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I don't know, but I have been told # I don't know, but I have been | :00:11. | :00:14. | |
told - # Tonight's show will be chat show | :00:14. | :00:17. | |
gold # Tonight's show will be chat show | :00:17. | :00:20. | |
gold # The guests are back | :00:20. | :00:24. | |
# They're ready to go # It's time to start the show | :00:24. | :00:34. | |
:00:34. | :00:49. | ||
# It's time to start the show # Oh! Oh, oh! Oh! Hello, everybody! | :00:49. | :00:57. | |
Welcome.. Had He laughs) Oh, more tired than I thought being | :00:57. | :01:02. | |
a Marine. Yes, we've got our marching orders because the star of | :01:02. | :01:03. | |
Private Benjamin, Goldie Hawn, is here. | :01:03. | :01:09. | |
APPLAUSE And making his first visit to the | :01:09. | :01:14. | |
show, one of my favourite actors, High Fidelity and Con Air star John | :01:14. | :01:18. | |
Cusack is here. Yes. APPLAUSE | :01:18. | :01:20. | |
The always hilarious Marcus Brigstocke is on the show. | :01:20. | :01:25. | |
APPLAUSE Plus, we have music from the best | :01:26. | :01:30. | |
British band in this week's NME Awards. Kasabian are here. Kasabian, | :01:31. | :01:39. | |
so cool! So cool, really cool, man, yeah, a big band! Now, looking | :01:39. | :01:45. | |
forward to meeting John Cusack. He has been in so many great films, | :01:45. | :01:50. | |
including the climate change epic 2012 - oh! 2012 - it was all about | :01:50. | :01:53. | |
the world ending in 20 - well, that's this year. | :01:53. | :01:57. | |
LAUGHTER Jesus, God. What are we doing here? | :01:57. | :02:02. | |
The film explains how this year - this year - climate change will | :02:02. | :02:07. | |
destroy the planet. It will be massive volcanic activity, | :02:07. | :02:12. | |
earthquakes, floods, but on the plus side, hasn't it been a lovely | :02:12. | :02:16. | |
February? Hasn't it? Really unseasonably warm, wasn't it? I | :02:16. | :02:19. | |
have seen daffodils, I have. I have! In the film, the end of the | :02:19. | :02:24. | |
world is triggered by a megatsunami - it is. It is. Now, I don't know | :02:24. | :02:29. | |
exactly what will cause the massive tidal wave in 2012, but here is | :02:29. | :02:31. | |
Bulgaria's high-diving team for the Olympics. | :02:31. | :02:39. | |
LAUGHTER Oh, Tom Daley's let himself go, | :02:39. | :02:44. | |
hasn't he? One whiff of puberty - bluh! The moral of 2012 is, we've | :02:44. | :02:48. | |
got to look after the planet. We do. There is a lot of energy-saving | :02:48. | :02:53. | |
advice around - keep the lights off. Keep the air conditions off, don't | :02:53. | :02:57. | |
wash, only eat cold food - basically, go on a Costa cruise. | :02:57. | :03:02. | |
LAUGHTER Got to feel sorry for them. Poor | :03:02. | :03:06. | |
things. Now, the other thing you can do is | :03:06. | :03:09. | |
give your garden a Mediterranean make-over, yeah. That's what I've | :03:09. | :03:15. | |
done. I have. I have put in an olive tree, a lemon tree, a man | :03:15. | :03:17. | |
called Miguel - LAUGHTER | :03:17. | :03:23. | |
Let's get some guests on, ladies and gentlemen. Later on, we're | :03:23. | :03:28. | |
going to meet Kasabian. But first, he's a very funny stand-up - it's | :03:28. | :03:33. | |
Marcus Brigstocke. There he is. Hello, sir. Hello. Very good to see | :03:33. | :03:39. | |
you. Really nice to see you. Have a seat. Have a seat. I am very well. | :03:39. | :03:43. | |
Here's Johnny! It's the man of the night, John Cusack! Oh, oh, oh! | :03:43. | :03:49. | |
Really nice to meet you. And you. Absolutely. Welcome to Marcus | :03:49. | :03:52. | |
Brigstocke. And I am so excited I've got the Hawn - it's Goldie | :03:52. | :03:59. | |
Hawn. APPLAUSE | :03:59. | :04:09. | |
:04:09. | :04:10. | ||
So nice to see you! There you go. A sandwich. Sit yourself down. Lovely. | :04:11. | :04:17. | |
Oh - I brought my little glass just in case. Phew, for emergencies. | :04:17. | :04:21. | |
were the first person I was aware of fancying, and I was only seven. | :04:21. | :04:26. | |
Oh, my God. When I saw Private Benjamin. It was a non-sexual thing. | :04:26. | :04:30. | |
Me too. I saw Private Benjamin, and I just felt like I wanted to be | :04:30. | :04:39. | |
near you. Oh, that's so sweet! serious. And now look! You're | :04:39. | :04:46. | |
blushing. You're blushing, Marcus. I'm so not blushing. Do you still | :04:46. | :04:51. | |
have the uniform or no? I just threw those pants out awhile ago. | :04:51. | :04:57. | |
Really? Oh, I loved those pants. Was there a sequel to Private | :04:57. | :04:59. | |
Benjamin? # No, there wasn't | :04:59. | :05:03. | |
# No there was! # No, there was no sequel. They're trying to make it | :05:03. | :05:08. | |
over again now. Oh, no. Or a remake of it, and then there was actually | :05:08. | :05:13. | |
a TV show they did. The original Private Benjamin - does that end up | :05:13. | :05:17. | |
in France? Yes, it does. Oh, how weird because I watched that second | :05:17. | :05:22. | |
half of it in a hotel recently and thought this must be a sequel. | :05:22. | :05:27. | |
France - in whatever that place is - not Paris but... Geneva... | :05:27. | :05:35. | |
Versailles... Another part of France. Burgundy. Disney World... | :05:35. | :05:40. | |
No, it's where the seat of the Government is, where the seat of... | :05:40. | :05:43. | |
Brussels. That's not France. That's Belgium. | :05:44. | :05:53. | |
Close, though. Stick to Paris. I love Paris. | :05:53. | :05:59. | |
an exciting week. We have an Oscar winner amongst our midst. Did you | :05:59. | :06:03. | |
go this year? No, I didn't go this year. I was in my fabulous | :06:03. | :06:07. | |
comfortable clothes with my family and friends, and we watched it | :06:07. | :06:12. | |
which is my favourite thing to do - no hair no, makeup, lots of wine, | :06:12. | :06:17. | |
lots of laughs in our back room. You don't seem like you like awards | :06:17. | :06:21. | |
shows. Have you taken against them? No. I like some of the movies. I | :06:21. | :06:25. | |
don't like hype about movies. I like to actually just watch the | :06:25. | :06:29. | |
movies. And sometimes around Oscar time, they take a big shotgun and | :06:29. | :06:33. | |
load up all of their marketing money and start blowing the movie | :06:33. | :06:36. | |
at you, and it's kind of nice to see the movie on its own terms. | :06:36. | :06:42. | |
Sometimes when you see those big winning movies, you're like, really, | :06:42. | :06:48. | |
this? This is the beginning -- winning movie? Like this year. | :06:48. | :06:53. | |
was one of those? I don't - what would you vote for? You probably | :06:53. | :07:00. | |
did vote. I did vote. What did you vote for? The Artist. Did you? | :07:00. | :07:04. | |
thought The Artist was extraordinary. It was a great film | :07:04. | :07:09. | |
- innovative and interesting and well-directed and beautifully | :07:09. | :07:14. | |
scored. It was a sensual experience all the way around - emotional and | :07:14. | :07:17. | |
physical - emotionally, physically - you know? The sound was all | :07:17. | :07:21. | |
aCongress when I went. You couldn't... It was? It was good | :07:21. | :07:24. | |
otherwise. LAUGHTER | :07:24. | :07:30. | |
I liked it. I thought it was... "I liked it"? So you weren't uplifted | :07:30. | :07:34. | |
by it? No. I am saying you're reacting to the hype of the movie, | :07:34. | :07:40. | |
not the movie. Exactly. (CRASH) | :07:40. | :07:45. | |
How big was that handbag? Have you come out with a fringe? | :07:45. | :07:48. | |
LAUGHTER Fantastic that while we're talking | :07:48. | :07:53. | |
about a silent film, an almighty clunk... When you're at the Oscars, | :07:53. | :07:59. | |
the big story, oddly, was Angelina Jolie's leg. Did you see this? It's | :07:59. | :08:03. | |
been a... I have seen it before. LAUGHTER | :08:03. | :08:08. | |
I was in a movie with her, so I saw that. Just in case you have | :08:08. | :08:14. | |
forgotten her leg - she looks like a pirate Queen or something: it's a | :08:14. | :08:21. | |
very odd look. That's definitely her leg? Definitely. That happened | :08:21. | :08:24. | |
on Sunday. By morning, the internet had doctored it to produce this. | :08:24. | :08:34. | |
:08:34. | :08:42. | ||
That's like a pleaa. I was just going to say that. It's a Demi- | :08:42. | :08:48. | |
pleaa. Dance is her life. But now her legs are on An twitter account. | :08:48. | :08:54. | |
They have a Twitter account. Just the one leg. And Angelina Jolie - | :08:54. | :08:59. | |
legs? There is a thing now called leg bombing where Angelina Jolie's | :08:59. | :09:03. | |
leg is Photoshoped on to other people. So we have some examples of | :09:03. | :09:13. | |
:09:13. | :09:19. | ||
Sexy, right? I love this one - they also went through history. They | :09:19. | :09:25. | |
went back in time. It really works. Yes. Yeah. Not everyone got the | :09:25. | :09:29. | |
idea of the leg bombing, though, because, like, this one - | :09:29. | :09:32. | |
LAUGHTER See, that wouldn't have happened. | :09:32. | :09:41. | |
No. That's a stupid - yeah. What's she doing on the moon? Like a | :09:41. | :09:45. | |
Clanger! Then finally some geek at home - "You know what would be | :09:45. | :09:51. | |
great - if I could match her leg up precisely with one of the legs on | :09:51. | :10:01. | |
:10:01. | :10:04. | ||
Black Beauty - that would be Yeah. It was a move definitely. | :10:04. | :10:09. | |
The... Yeah. I mean, you have to negotiate - like, the dress was | :10:09. | :10:15. | |
designed for that, but your leg and your brain have to work together to | :10:15. | :10:18. | |
know where the entrance is to the opening of - | :10:18. | :10:28. | |
:10:28. | :10:41. | ||
So - and furthermore! LAUGHTER | :10:41. | :10:45. | |
That's like an acceptance speech. Anyway, I thought she did a great | :10:45. | :10:53. | |
job. She looked lovely. It's odd to see a leg hanging in space. I had | :10:53. | :10:57. | |
one thrown at me. Did you? A leg, yeah. I did a show in Birmingham | :10:57. | :11:01. | |
many years ago. I thought it was going pretty well, but the audience | :11:01. | :11:02. | |
weren't totally on side with that. LAUGHTER | :11:03. | :11:08. | |
A guy was so angry, he decided he wasn't going to bother heckling. He | :11:08. | :11:13. | |
took off his prosthetic leg and just flung it at me. No? Seriously. | :11:13. | :11:19. | |
If that's true, I think that makes you one of the greatest comedians | :11:19. | :11:25. | |
ever. Bless your heart. That's true. It sounds like it might be true. | :11:25. | :11:29. | |
It's totally true. That's the worst best thing I have ever heard. | :11:29. | :11:36. | |
host of the show, a very, very funny guy, he had this material - I | :11:36. | :11:40. | |
was on with this guy, Marcus Brigstocke and he had a leg thrown | :11:40. | :11:45. | |
- made routine out of it. A year later I went on stage at Gloucester, | :11:45. | :11:50. | |
and before it started, John had been on the week before, someone on | :11:51. | :11:55. | |
this side said, "Did you have a leg thrown at you once?" I said "Yes, | :11:55. | :12:05. | |
:12:05. | :12:07. | ||
as it happens, I did." While I was talking to him, boom, like a Rafter. | :12:07. | :12:11. | |
That'll teach you. You'll be known throughout your career of having | :12:11. | :12:17. | |
all of these artificial legs thrown at you. Rogue legs. You worked with | :12:17. | :12:24. | |
Angelina Jolie and got to do the kissing - Pushing Tin? Yes. As good | :12:24. | :12:27. | |
as advertised? It was acting. It was a nice day at the office - I | :12:27. | :12:33. | |
think that's a nice way to say it, don't you think, right? Being a | :12:33. | :12:36. | |
gentleman. Nice day at the office - pretty much what it's like. | :12:36. | :12:41. | |
have kissed your husband - not your husband, but Curt on screen? Yes. | :12:41. | :12:45. | |
That movie we did together - Swing Shift was where we fell in love. | :12:45. | :12:51. | |
That's more than acting. That's more than acting. I kissed Angelina | :12:51. | :12:56. | |
Jolie, and she fell in love with Billy Bob Thornton. I don't know | :12:56. | :12:59. | |
what that says about me. That's weird, document it? That still eats | :12:59. | :13:01. | |
away at you, doesn't it? LAUGHTER | :13:01. | :13:05. | |
No, but that was - when you kiss on screen - your second day at the | :13:05. | :13:09. | |
office - it really is, because you kiss, but even though you're | :13:09. | :13:13. | |
falling in love, right, or that you're kissing offcamera, if you | :13:14. | :13:17. | |
will, once you're on camera, you don't really feel that. You're just | :13:17. | :13:23. | |
really hitting the mark and being there and so on. Curt and I were | :13:23. | :13:28. | |
doing a love scene, a hot and heavy love scene. He's making love to me. | :13:28. | :13:35. | |
We're lying down and kissing. He was supposed to off camera pull my | :13:35. | :13:41. | |
panties up. We don't need to get the pineapple, do we? Get the | :13:41. | :13:44. | |
pineapple ready! Just in case. LAUGHTER | :13:44. | :13:49. | |
Pineapple is on standby. It's on standby. So what happened was that | :13:49. | :13:55. | |
when I did that - no. When I was - he - I was leaning down, and he | :13:55. | :14:01. | |
pulls my underpants off, right? But he didn't realise that I had | :14:01. | :14:06. | |
another pair of underpants on, so now it became that clown where you | :14:06. | :14:10. | |
kept pulling the underpants off one after the other, and it was a break | :14:10. | :14:14. | |
for lunch laugh. I mean, we couldn't stop laughing, so you'd | :14:14. | :14:18. | |
think that when people are kissing like that they're actually into it, | :14:18. | :14:23. | |
but you're not - even if you are in love. Ahh! Was that a good story? | :14:23. | :14:29. | |
Yes, it was. It involved someone pulling your pants off. What's not | :14:29. | :14:34. | |
to enjoy? What I'm really hoping is that the first time I picked up the | :14:34. | :14:38. | |
pineapple doesn't make the edit so it just cuts to you telling that | :14:38. | :14:48. | |
:14:48. | :14:49. | ||
story, and for no reason at all - I would be looking for an | :14:49. | :14:53. | |
artificial leg to throw at you at the end of the show. We should have | :14:53. | :14:58. | |
thought of that. What a lazy week we've had at the August. Marcus, | :14:58. | :15:04. | |
put that pine ap apple down otherwise the show is impossible. | :15:04. | :15:09. | |
We've lost control. Just keep lifting up different bits of fruit. | :15:09. | :15:14. | |
We must get down to business. It's chaty chaty. Your film, sir. The | :15:14. | :15:21. | |
Raven, it's out on Friday 9th March. Yes. It has elements of horror. | :15:21. | :15:28. | |
It's like a gothic thriller. Yes. Is that fair? It's the Godfather of | :15:28. | :15:36. | |
Goth he invented the detective Johnray, among other things. He was | :15:36. | :15:41. | |
a real literary giant. The story is about him in the last four days of | :15:41. | :15:44. | |
his life. No-one know what is happened to him in the last four | :15:44. | :15:48. | |
days of his life. The story fictionalises that there was a | :15:48. | :15:55. | |
serial killer who recreated his stories. The police thought Poe did | :15:55. | :16:03. | |
it. Have you to use Poe to deacon instruct his own 120-- story. | :16:03. | :16:08. | |
Unbelievable stuff. It covers these last four days. Is that pure | :16:09. | :16:14. | |
imagination the story? Nobody knows what happened to him. He woke up in | :16:14. | :16:19. | |
someone else's clothes on a park bench, muttering something about | :16:19. | :16:28. | |
Reynolds. Did he take Ambion? don't think... A combination he was | :16:28. | :16:35. | |
known to be overserved. I see. was a big drinker. I hear you, John. | :16:35. | :16:40. | |
We have a little clip. It's near the beginning when the police | :16:40. | :16:46. | |
inspector is filling out -- figuring out... Luke Evans. | :16:46. | :16:56. | |
Terrific actor. Am I under arrest? No. Not as yet. I'd rather stand | :16:56. | :17:01. | |
because it makes it easier to leave. I am license I am a reader of your | :17:02. | :17:06. | |
work. I admit that many of my admirers have tkwon gone to great | :17:06. | :17:12. | |
lengths to meet me. I didn't see I was an admirer. Yet, you read them? | :17:12. | :17:17. | |
The night before last a young girl and a mother were found murdered. | :17:17. | :17:24. | |
The daughter's body was lodgeed in a chimney. The mother's head was | :17:24. | :17:30. | |
severed with a razor. Does any of this sound familiar to you, Mr Poe? | :17:30. | :17:40. | |
:17:40. | :17:46. | ||
You are talking about my story. Work of fiction. I'm afraid I'm not. | :17:46. | :17:51. | |
APPLAUSE People shouldn't get a wrong idea. | :17:51. | :17:57. | |
There is a lot of action in the movie, fighting, running, dancing, | :17:57. | :18:00. | |
horse riding. Do you enjoy all that? Does it come easy to you? | :18:00. | :18:05. | |
you get a chance to do physical stuff it's great. Usually, it's, | :18:05. | :18:11. | |
you know, you have to gate good movie to do good stuff in. You like | :18:11. | :18:15. | |
extreme sports? Before I get too old it's nice to move around. | :18:16. | :18:18. | |
extreme sports, some of the stuff you have done. Didn't you drive, | :18:18. | :18:23. | |
was it a helicopter or a plane you drove into a her kain? Well, I got | :18:23. | :18:28. | |
on board, there is a... Every time there is a hurricane the National | :18:28. | :18:32. | |
Weather Service flies planes into the hurricanes. They are called the | :18:32. | :18:36. | |
hurricane hunters. They drop balls that have something in it that | :18:36. | :18:41. | |
attracts the hurricane. For a bet? To track the hurricanes they drop | :18:41. | :18:46. | |
the radar things and they keep flying hurricanes planes through | :18:46. | :18:49. | |
the hurricanes. I decided it would be a good idea to hitch a ride on | :18:49. | :18:56. | |
one of the planes. Do they do the same announcements like, "please | :18:56. | :19:01. | |
fasten your seatbelts we're experiencing a hurricane?" | :19:01. | :19:04. | |
wasn't really very comforting. I went to the front of the plane. | :19:04. | :19:12. | |
There are these old planes from the 60s, propel Orleans not jet engines. | :19:12. | :19:17. | |
They do better in hurricanes for some reason They are less expensive | :19:17. | :19:21. | |
when they crash. There was something hanging off the nose of. | :19:21. | :19:27. | |
It it was masking tape. They were like "yeah, it's called hurricane | :19:27. | :19:32. | |
metal". I was like "OK". They fly them every hurricane. There was | :19:32. | :19:40. | |
always one going through it. Was it bumpy? It was kind of bumpy. | :19:40. | :19:45. | |
Serious turbulence or middle turbulence? The most turbulence. | :19:45. | :19:53. | |
You should try Ryanair. It's similar. There are no seats. Do you | :19:53. | :19:59. | |
do extreme sports? I cross country ski and down hill ski I'm cautious. | :19:59. | :20:09. | |
:20:09. | :20:09. | ||
Marcus, I never imagined you are sporty, but you are? Well... You do | :20:09. | :20:15. | |
wake boarding. We have proof of weight boarding. Yeah, look at that. | :20:15. | :20:22. | |
Are you skiing behind a car ferry. What is that rope attached to? | :20:22. | :20:28. | |
very tall, very fast swimmer. No, it's up... When you're weight | :20:28. | :20:32. | |
boarding there is a pole on the back of the boat. When you hate the | :20:32. | :20:38. | |
wake and do your jumps you are lifted up. Someone asked me to do | :20:38. | :20:43. | |
that with the parachute on the wake board. That looks like... Kite | :20:43. | :20:47. | |
boarding. I'm diing to do that. That looks like it would kill you. | :20:47. | :20:50. | |
You think it would rip your arms off. That is what I don't | :20:50. | :20:54. | |
understand. You will be torn apart. Most of the pull on that you're | :20:54. | :20:59. | |
strapped on to a har necessary. With that one, with weight boarding | :20:59. | :21:05. | |
you have to hold on yourself. you skydived or jumped out of an | :21:05. | :21:10. | |
aeroplane. I did the bungy thing. fell down an escalator. It's all | :21:10. | :21:16. | |
right. It takes you back up so... Where did you bungy jump? I can't | :21:16. | :21:21. | |
remember the area. They had a huge thing. They lifted you up. You had | :21:21. | :21:28. | |
to self-release. Then you fall. I thought, "I'm not going to do this | :21:28. | :21:32. | |
again". The popularity of bungy jumping must have gone down after | :21:32. | :21:40. | |
the woman who bungy jumped when the chord snapped. She went down the | :21:40. | :21:46. | |
river with her feet bound together. You say ahh that is a sad story. If | :21:46. | :21:50. | |
someone dies on the top of Mount Everest I don't feel sorry for them. | :21:51. | :21:56. | |
You are not supposed to be up there. I'm sorry, you decided to go up | :21:56. | :22:02. | |
there. Human beings... They should not be bungy jumping over a | :22:02. | :22:08. | |
crocodile invested river and a bad thing happens. I wish them well. | :22:08. | :22:14. | |
She did survive. Yes. Bits of her did anyway. You love the | :22:14. | :22:18. | |
snowboarding? Snowboarding is the big thing. That I'm obsessed with. | :22:18. | :22:25. | |
I love it. The altitude festival, when I was a club comic years ago I | :22:25. | :22:30. | |
figured out that a week off work to go snowboarding was expensive. I | :22:30. | :22:34. | |
called a guy in the Alps I said, how come I tell jokes and you pay | :22:34. | :22:40. | |
for me to go sliding? I do it now every year. For 11 years. That is a | :22:40. | :22:50. | |
:22:50. | :22:51. | ||
big festival. This year Altitude has Jimmy, Carr. FrankieBoyle... | :22:51. | :22:56. | |
I'm a long way down that list, whatever! It's great. All the | :22:56. | :23:02. | |
comics go up on the hill and ride... Tell jokes in the evening. Perfect. | :23:02. | :23:06. | |
Will this be the stuff you are doing in Edinburgh? I'm writing a | :23:06. | :23:14. | |
new show called the Brigs Society. Based on the Big Society | :23:14. | :23:17. | |
ideological rip-off. It's taking the idea. Our Government, what they | :23:17. | :23:27. | |
:23:27. | :23:31. | ||
have done, they've ruined APPLAUSE | :23:31. | :23:38. | |
The banks falling apart. What they did, the previous Government tiered | :23:38. | :23:42. | |
up, this one has ruined it with the help of Nick Clegg, who we ought | :23:42. | :23:46. | |
all thought was nice tosm explain Nick Clegg is like the Tim Henman | :23:46. | :23:52. | |
of British politics. No-one really wanted him to win, then he did. Now | :23:52. | :24:01. | |
we all hate him. That sounds like the entire Republican party. | :24:01. | :24:07. | |
exciting to see which lunatic is... Why don't they go to an asylum and | :24:07. | :24:12. | |
take which everyone has smeared the most faeces on their trousers and | :24:12. | :24:20. | |
run for the Republican Party. may It's funny until one of them | :24:20. | :24:26. | |
becomes President. It's like, ha, ha, really, they are in charge! | :24:26. | :24:31. | |
writing a show based on the idea of the big society taking it as a | :24:31. | :24:37. | |
positive. Don't sugar coat it. Tell them how you feel. I won't. I'm | :24:37. | :24:42. | |
expecting many, many limbs to be flung at me during this... Not by | :24:43. | :24:47. | |
me. That is August in Edinburgh? will start in Augustus. It will | :24:47. | :24:51. | |
tour throughout the rest of the year. Very good. Goldie Hawn, you | :24:51. | :24:55. | |
have been away. You are back with a book? Yes. Back with a book. Yes, | :24:55. | :25:03. | |
you have. Ten Mindful Minutes. It took you about nine mindful years | :25:03. | :25:08. | |
to write? Not really. Well, you did... I started the foundation for | :25:08. | :25:12. | |
children about nine years ago, you're right. The foundation, what | :25:12. | :25:15. | |
we are doing is bringing more wellbeing to children in the | :25:15. | :25:19. | |
classroom. Teaching them to become stress-free to recognise stress. | :25:19. | :25:23. | |
Learn about their brain. Become more emotionally stable. Which is | :25:23. | :25:27. | |
how children actually have an opportunity to learn. Is it like a | :25:27. | :25:33. | |
guide to parenting? This one was simulated by parents coming to me | :25:33. | :25:37. | |
and saying, we need this programme because our children are doing well. | :25:37. | :25:41. | |
They are bringing us reasons to calm down. They are giving us tools. | :25:41. | :25:45. | |
We need this programme. I wrote this, basically, extrapolated from | :25:45. | :25:50. | |
the programme called Mind-Up. Tens of thousands of children are | :25:50. | :25:54. | |
experiencing in Canada and the US and Australia. Now, we are bring it | :25:54. | :26:01. | |
to the UK. We are launching Mind-Up, the curriculum right here in the UK. | :26:01. | :26:06. | |
OK. I don't know how familiar you are with British children. Before | :26:06. | :26:11. | |
you introduce Mind-Up over here you should be aware they set fire to | :26:11. | :26:21. | |
:26:21. | :26:21. | ||
London. They are setting fire to... How old are your children? They are | :26:21. | :26:27. | |
six and nine. Right. At this stage it's not really parenting, it's | :26:27. | :26:32. | |
more crowd control. I'm a dad who is around during the day, which | :26:32. | :26:39. | |
means I'm treated with a great deal of suspicion. I'm posh and posh | :26:39. | :26:46. | |
people treat the same -- their children the same as they do | :26:46. | :26:49. | |
children. Send them away and when it comes back it's bigger. I'm | :26:49. | :26:55. | |
around with my kids. I took my daughter to the park. I have facial | :26:55. | :26:59. | |
hair. A lot of the posh mummies are suspicious of me anyway. I was | :26:59. | :27:05. | |
pushing my daughter. Making all the noises you would hope for "higher" | :27:05. | :27:10. | |
at the top of the swing she shouted "I could kick Jesus from here". | :27:10. | :27:17. | |
Over the moon, delighted. All the posh mummies going "come on, we're | :27:17. | :27:23. | |
leaving". I'm not a parent. It would be so terrifying because I | :27:23. | :27:29. | |
know all the incredibly stupid, dangerous, I deserve to die | :27:29. | :27:36. | |
situations... Of course. I was a treacherous little man. It's a | :27:36. | :27:41. | |
disaster. You need order. As a kid that is what they are doing. You | :27:41. | :27:46. | |
are at home powerless to stop them. It would drive you mad. It's very | :27:46. | :27:50. | |
scary. Not to labour this. It's not showbusiness this particular story, | :27:50. | :27:53. | |
in terms of children themselves, if they don't learn how their brains | :27:53. | :27:57. | |
are working, they don't know that when they are in that dangerous | :27:57. | :28:02. | |
period they take those chances. Those kids get killed in cars. That | :28:02. | :28:06. | |
is the part of the brain that is not finished yet. Part is it to | :28:07. | :28:13. | |
know not yourself, but your brain. Have you considered introducing | :28:13. | :28:19. | |
these principles to bankers? When they screw up, then they learn... | :28:19. | :28:24. | |
It won't work. They don't experience any of the pain. | :28:24. | :28:27. | |
APPLAUSE Exactly. They screw up and other | :28:27. | :28:32. | |
people... Right? It's not... It's a little off. The Met foredoesn't | :28:32. | :28:42. | |
:28:42. | :28:45. | ||
I think that's the definition of the sociopath... Yes, it is. Being | :28:46. | :28:51. | |
a banker? Have you ever - absolutely no remorse when you, you | :28:51. | :28:56. | |
know... Do something bad. Yeah, yeah. Do you have remorse? No, not | :28:56. | :29:03. | |
at the moment. I am having a lovely time. Oh, good. Are you sorry in | :29:03. | :29:07. | |
general for the bad things you have done? Yeah, all right. OK, yes! | :29:08. | :29:09. | |
LAUGHTER This is the interesting thing about | :29:09. | :29:12. | |
this kind of a character or - LAUGHTER | :29:12. | :29:21. | |
Because we look at our children, and we find out that these children | :29:21. | :29:26. | |
actually end up doing better in life than the ones that are less | :29:26. | :29:30. | |
problematic. APPLAUSE | :29:30. | :29:38. | |
Parenting him before our eyes - beautiful. It's true. So you know, | :29:38. | :29:43. | |
it's those parents who look at their children as a problem child - | :29:43. | :29:47. | |
LAUGHTER Listen, we all know - we all got in | :29:47. | :29:52. | |
trouble at school and all know the horror of exams, terrible, terrible | :29:52. | :29:57. | |
things. Are you kissing? Sharing a secret. No, I thought you were | :29:57. | :30:01. | |
behind a cardigan making out. didn't know I was on camera. I just | :30:01. | :30:07. | |
caught your eye. Did you hear what I said? What? I was a terrible | :30:07. | :30:10. | |
student. Ahh! The reason is because, look, we did really good things | :30:11. | :30:14. | |
with our lives. I want to say something to children who aren't so | :30:14. | :30:17. | |
great at reading, you can get better. Maths sometimes is harder, | :30:18. | :30:21. | |
but you know something? Just because you can't do it doesn't | :30:21. | :30:26. | |
mean you're not going to do well at life. That's true. Some kids fall | :30:26. | :30:29. | |
through the cracks. I think maths is harder, but it's important for | :30:29. | :30:34. | |
kids to know if you are really bad at maths, you can always go into | :30:34. | :30:37. | |
banking. LAUGHTER | :30:37. | :30:42. | |
And it will be fine, you know? It will be fine! One of our favourite | :30:42. | :30:47. | |
websites is Funny Exam Answers, right? These kids I think will do | :30:47. | :30:51. | |
very well in life, quite creative when they're stumped for an answer. | :30:51. | :30:56. | |
These are all genuine. These are all genuine. So this is the first | :30:56. | :31:02. | |
one - what is one great advantage that sexual reproduction has over | :31:02. | :31:08. | |
a-sexual reproduction? It feels good. That's a point! Now, maths - | :31:08. | :31:15. | |
not always easy. This is - name an angle complementary to BDC. Here's | :31:15. | :31:20. | |
the complementary angle. "You look much thinner from over here." | :31:20. | :31:29. | |
That's great. How great is that? achiever! This one I think is one | :31:29. | :31:33. | |
of my favourites. It's fantastic. The question is, "A child swallows | :31:33. | :31:39. | |
a cleaning product. Why is milk often given?" | :31:39. | :31:41. | |
"To make them happy before they die." | :31:41. | :31:45. | |
LAUGHTER How great is that? A last male. | :31:45. | :31:51. | |
you like milk? There you go. I'd give you chocolate. I don't have | :31:51. | :31:55. | |
any! It's another maths question - how much longer is the base of this | :31:55. | :32:00. | |
triangle than the height? The answer is "I have no idea. Here's a | :32:00. | :32:04. | |
rainbow to make up for it." LAUGHTER | :32:04. | :32:11. | |
"And a bunny." But this is my absolute favourite - | :32:11. | :32:16. | |
this is just genius - just genius. "Miss, I can't read the question. | :32:16. | :32:25. | |
There's a bear in the way!" LAUGHTER | :32:25. | :32:29. | |
You should bring those kids in and put them on the show. They'd be | :32:29. | :32:33. | |
probably more interesting than us. Those guys are awesome. Talk about | :32:33. | :32:38. | |
no censorship whatsoever! Right. It's nearly time for this week's | :32:38. | :32:42. | |
famous visit to the red chair, but first, let's welcome to the stage | :32:42. | :32:46. | |
the UK's biggest rock band performing their new single, | :32:47. | :32:56. | |
:32:57. | :33:04. | ||
Goodbye Kiss. It is Kasabian. # Doomed from the start | :33:04. | :33:14. | |
:33:14. | :33:16. | ||
# We met with a goodbye kiss. # I broke my wrist. | :33:16. | :33:23. | |
# It all kicked off. # I had no choice. | :33:23. | :33:31. | |
# You said that you didn't mind cos love's hard to find. | :33:31. | :33:41. | |
:33:41. | :33:42. | ||
# Maybe the days we had are gone, living in silence for too long. | :33:42. | :33:47. | |
# Open your eyes, and what do you see? | :33:47. | :33:56. | |
# No more laughs, no more photographs. | :33:56. | :34:06. | |
:34:06. | :34:07. | ||
# Turning slowly, looking back, see. # No words can save this. | :34:07. | :34:13. | |
# You're broken and I'm pissed. # Run along like I'm supposed to, | :34:13. | :34:23. | |
be the man I ought to. # Rock and Roll sent us insane. | :34:23. | :34:33. | |
:34:33. | :34:40. | ||
# I hope someday that we will meet # Running wild. | :34:40. | :34:48. | |
# Giving it everyone. # Now that's all done. | :34:49. | :34:58. | |
:34:59. | :35:02. | ||
# La, la, la, la. # Maybe the days we had are gone, living in silence | :35:02. | :35:04. | |
for too long. # Open you're eyes and what do you | :35:04. | :35:13. | |
see? # The last stand, let go of my hand. | :35:13. | :35:20. | |
# Turning slowly, looking back, see # No words can save this. | :35:20. | :35:30. | |
:35:30. | :35:34. | ||
# You're broken, and I'm pissed. # Run along like I'm supposed to, | :35:34. | :35:39. | |
be the man I ought to. # Rock and Roll sent us insane | :35:39. | :35:42. | |
# I hope someday that we will meet again. | :35:42. | :35:52. | |
# You go your way, and I'll go my # No words can save us. | :35:52. | :36:00. | |
# This lifestyle made us. # Run along like I'm supposed to, | :36:00. | :36:07. | |
be the man I ought to. # Rock and Roll sent us insane. | :36:07. | :36:17. | |
:36:17. | :36:24. | ||
# I hope someday that we will meet APPLAUSE | :36:24. | :36:28. | |
Kasabian, ladies and gentlemen. Come join me now. Hello, sir. | :36:28. | :36:34. | |
Graham, pleasure. Very nice to see you. You all right? Oh, wow. | :36:34. | :36:39. | |
Pleasure. How are you? There you go. Lovely, lovely. Hello, mate. Good | :36:39. | :36:46. | |
to see you. Very nice, very nice. Congratulations. Thank you very | :36:46. | :36:52. | |
much for that. That was so great! I loved it. But it was - sort of | :36:52. | :36:58. | |
reminded me of sort of that "It's now, but it's them" because it's - | :36:58. | :37:05. | |
Whoa, Whoa, Whoa... It has that beautiful heartbreak feel, Be My | :37:05. | :37:10. | |
Baby, Roy Orbison. I am just getting ready to say the title of | :37:10. | :37:15. | |
your album - I am very bad at words - Velociraptor. Velociraptor. | :37:15. | :37:25. | |
:37:25. | :37:26. | ||
That's what it's called. And I am not even Dsylectic -! What's the | :37:26. | :37:31. | |
word for that? I don't know, but a dyslexic will find it. | :37:31. | :37:38. | |
And did single is out now. And congratulations - Best Band in | :37:38. | :37:43. | |
Britain, goddamnit! The NME Awards - did you disgrace yourselves? | :37:43. | :37:48. | |
Massively, yeah, yeah, yeah, yeah. Did you offend people? Everywhere. | :37:48. | :37:57. | |
I kept licking people's faces - of all people - Jackie Mason. Oh, no. | :37:57. | :38:03. | |
Quite tasty. She's famous. Wears a lot of makeup, Jackie. Why did you | :38:03. | :38:08. | |
lick his face? I was out of my mind. They'd just won Best British Band | :38:08. | :38:15. | |
at the NME Awards. It was a lovely night and tonight we're feeling | :38:15. | :38:19. | |
eggshells. We're doing all right. Yeah, you have done very well. | :38:19. | :38:22. | |
That's the third consecutive number one album. We're doing all right. | :38:22. | :38:28. | |
That's a big deal! Well done you. APPLAUSE | :38:28. | :38:34. | |
Listen. Right. Before we go tonight, a story or two in the red chair, so | :38:34. | :38:42. | |
who's up first? Hello, nice lady. Hello. What's your name? Lisa. | :38:42. | :38:48. | |
Where are you from? Minnesota. has travelled all this way to tell | :38:48. | :38:52. | |
us this story. Don't hold it against her. This is not connected, | :38:53. | :38:57. | |
this bit. We booby-trapped you. Normally it's just scenic, but it's | :38:57. | :39:01. | |
practical tonight. Sorry, Lisa. I left you alone. Lisa, she's | :39:01. | :39:04. | |
travelled from Minnesota to delight us with? Following story. Off you | :39:04. | :39:08. | |
go. My parents have a cabin on a lake. My nephew, who was three at | :39:08. | :39:14. | |
the time, loved giving people tours around the cabin, particularly | :39:14. | :39:19. | |
showing people the dead animals that my dad buys on eBay, so - | :39:19. | :39:27. | |
LAUGHTER Don't touch it. So Mr Bear. Hello, | :39:27. | :39:31. | |
Mr Coyote. Hello, Mr Deer, then we get to an animal my sister-in-law | :39:31. | :39:35. | |
got given as a gift. It was her mascot for her volleyball team, and | :39:35. | :39:41. | |
he says to me, "Would you like to stroke my mum's beaver? I do it all | :39:41. | :39:51. | |
I can only apologise. Could see that one coming, and I am jet | :39:51. | :39:54. | |
lagged. American animals - there was bound to be a beaver. There was | :39:54. | :39:58. | |
a lake... There was all things pointing towards beaver. | :39:58. | :40:04. | |
pineapple, as we know it. LAUGHTER | :40:04. | :40:10. | |
"Pineapple"! Would you like to taste my pineapple? Don't! Who's | :40:10. | :40:16. | |
next? Hello. Hello. You seem nervous - oh! Yeah. What's your | :40:16. | :40:25. | |
name? Lioni. What do you do? I am a drama student in London, but I am | :40:25. | :40:30. | |
originally from Leicestershire. Tom will know where that is. I know Tom | :40:30. | :40:36. | |
- sort of. Do you? My mum knows his mum. He signs cards for us for | :40:36. | :40:43. | |
Christmas. Wow. Has he stroked your beaver? No, I'm sure he hasn't. | :40:43. | :40:51. | |
I haven't. Right, nice lady all. You go with your story. I was at V | :40:51. | :40:55. | |
Guest value watching Kasabian. I went there with my friends. My arms | :40:55. | :40:59. | |
were in the air singing all the lyrics - they were really good, by | :40:59. | :41:02. | |
the way. All of a sudden this liquid entered my mouth - I didn't | :41:02. | :41:08. | |
know what it was. I thought someone had thrown beer over me. I | :41:08. | :41:12. | |
swallowed it. I thought that was the best because I didn't want to | :41:12. | :41:17. | |
spit on someone. I looked down. My clothes were all wet. I smelt it, | :41:17. | :41:23. | |
and someone had actually chucked their cup of urine all over me, and | :41:23. | :41:27. | |
I swallowed a substantial amount of it. Oh, I think we should let her | :41:27. | :41:31. | |
walk because she did drink a cup of pris for this story. You can walk. | :41:31. | :41:40. | |
You can walk. Wow! Wow. The things you do, eh? Now that's a fan. She | :41:40. | :41:46. | |
stayed. Do you pee on stage? No! it wasn't yours. Just random - | :41:47. | :41:52. | |
licking faces, throwing piss at them - yeah. It's rock 'n' roll. | :41:52. | :41:56. | |
Who's next? Hello, sir. God. Now, have you signed a waiver? | :41:56. | :42:00. | |
LAUGHTER I just don't want a lawsuit if this | :42:00. | :42:04. | |
goes wrong. OK. What's your name, sir? Alan. | :42:04. | :42:09. | |
All right. Where are you from? Watford. Lovely. What do you do? | :42:09. | :42:13. | |
am in between jobs at the moment. Fair enough. Lovely. This could be | :42:13. | :42:17. | |
the start of something BIG, Alan! Off you go, sir. Going back a bit - | :42:17. | :42:22. | |
I am going back to when I was a youngster, about 1920, and I used | :42:22. | :42:25. | |
to drink a lot, and my dad used to get really upset with me because I | :42:25. | :42:30. | |
used to get home on a Saturday night and wake everybody up about | :42:30. | :42:36. | |
2.00am in the morning. Oh, Alan! know. Um... Have you forgotten the | :42:36. | :42:39. | |
story? LAUGHTER | :42:39. | :42:42. | |
He said to me one Saturday, "If you're not home at a reasonable | :42:42. | :42:46. | |
time, I will bolt the door at midnight." So I thought to myself, | :42:46. | :42:50. | |
how can I get away with this one? I thought, I know what I'll do. I'll | :42:51. | :42:55. | |
leave my window open, get up the drainpipe, but I forget - when | :42:55. | :42:58. | |
you're drunk, getting up a drainpipe is a little bit harder | :42:58. | :43:02. | |
than you think. I eventually got into the window, coming to my | :43:02. | :43:08. | |
senses, I sort of realise I am not in my bedroom. I am at my next door | :43:08. | :43:11. | |
neighbour's looking at them in bed. Is that about the end of the story? | :43:11. | :43:15. | |
It's a good end to the story. you. Alan, ladies and gentlemen. | :43:15. | :43:20. | |
You can walk, sir. You can walk. Flip me. Oh, he wants to be... | :43:20. | :43:26. | |
please. Yes, please. Alan wants to go - OK! Where are you going, Alan? | :43:26. | :43:32. | |
We have an NHS here, Goldie, don't worry. Can't be sued? Brace | :43:32. | :43:41. | |
yourself, Alan. I am ready. Legs aKim bow - - akimbo - hey! Well | :43:41. | :43:46. | |
done, everyone. If you would like to join us on the show and be on | :43:46. | :43:52. | |
the red chair, you can. Just go to this address. Thanks to my guests, | :43:52. | :43:54. | |
Kasabian, ladies and gentlemen, Marcus Brigstocke, Goldie Hawn and | :43:54. | :43:57. |