Browse content similar to Episode 14. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE. | :00:03. | :00:06. | |
Well ladies, have you heard who's visiting Chatford this week? Only | :00:06. | :00:11. | |
Britain's most famous Dame? And that nice young man from Slumdog | :00:11. | :00:17. | |
Millionaire. Not to mention that amusing spinster from the Great | :00:17. | :00:23. | |
British Bake-off. Oh, and they've got that gay singer who won Pop | :00:23. | :00:27. | |
Idol. I know, there goes the neighbourhood. Let's start the | :00:27. | :00:37. | |
:00:37. | :00:56. | ||
show! APPLAUSE Oh! Hello! Hello, everybody! Hello! | :00:56. | :01:01. | |
Yes! Yes! Welcome all. We've got a great show for you tonight. | :01:01. | :01:11. | |
:01:11. | :01:11. | ||
Britain's greatest actress, Dame Judi Dench is here. I know! Star of | :01:11. | :01:14. | |
Slumdog Millionaire, Dev Patel is here. Fantastic. | :01:14. | :01:24. | |
The hilarious Sue Perkins is on the show. Plus we've got chat and music | :01:24. | :01:32. | |
from Will Young. I love Sue! Glad they've all made it, through all | :01:32. | :01:41. | |
the cold and snow. It is cold, isn't it? It is cold! Yes, so cold, | :01:41. | :01:48. | |
that Denise Welch had to wear a bra! She did! I'm told that the bad | :01:48. | :01:53. | |
weather affected the whole country. In Essex, some people spent all | :01:53. | :02:02. | |
night in their cars and they were not even dogging! Talking of | :02:02. | :02:05. | |
February, is everyone looking forward to Valentine's Day?! Look | :02:05. | :02:09. | |
at the men in the audience, going again? Now, the problem with | :02:09. | :02:12. | |
Valentine's Day, it has become so commercial. Very commercial, isn't | :02:13. | :02:18. | |
it? So, here is a money-saving tip. Get your Valentine's Day from ASDA. | :02:18. | :02:22. | |
Yeah, there it is! Now, I have one here. | :02:22. | :02:32. | |
:02:32. | :02:36. | ||
It is lovely. 7 pence ladies and gentlemen. Ah - | :02:36. | :02:39. | |
nothing says 'I love you' like buying a card with the change you | :02:39. | :02:42. | |
found in the car ashtray. Still, there's a nice verse inside. 'Roses | :02:42. | :02:50. | |
are red, violets are blue, this is how little, I think of you'. Let's | :02:50. | :02:55. | |
get the guests on. Later on we are meeting Will Young! But first, it | :02:55. | :03:05. | |
:03:05. | :03:08. | ||
is the icing on the cake, it is Sue Perkins! Hello! Sit yourself down! | :03:08. | :03:16. | |
And, for the final answer... It is depev Dev! -- Dev! Hello, sir. | :03:16. | :03:24. | |
And, there is really nothing like this dame, it is Dame Judi Dench! | :03:24. | :03:34. | |
:03:34. | :03:36. | ||
# There nothing like a dame. # There is nothing like a dame. # | :03:36. | :03:40. | |
APPLAUSE Oh! How thrilling to have you all | :03:40. | :03:42. | |
here. Thank you. | :03:42. | :03:48. | |
It is. We have never had you before on the sofa? No, you have not. Only | :03:48. | :03:52. | |
as a director, Graham. Shall we gloss over that at that? I know, I | :03:52. | :03:59. | |
was in a play. Dame Judi Dench had to shout at me as I was shit. | :03:59. | :04:03. | |
It is true. No, I have seen her angry, it is | :04:03. | :04:07. | |
not a good look. What did he do? Nothing. | :04:08. | :04:14. | |
What was required of him? A lot. I was poor! I know you are busy, | :04:14. | :04:19. | |
you have been to the new film, and you are in the middle of filming | :04:19. | :04:23. | |
Bond. Yes. And M has a bigger part in the | :04:23. | :04:27. | |
story? Can I tell you anything about that, Graham, without being | :04:27. | :04:33. | |
shocked tomorrow morning when I get on the set? I was hoping that you | :04:33. | :04:37. | |
could? No, I can't tell you a single word about it. | :04:37. | :04:42. | |
Chat show gold, but, excitingly, I hear that Dev Patel is in the | :04:42. | :04:48. | |
opening ceremony of the Olympics? No, I'm not! You are not well | :04:48. | :04:56. | |
informed on that one! So far, so good! How did we think you were | :04:56. | :05:00. | |
doing the opening ceremony of the Olympics? I haven't a clue, man. | :05:00. | :05:04. | |
Sorry. He should be, though, shouldn't he? | :05:05. | :05:13. | |
I'm the least bit athletic. Look at You are tall, young. Handsome, | :05:13. | :05:17. | |
lithe. You can carry a torch. Hey, if all | :05:17. | :05:23. | |
else fails you can hop into one of these costumes. They are poor, | :05:23. | :05:28. | |
aren't they? They look like they are advertising tooth decay. | :05:29. | :05:33. | |
The blue one looks like he has a wet patch in the wrong place. | :05:33. | :05:38. | |
Are you involved, Dame Judi Dench? Not at all. I shall watch quietly | :05:38. | :05:44. | |
with my feet up the chimney. So, we have the Olympics, the | :05:44. | :05:47. | |
Queen's Diamond Jubilee, the Great British Bake Off, shrl one of Her | :05:47. | :05:51. | |
Majesty's favourite programmes, are you doing a special for that? | :05:51. | :05:55. | |
are doing a special one for Her Majesty live at Balmoral! No, we | :05:55. | :06:01. | |
are not. I don't think that she would love it, do you think? | :06:01. | :06:03. | |
Everyone loves the Great British Bake Off. | :06:03. | :06:07. | |
This is a programme, imagine you making big feature films, this is | :06:07. | :06:14. | |
me and my friend, Mel, staring as people cry over a collapsed | :06:14. | :06:19. | |
marmalade loaf. Meanwhile, there are us and seven camera men trying | :06:19. | :06:24. | |
to get the crumb action at the right moment. There is 100... The | :06:24. | :06:29. | |
camera that pulls from the scone, the camera going into the lemon | :06:29. | :06:35. | |
cake and the one like the matrix that goes around the torte in case | :06:35. | :06:40. | |
it should destabilise. I just say the word "bake", that is all that I | :06:40. | :06:44. | |
have to do. You do it very well, but we have | :06:44. | :06:48. | |
evidence that there is a baker in the land, interested in the Queen's | :06:48. | :06:53. | |
Diamond Jubilee. He has baked this lovely cake... What is the Corgi | :06:53. | :07:03. | |
doing?! I mean on the day, she will probably have a shave... And | :07:03. | :07:08. | |
perhaps whoever ate the other arm will return it! It is a difficult | :07:08. | :07:12. | |
pose with the right arm. There is a mixed message there. | :07:12. | :07:17. | |
We are not sure where the shoulder is! It is very Cranford there. | :07:17. | :07:22. | |
Everyone loved Cranford. Will we get more Cranford? I don't think so. | :07:22. | :07:26. | |
Not that I know about. Unless they are keeping it quiet. | :07:26. | :07:33. | |
You're not in it! I'm not! You are in it! We were looking at pictures | :07:33. | :07:37. | |
of Cranford. That lovely shot of you there, but what the hell is | :07:37. | :07:44. | |
going on this picture? Oh, yes, well, we are hiding, aren't we?! | :07:44. | :07:50. | |
looks like you were not bothered to put on the full uniform. You wanted | :07:50. | :07:53. | |
to get home early. In sensible slacks. | :07:53. | :08:01. | |
Plain like the news readers. Was there a medical merge in full | :08:01. | :08:07. | |
gash? Oh, yes, a tooth. We were doing a scene. I had to say, "And | :08:07. | :08:15. | |
look at the...." I told them my to the had come out. | :08:16. | :08:23. | |
So, they said, they would get us organised. We were out at Ealing. | :08:23. | :08:28. | |
They said that the dentist will see me. They said that unfortunately | :08:28. | :08:34. | |
there is not time for me to get out of all of this and this and this | :08:34. | :08:38. | |
and this and this, you will have to go as you are. So I did. I went | :08:38. | :08:45. | |
down to the surgery. I walked in. They said, "He'll be coming now." | :08:45. | :08:52. | |
Nobody took a blind bit of notice to me. He said, "Oh, right. Just | :08:52. | :08:59. | |
sit back here." So I lay back. He said, "Open your mouth." He said, | :08:59. | :09:09. | |
:09:09. | :09:10. | ||
"Are you working at all these days?" APPLAUSE | :09:10. | :09:17. | |
I just get dressed up like this to go to the tentist. I always wear a | :09:17. | :09:22. | |
bonnet when I go to the dentist. I'm an actress, silly. What was | :09:22. | :09:27. | |
amazing read being you, preparing for this.I did prepare, seriously. | :09:28. | :09:32. | |
Was that given how long and illustrious your career has been, | :09:32. | :09:36. | |
the big success, the movie success, the American success, that came | :09:37. | :09:41. | |
relatively late and relatively recently? It did come late. It came | :09:41. | :09:45. | |
with Mrs Brown. Which was actually made for | :09:45. | :09:49. | |
television, directed by John Madden who has directed the film and Dev | :09:49. | :09:54. | |
and I are in at the moment. That was originally done for television. | :09:54. | :09:59. | |
It was thanks to Harvey Weinstein that he said we should put this in | :09:59. | :10:04. | |
the cinema. Suddenly I got a film career an went back to America | :10:04. | :10:09. | |
after 38 years. I had been there with the Old Vic. I had never been | :10:09. | :10:14. | |
back. I had such a great time 38 years ago. I thought it would never | :10:14. | :10:19. | |
be the same. Then I went back. Everyone said apart from Mrs Brown | :10:19. | :10:24. | |
and M and the Bond films what other work had I done? So, I thought, | :10:24. | :10:33. | |
that is the whole of Shakespeare, Chekhov... But it was wonderful. It | :10:33. | :10:36. | |
was thrilling. And you were Oscar-nominated for | :10:36. | :10:42. | |
that. I think that I have a picture of you in Mrs Brown... Sorry! | :10:42. | :10:46. | |
APPLAUSE. A silly joke! Here you are with | :10:46. | :10:51. | |
Billy Connolly. Now, I'm confused... With the | :10:51. | :10:56. | |
farting horse! Really? I want to know about the farting horse! | :10:56. | :11:02. | |
there something wrong with it? ask the horse. | :11:02. | :11:09. | |
How often would it? Every step! That is terrible. So if you listen | :11:09. | :11:12. | |
to the soundtrack, that was in the programme? I think that they put | :11:12. | :11:16. | |
music over it. You own a horse? I do. | :11:16. | :11:21. | |
A proper racehorse? Oh, yes, he won the Lincoln and the Brigadier | :11:21. | :11:26. | |
Gerrard. What is it called? Smoky Oaky. He | :11:26. | :11:31. | |
came last at Lingfield on Saturday. That is because he is only out and | :11:31. | :11:34. | |
trying again. OK. I don't know what you are | :11:34. | :11:42. | |
talking about! But I do know that you are a very big animal fan and | :11:42. | :11:47. | |
how many animals do you have now? Animals in my house? Yes, not the | :11:47. | :11:53. | |
horse, we have established that. Do you want to know them? Four cats, | :11:53. | :11:59. | |
one dog, two Guinea pigs, two fish, one of which I gave the breath of | :11:59. | :12:04. | |
life to when he was dying. Let's stop for Ann ek dote there. | :12:04. | :12:11. | |
How did the fish drown? Did you do the staying alive move that Vinnie | :12:11. | :12:16. | |
Jones is doing? I blew in his mouth. I know that I should not have done | :12:16. | :12:23. | |
as he has gills, but he was that size and dying, now... That size. | :12:23. | :12:31. | |
He is now called Lazarus. Was he sinking for floating? He was | :12:31. | :12:37. | |
dying! It was a fish, dying. Lying on the top! Oh, I see. | :12:37. | :12:46. | |
So you gave him the breath of life He doubled in size. | :12:46. | :12:53. | |
You didn't inflate it? Blow him up like a balloon. | :12:53. | :13:03. | |
:13:03. | :13:04. | ||
Blow him up like a Space Hopper. That's fixed it! Oops! Are you OK? | :13:04. | :13:14. | |
:13:14. | :13:15. | ||
Yes, I'm fine! That is 50% proof! But Mrs Brown came along and you | :13:15. | :13:21. | |
were off like a racehorse. The next one Shakespeare In Love that you | :13:21. | :13:28. | |
won the Oscar for. That is not a great look! And winning the Oscar, | :13:28. | :13:32. | |
it is not the largest role in the world... It was a little role. | :13:32. | :13:41. | |
That is what I tried to avoid saying. You are hardly in it! Were | :13:41. | :13:47. | |
the other actresses... You have changed! You were so polite once to | :13:47. | :13:54. | |
me! Were the other actresses a bit peed off that you, the lady who | :13:54. | :14:00. | |
worked for eight minutes? Well, I didn't ask, did I. I just took it | :14:00. | :14:05. | |
and went! Then you kept being nominated for Oscars, six times | :14:05. | :14:10. | |
now? It is fantastic. You mentioned Harvey Weinstein, he was associated | :14:10. | :14:15. | |
with a lot of those movies. Didn't you find a special way to thank | :14:15. | :14:24. | |
him? I did. You haven't got a picture of that?! Picture! No, we | :14:24. | :14:29. | |
don't! I told him that I, because I was so grateful because he gave me | :14:29. | :14:35. | |
a film career, that I had his name tattooed on my bum. He laughed and | :14:35. | :14:42. | |
said, "Oh, yeah." Then we went to lunch. It was at the Four Seasons | :14:42. | :14:50. | |
in New York. Then I got the make-up lady to fake his name on it. So I | :14:50. | :14:54. | |
said, "Do you not believe me?" So I did show him. | :14:54. | :14:59. | |
Well done you! We have never been back there since. | :14:59. | :15:04. | |
Dev with Slumdog Millionaire, that night at the Oscars, how old were | :15:04. | :15:10. | |
you? 18? Yes, I was like a bubble head dog that you get in the back | :15:10. | :15:15. | |
of the car. I was really unprofessional. So unclassy. | :15:15. | :15:19. | |
Terrifying. Did you go hog wild at the party? | :15:19. | :15:26. | |
They give you chocolate Oscars. You really were 18, weren't you! | :15:26. | :15:32. | |
It's chocolate! Yes! I took a wine glass and no-one let me drink | :15:32. | :15:38. | |
alcohol. So I poured cranberry juice and went on the hunt for | :15:38. | :15:44. | |
someone cool. I would have bitten the head off the chocolate vodka | :15:44. | :15:50. | |
and gone around sipping it... Just me, then? Now, Sue Perkins, you | :15:50. | :15:55. | |
were at an award's show, this is unfortunately. I apologise... | :15:55. | :16:00. | |
are you bringing this out? You have Dame here and a beautiful man. | :16:00. | :16:02. | |
Extraordinary stars. It is extraordinary you have done | :16:02. | :16:07. | |
this. He is going to humiliate me. What | :16:07. | :16:12. | |
award show were you at? I was at a Stone Wall awards. It got a little | :16:12. | :16:17. | |
out of hand, as you know because you have evidence of it. | :16:17. | :16:22. | |
Yes. So you were talking to a man? | :16:22. | :16:28. | |
was a lovely man. He was beautiful, we were very drunk. He said he had | :16:28. | :16:34. | |
the softest balls in Britain. When somebody says that to you, do you | :16:34. | :16:40. | |
not then want to seek proof? I beseeched you! Do you take it at | :16:40. | :16:50. | |
:16:50. | :16:53. | ||
red, Judi or say, "Bang them out."? Bang them out. Would you say bang | :16:53. | :17:01. | |
them out? I would. I can't believe this! What were you | :17:01. | :17:07. | |
thinking?! I was drunk! So I had the award. It was almost perfectly | :17:07. | :17:12. | |
designed for the slow thud of a gentleman's genitalia. | :17:12. | :17:16. | |
I had it like that and it sort of slapped on and then somebody took a | :17:16. | :17:24. | |
picture of it. That is all that happened, Graham! They were very | :17:24. | :17:29. | |
beautiful balls! Can we bare to show that on television? We have to. | :17:29. | :17:36. | |
I have such bad eyesight, I have missed it! Well, focus on Sue's | :17:36. | :17:46. | |
:17:46. | :17:52. | ||
nice face... APPLAUSE They were lovely balls! Aren't they | :17:52. | :17:56. | |
lovely? They are so tidy. They were like velvet. I did not | :17:57. | :18:02. | |
touch them for long. I started to feel a voice over, "Have you been | :18:02. | :18:07. | |
affected by anything you have seen in this programme "that got out of | :18:07. | :18:13. | |
hand. I'm glad it's been aired. Thank you! It is over. Deep breaths | :18:13. | :18:16. | |
everyone and moving on. Let's talk about the The Best Exotic Marigold | :18:16. | :18:20. | |
Hotel. Dev and yourself, you are both in this film it is released on | :18:20. | :18:27. | |
the 24th of February. It is Dev and Dame, an amazing cast list as well. | :18:27. | :18:37. | |
:18:37. | :18:37. | ||
Talk me through some the people in it? Hmm...? Do we remember anyone? | :18:38. | :18:44. | |
Well, Bill Nighy is in it, Dame Maggie Smith, Tom Wilkinson, | :18:44. | :18:52. | |
Penelope Wilton, Ramona Marquez. Dev Patel. | :18:52. | :18:57. | |
You would love this film it is funny, warm, touching. | :18:57. | :19:02. | |
It is a great advertisement for India. You would want to go. | :19:02. | :19:09. | |
Which of you would like to tell me ewhat it is about? It is about a | :19:09. | :19:13. | |
German scientist... Sue, not you. Dev will tell you. | :19:13. | :19:20. | |
It is about a young boy! I play a dude called Sonny. He has a brain | :19:20. | :19:26. | |
wave to outsource older age. His father left him this beautiful home | :19:26. | :19:31. | |
which he decides to turn into a care home for the elderly and he | :19:31. | :19:35. | |
uses Photoshop to turn it into a beautiful palace and dupe these | :19:35. | :19:39. | |
guys into coming down. Travelling thousands of miles and they get | :19:39. | :19:45. | |
there and everything is just... I mean imagine flying across the | :19:45. | :19:49. | |
world to this place run by me and all is not what it seems and | :19:49. | :19:54. | |
madness ensues, I guess. We have a clip. This is really a | :19:54. | :20:04. | |
:20:04. | :20:04. | ||
Apology for the loss of subtitles for 42 seconds | :20:04. | :20:47. | |
flavour of India and all of you Watch it! Welcome to The Best | :20:47. | :20:57. | |
:20:57. | :21:04. | ||
Does it exist? Yes, it does. That was the amazing thing. It took us | :21:04. | :21:08. | |
an hour-and-a-half to get to this place out in the desert. | :21:08. | :21:13. | |
It was a real building? It had the rooms for each character. Ronnie | :21:13. | :21:18. | |
has a room. He lives in the trees. Literally there are trees egrowing | :21:18. | :21:22. | |
in through the windows. It is a beautiful character of the film. | :21:22. | :21:27. | |
room was just built on the roof. You could have stayed there forever. | :21:27. | :21:35. | |
You really get the sense it is a real place? Yes. | :21:35. | :21:40. | |
Judi in India, in terms of being on set in location, how famous are you | :21:40. | :21:45. | |
in ind car? Not very. If famous at all, for James Bond. | :21:45. | :21:51. | |
It goes everywhere? Yes, it does. Surprisingly. What can you tell us | :21:51. | :22:00. | |
about the upcoming James Bond film? We are chipping away! M's the | :22:00. | :22:03. | |
badie! We'll get there yet. Dev, because of Slumdog Millionaire | :22:03. | :22:10. | |
are you a massive star in India? Did that movie do well there? | :22:10. | :22:14. | |
of. They hold a special place for that movie. They are proud of it. | :22:14. | :22:23. | |
When I meet people they are so excitable. I am not your gern | :22:23. | :22:28. | |
boiled -- generic Bollywood superstar. I don't stand out. They | :22:28. | :22:38. | |
are all chiseled. When you go and people recognise you, they start | :22:38. | :22:42. | |
talking in Hindi and I don't know what they are saying. Then they | :22:42. | :22:48. | |
realise I'm a foreigner and charge me over the odds! You can afford | :22:48. | :22:51. | |
it! Clearly Slumdog Millionaire did change your life? Definitely. | :22:51. | :22:55. | |
Completely. You didn't just find fame on the | :22:55. | :22:59. | |
film, but your lovely lady friend, Freida Pinto, there you are | :22:59. | :23:03. | |
together. Look at me! I'm not sure what she | :23:03. | :23:11. | |
is doing in that picture, but you seem pleased! All I can say is | :23:12. | :23:15. | |
beware. If you look down, Sue's face is | :23:15. | :23:25. | |
:23:25. | :23:26. | ||
down there. There were lots of rumours about | :23:26. | :23:31. | |
you getting ingauged? No, mate. I'm 21, dude. | :23:31. | :23:39. | |
There were rumours, but we are not. No. We are just working hard. | :23:40. | :23:46. | |
That's for you, mum! I read that your mum was quite upset that it | :23:46. | :23:53. | |
was not true? She thought it was true? Well, she, we flew, it | :23:53. | :23:59. | |
started we were on... Why am I telling you this?! God! Because it | :23:59. | :24:02. | |
is a shat show. I thought that no-one thought that | :24:02. | :24:08. | |
I fancied her on the set, but apparently I looked like a massive | :24:08. | :24:13. | |
love sick puppy and nobody knew, but everyone knew, but persistence | :24:13. | :24:18. | |
is the key for any man out there. Grind them down, eventually they | :24:18. | :24:25. | |
will say "yes". I told my mum I was making a film in Philadelphia. I | :24:25. | :24:29. | |
said I had so many big scenes that I would not be able to talk to her. | :24:29. | :24:33. | |
Normally I talk to my mum a lot. She wants to know what I'm eating | :24:33. | :24:36. | |
and all of that stuff. Of course. | :24:36. | :24:42. | |
I did this thing that I have never done but pestered paramount | :24:42. | :24:47. | |
pictures so hard and they let me fly to Tel Aviv, to see Freida, | :24:47. | :24:52. | |
filming out there. We went out to dinner and we got papped for the | :24:52. | :25:00. | |
first time. My mum gave me a call. So, son, how is Philadelphia?! It | :25:00. | :25:04. | |
was great, but from then on I could not hide it. | :25:04. | :25:09. | |
Your mother sounds like a force of nature? She is a force of nature. | :25:09. | :25:15. | |
She is cool. She is so unphased by everything. She came to the set and | :25:15. | :25:19. | |
I was worried about bringing her to India because of all of these guys | :25:19. | :25:25. | |
in the film. We got a room and I told her to be good. Not to pester | :25:25. | :25:30. | |
anybody! I would come back home and she shows her camera and there are | :25:30. | :25:34. | |
50 different poses with eight different locations with managie. | :25:34. | :25:39. | |
They are like chums. And poor managie! She had to | :25:39. | :25:47. | |
entertain my mum! With Bill, with people from the hotel, everyone! | :25:47. | :25:55. | |
Was it your mother, who forced you into auditioning for Skins? Yes, | :25:55. | :25:59. | |
she Z I owe a lot to her. She saw the | :25:59. | :26:04. | |
open casting call. I was 16. She saw this thing. She dragged me | :26:04. | :26:09. | |
to the casting call. I thought she had gone crazy. We queued outside | :26:09. | :26:15. | |
of the National Youth Theatre. There were all of these drama types. | :26:15. | :26:22. | |
I was there in my backpack with my school uniform and my mum. | :26:22. | :26:27. | |
Did your mother have any idea of the sort of show that Skins is? | :26:27. | :26:32. | |
remember the casting director saying that it was a little racy, | :26:32. | :26:37. | |
but everything would be fine. In the first episode I get my cheeks | :26:37. | :26:41. | |
out. You know, those cheeks. In Indian | :26:41. | :26:50. | |
families, this is big, so she invited everyone from the -- for | :26:50. | :26:58. | |
the first showing. I think a relative was flown in from India. | :26:58. | :27:03. | |
Was it a hushed reaction when the Dev cheeks came out? She was | :27:03. | :27:10. | |
embarrassed. Then she was happy that I wasn't gay! APPLAUSE. | :27:10. | :27:16. | |
Every cloud! Tell me ethis, you have never done a celebrity Who | :27:16. | :27:24. | |
Wants To Be A Millionaire? They asked me, but I would be far too | :27:24. | :27:27. | |
stupid. Do you think? Well, I tell you what, | :27:27. | :27:33. | |
we are in a television studio show, we have lights. We have a few | :27:33. | :27:40. | |
questions. Here we go. No! No! So, Dev Patel? Yes. | :27:40. | :27:45. | |
You are an actor? Yes. You have worked with a lot of | :27:45. | :27:50. | |
celebrities? A little bit. How much do know about your co-star, | :27:51. | :27:55. | |
Dame Judi Dench. Go ahead. | :27:55. | :28:00. | |
Here is your question. When Dame Judi Dench was a child, what did | :28:00. | :28:10. | |
:28:10. | :28:24. | ||
she push through a neighbour's What is your first thought? She is | :28:24. | :28:28. | |
cheeky. She has a deadly sense of humour. I will go for something | :28:29. | :28:32. | |
risky. You can ask the audience. | :28:32. | :28:42. | |
:28:42. | :28:43. | ||
ALL SPEAK AT ONCE B! I think it is a dead rat. She is not a dog poo | :28:43. | :28:49. | |
lady! OK, what are you going for? think the rat. | :28:49. | :28:56. | |
You are going with C, the rat? Final answer? Yes. | :28:56. | :29:03. | |
Dev... You could have said petrol bomb... The correct answer is... C! | :29:03. | :29:13. | |
:29:13. | :29:14. | ||
A dead rat! Thank you! Judi?! What were you thinking?! It is true? | :29:15. | :29:19. | |
Absolutely true. Why? We used to play. We had a long, | :29:19. | :29:25. | |
long garden. We had a lot of gardens coming at right angles to | :29:25. | :29:29. | |
it. My two older brothers were always playing cricket in the | :29:29. | :29:36. | |
garden. They whacked a ball over into the next door neighbour's | :29:36. | :29:41. | |
garden. They asked for the ball back. We had a barn at the end of | :29:41. | :29:46. | |
the garden. The boys found a dead rat in it. They parceled it up, | :29:47. | :29:52. | |
they said to me, I was much younger than they were. To push it through | :29:53. | :29:59. | |
the letter box. So I Z she came around to see our father. | :29:59. | :30:03. | |
The funny thing is how classy she makes that incident out. So | :30:04. | :30:09. | |
beautiful and pretty! If I said that... Because I said it was | :30:09. | :30:19. | |
:30:19. | :30:20. | ||
nicely wrapped! I have you this wrap, Mrs Lazenby. Talking of | :30:20. | :30:25. | |
naughty children, Sue Perkins, how old were you when you went on the | :30:25. | :30:34. | |
ET ride at universal studios? was... 28! Yes, I went on the ET | :30:34. | :30:42. | |
ride at the Universal Studios. What did you do? Well, there is a | :30:42. | :30:47. | |
speaker when you go in. You get to say your name so that ET can say | :30:47. | :30:55. | |
goodbye to you personally when you leave. So I said "banker." So I | :30:55. | :31:02. | |
went up on the bike. It was a the lovely moving music. I was excited. | :31:02. | :31:06. | |
As you come down the ramp, I did not realise there were so many | :31:06. | :31:16. | |
:31:16. | :31:17. | ||
children there and me, 28. There was ET. The finger was lit..., | :31:17. | :31:26. | |
"Goodbye, banker."! APPLAUSE. Right, it is music time. Not only | :31:26. | :31:31. | |
is my next guest everyone's favourite Pop Idol, but Dame Judi | :31:31. | :31:38. | |
Dench has seen him naked. Please, welcome Will Young, everybody! So | :31:38. | :31:48. | |
smart! Good to see you. Very polite. | :31:48. | :31:54. | |
Well done. Well done. I have warmed it up for you. | :31:55. | :32:01. | |
you have! You are in the Dame Judi Dench Dent! There you go. | :32:01. | :32:07. | |
I've been doing that all week! I don't know why, it is just a funny | :32:07. | :32:10. | |
surname. So, how long ago? It's been a while since you worked | :32:10. | :32:17. | |
together. When was Mrs Henderson Presents? When was it? Seven years | :32:17. | :32:24. | |
ago. I reckon. Seven years ago?! Yes, it was more | :32:24. | :32:31. | |
than three! Was it seven? My God. You were in a similar position to | :32:31. | :32:40. | |
Dev, you were not an experienced actor, then here you were with Bob | :32:40. | :32:44. | |
Hoskins and Dame Judi Dench. It was amazing to be in said | :32:44. | :32:49. | |
company and to learn, for my first acting job, to learn from a | :32:49. | :32:54. | |
wonderful director and wonderful actors. A dream. | :32:54. | :32:58. | |
You did have the awful pressure of getting your kit off. That must | :32:58. | :33:02. | |
have made it worse? Yes it did. I didn't think about it being on the | :33:02. | :33:06. | |
screen. I just thought about the people in the room. | :33:06. | :33:11. | |
There were a lot of you getting your kit off. Including Bob and | :33:11. | :33:19. | |
Toby Jones. Yes, Toby. He was, Lloyd as well, but Bob didn't have | :33:19. | :33:23. | |
to take his clothes off for some of the scenes when they were shooting | :33:23. | :33:30. | |
us, but he still did. Because he is a filthy pervert! | :33:30. | :33:35. | |
Exclusive! Now, I read. I read something that Dame Judi Dench said | :33:35. | :33:41. | |
in the press about seeing you in that scene. Do you know what she | :33:41. | :33:48. | |
said? Were you cruel? What did you say? I have no idea! Well, don't | :33:48. | :33:54. | |
answer that yet, Will. Lights and music, please. | :33:54. | :33:59. | |
Will Young, you're a musician, an actor, but how much do you know | :33:59. | :34:09. | |
:34:09. | :34:09. | ||
Apology for the loss of subtitles for 42 seconds | :34:09. | :34:53. | |
about Dame Judi Dench? Here is your I reckon, I reckon you said... B: | :34:53. | :35:03. | |
Ten out of ten! Oh, that has not got a good reaction, has it? Not | :35:03. | :35:08. | |
like an Argos pen? Final answer? Final answer. | :35:08. | :35:14. | |
You said ten out of ten. You could have had an Argos pen. You have | :35:14. | :35:22. | |
have been like a monster. B is the right answer! APPLAUSE. | :35:22. | :35:25. | |
Very good. Did you really say that? Yes. | :35:25. | :35:31. | |
Oh, yes, definitely. I can't imagine the situation where | :35:31. | :35:37. | |
someone asks you, what did you reckon on Will Young? Ten out of | :35:37. | :35:41. | |
ten! Thank you. That is all we have time for. | :35:41. | :35:45. | |
Great fun. So, you are singing something | :35:45. | :35:49. | |
special for us tonight? Yes, I wrote a song called Silent | :35:49. | :35:55. | |
Valentine on the album. So I'm going to do that tonight. | :35:55. | :36:02. | |
It is off the album, Echoes, it has done so well? Yes, it has been | :36:02. | :36:06. | |
doing so well. Silent Valentine is it written for | :36:06. | :36:13. | |
someone? About someone? Yes, it was written about an ex. Yes, and I ran | :36:13. | :36:23. | |
:36:23. | :36:33. | ||
into him. Not in my car, I mean..., That is why it is Silent Valentine. | :36:33. | :36:40. | |
It's been lovely talking to you. Will, will you go and get ready. | :36:40. | :36:44. | |
The lit area awaits. Will you shove back up here now. In | :36:44. | :36:49. | |
a minute, we have the stories in the Big Red Chair, but first, | :36:49. | :36:59. | |
:36:59. | :37:03. | ||
performing Silent Valentine. It is Will Young! | :37:03. | :37:12. | |
# Oh, I knew I'd run into you, I had that feeling | :37:12. | :37:18. | |
# There's a light in the room as you appear | :37:18. | :37:28. | |
:37:28. | :37:29. | ||
# I'm in your shadow again # It's clear already | :37:29. | :37:35. | |
# I will try to not fall apart # Yeah | :37:35. | :37:42. | |
# So I'm asking quietly # Trying to look into your eyes | :37:42. | :37:51. | |
# It's what I'm feeling # You will always be my silent | :37:51. | :37:54. | |
Valentine # You'll always be my violent | :37:54. | :38:04. | |
:38:04. | :38:12. | ||
Valentine # People coming around us, saying | :38:12. | :38:18. | |
oh, what a pair we make # It's been three years or maybe | :38:18. | :38:21. | |
more # It feels like a day | :38:21. | :38:31. | |
:38:31. | :38:37. | ||
# Still you make my heartache # My words are frozen | :38:37. | :38:41. | |
# All this hurt runs down to my fears | :38:41. | :38:44. | |
# Walking away is the hardest thing to do | :38:44. | :38:54. | |
# But I most leave # It's what I'm feeling | :38:54. | :38:59. | |
# You'll always be my silent Valentine | :38:59. | :39:03. | |
# You'll always be my silent Valentine | :39:03. | :39:13. | |
:39:13. | :39:20. | ||
# You'll always be my silent Valentine | :39:20. | :39:30. | |
:39:30. | :39:37. | ||
# Oh,, you'll always be my silent Valentine | :39:37. | :39:47. | |
:39:47. | :40:19. | ||
# Oh, you'll always be my silent Valentine. # APPLAUSE | :40:19. | :40:29. | |
Good! Good! Will Young, everybody! Well done. | :40:29. | :40:39. | |
:40:39. | :40:43. | ||
Thank you so much. We were all in awe of you. Well | :40:43. | :40:51. | |
done. Will, here for you... What can I | :40:51. | :40:58. | |
say it is tragic but this makes me really happy! I love it at the end | :40:58. | :41:03. | |
of the sofa for Valentine's Day. Right, before we go... Alright love | :41:03. | :41:10. | |
birds. Time for a story or two in the Red Chair. Who is up first? | :41:10. | :41:16. | |
Hello. Hi, who are you? My name is Katherine. | :41:16. | :41:24. | |
Where are you from? I'm from Texas. Are you visiting? I live here now. | :41:24. | :41:29. | |
I have been here for three years. What do you do? I live here which | :41:30. | :41:36. | |
my husband. He works all over. We were in Turkey, Indonesia, now we | :41:36. | :41:45. | |
are in London in civilisation... APPLAUSE | :41:45. | :41:50. | |
That was your welcome to London hello. | :41:50. | :41:54. | |
I was against her early on. You are the worst kind of Tourist | :41:54. | :41:58. | |
Board. Terrible. Do we do another one out there? Oh, | :41:58. | :42:08. | |
hello. Now, I'm excited, they're excited! What is your name? I am | :42:08. | :42:14. | |
Annaleese. What do you do? I'm a student. | :42:14. | :42:24. | |
:42:24. | :42:45. | ||
What are you a student of? I'm at Tell your story. | :42:45. | :42:55. | |
:42:55. | :42:55. | ||
OK, so, me and my mum we are not very clever... We was... No! | :42:55. | :43:05. | |
:43:05. | :43:05. | ||
went on holiday to hod. When we arriveded in -- to Holland. When we | :43:06. | :43:11. | |
arrived in Amsterdam Airport we were trying to find our luggage. We | :43:12. | :43:15. | |
followed this guy. In the end he went to the toilet and we waited | :43:15. | :43:22. | |
for him. That is terrible! I was so hoping | :43:22. | :43:26. | |
it was something brilliant at the end of that! We have no time for | :43:26. | :43:28. | |
anymore. Thank you to my guests, Will Young, | :43:29. | :43:32. | |
Sue Perkins, Dev Patel and Dame Judi Dench. Join me next week with | :43:32. | :43:34. |