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On the show tonight, Captain Jean- Luc Picard. | :00:28. | :00:37. | |
A brilliant comedian. And a star of Taken. Let's get out of here! Let's | :00:37. | :00:47. | |
:00:47. | :01:06. | ||
Thank you very much. Thank you. You're too kind. Too kind. Welcome | :01:06. | :01:10. | |
everybody. We have got a great show for you this evening. Hollywood | :01:10. | :01:18. | |
great, Liam Neeson is here. Oh yeah. Oh yeah. Acting royalty, | :01:18. | :01:20. | |
Sir Patrick Stewart is here. CHEERING AND APPLAUSE | :01:20. | :01:26. | |
I know. I know. The hilarious, Alan Davies is on the show. | :01:26. | :01:31. | |
CHEERING AND APPLAUSE Everyone loves Alan. The fantastic | :01:31. | :01:35. | |
Brit nominated singer, Ed Sheeran is here. | :01:35. | :01:41. | |
CHEERING AND APPLAUSE Liam Neeson is here. Now, he is | :01:41. | :01:46. | |
going to be - all right, ladies. One at a time. He is going to be | :01:46. | :01:55. | |
talking about his new film, The Grey. I know. Yes! I'm saying the | :01:55. | :01:59. | |
word, "Grey". LAUGHTER | :01:59. | :02:05. | |
Move. Argh. His new film The Grey all about a | :02:05. | :02:10. | |
group of people trying to to survive in the wilds of Alaska. I'm | :02:10. | :02:16. | |
not an expert Liam, but pop a coat on. Everyone loved Liam in the hit | :02:16. | :02:20. | |
thriller Taken. Such a good film. He play as man hose daughter is | :02:20. | :02:24. | |
kidnapped in Paris. Imagine being a father and hearing that your | :02:24. | :02:34. | |
:02:34. | :02:38. | ||
daughter has disappeared! LAUGHTER | :02:38. | :02:41. | |
, ""I have Got a daughter?" Liam's character has to use his CIA skills | :02:41. | :02:43. | |
to make the French people talk. Not always easy, no! | :02:43. | :02:47. | |
LAUGHTER What's that? She is in a box? If | :02:47. | :02:52. | |
the film Liam's daughter was kept in a tiny room with only a hole in | :02:52. | :02:59. | |
the ground for a toilet or as they call it in France en-suite! | :02:59. | :03:03. | |
Mind you, lots of brilliant films have been set in France. Not just | :03:03. | :03:11. | |
Taken, there was Midnight in Paris and the brill want War -- brilliant | :03:11. | :03:17. | |
War Horse. We will have music later on from | :03:17. | :03:24. | |
the one and only, Ed Sheeran. First, it is Alan Davies. | :03:24. | :03:34. | |
:03:34. | :03:35. | ||
Beautiful! Hello sir. I'm very well. Sit | :03:35. | :03:41. | |
yourself down. Sir Patrick Stewart. CHEERING AND APPLAUSE | :03:41. | :03:51. | |
Very dapper, sir. Looking very smart. Sit yourself down. And | :03:51. | :03:58. | |
release the dragon, it is Liam Neeson. Hill owe sir. Really -- | :03:58. | :04:05. | |
hello sir, really nice to meet you. CHEERING AND APPLAUSE | :04:05. | :04:11. | |
Oh, it is ladies night! Welcome all of you, thank you for | :04:11. | :04:15. | |
coming. I am delighted to be here. | :04:15. | :04:18. | |
Liam you have just flown in from Paris, you are filming in Paris? | :04:18. | :04:25. | |
Yes. You are making Taken 2. | :04:25. | :04:30. | |
Yes, Taken to the cleaners. Does she get taken again? I can't | :04:30. | :04:33. | |
say. That would be unfortunate, you | :04:33. | :04:43. | |
:04:43. | :04:43. | ||
would think, "You stupid cow.". LAUGHTER | :04:43. | :04:45. | |
Like the student travel people would be furious you are making | :04:45. | :04:47. | |
another one, didn't it really hurt American students travelling and | :04:48. | :04:51. | |
things, the first one? It was weird, but so many people came up to me | :04:51. | :04:53. | |
Saying, "Thank you for that film. I am never going to send my daughter | :04:53. | :04:59. | |
or my son to Europe.". But it is not that common that you go on your | :04:59. | :05:09. | |
:05:09. | :05:11. | ||
holidays and get sold into sex slavery. St Patrick begs to differ! | :05:11. | :05:13. | |
LAUGHTER Sir Patrick, I feel we ought to... | :05:13. | :05:23. | |
:05:23. | :05:27. | ||
Patrick. Just Patrick. Just Patrick? Yes. | :05:27. | :05:29. | |
LAUGHTER It is lovely, it is lovely, but it | :05:29. | :05:30. | |
is not required all the time. OK. OK. | :05:30. | :05:35. | |
Thank you. It may slip out sometimes. OK. Oh you mean the Sir | :05:35. | :05:45. | |
Patrick? Yes. Nasty moments! Probably later in | :05:45. | :05:51. | |
the show after 11. LAUGHTER | :05:51. | :05:58. | |
That's the thing you call sir. Hello sir! | :05:58. | :06:08. | |
:06:08. | :06:19. | ||
Arise. LAUGHTER | :06:20. | :06:22. | |
You know, I was going to say Patrick that I feel we ought to | :06:22. | :06:25. | |
issue a warning to the pensioners of South London that in fact the | :06:25. | :06:28. | |
young vic has not been changed into a bingo hall it is the name of your | :06:28. | :06:31. | |
play, Bingo. But it must confuse people there is a flashing sign | :06:31. | :06:33. | |
saying "Bingo.". I can't explain the title. I worked it out for | :06:33. | :06:36. | |
myself what I think it has in relation to the play, but it is a | :06:36. | :06:46. | |
:06:46. | :06:51. | ||
play about the last days of Shakespeare's life. How is he... | :06:51. | :06:53. | |
LAUGHTER And it amuses me the idea of you | :06:53. | :06:55. | |
walking around because you are so recognisable. I love that story, | :06:55. | :07:00. | |
you were in San Francisco and the people recognised you? Yeah. People | :07:00. | :07:06. | |
occasionally get a little confused and I was coming down from the top | :07:06. | :07:13. | |
floor... I thought you were going to say you were coming down in a | :07:13. | :07:18. | |
spaceship. "I was hovering around and you could see me through the | :07:18. | :07:25. | |
porthole.". I could talk about that if you want me to. I got in the | :07:25. | :07:35. | |
elevator and couple came in and they have had a drop or too. | :07:35. | :07:37. | |
LAUGHTER The man said, "Oh my God, oh my God, | :07:37. | :07:47. | |
:07:47. | :07:47. | ||
I can't believe this. This is Dr Spock from Star Wars." | :07:47. | :07:49. | |
LAUGHTER You could see where he was coming | :07:49. | :07:51. | |
from, but every detail was wrong. His wife said, "Honey, no. No, you | :07:51. | :08:01. | |
got it wrong. This is Sir Ben Kingsley.". | :08:01. | :08:02. | |
LAUGHTER Which should I have taken most | :08:02. | :08:07. | |
offence? LAUGHTER | :08:07. | :08:17. | |
:08:17. | :08:18. | ||
Ben Kingsley. LAUGHTER | :08:18. | :08:19. | |
APPLAUSE Now, you are releasing a very | :08:19. | :08:24. | |
exciting, new movie... Yes! Probably a drink taken. In his case, | :08:24. | :08:29. | |
it is not necessary. A new movie, The Grey. It opens nationwide | :08:29. | :08:34. | |
tonight. Yes. Now, I have seen it... Did you | :08:34. | :08:37. | |
see it? I did. Oh good man. | :08:37. | :08:41. | |
It is frightening. I couldn't look at my dogs in the same way. I | :08:41. | :08:44. | |
thought it was more of a horror, but it is more of a thriller. | :08:44. | :08:49. | |
Yes, it crosses a few genre. You are not battling the wolves, | :08:49. | :08:55. | |
you are battling nature. Battling nature and our inner | :08:55. | :08:59. | |
demons and each other. This is real? This is all real. We | :08:59. | :09:04. | |
shot in north-east British Columbia. I don't know if you were up there | :09:04. | :09:08. | |
Patrick, minus 30 degrees Fahrenheit. I remember thinking | :09:08. | :09:12. | |
after the first day's shooting, we're never going to finish this | :09:12. | :09:16. | |
film. The cameras were seizing up and it was tough. | :09:16. | :09:21. | |
I didn't didn't doubt it for a second. It does look cold. They | :09:21. | :09:25. | |
have put together a little montage to give people a flavour of the | :09:25. | :09:34. | |
film. Here we go. There is not a second that goes by | :09:34. | :09:39. | |
when I'm not thinking of you in some way. I want to see your face. | :09:39. | :09:49. | |
:09:49. | :10:22. | ||
All my love for you, take it now. Leave nothing in my heart. Fill me | :10:22. | :10:25. | |
only with what I need to fight. Wow. | :10:25. | :10:31. | |
CHEERING AND APPLAUSE It is really good. Really exciting. | :10:31. | :10:37. | |
You feel it. I have to say a lot of the - there | :10:37. | :10:44. | |
is a lot of incredible stunt work in that and it is my buddy and my | :10:44. | :10:50. | |
my stunt double who is is in the audience. | :10:50. | :10:56. | |
Where is he? He will be covered in snow! | :10:56. | :11:02. | |
Did you have to jump off that cliff and things? That was somebody else! | :11:02. | :11:06. | |
We spent a lot of time in the river which was extremely cold. | :11:06. | :11:10. | |
But you had to go in the river too, hadn't you? Yes, but he went in | :11:10. | :11:13. | |
first to test the waters so to speak. | :11:13. | :11:17. | |
Because when you are lying in the snow in your jumper or you are | :11:17. | :11:20. | |
stood in the river, that's just Liam Neeson very cold. No, but you | :11:20. | :11:25. | |
have layers of stuff on. You would die otherwise, you know. We used to | :11:25. | :11:32. | |
joke about going out for a pee-pee and it being... | :11:32. | :11:33. | |
LAUGHTER It was almost that cold. | :11:33. | :11:38. | |
What about the wolves? Are there any real wolves in the film? There | :11:38. | :11:43. | |
is a little sequence of them running. We shot with so-called | :11:43. | :11:50. | |
trained wolves, but they can't be train. Just let them go. | :11:50. | :11:55. | |
Many puppets and huge big puppets and three people people operating | :11:55. | :12:05. | |
:12:05. | :12:14. | ||
their heads and stuff. Not a little one on a stick! | :12:14. | :12:16. | |
LAUGHTER You have had to do cold agenting in | :12:16. | :12:18. | |
your time, haven't you Alan? This is true, when I was auditioning to | :12:18. | :12:24. | |
go to university to try and do drama courses, they said, "It is | :12:24. | :12:27. | |
snowing." I thought OK. LAUGHTER | :12:27. | :12:31. | |
It is really snowing. There is a blizzard, it is blowing in your | :12:31. | :12:39. | |
face so I started squinting. When we did actual snow in Jonathan | :12:39. | :12:49. | |
Creek, we had an episode set in snow. Scream snow. | :12:49. | :12:52. | |
They sprayed the snow and it was September in a field and they | :12:52. | :12:57. | |
sprayed it on a field and when they wanted it to snow, they had a white | :12:57. | :13:01. | |
thing which was a snow can and they lit it and the snow blows and it | :13:01. | :13:04. | |
gets stuck in your hair and you have to do a lot of takes. So there | :13:04. | :13:12. | |
is no need for any of that! LAUGHTER | :13:12. | :13:19. | |
I am sorry, Liam. LAUGHTER | :13:19. | :13:22. | |
It is true though because you did go to more trouble than you needed | :13:22. | :13:32. | |
:13:32. | :13:34. | ||
to? But you can't act that stuff, forgive me Al! | :13:34. | :13:35. | |
LAUGHTER There was an emphasis on the, "You | :13:35. | :13:38. | |
"there. I want to know did you get on to | :13:38. | :13:41. | |
the course, this auditioning? received an offer. I was afraid of | :13:42. | :13:45. | |
the other candidates. Did you not go? I didn't go. | :13:45. | :13:50. | |
It must be difficult if you are you are doing something like Star Trek, | :13:50. | :13:54. | |
it is the opposite, nothing is real, the planets, the aliens, you know, | :13:54. | :14:04. | |
you are constantly... You must get this all the time. So naive! | :14:04. | :14:07. | |
In Star Trek, you must have a lot of time where you are reagenting to | :14:07. | :14:13. | |
things that -- reacting to things that aren't there? I am sorry. | :14:13. | :14:23. | |
:14:23. | :14:25. | ||
I am not destroying dreams? Most of the time the aliens are not there. | :14:25. | :14:29. | |
They have to phone their agents. You have to shoot it without them, | :14:29. | :14:33. | |
Patrick. I did say, "Most of the time." | :14:33. | :14:40. | |
of them are knighted! So you got a white disc with a | :14:40. | :14:49. | |
cross on it and that's what you are agenting with and we had a script | :14:49. | :14:59. | |
:14:59. | :15:02. | ||
superviser so-called Cos -- cosmo and Cos Mo would read the script. | :15:02. | :15:08. | |
You would read them from the big chair? Sometimes mixing it up. | :15:08. | :15:14. | |
I fell asleep in the middle of a close-up once. I dosed off. This | :15:14. | :15:21. | |
alien, he was very... Boring. LAUGHTER | :15:21. | :15:24. | |
Boring and verbose. You met them, haven't you? I hate | :15:24. | :15:28. | |
those sort of aliens. It was a long, long speech and it | :15:28. | :15:37. | |
was 2am or 3am and... LAUGHTER | :15:37. | :15:38. | |
It is somewhere in the vaults of Paramount. | :15:38. | :15:44. | |
It would have been hilarious cutting back to Captain Jean-Luc | :15:44. | :15:49. | |
Picard. "wake me up when he has finished.". Liam, you had a long | :15:49. | :15:54. | |
and successful career. A couple of films have changed things like | :15:54. | :15:58. | |
Schindler's List brought you to a whole new level and the Oscar | :15:58. | :16:07. | |
nomination and all of that? Yes. That's me with Sir Patrick Stewart | :16:07. | :16:11. | |
there. Oh yes. | :16:11. | :16:19. | |
You are marvellous this in that that Sir Patrick. And then Taken. | :16:19. | :16:23. | |
That did sort of put your career in a whole different direction, didn't | :16:23. | :16:29. | |
it? Yes it did. I was 55 years of age and it came my way and it was, | :16:29. | :16:33. | |
I thought it was a straight to video thing. A straight to video | :16:33. | :16:41. | |
movie and it was three months in Paris so I took it and it was | :16:41. | :16:46. | |
successful. You say successful. It has taken | :16:46. | :16:53. | |
over a quarter afbillion dollars -- of a billion dollars. Seriously. | :16:53. | :17:01. | |
Hence she has gone missing again! LAUGHTER | :17:01. | :17:06. | |
I gave her away this time! Have her. Please take her! | :17:06. | :17:10. | |
Taken is one of those films where one speech becomes legendary and | :17:10. | :17:14. | |
even on the poster, they use the speech, the one with you on the | :17:14. | :17:20. | |
phone. "I don't know who you are." Do you get loads of fans coming up | :17:20. | :17:25. | |
and asking you to say that? Occasionally. My eldest boy is at | :17:25. | :17:30. | |
boarding school and he sometimes calls up and says, "Dad, can you | :17:30. | :17:37. | |
leave a message on Charlie's message?". Do you? Oh yeah, I do. | :17:37. | :17:40. | |
You do? I can never remember the words. | :17:40. | :17:44. | |
We have a special lady in the audience and her name is Jo. Where | :17:44. | :17:49. | |
is Jo? Oh, there is Jo. You don't know Jo, I don't think. | :17:49. | :17:58. | |
But she claims to be... Oh God. LAUGHTER | :17:58. | :18:08. | |
:18:08. | :18:09. | ||
Daughter? Lover? Good game. Good game. She is your first fan. Why do | :18:09. | :18:14. | |
you think you are his first fan? saw Liam acting in a mini series | :18:14. | :18:18. | |
nearly 30 years and I wrote you a fan letter and you sent me back a | :18:18. | :18:23. | |
signed photo and a letter saying it was your first ever fan letter and | :18:23. | :18:28. | |
I have got it here. APPLAUSE | :18:28. | :18:33. | |
What did he say? He says, "Thanks for your charming letter.". I will | :18:33. | :18:43. | |
:18:43. | :18:47. | ||
stop you there. LAUGHTER | :18:47. | :18:49. | |
Listen, weirdly, because it is like like channelling your son, Jo said | :18:49. | :18:54. | |
she would like you to do something for her. | :18:54. | :18:56. | |
LAUGHTER Now, so she wants, would you leave | :18:56. | :18:57. | |
an answer phone greeting on her phone? Sure, yeah. | :18:57. | :19:03. | |
Would you? She sent us in your number. So I call, your phone is | :19:03. | :19:13. | |
:19:13. | :19:14. | ||
off, right? Otherwise that would be annoying and stupid! | :19:14. | :19:20. | |
907777... LAUGHTER | :19:20. | :19:22. | |
A lot of people will call up to hear this! | :19:22. | :19:29. | |
OK. This should be ringing. This is Jo, please leave a message. | :19:29. | :19:34. | |
Please enter wur PIN followed -- your PIN followed by the hash key. | :19:34. | :19:42. | |
You are at The O2 greetings and mail box menu. To listen to your | :19:42. | :19:46. | |
messages. Please record your personal greeting. To end recording | :19:46. | :19:51. | |
key zero. Press zero and you read that and | :19:51. | :19:56. | |
press zero. Show me where zero is. | :19:56. | :19:59. | |
Zero is that one. I start? Yeah. | :19:59. | :20:05. | |
I don't know who you are, but if you don't let my daughter go now, I | :20:05. | :20:15. | |
:20:15. | :20:16. | ||
will find you. I will kill you. Please leave a message. | :20:16. | :20:22. | |
Let's see if it worked. Hang on. Hang on. | :20:22. | :20:28. | |
Let's just call it back and see if it was successful. | :20:28. | :20:31. | |
90777... LAUGHTER | :20:31. | :20:40. | |
7. There is so many sevens! I don't know who you are, but if | :20:40. | :20:43. | |
you don't let my daughter go now, I will find you, I will kill you. | :20:43. | :20:51. | |
Please leave a message. Please leave your message after the | :20:51. | :20:57. | |
tone. To rerecord your message, key hash at any time. Hi, it is Alan | :20:57. | :21:01. | |
Davies here. If you have got my daughter, she is two, you can keep | :21:01. | :21:06. | |
her. LAUGHTER | :21:06. | :21:09. | |
I'm going on tour to get away from her. She is a nightmare and she has | :21:09. | :21:19. | |
:21:19. | :21:24. | ||
also got chickenpox. Good luck! APPLAUSE | :21:24. | :21:28. | |
Right, now, I like saying the Sir Patrick Stewart. Say it. Say it! | :21:28. | :21:34. | |
It must sound lovely to you. It was only June 2010 it happened? Yes. | :21:34. | :21:42. | |
Was The Queen a fan of X-Men or Star Trek? We didn't go there! | :21:42. | :21:45. | |
But she was very pleasant. What was extraordinary and I would like to | :21:45. | :21:49. | |
attend one of these ceremonies again sometime to see what happens | :21:50. | :21:53. | |
because there is a little thing you kneel down on and fortunately a | :21:53. | :21:57. | |
little hand grip to hold on to get down and up without falling over | :21:57. | :22:01. | |
because that's the only fear you have because there is one point you | :22:01. | :22:03. | |
have to walk backwards, the fear is you fall over. | :22:03. | :22:07. | |
Yes. There she was in front of me and I | :22:07. | :22:10. | |
knelt down and I looked up and there was this sword in her hand | :22:10. | :22:18. | |
and I don't know where it came from. LAUGHTER | :22:18. | :22:21. | |
She didn't have it moments earlier and then there it was, it was like | :22:21. | :22:22. | |
the Sabre, the light Sabre. LAUGHTER | :22:22. | :22:30. | |
Yes. It was like Wolverine. | :22:30. | :22:35. | |
That might be part of the Royal prerogative that they have knees | :22:35. | :22:38. | |
skills that we don't know anything about. | :22:38. | :22:43. | |
I am sure she is safe, but she seems to be elderly to be in charge | :22:43. | :22:48. | |
of a heavy sword. If she fell off that step... | :22:48. | :22:54. | |
LAUGHTER Look... A great way to go. | :22:54. | :22:56. | |
LAUGHTER If you want to go! She was on her | :22:56. | :23:01. | |
feet for over an hour and spoke personally, privately with each | :23:01. | :23:08. | |
individual that went up there and it was an extraordinary performance | :23:08. | :23:13. | |
and full of style and elegance and grace. Your play opens on 16th | :23:13. | :23:18. | |
February at the Young Vic and it is about the last days of Shakespeare | :23:18. | :23:22. | |
and you have played it, is it four times now? It will be four times. | :23:22. | :23:27. | |
Two productions, but four times. I did it in 1979 in Stratford. I | :23:27. | :23:31. | |
think it is one of the most important and one of the most | :23:31. | :23:38. | |
brilliant plays of mid-20th century dramatic English writing. It is | :23:38. | :23:42. | |
about Shakespeare, but it is an unconventional and unexpected view | :23:42. | :23:47. | |
of what our great dramatist's life may have been like during those | :23:47. | :23:51. | |
last few days. 35 years ago... Too young. | :23:51. | :23:54. | |
Much too young. That's one of the reasons why. | :23:54. | :24:00. | |
Doing it now, you think, "What the hell was I doing 35 years ago?" | :24:00. | :24:07. | |
High a different view of what this man might be and having done more | :24:07. | :24:10. | |
Shakespeare and played the grown-up roles has made a difference for me. | :24:10. | :24:15. | |
It is like you are in reverse because here you are a leading man, | :24:15. | :24:19. | |
you look great, you know, you are getting these fabulous roles, but | :24:19. | :24:23. | |
35 years ago, people must have thought you were older than you | :24:23. | :24:29. | |
were so... I was always older than I was. When I was 16... Excuse me, | :24:29. | :24:38. | |
Patrick. We were in a film together called Excalibre 32 years ago. He | :24:38. | :24:46. | |
looks exactly the same. LAUGHTER | :24:46. | :24:49. | |
You looked terrible 32 years ago? was never a juvenile, ever a | :24:49. | :24:55. | |
juvenile. When did this happen? | :24:55. | :24:57. | |
LAUGHTER You can use the words, it is all | :24:57. | :24:58. | |
right to do that. Yeah. | :24:58. | :25:05. | |
When did I go bald? I mean I'm sitting next to these | :25:05. | :25:08. | |
incredible... But opposite me, so you're fine. | :25:08. | :25:15. | |
I was 19 and it went in a matter of months. Wow. It fell out, it was my | :25:15. | :25:19. | |
last year at drama school and I thought everything was over. I did | :25:19. | :25:23. | |
spend more money than I could afford on treatments, but nothing, | :25:23. | :25:27. | |
a waste of time. I wore caps all the time. I wore a lot of wigs on | :25:27. | :25:32. | |
stage. High a hair piece, a good hair piece made that I would wear | :25:32. | :25:37. | |
for auditions and occasionally for roles on stage and I developed yes, | :25:37. | :25:45. | |
a comb over! A really kind of Donald Trump comb | :25:45. | :25:52. | |
over. LAUGHTER | :25:52. | :26:02. | |
:26:02. | :26:03. | ||
So the problem is that, you know. LAUGHTER | :26:03. | :26:06. | |
Your hair goes with it.. All those situations you have got to avoid | :26:06. | :26:09. | |
and it is limiting in your life. Now you are like the poster boy for | :26:09. | :26:12. | |
bald people? LAUGHTER | :26:12. | :26:14. | |
LAUGHTER It | :26:14. | :26:14. | |
It is | :26:14. | :26:15. | |
It is true. | :26:15. | :26:15. | |
It is true. You | :26:15. | :26:19. | |
It is true. You can see it written on my tombstone, "You are the | :26:19. | :26:24. | |
poster boy." When I was working at the Barbican, I was walking across | :26:24. | :26:28. | |
a rain swept square, one of those public places. A guy walked past me | :26:28. | :26:34. | |
with a hat on and an umbrella and I was walking along bare headed and | :26:34. | :26:40. | |
suddenly I heard my name called, "Mr Stuart." He lifted up the | :26:40. | :26:44. | |
umbrella and he took off the hat and he was as bald as me and he | :26:44. | :26:54. | |
:26:54. | :26:55. | ||
said, "On behalf of all the bald men in the world, thank you." | :26:55. | :27:04. | |
But I have been looking at Wayne Rooney and I am - it is superb. | :27:04. | :27:08. | |
LAUGHTER Isn't it? It is superb? I am not | :27:08. | :27:11. | |
sure superb is the word. I'm wondering about going down that | :27:11. | :27:20. | |
road. Do it! | :27:20. | :27:30. | |
:27:30. | :27:31. | ||
I might get some dates. As if you need the help! | :27:32. | :27:35. | |
LAUGHTER Not a word. Not a word. We think of | :27:35. | :27:41. | |
you as a serious Shakespeare actor, you love a bit of low brow as well, | :27:41. | :27:51. | |
:27:51. | :27:54. | ||
you are a huge bee Beavis and Butthead fan. Yes. | :27:54. | :27:58. | |
Can you do a live action thing, the two of you on tour? Hey. | :27:58. | :28:01. | |
Yes. LAUGHTER | :28:02. | :28:05. | |
Remember you heard it here first. LAUGHTER | :28:05. | :28:13. | |
It is not a bad idea. The older Beavis and Butthead. | :28:13. | :28:23. | |
:28:23. | :28:29. | ||
The bald Beavis and B utthead. He had to go there. | :28:29. | :28:33. | |
Beavis and Baldhead. A limp applause. It was better than | :28:33. | :28:38. | |
a boo. You know why, they knew that hurt. | :28:38. | :28:44. | |
Alan, I'm excited because you are back on tour with a new show called | :28:44. | :28:48. | |
Life is Pain. I am going on tour later this year. | :28:48. | :28:57. | |
The tickets go on sale this week. APPLAUSE | :28:57. | :29:02. | |
I'm very pleased. We start in September and I am going to tour up | :29:02. | :29:05. | |
until Christmas. You have done this tour in | :29:05. | :29:14. | |
Australia? We went out to Australia and we did QI Live. We did QI with | :29:14. | :29:16. | |
Australian comedians and I did a stand-up tour and it was great. | :29:16. | :29:21. | |
Really good fun. I loved it. I used to tire of hotels, I found it | :29:21. | :29:27. | |
boring, when I was a stand-up, when I started, you are in comedy clubs | :29:27. | :29:34. | |
and there is cam rad there is camaraderie and laughs. Now, I have | :29:34. | :29:37. | |
got small children and I am always exhausted, I really like being on | :29:37. | :29:44. | |
my own! LAUGHTER | :29:44. | :29:46. | |
That provides about half of the material for this show. Yeah, I'm | :29:46. | :29:49. | |
doing that in and around the UK and going to Ireland. When you toured | :29:49. | :29:54. | |
Australia, they all came with you, didn't they? We all flew out. It | :29:54. | :29:58. | |
was horrendous the flight. It was horrendous flying back. Being in | :29:58. | :30:01. | |
Australia was fantastic and I loved it, but they didn't come round to | :30:01. | :30:06. | |
the gigs. We did take my daughter, we took her in because my wife was | :30:06. | :30:10. | |
going to watch one of the recordings, we thought we will go | :30:10. | :30:16. | |
in and sit in a box and see if she can tolerate the noise, we had the | :30:16. | :30:23. | |
klaxon noise noise for me when I get it wrong. So the speaker was | :30:23. | :30:33. | |
:30:33. | :30:36. | ||
next to the box and they did a test run and she almost she she almost | :30:36. | :30:42. | |
crapped herself. "I don't like the show. I don't like the show." she | :30:42. | :30:47. | |
has chickenpox and the cleaner came in on Monday and she opened the | :30:47. | :30:53. | |
door and she went, "I have got chickenpox." Not knowing at that | :30:53. | :30:56. | |
point it was going to be a desperately grim experience. | :30:56. | :31:01. | |
It is 12 years since you you you haven't been back. | :31:01. | :31:08. | |
The last year I toured the UK was 1999. The years went by and I was | :31:08. | :31:11. | |
doing other things and it just stopped somehow. | :31:11. | :31:15. | |
Liam, you are going to give action movies another 18 months, it seems | :31:15. | :31:25. | |
:31:25. | :31:26. | ||
a tight window? Maybe 18 months. The knees are starting to play up. | :31:26. | :31:29. | |
LAUGHTER Mark can do the running. 18 months. | :31:29. | :31:38. | |
Yes. That could work out nicely for He could be in Taken 3. | :31:38. | :31:43. | |
Where is she? You can be be taken and he can find you. | :31:43. | :31:48. | |
I should really write some of this down. We might remember it all. | :31:48. | :31:58. | |
:31:58. | :31:59. | ||
can just say, "Resistance is futile." | :31:59. | :32:03. | |
Now it is exciting to have two stars, it is very rare to have two | :32:03. | :32:10. | |
stars from such big science fiction fan classes. And there is more of | :32:10. | :32:16. | |
the sentence coming. Yes. Alan wasn't in Star Trek or Star | :32:16. | :32:19. | |
Wars. I wasn't asked to be in anything of | :32:19. | :32:22. | |
that nature. Did either of you have doubts to | :32:22. | :32:26. | |
saying yes to the big franchises which could have wrecked your life | :32:26. | :32:36. | |
:32:36. | :32:41. | ||
ins a way? No. Speaking for myself, it was great being in the episode | :32:41. | :32:47. | |
before star wrs. Star Wars. What about you Patrick? I didn't | :32:47. | :32:51. | |
understand when you sign a contract in the United States, you sign for | :32:51. | :32:55. | |
a minimum of six years. When my agent explained it, I said, "I | :32:55. | :33:03. | |
can't do that. I can't sign away six years." He said, "Don't worry, | :33:03. | :33:07. | |
it will never make it that long. You will be lucky to make it | :33:07. | :33:13. | |
through the first season." I talked to a handful of people in Hollywood | :33:13. | :33:18. | |
and they said it won't work. Come over a make a little bit of money | :33:18. | :33:23. | |
for the first time in your life and get a suntan and meet some girls | :33:23. | :33:29. | |
and go home! And seven years and then what eight more years and four | :33:30. | :33:35. | |
movies later I was still there. can't decide which I prefer. Which | :33:35. | :33:44. | |
do you prefer? Anyway we thought we could see who | :33:44. | :33:52. | |
comes out best in the Battle of the Action Figures. This is Liam's. | :33:52. | :33:59. | |
Then We have also got... Oh, wait a minute. Wait a minute. Size isn't | :33:59. | :34:09. | |
:34:09. | :34:10. | ||
everything! LAUGHTER | :34:10. | :34:12. | |
It has no legs. . It is exciting bus there is a | :34:12. | :34:15. | |
lighting -- because there is a lighting thing. Your money box... | :34:15. | :34:24. | |
It is coin operated. OK. I sense a disturbance in the | :34:24. | :34:34. | |
:34:34. | :34:40. | ||
LAUGHTER May the Force be with you! | :34:40. | :34:50. | |
:34:50. | :35:03. | ||
Wow. And that's one and this is Captain | :35:04. | :35:13. | |
Jean-Luc Picard. LAUGHTER | :35:13. | :35:21. | |
That's it? Yes. LAUGHTER | :35:21. | :35:23. | |
At least do it again! ? All right, I will. It probably | :35:23. | :35:33. | |
:35:33. | :35:47. | ||
APPLAUSE Well, here is something to help you | :35:47. | :35:50. | |
all feel young and in touch with the kids because it is music time. | :35:50. | :35:52. | |
Before we have tonight's stories in the red chair. Let's meet a man had | :35:52. | :35:55. | |
is just 28 years old and has four Brit nomination and the biggest | :35:55. | :35:59. | |
selling debut album of the past ten years, performing his new single, | :35:59. | :36:09. | |
:36:09. | :36:12. | ||
years, performing his new single, # I wanna be drunk when I wake up | :36:12. | :36:14. | |
Will # On the right side of the wrong bed | :36:14. | :36:18. | |
# And every excuse I made up # Tell you the truth I hate | :36:18. | :36:25. | |
# What didn't kill me, it never made me stronger at all | :36:25. | :36:29. | |
# Love will scar your makeup lip stick to me | :36:29. | :36:31. | |
# So now I'll maybe leave back there | :36:31. | :36:36. | |
# I'm sat here, wishing I was sober # I know I'll never hold you like I | :36:36. | :36:44. | |
used to # But our house gets cold when you | :36:44. | :36:48. | |
cut the heating # Without you to hold I'll be | :36:48. | :36:51. | |
freezing # Can't rely on my heart to beat it | :36:51. | :36:53. | |
# Cause you take part of it every evening | :36:53. | :36:55. | |
# Take words out of my mouth just from breathing | :36:55. | :36:58. | |
# Replace with phrases like 'when you leaving me | :36:58. | :37:07. | |
# Should I, Should I # Maybe I'll get drunk, again | :37:07. | :37:16. | |
# I'll be drunk, again, I'll be drunk, again | :37:16. | :37:19. | |
# To feel a little love # I wanna hold your heart in both | :37:19. | :37:21. | |
hands # I'll watch it fizzle at the | :37:21. | :37:24. | |
bottom of a coke can # And I've got no plans for the | :37:24. | :37:27. | |
weekend # So should we speak then? Keep it | :37:27. | :37:29. | |
between friends # Though I know you'll never love | :37:29. | :37:36. | |
me, like you used to # And maybe other people like us | :37:36. | :37:39. | |
# Will see the flicker of the clipper when they light us | :37:39. | :37:43. | |
# Flames just create us, burns don't heal like before | :37:43. | :37:52. | |
# You don't hold me anymore # On cold days Coldplay's out like | :37:52. | :37:56. | |
the band's the name # I know I can't heal things with a | :37:56. | :37:59. | |
handshake # You know I can change, as I began | :37:59. | :38:01. | |
saying # You cut me wide open like a | :38:01. | :38:03. | |
landscape # Open bottles of beer but never | :38:03. | :38:05. | |
champagne # I'm here to applaud you with the | :38:05. | :38:08. | |
sound that my hands make # Should I? Should I? | :38:08. | :38:18. | |
:38:18. | :38:22. | ||
# Maybe I'll get drunk, again # I'll be drunk again | :38:22. | :38:32. | |
:38:32. | :38:42. | ||
# All by myself # I'm here again | :38:42. | :38:45. | |
# All by myself # You know I'll never change | :38:45. | :38:55. | |
:38:55. | :39:02. | ||
# All by myself # I'm just drunk, again | :39:02. | :39:12. | |
:39:12. | :39:26. | ||
# I'll be drunk, again CHEERING AND APPLAUSE | :39:26. | :39:34. | |
Beautiful. Mr Ed Sheeran, everybody. Thank you very much for that. | :39:34. | :39:39. | |
Fantastic. Come and have a seat. Sit yourself down there. There is | :39:39. | :39:47. | |
Alan, Patrick, Liam, Mr Ed Sheeran. Very good. Of course, that is the | :39:47. | :39:50. | |
new single off the album which is in shops if you can find one and | :39:50. | :39:57. | |
you can download it now. You say plus, do you? It is a positive sign | :39:58. | :40:02. | |
or addition. LAUGHTER | :40:02. | :40:05. | |
Good options Liam, you can call it what you like! | :40:05. | :40:08. | |
Patrick has done everything. Is that a particularly small guitar. | :40:08. | :40:14. | |
Yeah, it is a half-size. I see. I won it in a competition and I | :40:14. | :40:21. | |
bought another one and I have four, Nigel, Lloyd, Felix and Cyril. | :40:21. | :40:24. | |
Who is that? That is Nigel. He was great. | :40:24. | :40:34. | |
Haven't you got tiny hands?? Yes. He has tiny tiny hands. | :40:34. | :40:39. | |
Big feet. Brits are in about a month. Yes. | :40:39. | :40:44. | |
Are you coming? Hello. No. Have a fantastic night and good luck with | :40:45. | :40:46. | |
them. Thank you. | :40:46. | :40:50. | |
Very good. Before we go, we have got time for the red chair. Who is | :40:50. | :40:53. | |
up first? Hello. Hello. | :40:53. | :40:58. | |
Hi. You seem a little nervous? What's your name? Sue. | :40:58. | :41:05. | |
Sue. Where are you from? Farn ham in Surrey. | :41:05. | :41:09. | |
She is from Farnham in Surrey, everyone. | :41:09. | :41:14. | |
They don't care, Sue. We had recently seeded a new lawn | :41:14. | :41:24. | |
:41:24. | :41:26. | ||
and... Sue, Sue, that is one of the worst beginnings in a story ever., | :41:26. | :41:34. | |
""We Had recently seeded a new lawn." You have Farnham in Surrey | :41:34. | :41:40. | |
written all over you Sue. OK. OK. You have seed add new lawn. | :41:40. | :41:45. | |
Got up one morning, opened the curtains and there were all these | :41:45. | :41:55. | |
:41:55. | :41:55. | ||
pigeons eating the seeds. So I opened the window... | :41:55. | :41:57. | |
LAUGHTER Leaned right out and went, "Shoe. | :41:57. | :42:01. | |
Shoe." Then I saw nigh next door neighbour. -- my next door | :42:01. | :42:08. | |
neighbour, he looked up and I looked down and I thought, "Naked | :42:08. | :42:16. | |
breasts." LAUGHTER | :42:16. | :42:20. | |
It was a terrible story. We We thought it had to go somewhere. | :42:20. | :42:25. | |
I think it might have been a metaphor that story! The pigeons, | :42:25. | :42:29. | |
the seed, the man looking in, you know... Yes. | :42:29. | :42:36. | |
If that had been a film it could have won an Academy Award. | :42:36. | :42:41. | |
Not Sue from Farnham. Gl one | :42:41. | :42:44. | |
-- one more. Hello, we have high hopes for you, what's your name? | :42:44. | :42:54. | |
:42:54. | :42:55. | ||
Sarah. What's your your job? Cabin crew. | :42:55. | :43:05. | |
:43:05. | :43:10. | ||
Sarah, Sarah, on a shuttle, not Sue. Sue was from Farnham! | :43:10. | :43:11. | |
LAUGHTER It is It is riding on you sar | :43:11. | :43:13. | |
ration this better -- Sarah, this better be good. | :43:13. | :43:17. | |
Know when you are really tired and you take your chair off at once and | :43:17. | :43:23. | |
I put them on the chair. I thought my jeans were all right. I went to | :43:23. | :43:28. | |
see my mum and dad. I went to the petrol station and I finished | :43:28. | :43:32. | |
filling up when this man bent down and picked up something and as it | :43:32. | :43:38. | |
went into the hands we both realised what it was and it was my | :43:38. | :43:47. | |
knickers! A sweet story. Well done, Sarah. | :43:47. | :43:51. | |
On. All right, everybody. Thank you very much. If you want to have a go | :43:51. | :43:55. | |
in the red chair, you can contact us via the website and at this | :43:55. | :44:03. | |
address. Thank you to my guests tonight, Ed Sheeran. Alan Davies, | :44:03. | :44:05. |