Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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We are at Wimbledon, isn't it Oh, no, it is raining. How can we | :00:59. | :01:01. | |
Oh, no, it is raining. How can we Oh, no, it is raining. How can we | :01:01. | :01:02. | |
entertain ourselves now? entertain ourselves now? | :01:02. | :01:07. | |
# We are on going on a summer # No more working for a week | :01:07. | :01:17. | |
:01:17. | :01:27. | ||
two... APPLAUSE. | :01:27. | :01:32. | |
Oh! Oh! It is exciting. Good Oh! Oh! It is exciting. Good | :01:32. | :01:35. | |
Oh! Oh! It is exciting. Good evening, everybody. Welcome to the | :01:35. | :01:43. | |
It is a good one tonight. Yes, he's It is a good one tonight. Yes, he's | :01:43. | :01:45. | |
Oh! Oh! It here, the one and only Sir Mark | :01:45. | :01:52. | |
Richardson is on the show. . And if a sir wasn't enough, we | :01:52. | :01:56. | |
have a Lord, Apprentice supremo, Lords Alan Sugar is here. | :01:56. | :02:06. | |
:02:06. | :02:06. | ||
. I know. East End funny man, Flanagan is here. SCREAMING. And | :02:06. | :02:11. | |
shouting and singing, X Factor's finest, Kelly Rowland is with us. | :02:11. | :02:16. | |
Love her. SCREAMING. She Love her. SCREAMING. She is my | :02:16. | :02:19. | |
favourite. That is a lineup, isn't it, ladies and gentlemen, a pop | :02:19. | :02:26. | |
Princess, a night and Flanagan. Delighted Kelly Rowland is | :02:26. | :02:30. | |
returning to the show. One of favourites. I know she is a big fan | :02:30. | :02:39. | |
of Lord sugar. She is. No stranger to hearing the word you're fired. | :02:39. | :02:43. | |
Oh, pour Frankie Cocozza. Who knew Oh, pour Frankie Cocozza. Who knew | :02:43. | :02:53. | |
:02:53. | :02:54. | ||
Frankie Cocozza was Italian for head. I didn't know. I did not know. | :02:54. | :02:58. | |
I know she is a fan of Sir Mark I know she is a fan of Sir Mark | :02:58. | :03:00. | |
Richardson. All the songs have meaning for her, Devil | :03:00. | :03:08. | |
Bachelor Boy, and of Talk Anymore. Chiefer that, wasn't | :03:08. | :03:15. | |
Cliff has been in show business for Cliff has been in show business for | :03:15. | :03:23. | |
over 50 years. I know! APPLAUSE. And finally, he agreed to come on my | :03:23. | :03:29. | |
show. Essentially, run out of excuses. Cliff keeps so active. | :03:29. | :03:37. | |
Loves skiing. You do wonder, is it hard to play the guitar and | :03:37. | :03:45. | |
the same time? I guess it is. Of course, Cliff had a huge hit | :03:45. | :03:48. | |
the film Summer Holiday where he spent all summer on a bus with sexy | :03:48. | :03:55. | |
young girls. I tell you, I hear they are making a sequel, Cliff is in the | :03:55. | :04:02. | |
lead and they have the sexy young girls back. Yeah. At least this | :04:02. | :04:08. | |
they won't have to pay for the bus fares. How exciting to have Lord | :04:08. | :04:12. | |
Sugar, host of the Apprentice. What a great show. Did you know | :04:12. | :04:16. | |
winner of the last series still has an important position in the | :04:16. | :04:26. | |
boardroom? He does. Of course, Lord Sugar's proudest achievement was | :04:26. | :04:29. | |
being made the Lord. Here he is in his finery. Marvellous. And of | :04:30. | :04:35. | |
course, we all know he for a deal. And I believe he got | :04:35. | :04:40. | |
that white fur trim at a bargain price. | :04:40. | :04:43. | |
Let's get the guests on. Later, I Let's get the guests on. Later, I | :04:43. | :04:52. | |
will be talking to Alan Sugar. First, up it is Micky Flanagan. | :04:52. | :04:57. | |
APPLAUSE. Very smart, sir. Sit APPLAUSE. Very smart, sir. Sit | :04:57. | :04:59. | |
yourself down. It is my favourite Kelly off at the telly, it is Kelly | :04:59. | :05:09. | |
:05:09. | :05:11. | ||
Rowland. APPLAUSE. Wow! Welcome back. We are delighted to see you. | :05:11. | :05:19. | |
Wow! And he is the original Bachelor Boy, it is the one and only Sir Mark | :05:19. | :05:28. | |
Richardson. SCREAMING. Nice to see you, sir. | :05:28. | :05:38. | |
:05:38. | :05:41. | ||
Welcome all. All right, calm down. Welcome all. All right, calm down. | :05:41. | :05:44. | |
You are very welcome. Sir Mark Richardson, your first time on | :05:44. | :05:50. | |
show. Yes. What happened? I don't know. I tried so hard to stay off. | :05:50. | :05:55. | |
No, we are delighted you are here. I am delighted. You say that now. You | :05:55. | :05:59. | |
will have a lovely evening. you. And Micky Flanagan, you | :05:59. | :06:04. | |
have been here before. I said yes straight away. No hesitation. I | :06:04. | :06:10. | |
there. Exciting for you on Friday night. I have not been out on a | :06:10. | :06:15. | |
Friday night for years. I reached the point if I queue to get up in a | :06:15. | :06:19. | |
nightclub and the bouncer says you can't come in, I say " | :06:19. | :06:21. | |
can't come in, I say "thanks, mate" can't come in, I say "thanks, mate". | :06:21. | :06:29. | |
My feet are killing me. And Kelly, SCREAMING Unk thank you. We are very | :06:29. | :06:32. | |
excited, you will be singing the single. Absolutely. Down For | :06:32. | :06:36. | |
Whatever later. Yes. I am so excited. Dancers and all sorts, | :06:36. | :06:41. | |
ladies and gentlemen. I will be doing the bagging. All right. | :06:41. | :06:50. | |
long as you know how to shake your booty. I can do that. Is that any | :06:50. | :06:58. | |
good. It is good. Mickey, do you watch the X Factor? Sometimes I do. | :06:58. | :07:05. | |
And sometimes you don't. You don't have to worry about it. I don't. I | :07:06. | :07:10. | |
looked once, there was a bloke like that with his hair just crying. And | :07:10. | :07:16. | |
I thought no, I r that's not the show for me. You are all right, | :07:17. | :07:26. | |
:07:27. | :07:28. | ||
Mickey, he is gone. He said I have had sex with 10,000 women. Has | :07:28. | :07:33. | |
anybody got any Charlie. It is not the show for me, Cliff. Listen, | :07:33. | :07:38. | |
because people will be - won't be able to relax until I ask you a | :07:38. | :07:44. | |
couple of questions. Got it. Frankie, gone. He is gone. And | :07:44. | :07:53. | |
that... APPLAUSE. Oh! I do sorry, he is only 18. He is a | :07:53. | :07:59. | |
young man. I feel bad. One of your acts is coming back. You don't care. | :08:00. | :08:04. | |
How will I look at gAir Barlow this? I am excited about Amelia | :08:04. | :08:10. | |
coming back. She is amazing. She is everybody's favourite. She is the | :08:10. | :08:15. | |
one you let go. Just to my defence, that was a hard one. That really | :08:15. | :08:20. | |
was. For the judges to make a decision, you know... Is there | :08:20. | :08:24. | |
rift there? Was that all made up? I love Tulisa. We did have a little | :08:24. | :08:28. | |
bit of a tiff because she you know, against one of my girls. | :08:28. | :08:36. | |
Misha B, the bully. BOOING. Militia is | :08:36. | :08:42. | |
Misha B, the bully. BOOING. Militia is not a bully. Your old friend | :08:42. | :08:49. | |
Louis told you that. Misha B is from a bully, she a sweetheart. When | :08:49. | :08:52. | |
I watch X Factor, which I do sometimes, I think it is one of | :08:52. | :08:55. | |
best things that happened. There people that come out of that show | :08:55. | :09:01. | |
that you could two weeks before be shopping in a supermarket with. It | :09:01. | :09:05. | |
gives people a opportunity. It does. Two weeks | :09:05. | :09:13. | |
later most of them are again. In Asda. Sir Mark Richardson, | :09:13. | :09:17. | |
cover your ears to spare your blushes. I want to remind people how | :09:17. | :09:26. | |
successful this man is. He has sold, listen to this, Kelly, 250 million | :09:26. | :09:35. | |
albums. Plus. Over! Over 250 million. They are still selling. | :09:35. | :09:42. | |
Wow! Can I borrow a pound? I can give you a few records. All right. | :09:42. | :09:47. | |
This is another good one, if you add up every week that Cliff has | :09:47. | :09:57. | |
in the charts, he has been in the charts solidly for 20 years. Wow! | :09:57. | :10:03. | |
That is amazing. Wow! It goes without saying highest selling | :10:03. | :10:07. | |
artist in the UK of all time. Mark Richardson, ladies and | :10:07. | :10:15. | |
gentlemen. APPLAUSE. It is amazing. You must - I mean, obviously, you | :10:15. | :10:19. | |
are getting on with it, you brought out a new album, been on tour. Yes, | :10:19. | :10:25. | |
all right. She is a bit slow. Who is that, Sir Mark Richardson? I love | :10:25. | :10:32. | |
him. There must be moments as you sit in bed with sheets with a high | :10:32. | :10:38. | |
thread count, I imagine. You ponder your success and your long Jit. I | :10:38. | :10:42. | |
do. What answer do you come up with. I find it hard to believe because | :10:42. | :10:48. | |
when the Shadows and I got kicked off, we were one-hit wonders, here | :10:48. | :10:50. | |
today, gone tomorrow. The about | :10:50. | :10:57. | |
about selling the records is you did sell millions of bits of plastic. | :10:57. | :11:02. | |
And nowadays people download. You can be number within with 35,000 | :11:02. | :11:07. | |
sells, we sold 80,000 a day. I don't know - I got in early. He could say | :11:07. | :11:13. | |
these nice things about me. Most of the people I hear singing, even the | :11:13. | :11:18. | |
losers sound unbelievably great. The other thing is, because your | :11:18. | :11:22. | |
mainstream and you have been in our homes for 53 years, when you started | :11:22. | :11:27. | |
out, you were shocking. People were shocked by you. They said I was. You | :11:27. | :11:31. | |
know the media. The media were desperate to have somebody that | :11:31. | :11:37. | |
could compete with Elvis. I used to go like this. They thought I was the | :11:37. | :11:47. | |
big sex symbol, one journal it said that the TV show Oh Boy. I Did, | :11:47. | :11:53. | |
that the TV show Oh Boy. I that the TV show Oh Boy. This crude | :11:53. | :12:00. | |
exhibitionist. Please, me. You are beautiful. Look at you. The enemy | :12:00. | :12:05. | |
said "is this new boy singer too sexy for Britain". I didn't say | :12:05. | :12:14. | |
wasn't sexy. No. You look there. Girls loved you so much, but | :12:14. | :12:19. | |
the boyfriend didn't like you, led to problems. The Drifters before | :12:19. | :12:24. | |
the Shadows. I played in London. they had one of these resolving | :12:24. | :12:34. | |
stages. We were going to play Elvis's Baby I Don't Care. Then all | :12:34. | :12:41. | |
these cheese rolls came flying up. I never sang a note. The thing | :12:41. | :12:51. | |
:12:51. | :12:53. | ||
Somebody says I threw that cheese Somebody says I threw that cheese | :12:53. | :12:59. | |
roll. Remember that one. We look at that picture. Beautiful back then. | :12:59. | :13:04. | |
Isn't there a moment, Cliff, when you let yourself go, you are a | :13:04. | :13:08. | |
success, you are eating? The time I went to the States, it was so | :13:08. | :13:12. | |
early. We could not believe early. We could not believe we were | :13:12. | :13:18. | |
on the show the Biggest show of Stars and it was the people that we | :13:18. | :13:22. | |
loved. I went over there and six weeks, I put on a stone. The | :13:22. | :13:28. | |
food you have in the States, we were arriving at towns at 4am, something | :13:28. | :13:34. | |
open. We would have cornflakes with half and half. Half and half. | :13:34. | :13:42. | |
and half. Very good. I worked in the restaurant and had to do the coffee, | :13:42. | :13:50. | |
do you want half and half and all. His wife had it. Do you want half | :13:50. | :13:56. | |
and half aall. He went, "I don't know what you are saying, man". I | :13:56. | :14:02. | |
say half and half because I am biling wam. | :14:02. | :14:09. | |
Do you what started my first diet Do you what started my first diet | :14:09. | :14:09. | |
Do you what started my first diet was watching Coronation Street, one | :14:09. | :14:10. | |
was watching Coronation Street, one was watching Coronation Street, one | :14:10. | :14:11. | |
Do you what of the characters says " | :14:11. | :14:15. | |
of the characters says "I love that chubby Cliff Richard" | :14:15. | :14:18. | |
chubby Cliff Richard". That is a smack in the face. A smack in the | :14:18. | :14:23. | |
stomach. I went to the diet and have been on diets ever since. Kelly, you | :14:23. | :14:31. | |
look amazing. Thank you. APPLAUSE. You walked out and it is like wow. | :14:31. | :14:37. | |
Thank you. Do you do exercise. I do like to exercise. How many situps do | :14:37. | :14:44. | |
you do a day? Honestly? I do like to do 200 situps at night. Yes. At | :14:44. | :14:50. | |
night. 200? Not all through the night. No. It would take me | :14:50. | :14:58. | |
night to do 200. 6am, nearly finished. About 200 a night. | :14:58. | :15:01. | |
would be surprised how simple and things like that make you | :15:01. | :15:06. | |
better. I like the fact that exercise makes me feel good. It is | :15:06. | :15:11. | |
not about size. People say she went for a walk and that's what she looks | :15:11. | :15:20. | |
like. Yeah. A long walk. A brisk walk. Power walking. Mickey, have | :15:20. | :15:27. | |
you considered the gym? Have you considered... I have considered it. | :15:27. | :15:34. | |
You shouldn't laugh that hard. You look good. I am not one of those men | :15:34. | :15:41. | |
that - men don't, you know, if you are an egg on legs, you might start | :15:41. | :15:46. | |
panicking. Even then, look at my calves, babe, they are beautiful. I | :15:46. | :15:53. | |
did go to a gym a couple of years ago. I laid down on the mat to do | :15:53. | :16:03. | |
:16:03. | :16:03. | ||
situps. I woke up two hours later. I felt fantastic. APPLAUSE. Cliff, of | :16:03. | :16:10. | |
course the highlight of any Cliff Richard fan every year is the annual | :16:10. | :16:15. | |
release of the Cliff Richard calendar. SCREAMING. I have to | :16:15. | :16:24. | |
honest. I have only been collecting them since 1982. Wow! Prior to that, | :16:24. | :16:28. | |
my mother wouldn't let me buy them. They only last a year, they are a | :16:28. | :16:34. | |
waste of money. What is amazing about these, you are timeless. The | :16:34. | :16:41. | |
only way to gauge what year they are is from the fashions or how it is | :16:41. | :16:47. | |
shot. Good game, Mickey and Kelly. Take this one, a classic. It is very | :16:47. | :16:51. | |
hard to guess. I will give you multiple choice, I don't know | :16:51. | :16:59. | |
you did to mini. She looks surprised. | :16:59. | :17:03. | |
You probably know the answer. You probably know the answer. | :17:03. | :17:13. | |
:17:13. | :17:16. | ||
don't. Is this 1984, 1996 or 2001? I am going to go with - oh. Do that | :17:16. | :17:26. | |
:17:26. | :17:36. | ||
again. Oh! I am going to go for 96. 96. I will go for 84. All the Cliff | :17:36. | :17:46. | |
fans got it wrong. This is December 1996. Yes. This next one, is this | :17:46. | :17:55. | |
older than 96 or newer than 96. I will say older. Older,. February | :17:55. | :18:01. | |
2000. Now, how long had you had that jacket? You could not have bought | :18:01. | :18:06. | |
that jacket in February 2000. don't remember the jacket. Really? | :18:06. | :18:13. | |
You had it a while. Oh, no. Wait. I bought this at an auction. They | :18:13. | :18:19. | |
it was yours. Broad shoulders, don't think so. You hang on to | :18:19. | :18:24. | |
clothes, you keep clothes. I find it hard to throw them away. I am trying | :18:24. | :18:30. | |
hard. That is why this game is hard. Is this older or newer than | :18:30. | :18:38. | |
this one? I think that one is older. You are wrong. It is October 2004. | :18:38. | :18:47. | |
It is newer than this one. Was that your tour of duty of Afghanistan? | :18:47. | :18:52. | |
Stylish. This one is easy. Older or Stylish. This one is easy. Older or | :18:52. | :18:57. | |
newer. February 1994. And finally, look at this hunk of man. SCREAMING | :18:57. | :19:02. | |
What year was this? I don't know. Because I have been sucking at this | :19:02. | :19:11. | |
game. I wondered what you were going to say there. That is such a | :19:11. | :19:17. | |
different game you shall talking about. I will tell you, that is | :19:17. | :19:24. | |
October 2011, ladies and gentlemen. Last month. That is amazing. That's | :19:24. | :19:32. | |
a great shot. You look good. Thank you. You are welcome. When we | :19:32. | :19:35. | |
about gym and stuff, there are certain people that will never look | :19:35. | :19:39. | |
like Arnold Schwarzenegger. I of those. When I saw that, I thought | :19:39. | :19:45. | |
maybe doing the gym helps because it gets rid of a little something. Do | :19:45. | :19:50. | |
you only eat one meal a day. That's not right. I did for a while. I | :19:50. | :19:54. | |
didn't like that very much. The regime I am on now lets me have | :19:54. | :20:04. | |
:20:04. | :20:06. | ||
three good meals a day, I have to eat the right stuff. Not nan doughs. | :20:06. | :20:13. | |
Kelly, NANDOS and a brisk walk. Kelly, NANDOS and a brisk walk. | :20:13. | :20:16. | |
200 steps. Down to business. You still are working and getting out | :20:16. | :20:23. | |
there. New album, Soulicious. A lot of you went to the tour, I am sure. | :20:23. | :20:31. | |
Yes. Very good. This album, it went in at Number 10 in the charts. Is | :20:31. | :20:36. | |
fair to say you don't get that much radio air play with your stuff? | :20:37. | :20:39. | |
Things have changed greatly. understand what the policies are | :20:39. | :20:44. | |
more. I fought a lot of battles trying to make sure we had our music | :20:44. | :20:49. | |
played to the public. The thing I can't win. I make projects. This is | :20:49. | :20:55. | |
a project. I got a chance to sing with the Temptations, the | :20:55. | :21:02. | |
Styleistics, Freda Payne. All these people joined me. In a way, you have | :21:02. | :21:07. | |
to bypass radio. It is a shame. To me, radio and rock 'n' roll are hand | :21:07. | :21:14. | |
in glove. If something is a hit, like the Millennium Prayer, your | :21:14. | :21:19. | |
public and your fans love your music. They buy your music. What is | :21:19. | :21:23. | |
the disparity between them and musical executives? I don't know. | :21:23. | :21:27. | |
was the biggest selling British single of that year, but we couldn't | :21:27. | :21:34. | |
get the air play. It is unfair, it borders on ageism, now that I am | :21:34. | :21:44. | |
:21:44. | :21:44. | ||
50... I love her. I am like OK. It is one of those things. We have | :21:44. | :21:48. | |
learn to live with us, including X Factor people. There come a point | :21:48. | :21:52. | |
when you won the competition, everybody is hot for you, you make | :21:52. | :21:56. | |
records. When you are trying to going that you need that kind of | :21:56. | :22:03. | |
help. All right. The DVD I hope make up for everything. The DVD, | :22:03. | :22:13. | |
yes. I have it here. Yeah, yeah. is all in hand. I appear to be on | :22:13. | :22:18. | |
idiot, I know what I am dock. Here is a taste of you on tour | :22:18. | :22:28. | |
:22:28. | :22:30. | ||
# But she just wasn't it # But she just wasn't it | :22:30. | :22:40. | |
:22:40. | :22:53. | ||
# For me the girl was all # The girl in the window... | :22:53. | :23:02. | |
That is in shops from Monday, 14 November. | :23:02. | :23:03. | |
November. November. | :23:03. | :23:05. | |
That is in Very good. I tell you what, I am a | :23:05. | :23:13. | |
little overknighthoods now, I will see you Sir and raise you a Lord. | :23:13. | :23:23. | |
:23:23. | :23:33. | ||
Please welcome Lord Sugar. APPLAUSE Hello, sir. How nice to see you. Oh! | :23:33. | :23:40. | |
APPLAUSE. SCREAMING. How are you, Sir? How are you, Lords Sugar? I | :23:41. | :23:47. | |
mean, I am a bit frightened, Graham, the last time I came on you accused | :23:47. | :23:54. | |
me of aupsetting one of your guests. I saw you with Alex on the One Show, | :23:54. | :24:01. | |
who is the worst guest, that Lord Sugar. You said I upset a | :24:01. | :24:06. | |
somebody or other. She was talking about the chemistry on the sofa. And | :24:07. | :24:15. | |
I said: Sometimes it doesn't work. Pot, kettle. Two weeks ago, we had | :24:15. | :24:24. | |
Nancy Dallaglio and you go, Nancy, what do you do? Then she went off | :24:24. | :24:33. | |
and said, Sven, pasta, you said no, no, what do you actually do? Pot, | :24:33. | :24:37. | |
kettle. Don't you think? You are not going to upset any gets. Are | :24:37. | :24:43. | |
fan of Sir Cliff. What a legend to be sitting next to. Great guy. Have | :24:43. | :24:48. | |
you been to the concerts. The wife has and threatened not to let me in | :24:48. | :24:53. | |
the house unless I bring back a signed thing from Cliff and he has | :24:53. | :25:00. | |
given me one. I am OK. You get home and hear Devil Woman from the | :25:00. | :25:10. | |
:25:10. | :25:11. | ||
lounge? Yeah. She loves him. Now, your book, your new book, the Way I | :25:11. | :25:17. | |
See It, is it a Jeremy Clarksonesque collection of rants? Who is | :25:17. | :25:23. | |
Clarkson? Who is he? Small show BBC Two. It is letting off steam, | :25:23. | :25:27. | |
bit of a rant here and there. It is also advice because the | :25:27. | :25:33. | |
Cliff, you take your appearance very seriously. You do, though. You | :25:33. | :25:40. | |
exercise like mad. Not like mad. Cliff, you play tennis, right. I do. | :25:40. | :25:44. | |
I don't know about you. The knees are having trouble. I am fine. | :25:44. | :25:54. | |
Pounding on the court. The back. You play doubles, though? No. Singles. | :25:54. | :25:59. | |
You used to put on a great tennis tournament once a year. I did. Never | :25:59. | :26:09. | |
invited me. It is happening again. I will stand right here. So I | :26:09. | :26:14. | |
pound on the courts any more. I gone into cycling. I ride bikes. | :26:14. | :26:19. | |
Also, you have a clever diet plan which you go into. Yeah. Talk us | :26:19. | :26:27. | |
through it. It is called - yeah. No, it is a good idea. It is a | :26:27. | :26:34. | |
idea. It happened in America. I was in America in that fla. Near Miami. | :26:34. | :26:39. | |
And a guy gave me collapse and they had the little fork with collapse, | :26:39. | :26:45. | |
pick them out. I thought I would embark upon eating main course using | :26:45. | :26:53. | |
this little fork. My wife looked at me like mad. What are you doing? I | :26:53. | :26:58. | |
am working on something here. I am eating with this little fork. And it | :26:58. | :27:04. | |
occurred to me that it took me ages to get halfway through the plate of | :27:04. | :27:09. | |
food, by which time the brain was telling me you are full up. It is a | :27:09. | :27:17. | |
little fork diet. I take a little fork around with me. You try it. | :27:18. | :27:23. | |
you are finding it difficult to follow the little fork diet, Lord | :27:23. | :27:31. | |
Sugar provides the difference between a large and small fork. No | :27:31. | :27:37. | |
stone let unturned. The attention to detail, I think it is called. Do you | :27:37. | :27:44. | |
have any knife as well? Americans, as you will know, don't use a | :27:44. | :27:49. | |
as well. They use the fork to mess around. That is it. Some of them | :27:49. | :27:55. | |
a shovel. And bucket. Yeah. In the book, there is advice in there, | :27:55. | :28:00. | |
there is life advice. Also things that annoy you. Yeah. As you see, | :28:00. | :28:06. | |
is a thick book. Let's go some of the things. There is a | :28:07. | :28:12. | |
chapter on mere low which is about you you are not a fan of pretentious | :28:12. | :28:17. | |
restaurants. Well, I am awfully sorry. I don't want to be accused of | :28:17. | :28:20. | |
upsetting one of your guests. Please don't. I have only frequented | :28:21. | :28:26. | |
America for the past 40 years in the state of Florida. That may | :28:26. | :28:31. | |
tell all. OK. It is not representative of the whole country. | :28:31. | :28:35. | |
It isn't. I pleaded fifth there. In that state, I have | :28:35. | :28:41. | |
across lots of restaurants, Italian restaurants, where there isn't an | :28:41. | :28:45. | |
Italian waiter, the guy is not from Italy, never been near Italy, they | :28:45. | :28:54. | |
make up all these names for Italian food that the Italians never heard | :28:54. | :28:59. | |
of. Never heard of it. Then they purport to know about wine. And they | :28:59. | :29:09. | |
come out offering me all sorts all that. I don't know anything. It | :29:09. | :29:14. | |
annoys me. It can go the other way. I was in an Italian and ordered the | :29:14. | :29:23. | |
bruschetta. The bloke says said and I said it is 8. | :29:23. | :29:32. | |
I said it is 8.50 for tomato and toast. Waiter beware. I love what | :29:32. | :29:41. | |
you do, if you don't like a meal. Well, I actually write the message | :29:41. | :29:50. | |
on the plate using the food. For example, it was mash potato left | :29:50. | :29:56. | |
over. You can move it armed with a knife and write little messages. It | :29:56. | :30:06. | |
:30:06. | :30:08. | ||
can't be a long word. Crap isn't long. The waiter comes back. He | :30:08. | :30:14. | |
looks at it like that. Mash potato is good to do that with. If you get | :30:14. | :30:19. | |
string beans, they short-circuit it, you can make a long A and L with | :30:19. | :30:25. | |
that rather having to skull p the potato. You know what is perfect for | :30:25. | :30:32. | |
that, alphabet spaghetti. Some of the meals would be better off | :30:32. | :30:40. | |
that. You love the wine, Sir Cliff Richard. I enjoy it. You make | :30:40. | :30:44. | |
own. I don't make it. I have a good wine maker that comes from | :30:44. | :30:48. | |
Australia, plus the guy that lives in Portugal. This is too much. I | :30:49. | :30:56. | |
have a Sir, Lord, you are making your own own wine. I am piss poor. | :30:56. | :31:06. | |
Do you feel better? You stick me, sister. That's great. Not that | :31:06. | :31:13. | |
bad at the moment. Very good year. You did well. What do you actually | :31:13. | :31:18. | |
do? I am a waiter. I am here to have a go at him. It wasn't that bad, | :31:18. | :31:24. | |
that mash, Alan. Then, it is like Christmas, ladies and gentlemen. | :31:24. | :31:33. | |
Micky Flanagan has a DVD out. APPLAUSE. Easy to wrap. This is a | :31:33. | :31:41. | |
tour you just finished. The Out Out tour. I can't say it. Out Out. You | :31:41. | :31:50. | |
are like a pop star. You have hit bits that people love. I do. Are you | :31:50. | :31:56. | |
familiar with the Out Out stuff? If anyone isn't, this is a taste of it, | :31:56. | :32:00. | |
explain. In the UK, we have different levels of being out, | :32:00. | :32:06. | |
haven't we? You can go out, end up out, and then you can end up out, | :32:06. | :32:10. | |
out. Everybody knows what they are. You will find yourself saying to | :32:10. | :32:17. | |
people: I can't come out. I didn't even come out. I only popped out. | :32:17. | :32:22. | |
They will go but you will come out. I will come out but I am not coming | :32:22. | :32:32. | |
Talking about Out Out, that is out Talking about Out Out, that is out | :32:32. | :32:40. | |
on the 14 November. See you in charts. Y. It is hard to choose, | :32:40. | :32:46. | |
isn't it, Kelly, in the DVD What shall I buy. Kelly won't | :32:46. | :32:52. | |
understand a word of it. I have been to America. You don't understand | :32:52. | :32:58. | |
Cockneys. Can I tell you a story of a faux pas. In America, they all air | :32:58. | :33:08. | |
:33:08. | :33:08. | ||
ass, where I come from, we call it a house. I took a girl out, on the way | :33:08. | :33:15. | |
home, I stopped her and said when we get out what are the chances of me | :33:15. | :33:25. | |
:33:25. | :33:28. | ||
coming in your (ass) house? APPLAUSE It was a genuine mistake. I know she | :33:28. | :33:34. | |
said: Oh, yeah, you can come. I had to reassure her. I won't try to | :33:34. | :33:38. | |
you, you know. That is the short of mistake you can make over there. | :33:38. | :33:41. | |
They cannot understand a words. The Americans are so nice. You are | :33:41. | :33:49. | |
speaking to them and they say: I am sorry? Vent Julily they go like | :33:49. | :33:54. | |
this. You know they don't understand a words. OK, fine, yeah, I will see, | :33:54. | :34:02. | |
take care. Kelly, you will be singing for us. Absolutely. APPLAUSE | :34:02. | :34:12. | |
:34:12. | :34:13. | ||
Thank you. Lord Sugar, you tweet about X Factor all the time. Yeah. | :34:13. | :34:22. | |
Yeah. You do, though. What happens is the wife likes to watch it. I | :34:22. | :34:28. | |
drive the Sky plus. You might not understand what that means, being | :34:28. | :34:35. | |
American. I understand what you are saying, OK. I drive the Sky Plus. | :34:35. | :34:45. | |
:34:45. | :34:45. | ||
Artist comes on, sing, sing. Push, push forward. Panel, panel, adverts. | :34:45. | :34:51. | |
Kissing, everybody hugging, sod off. Go through that. And I loved you, | :34:51. | :34:55. | |
Simon, want to be here all my life. Through all that stuff. We manage to | :34:55. | :35:04. | |
get an hour and a half programme down to 25 minutes. Yeah. I read | :35:04. | :35:08. | |
somewhere, Cliff, that you said you entered, you wouldn't get | :35:08. | :35:12. | |
through the first audition. I don't think so. Not the way things are. If | :35:12. | :35:16. | |
we were starting at the same time, I might have stood a chance. The kids | :35:17. | :35:20. | |
that sing, they have had 60 years of influence. They don't know | :35:20. | :35:23. | |
are influenced by. It before they were born. It is all | :35:23. | :35:27. | |
there. They come out and sing fantastically. When we started off, | :35:28. | :35:36. | |
there had only been... Have you been watching this week? I think you | :35:36. | :35:43. | |
should enter. The over25 category is piss poor. We have kitty. Don't. She | :35:43. | :35:50. | |
makes you go oh, not yeah! I think would get further in X Factor than | :35:50. | :35:56. | |
on the Apprentice. Because I don't do Mondays. You know why? Because | :35:56. | :36:06. | |
you can't sing. How would you feel about somebody saying: I don't do | :36:06. | :36:12. | |
Mondays. I have 3,000 of them already. They wake up on | :36:12. | :36:17. | |
Tuesday. Are you going to come next year? We will see. I don't | :36:17. | :36:22. | |
know. Yes. Why wouldn't you. That is so nice. Britain has embraced you. | :36:22. | :36:28. | |
The new album, it seems to me, because it has a lot of dance stuff | :36:28. | :36:32. | |
on it, which is more European, more British, do you think your career is | :36:32. | :36:37. | |
more here now? No. I just came off of a number one for seven weeks in | :36:37. | :36:44. | |
America. I am happy. I can go both. It is a blessing. Not only that, to | :36:44. | :36:48. | |
be so far away from home, you still feel like you are at home, | :36:48. | :36:52. | |
appreciate the love I am getting here. Thank you. APPLAUSE. We are | :36:52. | :36:58. | |
about to love you musically. Thank you. You are giving us Down For | :36:58. | :37:08. | |
:37:08. | :37:08. | ||
Whatever. Down For Whatever. It is a racy title. You said with. I am down | :37:08. | :37:15. | |
with whatever you said. You For Whatever. It is released on 21 | :37:15. | :37:22. | |
November. If you would like to and get ready. There she goes. | :37:23. | :37:32. | |
:37:33. | :37:34. | ||
APPLAUSE. Nandos and a brisk walk everybody. Stories in the red chair | :37:34. | :37:44. | |
:37:44. | :37:46. | ||
but first singing Down For Whatever, it is Kelly Rowland. APPLAUSE. | :37:46. | :37:54. | |
# I'm down for # Baby let's get creative | :37:54. | :38:01. | |
# I'm down for whatever # There's no place I | :38:01. | :38:08. | |
# Tonight I'm ready to take # Imamazed by you | :38:08. | :38:17. | |
# You bring out a side I didn't # And I'll do | :38:17. | :38:21. | |
# Can't say no to # It ain't | :38:22. | :38:26. | |
# Mixed with # No baby every | :38:26. | :38:33. | |
# I'm down for whatever # When it comes to | :38:33. | :38:37. | |
# I could make love on the floor # I'm down for whatever | :38:37. | :38:42. | |
# Baby let's get creative # Cause with you I | :38:42. | :38:48. | |
# I'm down for whatever # I could make love on the | :38:48. | :38:55. | |
# I'm down for # Baby let's get creative | :38:55. | :39:02. | |
# Cause with you I # I'm down for whatever | :39:02. | :39:07. | |
# I'm down for whatever # I'm down for | :39:07. | :39:17. | |
:39:17. | :39:19. | ||
# Let's Exmoor, see what # I'm waiting for you to | :39:19. | :39:22. | |
# No restraints # No restraints | :39:22. | :39:25. | |
# No regrets # No regrets | :39:25. | :39:29. | |
# Just give me your eye, I won't # Say | :39:29. | :39:37. | |
# And I'll do anything, can't say # It ain't juice, mixed | :39:37. | :39:46. | |
# No, baby every # I'm down for whatever | :39:46. | :39:50. | |
# When it is comes to # I could make love on the floor | :39:50. | :39:56. | |
# I'm down for whatever # Baby let's get creative | :39:56. | :40:01. | |
# Cause with you I # I'm down for whatever. | :40:01. | :40:09. | |
# I could make love on the # I'm down for whatever. | :40:09. | :40:13. | |
get creative # Cause with you I am | :40:13. | :40:23. | |
:40:23. | :40:31. | ||
# I'm down for whatever. # I'm down for whatever. Tonight | :40:31. | :40:38. | |
you're making everything feel # Tonight shall I wanna get high and | :40:39. | :40:47. | |
touch # I'm down for whatever. When is | :40:47. | :40:48. | |
comes to # I could make love on the | :40:48. | :40:56. | |
# I'm down for whatever # Baby let's get creative | :40:56. | :41:00. | |
# Cause with you I # I'm down for whatever | :41:00. | :41:04. | |
# When it # floor | :41:04. | :41:10. | |
# I'm down for whatever. # Baby let's get creative | :41:10. | :41:20. | |
:41:20. | :41:22. | ||
# Cause with you I am # I'm down for whatever. APPLAUSE. | :41:22. | :41:27. | |
Kelly Rowland, everybody. Sers APPLAUSE. | :41:27. | :41:31. | |
Come back here. That was fabulous. Come back here. That was fabulous. | :41:31. | :41:38. | |
Come back here. That was fabulous. Kelly Rowland. APPLAUSE. They love | :41:39. | :41:43. | |
Kelly Rowland. APPLAUSE. They love Kelly Rowland. APPLAUSE. They love | :41:43. | :41:45. | |
Come back here. her. Thank you so much. Singing and | :41:45. | :41:51. | |
dancing. That single is from This Is Me which is out on 28 November. Etc | :41:51. | :42:01. | |
:42:01. | :42:02. | ||
LAUGHTER. Before we go, let's have a LAUGHTER. Before we go, let's have a | :42:02. | :42:06. | |
story in the red chair. Who is up first? I would like one much these | :42:06. | :42:11. | |
for my board room. It would be good. Imagine like that and the | :42:11. | :42:20. | |
of the room. With regret. Who is up first? It is like your boardroom. | :42:20. | :42:25. | |
What is your name? Mark. You must have a proper job, Mark. I am a | :42:25. | :42:32. | |
barrister. Are you really? Yes. You are doing this? Regretting | :42:32. | :42:37. | |
already. See, if you were one of his compliance, I recognise him. What | :42:37. | :42:47. | |
:42:47. | :42:47. | ||
the hell? What sort of law do do? Employment discrimination. | :42:47. | :42:57. | |
:42:57. | :43:02. | ||
LAUGHTER. We have time for one more. Hello, nice lady. How are you. I am | :43:02. | :43:06. | |
very well. What is your name, smilely lady. Michelle from | :43:06. | :43:12. | |
Galloway. Michelle from Galloway. It is a long name but still. What do | :43:12. | :43:16. | |
you do Michelle from Galloway. I started a new job on Monday. What is | :43:16. | :43:26. | |
it? It is doing PA. Doing PA. Is that a drug? Being a PA. You are a | :43:26. | :43:32. | |
PA. Not to anyone on the couch. I wish. Right. Your new employer might | :43:32. | :43:38. | |
be watching this. I am not sure made a clever decision. All right, | :43:38. | :43:42. | |
Michelle from Galloway, off you go. Basically, I moved here in the last | :43:42. | :43:45. | |
three weeks. I was visit anything March of this year. I bought | :43:45. | :43:51. | |
pair of very, very cheap high shoes, went over on my ankle walking to a | :43:51. | :43:54. | |
theatre. I couldn't walk, the theatre was five seconds away, I had | :43:54. | :44:01. | |
to get a taxi and basically we were going to Dirty Dancing. I had to be | :44:01. | :44:06. | |
carted in a wheelchair to show. We paid �100 each for the | :44:06. | :44:16. | |
:44:16. | :44:19. | ||
tickets. The king of nice. I so wanted to be a baddie. Well done, | :44:19. | :44:23. |