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This is Sparta. On the show tonight, the star of 300. Top music, acting | :00:17. | :00:27. | |
:00:27. | :00:48. | ||
royalty and a cute little doggy. Oh, oh! | :00:48. | :00:54. | |
I'm exhausted. Happy New Year, everyone. The first show of 2012 | :00:54. | :01:04. | |
:01:04. | :01:04. | ||
and what a show it's going to be. Hollywood hunk, Gerard Butler is | :01:04. | :01:10. | |
here. Martin Freeman is here! Doctor Who assistant, Karen Gillan | :01:10. | :01:18. | |
is on the show! Musical superstar, Noel Gallagher is here! | :01:18. | :01:26. | |
And, and..I wasn't lying, the star of the new silent movie The Artist, | :01:26. | :01:36. | |
:01:36. | :01:36. | ||
Uggie the dog is here. Ah! Uggie living the film-star life | :01:36. | :01:44. | |
on the red carpet. Here he is partying afterwards! | :01:44. | :01:49. | |
Very excited to be meeting Gerard Butler star of the hit film 300. | :01:49. | :01:58. | |
Look at that! A great man stripped to the waist, | :01:58. | :02:02. | |
always erotic...well! Nearly always! | :02:03. | :02:12. | |
:02:13. | :02:14. | ||
Imagine 300 of them! Martin Freeman's joining me. Yes, he is. | :02:14. | :02:20. | |
He's appearing as Dr Watson in the brilliant new series of Sherlock. | :02:20. | :02:25. | |
The next series is based on The Hound Of The Baskervilles, a | :02:25. | :02:30. | |
terrifying dog that ate two of the Baskerville family. I could not eat | :02:30. | :02:38. | |
another Baskerville! The first episode was action-packed, | :02:38. | :02:44. | |
ladies and gentlemen. Holmes and Watson had to deal with a robbery | :02:44. | :02:51. | |
in Baker Street, a heist in the High Street and even a snatch in | :02:51. | :02:55. | |
Belgravia. We have music with Noel Gallagher, | :02:55. | :03:05. | |
:03:05. | :03:07. | ||
but first, it's Dr Watson himself, Martin Freeman! | :03:07. | :03:12. | |
She made a big splash, it's Karen Gillan. | :03:12. | :03:19. | |
Beautiful. Hello, my darling. Sit yourself down there. | :03:19. | :03:29. | |
:03:29. | :03:44. | ||
And at last, I've got my very own Oh, happy New Year, all. | :03:44. | :03:54. | |
:03:54. | :03:54. | ||
Happy New Year. Oh! They love you all! Equals. Just because Gerard | :03:54. | :04:01. | |
got a bigger round of applause, that's means nothing. Thanks very | :04:01. | :04:09. | |
much. This is from Martin's partner. He's a vessel for love. That's | :04:09. | :04:16. | |
really nice. You went right past Karen Gillan. We already had a kiss | :04:16. | :04:20. | |
backstage. Fair enough. I'll keep the show as quick as possible so | :04:20. | :04:27. | |
you can get back to it! And you've just come from a premiere. I did, | :04:27. | :04:34. | |
yes. Corps rainious. Yes. But I gave it up to come and see you. | :04:34. | :04:40. | |
You're a Scott, I thought you might be sporting a kilt on the red | :04:40. | :04:50. | |
:04:50. | :04:51. | ||
carpet. Do you do it? Yes I have done it. On the red carpet? No. | :04:51. | :04:56. | |
lot of people are saying, "You have." Oh, in Glasgow, I did. Do | :04:56. | :05:02. | |
you want to answer these questions for me. By the way, this lady, did | :05:02. | :05:09. | |
you move to America? She's from Scotland but just goes...Wherever | :05:09. | :05:15. | |
You go? She knows the answers better than I do. If I say anything | :05:15. | :05:22. | |
wrong, you'll keep me in line. Apparently she will. | :05:22. | :05:27. | |
I wore a kilt at my sister's wedding in Paisley Scotland and I | :05:27. | :05:32. | |
had to go up and do a reading. And my mother and the family were in | :05:32. | :05:36. | |
the front row, and, as you know in Scotland, there's a certain rule to | :05:36. | :05:43. | |
wearing the kilt and I was sitting like this. And everyone's leaning | :05:43. | :05:49. | |
forward for the poem and looking at me and my mum is going like this. I | :05:49. | :05:54. | |
think she's telling me to pray. And the whole congregation is watching | :05:54. | :06:01. | |
me and I'm looking at her and I go like this...and she's like....and | :06:01. | :06:11. | |
:06:11. | :06:11. | ||
then I realise that everybody is staring right up...So I go... | :06:11. | :06:18. | |
And that's why I always forget that I've worn kilts. It's always a | :06:18. | :06:24. | |
disaster. Because, Karen, you're from Scotland aren't you? I am | :06:24. | :06:30. | |
have you tried kilts? I'm still traumatised by something that | :06:30. | :06:36. | |
happened to me the other day. I was at my cousin's wedding and I | :06:36. | :06:43. | |
thought I'm going to film and send it to her as a present. And | :06:43. | :06:48. | |
suddenly the film went all dark, and I realised it was an up-kilt | :06:48. | :06:54. | |
shot of my cousin. Did you leave it? No, it's deleted. It could be | :06:54. | :07:03. | |
the extras of the wedding. Here it is here. Listen, not only | :07:03. | :07:08. | |
are we pleased, Gerard Butler that you're on the show, we're glad | :07:08. | :07:13. | |
you're on planet Earth. Because we nearly lost you before Christmas. | :07:13. | :07:18. | |
Is that true? Because it was on the news? It's true then! OK. This is | :07:18. | :07:23. | |
one of the few times that maybe the reports were not exaggerated. It | :07:23. | :07:28. | |
was a pretty close call. The movie I was making was about big surf. So | :07:28. | :07:34. | |
we were if a place called satisfy maverick, where the waves are huge | :07:34. | :07:39. | |
and I'd surfed some and suddenly these waves came out of nowhere and | :07:39. | :07:45. | |
I'm with three of the best surfers in the world and suddenly they're | :07:45. | :07:51. | |
saying, "Paddle, paddle" this wave was 30 feet high and I just dived | :07:51. | :07:56. | |
in and it took me and I was under and you get to that stage when you | :07:56. | :08:02. | |
think, "I've got to get up" I ripped my leash off so there was | :08:02. | :08:07. | |
nothing to pull me up. And I was tumbling and going and going and I | :08:08. | :08:13. | |
needed to get up and I felt the next wave going and it was all over | :08:13. | :08:19. | |
again. And I thought "there's a whole film crew up there going | :08:19. | :08:25. | |
"where is he. I'm interested. How long did it feel like you were | :08:25. | :08:31. | |
under, because you know people say your life flashes in front of you. | :08:31. | :08:39. | |
How long did it feel? Well, I think I got out of my depth a couple of | :08:40. | :08:46. | |
times and sometimes you're only under for a two seconds, and it | :08:46. | :08:54. | |
feels like minutes. Oh, my God, I'm reliving it. Let's move on. This | :08:54. | :08:58. | |
isn't chat show gold. Now, Gerard, I think I've been very well to hold | :08:59. | :09:08. | |
:09:09. | :09:09. | ||
off until now. Let's talk about your body. CROWD CHEER. Is that you | :09:09. | :09:19. | |
:09:19. | :09:21. | ||
surfing now? I don't know what that is? Do you know where that is? | :09:21. | :09:30. | |
Hawaii. Seriously? You were there. You probably took photos. | :09:30. | :09:35. | |
But was 300 the first time you seriously did the body building? | :09:35. | :09:42. | |
I did it for Tomb Raider. Of course, that was first. Yeah, that's the | :09:42. | :09:47. | |
movie where I kind of went a bit crazy. I was training six hours a | :09:47. | :09:52. | |
day when I did 300 and I was pumping and I would have a trolley | :09:52. | :09:58. | |
of weights round and it was just between each take. Actually, in all | :09:58. | :10:01. | |
seriousness, it really helped me get into the intensity of the | :10:01. | :10:07. | |
character. Because I noticed in another movie, a viking movie and | :10:07. | :10:12. | |
I'd done half on weights and half on not, and I could so see the | :10:12. | :10:19. | |
difference with the aggression. testosterone? Yes. Because in Love | :10:19. | :10:28. | |
Actually, Martin, you had to get your kit off. You were a porn | :10:28. | :10:35. | |
double. Well, I'll say this for Richard Curtis's sake, I wasn't | :10:35. | :10:43. | |
meant to be a porn double, I was kind of Eyes Wide Shut, that kind | :10:43. | :10:51. | |
of high end. Did you feel the pressure to get fit? Yes, I got a | :10:51. | :10:56. | |
one pack. Richard was straight with me. I came in with an eight pack, | :10:56. | :11:03. | |
and Richard said, "You've got to be more normal." Yirks it would have | :11:03. | :11:08. | |
been nice to play a guy with Gerard's physique. But I don't | :11:08. | :11:14. | |
think I have the same commitment. And I take my hat off to that. | :11:14. | :11:20. | |
when you don't have a movie, do you let it go? It depends what I have | :11:20. | :11:26. | |
coming up next. But I do try and keep in some condition. Because it | :11:26. | :11:32. | |
gets intense, eepgsly with a role like that. And sometimes you let go | :11:32. | :11:37. | |
as intensely. Have you ever met a nice lady and taken your clothes | :11:37. | :11:43. | |
off and she's gone, "Are you the gentleman that was in 300." | :11:43. | :11:52. | |
many times. Oh, really? They ask for their money back! | :11:52. | :11:58. | |
The guys used to come up and say, "It's hard to watch that movie and | :11:58. | :12:03. | |
you've got that body and I have a girlfriend" and I'm thinking, "I | :12:03. | :12:10. | |
don't have a body like that." And literally this is what happens. You | :12:10. | :12:20. | |
:12:20. | :12:21. | ||
see people going, "Oh, there's Gerard...oh, my God, look at that." | :12:21. | :12:28. | |
And they start, "Oh, it's a little chilly, I'll put my T-shirt on." | :12:28. | :12:33. | |
And you're in Coriolanus, the new movie out in January. And it's | :12:33. | :12:36. | |
Shakespeare, but it's very accessible telling of the story, | :12:36. | :12:42. | |
isn't it? Yeah, it's modern-day. We filmed it in Serbia, which seemed | :12:42. | :12:49. | |
very appropriate. And that's what I loved about it. I read it and I | :12:49. | :12:57. | |
thought - I mean it's shake Shakespeare but it's very easy to | :12:57. | :13:03. | |
understand and it's like Hurt Locker. There are incredible battle | :13:03. | :13:12. | |
sequences in it and a lot of political manipulation and | :13:12. | :13:17. | |
incredible intimacy. The first professional engagement I had as an | :13:17. | :13:23. | |
actor was in Coriolanus. So it has sort of come full sickle that I was | :13:23. | :13:28. | |
sent a script. And I was worried because people think Shakespeare is | :13:28. | :13:34. | |
slow, but the pacing of it? You saw it? Yeah, yeah. Yeah, it turned out | :13:35. | :13:40. | |
really well. It's a very powerful piece. I'm very happy with it. | :13:40. | :13:47. | |
We're going to show you and Ralph Fiennes in one of your fights. It's | :13:47. | :13:57. | |
:13:57. | :14:35. | ||
really intense, a proper fight. It's full on! Talk about | :14:35. | :14:42. | |
Shakespeare being accessible. You don't even have to throifpb any | :14:43. | :14:50. | |
Shakespeare! -- have to listen to any Shakespeare! But taking on | :14:50. | :14:56. | |
Ralph Fiennes in a fight like that, do you think, "I could easily beat | :14:56. | :15:03. | |
the crap out of you?." Yes! No, I was impressed with his toughness. | :15:03. | :15:09. | |
It was two solid days to shoot that sequence and it just became about | :15:09. | :15:19. | |
:15:19. | :15:20. | ||
two guys going at it. And it's all about the imagery. It's quite a | :15:20. | :15:25. | |
homoerotic film. You could look at it that way. I didn't..! | :15:25. | :15:29. | |
If any blokes are watching and looking for a date movie I would | :15:29. | :15:36. | |
say it's a very good one, because the woman will think you're very | :15:36. | :15:39. | |
clever because it's "Shakespeare" but there are a lot of battle | :15:39. | :15:47. | |
scenes. So it's a win-win situation. Another movie out getting a lot of | :15:47. | :15:54. | |
buzz is The Artist. Have any of you seen it? No, I want to see it. | :15:54. | :16:01. | |
a silent movie and one of the stars is a Jack Russell dog named Uggie | :16:01. | :16:11. | |
:16:11. | :16:37. | ||
APPLAUSE Ladies and gentlemen, please | :16:37. | :16:47. | |
:16:47. | :17:00. | ||
welcome Uggie. Here he comes! Omar is the trainer of Uggie. | :17:00. | :17:06. | |
Hello, Uggie, hello. How are you? Oh, you're so good. He's brilliant | :17:06. | :17:13. | |
in the film. Thank you. He does lots of things. By the way, I hope | :17:13. | :17:23. | |
you didn't find it too upsetting, Gerard, the surfing. It was quite | :17:23. | :17:33. | |
:17:33. | :17:34. | ||
theraputic. There's a bit in the movie, when the guns go bang. | :17:34. | :17:44. | |
:17:44. | :17:53. | ||
I've had an idea. Since he can do the skateboarding thing and he can | :17:53. | :17:59. | |
do falling. Maybe it would help Gerard through his traumatic memory | :17:59. | :18:04. | |
of the surfing accident if Uggie could relive it for him. Yes, he | :18:04. | :18:14. | |
:18:14. | :18:23. | ||
can do all that stuff. Fantastic.. Thank you very much, Sir. We will | :18:23. | :18:28. | |
see you later for the surfing. Ladies and gentlemen, Uggie and | :18:28. | :18:38. | |
:18:38. | :18:39. | ||
Omar. Bye! Ah! How brilliant is that dog. | :18:39. | :18:47. | |
Amazing. Amazing. Was that very emotional watching it for you. | :18:47. | :18:55. | |
it's been helpful. And talking about emotional, Karen Gillan, | :18:55. | :19:02. | |
Doctor Who go boboo, because she go bye bye. When are you out of it? | :19:02. | :19:07. | |
Well, I'm going back next year, and a few more episodes, but it's not | :19:07. | :19:14. | |
yet confirmed when I go. And is it a proper dead? I have no idea. | :19:14. | :19:20. | |
nobody really dies in Doctor Who, do they? Well, I don't know. | :19:20. | :19:25. | |
you a companion for ever, do you think? I would like to be a | :19:25. | :19:35. | |
:19:35. | :19:40. | ||
companion for ever. Because, the Whovians are quite well known for | :19:40. | :19:45. | |
being....Enthusiastic. Thank you! What kind of mad things have you | :19:45. | :19:53. | |
had? Well, there's this one guy who sends post cards from everywhere he | :19:53. | :19:57. | |
goes on holiday and the last postcard I received was from my | :19:58. | :20:06. | |
home town and it said, "I hope to bump into you." He's nice. Call the | :20:06. | :20:11. | |
police! He's in the audience. Why don't you send me post cards? | :20:11. | :20:19. | |
You're going to get them now, daily. You hear stories about fans, and | :20:19. | :20:24. | |
Martin, you're The Hobbit now. apparently. So are you prepared for | :20:24. | :20:31. | |
what is going to happen? prepared as...since The Office I've | :20:31. | :20:37. | |
had ten years of interest and stuff. But we were on holiday in venteo | :20:37. | :20:42. | |
earlier in the year and I realised this time next year I might not | :20:42. | :20:49. | |
be...you know what I mean? There are probably most places where The | :20:49. | :20:55. | |
Hobbit won't have been seen. Although I hear Eritrea is a lovely | :20:55. | :21:02. | |
place. I'm joking. And the fans attract the interest and you go to | :21:02. | :21:09. | |
the big conventions, but Gerard Butler, you have your own Gerard | :21:09. | :21:13. | |
Butler conventions. And I think we're seeing who is behind them. | :21:13. | :21:20. | |
More than a lucky guess, Martin Freeman. So these are real? | :21:21. | :21:28. | |
Apparently so, yeah. Yeah, they've had them in Glasgow, in Vegas | :21:28. | :21:33. | |
and..It's Vegas the one that we belong to. Sorry, what is your name, | :21:33. | :21:43. | |
:21:43. | :21:50. | ||
lady? Moira. How many people go? About 100. Moira, you could have | :21:50. | :21:58. | |
talked it up a bit! We weren't going to do a head count. | :21:58. | :22:06. | |
We weren't going to check. You could have gone with 500. 300. | :22:06. | :22:10. | |
Hurrah! This isn't live, there's still time | :22:10. | :22:14. | |
to change it! Well, next time we'll all go. It | :22:14. | :22:22. | |
will be great. So, listen, Karen, already you've got something new. | :22:22. | :22:31. | |
Yes. BBC Four later this month we'll see We'll Take Manhattan. | :22:31. | :22:41. | |
And there you are. And it's based around a photo shoot. Yes, a photo | :22:41. | :22:47. | |
shoot for Vogue magazine in 1962 and how they changed the face of | :22:47. | :22:53. | |
fashion and had an explosive love affair along the way. And both of | :22:53. | :23:02. | |
them are still alive. Yes. And Jean saw it and really liked it and left | :23:02. | :23:08. | |
a voicemail saying she thought it was really accurate. So that was | :23:08. | :23:12. | |
the best complement I could have got. Because you were a model. | :23:12. | :23:19. | |
a couple of years, yeah. So did this make you miss it or "thank God | :23:19. | :23:25. | |
I don't do that any more." Yeah. You didn't like it at all? It was | :23:25. | :23:30. | |
an OK way to earn money because I was working in a pub before that. | :23:30. | :23:36. | |
But it wasn't inspiring. There was a couple of things I had to do, | :23:36. | :23:45. | |
like put a bucket over my head. were asked, as a model, to put a | :23:45. | :23:52. | |
bucket over your head? It was for the shoes. Oh, the shoes. So there | :23:52. | :23:59. | |
weren't any distractions. As if a bucket..oh, look at the shoes! | :23:59. | :24:06. | |
Nigh this is you in a clip, this is you and your co-star, who is | :24:06. | :24:16. | |
:24:16. | :24:25. | ||
Jean. Head up. A bit more. Yeah, down the bear. That's it. Give us a | :24:25. | :24:35. | |
:24:35. | :24:36. | ||
profile. Yeah, up a bit. Too much. Into the light. Little smile. Oh, | :24:36. | :24:41. | |
come on, that's not the way you looked at me at three in the | :24:41. | :24:51. | |
:24:51. | :24:52. | ||
morning. That's it! Done. Done? We're done. What's | :24:52. | :24:59. | |
next? Can we have a cup of coffee, I'm freezing my tits off here. | :24:59. | :25:04. | |
hasn't even brought out a tripod. We haven't done anything we wanted | :25:04. | :25:08. | |
to do. Was that OK? Yeah, yeah, of course. | :25:08. | :25:15. | |
Taxi! Congratulations, Martin Freeman, | :25:15. | :25:20. | |
Sherlock is back. It was brilliant the last time, but it's better. | :25:20. | :25:24. | |
Thanks. We're really genuinely pleased and excited about it. | :25:24. | :25:31. | |
you only make three at a time. They're very good. They're 90 | :25:31. | :25:38. | |
minutes, what do you want, blood? Six? But it's like three feature | :25:38. | :25:43. | |
films. And when you watch them, each one is like a very good | :25:43. | :25:48. | |
feature film. I hope so, thanks. But will you be able to make any | :25:49. | :25:54. | |
more because you're in the biggest movie, The Hobbit. Yes, and there | :25:55. | :26:00. | |
he is. Is that your life taken over now? | :26:00. | :26:04. | |
Yes, for a certain amount of time, yes. But the hope is, the plan is, | :26:04. | :26:10. | |
we will do a third series of Sherlock. Oh, fantastic taskic. | :26:10. | :26:16. | |
There's certainly more to do and I would like to do it. It's one of | :26:16. | :26:21. | |
the things I've thought, ever that I would like to do it. It's | :26:21. | :26:26. | |
certainly a nice way to spend your time. It seems to me that Dr Watson | :26:26. | :26:30. | |
is a character that women would be drawn to because they want to take | :26:30. | :26:35. | |
care of him. Have you had more attention since it? I'm aware that | :26:35. | :26:41. | |
there is some of that going on. Aware how? It's weird because I've | :26:41. | :26:45. | |
spent most of the year in New Zealand so it's not been first-hand. | :26:45. | :26:55. | |
:26:55. | :26:59. | ||
But you know, I've got a computer. That's really dodgy. I know. It is. | :26:59. | :27:06. | |
Listen, we're very excited. We've got an exclusive clip from next | :27:06. | :27:14. | |
Sunday's episode. You don't say a lot in it. But then you don't say a | :27:14. | :27:20. | |
lot. Fuck you, I won a BAFTA. You're very good. But you do a lot | :27:21. | :27:28. | |
of listening. Acting is listening, lovey. Yes. You know that. I was | :27:28. | :27:34. | |
very bad at it. You do some talking in this, but there's quite a lot of | :27:34. | :27:38. | |
lining. Yes, but watch the listening. It's good listening. | :27:38. | :27:43. | |
Ladies and gentlemen, feast your eyes and ears on the listening of | :27:43. | :27:48. | |
the BAFTA-award winning Martin Freeman. | :27:48. | :27:58. | |
:27:58. | :28:02. | ||
How on earth did you notice that. not now Sherlock. Traces the | :28:02. | :28:09. | |
ketchup around your lips and on your sleeve. Probably a sandwich. | :28:09. | :28:14. | |
How did you know it was disappointing? Is there any other | :28:14. | :28:24. | |
:28:24. | :28:26. | ||
type of breakfast. Now, I believe Uggie the dog is | :28:26. | :28:32. | |
ready backstage to help Gerard come to terms with his surfing trauma. | :28:32. | :28:39. | |
Uggie, are thru? Oh, look at his little board shorts! | :28:39. | :28:49. | |
:28:49. | :28:51. | ||
Waves on. Can he stand? Oh, he can. | :28:51. | :29:01. | |
:29:01. | :29:01. | ||
There he goes. Oh! I hate to say it but he's a better | :29:01. | :29:06. | |
surfer that I am. Time for our musical act tonight. This man left | :29:06. | :29:12. | |
behind one of the most iconic bands in British pop history to storm | :29:12. | :29:17. | |
back to the top of the charts as a solo artist. Please welcome Noel | :29:17. | :29:27. | |
:29:27. | :29:41. | ||
I stupidly said you're a solo artist, but you're not, you're in a | :29:41. | :29:50. | |
band? No, I'm not. I've just got a name. It's Noel Gallagher's High | :29:50. | :29:55. | |
Flying Birds. That's the name of the band, but it's just me. It's | :29:55. | :30:00. | |
all about you? Always. Congratulations it went to number | :30:00. | :30:05. | |
one. It's better than number two. But gratifying. Well, if there's a | :30:05. | :30:10. | |
chart, you might as well be top of it. These are wise words. It was | :30:10. | :30:19. | |
great. I went to number one the day that City beat United 6-16789 an | :30:19. | :30:24. | |
unbelievable day. And I was watching the game and got the phone | :30:24. | :30:30. | |
call at the same time and I was like, "Brilliant..." but... So the | :30:30. | :30:37. | |
day was one of the best days I've ever had in my entire life. | :30:37. | :30:44. | |
Do any of you know each other? met Martin before. I've never..I | :30:44. | :30:51. | |
know of these two. I've seen his...I know her, she's Doctor Who. | :30:51. | :30:56. | |
I've actually seen his film once, you know 300 and I did what most | :30:56. | :31:06. | |
:31:06. | :31:07. | ||
men do watching it going.... I'm going to the gym. Gerard, you're a | :31:07. | :31:14. | |
fan of Noel's aren't you? Big time. Oh...yeah. Is there a story about | :31:14. | :31:20. | |
that. Did you know on my birthday I sang Wonder Wall. Yeah, I did know | :31:20. | :31:30. | |
:31:30. | :31:32. | ||
that. That's why... He's on, you're a fan, what could be the link! | :31:33. | :31:42. | |
:31:43. | :31:43. | ||
my song, I love it. Oh, no. It's my song! And didn't you do something | :31:43. | :31:46. | |
the same time the record was finished? On the first day of | :31:46. | :31:51. | |
recording, I got to the studio. I'd had about a year off and I got to | :31:51. | :31:56. | |
the studio and I was just about to put a bass down on the first track | :31:56. | :32:03. | |
and the phone went and it was Sarah and she said, "I've got news" and I | :32:03. | :32:08. | |
was like "oh!" and I thought it could be anything. And she said, | :32:08. | :32:16. | |
"I'm pregnant" and I was like, wow, I'd better get a crack on. It took | :32:16. | :32:22. | |
obviously nine months for my son, and I finished my album just at the | :32:22. | :32:28. | |
same time to prove the theory that they're equally important. She | :32:28. | :32:34. | |
doesn't agree with that. And nor will he. They're the only two | :32:34. | :32:40. | |
things that take nine months. is it difficult to juggle you being | :32:40. | :32:45. | |
a dad and being a superstar? It's amazing. The more kids you have, | :32:45. | :32:55. | |
:32:55. | :32:56. | ||
the more work you want to do. There's your manager saying, you've | :32:56. | :33:02. | |
never been to Mogadishu. We need to play for the Tamil Tigers. Is that | :33:02. | :33:08. | |
why you recorded some of the album in. And LA? Well, I have an | :33:08. | :33:11. | |
American producer and he hated England. It was at this time of the | :33:11. | :33:17. | |
year and I think he walked in a block and he didn't see a star | :33:17. | :33:22. | |
bucks and the sun was...and he hated it. And he got back on the | :33:22. | :33:28. | |
plane and said if you want to work with me come to LA. And I thought | :33:28. | :33:34. | |
"I could think of worse places to work" I love the perform trees. | :33:34. | :33:39. | |
this time round you met a very important person, a VIP. Oh, yeah. | :33:39. | :33:43. | |
I'd been staying in the same hotel for three months on and off and I | :33:43. | :33:48. | |
was walking through the reception and the manager came out and said, | :33:48. | :33:54. | |
"Mr Gallagher can you have a word" and I was like, "Oh, what" and he | :33:54. | :34:01. | |
said, "In the office" and I was like, "Have I been smoking in the | :34:01. | :34:06. | |
room again?" and he said, "I don't want to alarm you, but over the | :34:06. | :34:13. | |
weekend you may get a visit from the Secret Service." And I took my | :34:14. | :34:20. | |
sunglasses off and say, "What?" and he said, "The American Secret | :34:20. | :34:24. | |
Service" and I'd just got a computer for Christmas and I kind | :34:24. | :34:30. | |
of hack away with it and try to work it and I was thinking "have I | :34:30. | :34:37. | |
sent something?" is this like one of those Thunderbird's big screens | :34:37. | :34:45. | |
"what's that?" and I was, like, "The Secret Service?" and he said | :34:45. | :34:50. | |
"they're coming in with a very special guest and he usually takes | :34:50. | :34:56. | |
up the whole of the top floor but I told him there was a celebrity from | :34:57. | :35:06. | |
England here and I can't move him" and I said, "Who is it?" thinking | :35:06. | :35:16. | |
:35:16. | :35:16. | ||
Obama, or Elton John and he said, "It's the King of Tonga." And I was, | :35:16. | :35:21. | |
leek, what? So there was just me and him on the whole of this floor | :35:21. | :35:29. | |
and the CIA. When I finally got to meet the King, I probably watch too | :35:29. | :35:35. | |
much Scooby-Doo. But I thought he would have a grass skirt on. I did. | :35:35. | :35:40. | |
And he kind of got into the lift when I was there, and he's like | :35:40. | :35:45. | |
some kind of guy from Buckinghamshire. And I was like | :35:45. | :35:54. | |
"where are the drums." Did he tell you, "I'm the King of Tonga"? | :35:54. | :35:58. | |
had a T-shirt on. So, listen, what track are you | :35:58. | :36:06. | |
singing for us tonight? I'm going to sing for you If I Had A Gun off | :36:06. | :36:11. | |
my new record. Very good. Is this the one that your son has done the | :36:11. | :36:18. | |
alternative words to? Yes, the lyrics go if I had a gun I'd shoot | :36:18. | :36:26. | |
a hole into the sun. His words were "if I had a gun I'd shoot a hole | :36:26. | :36:32. | |
into your bum." I see a future there. A chip off the old block. | :36:32. | :36:38. | |
He's special for sure. OK, so if you want to go over there and get | :36:38. | :36:43. | |
ready. Noel Gallagher. In a moment, we'll be hearing our first stories | :36:44. | :36:50. | |
of the New Year but, first, performing If I Had A Gun, it is Mr | :36:50. | :37:00. | |
:37:00. | :37:03. | ||
Noel Gallagher's High Flying Birds. # If I had a gun I'd shoot a hole | :37:03. | :37:07. | |
into the sun # And I would burn this city down | :37:07. | :37:14. | |
for you # If I had the time I'd stop the | :37:14. | :37:19. | |
world and make you mine # And every day would stay the same | :37:19. | :37:29. | |
:37:29. | :37:36. | ||
with you # Oooooh # | :37:36. | :37:42. | |
# If you had a dream I'd show you now what it would mean | :37:42. | :37:49. | |
# For the tears you cry would fade away...away | :37:49. | :37:55. | |
# I'll be by your side when they come to say goodbye, | :37:55. | :38:04. | |
# We will live to fight another day # Excuse me, I spoke too soon | :38:04. | :38:11. | |
# My eyes have already followed you around the room | :38:11. | :38:18. | |
# 'Cos you're the only one # Come and live with me | :38:18. | :38:28. | |
:38:28. | :38:28. | ||
# I'm holding on, holding on to family | :38:28. | :38:38. | |
:38:38. | :38:50. | ||
# Ooooooh # Oooooooh | :38:50. | :38:57. | |
# Oh, I daren't' speak too soon # My eyes have always followed you | :38:57. | :39:04. | |
around the room # 'Cos you're the only guide that I | :39:04. | :39:10. | |
will ever need # I'm holding on, waiting for the | :39:10. | :39:15. | |
moment # For my heart to be unbroken by | :39:15. | :39:25. | |
:39:25. | :39:27. | ||
the seams # Aaaaah | :39:28. | :39:34. | |
Hello # Let me fly into the moon | :39:34. | :39:40. | |
# My eyes have always followed you # Around the room | :39:40. | :39:46. | |
# 'Cos you're the only guide that I will ever need | :39:46. | :39:55. | |
# I'm holding out and waiting for the moment you find me | :39:55. | :40:05. | |
:40:05. | :40:11. | ||
# Aaaaaah # If I had a gun I'd shoot a hole | :40:11. | :40:15. | |
into the sun # And I would burn this city down | :40:15. | :40:25. | |
:40:25. | :40:26. | ||
for you # Noel Gallagher, ladies and | :40:26. | :40:34. | |
gentlemen! Congratulations. Thank you very | :40:34. | :40:41. | |
much. Take a seat there. | :40:41. | :40:45. | |
We've just got time before we go tonight for our storyteller in the | :40:45. | :40:55. | |
red chair. Who is up first. Hello. Hi. You, the lady in the chair. | :40:55. | :41:05. | |
:41:05. | :41:05. | ||
We're doing this bit now. Sorry. What's your name, nice lady? Ann. | :41:05. | :41:11. | |
What do you do? I'm a hypnotherapist. You see, now we're | :41:11. | :41:17. | |
all interested. Have you been to one? Yes, I have. I won't ask for | :41:17. | :41:24. | |
why, but did it work? For a little while. It worked for a little while, | :41:24. | :41:32. | |
Ann. She's kept the receipt. Where do you live? In Bracknell in | :41:32. | :41:39. | |
Berkshire. I'm strangely hypnotised already. Gerard's loving it. I've | :41:39. | :41:46. | |
been hypnotised to forget her name. Ann. Off you go. Several years ago | :41:46. | :41:56. | |
I used to ride an Arab stallion in the desert. Hello! | :41:56. | :42:01. | |
Ann, can I just say if this story continues on this level, we're | :42:01. | :42:06. | |
loving it. That's a brilliant first line to a story. OK, so you're | :42:06. | :42:10. | |
riding an Arab stallion in the desert. Yes, and I was always told | :42:10. | :42:14. | |
to avoid the wild horses in the desert but on this occasion I | :42:14. | :42:24. | |
:42:24. | :42:26. | ||
didn't notice them coming up. So as they approached one of the mares | :42:26. | :42:33. | |
wHinnied to my stallion. He pricked up his ears. In fact, he pricked up | :42:33. | :42:37. | |
everything. And she seemed willing, so he decided to have his wicked | :42:37. | :42:46. | |
way with her. With you on top? me on top! Wow! There was nowhere | :42:46. | :42:51. | |
for me to go, because the other wild horses were still around us so | :42:51. | :43:01. | |
:43:01. | :43:01. | ||
I decided the safest place to be was in the saddle. So to speak! | :43:01. | :43:11. | |
:43:11. | :43:18. | ||
Thank God you weren't on the mare. Wow! You need your own hypnotherapy | :43:18. | :43:24. | |
after this. So go on. I'm hanging on for dear life and he finally | :43:24. | :43:31. | |
satisfies himself so he dismounts and I rode him back to the stables | :43:31. | :43:38. | |
with a very big grin on his face. Is that the end of it? Yes. Oh! | :43:38. | :43:45. | |
Well done, everyone. If you'd like to join us in the red chair, go on- | :43:45. | :43:53. | |
line at this address. Thank you so much for everyone on the show. Noel | :43:53. | :44:00. |