Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
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Tonight on the show, the star of Legally Blond. Are you excited by | :00:14. | :00:21. | |
the comedy and music? Are you going to dump in my bag?! Let's start the | :00:21. | :00:31. | |
:00:31. | :00:41. | ||
Hearing CHEERING AND APPLAUSE | :00:41. | :00:48. | |
Wow. Thank you very much. Good evening one. Good evening all. | :00:48. | :00:53. | |
A very warm welcome. You're too kind. Too kind. We have got a | :00:53. | :00:59. | |
fantastic show you tonight from the deep south of America, Reese | :00:59. | :01:01. | |
Witherspoon is with us. CHEERING AND APPLAUSE | :01:02. | :01:09. | |
I know! I know! From the deep south of America, smooth talking American, | :01:09. | :01:18. | |
Reginald D Hunter joins us. CHEERING AND APPLAUSE | :01:18. | :01:20. | |
From the deep south of Surrey, Doctor Who star, Alex Kingston is | :01:20. | :01:21. | |
here! CHEERING AND APPLAUSE | :01:21. | :01:26. | |
Yes! Yes! Plus we have got music from my new favourite band. You may | :01:26. | :01:30. | |
not know them yet, but you will love them. It is The Musgraves, | :01:30. | :01:38. | |
ladies and gentlemen. Alex Kingston is here. She has had | :01:38. | :01:45. | |
a varied career, has had Alex, from ER to where she had an affair with | :01:45. | :01:50. | |
a doctor, to Doctor Who, she is terribly versatile. Alex is about | :01:50. | :01:57. | |
to appear in the new episode of Upstairs, Downstairs. If you | :01:57. | :02:00. | |
imagine Downton Abbey, that's it! Laugh | :02:00. | :02:03. | |
LAUGHTER . It is people doing nothing but | :02:03. | :02:12. | |
having sex upstairs and downstairs. It is a bit like a night bus! | :02:12. | :02:15. | |
LAUGHTER I imagine! | :02:15. | :02:19. | |
So delighted that Reese Witherspoon is joining us again. She is here to | :02:19. | :02:25. | |
tell us about her new film This Means War. But she will always be | :02:25. | :02:31. | |
loved for her role in the brilliant Legally Blond. There she is lying | :02:31. | :02:37. | |
down in a park. In America, quite glamorous. In Britain, less so. | :02:37. | :02:41. | |
Reese starred in Water For Elephants. I know! It was a | :02:41. | :02:46. | |
beautiful film. Reese won't mind me saying, but there was a raunchy sex | :02:46. | :02:49. | |
scene between the two lead characters. Do you want to see it? | :02:49. | :02:56. | |
Do you? Do you? Let's get some guests on. | :02:56. | :03:02. | |
CHEERING AND APPLAUSE Later we will behaving music from | :03:02. | :03:05. | |
The Musgraves. But first it is Reginald D Hunter. | :03:05. | :03:12. | |
CHEERING AND APPLAUSE Hello, sir. How are you? | :03:12. | :03:20. | |
Sit yourself down. Marvellous. It is Alex Kingston. A vision. A | :03:20. | :03:30. | |
:03:30. | :03:30. | ||
vision. Hello my darling. Mwah. Mwah. And it is Reese Witherspoon. | :03:30. | :03:40. | |
:03:40. | :03:40. | ||
CHEERING AND APPLAUSE Mwah. Mwah. | :03:41. | :03:45. | |
CHEERING AND APPLAUSE Oh. You are all so welcome. This is | :03:45. | :03:51. | |
very exciting. You are so far away. I am very far | :03:51. | :03:55. | |
from my wine. Don't you think it is fantastic to | :03:55. | :04:00. | |
see an American drinking wine on your show? Because usually they | :04:00. | :04:07. | |
have Coca-Cola and water. You don't see me without the wine! | :04:07. | :04:13. | |
You have earnt a drink. We have fin finished our premiere. | :04:13. | :04:17. | |
I have to check, are you all right? Since the last time you were here, | :04:17. | :04:22. | |
you had an accident? I did. Not a very show business accident, | :04:22. | :04:29. | |
you didn't fall off a horse or anything? Or a wagon! | :04:29. | :04:31. | |
LAUGHTER I got hit by a car. It is not funny. | :04:31. | :04:36. | |
I got hit by a car. Is there a steel hip going on? | :04:36. | :04:39. | |
very hard headed because I landed on my head and that's the only | :04:40. | :04:48. | |
thing. I have a scar right here hence my new hairdo. But yeah, I | :04:48. | :04:52. | |
know, miraculously and thank God, I am fine. | :04:52. | :04:57. | |
Did you have con cushion? I don't remember! | :04:57. | :04:59. | |
LAUGHTER I don't remember much about it. | :04:59. | :05:03. | |
And what happened to the driver? Well, she was 85 and they took away | :05:03. | :05:10. | |
her driver's licence. Oh. But they gave her a bus pass | :05:10. | :05:16. | |
though. LAUGHTER | :05:17. | :05:20. | |
Alex here, you didn't even need a car to get into an accident in the | :05:20. | :05:23. | |
street, did you? No, no, I didn't need a car. I was jetlagged I had | :05:23. | :05:25. | |
just come off a flight and I was working with Irish comedians | :05:25. | :05:31. | |
actually and we were walking down the street and I walked into a lamp | :05:31. | :05:36. | |
post. Irish comedians made you walk into a lamp post? | :05:36. | :05:42. | |
I heard about them drinking a lot, I never heard that. I was a little | :05:42. | :05:44. | |
disorientated because one was extremely tall and the other was | :05:45. | :05:54. | |
extremely short. They do that. They do that. | :05:54. | :05:55. | |
LAUGHTER I was talking and walking and going | :05:56. | :05:59. | |
like that all the time and bonk. A cartoon walk in. I fell back and I | :05:59. | :06:02. | |
was so embarrassed because I thought I would be the butt of the | :06:02. | :06:06. | |
comediennes jokes and I pretended I would be fine and that night I | :06:06. | :06:11. | |
started to feel whoozy and I got up and I said, "I think I'm going to | :06:11. | :06:16. | |
be sick." The next thing I knew, I was being woken up by a doctor on | :06:16. | :06:23. | |
the floor and I had fallen flat on my face and had bitten through my | :06:23. | :06:28. | |
lower lip and knocked my front teeth out. I had to go to the ER. | :06:28. | :06:34. | |
Where they knew you? Where they knew me! | :06:34. | :06:40. | |
You know that girl! Sew that lip up. | :06:40. | :06:44. | |
Now, Reese Witherspoon, you are back and bigger than ever. | :06:45. | :06:50. | |
Fantastic new film. This Means War, it opens on 2nd March. | :06:50. | :06:55. | |
Yes. And it is a film with action? | :06:55. | :06:59. | |
we have a lot of action in this movie. This is my first action | :06:59. | :07:03. | |
movie and I was familiar with the comedy part, but the action part | :07:03. | :07:08. | |
through me a little with the guns and bad guys chasing us. I had to | :07:08. | :07:14. | |
find myself laughing most of the time. This is ridiculous! | :07:14. | :07:16. | |
LAUGHTER Me in an action movie. It is so | :07:16. | :07:19. | |
stupid! LAUGHTER | :07:19. | :07:22. | |
So two guys are after you? Yes. They are CIA agents? Yes. | :07:23. | :07:29. | |
It is a movie! But that allows all this funny stuff to happen? Yes. | :07:29. | :07:32. | |
There are two spies, they are best friends and they are good at what | :07:32. | :07:38. | |
they do and they sort of end up falling in love with the same girl | :07:38. | :07:42. | |
and say, "Let her decide and may the best man win." and in the | :07:42. | :07:46. | |
process they begin to sabotage each other and they are determined to | :07:46. | :07:49. | |
kill each other. What is really clever and I don't | :07:49. | :07:55. | |
know how they do it, but you are dating both guys, but you never | :07:55. | :08:01. | |
come across... Slutty. There. But people in America tend to do | :08:01. | :08:05. | |
much more more double, triple dating, it is a normal thing in | :08:05. | :08:09. | |
America. I heard this. | :08:09. | :08:12. | |
In England we never had that culture. Normally, you just date | :08:12. | :08:16. | |
one person, don't you? Really. Until you break-up and then you | :08:16. | :08:20. | |
date someone else. And then you date another guy and | :08:20. | :08:22. | |
he is real cute. But in America, you seem to have | :08:23. | :08:26. | |
lots on the go at the same time until you make up your mind, is | :08:26. | :08:36. | |
:08:36. | :08:39. | ||
that true? It is the land of the free! | :08:39. | :08:41. | |
LAUGHTER Reginald, you dated in both places, | :08:41. | :08:44. | |
is it true? Which places? LAUGHTER | :08:44. | :08:47. | |
America and here. LAUGHTER | :08:47. | :08:55. | |
LAUGHTER I | :08:55. | :08:55. | |
I don't | :08:55. | :08:56. | |
I don't know | :08:56. | :08:56. | |
I don't know much | :08:56. | :08:58. | |
I don't know much about you, but I a assume you and me both go | :08:58. | :09:00. | |
different places. Yes. You have stopped making an effort when it | :09:00. | :09:10. | |
:09:10. | :09:15. | ||
comes to dating at all? What? LAUGHTER | :09:15. | :09:18. | |
Even when you do have a girlfriend, you don't, it sounds like you don't | :09:18. | :09:20. | |
make much of an effort to flatter them. What? What? | :09:20. | :09:22. | |
LAUGHTER These are all words in your mouth. | :09:22. | :09:27. | |
Is it one of my ex-girlfriends that you are researching? There was that | :09:27. | :09:31. | |
story that you went on holidays with a girlfriend and you were | :09:31. | :09:34. | |
flying home? Yes. Yes, that happened m | :09:34. | :09:38. | |
That doesn't make you sound like the best boyfriend in the world | :09:38. | :09:46. | |
snoovmt it is one -- It is one story. It was just, we was on | :09:46. | :09:51. | |
holiday and her ass had got baked and she was acting she didn't know | :09:51. | :09:56. | |
why. I knew you are supposed to - I didn't even want to say and she | :09:56. | :10:01. | |
knew I had something on my mind that I could say and she made it | :10:01. | :10:11. | |
come down to if, "If you were a man." I said your ass got baked. I | :10:11. | :10:16. | |
like your ass and you act like the airline is engaged in a conspiracy | :10:16. | :10:24. | |
to make the seats tighter. So you told her she had a fat ass? Wait a | :10:24. | :10:28. | |
minute. LAUGHTER | :10:28. | :10:31. | |
I did not go out of my way to do this. I was naive and wanted to | :10:31. | :10:33. | |
have a conversation. She was complaining about the seats on the | :10:33. | :10:37. | |
plane being really small and she did not... You know we are on | :10:37. | :10:47. | |
television right now? I understand that. | :10:47. | :10:48. | |
LAUGHTER Everybody you know is watching this. | :10:48. | :10:55. | |
We are on television, but that doesn't make me not be right! | :10:55. | :10:59. | |
LAUGHTER Wait. Wait. Wait. Wait. Alex is not | :10:59. | :11:07. | |
convinced. Don't, just don't look at our asss! | :11:07. | :11:15. | |
You're late, baby. You're late. LAUGHTER | :11:15. | :11:18. | |
It is automatic. It is automatic. We have got a clip of the movie and | :11:18. | :11:24. | |
this is you and your friend played by Chelsea Handler and you are | :11:24. | :11:28. | |
discussing your your options of these men, but because they are CIA | :11:28. | :11:32. | |
agents they are eavesdropping on the whole thing. I will ask you | :11:32. | :11:37. | |
questions about the products. OK. P The people and you will tell | :11:37. | :11:39. | |
me who you like. I don't know. They are both | :11:39. | :11:46. | |
incredible. I have to go home and clean tartar sauce out of Bob's | :11:46. | :11:56. | |
:11:56. | :11:57. | ||
beard. Is there anything bad about them? One has girlie hands. Like | :11:57. | :12:03. | |
little T-rex hands and Tok is British. What is that supposed to | :12:03. | :12:07. | |
me? So I need you to get into decision making mode and I need you | :12:07. | :12:13. | |
to do it quickly. You know what I need? I need a deadline. I am going | :12:13. | :12:23. | |
:12:23. | :12:28. | ||
to give myself an amount of time to make this decision. One week. | :12:28. | :12:30. | |
APPLAUSE Reese, you are happily married, you | :12:30. | :12:34. | |
are all loved up. You You finally went on your honeymoon? Yes. | :12:34. | :12:38. | |
You were just working, you couldn't get the time? I was working and I | :12:38. | :12:43. | |
couldn't get the time. Did he go to a lot of trouble to | :12:43. | :12:47. | |
get you in terms of trouble that guys go to, I am not asking too | :12:47. | :12:56. | |
personal a question. Really? No, he pursued me. He was very sweet and | :12:56. | :13:02. | |
sent lots of flowers and went to nice restaurants and things. We | :13:02. | :13:05. | |
haven't seem to be going too lately! | :13:05. | :13:12. | |
Have you ever pursued anyone out of curiosity? Like pursued a man? Well, | :13:12. | :13:18. | |
not really - I mean, if I saw a guy and I thought he was cute I would | :13:18. | :13:23. | |
let a friend of his knows. So you would let him know that you | :13:23. | :13:25. | |
could pursue -- that he could pursue you. | :13:25. | :13:35. | |
:13:35. | :13:42. | ||
But I am not calling him. No. That sounds very empowering. | :13:42. | :13:44. | |
LAUGHTER And now, you live in this beautiful | :13:44. | :13:46. | |
home in California and you talked to us about your mennagery, you | :13:46. | :13:49. | |
have got two donkeys? I have got two donkeys, no, just two. I | :13:49. | :13:53. | |
thought they said said three. They were just cheering the idea of | :13:53. | :14:03. | |
:14:03. | :14:06. | ||
you having donkeys. Some people like ass! | :14:06. | :14:07. | |
APPLAUSE We found a lovely picture of you | :14:07. | :14:14. | |
and your family. Is it Disneyland, Disney World, it is Flash Mountain. | :14:14. | :14:21. | |
Yeah, that's us. There you were a the top with your | :14:21. | :14:25. | |
hair a-go-go. Your daughter is you. She is the spitting image of you. | :14:25. | :14:31. | |
She is adorable. LAUGHTER | :14:31. | :14:33. | |
Loads of people have these pictures. We asked people in the audience do | :14:33. | :14:38. | |
they have pictures of themselves on rollercoasters and rides and my | :14:38. | :14:43. | |
favourite is this one. It It comes from a lady called Jackie. Where is | :14:43. | :14:48. | |
Jackie? There is Jackie. Hi. Where was this Jacqui? Chessington World | :14:48. | :14:51. | |
of Adventures. Lovely. Who is in the boat with | :14:51. | :14:57. | |
you? My husband, my daughter and my son. OK. Now I'm glad you say it is | :14:57. | :15:03. | |
your husband because fear can make people react in different ways. So | :15:03. | :15:13. | |
:15:13. | :15:23. | ||
this is how Jackie's house dealt with his fear. | :15:23. | :15:24. | |
LAUGHTER Actually, on the web, on the web, | :15:24. | :15:27. | |
we found some good examples of the rides. OK, look at this child. He | :15:27. | :15:34. | |
will be traumatised for life. LAUGHTER | :15:34. | :15:38. | |
The wind must not change! Oh this is a mother and daughter. I | :15:38. | :15:48. | |
:15:48. | :15:51. | ||
am not sure who is more frightened! LAUGHTER | :15:51. | :15:54. | |
Isn't it funny that we pay to do it. We pay to be this scared. You know | :15:54. | :15:58. | |
the way when you are going really fast and you go up and down and | :15:58. | :16:00. | |
sometimes when you are really frightened you think, "I am so | :16:01. | :16:10. | |
:16:11. | :16:25. | ||
LAUGHTER APPLAUSE | :16:25. | :16:25. | |
APPLAUSE That's | :16:25. | :16:25. | |
That's a | :16:25. | :16:25. | |
That's a really | :16:26. | :16:26. | |
That's a really unfortunate | :16:26. | :16:29. | |
That's a really unfortunate ride! I want my money back! | :16:29. | :16:33. | |
Now, Alex Kingston, I follow your career with interest. I am glad you | :16:33. | :16:41. | |
are back on television in Upstairs, Downstairs. No, we love Upstairs, | :16:41. | :16:50. | |
Downstairs. Who do you play? I play the step sister of Eileen Atkins | :16:50. | :16:54. | |
character, Lady Mulholland who has just died and I join the household. | :16:54. | :16:59. | |
I am a mysterious lady, you don't know who she is or what what she is | :16:59. | :17:05. | |
about, but she is an adventure ess in that classic style of women at | :17:05. | :17:09. | |
those times, they are not married and they have been to university | :17:09. | :17:14. | |
and she is going off, she is an archaeologist, she has been living | :17:14. | :17:18. | |
in North Africa and quite free, quite modern compared to the rest | :17:18. | :17:22. | |
of the household. In the press conference... Yes. | :17:22. | :17:27. | |
Am I right in thinking they revealed that she is a period | :17:27. | :17:33. | |
lesbian? Well, let's just say she lives upstairs, but she goes down | :17:33. | :17:36. | |
town! LAUGHTER | :17:36. | :17:38. | |
I hear you! LAUGHTER | :17:38. | :17:45. | |
Yes. And this time it is during the war? It is on the eve of the Second | :17:45. | :17:51. | |
World War. This series is 1938 so it is just before the outbreak of | :17:51. | :17:55. | |
the Second World War. It is on Sunday, 19th February? | :17:55. | :18:01. | |
How many episodes? Six. There is more. We have a little | :18:01. | :18:09. | |
clip. This is an exotic visitor. was established in the house. He | :18:09. | :18:13. | |
was Eileen Atkins man servant and he stayed in the house, but yes, | :18:13. | :18:17. | |
quite an interesting, exotic character. | :18:17. | :18:27. | |
:18:27. | :18:28. | ||
They may regret inviting him to Excuse me. This is a domestic | :18:28. | :18:35. | |
garden and there are adjacent residences. | :18:35. | :18:39. | |
I do not consider your actions to be safe. And you know all about | :18:39. | :18:46. | |
safety, wouldn't you? Give that gun to me. Your husband charged me with | :18:46. | :18:49. | |
this. Well, he isn't here and you are | :18:49. | :18:59. | |
:18:59. | :18:59. | ||
provoking a disturbance. Do as Lady Lady Agnus says and give her the | :18:59. | :19:04. | |
gun. Forgive me if I was overzealous. | :19:04. | :19:08. | |
have twice had occasion to fire one in the past. The spectacle has | :19:08. | :19:13. | |
concluded and since we are in England, I suggest you make some | :19:13. | :19:23. | |
:19:23. | :19:38. | ||
Can I tell you when we were shooting that scene, I sort of felt | :19:38. | :19:40. | |
terribly confident because I had shot a gun and I thought I knew | :19:40. | :19:44. | |
what I was doing and I grabbed the gun and I was doing all this, "I | :19:44. | :19:46. | |
know what I am doing." The entire cast was... I was just pointing the | :19:46. | :19:49. | |
gun wherever and the master of arms he was like, "No, you don't do | :19:49. | :19:53. | |
that." I hadn't got a clue what I was doing. But don't I look like a | :19:53. | :19:56. | |
lesbian? LAUGHTER | :19:56. | :20:02. | |
Reese, you have done the English dramas as well? Vanity Fair. And | :20:02. | :20:12. | |
:20:12. | :20:13. | ||
the Importance of Being Earnest? The Importance of Being Earnest was | :20:13. | :20:19. | |
my first one here. I was 22 years old and I just had a baby and I was | :20:19. | :20:24. | |
terrified and I came over here early for three months and I | :20:24. | :20:29. | |
trained with my dialect coach and they told me I was going to do my | :20:29. | :20:38. | |
scene with Judi Dench., "Just Shoot me now.". Were you a bit shy to | :20:38. | :20:48. | |
:20:48. | :20:55. | ||
begin with? He at first. She was like, "Speak up, I can't hear you." | :20:55. | :20:56. | |
LAUGHTER You know that thing when you mumble | :20:56. | :20:59. | |
and you think, "Nobody is really hearing me.". Did you find the | :20:59. | :21:01. | |
English accent easy? Not easy, but not terribly hard only because I | :21:01. | :21:04. | |
had to spend time losing my southern accent and I had practise | :21:04. | :21:07. | |
to change my dialect. Do you have a favourite phrase? | :21:07. | :21:11. | |
course, you can. LAUGHTER | :21:11. | :21:14. | |
I just like it when people say that. Can I have that? Course you can. | :21:14. | :21:20. | |
you find when you get angry, you revert back to southern? Yes, I | :21:21. | :21:24. | |
become a junkyard dog. Talking of posh, Reese, you are | :21:24. | :21:34. | |
:21:34. | :21:38. | ||
quite posh, reason you? Me? Yeah. LAUGHTER | :21:38. | :21:41. | |
Wait a minute, I heard you were some sort of American aristocracy, | :21:41. | :21:42. | |
didn't one of your forefathers sign the declaration. | :21:42. | :21:44. | |
Yes, one of my forefathers signed the declaration of independence. | :21:44. | :21:54. | |
:21:54. | :21:55. | ||
That is quite posh? You should see where we live. | :21:55. | :22:00. | |
You like the Royal Family? watched the Royal Wedding. | :22:00. | :22:06. | |
Did you really cry? Hungover, I don't know. Praying for Loose Women | :22:06. | :22:12. | |
to come on. When will it end? But you got to meet them? I did, | :22:12. | :22:19. | |
yeah. They came to Los Angeles to raise money for a charity that | :22:19. | :22:24. | |
helps animals in Africa so I got to meet them at a private reception. | :22:24. | :22:29. | |
I think we have got a picture of you and Kate. No, it is a nice | :22:30. | :22:36. | |
picture. I am so excited. Did you show them your donkeys? | :22:36. | :22:43. | |
Kate good at it? She is new to it all? She was lovely and funny. She | :22:43. | :22:47. | |
said really sweet girlie things. I don't know, I think she is handling | :22:47. | :22:52. | |
herself beautifully. You have to remember, we are American and we | :22:52. | :22:57. | |
wouldn't really know the difference! | :22:57. | :23:03. | |
Oh dear. One thing - I met Alex a lot on the show. One thing I didn't | :23:03. | :23:11. | |
know about you, you started life as a life model? Yes. Yes, I did. I | :23:12. | :23:16. | |
started modelling for my mum's adult education class and I was | :23:16. | :23:20. | |
about... LAUGHTER | :23:20. | :23:30. | |
:23:30. | :23:32. | ||
That sounds really wrong. LAUGHTER | :23:32. | :23:34. | |
And then basically yes, this is all through my student days and even | :23:34. | :23:36. | |
beyond I would supplement by modelling for artists. | :23:36. | :23:39. | |
It sounds quite dodgy. Didn't you have to do dancing while you were | :23:39. | :23:43. | |
doing the nude modelling? There was one particular artist whose name | :23:43. | :23:50. | |
was Cecil Collins and he was a wonderful old, fantastic artist | :23:50. | :23:53. | |
artist actually and he had a record player and he would put on music | :23:53. | :23:57. | |
and it was a bit like freeze dance and I would then move and he would | :23:57. | :24:00. | |
stop the music and I would have to freeze in the pose, but it wasn't | :24:01. | :24:10. | |
:24:11. | :24:13. | ||
always music. Sometimes he would have records of wind. | :24:13. | :24:15. | |
LAUGHTER Or stormy seas or something and I | :24:15. | :24:18. | |
would be a stormy sea. You would do interpretive dance? | :24:18. | :24:22. | |
would interpretive dance naked. LAUGHTER | :24:22. | :24:27. | |
Yeah. Feel free to interpret. | :24:27. | :24:30. | |
And then, you know, he would stop and then he would say 30 seconds | :24:30. | :24:34. | |
and they would have to do it and I would have to do another pose and | :24:34. | :24:36. | |
whatever and yeah, that's what I did. | :24:37. | :24:40. | |
It sounds fun. Can I tell you, it was very freeing. | :24:40. | :24:46. | |
It really was. I felt empowered. And you never hit a pose and said, | :24:46. | :24:50. | |
"Darn it, I wish I hadn't.". Do you know sometimes I questioned the | :24:50. | :24:57. | |
choice of when the music would stop. LAUGHTER | :24:57. | :25:01. | |
There was nothing I could do about She took her modelling one step | :25:01. | :25:06. | |
further and turned it into a dramatic thing... What are you | :25:06. | :25:16. | |
:25:16. | :25:17. | ||
doing? Alex Kingston was the star of My Guy Magazine. These have so | :25:17. | :25:20. | |
stood the test of time. These are difficult because they are photo | :25:20. | :25:24. | |
stories. I don't know if you are familiar with this. It is photo | :25:24. | :25:29. | |
stories and she poses and and there is little dialogue buttons. There | :25:29. | :25:34. | |
is Alex and she is doing so much acting there. An awful lot of | :25:34. | :25:39. | |
acting. She has the flowers and the pose. I'm acting, I'm I'm acting. | :25:39. | :25:47. | |
What could she be thinking? It is hard to guess. What she is actually | :25:47. | :25:52. | |
thinking, "Damn it, it was probably the lec pris board and I have -- | :25:52. | :25:57. | |
electricity board and I've probably missed them." I didn't see that | :25:57. | :25:59. | |
coming! LAUGHTER | :25:59. | :26:02. | |
You are so mean. You do very good fear, I think you | :26:02. | :26:08. | |
will agree, ladies and gentlemen. LAUGHTER | :26:08. | :26:10. | |
And then the story concludes in a later episode. Yes, there is about | :26:11. | :26:16. | |
four or five episodes of this and this is the last one. So doesn't | :26:16. | :26:20. | |
she look worried here ladies and gentlemen, something awful is going | :26:20. | :26:25. | |
to happen. "but if that's the man from the electricity board, then | :26:25. | :26:32. | |
who is done stairs? It -- downstairs? It must be the killer.". | :26:32. | :26:40. | |
I got into RADA on that. Here is a familiar face. Look | :26:40. | :26:45. | |
everyone, it is George Michael. It really is George Michael. No, | :26:45. | :26:50. | |
seriously that is Gorge Michael. What does it say, "It will be just | :26:51. | :26:54. | |
like old times, going out every night chasing girls." | :26:54. | :27:04. | |
:27:04. | :27:11. | ||
Sweet. APPLAUSE | :27:11. | :27:14. | |
Now, moving on because Reginald D Hunter you were on tour, but thanks | :27:14. | :27:16. | |
to popular popular tour, you are back on tour. There are extra dates. | :27:16. | :27:20. | |
When does it run up to now? March. | :27:20. | :27:28. | |
It is called Sometimes The Devil Tells The Truth. There is a DVD. | :27:28. | :27:33. | |
You are a perfect host. I am going to show a clip. That's | :27:33. | :27:37. | |
him talking there. Had is him talk there. | :27:37. | :27:42. | |
Oh man, I was back in Georgia recently. I was there. My family | :27:42. | :27:48. | |
friends, when I got there, the first thing they do, especially | :27:48. | :27:52. | |
ones that haven't seen me for a long while. The first thing they | :27:52. | :27:57. | |
want to do is ask me about Britain. There is a lot of white people, a | :27:57. | :28:07. | |
:28:07. | :28:11. | ||
lot of height, I say, "Man this is where they make white people, man." | :28:11. | :28:12. | |
LAUGHTER It is like white people's Africa | :28:12. | :28:22. | |
:28:22. | :28:33. | ||
Africa. LAUGHTER | :28:33. | :28:39. | |
Are you a complete angaphile? not sure what that means. | :28:39. | :28:49. | |
:28:49. | :28:51. | ||
A lover of England. Unless all ang glows come from England. | :28:51. | :29:01. | |
:29:01. | :29:03. | ||
-- angloes come from England. I am fond of white people. | :29:03. | :29:05. | |
APPLAUSE Do you spend any time in the States | :29:05. | :29:08. | |
now, do you go back at all? I just got back. I go for Christmas now | :29:08. | :29:11. | |
usually and catch up to them and let them tell me what they think | :29:11. | :29:14. | |
about what I'm doing and what I'm saying. | :29:14. | :29:18. | |
Don't you prefer Christmas here though because it is cold and | :29:18. | :29:23. | |
Christmas in America is a bit strange, well in LA? What? Isn't | :29:23. | :29:29. | |
it? We have Christmas in America! I know! You need to be somewhere | :29:29. | :29:33. | |
cold for Christmas. We have got cold places in America | :29:33. | :29:35. | |
too. But you are from the south, it is | :29:35. | :29:42. | |
not cold in the south. It does get cold, yes. Like snowy? | :29:42. | :29:49. | |
Once every ten years. We have about four cold days in a row usually and | :29:49. | :29:59. | |
:29:59. | :30:03. | ||
that's, you know, thick, cold. And what do you eat? | :30:03. | :30:04. | |
LAUGHTER What answer are you looking for | :30:04. | :30:09. | |
here? LAUGHTER | :30:09. | :30:13. | |
I mean like do you have turkey? we do. | :30:13. | :30:14. | |
LAUGHTER Yes, we do have turkey. | :30:14. | :30:19. | |
They love a turkey. You have to remember that pilgrims | :30:19. | :30:27. | |
who were Anglo-Saxon... LAUGHTER | :30:27. | :30:29. | |
From England, white people, they came to Georgia too. They spray it | :30:29. | :30:34. | |
and just, and a lot of them have Scottish in them too, they brought | :30:34. | :30:39. | |
the traditions and stuff, yeah, they got Indians to eat turkey and | :30:39. | :30:46. | |
they got black folks to eat turkey. Well, I mean we didn't get the | :30:46. | :30:50. | |
finest kits. LAUGHTER | :30:50. | :30:55. | |
Yeah, yeah, yeah, we eat turkey. LAUGHTER | :30:55. | :30:57. | |
What do you eat at Christmas? turkey. | :30:57. | :31:07. | |
Do you eat cranberry sauce? Macaroni sauce and potato salad? | :31:07. | :31:12. | |
Now that's American. You have some sort of thing, you | :31:12. | :31:20. | |
call it pea Tayto salad - potato salad, but there is green stuff on | :31:20. | :31:27. | |
the top and and marshmallows. There is a green bit on the top that is | :31:27. | :31:36. | |
like... Somebody was feeding you something funny. | :31:36. | :31:38. | |
APPLAUSE That was mould. | :31:38. | :31:48. | |
:31:48. | :31:54. | ||
They were trying to impress you. They put green shi t in it! | :31:54. | :31:55. | |
LAUGHTER LA has a culture shock for anyone. | :31:55. | :32:01. | |
You must have found it when you went over for ER? Yes. | :32:02. | :32:05. | |
That must have been an odd experience? It took me a long time | :32:05. | :32:12. | |
to get settled actually. I actually did feel very lost actually | :32:12. | :32:16. | |
initially and, but after a while then it sort of settled in. And I | :32:16. | :32:20. | |
bought myself a, what the English people - you think we are all | :32:20. | :32:30. | |
:32:30. | :32:52. | ||
terribly proper, but when an English person goes... Uptight. | :32:52. | :32:54. | |
LAUGHTER But when an English person goes to | :32:54. | :32:57. | |
LA in particular, the first thing that an English person wants to do | :32:57. | :33:00. | |
is get a convertible or get a big old retro car or something so of | :33:00. | :33:02. | |
course, I got a 1970 elder rad owe cadillac... A pimp mobile. | :33:02. | :33:05. | |
And that's what I kind of drove around and I thought I was super | :33:05. | :33:07. | |
cool except she kept breaking down all the time. | :33:07. | :33:10. | |
I have just come back from LA, there is lovely weather. If a man | :33:10. | :33:15. | |
or woman come up to you and they are friendly, engaging and | :33:15. | :33:19. | |
attractive, and they are really interested in you, they are | :33:19. | :33:27. | |
networking. Several time timesI was talking to ladies, a beautiful lady | :33:27. | :33:32. | |
strikes up conversation with you, "Your card.". When Americans come | :33:32. | :33:36. | |
here and sit on the Tube, the Underground, because Americans are | :33:36. | :33:39. | |
friendly and when they are friendly on the Tube with English people, | :33:39. | :33:46. | |
the English people just go, "What do they want from me?" Americans | :33:46. | :33:50. | |
don't have any compulsion about going, "I heard a lot about you. I | :33:50. | :33:54. | |
want to pick your brain." If you say that to the average English | :33:54. | :34:00. | |
person, they would be like, "I think not.". You seem so American, | :34:00. | :34:05. | |
but you found LA a bit of a shock, coming from the south, didn't you? | :34:05. | :34:10. | |
Yeah. I had never really been to LA until I was 14 years old. | :34:10. | :34:15. | |
Did you find them rude? Yes. Or did they think you were polite? | :34:15. | :34:22. | |
I had to say, yes, mam and no, sir. I had to call everybody Mrs Adams | :34:22. | :34:26. | |
or Mr Smith. I wasn't used to it when, you know, everybody was sort | :34:26. | :34:31. | |
of calling each other. I don't know, there was no revance for your | :34:31. | :34:34. | |
elders. Do you carry on the tradition with | :34:34. | :34:40. | |
your own children now? Well, I try, but it's, it's a huge task trying | :34:40. | :34:45. | |
to get those task. They will say please and thank you, but mam and | :34:45. | :34:55. | |
:34:55. | :34:59. | ||
sir has gone... My mother used to punch me in the face... | :34:59. | :35:02. | |
LAUGHTER Well, what a top tip! | :35:02. | :35:07. | |
Lovely talking to everyone tonight. It is time for some music. Before | :35:07. | :35:13. | |
we hear tonight's stories in the red red chair. I want to introduce | :35:13. | :35:20. | |
you to one of my favourite bands. Performing their single The Last Of | :35:20. | :35:29. | |
# She got the last, # She got the last, last, last of | :35:29. | :35:36. | |
# She got the last, # She got the last, last, last of | :35:36. | :35:39. | |
# If you could peel my heart, # Pull back the folds of sorrow, | :35:39. | :35:42. | |
# You'll see there's nothing left to see. | :35:42. | :35:45. | |
# But take a closer look and you'll find her faint, faint footprints | :35:45. | :35:49. | |
taking the final piece of me. # Cause when you're too in love you | :35:49. | :35:57. | |
cannot see the edge. # There is no danger in giving her | :35:57. | :36:06. | |
want she asks for. # She got the last, | :36:06. | :36:11. | |
# She got the last, last, last of # She got the last, | :36:11. | :36:17. | |
# She got the last, last, last of # She took it all she took it all. | :36:17. | :36:23. | |
# She got the last, # She got the last, last, last of | :36:23. | :36:33. | |
:36:33. | :36:48. | ||
# What can I offer you? # No it's not fair to see the days | :36:48. | :36:51. | |
energy you give me when you get nothing for yourself. | :36:51. | :36:53. | |
# But I was too in love to notice anything. | :36:53. | :36:59. | |
# I saw no danger in giving her what she asked for. | :36:59. | :37:02. | |
# She got the last, she got the last, she got the last, last, last | :37:02. | :37:04. | |
of me. # She got the last, | :37:04. | :37:14. | |
:37:14. | :37:18. | ||
# She got the last, last, last of # She took it all, she took it all. | :37:18. | :37:21. | |
# She took it all she took it all. # She got the last, | :37:21. | :37:28. | |
# She got the last, last, last of # Oh she sunk her claws in me, | :37:28. | :37:36. | |
# And drew my blood so secretly, # But she was nothing but a liar, | :37:36. | :37:39. | |
# Closer to a vampire, vampire, vampire, vampire, vampire. | :37:39. | :37:46. | |
# She got the last, # She got the last, last, last of | :37:46. | :37:53. | |
# She got the last, # She got the last, last, last of | :37:53. | :38:03. | |
:38:03. | :38:04. | ||
# She took it all she took it all. # She took it all, she took it all. | :38:04. | :38:07. | |
# She got the last, she got the last, she got the last, last, last | :38:07. | :38:09. | |
of me. # She got the last, | :38:09. | :38:13. | |
# She got the last of me. # She took it all from me. | :38:13. | :38:16. | |
# She got the last of me. # She took it all from me. | :38:16. | :38:26. | |
:38:26. | :38:35. | ||
# She got the last of me. The Musgraves. | :38:35. | :38:38. | |
Come over here. Come and join us. Hello, sir. | :38:38. | :38:43. | |
Hello. Come and sit down. There is | :38:43. | :38:48. | |
Reginald and Alex and it is all very lovely. | :38:48. | :38:58. | |
:38:58. | :39:01. | ||
There you go. Sit yourself down, sir. Oh, we liked that, didn't we? | :39:01. | :39:04. | |
Matthew Bennett, you are representing The Musgraves? | :39:04. | :39:08. | |
best I can. Now, you poor things because the | :39:08. | :39:16. | |
lord give giveth and the lord taketh away. | :39:16. | :39:22. | |
This is the first time on TV, I had a good night's sleep and six owe | :39:22. | :39:28. | |
o'clock in the morning, it is the drummer, "Have I overslept? The van | :39:28. | :39:35. | |
has been nicked. All our clothes, all our stuff. I mean look at this. | :39:35. | :39:42. | |
That's proof. It has definitely been stolen when you see that. | :39:42. | :39:48. | |
The Musgraves CD is out now. Please, buy more than one. | :39:48. | :39:53. | |
It is like a read live Band Aid, but we get all the money! | :39:53. | :39:57. | |
Listen, I hope 2012 will be brilliant for you. Everyone just | :39:58. | :40:02. | |
buy loads. Just so you know, Oprah would give | :40:02. | :40:10. | |
him a house! APPLAUSE | :40:10. | :40:13. | |
OK, before we we go tonight, just in time for a story in the red | :40:13. | :40:15. | |
chair. Who is up first? Who is up first? Hello. | :40:15. | :40:25. | |
:40:25. | :40:30. | ||
Hi, what's your name? Ayah. LAUGHTER | :40:30. | :40:32. | |
That sounds like something you would say stalling for time! | :40:33. | :40:39. | |
It is like pulling letters out of a Scrabble bag. Tas high score, but I | :40:39. | :40:49. | |
:40:49. | :40:50. | ||
am not sure? What is your surname? Vandabush. | :40:50. | :41:00. | |
:41:00. | :41:02. | ||
Show won the name Lottery, didn't she? I have a wonderful bush! | :41:02. | :41:05. | |
OK, I am sorry, we are just laughing at you! | :41:05. | :41:15. | |
:41:15. | :41:19. | ||
And that's not right. Do you come from a a large family of Vandabush, | :41:19. | :41:28. | |
are there many of you you? No, just my dad's side. My mum is not one | :41:28. | :41:38. | |
:41:38. | :41:42. | ||
any more. Vandabush. | :41:42. | :41:50. | |
It sounds like a Swedish porn name. OK. OK. Off you go with your story. | :41:50. | :41:55. | |
OK, I was in Belgium with my boyfriend at the time and his | :41:55. | :42:01. | |
parents and we had such a lovely time that his parents invited me to | :42:01. | :42:06. | |
stay, me and my boyfriend to stay with them at the hotel which | :42:06. | :42:11. | |
meant... Wait a minute, this is as dodgy as it sounds? | :42:11. | :42:16. | |
It gets worse. Oh no! | :42:16. | :42:26. | |
:42:26. | :42:26. | ||
And yeah, we ended up sharing a king sized bed... What? What? | :42:26. | :42:31. | |
my boyfriend and his mum and his dad and my boyfriend obviously in | :42:31. | :42:35. | |
the middle of the night didn't feel comfortable sleeping between me and | :42:35. | :42:45. | |
:42:45. | :42:55. | ||
his mum. LAUGHTER | :42:55. | :42:58. | |
And he woke me up and got up and pushed me towards his mum and I | :42:58. | :43:00. | |
suddenly woke up hearing someone saying, "Aya, Aya, David is on the | :43:00. | :43:03. | |
other side." It turned out I was making up with his mum. | :43:03. | :43:08. | |
LAUGHTER That was so wrong. | :43:08. | :43:13. | |
If you would like to join me in the red chair, go to our website at | :43:13. | :43:20. | |
this very address. Thank you to my guests the night, The Musgraves, | :43:20. | :43:24. | |
Reginald D Hunter, Alex Kingston and and Reese Witherspoon. | :43:24. | :43:34. | |
:43:34. | :43:36. |