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Haye. There is a real cool 70s vibe going on tonight. Why are you | 0:00:01 | 0:00:07 | |
dressed like that? Because it is the star of Boogie Nights is on the | 0:00:07 | 0:00:17 | |
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show. Why are you dressed like that | 0:00:20 | 0:00:22 | |
Because the star of Hunky Dory is on the show. | 0:00:22 | 0:00:27 | |
Why are you dressed like that? Because I always dress like that! | 0:00:27 | 0:00:37 | |
CHEERING AND APPLAUSE Hello. Hello. Hello. Peace, man. | 0:00:37 | 0:00:42 | |
Welcome everybody. We have got a great show for you tonight. Oscar | 0:00:42 | 0:00:49 | |
nominated film star, Mark Wahlberg is here. I know! I know! Oscar | 0:00:49 | 0:00:55 | |
nominated actress, Minnie Driver is here. Comedian, Mark Watson is on | 0:00:55 | 0:01:01 | |
the show. CHEERING AND APPLAUSE | 0:01:01 | 0:01:04 | |
Plus we've got music from the wonderful, Christina Perri. Yes! | 0:01:04 | 0:01:10 | |
Yes! Now, Mark Wahlberg is going to be telling us about his new film, | 0:01:10 | 0:01:14 | |
Contraband. Now it is a thriller set in the world of international | 0:01:14 | 0:01:20 | |
drug smuggling. Now over the years smugglers have got ingenious ways | 0:01:20 | 0:01:24 | |
to conceal things. You might think this is an ordinary swan, but as | 0:01:24 | 0:01:30 | |
soon as the police have gone, she is off! | 0:01:30 | 0:01:32 | |
LAUGHTER It is a model from London Fashion | 0:01:32 | 0:01:36 | |
Week. Yeah, you're laughing now, but come the spring, we will all be | 0:01:36 | 0:01:40 | |
wearing birds on our heads. A Mexican man, right, to try and | 0:01:40 | 0:01:45 | |
smuggle himself across the border into America disguised himself as a | 0:01:46 | 0:01:54 | |
seat on the bus! LAUGHTER | 0:01:54 | 0:02:01 | |
APPLAUSE Once | 0:02:01 | 0:02:01 | |
Once they | 0:02:02 | 0:02:02 | |
Once they caught | 0:02:02 | 0:02:02 | |
Once they caught him, | 0:02:02 | 0:02:04 | |
Once they caught him, of course, you have got to feel sorry for him. | 0:02:04 | 0:02:07 | |
He had to sit there, he couldn't move him. People took pictures and | 0:02:07 | 0:02:11 | |
poked fun at him and laughed at him. He was lucky he got caught because | 0:02:11 | 0:02:14 | |
look who was waiting at the bus stop! | 0:02:15 | 0:02:21 | |
Let's get some guests on, later we will have music from the Gorge use, | 0:02:21 | 0:02:26 | |
Christina Perri. First, it is Mark Watson. | 0:02:26 | 0:02:29 | |
CHEERING AND APPLAUSE Hello, sir. Lovely to see you, have | 0:02:29 | 0:02:35 | |
a seat. Mark Watson. Plus it is Minnie Driver. | 0:02:35 | 0:02:45 | |
0:02:45 | 0:02:47 | ||
CHEERING AND APPLAUSE Mwah. Mwah. And actor, producer and | 0:02:47 | 0:02:57 | |
0:02:57 | 0:03:00 | ||
now guest, it is Mark Wahlberg. CHEERING AND APPLAUSE | 0:03:01 | 0:03:10 | |
There they are. Mark, Minnie, Mark, Mark, Mark. And Mark Wahlberg | 0:03:10 | 0:03:13 | |
welcome to the show. It is the first time having you and welcome | 0:03:13 | 0:03:20 | |
to London, indeed. Yes, we good. CHEERING AND APPLAUSE | 0:03:20 | 0:03:25 | |
And are you OK? Have you just come from Australia? Yes, I'm very | 0:03:25 | 0:03:29 | |
jetlagged and hung over. Really? A double whammy. | 0:03:29 | 0:03:34 | |
That's good, isn't it? If I make no sense whatsoever, please forgive me. | 0:03:34 | 0:03:38 | |
Fit right in! Did you have fun in Australia or was it all work? | 0:03:38 | 0:03:43 | |
was all work. I was there for a day and we flew from Australia to Dubai | 0:03:43 | 0:03:47 | |
and Dubai to here. Oh my God. Yeah. | 0:03:47 | 0:03:50 | |
They treated you like an animal. I have been to prison. | 0:03:50 | 0:03:56 | |
Have you? Only for a short time, don't be nervous! | 0:03:56 | 0:03:57 | |
LAUGHTER It was long ago. | 0:03:57 | 0:04:07 | |
Minnie is all excited now., "Have You?". Do you like prison? No, but | 0:04:07 | 0:04:17 | |
0:04:17 | 0:04:18 | ||
I would love Prison Break. APPLAUSE | 0:04:18 | 0:04:21 | |
It sounds like your kids are a chip off the old block, didn't your kid | 0:04:21 | 0:04:24 | |
injury you, was it karate he did on you? Karate, boxing, whatever they | 0:04:24 | 0:04:26 | |
can do. Whatever they are choosing at the time. | 0:04:26 | 0:04:28 | |
So they are trying to hurt you? very much so. | 0:04:28 | 0:04:38 | |
0:04:38 | 0:04:38 | ||
Because how old are they? Five and three. | 0:04:38 | 0:04:40 | |
LAUGHTER It is like, "Dad, come on and let | 0:04:40 | 0:04:43 | |
me kick you in the nuts." They love to box. They love to fight, but my | 0:04:43 | 0:04:45 | |
three-year-old is terrified of his little sister. | 0:04:45 | 0:04:51 | |
Oh really? She is a biter. She puts the bite and the pinch on. | 0:04:51 | 0:04:56 | |
Are you a new dad, Mark Watson? kid is two today in fact. | 0:04:56 | 0:05:06 | |
0:05:06 | 0:05:07 | ||
Oh. Well... You say ah, some people would be there at the party, but | 0:05:07 | 0:05:11 | |
would be there at the party, but there we go. | 0:05:11 | 0:05:14 | |
LAUGHTER Hash tag, terrible father. Yeah, ah, | 0:05:14 | 0:05:19 | |
was not the noise that my wife made when I said I would be working. He | 0:05:20 | 0:05:23 | |
is too small, the big action is over by now. | 0:05:23 | 0:05:27 | |
Your wife will never let you live that douchblet she will say it is | 0:05:27 | 0:05:35 | |
OK, you better do some serious shopping. You know, it will be some | 0:05:35 | 0:05:40 | |
consolation, when he grouse up as a -- grows up as a damaged teenager | 0:05:40 | 0:05:45 | |
and he will say, "You were never there." I will say like, "It is BBC | 0:05:45 | 0:05:52 | |
One. I was on with Mark Wahlberg and Driver and what am I going to | 0:05:52 | 0:05:55 | |
do, go to your party with balloons." I saw him this afternoon | 0:05:55 | 0:05:58 | |
and I think he recognised me briefly. | 0:05:58 | 0:06:03 | |
How old is your son, Henry, Minnie? He is three. | 0:06:03 | 0:06:08 | |
Doesn't he give you advice? LAUGHTER | 0:06:08 | 0:06:13 | |
I am a single-parent. I am always trying to put together his toys | 0:06:13 | 0:06:16 | |
without, even the English is in Japanese, you know, with the | 0:06:16 | 0:06:20 | |
instructions with the toys. I was trying to put something together | 0:06:20 | 0:06:25 | |
the other day and I was there an hour and I was like, "Henry, it is | 0:06:25 | 0:06:28 | |
not happening." I am frustrated and I can't make this toy and I'm | 0:06:28 | 0:06:38 | |
really sorry. He went, "It is OK mummy, do you need a drink?" | 0:06:38 | 0:06:43 | |
I was trying to think of all the times he must have went, "Goodness, | 0:06:43 | 0:06:48 | |
I got to get a drink." LAUGHTER | 0:06:48 | 0:06:51 | |
Are you coming back to Britain? Would you like Henry to grow up | 0:06:51 | 0:06:54 | |
here? I would actually. I would love him to have part of his | 0:06:54 | 0:06:57 | |
education here because I had such a wicked time at school here. I loved | 0:06:57 | 0:07:04 | |
it. But this is the work? Is there enough work here? It is also, my | 0:07:04 | 0:07:10 | |
nice house in Hollywood would buy me a flat where my sister lives. I | 0:07:10 | 0:07:14 | |
might have been priced out of London. Yeah, it is scary expensive. | 0:07:14 | 0:07:23 | |
You could live in the north. Do you mean like Birmingham? | 0:07:23 | 0:07:25 | |
LAUGHTER You could go further north than | 0:07:25 | 0:07:30 | |
that. I have been on tour and there is a place called Edinburgh. | 0:07:30 | 0:07:35 | |
The weird thing about you going to Hollywood, I assumed work brought | 0:07:36 | 0:07:40 | |
you to Hollywood, but you just went to Hollywood? I went because I was | 0:07:40 | 0:07:45 | |
living in New York where I didn't know anyone and the one girl I knew | 0:07:45 | 0:07:50 | |
she found out her her boyfriend was having relationships with seven | 0:07:50 | 0:07:55 | |
other women and and she said she was going to LA to be a | 0:07:55 | 0:08:02 | |
screenwriter. I was 23, 24 and I was like, "I will come.". Was it | 0:08:02 | 0:08:05 | |
crazy young kids living in Hollywood? Yeah. | 0:08:05 | 0:08:09 | |
That's what it was like. Are you a fan of Entourage? I love | 0:08:10 | 0:08:14 | |
Entourage. It is fantastic. It scares me a bit. | 0:08:14 | 0:08:20 | |
How come you never appeared when we asked you? You never asked me. | 0:08:20 | 0:08:25 | |
That's a lie. He is kidding. | 0:08:25 | 0:08:28 | |
Oh, he is kidding. , " | 0:08:28 | 0:08:36 | |
"we never asked you." We would have if we knew she liked the show. | 0:08:36 | 0:08:42 | |
Was that the start of your producing career? I produced one | 0:08:42 | 0:08:46 | |
other film. It is based on you arriving in | 0:08:46 | 0:08:53 | |
Hollywood? Loosely based. You did have an Entourage? I still | 0:08:53 | 0:08:58 | |
have an Entourage. How do you get rid of an Entourage? You shake them | 0:08:58 | 0:09:03 | |
for a highly, but they end up coming back. I only owned one one | 0:09:03 | 0:09:07 | |
house my life and when I bought the house, I was planning on starting a | 0:09:07 | 0:09:12 | |
family. But as we were walking through the house and my friends | 0:09:12 | 0:09:19 | |
are walking around picking their rooms and I to break it it to them | 0:09:19 | 0:09:25 | |
that they wouldn't be moving in. You really find out who your | 0:09:25 | 0:09:29 | |
friends are. This will ruin our lives? I took a | 0:09:29 | 0:09:36 | |
room and I called it The Barracks and I put triple bunk beds in there. | 0:09:36 | 0:09:42 | |
You are way too nice. I do like having people - if I am | 0:09:42 | 0:09:46 | |
working, if somebody is going to be doing a job, I might as well have | 0:09:46 | 0:09:49 | |
someone in that I know and can trust. | 0:09:49 | 0:09:57 | |
Did they visit you on set? Oh my God, they were on the boat and | 0:09:57 | 0:10:01 | |
someone said, "I smell something wrong here." They were smoking pot | 0:10:01 | 0:10:05 | |
in the engine room. I was like, "What are you guys doing? You are | 0:10:05 | 0:10:11 | |
going to get my fired?" Laying on machinery and and stuff. | 0:10:11 | 0:10:14 | |
Programme did resonate with you that the mix you with the young | 0:10:14 | 0:10:19 | |
star set? I wasn't hanging out with that many starry people. Our house | 0:10:19 | 0:10:23 | |
was just, it was, you know, it is where everyone ended up. I mean if | 0:10:23 | 0:10:29 | |
they weren't at his place! LAUGHTER | 0:10:29 | 0:10:32 | |
They were around at ours. There must be lots of perks, but | 0:10:32 | 0:10:36 | |
one of the down sides of doing that, is if you are dating people in | 0:10:36 | 0:10:41 | |
Hollywood that when you stop seeing them, you don't stop seeing them | 0:10:41 | 0:10:48 | |
like they are still on magazine covers... You can't get away with | 0:10:48 | 0:10:53 | |
this. Does that happen to you? was funny and there was an occasion | 0:10:53 | 0:11:02 | |
when I was driving down Sunset Boulevard and my sister went, "Oh | 0:11:02 | 0:11:11 | |
my God, you shagged that whole billboard.". Oh dear. Listen, Mark | 0:11:11 | 0:11:13 | |
Wahlberg congratulations on Contraband because it has been a | 0:11:13 | 0:11:19 | |
hit in the States and it is opening here on the 16th March. What am I | 0:11:19 | 0:11:24 | |
doing here? Because you came back from Australia very early. | 0:11:24 | 0:11:28 | |
Now it is a big thriller like I was saying, it is about smuggling. Do | 0:11:28 | 0:11:33 | |
you want to give us a hint of the story, a whiff of the story? | 0:11:33 | 0:11:36 | |
If I have to! Yes, go on. | 0:11:36 | 0:11:40 | |
You don't have to. I have been talking about it a lot | 0:11:40 | 0:11:50 | |
0:11:50 | 0:11:51 | ||
and I'm pretty tired of talk being Let's go through these questions. | 0:11:51 | 0:11:53 | |
LAUGHTER You maybe talking about it a bit | 0:11:53 | 0:11:57 | |
more. It does sound amazing. It is a remake of an Icelandic film. | 0:11:57 | 0:12:02 | |
We saw the original and I obtained the rights. It is about a guy who | 0:12:02 | 0:12:07 | |
is a world-class smuggler and he goes to have a family and turns his | 0:12:07 | 0:12:10 | |
life around and he has a brother- in-law who is not smart and he | 0:12:10 | 0:12:17 | |
tries to smuggle things for dangerous people and customs board | 0:12:17 | 0:12:21 | |
the boat and I have to smuggle something to save his ass. | 0:12:21 | 0:12:27 | |
You filmed in Panama where it is lawless. Was that dangerous? We got | 0:12:27 | 0:12:33 | |
off the plane and we were free to do whatever we want. We had machine | 0:12:33 | 0:12:36 | |
guns and riding around the streets and nobody regulated what we were | 0:12:36 | 0:12:39 | |
doing. No policeman came up and said, "Why | 0:12:39 | 0:12:43 | |
are you having a major gunfight?". One guy asked me if I was somebody | 0:12:43 | 0:12:48 | |
else and that was it. His mate who killed his brother? | 0:12:48 | 0:12:53 | |
thought I was a guy from some other show! | 0:12:53 | 0:12:55 | |
LAUGHTER I just said no. And then I tried to | 0:12:55 | 0:13:01 | |
convince him I was Johnny Depp! Contraban, we have got a clip of | 0:13:01 | 0:13:05 | |
Contraband and this is you having one of your many confrontations. It | 0:13:05 | 0:13:15 | |
0:13:15 | 0:13:30 | ||
You don't come to my place. I just came to tell you that I'm | 0:13:30 | 0:13:36 | |
going to have your money within a month so stay away... I ain't | 0:13:36 | 0:13:42 | |
waiting that long. I ain't paying if he is dead. | 0:13:42 | 0:13:48 | |
family inherits the debt and and I will give you two weeks. I will | 0:13:48 | 0:13:57 | |
come down the line, I will ask your kids for it, your... You think you | 0:13:57 | 0:14:02 | |
are the only guy with the gun. If you ever mention my wife and my | 0:14:02 | 0:14:07 | |
kids again, you're done. Do you hear me? You are done. | 0:14:07 | 0:14:17 | |
0:14:17 | 0:14:20 | ||
Good fight. APPLAUSE | 0:14:20 | 0:14:22 | |
He is a method actor, but he doesn't like to go method when he | 0:14:22 | 0:14:26 | |
is getting his ass kicked. I had to crank up the volume on him a bit. | 0:14:26 | 0:14:30 | |
You really enjoy those fights? don't enjoy getting beaten up. | 0:14:30 | 0:14:34 | |
It must be odd for you now because you are accepting, as you said, you | 0:14:34 | 0:14:38 | |
are a family man, you are a dad, you're getting older. Wasn't there | 0:14:38 | 0:14:43 | |
a confusion with a script recently? Oh my God. I got a call from my | 0:14:43 | 0:14:47 | |
agent saying that Paramount have this movie they want me to do. A | 0:14:47 | 0:14:56 | |
young guy and an older guy. I just played golf with Jack Nicholson and | 0:14:56 | 0:15:06 | |
maybe I will ask Jack to play the part. They call me and say what do | 0:15:06 | 0:15:16 | |
0:15:16 | 0:15:17 | ||
you think about Garent? For what? The younger guy. To have made it to | 0:15:17 | 0:15:21 | |
40 was an accomplishment, but I didn't expect that. | 0:15:21 | 0:15:25 | |
They have announced the casting for the young guy now? No, this was | 0:15:25 | 0:15:30 | |
another movie, while they were making me feel bad, I pitched them | 0:15:30 | 0:15:34 | |
idea of me and Justin Bieber and they bought it within three seconds | 0:15:34 | 0:15:44 | |
of me mentioning his name. And every time I see him, it is like, | 0:15:44 | 0:15:48 | |
"Yo, where is my script?" He is ready to go and I think he will be | 0:15:48 | 0:15:52 | |
good. When I have mentioned the idea of me and him him doing a | 0:15:52 | 0:15:57 | |
movie people go, "Oh my God, Justin Bieber, what are you thinking." | 0:15:57 | 0:16:04 | |
They used to say that about me all the time when I was Marky Mark. I | 0:16:04 | 0:16:09 | |
was willing to go and do the work and one project at a time and be | 0:16:09 | 0:16:17 | |
surrounded by talented people and I could learn and grow as an tobg | 0:16:17 | 0:16:21 | |
torment -- actor. He has been here, when you talk to | 0:16:21 | 0:16:26 | |
him, he was practising dance moves in the mirror? My daughter is eight | 0:16:26 | 0:16:31 | |
years old and so she wants me to take her to meet people she likes. | 0:16:31 | 0:16:37 | |
I am embarrassed enough and I have to go and meet Justin Bieber and he | 0:16:37 | 0:16:40 | |
jumps on the table and he is doing all these moves. I have to go over | 0:16:40 | 0:16:49 | |
there and try and introduce myself and it is like, "I am too cool | 0:16:49 | 0:16:57 | |
shit." I take my daughter to the Teen Choice Awards and I say can I | 0:16:57 | 0:17:01 | |
take a fick -- can you take a picture of my daughter? You will do | 0:17:01 | 0:17:11 | |
0:17:11 | 0:17:21 | ||
anything for your kids. Now she hates Justin Bieber. | 0:17:21 | 0:17:23 | |
LAUGHTER When I even mention it and the only | 0:17:23 | 0:17:25 | |
reason she doesn't like him because this Celina Gomez came into the | 0:17:25 | 0:17:27 | |
picture. In terms of parenting, you found a | 0:17:27 | 0:17:30 | |
very extreme way of teaching your kids that maybe they should think | 0:17:30 | 0:17:34 | |
long and hard about getting a tattoo, haven't you? I realised | 0:17:34 | 0:17:38 | |
afterwards, this is not going to work. My mother told me not to get | 0:17:38 | 0:17:41 | |
tattoos and I thought she didn't know what the hell she was talking | 0:17:41 | 0:17:47 | |
about. Cut, 20 years later I am having them removed by the the | 0:17:47 | 0:17:51 | |
laser procedure which is painle, but I took my kids on a couple of | 0:17:51 | 0:17:55 | |
the appointments for the procedure so they could see how much pain it | 0:17:55 | 0:17:57 | |
was causing me, but they didn't care. | 0:17:57 | 0:18:02 | |
Are you getting all your tattoos off? I get them all done and all at | 0:18:02 | 0:18:05 | |
the same time. It is literally burning your flesh. | 0:18:05 | 0:18:09 | |
And you smell the skin burning. It is like a welt that raises your | 0:18:09 | 0:18:12 | |
skin like that much and they have to wrap me up like a mummy, because | 0:18:12 | 0:18:17 | |
I have one here, around my neck and on my back and on my leg. | 0:18:17 | 0:18:25 | |
Are they not meant to take skin off your bum? No, that is a skin graft. | 0:18:25 | 0:18:30 | |
I would have done it if I could have gotten it off your ass. After | 0:18:30 | 0:18:34 | |
the first time, I was like, "I am not going back.". Why do you have | 0:18:34 | 0:18:39 | |
to keep going back? If you get a tattoo it is one sitting, the | 0:18:39 | 0:18:46 | |
doctor told me, it was five to seven visits, I have been 33 times. | 0:18:46 | 0:18:54 | |
Why are you having them taken off? Shit happens at 40. Sorry to | 0:18:54 | 0:18:58 | |
interrupt you. It is reminding me, there was a fashion show at the end | 0:18:58 | 0:19:04 | |
of the tattoo expo where they do a catwalk with the people with their | 0:19:04 | 0:19:11 | |
tattoos and this lady came out and she was 80 if she was a day, stark | 0:19:11 | 0:19:17 | |
naked, shaved, tattooed from her toe to say her neck and it looked | 0:19:17 | 0:19:22 | |
like she had Marilyn Monroe on her boobs, but it looked like marlin | 0:19:22 | 0:19:31 | |
had a terrible stroke. So the whole audience was going. She came out | 0:19:31 | 0:19:36 | |
almost like it's - it was so awful. You think it would stop you | 0:19:36 | 0:19:40 | |
Another good way of warning kids against tattoos is to show them | 0:19:40 | 0:19:45 | |
really bad tattoos. Here are some pictures of people who they really | 0:19:45 | 0:19:50 | |
know the true meaning of the word regret, these people, they are hard | 0:19:50 | 0:20:00 | |
0:20:00 | 0:20:02 | ||
to get rid of. Like look at this one. Yeah! | 0:20:02 | 0:20:04 | |
LAUGHTER There is one thing you regret a | 0:20:04 | 0:20:06 | |
tattooist that couldn't spell. Animals are popular. Very, very | 0:20:06 | 0:20:09 | |
popular. What do you have by the way? I have got a rose, but I | 0:20:09 | 0:20:13 | |
missed getting a leaping tiger with scratch marks and blood droppinging | 0:20:13 | 0:20:16 | |
down. So you are going to have a tiger | 0:20:16 | 0:20:24 | |
scratching your ass? It could have been worse, but it is a proper | 0:20:24 | 0:20:29 | |
stripper's tat. And it did not fade like everyone told me it would. | 0:20:29 | 0:20:35 | |
Animals, animals are very popular in tattoos, here is a dolphin and | 0:20:35 | 0:20:37 | |
unicorn together. LAUGHTER | 0:20:37 | 0:20:40 | |
And I mean together! LAUGHTER | 0:20:40 | 0:20:48 | |
Look at that. It just makes a mockery of the | 0:20:48 | 0:20:58 | |
0:20:58 | 0:21:03 | ||
rainbow, doesn't it? Unless the unicorn is giving the dolphin the | 0:21:03 | 0:21:10 | |
manoeuvre where tuna has gone down the wrong way. | 0:21:10 | 0:21:13 | |
LAUGHTER Minnie thought it through. It is | 0:21:13 | 0:21:19 | |
hard to have sex if you haven't existed in real life. | 0:21:19 | 0:21:25 | |
At least make it accurate. LAUGHTER | 0:21:25 | 0:21:28 | |
Now, you do think a tattoo of a cat. Everyone loves cats. Oh, a nice | 0:21:28 | 0:21:31 | |
tattoo of a cat, that would be lovely. No one is going to be | 0:21:31 | 0:21:41 | |
0:21:41 | 0:21:48 | ||
offended by a tattoo of a cat, No.! | 0:21:48 | 0:21:54 | |
Who would do that? Oh my God. That takes a very | 0:21:54 | 0:22:01 | |
special individual. Doesn't it? If I had that tattoo, I | 0:22:01 | 0:22:06 | |
wouldn't remove it. That's a keeper. I love the expression on the cat's | 0:22:06 | 0:22:16 | |
face like, "What are you looking at?" | 0:22:16 | 0:22:17 | |
APPLAUSE Minnie Driver, Minnie Driver, | 0:22:17 | 0:22:19 | |
welcome home. Thank you. You've come home because you have | 0:22:19 | 0:22:27 | |
made a really lovely, lovely, it is such a sweet, nostalgic, gorgeous | 0:22:27 | 0:22:34 | |
British film. No one dies, Mark. | 0:22:34 | 0:22:38 | |
Very little people die in your movie? In my movie? Some people do | 0:22:38 | 0:22:44 | |
die. It is OK. | 0:22:44 | 0:22:49 | |
Come on. That's all he wants to talk about. Contraband this. | 0:22:49 | 0:22:54 | |
Contraband that. I have got to keep him happy. Shut up about your movie, | 0:22:54 | 0:23:02 | |
God. LAUGHTER | 0:23:02 | 0:23:04 | |
Hunky Dory, it is in colour and everything, you would like it, Mark. | 0:23:04 | 0:23:08 | |
Do they speak? Just about. We sing. You do a lot of singing, but God | 0:23:08 | 0:23:12 | |
love you, you had to do an an accent? I did. | 0:23:12 | 0:23:16 | |
A big one? Yeah, it is not easy, the Welsh accent. | 0:23:16 | 0:23:22 | |
Did you know you could do it? love Gavin and Stacey. It is | 0:23:22 | 0:23:32 | |
0:23:32 | 0:23:36 | ||
cracking. I thought I would have a go. Tidy! | 0:23:36 | 0:23:38 | |
APPLAUSE Because if anyone has got a Welsh | 0:23:38 | 0:23:41 | |
accent, Mark Watson, are you Welsh or not? I don't know me self, these | 0:23:41 | 0:23:46 | |
days. My mum is Welsh, but when I started as a stand-up, I used to | 0:23:46 | 0:23:51 | |
have a strong Welsh accent because I exaggerated because it is funny | 0:23:51 | 0:23:55 | |
and I got invited to a dinner for young Welsh achievers and I | 0:23:55 | 0:24:00 | |
shouldn't have gone and everyone was speaking Welsh and I was in all | 0:24:00 | 0:24:04 | |
sorts of trouble. I could count to three, but that doesn't get you far | 0:24:04 | 0:24:08 | |
through dinner. Did you phrase it out or stop? | 0:24:08 | 0:24:14 | |
me, it was a big thing, if I tell me I haven't got a Welsh accent, it | 0:24:14 | 0:24:20 | |
turns out no one gave a shit. It is almost that I'm not as famous | 0:24:20 | 0:24:26 | |
as I previously thought! Hunky Dory, it is very good. I say | 0:24:26 | 0:24:30 | |
like that like I know, but I thought it was good. Hunky Dory is | 0:24:30 | 0:24:36 | |
really lovely. It is set in 1976 which was the big hot, long summer. | 0:24:36 | 0:24:40 | |
It was. It has a real 70s feel. It looks | 0:24:40 | 0:24:45 | |
like it was filmed in the 70s? Because we had to make it look hot | 0:24:45 | 0:24:48 | |
and it wasn't that hot and they used fillers and beautiful things | 0:24:48 | 0:24:53 | |
to make it look boiling. It has that yellowed tinge of the 70s. | 0:24:53 | 0:24:57 | |
Now, it is lovely. And it is out on the 2nd March. | 0:24:57 | 0:25:01 | |
Next Friday. Do we have a clip? We are going to | 0:25:01 | 0:25:05 | |
go to a clip. Here you go. | 0:25:05 | 0:25:11 | |
Where is everyone? It's Friday. Well, Stella says she | 0:25:11 | 0:25:15 | |
would be here. Well, she is not, is she? Miss I | 0:25:15 | 0:25:20 | |
have got to go to training. What? I have got trials coming up. | 0:25:20 | 0:25:25 | |
Can't you wait a bit longer? can't, I promised. | 0:25:25 | 0:25:29 | |
See you Monday. What about me Miss? It is Friday, I | 0:25:29 | 0:25:33 | |
have got a date. That's very funny. It is not a joke. | 0:25:33 | 0:25:39 | |
Let's try it again. Remember the quavers. Quavers. One, two, three, | 0:25:39 | 0:25:49 | |
0:25:49 | 0:25:51 | ||
four. # To the girl with the mousy hair | 0:25:51 | 0:25:58 | |
# But her money is yellow # And her daddy has told her to go | 0:25:58 | 0:26:03 | |
APPLAUSE There is a lot of singing in it. | 0:26:03 | 0:26:07 | |
She sings. A lot of singing. But the kids play the music. It was | 0:26:07 | 0:26:17 | |
0:26:17 | 0:26:21 | ||
all recorded live, all the vocals and everything. | 0:26:21 | 0:26:29 | |
Neurin barn ard? You are too young, like the toys and the sweets, it is | 0:26:29 | 0:26:36 | |
well observed. What's that thing? You just did | 0:26:36 | 0:26:46 | |
0:26:46 | 0:26:48 | ||
that and it went ooooh. Did that have a name? We called it the | 0:26:48 | 0:26:52 | |
whirly dick actually. We didn't call it that. I'm playing | 0:26:52 | 0:26:59 | |
with my whirly dick, mummy. It is ironic you are playing a | 0:26:59 | 0:27:05 | |
teacher. Is your dad a teacher? dad is a teacher. He doesn't need | 0:27:05 | 0:27:10 | |
any introduction. He is head of science in Bristol. Head of science, | 0:27:10 | 0:27:17 | |
take that! APPLAUSE | 0:27:17 | 0:27:19 | |
30 years in the game, but it was worth the wait. | 0:27:19 | 0:27:23 | |
Is he like a very strict teacher? Is he one of the kids? Luckily he | 0:27:23 | 0:27:31 | |
is cool. I mean he is 60 this year. He gave me lots of good advice. He | 0:27:31 | 0:27:36 | |
managed my expectations. It was like if you prepare your kids for a | 0:27:36 | 0:27:43 | |
hard life. For example, I would be coming home from school and my | 0:27:43 | 0:27:48 | |
father was like would you rather Father Christmas didn't exist or | 0:27:48 | 0:27:53 | |
your mum was dad? Obviously, I would prefer that Father Christmas | 0:27:53 | 0:27:58 | |
didn't exist. Good news! LAUGHTER | 0:27:58 | 0:28:02 | |
That's what it is all about. Managing expectation. If I miss | 0:28:02 | 0:28:06 | |
anymore birthday parties, yes, I'm just managing your expectation. | 0:28:06 | 0:28:10 | |
A a cool dad. Is it it true that you accompanied your daughter on a | 0:28:10 | 0:28:14 | |
date? No, we had a school dance. She is | 0:28:14 | 0:28:19 | |
only eight, dude. Oh no, I did take her to the movies | 0:28:19 | 0:28:22 | |
with this kid. Thank you. | 0:28:22 | 0:28:28 | |
He didn't say a single word. He didn't say a word. I went with her | 0:28:28 | 0:28:33 | |
and his dad came. We spent the... It explains the atmosphere. | 0:28:33 | 0:28:38 | |
We spent the time talking and chatting and they didn't say a word. | 0:28:38 | 0:28:42 | |
I remember a date when both dads were there. | 0:28:42 | 0:28:49 | |
She is never going on one without . Did they sit together? Yeah, they | 0:28:49 | 0:28:53 | |
sat side by side. What movie did they go to see? | 0:28:53 | 0:28:57 | |
Tangled. Did he choose it, did she? No, I | 0:28:57 | 0:29:02 | |
did and I cried! LAUGHTER | 0:29:02 | 0:29:06 | |
Now do you tweet? You do tweet. Mark Watson, of all | 0:29:06 | 0:29:10 | |
the comics we have had on the show, you use social media more than | 0:29:10 | 0:29:17 | |
anyone else? I I tweet a lot and this could be a big day for my | 0:29:17 | 0:29:21 | |
Twitter life. How many followers have you got? Not that many. | 0:29:21 | 0:29:27 | |
I bet you have? All right. Your whole show is based around... | 0:29:27 | 0:29:31 | |
Yeah, there is a thing when you come to my show, there is one of | 0:29:31 | 0:29:35 | |
those QR things on the screen, it is like a funny barcode and you can | 0:29:35 | 0:29:38 | |
scan it and you can send me information about people you are | 0:29:38 | 0:29:43 | |
with. I overheard two people before my show and they had an argument | 0:29:43 | 0:29:47 | |
and they were both none of them wanting to be there and it is | 0:29:47 | 0:29:55 | |
disheartening and the woman said, "I didn't want to come." If we | 0:29:55 | 0:30:02 | |
don't like it, we'll go to Nando's, I got my revenge in the show by | 0:30:02 | 0:30:07 | |
referring to it. It is like being Derren Brown, but no mind skills, | 0:30:07 | 0:30:13 | |
but just pure cheating. It is time consuming for me to spy on my | 0:30:13 | 0:30:19 | |
agents. I encourage people to spy foe me, there is stuff happening | 0:30:19 | 0:30:23 | |
and you can be texting, it is fun. I like people to not relax too much. | 0:30:23 | 0:30:27 | |
I don't want people to come and relax and have a nice evening. I | 0:30:27 | 0:30:33 | |
want them to be psychologically troubled by the whole experience. | 0:30:33 | 0:30:37 | |
People want to know stuff. Minnie, you tweet about your son a | 0:30:37 | 0:30:41 | |
lot. I do. I tweet things Henry says. | 0:30:41 | 0:30:48 | |
Yes, but you are you are sweet? is incredible having a kid and | 0:30:48 | 0:30:51 | |
having them comment on your life in particular. | 0:30:51 | 0:30:54 | |
Have a drink! Because we were monitoring your | 0:30:54 | 0:30:58 | |
treats and we know that Minnie was looking forward to being here. | 0:30:58 | 0:31:02 | |
Later on, we will see if she had a nice time! | 0:31:02 | 0:31:05 | |
I can't wait to get this out of the way. | 0:31:05 | 0:31:10 | |
You did tweet a couple of pictures that made us laugh. Have you seen | 0:31:10 | 0:31:17 | |
the awkward moment pictures? First one Minnie did was... This is | 0:31:17 | 0:31:21 | |
the cocktail party one. This is the awkward moment when | 0:31:21 | 0:31:24 | |
your friend's fat arm makes you look naked. | 0:31:24 | 0:31:33 | |
Brilliant. LAUGHTER | 0:31:33 | 0:31:38 | |
That's her elbow there. LAUGHTER | 0:31:38 | 0:31:42 | |
That is an awkward moment. However, I this a more awkward moment. This | 0:31:42 | 0:31:46 | |
is the awkward moment when your friend's thumb makes you look like | 0:31:46 | 0:31:54 | |
a tranny. This is so unfortunate. Don't xain, it is a -- -- complain, | 0:31:54 | 0:32:01 | |
it is a thumb. It is him holding his drunk. | 0:32:01 | 0:32:03 | |
LAUGHTER -- drink. This is one we found and | 0:32:03 | 0:32:08 | |
feel free to tweet us later. It is that awkward moment when you | 0:32:08 | 0:32:18 | |
0:32:18 | 0:32:21 | ||
realise that your dog looks like a penis. | 0:32:21 | 0:32:26 | |
It does remind me of you and Boogie Nights. I think I have done very | 0:32:26 | 0:32:29 | |
well to last the whole show not mentioning. Oh, there you are in | 0:32:29 | 0:32:36 | |
Boogie Nights. Is it true that you still have, I'm guessing it was a | 0:32:36 | 0:32:41 | |
prosthetic... What do you mean? It is one of the only props I've kept | 0:32:41 | 0:32:46 | |
from a film. Is it on the wall? No. No. It is locked away in a safe. | 0:32:46 | 0:32:52 | |
It is too valuable. What would my kids say if they saw that thing? | 0:32:52 | 0:32:56 | |
They would punch it! At some point I might have to pull it out and | 0:32:56 | 0:33:00 | |
slap them on the head with it if they keep misbehaving. | 0:33:00 | 0:33:04 | |
That would be terrible if you came home and found them playing with it. | 0:33:04 | 0:33:10 | |
It was really awkward because when I had to go to to prosthesis place | 0:33:10 | 0:33:13 | |
and I had to stand there and be fitted for it and the guys that do | 0:33:13 | 0:33:19 | |
the effects on movies are kind of geeky and they are what... No | 0:33:19 | 0:33:28 | |
offence! Absolutely furious. | 0:33:29 | 0:33:33 | |
So it was very awkward to go there and stand there. | 0:33:33 | 0:33:37 | |
Fiddling with you. It needs to fit you all the time. | 0:33:37 | 0:33:41 | |
Well, you have to, well, no, you are not getting hard with this | 0:33:41 | 0:33:46 | |
thing. It is very awkward and very uncomfortable and I only wore it | 0:33:46 | 0:33:51 | |
two days. The the first time they had to try different ones. They | 0:33:51 | 0:33:57 | |
tried various sizes both length and girth so it was a big pain in the | 0:33:57 | 0:34:07 | |
0:34:07 | 0:34:10 | ||
ass actually. LAUGHTER | 0:34:10 | 0:34:18 | |
You said it now! LAUGHTER | 0:34:18 | 0:34:25 | |
But it was just very awkward and uncomfortable. | 0:34:25 | 0:34:28 | |
Oh dear. Now listen, it is time to sit up because there is a young | 0:34:28 | 0:34:32 | |
lady who is going to sing for us now. Before this week's stories in | 0:34:32 | 0:34:37 | |
the famous red chair, we're going to hear one of my my favourite | 0:34:37 | 0:34:41 | |
songs of the last few months and I'm thrilled she is going to sing | 0:34:41 | 0:34:51 | |
0:34:51 | 0:34:55 | ||
it live. Singing Jar Of Hearts, it # I know I can't take one more step | 0:34:55 | 0:34:57 | |
towards you # Cause all that's waiting is | 0:34:57 | 0:35:01 | |
regret # And don't you know I'm not your | 0:35:01 | 0:35:07 | |
ghost anymore? # You lost the love I loved the | 0:35:07 | 0:35:17 | |
most # I've learned to live, half-alive | 0:35:17 | 0:35:27 | |
0:35:27 | 0:35:32 | ||
# Now you want me one more time # And Who do you think you are? | 0:35:32 | 0:35:35 | |
# Running 'round leaving scars # Collecting your jar of hearts | 0:35:35 | 0:35:38 | |
# Tearing love apart # You're gonna catch a cold | 0:35:38 | 0:35:48 | |
0:35:48 | 0:35:51 | ||
# From the ice inside your soul # Don't come back for me | 0:35:51 | 0:36:01 | |
# Who do you think you are # I hear you're asking all around | 0:36:01 | 0:36:11 | |
0:36:11 | 0:36:12 | ||
# If I am anywhere to be found # I have grown too strong | 0:36:12 | 0:36:22 | |
0:36:22 | 0:36:25 | ||
# To ever fall back in your arms # I've learned to live, half-alive | 0:36:25 | 0:36:35 | |
# Now you want me one more time # And who do you think you are? | 0:36:35 | 0:36:41 | |
# Running 'round leaving scars # Collecting your jar of hearts | 0:36:41 | 0:36:47 | |
# Tearing love apart # You're gonna catch a cold | 0:36:47 | 0:36:57 | |
# From the ice inside your soul # Don't come back for me | 0:36:57 | 0:37:04 | |
# Don't come back at all # Who do you think you are? | 0:37:04 | 0:37:07 | |
# Dear, it took so long # Just to feel alright | 0:37:07 | 0:37:12 | |
# Remember how to put back # The light in my eyes | 0:37:12 | 0:37:18 | |
# I wish I had missed # The first time that we kissed | 0:37:18 | 0:37:27 | |
# Cause you broke all your promises # And now you're back | 0:37:27 | 0:37:36 | |
# You don't get to get me back # And who do you think you are? | 0:37:36 | 0:37:39 | |
# Running 'round leaving scars # Collecting your jar of hearts | 0:37:39 | 0:37:46 | |
# Tearing love apart # You're gonna catch a cold | 0:37:46 | 0:37:55 | |
# From the ice inside your soul # Don't come back for me | 0:37:55 | 0:38:05 | |
# Don't come back at all # Who do you think you are? | 0:38:05 | 0:38:15 | |
0:38:15 | 0:38:21 | ||
CHEERING AND APPLAUSE Christina Perri, ladies and | 0:38:21 | 0:38:25 | |
gentlemen. Fantastic. Come and join us, dude. | 0:38:25 | 0:38:29 | |
Very good. Mind the smoke! CHEERING AND APPLAUSE | 0:38:29 | 0:38:37 | |
There we go. Lovely. Come and join There is another step. And that's | 0:38:37 | 0:38:44 | |
Mark, Minnie, and Mark, Minnie, Mark, sit yourself down and thank | 0:38:44 | 0:38:49 | |
you so much for singing that so beautifully and playing the piano | 0:38:49 | 0:38:55 | |
now. That's from your album which is out now? Thank you. | 0:38:55 | 0:38:59 | |
Cristina got ink, lots of it. Are they all real? | 0:38:59 | 0:39:01 | |
Oh, I see. They are real. | 0:39:01 | 0:39:05 | |
I tell people that all the time because they ask. | 0:39:05 | 0:39:10 | |
They seem quite random? Yes, they look like drawings so I understand | 0:39:10 | 0:39:14 | |
why they ask. How long have you been getting | 0:39:14 | 0:39:20 | |
tattoos? I am 25 and I got my first one when I was 15. | 0:39:20 | 0:39:24 | |
Which one is your first one? It is on the back of my neck, it is a | 0:39:24 | 0:39:29 | |
little cross. Yeah, she is telling the truth. | 0:39:29 | 0:39:36 | |
Is it The Beatles you have got? This is my second tattoo, it says, | 0:39:36 | 0:39:46 | |
0:39:46 | 0:39:47 | ||
John, Paul and Ringo. I went to a Catholic school and I was sitting | 0:39:47 | 0:39:53 | |
and this isn't a lie, in my on class and my teacher came over and | 0:39:53 | 0:40:03 | |
0:40:03 | 0:40:04 | ||
picks up my hand and I'm thinking, "Oh Cap, I'm in trouble." He was, | 0:40:04 | 0:40:13 | |
"John, Paul," the the Pope, he never turned it over and saw Ringo. | 0:40:14 | 0:40:20 | |
The red chair and and who is up first. Hi, what's your name? Suzie. | 0:40:20 | 0:40:25 | |
Just pull this leaver. When you are bored. When you have | 0:40:25 | 0:40:30 | |
heard enough! LAUGHTER | 0:40:30 | 0:40:35 | |
Be good. I am not giving it long, Suzie. He | 0:40:35 | 0:40:40 | |
is pretty trigger-happy. OK, what do you do, Suzie? I work in digital | 0:40:40 | 0:40:44 | |
Leave the leaver. LAUGHTER | 0:40:44 | 0:40:46 | |
OK, off you go with your story quickly. | 0:40:46 | 0:40:51 | |
So I was on a date with a guy, who I wasn't bothered, I only put tan | 0:40:51 | 0:41:01 | |
on the top half of my body and I was wearing a pear of trousers... | 0:41:01 | 0:41:09 | |
Trousers and we went to the bar... This is fantastic. | 0:41:09 | 0:41:16 | |
Holy shit, I got to get one of these at home! | 0:41:17 | 0:41:18 | |
LAUGHTER She had self-tanner. She only | 0:41:18 | 0:41:26 | |
tanned the top half of her body because she wasn't into him. | 0:41:26 | 0:41:33 | |
Nothing down below. LAUGHTER | 0:41:33 | 0:41:36 | |
The pants came came off, but probably not, because there was | 0:41:36 | 0:41:38 | |
anything interesting. We will never know! | 0:41:38 | 0:41:45 | |
Someone else. Hi. Hello. Off you go. | 0:41:45 | 0:41:48 | |
One more. One more. Oh no. | 0:41:49 | 0:41:55 | |
That's fantastic. I love it. Can we have one more? I will take my time. | 0:41:55 | 0:41:59 | |
I Love her. I am going to buy her dinner. | 0:41:59 | 0:42:03 | |
All day, she has been thinking if I get this story started, it is so | 0:42:03 | 0:42:06 | |
amazing. Her new career will start as a TV | 0:42:06 | 0:42:09 | |
personality. Hi. | 0:42:09 | 0:42:13 | |
Oh, you poor thing. LAUGHTER | 0:42:13 | 0:42:23 | |
What's your name? Anna. Oh, look alher. -- look at her. | 0:42:23 | 0:42:28 | |
And what do you do? I am a student. Of? English literature | 0:42:28 | 0:42:38 | |
0:42:38 | 0:42:44 | ||
Lovely. Yeah, now we're talking. OK. OK. You're going to go soon! | 0:42:44 | 0:42:46 | |
LAUGHTER OK, OK, off you go with this story, | 0:42:46 | 0:42:47 | |
Anna. It was the first time I had been | 0:42:48 | 0:42:51 | |
skiing so I didn't know what the hell I was doing and the instructor | 0:42:51 | 0:42:55 | |
pointed to the right and I lost control and I went careering off | 0:42:55 | 0:42:59 | |
into a car park and I knocked this man over and it turned out it was | 0:42:59 | 0:43:03 | |
Will Smith. LAUGHTER | 0:43:03 | 0:43:08 | |
And he was really nice about it. Do you want me to pull the leaver? | 0:43:08 | 0:43:16 | |
No. No. No. This is fantastic. | 0:43:16 | 0:43:23 | |
We will be seeing him in Pontius Pilate in the movie soon. | 0:43:23 | 0:43:32 | |
OK, is that a moustache? A beard. One more. | 0:43:32 | 0:43:37 | |
We're done. We're done. If you would like to join us on the | 0:43:37 | 0:43:40 | |
show, you can log on to our website show, you can log on to our website | 0:43:40 | 0:43:43 | |
at this address. We maybe selling the chair to Mark | 0:43:43 | 0:43:48 | |
Wahlberg and it won't be here next week! I absolutely love that. | 0:43:48 | 0:43:51 | |
Thanks to all my guests tonight, Christina Perri, ladies and | 0:43:51 | 0:43:59 |