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I'm just doing my New Year's resolutions, how am I getting on? | 0:00:02 | 0:00:04 | |
Get my favourite international singing star... Check. | 0:00:04 | 0:00:07 | |
Get a beautiful British actress... Check. | 0:00:07 | 0:00:09 | |
Get the finest comedian in the land... Check. | 0:00:09 | 0:00:12 | |
Get a really attractive and sexy audience to watch them... | 0:00:12 | 0:00:16 | |
LAUGHTER | 0:00:16 | 0:00:17 | |
Well, you can't win them all. Let's start the show! | 0:00:17 | 0:00:21 | |
APPLAUSE | 0:00:21 | 0:00:23 | |
Oh! Oh! | 0:00:36 | 0:00:38 | |
Hello, everybody! | 0:00:38 | 0:00:41 | |
Oh! | 0:00:41 | 0:00:42 | |
Oh! | 0:00:42 | 0:00:44 | |
Welcome to the show, everybody. | 0:00:44 | 0:00:46 | |
Here we are, 2013! | 0:00:46 | 0:00:49 | |
Did you all have a good New Year's? Did ya, did ya? | 0:00:49 | 0:00:53 | |
ALL: Yes! | 0:00:53 | 0:00:54 | |
Great, great. | 0:00:54 | 0:00:56 | |
LAUGHTER | 0:00:57 | 0:00:59 | |
Yeah, I did as well, thanks for asking. | 0:00:59 | 0:01:02 | |
Actually, I spent the holidays at home, with my long-term partner. | 0:01:02 | 0:01:05 | |
LAUGHTER | 0:01:05 | 0:01:08 | |
A few close friends also happened to drop by. It was nice. | 0:01:08 | 0:01:11 | |
-Hey, did you all watch the Queen's speech? Did you? -ALL: Yes. | 0:01:13 | 0:01:18 | |
In 3-D, ladies and gentlemen! | 0:01:18 | 0:01:21 | |
It was incredible. | 0:01:21 | 0:01:22 | |
It was like having an old woman in the front room with you, wasn't it? | 0:01:22 | 0:01:26 | |
Incredible. | 0:01:26 | 0:01:28 | |
To appreciate the Queen's speech in 3-D, | 0:01:28 | 0:01:30 | |
you had to wear special technical equipment. | 0:01:30 | 0:01:33 | |
Yeah. | 0:01:33 | 0:01:34 | |
Wake me when it's over! | 0:01:36 | 0:01:38 | |
Who've we got on the show tonight? | 0:01:38 | 0:01:40 | |
Well, we've only got international singing star Josh Groban, ladies and gentlemen! | 0:01:40 | 0:01:45 | |
The gorgeous and talented Billie Piper is on the show! | 0:01:45 | 0:01:49 | |
CHEERING | 0:01:49 | 0:01:51 | |
My favourite stand-up comedian Frank Skinner is here. | 0:01:51 | 0:01:56 | |
And we've got some great music from the fantastic Example, ladies and gentlemen. | 0:01:56 | 0:02:00 | |
I know. So cool. | 0:02:00 | 0:02:02 | |
So cool. | 0:02:02 | 0:02:04 | |
Yeah. Yeah, Example. | 0:02:04 | 0:02:07 | |
Yeah, I'm down with it. | 0:02:07 | 0:02:09 | |
Now, really excited to have Josh Groban on the show tonight. | 0:02:09 | 0:02:11 | |
He first came to prominence | 0:02:11 | 0:02:13 | |
when his songs appeared in the TV show Ally McBeal. | 0:02:13 | 0:02:17 | |
It was a comedy drama about a law firm, which is ironic, | 0:02:17 | 0:02:20 | |
because Josh himself is a fully qualified barrister. | 0:02:20 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:26 | |
Sorry, that should be barista. | 0:02:26 | 0:02:29 | |
Barrister, barista... | 0:02:29 | 0:02:30 | |
LAUGHTER | 0:02:30 | 0:02:32 | |
Josh is so well respected in the music industry, | 0:02:32 | 0:02:35 | |
even the legends flock to see him when he's in town. They do. Oh! | 0:02:35 | 0:02:39 | |
Isn't Bono looking old? | 0:02:40 | 0:02:42 | |
LAUGHTER | 0:02:42 | 0:02:43 | |
Josh is a fantastic singer - you have to see him live. | 0:02:46 | 0:02:49 | |
Truly an incredible experience. | 0:02:49 | 0:02:51 | |
And you do wonder just how he reaches those high notes. | 0:02:51 | 0:02:54 | |
Whoah! | 0:02:54 | 0:02:57 | |
Let's get some guests on! Later, we'll be having music from Example. | 0:02:57 | 0:03:00 | |
But first, he's my favourite comedian - it's Frank Skinner! | 0:03:02 | 0:03:05 | |
Oh! Oh! Oh! | 0:03:05 | 0:03:08 | |
-Hello, sir. Happy new year. -Thank you. | 0:03:08 | 0:03:11 | |
Sit yourself down. | 0:03:11 | 0:03:13 | |
Stand by, it's Billie Piper! | 0:03:13 | 0:03:16 | |
CHEERING | 0:03:16 | 0:03:18 | |
Wowzer! | 0:03:18 | 0:03:19 | |
Beautiful! Hello, darling. Happy new year. | 0:03:21 | 0:03:24 | |
Sit yourself down. | 0:03:24 | 0:03:26 | |
And I'm not joshing, | 0:03:26 | 0:03:27 | |
he's my favourite singer - it's Josh Groban! Oh! | 0:03:27 | 0:03:30 | |
-Hello, sir. -Good to see you. -Hi! Sit yourself down. | 0:03:33 | 0:03:36 | |
CHEERING | 0:03:36 | 0:03:39 | |
-You're all very welcome. You all had nice holidays, I'm sure. -Fabulous. | 0:03:41 | 0:03:45 | |
-Lovely! -Magical. -Yes! | 0:03:45 | 0:03:46 | |
-The best Christmas ever! -Ever! -Ever. | 0:03:48 | 0:03:52 | |
-We had turkey again. -Did you? | 0:03:52 | 0:03:55 | |
Cos Billie Piper, your life sounds idyllic. | 0:03:56 | 0:03:59 | |
You live in a little village, don't you? | 0:03:59 | 0:04:01 | |
-Yes, we live in the countryside. -Was at all nice and Christmassy? -Lovely. | 0:04:01 | 0:04:06 | |
-Really perfect. -Have they forgiven you? | 0:04:06 | 0:04:09 | |
Because when you moved there, didn't they think you were a prostitute? | 0:04:09 | 0:04:12 | |
A genuine prostitute. | 0:04:12 | 0:04:14 | |
-Happy new year! -No, I'm... Yes. | 0:04:14 | 0:04:19 | |
I think they, um... It happens quite often. | 0:04:19 | 0:04:22 | |
-It happened recently, I was in America and in America... -Careful! | 0:04:22 | 0:04:25 | |
I don't know if this is true of you, but they tend to introduce... | 0:04:25 | 0:04:29 | |
Well, you tend to introduce people with a little bio, | 0:04:29 | 0:04:32 | |
have you ever noticed that? "She does this, she does this..." | 0:04:32 | 0:04:35 | |
He just said I put electrodes on my nipples! | 0:04:35 | 0:04:38 | |
-I actually meant your testicles, but... -LAUGHTER | 0:04:38 | 0:04:41 | |
-Oh! -You've got a lot of light into your life right there! | 0:04:41 | 0:04:45 | |
-He's projecting! -And I'm introduced as the prostitute. | 0:04:45 | 0:04:50 | |
-Why would we have said that about you? -I don't know. | 0:04:50 | 0:04:53 | |
The girl from the show, the prostitute from that show. | 0:04:53 | 0:04:56 | |
That's how it is in the countryside. | 0:04:56 | 0:04:58 | |
-Billie did play the part of a prostitute. -Well, that makes sense! | 0:04:58 | 0:05:02 | |
-"The prostitute!" -Billie used to be a prostitute. | 0:05:03 | 0:05:06 | |
-That's why I'm here tonight. -She played the role. | 0:05:08 | 0:05:10 | |
So Billie is mistaken for a prostitute, | 0:05:10 | 0:05:12 | |
but something even more humiliating has happened to you, | 0:05:12 | 0:05:15 | |
Frank, in terms of being mistaken for people. | 0:05:15 | 0:05:17 | |
Yes, people often think that I'm you. | 0:05:17 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:24 | |
-I really don't... I don't see it. -I don't see it. | 0:05:26 | 0:05:29 | |
I mean, you've got grey hair and stuff. | 0:05:29 | 0:05:32 | |
Yes, your hair is receding a bit, so I don't see it... | 0:05:32 | 0:05:36 | |
-Why would they think...? -I get it a lot. -Let's put us together. | 0:05:37 | 0:05:41 | |
Oh, I can see it. | 0:05:42 | 0:05:43 | |
I'm trying to look as much like you as I can... | 0:05:46 | 0:05:49 | |
That's good! | 0:05:50 | 0:05:52 | |
APPLAUSE | 0:05:52 | 0:05:56 | |
It's true, I had two women approach me at this gig and one of them said, | 0:05:58 | 0:06:02 | |
"You're Graham Norton, aren't you?" And I said, "No, I'm not". | 0:06:02 | 0:06:05 | |
And she said, "Come on, you are!" | 0:06:05 | 0:06:07 | |
The other one's saying, "Yes, come on, you are!" | 0:06:07 | 0:06:10 | |
in a very forceful way and I thought... I'm not, am I? | 0:06:10 | 0:06:14 | |
Could I be him and I've had a breakdown? | 0:06:14 | 0:06:17 | |
I'm just wandering around thinking I'm... | 0:06:17 | 0:06:20 | |
-It must have happened to me six or seven times. -Really? | 0:06:20 | 0:06:22 | |
And when my baby was born, my mother-in-law said, | 0:06:22 | 0:06:25 | |
"You know who he looks like? Graham Norton." | 0:06:25 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:30 | |
-And I thought, that couldn't happen, could it? -That's very unlikely. | 0:06:31 | 0:06:36 | |
Your one foray into heterosexuality and you chose my girlfriend... | 0:06:37 | 0:06:42 | |
-And bingo! A baby. -It was meant. -Hole in one! | 0:06:44 | 0:06:48 | |
-No! -Something... | 0:06:49 | 0:06:51 | |
Goal! I don't know what you say. | 0:06:53 | 0:06:56 | |
Now, about being mistaken for people... Josh Groban, famous all over the world, | 0:06:56 | 0:07:00 | |
-but it happens to you, you get mistaken for someone. -I do. | 0:07:00 | 0:07:03 | |
Honestly, depending on my angle, I can look like someone famous | 0:07:03 | 0:07:07 | |
or I can look like a hobbit, depending on how they light me. | 0:07:07 | 0:07:11 | |
They don't exist, so they wouldn't recognise... | 0:07:11 | 0:07:13 | |
I was at a concert once in a music festival called Coachella | 0:07:13 | 0:07:16 | |
and I was backstage and these two big Rastafarian Jamaican dudes | 0:07:16 | 0:07:20 | |
came up to me, like, "Hey, man, can we get a picture wit' you, man?" | 0:07:20 | 0:07:25 | |
I'm like, "Yeah, cool." I'm expanding my audience, this is fantastic". | 0:07:25 | 0:07:29 | |
So I took the picture and I'm like, "Did we get it OK? Did we blink?" | 0:07:29 | 0:07:33 | |
I was really excited about this photograph. | 0:07:33 | 0:07:35 | |
And they walk away and they're like, "Oh, James Blunt, man. It's James Blunt." | 0:07:35 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:42 | |
I'm thinking, oh... So close. | 0:07:42 | 0:07:45 | |
-But actually, you do look a bit like him. You can see it. -It's the hair. | 0:07:46 | 0:07:52 | |
-You have a stronger brow. -Stronger...? | 0:07:52 | 0:07:55 | |
I love that woman in the audience going, "No!" | 0:07:57 | 0:08:01 | |
You're beautiful. | 0:08:01 | 0:08:03 | |
-Um, yeah. -Now, Billie Piper, you're a mommy. -I am. | 0:08:03 | 0:08:08 | |
Two boys. One of four and one of seven months. | 0:08:08 | 0:08:12 | |
You love being a mom, | 0:08:12 | 0:08:13 | |
-but pregnancy I think you found quite stressful? -Yeah. | 0:08:13 | 0:08:16 | |
-Maybe everyone does. -Well, it's... | 0:08:16 | 0:08:18 | |
It is stressful, it's quite wearing and I think you either love | 0:08:18 | 0:08:23 | |
it and embrace it or you find it quite frustrating | 0:08:23 | 0:08:28 | |
and uncomfortable. | 0:08:28 | 0:08:30 | |
And I was THAT girl. | 0:08:30 | 0:08:32 | |
LAUGHTER | 0:08:32 | 0:08:33 | |
-It's such a LONG time... -It's a REALLY long time! | 0:08:33 | 0:08:36 | |
Everyone's like, "It's gone so fast!" And it's like, no. | 0:08:36 | 0:08:41 | |
It's really, really pushing me to the edge. | 0:08:41 | 0:08:44 | |
So yeah, I found it quite stressful, but not as stressful | 0:08:45 | 0:08:48 | |
-as Laurence, who was on the receiving end of all of that. -Oh. | 0:08:48 | 0:08:53 | |
-Because baby daddy on the couch. -Yes. -Congratulations. | 0:08:53 | 0:08:57 | |
-Thank you very much. -How old is your son now? -He is... | 0:08:57 | 0:09:01 | |
Um, just doing the maths! | 0:09:01 | 0:09:03 | |
-What's the date again? -It's the, er... It's the 5th of January! | 0:09:03 | 0:09:08 | |
APPLAUSE | 0:09:08 | 0:09:09 | |
-Oh, he's just coming up to eight months. -OK! | 0:09:11 | 0:09:14 | |
But you had that classic "your girlfriend going into labour" drama. | 0:09:16 | 0:09:21 | |
Yes, 3.30 in the morning she woke me up and said, "This could be wind... | 0:09:21 | 0:09:26 | |
"..or it could be labour." | 0:09:27 | 0:09:29 | |
And I said, "Well, what do you want me to do? | 0:09:29 | 0:09:33 | |
"In either case?" | 0:09:33 | 0:09:34 | |
Because the responses are quite different. | 0:09:35 | 0:09:37 | |
And she said, "Well, let's just see what happens". | 0:09:38 | 0:09:41 | |
I won't go into too much detail, | 0:09:41 | 0:09:43 | |
but it became apparent that it was labour and by then, it was 4am, | 0:09:43 | 0:09:47 | |
so I had that drive-across-town thing that happens in all the films. | 0:09:47 | 0:09:51 | |
-Exciting. -Yeah, it was like I had an extremely menacing sat-nav | 0:09:51 | 0:09:55 | |
in the car, because she was going, "GO LEFT! GO LEFT!" | 0:09:55 | 0:09:59 | |
and I was driving like that... | 0:09:59 | 0:10:02 | |
And I got to the hospital, | 0:10:03 | 0:10:05 | |
I did something I've never done before in my entire life - | 0:10:05 | 0:10:07 | |
I threw my car keys to someone and said, "Can you park my car?" | 0:10:07 | 0:10:11 | |
LAUGHTER | 0:10:11 | 0:10:13 | |
-I've never done that. We got in the lift... -Brilliant! | 0:10:13 | 0:10:17 | |
So I'm in the lift with the hospital porter | 0:10:17 | 0:10:20 | |
and my girlfriend is on the floor like this going, "Aaah! | 0:10:20 | 0:10:24 | |
"Aaah!" And the porter says to me, | 0:10:24 | 0:10:27 | |
"So what do you think about the new England manager?" | 0:10:27 | 0:10:30 | |
LAUGHTER | 0:10:30 | 0:10:33 | |
To be fair, I suppose he sees that sort of thing a lot, | 0:10:33 | 0:10:36 | |
but I was in a state of some distress. | 0:10:36 | 0:10:38 | |
When she said, "it's either wind or I'm going through labour," | 0:10:38 | 0:10:41 | |
that'd be the only time when you'd be lying there | 0:10:41 | 0:10:43 | |
and she goes (BLOWS RASPBERRY) and you'd go, "Oh, thank God!" | 0:10:43 | 0:10:46 | |
Dodged a bullet there! | 0:10:48 | 0:10:50 | |
I suppose you are a bit older than most new dads... | 0:10:51 | 0:10:54 | |
-Oh God, yes. -So is that difficult in any way? I suppose it isn't yet. | 0:10:54 | 0:10:57 | |
No, I was getting up three or four times in the night anyway. | 0:10:57 | 0:11:00 | |
LAUGHTER AND APPLAUSE | 0:11:00 | 0:11:02 | |
-And Josh, you're not a dad... -Not a baby daddy, no. | 0:11:07 | 0:11:11 | |
But when your mother went into labour with your brother, | 0:11:11 | 0:11:14 | |
you found that quite traumatic, didn't you? | 0:11:14 | 0:11:17 | |
-Well, he was born on my birthday, so... -How annoying is that? | 0:11:17 | 0:11:21 | |
So annoying! It was the worst. | 0:11:21 | 0:11:22 | |
I woke up expecting a cowboy clown party or something | 0:11:22 | 0:11:25 | |
and my dad said, "We're going to the hospital." | 0:11:25 | 0:11:28 | |
We've had a grudge ever since. | 0:11:28 | 0:11:31 | |
-How old were you? -I was four years old. | 0:11:31 | 0:11:33 | |
It's an awful age to not be the centre of attention | 0:11:33 | 0:11:36 | |
on your birthday. | 0:11:36 | 0:11:38 | |
Your parents obviously... have a routine. | 0:11:38 | 0:11:41 | |
LAUGHTER | 0:11:41 | 0:11:42 | |
Yes, I prefer not to think about it. | 0:11:45 | 0:11:47 | |
You can put your watch right by his parents! | 0:11:47 | 0:11:50 | |
I was at a bar with my brother | 0:11:50 | 0:11:52 | |
and we were chatting up a couple of ladies and actually, now that | 0:11:52 | 0:11:56 | |
we're older, it's kind of a cool icebreaker. | 0:11:56 | 0:11:58 | |
"We have the same birthday. But we're not twins or anything." | 0:11:58 | 0:12:01 | |
And they said, "Oh, you ever count back nine months to figure out when they would have to do it?" | 0:12:01 | 0:12:05 | |
I said, "That's disgusting", my brother said, "That's our mom's birthday". | 0:12:05 | 0:12:09 | |
LAUGHTER AND APPLAUSE | 0:12:09 | 0:12:13 | |
Brilliant. What a cheap gift! | 0:12:18 | 0:12:20 | |
"Unwrap this!" | 0:12:22 | 0:12:23 | |
-Better than a card. -Yeah! -It's personal. | 0:12:26 | 0:12:31 | |
They've been together 47 years, so I guess something's working. | 0:12:31 | 0:12:34 | |
Oh, a little creepy. Um... | 0:12:37 | 0:12:40 | |
If you're just tuning in... | 0:12:40 | 0:12:42 | |
Now, 2013. Big year for you, Josh. | 0:12:42 | 0:12:44 | |
A new album coming out, All That Echoes. I believe I have a... | 0:12:44 | 0:12:47 | |
-Do you? -I do. Yes, there you are. | 0:12:47 | 0:12:51 | |
-Looking rather "Blunty". -WHOOPING | 0:12:51 | 0:12:55 | |
Look at you. | 0:12:56 | 0:12:57 | |
-Will you be touring this? -I will, yes. | 0:12:57 | 0:12:59 | |
My favourite part is the tour part. | 0:12:59 | 0:13:01 | |
When you're touring around the world, you sing in lots of different languages. | 0:13:01 | 0:13:05 | |
Do you just learn it, or...? Do you know what I mean? | 0:13:05 | 0:13:09 | |
I'm like The Matrix, I just plug in... | 0:13:09 | 0:13:12 | |
-And it will come through. -But do you understand what you're singing? | 0:13:12 | 0:13:15 | |
-Oh, sure. I took Japanese, though, when I was younger. -Wow. | 0:13:15 | 0:13:19 | |
I did record a song in Japanese once, | 0:13:19 | 0:13:22 | |
but I really only remember a very small amount of phrases | 0:13:22 | 0:13:27 | |
in Japanese from that early time in my life, but they're funny. | 0:13:27 | 0:13:31 | |
HE SPEAKS IN JAPANESE | 0:13:31 | 0:13:34 | |
I just said, "Nice to meet you, please be kind to me. Was it delicious?" | 0:13:35 | 0:13:39 | |
LAUGHTER | 0:13:39 | 0:13:40 | |
Well... | 0:13:40 | 0:13:42 | |
That would get me through a holiday. | 0:13:44 | 0:13:46 | |
-Out in the country, that might be quite useful. -Perfect for that! | 0:13:48 | 0:13:52 | |
-You sing in Japanese, don't you? -Yes, sometimes. If I'm in Japan... | 0:13:52 | 0:13:57 | |
Yes, obviously, not in Japan, goes down like cold sick, but... | 0:13:58 | 0:14:02 | |
The other weird thing I was reading was that when you're singing | 0:14:04 | 0:14:07 | |
big Italian arias, you don't have as much control | 0:14:07 | 0:14:09 | |
over what comes out as I thought you would. | 0:14:09 | 0:14:11 | |
Your diaphragm's doing all sorts of crazy things to get to the note. | 0:14:11 | 0:14:14 | |
It really is very strange when you're out on stage | 0:14:14 | 0:14:16 | |
and you feel indigestion or like, | 0:14:16 | 0:14:19 | |
"I shouldn't have eaten that Subway sandwich before I went on stage, | 0:14:19 | 0:14:23 | |
"that 38 ounce Mountain Dew..." | 0:14:23 | 0:14:25 | |
I've burped on stage before, like in the middle of a note. Yeah... | 0:14:25 | 0:14:29 | |
It's always the big Italian numbers, it really is. | 0:14:29 | 0:14:32 | |
I do songs in English, too, but it's always the really romantic, | 0:14:32 | 0:14:35 | |
grand songs that you just feel it coming, it's going up, and you're | 0:14:35 | 0:14:39 | |
thinking, "God, if you get me through it, I promise you I'll never..." | 0:14:39 | 0:14:42 | |
BURP! There it is. Thank you. Thanks for that. | 0:14:42 | 0:14:46 | |
And can you disguise it in any way, or do you just go... BURP! | 0:14:46 | 0:14:49 | |
If I could disguise it, they probably wouldn't be paying me very much to sing. | 0:14:49 | 0:14:53 | |
If they couldn't tell the difference between my burp and one of my notes... | 0:14:53 | 0:14:57 | |
Then I probably wouldn't have been there to begin with. | 0:14:57 | 0:15:00 | |
So this is out on 25 February and there's a new single, | 0:15:00 | 0:15:03 | |
Brave, on 25 February. | 0:15:03 | 0:15:06 | |
Two days before my birthday. | 0:15:06 | 0:15:08 | |
-Oh! Happy birthday for then. -Thank you! -I'll remember to text you. | 0:15:08 | 0:15:13 | |
We associate you with covers, but this album is all new stuff. | 0:15:13 | 0:15:16 | |
A lot of it is original material, yes. | 0:15:16 | 0:15:18 | |
-And you've written a lot of the stuff. -Yes. | 0:15:18 | 0:15:20 | |
Did a lot of writing, unexpectedly. But I did. | 0:15:20 | 0:15:24 | |
-What do you mean, unexpectedly? -Because, it's... | 0:15:24 | 0:15:26 | |
One of those things where first and foremost I like to sing songs, | 0:15:26 | 0:15:30 | |
interpret songs and I think to myself, if I write songs, | 0:15:30 | 0:15:34 | |
great, but really, I just want the best songs possible on the record. | 0:15:34 | 0:15:37 | |
But at two in the morning, I always kind of go to the piano | 0:15:37 | 0:15:40 | |
and the piano is kind of like a journal for me. | 0:15:40 | 0:15:42 | |
I sit down and come up with melodies and sing gibberish | 0:15:42 | 0:15:44 | |
and eventually, they turn into songs. | 0:15:44 | 0:15:47 | |
You're not the only musician on the couch this evening. | 0:15:47 | 0:15:51 | |
-Because BOTH your fellow guests have topped the charts. -Chart toppers! | 0:15:51 | 0:15:56 | |
Two of them! | 0:15:56 | 0:15:58 | |
And you know, if they topped the charts, those songs were good. So... | 0:15:58 | 0:16:02 | |
That makes two of us in this country. | 0:16:02 | 0:16:05 | |
So, if you were going to cover one of their tracks, | 0:16:06 | 0:16:09 | |
which one would you choose? | 0:16:09 | 0:16:11 | |
Would you choose a bit of Frank - here's Frank, with Three Lions. | 0:16:11 | 0:16:14 | |
-# Three lions on a shirt... # -I love this! | 0:16:14 | 0:16:18 | |
# Jules Rimet still gleaming | 0:16:18 | 0:16:22 | |
# Thirty years of hurt | 0:16:22 | 0:16:26 | |
# Never stopped me dreaming... # | 0:16:26 | 0:16:28 | |
Or would you choose a bit of Billie? | 0:16:29 | 0:16:33 | |
# I've been missing you | 0:16:33 | 0:16:35 | |
# I should be kissing you | 0:16:35 | 0:16:37 | |
# Honey to the bee That's you for me... # | 0:16:37 | 0:16:40 | |
LAUGHTER | 0:16:40 | 0:16:43 | |
That is beautiful! | 0:16:43 | 0:16:45 | |
# It's you for me Honey to a bee | 0:16:45 | 0:16:48 | |
# That's you for me... # | 0:16:48 | 0:16:50 | |
That's enough. | 0:16:50 | 0:16:51 | |
I don't mean, "That's enough!" | 0:16:52 | 0:16:54 | |
Can I say, I've had sex to both of those tracks. | 0:16:54 | 0:16:57 | |
LAUGHTER AND APPLAUSE | 0:16:57 | 0:17:00 | |
Would you Groban up a bit of one? | 0:17:04 | 0:17:06 | |
I think out of the two, | 0:17:06 | 0:17:08 | |
the most baby-making potential is Honey To The Bee. | 0:17:08 | 0:17:11 | |
I've got some lyrics, do you want some? | 0:17:11 | 0:17:13 | |
That's how you know a hit, you've got the hook immediately | 0:17:13 | 0:17:16 | |
-when you hear it. -Close your eyes, Billie. | 0:17:16 | 0:17:19 | |
This is Josh Groban interpreting Honey To The Bee. | 0:17:19 | 0:17:23 | |
# Honey to the bee, that's... # | 0:17:23 | 0:17:25 | |
LAUGHTER | 0:17:25 | 0:17:28 | |
# Honey to the bee That's you for me... # | 0:17:29 | 0:17:33 | |
Josh Groban, ladies and gentlemen! Very good. | 0:17:36 | 0:17:38 | |
APPLAUSE | 0:17:38 | 0:17:41 | |
And actually, do you know, there's more of a musical connection. Do you know about it? | 0:17:43 | 0:17:47 | |
-I've heard about this today. -No. -Do you not know? -We have beef. Bad blood. | 0:17:47 | 0:17:52 | |
-Do we? -You shouldn't like Billie. | 0:17:52 | 0:17:55 | |
Oh, did you knock us off number one? | 0:17:55 | 0:17:59 | |
-Yes. -You did. -I did. | 0:17:59 | 0:18:01 | |
I'd forgotten that. Have you forgotten that? | 0:18:01 | 0:18:04 | |
It was Because We Want To, your first single. | 0:18:04 | 0:18:08 | |
-Yeah. -And you just went... "Get out of here!" | 0:18:08 | 0:18:11 | |
But it helped that England got kicked out! | 0:18:11 | 0:18:13 | |
-Yes, that was probably... -It might have been a different story. | 0:18:13 | 0:18:17 | |
-We knocked Gina G off the first time. -Ooh, Aah, Just A Little Bit? | 0:18:17 | 0:18:21 | |
It was a great year(!) | 0:18:21 | 0:18:22 | |
LAUGHTER | 0:18:22 | 0:18:25 | |
And the Fugees, we knocked off - that's a pretty good... | 0:18:25 | 0:18:28 | |
-That IS good! -So how many weeks were you there? Four, was it? | 0:18:28 | 0:18:33 | |
We brought the same song out twice, basically. | 0:18:33 | 0:18:37 | |
And we went number one again. At that time... | 0:18:37 | 0:18:40 | |
Well, the first single went to number one and then it dropped | 0:18:40 | 0:18:42 | |
and then it went back to number one, and apparently, | 0:18:42 | 0:18:45 | |
we were only the third act that have ever done that - | 0:18:45 | 0:18:47 | |
the others were the Beatles and Mr Blobby! | 0:18:47 | 0:18:49 | |
LAUGHTER | 0:18:49 | 0:18:51 | |
-Billie, is it true... -Those were our golden days! -I KNOW! -Marvellous. | 0:18:51 | 0:18:56 | |
Is it true you're not proud of your musical legacy? | 0:18:56 | 0:18:58 | |
No, I'm not NOT proud, I just, um... | 0:18:58 | 0:19:01 | |
don't like to think about it! | 0:19:01 | 0:19:03 | |
LAUGHTER | 0:19:03 | 0:19:05 | |
-Have your kids heard your records? -Not yet. | 0:19:05 | 0:19:08 | |
-I imagine kids would love Because I Want To... -I'm sure they will. | 0:19:08 | 0:19:11 | |
There will be plenty of time for that. | 0:19:11 | 0:19:13 | |
-You can sing it at all their birthday parties. -And I will! | 0:19:15 | 0:19:18 | |
"It's mummy time!" Not again! | 0:19:18 | 0:19:20 | |
Lonely days in the country... | 0:19:20 | 0:19:23 | |
Sing your heart out! | 0:19:23 | 0:19:25 | |
Me and David Baddiel were at a party once | 0:19:25 | 0:19:27 | |
and they played Three Lions so loudly that the neighbours came round | 0:19:27 | 0:19:32 | |
to complain and me and Dave went to the door... | 0:19:32 | 0:19:35 | |
They were REALLY confused! | 0:19:36 | 0:19:38 | |
-Oh, it's LIVE! -Sweet! | 0:19:39 | 0:19:43 | |
Billie Piper, established, respected actor now... | 0:19:43 | 0:19:47 | |
But oddly, it was acting that got you into pop music, | 0:19:47 | 0:19:50 | |
because you used to do ads. | 0:19:50 | 0:19:52 | |
-Yes, I did loads of commercials as a kid. -Then what happened? | 0:19:52 | 0:19:55 | |
A producer saw you in an ad? | 0:19:55 | 0:19:57 | |
Um, we were relaunching the Smash Hits magazine | 0:19:57 | 0:20:00 | |
and I became the poster girl for that and | 0:20:00 | 0:20:03 | |
we did a few commercials and I was on the front of Music Week magazine. | 0:20:03 | 0:20:07 | |
And this guy - not any guy, Hugh Goldsmith, who is still a friend of mine - | 0:20:08 | 0:20:13 | |
came to find me at school, which sounds dodgy...! | 0:20:13 | 0:20:16 | |
And... | 0:20:16 | 0:20:17 | |
It was a different time! | 0:20:20 | 0:20:22 | |
Um... And asked me if I'd consider doing a demo tape... | 0:20:23 | 0:20:26 | |
LAUGHTER | 0:20:26 | 0:20:30 | |
Let it all out, Billie, let it all out. | 0:20:33 | 0:20:36 | |
You're in a safe place. | 0:20:36 | 0:20:38 | |
And that was that. | 0:20:39 | 0:20:41 | |
-Weren't you 15...? -I was 14 then. -Wow. | 0:20:42 | 0:20:46 | |
This was the ad he saw and he thought, | 0:20:46 | 0:20:49 | |
"I can make that girl a star!" | 0:20:49 | 0:20:51 | |
MAN PLAYS TUBA | 0:20:51 | 0:20:53 | |
MUSIC: "Firestarter" by Prodigy | 0:20:59 | 0:21:03 | |
Smash hits, 100% pure pop! | 0:21:03 | 0:21:06 | |
TOOT! | 0:21:07 | 0:21:08 | |
Aw! | 0:21:10 | 0:21:11 | |
And it's like time has stood still - | 0:21:13 | 0:21:17 | |
-here you are and the Spice Girls are still going. It's amazing. -I know. | 0:21:17 | 0:21:20 | |
Was basketball tuba a thing, then? Like, what's...? | 0:21:20 | 0:21:24 | |
In England, that was massive. | 0:21:24 | 0:21:26 | |
It is an incredible journey. | 0:21:26 | 0:21:28 | |
That's the beginning, and now, at the National Theatre, getting... | 0:21:28 | 0:21:33 | |
-Not just at the National, getting reviews that are like you wrote them yourself! -I did! | 0:21:33 | 0:21:39 | |
The play is called The Effect - tell us something about it. | 0:21:39 | 0:21:43 | |
Well, there's obviously loads going on, as there always is in plays, but the shape | 0:21:43 | 0:21:48 | |
of it is two people, a guy and a girl, sign up to this drug trial. | 0:21:48 | 0:21:53 | |
They're trialling the latest anti-depressant drug, | 0:21:53 | 0:21:56 | |
and throughout the course of the trial, | 0:21:56 | 0:21:59 | |
they kind of fall desperately in love with each other, but | 0:21:59 | 0:22:03 | |
they can't define whether it's the effects of the drug or genuine love. | 0:22:03 | 0:22:08 | |
That's it, in its shape. It's quite heavy. | 0:22:08 | 0:22:12 | |
You're at the National, and you're on a break at the moment... | 0:22:12 | 0:22:15 | |
Yes, cos it's in Rep, so we share the stage with maybe two other | 0:22:15 | 0:22:20 | |
productions, which means you get these enormous periods of time off... | 0:22:20 | 0:22:24 | |
-Is it going to be weird going back? -Yeah. | 0:22:24 | 0:22:28 | |
It's one of those things, you wake up in the middle of the night | 0:22:28 | 0:22:31 | |
desperately scrabble around for your script, | 0:22:31 | 0:22:33 | |
feeling like it's lost itself somewhere, | 0:22:33 | 0:22:37 | |
in all the heady Christmas festivities, you know? | 0:22:37 | 0:22:41 | |
-Everything shuts down. -Now that's an actress, did you see that? | 0:22:41 | 0:22:44 | |
LAUGHTER | 0:22:44 | 0:22:45 | |
That was beautifully done. | 0:22:45 | 0:22:48 | |
"Oh, the festivities..." | 0:22:48 | 0:22:51 | |
-But it's on at the Cottesloe at the National until 23 February. -Mm-hm. | 0:22:52 | 0:22:57 | |
Later this year, I hear a rumour that Rose might be making a return? | 0:22:57 | 0:23:02 | |
Because it's Doctor Who's 50th anniversary. | 0:23:02 | 0:23:04 | |
Yeah. No. | 0:23:04 | 0:23:05 | |
I'd heard that rumour, it is not true. | 0:23:07 | 0:23:10 | |
-Did you hear that rumour? -I did. | 0:23:10 | 0:23:12 | |
-Were you asked? -Um... No. | 0:23:12 | 0:23:15 | |
No, I wasn't asked, no. | 0:23:15 | 0:23:18 | |
I think Matt Smith may have said in passing, or in jest, you know, | 0:23:18 | 0:23:23 | |
it would be nice. I think maybe he said that | 0:23:23 | 0:23:26 | |
and then that kind of became something quite different. But no. | 0:23:26 | 0:23:29 | |
If there's a sour look at the end of the couch, it's because Frank | 0:23:29 | 0:23:32 | |
-will not be taking part in the Doctor Who 50th celebrations. -Why? | 0:23:32 | 0:23:36 | |
-Because, slightly pathetically... I love Doctor Who... -You do! | 0:23:36 | 0:23:40 | |
In fact, when I met Billie backstage, | 0:23:40 | 0:23:43 | |
we hugged and I felt myself just saying... | 0:23:43 | 0:23:46 | |
"Rose!" | 0:23:46 | 0:23:48 | |
-So I can only apologise! -I heard that! -Really?! Did I really say it? | 0:23:49 | 0:23:53 | |
-It was very loud! -I'm sorry. | 0:23:53 | 0:23:56 | |
-That's excitement. -It was more like this... "Rose!" | 0:23:56 | 0:23:59 | |
Oh, it was brilliant. | 0:23:59 | 0:24:01 | |
So I said to my manager, | 0:24:01 | 0:24:03 | |
"Do you think you could get me a part in Doctor Who?" | 0:24:03 | 0:24:07 | |
I don't mean like, a big part, I'll be a monster, I'll be a lunar rock... | 0:24:07 | 0:24:13 | |
But I really would love to be able to say to my grandchildren | 0:24:14 | 0:24:17 | |
I was in Doctor Who and he said, "I'm sure it won't be a problem." | 0:24:17 | 0:24:20 | |
So he got in touch and he got an e-mail back that said... | 0:24:20 | 0:24:23 | |
From one of the senior people, saying, "I'm really happy to hear | 0:24:23 | 0:24:26 | |
"that that's a thing that Frank would like to do." | 0:24:26 | 0:24:30 | |
LAUGHTER | 0:24:30 | 0:24:32 | |
Somehow, the end of the e-mail seems to have been cut off. | 0:24:34 | 0:24:37 | |
-So... No, they don't. -That's sad. -I would have done ANYTHING. -Well... | 0:24:39 | 0:24:45 | |
Maybe a producer will come to your school and say, "Hey..." | 0:24:45 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:50 | |
That COULD happen... | 0:24:50 | 0:24:52 | |
-Talking of stage, you met your lovely husband on stage. -I did. -Laurence. | 0:24:53 | 0:24:57 | |
-Laurence. -Were you playing lovers? | 0:24:57 | 0:25:00 | |
Yes, I dumped him every night on the show, which was really quite sad. | 0:25:00 | 0:25:04 | |
Yes. But we made it through. | 0:25:04 | 0:25:07 | |
Aw, and I think we've got a lovely picture of you and your husband... | 0:25:07 | 0:25:11 | |
-Aahhhh. -Where's the nice picture? There we go. | 0:25:11 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:16 | |
That was a good night! | 0:25:16 | 0:25:18 | |
That's how it started! | 0:25:20 | 0:25:22 | |
That's the poster for his play... | 0:25:22 | 0:25:25 | |
It's a perfect stance - look how smug he looks. | 0:25:25 | 0:25:28 | |
-He does look like, yeah... -Yes! It made such sense. | 0:25:28 | 0:25:35 | |
Let's stop looking at it, it's... We should stop! | 0:25:35 | 0:25:38 | |
If you ever dumped him, will you start by saying, | 0:25:38 | 0:25:41 | |
"Do you remember that time in that play...? | 0:25:41 | 0:25:44 | |
-"When I dumped you?" -Guess what?! | 0:25:44 | 0:25:47 | |
-You could use the same lines. -I know. I'd dig it out. | 0:25:48 | 0:25:52 | |
Just pass me the script. | 0:25:52 | 0:25:55 | |
I dumped someone once by text | 0:25:55 | 0:25:57 | |
-and I did it as if it was the end of a game show. -Oh, my God! | 0:25:57 | 0:26:02 | |
I won't say the name, but I sort of said, "So, | 0:26:02 | 0:26:05 | |
"what about a big hand for our contestant, and she goes away with..." | 0:26:05 | 0:26:09 | |
And I listed all the gifts I'd bought her during our... | 0:26:09 | 0:26:12 | |
GROANS | 0:26:12 | 0:26:15 | |
Applause?! | 0:26:15 | 0:26:18 | |
-That's an awful confession! -It's sort of impressive! | 0:26:21 | 0:26:24 | |
That sounded like very male applause. | 0:26:24 | 0:26:26 | |
Women going... Men going... "Excellent!" | 0:26:26 | 0:26:30 | |
Well done, Frank. | 0:26:30 | 0:26:32 | |
Now, Room 101 is back on our televisions. | 0:26:32 | 0:26:34 | |
-This is your second series as host. -Yes. -It started earlier tonight... | 0:26:34 | 0:26:39 | |
-Yes. -Recently, I heard you talking about something... Is it box sets? | 0:26:39 | 0:26:45 | |
Would you put them into Room 101? | 0:26:45 | 0:26:47 | |
Well, I have a problem with people... | 0:26:47 | 0:26:50 | |
What happened, I was having a conversation with | 0:26:50 | 0:26:52 | |
a couple of friends and they were saying, "Have you seen Homeland?" | 0:26:52 | 0:26:56 | |
"Oh, this week's episode of Homeland is absolutely knockout." | 0:26:56 | 0:27:00 | |
"And I said, I've really got into Merlin just lately..." | 0:27:00 | 0:27:03 | |
LAUGHTER | 0:27:03 | 0:27:05 | |
And that was the response I got. I thought, "Why is that not cool, | 0:27:05 | 0:27:11 | |
"and Homeland is so super cool?" | 0:27:11 | 0:27:13 | |
No disrespect, but it's because it's American. | 0:27:13 | 0:27:16 | |
So I do get annoyed, you say something and people say, | 0:27:16 | 0:27:20 | |
-"It's like that episode of Seinfeld isn't it, where...?" -Yeah, that is annoying. | 0:27:20 | 0:27:24 | |
No, it isn't like that. | 0:27:24 | 0:27:25 | |
It's like that episode of Merlin... LAUGHTER | 0:27:26 | 0:27:30 | |
..when Morgana corrupted Guinevere. | 0:27:30 | 0:27:33 | |
LAUGHTER | 0:27:33 | 0:27:35 | |
-You haven't done Room 101, have you? -I haven't, no. | 0:27:35 | 0:27:38 | |
-What would be top of your list? -Oh, gosh. | 0:27:38 | 0:27:41 | |
Chat show hosts who bring up your music? | 0:27:41 | 0:27:43 | |
Yes! Or who make me sing my music. | 0:27:43 | 0:27:46 | |
-I didn't do that. -That is nice. | 0:27:46 | 0:27:49 | |
Gosh, I don't know... All forms of sentimentality. | 0:27:49 | 0:27:52 | |
Wow, whoah! | 0:27:52 | 0:27:55 | |
-That's quite a big one. -That's deep. -It's a bit deep? | 0:27:55 | 0:27:58 | |
-You mean schmaltzyness? -Yes. | 0:27:58 | 0:28:00 | |
-You can be sentimental, can't you? -Kind of. -Whoah. | 0:28:00 | 0:28:03 | |
Within reason. | 0:28:03 | 0:28:05 | |
I've noticed that about myself recently. I've just no time for it. | 0:28:05 | 0:28:09 | |
-Really? -Yes. Or less and less time for it. | 0:28:09 | 0:28:12 | |
But schmaltz, let's go with that. | 0:28:12 | 0:28:14 | |
-Yeah. -Small talk. -Is that the same thing as schmaltz? | 0:28:14 | 0:28:18 | |
Just because it sounds a bit like it, don't go... | 0:28:20 | 0:28:23 | |
That isn't German for "small talk". | 0:28:23 | 0:28:25 | |
People put many strange things in. | 0:28:27 | 0:28:30 | |
I mean, Janet Street-Porter put in Extreme Fishing With Robson Green. | 0:28:30 | 0:28:36 | |
Which is a satellite TV show. | 0:28:38 | 0:28:41 | |
Greg Davies put in shops that have escalators going up | 0:28:41 | 0:28:45 | |
but only stairs going down. | 0:28:45 | 0:28:46 | |
That is a cheat, isn't it? | 0:28:48 | 0:28:50 | |
Jack Whitehall had shared tables in restaurants. | 0:28:50 | 0:28:54 | |
I'm so with him. | 0:28:54 | 0:28:55 | |
-I HATE that! -I love it. -That's big here now. | 0:28:55 | 0:28:58 | |
Every restaurant I go to, is a giant community table. | 0:28:58 | 0:29:02 | |
All that crap, "Have you eaten here before? It's a sharing experience." | 0:29:02 | 0:29:05 | |
Oh, piss off! I want MY dinner! | 0:29:05 | 0:29:08 | |
MY dinner, that I will eat all myself. | 0:29:08 | 0:29:12 | |
My girlfriend texts me when we're at a shared table, | 0:29:12 | 0:29:16 | |
so I get a text, I think... | 0:29:16 | 0:29:17 | |
And it's from her, it says something like, | 0:29:17 | 0:29:19 | |
"fattest neck in the world?" and I go... | 0:29:19 | 0:29:23 | |
LAUGHTER | 0:29:23 | 0:29:26 | |
Really naughty. | 0:29:27 | 0:29:29 | |
And they think, look at that tragic couple, texting. | 0:29:29 | 0:29:32 | |
Lovely night out, in fact, we are ripping the piss. | 0:29:32 | 0:29:35 | |
-Because you've been on Room 101. -I've been on Room 101. | 0:29:37 | 0:29:39 | |
-What did you put in? -I put in people who put their pets in funny clothing, I think. | 0:29:39 | 0:29:45 | |
-I hate that. -That is awful. There is nothing funny about it. | 0:29:45 | 0:29:49 | |
I mean, for instance, there's nothing funny about that. | 0:29:49 | 0:29:52 | |
LAUGHTER | 0:29:52 | 0:29:54 | |
-I mean, no-one... -I take it all back. | 0:29:57 | 0:30:01 | |
No-one would laugh at this little creature... | 0:30:01 | 0:30:03 | |
out shopping for shoes. | 0:30:03 | 0:30:05 | |
LAUGHTER | 0:30:05 | 0:30:06 | |
Sarah Jessica Parker, in case you're thinking... | 0:30:08 | 0:30:11 | |
Do we have another one? | 0:30:11 | 0:30:13 | |
Oh, look at that... | 0:30:13 | 0:30:16 | |
-Awww, fabulous. -He might go fishing later. Bring the car round. | 0:30:17 | 0:30:21 | |
Oh, this next one is extraordinary. | 0:30:23 | 0:30:25 | |
It looks like an aardvark leaving a nightclub in LA. | 0:30:25 | 0:30:28 | |
LAUGHTER | 0:30:28 | 0:30:30 | |
No pictures! She's just a friend! | 0:30:30 | 0:30:34 | |
What kind of animal is that? | 0:30:34 | 0:30:35 | |
-It's an aardvark! -It IS an aardvark! | 0:30:35 | 0:30:38 | |
What's the dog photo-bombing in the back? | 0:30:38 | 0:30:41 | |
This is mean, but someone on the show said it looks like | 0:30:43 | 0:30:46 | |
James Arthur who won the X Factor. | 0:30:46 | 0:30:49 | |
ALL: Oh! | 0:30:49 | 0:30:50 | |
-But it kind of... -It does! It really does. | 0:30:52 | 0:30:55 | |
I THINK I might have seen him in that jacket. | 0:30:55 | 0:30:58 | |
That's in Manchester, after the final. You put this in Room 101? | 0:30:58 | 0:31:03 | |
You would have denied us this pleasure! | 0:31:03 | 0:31:05 | |
-Can I say, I didn't allow it in. -Excellent! -It didn't go in. | 0:31:05 | 0:31:09 | |
-I defended it. -Is there another one? | 0:31:09 | 0:31:12 | |
Oh, look at that! | 0:31:12 | 0:31:14 | |
LAUGHTER | 0:31:14 | 0:31:15 | |
-Oh, my God - that is... -That's wrong on so many levels... | 0:31:15 | 0:31:19 | |
That dog just got a part in Doctor Who, actually. | 0:31:22 | 0:31:24 | |
It's the new companion. Well done, all the dressed-up animals. | 0:31:24 | 0:31:29 | |
Very good. | 0:31:29 | 0:31:30 | |
I was wrong, I admit I was wrong. I was wrong. | 0:31:30 | 0:31:33 | |
Room 101 is on Fridays at 8.30 and here is a taste of next week's show. | 0:31:34 | 0:31:39 | |
Has anybody tried to break into a toothbrush lately? | 0:31:39 | 0:31:42 | |
LAUGHTER AND APPLAUSE | 0:31:42 | 0:31:45 | |
You're in the bathroom, you think "Ah! | 0:31:48 | 0:31:50 | |
"I will restore my dentures to their pristine glory... | 0:31:50 | 0:31:54 | |
"I have a new toothbrush here..." | 0:31:55 | 0:31:57 | |
Apparently, Terry, I'm told that the way to get into a toothbrush | 0:31:59 | 0:32:05 | |
is with a tin opener. | 0:32:05 | 0:32:06 | |
That a tin opener runs down the natural groove round the side | 0:32:06 | 0:32:09 | |
and then it comes out quite neatly. | 0:32:09 | 0:32:11 | |
-So, erm... -You turned out to be a bit of a smart aleck, didn't you? | 0:32:11 | 0:32:14 | |
Yeah, I haven't tried it yet. I've got a tin opener. | 0:32:14 | 0:32:17 | |
A pretty sophisticated tin opener. | 0:32:17 | 0:32:19 | |
If I can get the packaging off! | 0:32:19 | 0:32:21 | |
LAUGHTER | 0:32:21 | 0:32:23 | |
APPLAUSE AND CHEERING | 0:32:23 | 0:32:27 | |
I have scissors. | 0:32:27 | 0:32:28 | |
Anyway, apparently that works. | 0:32:32 | 0:32:35 | |
-APPLAUSE AND CHEERING -Very good. | 0:32:35 | 0:32:38 | |
Before we hear the first stories of the year in the famous red chair, | 0:32:40 | 0:32:43 | |
it is time for music. | 0:32:43 | 0:32:45 | |
Performing Perfect Replacement, ladies and gentlemen, | 0:32:45 | 0:32:47 | |
please welcome Example! | 0:32:47 | 0:32:50 | |
APPLAUSE AND CHEERING | 0:32:50 | 0:32:53 | |
# I've told too many girls that I love 'em | 0:32:59 | 0:33:03 | |
# I've told too many girls they're the one | 0:33:03 | 0:33:07 | |
# So why am I sittin' here all alone? | 0:33:07 | 0:33:10 | |
# How do you measure fun? | 0:33:10 | 0:33:13 | |
# I've called lost property | 0:33:13 | 0:33:16 | |
# Too many times | 0:33:16 | 0:33:18 | |
# And I can't live properly A piece of me died | 0:33:18 | 0:33:21 | |
# I wasn't aware the Mona Lisa cried | 0:33:21 | 0:33:25 | |
# Maybe I'll remember my decent side | 0:33:25 | 0:33:29 | |
# Washed the kisses off my neck | 0:33:29 | 0:33:30 | |
# Locked my past in the basement | 0:33:30 | 0:33:34 | |
# I need to find your perfect replacement | 0:33:34 | 0:33:37 | |
APPLAUSE AND CHEERING | 0:33:37 | 0:33:39 | |
Everybody, let's go! | 0:33:42 | 0:33:44 | |
Ya, ya, ya! | 0:33:50 | 0:33:51 | |
Let's start, we tore them apart | 0:33:51 | 0:33:53 | |
Had a lot of heart from a heartless ... | 0:33:53 | 0:33:55 | |
So sad, sad it ain't lasted | 0:33:55 | 0:33:57 | |
Scream like you mean if you wanna go faster | 0:33:57 | 0:33:59 | |
Cos I never slow down | 0:33:59 | 0:34:00 | |
Tears of a clown like this are Motown | 0:34:00 | 0:34:02 | |
Find what he needs in his heart So it means that | 0:34:02 | 0:34:04 | |
You'll never take a ride on his merry-go-round... | 0:34:04 | 0:34:07 | |
# Never know what we may find | 0:34:07 | 0:34:10 | |
# Find on the other side | 0:34:10 | 0:34:13 | |
# Never know what we may find | 0:34:13 | 0:34:17 | |
# I've called lost property | 0:34:19 | 0:34:21 | |
# Too many times And I can't live properly | 0:34:23 | 0:34:26 | |
# A piece of me died | 0:34:26 | 0:34:28 | |
# I wasn't aware the Mona Lisa cried | 0:34:28 | 0:34:32 | |
# Maybe I'll remember my decent side | 0:34:32 | 0:34:35 | |
# Wash the kisses of my neck | 0:34:35 | 0:34:37 | |
# Locked my past in a basement | 0:34:37 | 0:34:40 | |
# I found your perfect replacement | 0:34:40 | 0:34:44 | |
# Hope you remember my love | 0:34:58 | 0:35:00 | |
# Remember my name | 0:35:00 | 0:35:02 | |
# The message in the post I hope you get it one day | 0:35:02 | 0:35:06 | |
# Lock my past in a basement | 0:35:07 | 0:35:10 | |
# I found your perfect replace... | 0:35:10 | 0:35:13 | |
# I found something Never need your nothin' again | 0:35:13 | 0:35:17 | |
# I found something Never need your nothin' | 0:35:17 | 0:35:19 | |
# I found something Never need your nothin' again | 0:35:19 | 0:35:24 | |
# I found something Never need your nothin' again | 0:35:24 | 0:35:28 | |
# Who's laughin' now? | 0:35:28 | 0:35:33 | |
# I found your perfect replacement | 0:35:33 | 0:35:35 | |
# Locked my past in a basement | 0:35:43 | 0:35:47 | |
# I found your perfect replacement. # | 0:35:47 | 0:35:50 | |
Thank you. | 0:35:50 | 0:35:52 | |
APPLAUSE AND CHEERING | 0:35:52 | 0:35:55 | |
Ladies and gentlemen, Example! | 0:35:56 | 0:35:58 | |
Come on over here. | 0:35:58 | 0:36:00 | |
What a great job. That was fantastic. Have a seat there. | 0:36:00 | 0:36:05 | |
Frank, Example. Billie, Example. | 0:36:06 | 0:36:10 | |
Josh, Example. Example, Josh. | 0:36:10 | 0:36:14 | |
And have you guys met in the music world? | 0:36:14 | 0:36:17 | |
No, we've haven't. Absolutely not. | 0:36:17 | 0:36:18 | |
-This is where music worlds collide. -Cross-pollination. | 0:36:18 | 0:36:22 | |
-Yeah! -Yes. -But you do, like, Coachella and stuff. -Yeah. | 0:36:22 | 0:36:25 | |
-You'd play Coachella, wouldn't you? -I would if they asked me, yeah. | 0:36:25 | 0:36:29 | |
It's a bit like Doctor Who all over again, isn't it? | 0:36:29 | 0:36:31 | |
I'd love to play Coachella! | 0:36:31 | 0:36:34 | |
That is off the album which is out now, The Evolution Of Man. | 0:36:34 | 0:36:38 | |
And that single going to be coming out on the 25th of February. | 0:36:38 | 0:36:41 | |
-Yeah, but you can get it now. -Oh, can you already get it? | 0:36:41 | 0:36:43 | |
-You can all get it... -So modern now, it's so modern. | 0:36:43 | 0:36:46 | |
-The kids'll know how to find it. -Yeah, exactly. | 0:36:46 | 0:36:49 | |
They won't be waiting outside HMV. "I wonder when it'll be delivered!" | 0:36:49 | 0:36:54 | |
I was trying not to enjoy it too much | 0:36:54 | 0:36:56 | |
because the last thing you want is a shot | 0:36:56 | 0:36:59 | |
cut away to an old guy going... | 0:36:59 | 0:37:01 | |
-You're never too old, you're never too old. -And yet... | 0:37:01 | 0:37:05 | |
I just didn't want to spoil it for you. | 0:37:05 | 0:37:07 | |
-We get people in their 50s or 60s down at the gigs. -Really? | 0:37:07 | 0:37:09 | |
Not many, but there's a few. | 0:37:09 | 0:37:11 | |
-Very exciting, because you've got engaged since I last saw you. -Yeah. | 0:37:12 | 0:37:16 | |
-Congratulations. -Thank you. APPLAUSE AND CHEERING | 0:37:16 | 0:37:19 | |
There is the beautiful... | 0:37:23 | 0:37:24 | |
I was going to say the lucky lady, but, really, you're the lucky man. | 0:37:24 | 0:37:27 | |
I'm definitely punching well above my weight. | 0:37:27 | 0:37:30 | |
She is g-or-geous. Now, was she a former Miss Australia? | 0:37:30 | 0:37:34 | |
Yeah, she won Miss Australia | 0:37:34 | 0:37:35 | |
and then I was touring Australia last year in October | 0:37:35 | 0:37:38 | |
and she was interviewing me for a TV show | 0:37:38 | 0:37:40 | |
and we just flirted the whole way through the TV show. | 0:37:40 | 0:37:42 | |
Cos I usually, if I meet an attractive girl, | 0:37:42 | 0:37:44 | |
when I was single, I was like, "What's she with me for?" | 0:37:44 | 0:37:46 | |
Because I'm funny-looking. | 0:37:46 | 0:37:49 | |
-You look great! -Thank you. | 0:37:49 | 0:37:52 | |
But when they're famous as well, you just think, | 0:37:52 | 0:37:54 | |
"she's not with me for money or fame, | 0:37:54 | 0:37:56 | |
"so she must genuinely like my funny face." | 0:37:56 | 0:37:59 | |
So as soon as I started going out with her I was like, | 0:37:59 | 0:38:01 | |
"Right, I'm going to snap this one up and get a ring on this asap." | 0:38:01 | 0:38:05 | |
And what's going to happen, is she going to move here? | 0:38:05 | 0:38:08 | |
She's living here at the moment, | 0:38:08 | 0:38:10 | |
but she's actually in Brisbane planning the wedding. | 0:38:10 | 0:38:12 | |
For next May in Australia. | 0:38:12 | 0:38:13 | |
-Cos my parents live in Australia, so... -Oh, great. -Oh, it's perfect. | 0:38:13 | 0:38:17 | |
Ideally, I wanted an Australian wife and Miss Australia was a bonus, so... | 0:38:17 | 0:38:21 | |
-LAUGHTER -That is mad! "I wanted an Australian wife." | 0:38:21 | 0:38:25 | |
She's Miss Australia, actually. | 0:38:25 | 0:38:27 | |
So when you marry Miss Australia, you don't marry the series, | 0:38:28 | 0:38:31 | |
you just marry one person? | 0:38:31 | 0:38:33 | |
-You just marry a title. -You just get one who comes every year. | 0:38:35 | 0:38:37 | |
-How marvellous. -Oh. -She's the best of the recent winners, actually. | 0:38:37 | 0:38:42 | |
-Oh, I'm sure. -I've seen 'em all. | 0:38:42 | 0:38:44 | |
-GRAHAM LAUGHS -Had a test-drive? | 0:38:44 | 0:38:48 | |
-Better be careful now. -Yeah, stop it now. | 0:38:48 | 0:38:50 | |
But also, how exciting that she was interviewing you | 0:38:50 | 0:38:53 | |
and then it led to marriage. | 0:38:53 | 0:38:54 | |
-Yeah, it's amazing. -Josh... | 0:38:54 | 0:38:56 | |
LAUGHTER | 0:38:56 | 0:38:59 | |
We both reached for the switch together, awkwardly. Oh, oh! | 0:39:01 | 0:39:04 | |
Did you feel that, did you feel that? | 0:39:04 | 0:39:07 | |
Right, before we go tonight, | 0:39:09 | 0:39:11 | |
just time for our first visit of 2013 to the red chair. | 0:39:11 | 0:39:14 | |
-So who's up first? Hello! -Hello! -Hi! | 0:39:14 | 0:39:17 | |
That's a Christmas jumper if ever I saw one. Lovely. | 0:39:20 | 0:39:24 | |
-What's your name, sir? -I'm Adam. -Adam. Lovely. | 0:39:24 | 0:39:27 | |
-Where are you from, Adam? -I'm from London! | 0:39:27 | 0:39:29 | |
CHEERING | 0:39:29 | 0:39:31 | |
-Are you going, "Aah", Billie? -No, "Yay!" | 0:39:31 | 0:39:34 | |
-Oh, yay! I thought you were just going, "Awww." -Oh, I did first time. | 0:39:34 | 0:39:38 | |
-He's lovely. -Aw, sweet Adam from London. What do you do, Adam? | 0:39:38 | 0:39:41 | |
Erm, I'm between things at the moment. | 0:39:41 | 0:39:43 | |
LAUGHTER | 0:39:43 | 0:39:46 | |
So, Adam, I won't keep you, I know you're very busy. | 0:39:49 | 0:39:54 | |
So, off you go with your story. | 0:39:54 | 0:39:57 | |
OK, when I was in my late teens, I decided to take my first... | 0:39:57 | 0:40:01 | |
Can I just... How old are you now?! | 0:40:01 | 0:40:03 | |
LAUGHTER | 0:40:03 | 0:40:05 | |
-I'm 24. -Oh, he's 24. It was years ago. OK. | 0:40:05 | 0:40:07 | |
When I was in my late teens I decided to take my first love to Paris | 0:40:07 | 0:40:11 | |
and I decided on Valentine's Day, like, three days before it. | 0:40:11 | 0:40:14 | |
So I really had to rush plans, | 0:40:14 | 0:40:16 | |
and I got her sister to hide her passport and get it for me | 0:40:16 | 0:40:19 | |
and she had no clue. | 0:40:19 | 0:40:20 | |
Anyway, I invited her round | 0:40:20 | 0:40:21 | |
and I gave her a little box with a key ring with the Eiffel Tower in it. | 0:40:21 | 0:40:24 | |
She opened it and I said, "You'll be standing on that tomorrow." | 0:40:24 | 0:40:27 | |
I thought, "Yeah!" You know... But what she didn't know... | 0:40:27 | 0:40:30 | |
LAUGHTER | 0:40:30 | 0:40:32 | |
What she didn't know is that we had to go on an overnight coach | 0:40:32 | 0:40:34 | |
straightaway to Paris. | 0:40:34 | 0:40:37 | |
And because I was young | 0:40:37 | 0:40:38 | |
and didn't quite understand the concept of romance, | 0:40:38 | 0:40:41 | |
I didn't book any sort of meal or restaurant or anything like that. | 0:40:41 | 0:40:45 | |
Instead, I rushed her around to all my favourite tourist attractions | 0:40:45 | 0:40:48 | |
and I even made her walk up and down the Eiffel Tower | 0:40:48 | 0:40:51 | |
because I just thought it would be more fun. | 0:40:51 | 0:40:53 | |
And at the end of the night when she was absolutely exhausted | 0:40:53 | 0:40:56 | |
and had ran everywhere and she's expecting to go a hotel, | 0:40:56 | 0:41:00 | |
nah, it was an overnight coach back to London. | 0:41:00 | 0:41:02 | |
LAUGHTER | 0:41:02 | 0:41:06 | |
What an idiot. | 0:41:06 | 0:41:08 | |
OK, don't be treating Miss Australia like that. | 0:41:12 | 0:41:14 | |
-Miss Australia, she will not stand for that. -I liked him. | 0:41:14 | 0:41:17 | |
You know those dogs that you get in the back of your car? | 0:41:17 | 0:41:21 | |
He did a lot of that. | 0:41:24 | 0:41:26 | |
Really, honestly, I was looking in my rear-view mirror for most... | 0:41:26 | 0:41:30 | |
-One more, one more? -Yep. -OK, here we go. Hello! | 0:41:30 | 0:41:33 | |
AUDIENCE MEMBER CHEERS | 0:41:33 | 0:41:34 | |
-Hiya! -He's very popular already. | 0:41:34 | 0:41:37 | |
Can I have a Milkybar? | 0:41:37 | 0:41:38 | |
I also get called Sid the Sloth, just between you and I. | 0:41:40 | 0:41:43 | |
Aw, there's a whiff of Hogwarts as well. | 0:41:43 | 0:41:46 | |
What's your name, sir? | 0:41:46 | 0:41:48 | |
-I'm Richard. -Richard? -Yes. | 0:41:48 | 0:41:50 | |
-And where are you from, Richard? -Brisbane as well. | 0:41:50 | 0:41:53 | |
-Oh. Australia? -Yeah. | 0:41:53 | 0:41:55 | |
Do you know Example? | 0:41:55 | 0:41:57 | |
-We go way back. -No, DO you know Example? -No, I don't. | 0:41:58 | 0:42:02 | |
-Do you know Miss Australia? -Yeah, why not? | 0:42:02 | 0:42:05 | |
-But do you live here now, Richard? -I wish I did. | 0:42:08 | 0:42:11 | |
I used to, so I'm just here back visiting my old flatmates... | 0:42:11 | 0:42:14 | |
Oh, that's really interesting(!) | 0:42:14 | 0:42:15 | |
Right, right, right. | 0:42:18 | 0:42:20 | |
Here we go. Richard from Brisbane is about to tell us | 0:42:20 | 0:42:23 | |
either the funniest or most interesting thing | 0:42:23 | 0:42:25 | |
that has ever happened in his entire life. | 0:42:25 | 0:42:29 | |
I have high hopes. | 0:42:29 | 0:42:30 | |
I used to be a travel agent about four years ago | 0:42:30 | 0:42:34 | |
and I had an 80-year-old Italian gentleman come into the store, | 0:42:34 | 0:42:38 | |
asking to go to Roma. | 0:42:38 | 0:42:39 | |
Now, as opposed to any other human aside from myself, | 0:42:39 | 0:42:42 | |
you would assume Rome in Italy. | 0:42:42 | 0:42:44 | |
Now, for those of you who aren't aware of the geography of Australia, | 0:42:44 | 0:42:48 | |
there's a town about 1,000 miles away from Brisbane called Roma. | 0:42:48 | 0:42:52 | |
No! No! | 0:42:52 | 0:42:56 | |
Yep. So... | 0:42:56 | 0:42:58 | |
Giovanni, shall we call him, rocks up to the airport in his A-frame, | 0:42:58 | 0:43:03 | |
gets in his little propeller plane to Roma. | 0:43:03 | 0:43:06 | |
Subsequently get a phone call that afternoon, | 0:43:06 | 0:43:09 | |
very angry, and very broken English. | 0:43:09 | 0:43:11 | |
HE LAUGHS | 0:43:11 | 0:43:13 | |
LAUGHTER | 0:43:13 | 0:43:17 | |
Has he not heard this before? | 0:43:21 | 0:43:24 | |
-Is that the end of this story? -Yeah. | 0:43:24 | 0:43:27 | |
Yeah, OK. And well done, Richard! | 0:43:27 | 0:43:30 | |
Hope you've enjoyed the show. | 0:43:30 | 0:43:32 | |
You can contact us via our website at this very address. | 0:43:32 | 0:43:36 | |
Thank you to my lovely guests tonight. | 0:43:36 | 0:43:38 | |
-Example, everybody! -CHEERING AND APPLAUSE | 0:43:38 | 0:43:40 | |
Frank Skinner. | 0:43:40 | 0:43:41 | |
Billie Piper. | 0:43:41 | 0:43:43 | |
And Mr Josh Groban! | 0:43:43 | 0:43:47 | |
Join me next week | 0:43:48 | 0:43:49 | |
when my guests will include the coolest movie director in the world. | 0:43:49 | 0:43:52 | |
Quentin Tarantino will be here. | 0:43:52 | 0:43:54 | |
I'll see you then. Goodbye, everybody. Bye-bye! | 0:43:54 | 0:43:56 | |
Subtitles by Red Bee Media Ltd | 0:44:06 | 0:44:09 |