | |
memorabilia that they produced for Lord of the Rings? Well, that's | :04:28. | :04:33. | |
half true. So I've got a few things from the actual film. So I have the | :04:33. | :04:39. | |
ring. I have sting. I have a map from Bilbao's study, the living | :04:39. | :04:44. | |
room in bag end. I went back and.final bit on The Hobbit. They | :04:44. | :04:50. | |
gave me the book that Bilbao writes in. He writes The Hobbit, then I | :04:50. | :04:54. | |
finish it as Lord of the Rings. They gave me the red volume. | :04:54. | :04:59. | |
actual prop? Yeah. Whoa. My last day in Hobbiton, it was pretty | :04:59. | :05:09. | |
:05:09. | :05:09. | ||
magical. Amazing. In Hobbiton! It's a set! It's real place... No, it's | :05:09. | :05:14. | |
not. LAUGHTER | :05:14. | :05:21. | |
Graham. It's a dream. Don't you screw up his dream. They've | :05:21. | :05:25. | |
actually built it. So from now on you'll get to see Hobbiton and | :05:25. | :05:30. | |
advise the it as a real place. -- visit it as a real place. Will you | :05:30. | :05:34. | |
be able to stay there? No, but they're turning The Green Dragon | :05:34. | :05:42. | |
pub into a visitors centre. "Where's my bedroom?" Here's the | :05:42. | :05:48. | |
jacuzzi. There we go, let's get it going. | :05:48. | :05:58. | |
:05:58. | :06:04. | ||
There's this website called manbabies.com. It's not as bad as | :06:04. | :06:09. | |
it sounds. It's sweet. People put in photographs of dads and the | :06:09. | :06:14. | |
babies, right, and it sounds stupid, it is stupid, they swap the heads... | :06:14. | :06:19. | |
Oh, yes. But they keep them in proportion. So this is a classic, | :06:19. | :06:29. | |
:06:29. | :06:32. | ||
Oh, no. That's wrong. Brilliant. could watch this all day. Sometimes | :06:32. | :06:39. | |
it's not that obvious that heads it's not that obvious that heads | :06:39. | :06:49. | |
:06:49. | :06:57. | ||
have been swaped. This could be a That baby is plotting. | :06:57. | :07:07. | |
:07:07. | :07:08. | ||
It's disturbing. Finally, Lee, we sent you to be done. Very sweet it | :07:08. | :07:18. | |
is. Here's Lee. LAUGHTER | :07:18. | :07:23. | |
Marvellous. Well done all the man babies. Now, you had to do some | :07:23. | :07:26. | |
bonding in bridesmaids didn't you? We did. We just played a lot of | :07:26. | :07:30. | |
games. Like there's a scene where we're sitting on a cop car and I | :07:30. | :07:37. | |
play a cop in the film. We would just play "would you rather" a lot. | :07:37. | :07:43. | |
Do you know that game? Like would you rather have a nipple on the end | :07:43. | :07:49. | |
of your nose or a tooth growing out of your cheek. Or would you rather | :07:49. | :07:55. | |
have to eat a VAT full of poo or have a small poo in your mouth | :07:55. | :08:00. | |
every morning for the rest of your lives? I think that's easy. Which | :08:00. | :08:05. | |
would you go for? The bird. No. have to do it every day for the | :08:05. | :08:08. | |
rest of your life. You'd get used to it. | :08:08. | :08:12. | |
The bird would become your friend. It would be nice, you wake up, here | :08:12. | :08:18. | |
come the birds. Morning poo and then off you go. | :08:18. | :08:27. | |
I suppose it's quite wee isn't it. And it's only a small bird. No, you | :08:27. | :08:34. | |
don't get to choose. What an albatross. You said small bird. | :08:34. | :08:38. | |
when you're at Glastonbury and you go back stage and there's Beyonce... | :08:38. | :08:44. | |
My friend, yeah. You go up to her and speaking to her, would you | :08:44. | :08:48. | |
rather sneeze and have both barrels blow snot all down her face or | :08:48. | :08:58. | |
:08:58. | :09:04. | ||
That's a very good one. I'm going to have to go with shit. Is it a | :09:04. | :09:09. | |
weird thing being the sexiest man alive? Oh, it's the worst. No! | :09:09. | :09:15. | |
so awful, yeah. Are you a little self-conscious? I'm 36 years old, I | :09:15. | :09:18. | |
don't care about anything like that any more. That's a wonderful thing. | :09:18. | :09:22. | |
Then this happened an I started to realise just how not sexy I am. | :09:22. | :09:28. | |
Stop it. I swear to God. A lot of moments I'll open up the door and | :09:28. | :09:33. | |
I'll go, I could do that a lot sexier. That was not very sexy at | :09:33. | :09:39. | |
all. This is rare. Because we have the sexiest man alive. Esquire, the | :09:39. | :09:46. | |
sexiest woman alive. Awhile ago. I'm the sexiest woman alive | :09:46. | :09:51. | |
according to my boyfriend. I hope I APPLAUSE | :09:51. | :09:56. | |
Also, can I just say there's a British pin up on our sofa. Feast | :09:56. | :10:01. | |
your eyes on that, ladies and gentleman. | :10:01. | :10:11. | |
:10:11. | :10:21. | ||
It's mostly all balls. Now in this tour, this is good, you do a master | :10:21. | :10:25. | |
class in accents. I was trying to get better. I've been doing stand | :10:25. | :10:29. | |
up for ten years. I thought what can I get better at, it's accents. | :10:29. | :10:34. | |
I have done the secret of good regional accents, you need a key | :10:34. | :10:38. | |
phrase to get you started. Once you have that in your head, you get | :10:38. | :10:45. | |
started. I can teach you. I can't do yours, I can do ones from around | :10:45. | :10:48. | |
Britain. That could be useful because you could play British | :10:48. | :10:55. | |
people. Meryl Streep gets them all now. I know. You could be in | :10:55. | :10:58. | |
Desperate Scouse wives. If you want to talk like someone from Liverpool | :10:58. | :11:08. | |
:11:08. | :11:25. | ||
you say "I want some chicken and a can of coke" You try it. You | :11:25. | :11:30. | |
sounded like you were trying to be a ventriloquist there. I'll teach | :11:30. | :11:38. | |
you another one from the UK. more. Roller coaster, pooper | :11:38. | :11:46. | |
scooper, Kawasaki, but if you want to do the Geordie accent. Roller | :11:46. | :11:55. | |
coaster, pooper-scooper, oompa loompa, Kawasaki. We'll do them one | :11:55. | :12:05. | |
:12:05. | :12:09. | ||
at a time. Roller coster. Pooper- scooper Oompa loompa Oompa loompa. | :12:09. | :12:18. | |
Kawasaki. Kawasaki. Genius! Of course, the highlight of any Cliff | :12:18. | :12:24. | |
Richard fan every year is the annual release of the Cliff Richard | :12:24. | :12:27. | |
calendar. CHEERING | :12:27. | :12:35. | |
I have to be honest, I've only been collecting them since 1982. Wow! | :12:35. | :12:42. | |
Prior to that my mother wouldn't let me buy them. | :12:42. | :12:47. | |
What's amazing about these, because you are timeless, the only way to | :12:47. | :12:52. | |
kind of gauge what year they are is sort of really from the fashions or | :12:52. | :12:56. | |
how it is shot. Good game, good game Micky and Kelly. So take this | :12:56. | :13:01. | |
one. This is a classic. It's very hard to guess this, I will give you | :13:01. | :13:05. | |
multiple choice. I don't know what you did to Minnie, she looks quite | :13:05. | :13:09. | |
surprised. LAUGHTER | :13:09. | :13:16. | |
You probably know the answer. Don't you answer. No, I don't. Is this | :13:16. | :13:25. | |
1984, 1996 or 2001? I'm going to go with... Oh! Could you do that | :13:25. | :13:35. | |
:13:35. | :13:46. | ||
Oh, ah - oh, ah... I'm going to go for '96. I'm going for '84. All the | :13:46. | :13:55. | |
cliff fans got it wrong. This is December 1996. OK, so this next one | :13:55. | :14:03. | |
is this older than '96 or newer? I'm going to say orld. Orld. | :14:03. | :14:10. | |
February 2000. How long had you had that jacket? | :14:11. | :14:14. | |
You did not buy that jacket in February 2000. I don't even | :14:14. | :14:21. | |
remember the jacket. Really? Because you had it a while. | :14:21. | :14:25. | |
bought this at an auction, they said it was yours. | :14:25. | :14:32. | |
APPLAUSE Right. James McAvoy new film Arthur | :14:32. | :14:39. | |
Christmas and it's in 3-D. It is. You're a big fan of 3-D. Now listen, | :14:39. | :14:43. | |
I slagged off 3-D in the past and I think... You really slagged it up. | :14:43. | :14:46. | |
I believe you said "It's a waste of time and money and I wouldn't pay | :14:47. | :14:51. | |
for a ticket." LAUGHTER | :14:51. | :15:00. | |
Thank you. Yeah, well, I think... Sometimes they shoot a movie and | :15:00. | :15:04. | |
they shoot it straight 2D and change it to 3-D afterwards. That's | :15:04. | :15:09. | |
a way of getting people into the cinema and charging them an extra | :15:09. | :15:14. | |
�4. That is naughty. This was designed to be 3-D. When you film | :15:14. | :15:18. | |
something 3-D, does it change you, does it change the set or is it | :15:18. | :15:22. | |
just all in the camera? I've never filmed anything 3-D, which is | :15:22. | :15:26. | |
probably why I'm angry about it. This is the animation, of course. | :15:26. | :15:36. | |
That's the drawing. LAUGHTER | :15:36. | :15:40. | |
I was thinking that make up department's brilliant on that! | :15:41. | :15:44. | |
When you began and you were doing the voicovers and stuff for things, | :15:44. | :15:49. | |
you have to deal with impenetrable scripts, terrible scripts. When I | :15:49. | :15:53. | |
first made my living it was doing voicovers for stuff. You'll have | :15:53. | :15:59. | |
never have sulied yourself in this way Kate. I probably have. I voiced | :15:59. | :16:02. | |
a few video games. If you voice characters in a video game you have | :16:02. | :16:07. | |
to give them all the options. Wow have things like, you know, "Would | :16:07. | :16:17. | |
:16:17. | :16:21. | ||
you like to touch the curse ID casket of mink?" Then "Behold the | :16:21. | :16:29. | |
curd casket of mink? Are you in the mood for the Cursed Casket of Minge. | :16:29. | :16:36. | |
I spot minge, do you have a cursed casket. It's like a phone directory, | :16:36. | :16:40. | |
it's soul destroying. Terrible work. Again no nominations. You are a | :16:41. | :16:44. | |
genuine big science fiction fan, aren't you Simon? Yeah. When you | :16:44. | :16:48. | |
got the call for Star Trek, you were genuinely excited. We have a | :16:48. | :16:54. | |
picture you took of yourself... can see the phone hands there like | :16:54. | :17:01. | |
that. Totally. Do you like Star Trek? Ah, yeah. Do you? Uh-huh. | :17:01. | :17:06. | |
don't have to say that. I like the ear dude and stuff. Ear dude | :17:06. | :17:16. | |
:17:16. | :17:17. | ||
suggests not a huge... The ear dude is Spock. The ear dude and the | :17:17. | :17:22. | |
rocket ship and the Martians, who really did that stuff. I grew up | :17:22. | :17:26. | |
watching it. It was on every night at 6pm. We would have competitions | :17:26. | :17:33. | |
to see, I'd be on the phone with my budy. We'd have it on channel two | :17:33. | :17:39. | |
at Six O'Clock. We would see who could scream out the episode the | :17:39. | :17:46. | |
quickest. We alerted that you were both Star Trek fans. We believe you | :17:47. | :17:55. | |
have treky trivia questions. I'll tidy my desk. You pop on the kettle | :17:55. | :17:58. | |
Nicole. Have you got your questions? I have. Tom? I left them | :17:58. | :18:04. | |
in the dressing room. Very good. If only there was some way to | :18:04. | :18:09. | |
transport you there quickly? Hey, wait a minute, the guy who plays | :18:09. | :18:13. | |
Scotty, might know how to get my body broken down into molecules, | :18:13. | :18:16. | |
transported into the dressing room and back and I could get the | :18:16. | :18:20. | |
questions that way perhaps. I have some experience of meta transfer, | :18:20. | :18:25. | |
in fact, I have taken the liberty of bringing with me my own personal | :18:26. | :18:35. | |
:18:36. | :18:48. | ||
APPLAUSE Nicole, excellent work! Gather | :18:48. | :18:51. | |
yourself. Be prepared to be amazed once more as we bring Tom back. | :18:51. | :19:01. | |
You're very good. Lock onto the cord nats and energise! | :19:01. | :19:09. | |
CHEERING Got him. That was amazing. | :19:09. | :19:14. | |
It sort of diminishes the film, doesn't it? English talk shows are | :19:14. | :19:20. | |
way advanced. I've always wanted to met a movie star and ask one | :19:20. | :19:26. | |
question and one question only - Make it a good one. You see like | :19:26. | :19:29. | |
sometimes when they do love scenes, do they do them for real | :19:29. | :19:34. | |
sometimes... Sometimes? LAUGHTER | :19:34. | :19:44. | |
:19:44. | :19:45. | ||
They must do. It looks a bit real. Here's the thing I think it would | :19:45. | :19:51. | |
be impossible if, I mean, I mean I don't know if maybe some, I mean... | :19:51. | :19:59. | |
I, not in my experience... audition certainly. I have a | :19:59. | :20:03. | |
feeling that it's so technical I would think that... You know | :20:03. | :20:07. | |
there's all these gaffers and lighting guys. What about a married | :20:07. | :20:17. | |
:20:17. | :20:18. | ||
couple like... Definitely not! What are you talking about? Another | :20:18. | :20:25. | |
thing I wantsed to ask a really big American movie star... Inspired by | :20:25. | :20:31. | |
that. Inspired by that of course. Oh, no. Is dogging really big in | :20:31. | :20:40. | |
the USA. ? I don't know what that is. | :20:40. | :20:46. | |
don't want to know. Is it illegal? Illegal? Ah... I think it's illegal. | :20:46. | :20:50. | |
If the police pulled up, they wouldn't join in, would they? | :20:50. | :20:59. | |
LAUGHTER Often people are saying tell us a | :20:59. | :21:02. | |
funny story, the truth is honestly, all the funny stories are in the | :21:02. | :21:06. | |
film. What we try to do every day is look at the scenario and try and | :21:06. | :21:10. | |
find a witty way, things that made us laugh. Actually there is one | :21:10. | :21:14. | |
funny story. I'm going to remind you of it and you can tell it. | :21:14. | :21:21. | |
yeah! Chat show gold. | :21:21. | :21:24. | |
You tell it. We're both going to tell it. I'll tell it. | :21:24. | :21:34. | |
:21:34. | :21:35. | ||
APPLAUSE So they're shooting this scene | :21:35. | :21:41. | |
where a guy comes in right. He had forgotten to wear any underwear. | :21:42. | :21:47. | |
Then you take it from there. Then there was an explosion - no, | :21:47. | :21:53. | |
there was a scene where we walk into a room of carnage. There's all | :21:53. | :21:58. | |
these rubber bodies strewn around, fake dummy bodies that are | :21:58. | :22:02. | |
impossible positions. Covered in blood. And Robert goes "Check this | :22:02. | :22:10. | |
out. This will be funny." There's a big hand lying there and he steps | :22:10. | :22:18. | |
on the hand and someone yells "Cut!" For the love of God. | :22:18. | :22:25. | |
thing I love is that a lot of actors moan about living in hotels, | :22:25. | :22:29. | |
but presumably you quite like it. You grew up in hotels. I did. My | :22:29. | :22:34. | |
dad's here. I can't see him though. But he's here. Keeping very quiet | :22:34. | :22:39. | |
now. There he is! That's my dad! Yay dad. | :22:39. | :22:45. | |
APPLAUSE My dad was a hotel manager. So we | :22:45. | :22:49. | |
grew up in hotels. Is it a nice life? Presumably you don't clean up | :22:49. | :22:53. | |
or anything? Well, yeah, it's very nice. I didn't know anything else. | :22:54. | :22:57. | |
Did you ever have an argument with your parents, where they go "You | :22:57. | :23:05. | |
treat this house like a ho... Oh. "How old were you when you got out | :23:05. | :23:14. | |
of hotels? Dad? 13. No. We moved into... Stop talking to my dad. | :23:14. | :23:17. | |
You're allowed to talk to your father. When we moved back to | :23:17. | :23:20. | |
London it was like when I was seven-and-a-half. Oh, really, OK. | :23:20. | :23:27. | |
Yeah. Is this comfortable for you, this conversation. It's more or | :23:27. | :23:34. | |
less comfortable with watching your daughter that's about sex addiction. | :23:34. | :23:39. | |
Has your dad seen it? No, dad's not aloud. I'm in the a father, but | :23:39. | :23:47. | |
really don't see it. I can't imagine a father enjoying it. | :23:47. | :23:51. | |
I'm embarrassed for you. There's nothing worse than that. | :23:52. | :23:57. | |
It's very good. She's nominated for an Oscar. You'll enjoy that. | :23:57. | :24:01. | |
don't watch other people having sex with my mum and dad, so... People | :24:01. | :24:08. | |
having sex with your mum and dad? LAUGHTER | :24:08. | :24:17. | |
There he is. LAUGHTER | :24:17. | :24:26. | |
Who's that man? Hi. Hi. Hi, I'm being calibrated. It's not painful. | :24:26. | :24:35. | |
I had a pre-Med. I feel great actually. Don't touch | :24:35. | :24:44. | |
me there. Are we ready to see Rob now? OK. So | :24:44. | :24:48. | |
there's Rob back there and then this is Rob as a cartoon. | :24:48. | :24:55. | |
How are you doing, all right? Yeah, nice to see you. He can now appear | :24:55. | :25:02. | |
here. Oh, that's adorable. Who's the best | :25:02. | :25:10. | |
panda? I'm the best panda. Oh, lovely. Let's put you on the | :25:11. | :25:14. | |
sofa. Go and stand on the sofa. There you | :25:14. | :25:23. | |
are! Look, Jamie's so good at it. Look at Jamie. Hello Kate, how are | :25:23. | :25:28. | |
you doing, all right. I'm fine. was looking round back stage, I | :25:28. | :25:34. | |
found a bra, love, is it yours? Let's do a bit of dancing. Let's | :25:34. | :25:44. | |
:25:44. | :25:51. | ||
Well done Rob. Well done panda. Beautiful. | :25:51. | :26:01. | |
APPLAUSE Now, girls loved you so much, but | :26:01. | :26:05. | |
the boyfriends didn't like you, which led to problems. Was it with | :26:05. | :26:09. | |
the Drifters before the Shadows. remember playing the Lyceum | :26:09. | :26:14. | |
Ballroom in London. They had a revolving stages. We were going to | :26:14. | :26:22. | |
play Elvis's Baby I Don't Care. Then all these cheese rolls came | :26:22. | :26:29. | |
flying up. I never sang a note. The thing revolved, we got off, we got | :26:29. | :26:39. | |
:26:39. | :26:40. | ||
paid and went home. APPLAUSE | :26:40. | :26:44. | |
I didn't realise until you read this you were in a boy band, you | :26:44. | :26:49. | |
were in two. In school. I was really serious about it. I thought | :26:49. | :26:53. | |
this was, yeah, that was what I thought, that's all I ever wanted | :26:53. | :26:57. | |
to do. What was the first one called? The first bad was called | :26:57. | :27:01. | |
Full Frontal. LAUGHTER | :27:01. | :27:08. | |
I mean I say we were a boy band, it was me and four mates. We told | :27:08. | :27:12. | |
people we were a band. We didn't have any songs and we didn't do any | :27:12. | :27:22. | |
:27:22. | :27:22. | ||
dancing. Then my second boy band, we were called Insatiable. Why? | :27:22. | :27:31. | |
Because you just can't get enough. We used to rehearse all the time. | :27:31. | :27:36. | |
You did Giggs. Seriously did play? We were a boy band. We sung and | :27:36. | :27:43. | |
dance. We were like the Back Street Boys. OK. If they were worse. | :27:43. | :27:46. | |
And yeah, we like had original songs. We would do dance routines. | :27:46. | :27:52. | |
We played about eight gigs. I mean, three of them were like at Gav's | :27:52. | :27:56. | |
mum's barbeque, you know what I mean? Not like proper Giggs. We | :27:56. | :28:00. | |
took it seriously. Some of the lyrics are in here, do you remember | :28:00. | :28:05. | |
some of the lyrics? Yeah, I wrote them. Do you remember the lyrics to | :28:05. | :28:15. | |
:28:15. | :28:17. | ||
Girl Are You Ready?ment Brace yourself. Wait till you hear the | :28:17. | :28:21. | |
lyrics. I remember saying to a guy called Matt who played key boards. | :28:21. | :28:25. | |
We wrote the songs together. He wouldn't be on stage. And I | :28:25. | :28:30. | |
remember saying to him, this is how seriously I took it, I said "We | :28:30. | :28:39. | |
need like a song that's like a chant that's as big as Let's Get | :28:39. | :28:45. | |
Ready to Rumble." And the song was called Girl Are You Ready?. It | :28:45. | :28:51. | |
went... It went, # Girl are you? Just tell me when | :28:51. | :28:54. | |
you're ready # Girl are you ready? | :28:54. | :28:58. | |
# I ain't gonna rush you # Girl get ready we're about to go | :28:58. | :29:00. | |
steady # Girl are you ready? | :29:00. | :29:10. | |
# I ain't gonna rush you # APPLAUSE | :29:10. | :29:20. | |
:29:20. | :29:22. | ||
And, Frodo you'll love this, this one here Aston Merrygold. He lives | :29:22. | :29:26. | |
in Hobbiton. He was discovered in Middle Earth's | :29:26. | :29:35. | |
Got Talent. APPLAUSE | :29:35. | :29:40. | |
JLS very excitingly they have their own range of condoms everybody. | :29:40. | :29:50. | |
:29:50. | :29:58. | ||
CHEERING Nice. Who sells best? He does. | :29:58. | :30:02. | |
merry gold number four. Presumably you have these all in your lockers. | :30:03. | :30:08. | |
Let me just get my condoms. That's a cool thing. They should sell | :30:08. | :30:11. | |
personalised condoms, it's good. You know the way, they're more | :30:11. | :30:15. | |
sensitive or better lubrication or that. The big selling point on | :30:15. | :30:25. | |
:30:25. | :30:25. | ||
these ones is smells better. That's wonderful. How bad were they | :30:25. | :30:35. | |
:30:35. | :30:35. | ||
before, boys? What is that smell? Oh, I'm terribly sorry. | :30:35. | :30:43. | |
Now people are going it smells like a Merrygold. You talk in the book, | :30:43. | :30:47. | |
where is it, you talk the looks you have to do as a model. Yes. | :30:47. | :30:53. | |
list them. The looks you did - baby doll, OK, gawky schoolgirl, bride | :30:53. | :30:57. | |
to be, yeah, get it, young mum, sophisticated hostess, person | :30:57. | :31:06. | |
laughing at fruit. Yes. We always had to be seen laughing at, you | :31:06. | :31:11. | |
have some fruit here. If there was fruit, and I was in my picture, | :31:11. | :31:17. | |
probably in a knitted thing, I'd be going like this. And sometimes | :31:17. | :31:27. | |
:31:27. | :31:28. | ||
surprised by fruit. APPLAUSE | :31:28. | :31:34. | |
Very good. Can I tell you a story about a faux pas I made. In America | :31:34. | :31:40. | |
they call their arse, their ass. Where I come from we call our house | :31:41. | :31:46. | |
our 'ass. So get ready I took a girl out and on the way home I | :31:46. | :31:52. | |
stopped her and I said, when we get back, what are the chances of me | :31:52. | :32:01. | |
coming in your 'ass. APPLAUSE | :32:01. | :32:09. | |
It was a Jen wib -- genuine mistake. I know she said "Oh, yeah you can | :32:09. | :32:13. | |
come. I had to reassure you. I won't try and kiss you. You know | :32:13. | :32:17. | |
that's the sort of mistake you can make over there. They cannot | :32:17. | :32:20. | |
understand a word... And Americans are so nice, you're speaking for a | :32:20. | :32:27. | |
little while. They go "I'm sorry?" Eventually they just go... You know | :32:27. | :32:31. | |
they don't understand a word. OK, OK fine, yeah, I'll see you, take | :32:31. | :32:36. | |
care. Anyone else broken anything? I had | :32:36. | :32:45. | |
an injury. I got a rubber stuck up my nose. | :32:45. | :32:55. | |
:32:55. | :32:58. | ||
An eraser. No. I heard something else. | :32:58. | :33:03. | |
That would have been a really good injury. | :33:03. | :33:06. | |
LAUGHTER The "how that happened" bit of the | :33:06. | :33:16. | |
story would have been different. It was his first time... Did you do it | :33:16. | :33:23. | |
yourself or did someone shove it up there? My brother dared me to put a | :33:23. | :33:28. | |
pencil up my nose, do you know the yellow ones with the pink ones? | :33:29. | :33:32. | |
He told me I couldn't take it out because it would erase my memories. | :33:32. | :33:41. | |
LAUGHTER Oh, wow. | :33:41. | :33:45. | |
You have a really clever diet plan which you go into in the book. | :33:45. | :33:53. | |
Talk us through that. It's called, yeah,... It is a good idea. It's a | :33:53. | :33:58. | |
clever idea actually. It happened to me in America. I was in America | :33:58. | :34:03. | |
in Boca Raton, you might know that, near Miami. A guy gave me some | :34:03. | :34:10. | |
clams. He had a little fork with clams. I thought I would embark | :34:10. | :34:17. | |
upon eating the main course using this little fork. My wife looked at | :34:17. | :34:21. | |
me like mad. "What are you doing?" Don't worry, I'm working on | :34:21. | :34:27. | |
something here. I'm eating with this little fork. It occurred to me | :34:27. | :34:32. | |
that it took me ages to get halfway through the plate of food, by which | :34:32. | :34:36. | |
time the brain was telling me you're actually full up. So it's | :34:36. | :34:44. | |
the little fork diet. Carry a little fork around, you try it. | :34:44. | :34:49. | |
you finding it difficult to find the little fork diet? Lord Sugar | :34:50. | :34:52. | |
helpfully provides an illustration of the difference between a large | :34:52. | :34:59. | |
and small fork. No stone left unturned. | :34:59. | :35:06. | |
LAUGHTER Did you have a weight scare | :35:06. | :35:09. | |
recently? Scare is a good word. There's different ways you know | :35:09. | :35:14. | |
you've put weight on, your clothes don't fit or you're crying a lot. | :35:14. | :35:18. | |
But there's a new one, in case you don't know, there's a new one, | :35:18. | :35:23. | |
because everybody doesn't know, that sounded terrible like I was | :35:23. | :35:27. | |
just aiming it just at you. thought you were. There's a block | :35:27. | :35:31. | |
of flats where my boyfriend lives. There's a car park round the back. | :35:31. | :35:34. | |
There's a barrier that lifts up to get into the car park. When it | :35:35. | :35:42. | |
senses a car is near. LAUGHTER | :35:42. | :35:46. | |
I had two big bags of shopping, you know, but it still thought I was | :35:46. | :35:54. | |
like a Peugeot 206. Johnny everyone thinks he's shy, OK, but he wasn't | :35:54. | :35:58. | |
shy this day. He's got a wicked sense of humour. If people knew | :35:58. | :36:05. | |
what he was really like, his career would be over. | :36:05. | :36:10. | |
So in one scene, I'm helping, I'm sort of helping Warwick get shoved | :36:10. | :36:14. | |
down a toilet, as you do. I'm bending his legs in. I'm going, | :36:14. | :36:18. | |
it's all right, if it breaks we'll get another one in. I'm pushing him | :36:18. | :36:23. | |
down the toilet. I'm laughing. Warwick's laughing. Warwick goes | :36:24. | :36:30. | |
"Look at Johnny." He goes -- I turn around and he goes "You don't mind | :36:30. | :36:38. | |
if I master bait while you're doing this?" Someone took a picture of | :36:39. | :36:47. | |
the moment but he'd stopped by then. I think we have the picture. | :36:47. | :36:57. | |
:36:57. | :36:58. | ||
Is that why you were laughing so hard? I'd finished by then. | :36:58. | :37:07. | |
I think seven positions. OK. First of all you put this leg over here. | :37:07. | :37:12. | |
Then just let it... I'm doing exactly what you're doing, don't | :37:12. | :37:14. | |
laugh at me. Get comfortable and laugh at me. Get comfortable and | :37:14. | :37:20. | |
relax. This is the first position. Hang on. Wouldn't it have been | :37:20. | :37:30. | |
awful if I killed Antonio. Here we go. First position. That's first. | :37:30. | :37:38. | |
Then... That's not that bad. First and second, third, and fourth. | :37:38. | :37:44. | |
Fifth. I've cut my own leg. Sixth and then a fancy one in case | :37:44. | :37:49. | |
someone attack you in the back like this. Oh, my gosh you're -- Oh, my | :37:49. | :37:59. | |
:37:59. | :38:02. | ||
He was a brilliant soccer player. You could have been a professional? | :38:02. | :38:09. | |
I could have. But I broke my left foot when I was 15 years old. | :38:09. | :38:13. | |
you used to be, weren't you good enough to be an Olympic gymnast? | :38:13. | :38:19. | |
That's true. APPLAUSE | :38:19. | :38:23. | |
You could have been a professional footballer, but there's one man in | :38:23. | :38:29. | |
every pub who had trials for Spurs. That is just the law. You could | :38:29. | :38:33. | |
have been an Olympic gymnast. That's probably more information | :38:33. | :38:38. | |
than you want. I had a thing about gymnasts.Ive always fantasised | :38:38. | :38:43. | |
about having sex with gymnasts, not only because they're bendy and | :38:43. | :38:47. | |
flexible, but also because they do amazing dismounts. I just imagine... | :38:47. | :38:54. | |
LAUGHTER That is funny. I imagine after sex | :38:54. | :39:00. | |
you would be by the side of the bed like that. | :39:00. | :39:03. | |
And if you bend your legs even just a little bit, I could make you do | :39:03. | :39:11. | |
it again. That is funny. This is perfectly | :39:11. | :39:15. | |
timed photos.com. I wonder what it's of. This is a lady playing | :39:15. | :39:25. | |
:39:25. | :39:32. | ||
LAUGHTER You think that's bad. Wait... | :39:32. | :39:37. | |
has a smile on her face. She's smiling now. That's why it's | :39:37. | :39:41. | |
perfectlytimedphotos.com. Wait till you see the next one. Apparently | :39:41. | :39:47. | |
everyone's fine by the way. No-one got hurt in these. Check that out. | :39:47. | :39:57. | |
:39:57. | :39:57. | ||
Whoa! LAUGHTER | :39:58. | :40:02. | |
Doesn't it slightly look like the girl has just told a joke and the | :40:02. | :40:09. | |
dog is going... That's the funniest thing ever. | :40:09. | :40:18. | |
A cat you say? Ha-ha. She looked a bit like the dog is going "Wait I | :40:18. | :40:28. | |
:40:28. | :40:29. | ||
need to sneeze." And finally, this is just a brilliant one of somebody | :40:29. | :40:33. | |
being taken by surprise by Anand mall. Here we go. | :40:33. | :40:43. | |
:40:43. | :40:45. | ||
-- an animal. Here we go. Very good. Well done. | :40:45. | :40:51. | |
APPLAUSE Now we're going to say hello to the | :40:51. | :40:58. | |
stars of the new dramatic film William and date the movie. I love | :40:58. | :41:08. | |
:41:08. | :41:09. | ||
you. You do? I love you too. I love the private you. I love the public | :41:09. | :41:19. | |
:41:19. | :41:26. | ||
you. And I love the you that no-one Obviously you're fabulous in the | :41:26. | :41:32. | |
film, very, very good. BAFTA. But there is someone on the sofa an | :41:33. | :41:38. | |
aspiring actress, who has lived the life of Kate Middleton, I give you | :41:38. | :41:42. | |
dame Miranda Hart. So would you like to have a little | :41:42. | :41:47. | |
go, we have the lines, they're on the camera there. Oh, lovely. | :41:47. | :41:52. | |
you recreate that scene from the film. Oh, my God. This is sosta. | :41:52. | :41:58. | |
The sofa will be played by a sofa. You read your lines off there. You | :41:58. | :42:06. | |
read from there. Shall I sit with smila so she doesn't feel left out? | :42:06. | :42:16. | |
:42:16. | :42:17. | ||
-- Camilla. You can do that scene that was cut outment -- out. So | :42:17. | :42:25. | |
I'll put a little fire here. So now, cut to this shot. There they are | :42:25. | :42:30. | |
with the fire. So, do we have a romantic little... There it is! Oh, | :42:30. | :42:37. | |
lovely. Thanks for coming around Adele. | :42:37. | :42:44. | |
That's nice. Right. OK. Nico have you brushed your teeth, I hope you | :42:44. | :42:54. | |
:42:54. | :42:59. | ||
have. We know what happens at the Lovely. OK. And action! We're | :42:59. | :43:09. | |
:43:09. | :43:17. | ||
supposed to be studying. I am. so good. | :43:17. | :43:27. | |
:43:27. | :43:53. |