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Tonight on the good ship Norton, the star of Pirates of the | :00:16. | :00:24. | |
Caribbean. To starboard! To port! Here comes the big one! Let's start | :00:24. | :00:34. | |
:00:34. | :00:49. | ||
APPLAUSE AND CHEERING. Hello everyone! And welcome, sit | :00:49. | :00:57. | |
yourselves down. Everyone excited? APPLAUSE AND CHEERING. I know, I am, | :00:57. | :01:02. | |
we have a good one for you tonight. Yes, the one and only, Johnny Depp | :01:02. | :01:10. | |
is here! APPLAUSE AND CHEERING. That's not all, Oscar nominee Carey | :01:10. | :01:19. | |
Mulligan is here, top Irish comic Ed Byrne is on the show, writer, | :01:19. | :01:26. | |
director and actor, Ricky Gervais is here. Plus, we have music from | :01:26. | :01:35. | |
Snow Patrol! APPLAUSE AND CHEERING. That's a line-up, isn't it? Of | :01:35. | :01:38. | |
course, thrilled to have Ricky Gervais back on the show. He has a | :01:38. | :01:44. | |
new series out called Life's Too Short. Now, the show - it's a hit, | :01:44. | :01:49. | |
Ricky. The show follows the life of a showbiz dwarf, you think what | :01:49. | :01:57. | |
does Ricky know about that? LAUGHTER. | :01:57. | :02:04. | |
Carey Mulligan is here. APPLAUSE. Obviously, she was Oscar-nominated | :02:04. | :02:07. | |
for An Education and she's finished a new film called Shame, it's about | :02:07. | :02:16. | |
a young sex addict. We all know who that's based on. LAUGHTER. Yes, who | :02:16. | :02:21. | |
knew Justin Bieber liked sex? He wasn't that keen when I asked | :02:21. | :02:31. | |
him. About it!, about the subject. Justin has been accused of | :02:31. | :02:36. | |
fathering a child after a back stage romp that lasted 30 seconds. | :02:37. | :02:43. | |
Ah, Justin by name, Justin by nature. | :02:43. | :02:52. | |
APPLAUSE. Delighted to welcome Johnny Depp on to this show. I | :02:52. | :02:56. | |
should warn you that as I speak he is on his way from the premiere of | :02:56. | :03:01. | |
his new film The Rum Diary. In the film Johnny's character spends most | :03:02. | :03:07. | |
of his time drinking rum. So many different kinds of rum, dark rum, | :03:07. | :03:17. | |
:03:17. | :03:18. | ||
white white rum, Red Rum. He was a racehorse in the 80s, remember | :03:18. | :03:24. | |
that? Johnnie is probably most fame ouz Captain Jack Sparrow in The | :03:24. | :03:28. | |
Pirates of the Caribbean. There he is. Those films they are fun but | :03:28. | :03:34. | |
find them frightening. Do you remember the Kraken, a huge man- | :03:34. | :03:41. | |
eating squid. Don't be frightened but here is a huge man-eating squid. | :03:41. | :03:51. | |
:03:51. | :03:51. | ||
Yeah. LAUGHTER. It's a huge man, eating squid. | :03:51. | :03:56. | |
APPLAUSE let's get some guests on. Johnny Depp will be joining us | :03:56. | :04:00. | |
later, and also music from Snow Patrol. First, he is the perfect | :04:00. | :04:08. | |
guest for a bonfire night, it's Ed Byrne. Hello, Sir. | :04:08. | :04:16. | |
Sit yourself down. You are very welcome. She's an an -- Oscar- | :04:16. | :04:22. | |
nominated firecracker, it's Carey Mulligan. Oh, so beautiful! Sit | :04:22. | :04:27. | |
yourself down. And what a guy, it's comedy superstar, Ricky Gervais. | :04:27. | :04:37. | |
:04:37. | :04:41. | ||
APPLAUSE. It's a tuxedo, very nice. Everyone looking lovely. Gorgeous, | :04:41. | :04:45. | |
the shoes, look at the shoes. high. They're amazing. Now, listen, | :04:45. | :04:51. | |
I want to check before Mr Depp does arrive that there's going to be no | :04:51. | :04:56. | |
abgwardness on -- awkwardness on the sofa, at the Golden Globes you | :04:56. | :05:02. | |
were less than kind about Johnny Depp and Angelina Jolie's film. | :05:02. | :05:06. | |
haven't seen this one. I hadn't seen that one, I still haven't. It | :05:06. | :05:10. | |
didn't stop me, though. He will be all right. Course he will be all | :05:10. | :05:15. | |
right! I didn't buy the controversy really. I think that was the press | :05:15. | :05:20. | |
keeping it going. Who was really offended? Who did I really offend? | :05:20. | :05:30. | |
I was there, I think you offended quite a few people. APPLAUSE. | :05:30. | :05:35. | |
Ridiculous, he is in the new show, you know. Everyone was going, you | :05:35. | :05:40. | |
insulted everyone, Johnny Depp was furious, so I sent him an e-mail | :05:40. | :05:43. | |
and said sorry about the Globes, how would you like to get your own | :05:43. | :05:48. | |
back? He went, I loved it. Of course I wasn't annoyed. It's | :05:48. | :05:52. | |
ridiculous. He wasn't annoyed at all. Was Angelina Jolie in Life's | :05:52. | :05:57. | |
Too Short as well? I didn't ask her, she didn't look so happy. Carey, | :05:57. | :06:03. | |
you blamed Johnny Depp for ruining your hair? No, I played a tiny | :06:03. | :06:09. | |
prostitute part in Public Enemies for a day. You don't mean a dwarf | :06:09. | :06:14. | |
prostitute? You played a tiny prostitute. A tiny prostitute part | :06:14. | :06:19. | |
in Public Enemies and they convinced knee dye my hair white -- | :06:19. | :06:25. | |
me to dye my hair white and it fell out. Didn't you kiss him? A lot and | :06:25. | :06:31. | |
it got cut from the film. Poor Johnny Depp. How many times did you | :06:31. | :06:36. | |
ks him? I at this it was 16 because I was so uncomfortable. 16 times. | :06:36. | :06:40. | |
But it got cut out. It got cut because I looked so uncomfortable. | :06:40. | :06:46. | |
Really? Yeah, I was kissing Johnny Depp so I got really nervous. | :06:46. | :06:52. | |
could could blame you. Ed, you have a beef with Johnny Depp? Apart from | :06:52. | :07:02. | |
:07:02. | :07:02. | ||
the fact he stole my my look? I get fed up with being confused with you | :07:03. | :07:11. | |
him all the time, it's annoying. Shall we compare? There is Ed. That | :07:11. | :07:17. | |
is amazing. APPLAUSE. Have you got one of Johnny Vegas | :07:17. | :07:23. | |
for me? No. Right, Carey Mulligan, I love what's happened to you. It's | :07:23. | :07:28. | |
fabulous. Every now and again it happens to someone where no one | :07:28. | :07:32. | |
knew you, suddenly you were nominated for Oscars, the hottest | :07:32. | :07:36. | |
girl on planet earth. Are you comfortable with all this yet? | :07:36. | :07:44. | |
I feel like I have won an aud - no, not at all, it's very strange. | :07:44. | :07:49. | |
is extraordinary is that apart from the odd school play your first ever | :07:49. | :07:59. | |
:07:59. | :07:59. | ||
job was Pride and Prejudice. Yeah, there I am. Oh! Yeah. Better now, I | :08:00. | :08:06. | |
feel. Success has changed you. For the best, I feel. Yeah, it was my | :08:06. | :08:10. | |
first job. I giggled a lot, I I didn't do a lot. Now you have so | :08:10. | :08:15. | |
many people wanted this role, but you are playing Daisy in The Great | :08:15. | :08:22. | |
Gatsby opposite Leonardo Di Caprio. Yes. APPLAUSE AND CHEERING. Is it a | :08:22. | :08:27. | |
bit the Johnny Depp thing, you are a fan, I assume? Yeah, I grew up | :08:27. | :08:31. | |
watching everything he had ever done. I have to hide my inner fan | :08:31. | :08:34. | |
around him. It's terrible. He claims to not be able to dance and | :08:35. | :08:38. | |
we are doing a dancing scene and I have to hide the fact that I know | :08:38. | :08:42. | |
that he can dance because I have seen him dance in Titanic. I want | :08:42. | :08:50. | |
to make him tap dance, but I don't. Yeah, you are a crap dancer! Great | :08:50. | :08:53. | |
if they rolled that into the dialogue, if you were to say, yeah, | :08:53. | :08:58. | |
I saw you dance in Titanic. You are going back to Australia very soon | :08:58. | :09:03. | |
to finish that film. It's why you are here tonight to talk about | :09:03. | :09:07. | |
Shame because it doesn't really come out until January 13th. Yes. | :09:07. | :09:11. | |
can tell you because I know, it's written down. I have seen a preview | :09:11. | :09:15. | |
of this film, it's an amazing film. Thank you. It's a very different | :09:15. | :09:21. | |
film. For an audience member it's extreme. I am assuming to be in it | :09:21. | :09:25. | |
was quite an extreme experience? It's a little bit racy. It is, it | :09:26. | :09:32. | |
deals with addiction but a particular sort of addiction. | :09:32. | :09:42. | |
:09:42. | :09:45. | ||
This character is addicted. Yeah. He is what? Addicted. Sorry. I am | :09:45. | :09:50. | |
talking around the film. The only ever time I hear that is when they | :09:50. | :09:56. | |
go I am sex addicted, they mean I got caught, now I go to the | :09:56. | :10:00. | |
Priorary. Is there really sex addiction? When you watch this film, | :10:00. | :10:05. | |
it lays him quite low, I would say. OK. I am now going to show you a | :10:05. | :10:11. | |
clip which isn't really about sex or addiction. The only clip that | :10:11. | :10:15. | |
cow show. So it's you, you are a singer, you have just performed a | :10:15. | :10:20. | |
song and you are meeting your brother's boss. Go! | :10:20. | :10:25. | |
We got a problem. Your sister cannot be taking the bus, I know a | :10:25. | :10:29. | |
car who owns a car, we are going to drive around and you are going to | :10:29. | :10:34. | |
learn thousand drive. -- learn how to drive. I would love that. We are | :10:34. | :10:39. | |
going to get you a golf cart. now we are talking. Yeah, everybody | :10:39. | :10:44. | |
should drive golf carts. Right up 5th Avenue. They should, it would | :10:44. | :10:49. | |
be cleaner and greener, it would be great for the city. Sounds great. | :10:49. | :10:56. | |
love your brother. What an amazing man. How long are you here for? | :10:56. | :11:04. | |
don't know. Can I see you again? Please, is that too ford? I I -- | :11:04. | :11:08. | |
forward? I find you fascinating. I would love to see you again. Listen, | :11:08. | :11:14. | |
this is a celebration, let's get get champagne. Yes! | :11:14. | :11:23. | |
APPLAUSE. So good in it. You really are. The | :11:23. | :11:27. | |
other thing I love is lots of actors they moan about the | :11:27. | :11:31. | |
lifestyle, having to live in hotels, but presumably you like it because | :11:31. | :11:35. | |
you grew up in hotels? I did. My dad is here. I can't see him, | :11:35. | :11:41. | |
though. But my dad is here. He will be very quiet now. There he is! | :11:41. | :11:51. | |
:11:51. | :11:53. | ||
There is my dad! APPLAUSE. My dad was a hotel manager. Is it a nice | :11:53. | :11:56. | |
life, presumably you don't have to clean up or anything? Yeah, it's | :11:56. | :12:00. | |
very nice. I didn't know anything else. Did you ever have an argument | :12:00. | :12:09. | |
with your parents and they go you treat this house like a - oh! | :12:09. | :12:16. | |
old were you when you got out of hotels? Dad? 13. No, because we | :12:16. | :12:21. | |
move - sorry, stop talking to my dad! You are allowed to talk to | :12:21. | :12:25. | |
your father. When we moved back to London it was like when I was seven | :12:25. | :12:31. | |
and a half. Really, OK. Yes. this comfortable for you, this | :12:31. | :12:38. | |
conversation? Is it more or less comfortable watching a film with | :12:38. | :12:42. | |
your daughter in it about sex addiction? Has your dad seen it. | :12:42. | :12:49. | |
not allowed. Can I not - can I just say, don't. I can't imagine a | :12:49. | :12:55. | |
father enjoying it. I am embarrassed for you. There's | :12:55. | :13:00. | |
nothing worse. It's very good and she's nominated for an Oscar, you | :13:00. | :13:03. | |
will enjoy that. It will be great. I don't watch people having sex | :13:03. | :13:13. | |
with my mum and dad. People are having sex with your mum and dad? | :13:13. | :13:16. | |
Listen, ladies and gentlemen, apparently Johnny Depp will be here | :13:16. | :13:20. | |
shortly, I am told. APPLAUSE AND CHEERING. A lot of love in the room. | :13:20. | :13:28. | |
A few fans in the audience. Ed, you are touring at the moment. Yeah. | :13:28. | :13:33. | |
Very quickly, do you still have the vile cat? I still have a cat, yeah, | :13:33. | :13:37. | |
he is not that vile but he brings in things and it's a bit disgusting. | :13:37. | :13:41. | |
He seems worse than most cats. is very good at bringing stuff in | :13:41. | :13:48. | |
from inside. Didn't he bring in a tpezant? A live pheazant. That's | :13:48. | :13:56. | |
the biggest thing still he has brought in. He brought in, it was | :13:56. | :14:03. | |
one of those things, all right, have you ever had a blue tit or a | :14:03. | :14:06. | |
chaffinch get in your house, they suddenly seem massive, you are | :14:06. | :14:12. | |
being terrified. See a pheasant, they're big outside. In your living | :14:12. | :14:17. | |
room they're enormous. Certain things seem bigger inside than | :14:17. | :14:21. | |
outside and you ladies would do well to bear that in mind. It was | :14:21. | :14:27. | |
the funniest thing and this pheasant, which wasn't keen on | :14:27. | :14:31. | |
moving out. Looking at the cat like I am annoyed with him but I am also | :14:31. | :14:36. | |
impressed he's done this and he is looking back at me like he is | :14:36. | :14:40. | |
impressed but also scared. Going, I know, it's massive, isn't it? I | :14:40. | :14:46. | |
will be honest, I thought it was big when it was outside, it's huge. | :14:46. | :14:53. | |
Anyway, I got you this. If you don't want it put it on ebay. | :14:53. | :14:57. | |
you brought home some terrible stuff. Can I just say, it's my | :14:57. | :15:07. | |
:15:07. | :15:10. | ||
I am allowed! Ed, you are on tour until the 9th December. The DVD is | :15:10. | :15:17. | |
out there. Do I hear the clinking of rum bottles? The buckling of | :15:17. | :15:27. | |
:15:27. | :15:47. | ||
swash? Yes, he is here, please They are excited. They are very | :15:47. | :15:57. | |
:15:57. | :16:10. | ||
excited. How are you, sir? I am Presumably... Is that enjoyable? | :16:10. | :16:16. | |
is a pleasure, yes. How was the premiere? It was good, yes, very | :16:16. | :16:22. | |
good. And the crowd showed up and screamed? There was a bit of that. | :16:22. | :16:29. | |
Does it get out of hand? There is a picture from the New York premiere | :16:29. | :16:36. | |
of The Rum Diary. What went on? was the high Mick manoeuvre. I had | :16:37. | :16:46. | |
something lodged. Really? No, No. You I just being manhandled by | :16:46. | :16:54. | |
somebody. A I was. I have to press charges. We are delighted you are | :16:54. | :16:58. | |
here, I'm surprised you were here so quickly, because you are so | :16:58. | :17:03. | |
lovely tee off fans, that the story of you as Captain Jack, darling to | :17:03. | :17:08. | |
see that little girl in Greenwich, that is an amazing story. -- are | :17:08. | :17:15. | |
going to see that little girl. got a letter, I got this week | :17:15. | :17:19. | |
little letter from a little girl who was going to school three | :17:19. | :17:25. | |
minutes away from where we were shooting. And she said, we need to | :17:25. | :17:30. | |
escape. So I thought, on a lunch break, we will go over. Bring about | :17:30. | :17:38. | |
12 pirates, and go ape! And we did. And it was really, really fun and | :17:38. | :17:47. | |
really sweet. Some were scared, very scared. How the hell did that | :17:47. | :17:57. | |
:17:57. | :18:04. | ||
Let's talk about The Rum Diary. Presumably, a real labour of love | :18:04. | :18:10. | |
for you. You found the original manuscript 14 years...? I was with | :18:10. | :18:15. | |
Hunter S Thompson, and we were looking through the manuscript for | :18:15. | :18:19. | |
fear and loathing in Las Vegas, I was preparing for the film, and I | :18:19. | :18:23. | |
found this other box, and there was The Rum Diary. And he didn't | :18:23. | :18:31. | |
remember writing it? No, No. That is kind of a stretch. He didn't | :18:31. | :18:40. | |
remember writing it, it was written in 1959, 1960. I talked him into it. | :18:40. | :18:43. | |
And it is presumably semi- autobiographical? Most definitely. | :18:43. | :18:48. | |
So it was kind of the Hunter S Thompson before he found his voice, | :18:48. | :18:53. | |
before he found the avenue for the rage. So he was a journalist in | :18:53. | :18:56. | |
Puerto Rico, going through these adventures? You were a good friend | :18:56. | :19:03. | |
with him? Most definitely. sounds like the sort of person, | :19:03. | :19:10. | |
quite hard to be friends... Could you relax with him? Oh, yeah. | :19:10. | :19:14. | |
Really? Tell us about the first time you ever met him. The first | :19:14. | :19:20. | |
time I met him, it was a part in Woody Creek, Colorado, I was | :19:20. | :19:25. | |
sitting at the back, there was a scheduled meeting. It was about | :19:25. | :19:28. | |
midnight, I was sitting at the back of this bar, and suddenly the front | :19:28. | :19:34. | |
door opened, and I saw sparks. These hideous barks that what kind | :19:34. | :19:38. | |
of every where. And then I realised as he came closer, the sea was | :19:38. | :19:46. | |
parting. People were screaming. Hurling themselves out of the way. | :19:46. | :19:51. | |
Basically, in his left hand, he had a 3 ft cattle prod, and in his | :19:51. | :19:57. | |
right hand, he had a tasered gun. The next thing I heard was, "out of | :19:57. | :20:04. | |
the way, you bustards". Then we should hands, and went back to his | :20:04. | :20:14. | |
:20:14. | :20:15. | ||
house. And I shot it with a shotgun. And it went off? Yes. It was an 80 | :20:15. | :20:24. | |
ft fireball, huge. That sounds like fun, but again, I wouldn't relax. I | :20:24. | :20:29. | |
wouldn't sleep and that house. You slept in the house. It wasn't a | :20:29. | :20:33. | |
council house! I was going to invite you back to mind after this, | :20:34. | :20:38. | |
but I think you would be disappointed. I can bring things to | :20:38. | :20:48. | |
:20:48. | :20:52. | ||
blow up. Struck something to the cat! He looks so big in the House! | :20:52. | :20:57. | |
When he died, the Ashes thing, was that your idea, was that in his | :20:57. | :21:06. | |
will? What he wanted was to be blown out of a 150 ft cannon. And | :21:06. | :21:11. | |
shot into the stratosphere. And I think he knew that I was the only | :21:11. | :21:18. | |
one stupid enough to make that happen. And I did. Did it work? | :21:18. | :21:25. | |
yeah! We are going to show a clip of The Rum Diary, it opens on 11th | :21:25. | :21:29. | |
November. You have had a big night here, you have lost at the front | :21:30. | :21:34. | |
seat. Yes, our car has been stripped. But you need to get back | :21:34. | :21:44. | |
:21:44. | :21:55. | ||
What is that? Too much weight on the axle. Try and move forward a | :21:55. | :22:05. | |
:22:05. | :22:08. | ||
bit. I'm going to be a week late. What I do you doing? I suddenly | :22:08. | :22:18. | |
:22:18. | :22:35. | ||
Oh my God, it is the coppers we set It is a very funny film, but it is | :22:35. | :22:41. | |
also a romantic film. She is so beautiful. Yes, she is a call back | :22:41. | :22:47. | |
to the old school movie stars. is nearly as beautiful as Carey | :22:47. | :22:52. | |
Mulligan. On the verge. I walked into a room with her last weekend I | :22:52. | :22:56. | |
almost fell over, I couldn't look her in the eye, she sort of | :22:56. | :23:02. | |
blindingly beautiful. Even I noticed! She is incredibly | :23:02. | :23:08. | |
beautiful. It strikes me that in the beginning of your career, you | :23:08. | :23:12. | |
must have had so much pressure to go down the sort of handsome | :23:12. | :23:22. | |
:23:22. | :23:27. | ||
leading man that route. Was it hard I think it has been tough on Ready, | :23:27. | :23:37. | |
I really do! He suffers. -- on Ricky. Do your pout? Come on. | :23:37. | :23:45. | |
one you stole off me! By the way, I really love your band. I really do. | :23:45. | :23:55. | |
:23:55. | :24:01. | ||
Jarvis Cocker, ladies and gentlemen! Jarvis Cocker, from Blur. | :24:01. | :24:06. | |
I think, what is amazing about you is you have turned from being a | :24:06. | :24:11. | |
real character actor, in two, you are the best character actor in the | :24:11. | :24:18. | |
world. Most character actors also appearing, you have turned been a | :24:18. | :24:22. | |
character actor into been a global superstar. I think it is some form | :24:22. | :24:27. | |
of schizophrenia that has just worked for me. Those characters, | :24:27. | :24:32. | |
they are so big, Captain Jack Sparrow, the Mad Hatter, do you | :24:32. | :24:35. | |
come to be set with those fully formed, or do you work with the | :24:35. | :24:41. | |
director, how does it happened? Generally, they are born out of... | :24:41. | :24:51. | |
I have had characters born out of the sauna. A take it easy. You can | :24:51. | :24:57. | |
feel it coming on, can't you? audience are always going to be on | :24:57. | :25:03. | |
your side. No, these characters that are born out of strange, | :25:03. | :25:07. | |
extreme heat, all these thoughts and stuff, you bring it to set, and | :25:07. | :25:17. | |
:25:17. | :25:17. | ||
it is what I enjoy, the extreme... Quiet at the end of the first take. | :25:17. | :25:24. | |
Action, you go and do your bit, and then suddenly, you hear, "cut!" | :25:24. | :25:28. | |
silence. So does that give you pleasure, when the studio | :25:28. | :25:33. | |
executives are... Of course. That is the only way you know you're | :25:33. | :25:38. | |
doing the right thing. Do they usually have a conversation with | :25:38. | :25:43. | |
you, are you doing that for the whole film...? Is generally start | :25:43. | :25:53. | |
:25:53. | :25:58. | ||
But you know... You would just swinging, you have a big stick, and | :25:58. | :26:05. | |
you are swimming. -- swinging. broke a window. He threw Alekna | :26:05. | :26:13. | |
through a window, smashed the window. -- a lemon. He always seems | :26:13. | :26:17. | |
shy, but he wasn't shy on this day, and he has got a wicked sense of | :26:17. | :26:21. | |
humour. If people knew what he was really like, his career would be | :26:21. | :26:29. | |
over. So in one scene, I am helping... I am helping Warwick get | :26:29. | :26:34. | |
shoved down the toilet, as you do. I am begging his legs in, I'm | :26:34. | :26:38. | |
saying, if it breaks, we get another one in. I'm laughing, and | :26:38. | :26:47. | |
Warwick is laughing. At one point, he goes, "look at Johnny!" and he | :26:47. | :26:56. | |
says to me, "you don't mind if I masturbate what you're doing that?" | :26:56. | :27:00. | |
and someone took a picture of the moment, but he had stopped by then. | :27:00. | :27:07. | |
I think we have got a picture. Is that why you are laughing so much? | :27:07. | :27:17. | |
:27:17. | :27:22. | ||
But I had finished by then. Sir your art in Life's Too Short, | :27:22. | :27:28. | |
it starts on November tent, and you lie in episode two. Is it fair to | :27:29. | :27:34. | |
say this is more like Extras than the office? It is kind of like both, | :27:34. | :27:44. | |
:27:44. | :27:45. | ||
it is a fake documentary, but if the Office reflected those quaint | :27:45. | :27:49. | |
docusoaps from the Nineties, this is much more up-to-date, with B- | :27:49. | :27:56. | |
list celebrities, leaving their lifelike an open wound. Like Peter | :27:56. | :28:06. | |
:28:06. | :28:06. | ||
Andre. I will not be at any one! I suppose he has got a terrible | :28:06. | :28:09. | |
accountant, so he has got a tax bill, his career is on the slide, | :28:10. | :28:15. | |
he is not getting films any more, so he agreed to do this fly-on-the- | :28:15. | :28:19. | |
wall, let the cameras into his house, to try and get back onto the | :28:19. | :28:23. | |
top, he is a manipulative, he runs an agency, but he steals all the | :28:23. | :28:29. | |
best jobs for himself. He let out all the other dwarfs to be human | :28:29. | :28:35. | |
bowling balls and stuff. And Johnny is playing himself, and he is doing | :28:35. | :28:41. | |
a new Dumbarton dawn, Rumpelstiltskin. -- a new Tim | :28:41. | :28:48. | |
Burton film. Honestly, it was an incredible day, it was the last day | :28:48. | :28:51. | |
of shooting, and it was amazing. The things he came up with, making | :28:51. | :28:58. | |
Warwick do. He came out of nowhere. He made him dance for about eight | :28:58. | :29:04. | |
minutes. We have got a clip of Johnny and Warwick and yourself and | :29:04. | :29:14. | |
:29:14. | :29:17. | ||
Here they are, the lads. Have you met before? Johnny, this is Stephen. | :29:17. | :29:26. | |
And Ricky there. I remember him from the Golden Globes. Just doing | :29:26. | :29:29. | |
another film that is going to make loads of money. Probably a lot more | :29:30. | :29:39. | |
:29:40. | :29:40. | ||
money than any film you have ever made. Good. Just writing, I write | :29:40. | :29:46. | |
and direct all my own stuff. great for you. That must be so | :29:46. | :29:50. | |
great. I'm working with a great director now, Tim Burton, have you | :29:50. | :29:55. | |
heard of him? The film itself is really brilliant. I'm playing a | :29:55. | :29:58. | |
really interesting character. Do you have any idea who might leading | :29:58. | :30:05. | |
lady is in this film? In the Tim Burton film a? Helena Bonham | :30:05. | :30:12. | |
Carter? Attack in the dark. Have I done something to offend you? | :30:12. | :30:16. | |
do you mean? Trashing the in front of 200 million people at the Golden | :30:16. | :30:23. | |
Globes? That was a while ago, they were jokes, Johnny. You like jokes? | :30:23. | :30:27. | |
Because I got together with a few pals after the awards, and we wrote | :30:27. | :30:36. | |
some jokes, about you. Did you notice, are you are going to carry | :30:36. | :30:46. | |
:30:46. | :30:57. | ||
this the EU for the rest of your In terms of controversy, Ricky, you | :30:57. | :31:01. | |
are not shy. Do you like getting into trouble, do you like...? | :31:01. | :31:05. | |
don't get into trouble. I am a comedian. Fred West gets into | :31:05. | :31:15. | |
:31:15. | :31:17. | ||
trouble. There's paedophiles with careers, what have I ever done? | :31:17. | :31:22. | |
the end of the Golden Globes, just in case you never anyone unoffended | :31:22. | :31:27. | |
how did you sign off? I thanked everyone and thanks to God for | :31:27. | :31:33. | |
making me an atheist. You can say here but in America they take that | :31:33. | :31:41. | |
stuff seriously. Yeah, there's about 10% is athist. They were | :31:41. | :31:48. | |
founded by it. God lives in the Mid-west. He has a place there. | :31:48. | :31:51. | |
it the next day, after the Golden Globes that someone sent you a | :31:51. | :31:57. | |
picture of the Church? Oh, yeah. I think some Reverend somewhere or | :31:57. | :32:01. | |
some Bishop did a sermon for me to save my soul because I am going to | :32:01. | :32:06. | |
hell, of course. This is the picture. That's real. It's real, | :32:06. | :32:13. | |
yeah. A sermon for Ricky Gervais. Was it the same day... That's in LA. | :32:13. | :32:19. | |
In New York they named a sandwich after me. See in the window there, | :32:19. | :32:24. | |
a sandwich for Ricky Gervais. I am going to hell, but there's | :32:24. | :32:32. | |
cheese and ham. You are a comedian, but as actors do you need to be | :32:32. | :32:36. | |
more careful about what you say and do? I heard, presumably because you | :32:36. | :32:40. | |
are Johnny Depp, like I read a story, because you were coming from | :32:40. | :32:44. | |
Lima to Miami I think and you were stopped at customs? Oh, yeah. | :32:44. | :32:49. | |
you hadn't been Johnny Depp they probably wouldn't have stopped you. | :32:49. | :32:56. | |
Its an interesting route, Lima, Peru to Miami. It does sound like a | :32:56. | :32:59. | |
drug run. They were already expecting some things and I did | :32:59. | :33:05. | |
have some things. There was a soft bag and the customs guy said do you | :33:05. | :33:14. | |
mind opening this up? He said first what is in there? I said stuffed | :33:14. | :33:22. | |
piranhas. And some vampire bats. Unzipped. And then there just | :33:22. | :33:25. | |
happened to be some sort of vitamin powder that I was taking at the | :33:25. | :33:30. | |
time. Yes, Johnny. In all serious seriousness. Otherwise I would | :33:30. | :33:40. | |
:33:40. | :33:41. | ||
still be in jail. When I unzipped it, poof! And there were these | :33:41. | :33:50. | |
piranhas and bats covered in white powder. Never mind the "Coe cane" - | :33:50. | :33:56. | |
- "cocaine", why did you have you bats and piranhas? It was important. | :33:56. | :34:02. | |
I had to brining them home. The guy thought he had found the motherload. | :34:02. | :34:07. | |
Two-hander. He didn't go through with it, just so you know. I am | :34:07. | :34:13. | |
still a virgin, oh, I was until Ricky. Did you say that's vitamin | :34:13. | :34:19. | |
powder, and he believed you? He did not believe me. What did they do? | :34:19. | :34:24. | |
Everyone came out with guns and things like that. Wow. Did you put | :34:24. | :34:30. | |
a knife and go up the rigging to get away? That's what I would have | :34:30. | :34:36. | |
done. Were you in trouble at customs, Ed? I remember immigration | :34:36. | :34:41. | |
in the States one time, I panicked, the guy was like what do you do? I | :34:41. | :34:46. | |
was a comedian, straightway he goes tell me a joke and I panicked, | :34:46. | :34:49. | |
because if this isn't funny he is not going to believe me and I can't | :34:49. | :34:53. | |
get in. Straightaway I go what do you call an American - oh, no. | :34:53. | :34:55. | |
That's not going to work. I say something and terrorism and | :34:56. | :35:00. | |
something like that and I just panicked and I came out with a joke | :35:00. | :35:05. | |
that wasn't that funny. Why do Morris dancers wear bells, so the | :35:05. | :35:10. | |
blind can be irritated by them as well. He doesn't know what a Morris | :35:10. | :35:17. | |
dancer is. It was the worst heckle I have ever had, he just went, I am | :35:17. | :35:27. | |
:35:27. | :35:28. | ||
going to put actor. APPLAUSE. Thank you all very much for being here | :35:29. | :35:33. | |
tonight. In a moment we will have tonight's stories in the red chair, | :35:33. | :35:37. | |
but first music. Singing their new single This Isn't Everything You | :35:37. | :35:47. | |
:35:47. | :35:55. | ||
# You can't find the phone # So you can call it off | :35:55. | :36:05. | |
:36:05. | :36:07. | ||
# But it might be for the best # You can't walk away, anyway | :36:07. | :36:13. | |
# Because you've nowhere else to go # Is he worth all this | :36:13. | :36:20. | |
# Is it a simple yes? # Cause if you have to think | :36:20. | :36:27. | |
# Feels like you loved him more # Than he loved you | :36:27. | :36:34. | |
# And you wish you had never met # Don't keel over now | :36:34. | :36:38. | |
# Don't keel over # Don't keel over now | :36:38. | :36:48. | |
:36:48. | :36:50. | ||
# Don't keel over # And in one little moment it all | :36:50. | :36:53. | |
implodes # This isn't everything you are | :36:53. | :36:57. | |
# Breathe deeply in the silence # No sudden moves | :36:57. | :37:05. | |
# This isn't everything you are # Just take the hand that's offered | :37:05. | :37:13. | |
# And hold on tight # This isn't everything you are | :37:13. | :37:16. | |
# There's joy not far from here, right | :37:16. | :37:26. | |
:37:26. | :37:31. | ||
# I know there is # This isn't everything you are | :37:31. | :37:37. | |
# When you took the call # How could you know | :37:37. | :37:45. | |
# That he'd slipped away last night # And you wish you went home days | :37:45. | :37:54. | |
# To say goodbye or just hello # Don't keel over now | :37:54. | :37:59. | |
# Don't keel over # Don't keel over now | :37:59. | :38:05. | |
# Don't keel over # And in one little moment | :38:05. | :38:12. | |
# It all implodes # This isn't everything you are | :38:12. | :38:17. | |
# Breathe deeply in the silence # No sudden moves | :38:17. | :38:26. | |
# This isn't everything you are # Just take the hand that's offered | :38:26. | :38:32. | |
# And hold on tight # This isn't everything you are you | :38:32. | :38:37. | |
# There's joy not far from here right | :38:37. | :38:47. | |
:38:47. | :39:19. | ||
# I know there is Oh, this isn't everything you are | :39:19. | :39:29. | |
:39:29. | :39:43. | ||
# This isn't everything you are APPLAUSE AND CHEERING. Snow Patrol, | :39:43. | :39:50. | |
ladies and gentlemen! Beautiful! That was brilliant. It's the new | :39:50. | :39:56. | |
single out from 13th, from their album Fallen Empires, released the | :39:56. | :39:59. | |
following day. Before we go tonight let's have a story or two in the | :39:59. | :40:05. | |
red chair. Who is up first? Hello, Sir? What's your name? Mohammad. | :40:05. | :40:12. | |
What do do you? I am a student. Radioography. A proper job! Off you | :40:12. | :40:17. | |
go with the story. When I was seven years old I went on holiday with my | :40:17. | :40:25. | |
mother to Egypt and during my time there I saw a donkey that was fully | :40:25. | :40:35. | |
:40:35. | :40:39. | ||
erect. APPLAUSE. Do you mean he was standing up? So, tell us your best | :40:39. | :40:44. | |
story, I saw a donkey with an erection. OK, so you were shocked? | :40:44. | :40:50. | |
I was shocked and I was like, mum, what is this thing hanging out and | :40:50. | :40:55. | |
she said it's a spare leg. After that I was like, what is it for? | :40:55. | :41:00. | |
Then she reemployed when donkeys are happy they have five legs, and | :41:00. | :41:04. | |
when they're sad they tkoepbl have four. -- they only have four. A | :41:04. | :41:10. | |
week after I went back to school and my teacher asked us to draw a | :41:10. | :41:17. | |
picture of anything recently, anything interesting. This is a | :41:17. | :41:27. | |
:41:27. | :41:27. | ||
good story. APPLAUSE. I drew two pictures of a donkey, one was happy | :41:27. | :41:32. | |
and the other one was sad. We love your story, Mohammad. You can go, | :41:32. | :41:40. | |
well done, Sir. APPLAUSE. Who is next? Hello. | :41:40. | :41:47. | |
What is your name? My name is Brook. What do you do? I work in PR. | :41:47. | :41:51. | |
yes, very vague! Off you go with your delightful tale. I actually | :41:51. | :41:57. | |
have a story about one of your guests. Oh-oh! I was riding the | :41:57. | :42:02. | |
tube home from work one day and I saw someone who looked suspiciously | :42:02. | :42:07. | |
like a celebrity that I happen to adore, and he was wearing a | :42:07. | :42:11. | |
stocking cap and sunglasses and I noticed that he had a tattoo on his | :42:11. | :42:18. | |
arm that said "jack" I leaned over and said excuse me are you who I | :42:18. | :42:24. | |
think you are and he looked at me and said, why, yes, I am Brad Pitt. | :42:24. | :42:29. | |
Needless to say it wasn't Brad Pitt and I got a great photo with Mr | :42:29. | :42:39. | |
:42:39. | :42:39. | ||
Johnny Depp on the platform at Bank station. Is that true? APPLAUSE. | :42:39. | :42:49. | |
the tube? Yeah. Yeah, it's true. You were with a BBC journalist. | :42:49. | :42:55. | |
think you might just have a picture with some man. Or bizarrely a | :42:55. | :43:02. | |
picture with Brad Pitt. We should take a picture now. Do you want a | :43:02. | :43:08. | |
picture now? Yes, please. Quick, run around. That's very nice of you. | :43:08. | :43:15. | |
Run! Run, Brook! | :43:15. | :43:22. | |
It's really nice to see you again. Stand together and we will take a | :43:22. | :43:27. | |
screen grab of you. There you go. We will get that to you. All right, | :43:27. | :43:32. | |
well done, Brook. Well done everyone. If you would like to join | :43:32. | :43:36. | |
us on the show and have a go on the red chair you can contact us via | :43:36. | :43:42. | |
our website. Thank you so much to my guests. Snow Patrol, Ed Byrne, | :43:42. | :43:50. | |
Carey Mulligan, Ricky Gervais and Johnny Depp! | :43:50. | :44:00. | |
:44:00. | :44:00. |