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This programme contains some strong language. | :00:06. | :00:12. | |
We have one of Hollywood's most famous directors. | :00:12. | :00:18. | |
He will be here any second. I better get a move on. Giddy up, | :00:18. | :00:25. | |
Lightning, go! CRACK REINS | :00:25. | :00:35. | |
:00:35. | :00:45. | ||
CHEERING AND APPLAUSE Oh! Oh! | :00:45. | :00:52. | |
Welcome, one, welcome, all. Good evening. Oh! Let me tell you, | :00:52. | :00:57. | |
ladies and gentlemen, we have got a great show for you tonight. Writer | :00:57. | :01:02. | |
and director extraordinaire, Quentin Tarantino is here. | :01:02. | :01:08. | |
CHEERING AND APPLAUSE Yes, he is. Top Scottish actor, James McAvoy is | :01:08. | :01:10. | |
on the show. CHEERING AND APPLAUSE Hilarious | :01:10. | :01:14. | |
comic, Alan Davies is here. CHEERING AND APPLAUSE Plus we will | :01:15. | :01:19. | |
be having music and a chat with the wonderful Emeli Sande. | :01:19. | :01:29. | |
:01:29. | :01:31. | ||
CHEERING AND APPLAUSE I know! Good, isn't it? It's good. So excited to | :01:31. | :01:36. | |
welcome Quentin Tarantino on to the show. He's either won an award or | :01:36. | :01:43. | |
his car has been crushed! LAUGHTER Here is his new film. It is Django | :01:43. | :01:49. | |
Unchained. Yes, the "D" is silent. Rather like the "N" in Tory cuts! | :01:49. | :01:58. | |
LAUGHTER Think about it. It cooks slowly. Filtering through their | :01:58. | :02:02. | |
brains. Tarantino's first big film was Reservoir Dogs. It features | :02:02. | :02:05. | |
that scene where one of the gangsters is tied to a chair and | :02:05. | :02:10. | |
has their ear cut off. He is tied to a chair. Who would volunteer to | :02:10. | :02:18. | |
have their ears cut off?! LAUGHTER Me, please! Then I'll see Viva | :02:18. | :02:23. | |
Forever! LAUGHTER He is such a hot director right now. The studios are | :02:23. | :02:28. | |
offering him new projects. There is talk of him putting his own spin on | :02:28. | :02:33. | |
a few classics - The Sound of Music. Yes. LAUGHTER Miss Marple. And | :02:33. | :02:43. | |
:02:43. | :02:46. | ||
everyone's favourite, The Snowman! LAUGHTER Let's get the guests on! | :02:46. | :02:53. | |
Emeli Sande. APPLAUSE First, prepare to LOL, the man from QI, | :02:53. | :02:59. | |
Alan Davies. There he is. APPLAUSE Oh! Hello, Sir. Hello, Graham. | :02:59. | :03:07. | |
a seat. He is my favourite actor, it is James McAvoy, everybody. | :03:07. | :03:14. | |
APPLAUSE Oh! Hello, Sir. Lovely to see you. Have a seat. He's the red- | :03:14. | :03:21. | |
hot director, the King of Cool, it is Quentin Tarantino! APPLAUSE Oh! | :03:21. | :03:31. | |
:03:31. | :03:32. | ||
Oh! Have a seat. Welcome, all. Welcome, all. Now, I have to say, I | :03:32. | :03:37. | |
don't want to be rude, but is it fair to say geeky, is it a geeky | :03:37. | :03:46. | |
couch? LAUGHTER You are famous for - you have a great knowledge? | :03:46. | :03:51. | |
afficionado couch! Are you like the American Stephen Fry?! James, are | :03:51. | :03:56. | |
you geeky about film, or about other things? I'm geeky about some | :03:56. | :04:02. | |
things and I'm geeky about Star Trek. I'm geeky about, not all | :04:02. | :04:06. | |
motorbikes, but my one rubbish motorbike. Alan, you have sat | :04:06. | :04:12. | |
through how many episodes of QI? 150. Are you an encyclopaedia? | :04:12. | :04:16. | |
goes in one ear and out the other. I have no retention whatsoever. | :04:16. | :04:20. | |
you not remember any of it? No. The only thing I remember is there is | :04:20. | :04:30. | |
:04:30. | :04:33. | ||
more than one moon. LAUGHTER remember that because Rich Hall was | :04:33. | :04:40. | |
on the show and he said, "There's only one moon." That is quite | :04:40. | :04:45. | |
interesting. It is. The only thing I can remember is not everyone's | :04:45. | :04:55. | |
:04:55. | :04:58. | ||
Peacock stinks after asparagus. Whose doesn't here? Mine does! | :04:58. | :05:05. | |
could do a show of hands. Whose wee doesn't smell after asparagus? But | :05:05. | :05:11. | |
it can change. No?! My Peacock didn't used to but now - the thing | :05:11. | :05:21. | |
:05:21. | :05:28. | ||
is it -- my pee didn't used to but now - the thing is... You know what | :05:28. | :05:34. | |
they say about eating pineapple? Does that work? With What do they | :05:34. | :05:43. | |
say? I love you are going to tell them! If you eat pineapple, you... | :05:43. | :05:53. | |
:05:53. | :05:53. | ||
Don't shi tirks it out whole! shit it out whole! APPLAUSE If you | :05:53. | :05:58. | |
eat pineapple, it affects the taste of your sperm. For the better? | :05:58. | :06:05. | |
yes. We could try it right now. Here's a pineapple! Any volunteers? | :06:05. | :06:15. | |
:06:15. | :06:17. | ||
We will be here for an hour! LAUGHTER If there is job in it, I | :06:17. | :06:21. | |
will do anything. You have to plan ahead. You have to cut the | :06:21. | :06:28. | |
pineapple, peel it, and maybe no- one is interested. You are going on | :06:28. | :06:33. | |
a date, you have high hopes! window of opportunity. How long | :06:33. | :06:42. | |
does it taste nice for? Is there an optimum moment? It's 10.30pm, I | :06:42. | :06:48. | |
taste fantastic NOW! I do buy pineapple - I won't be able to buy | :06:48. | :06:54. | |
it any more! They will go, "I know about you!" LAUGHTER Listen, we | :06:54. | :07:00. | |
have got to talk - Quentin Tarantino, your current movie is on | :07:00. | :07:06. | |
course to be the most commercially successful one so far? It might be | :07:06. | :07:11. | |
yes. Django Unchained, I have seen it. I loved it. It is a proper | :07:11. | :07:15. | |
Quentin Tarantino film. We get to see it on the 18th January. It is | :07:15. | :07:20. | |
almost like a legend, a fable told through a western? Yes, it has a | :07:21. | :07:25. | |
folklore kind of quality. It is about an ex-slave who is given his | :07:25. | :07:34. | |
freedom and he becomes a bounty hunter. It is during slavery and he | :07:34. | :07:40. | |
is an ex-slave who becomes a bounty hunter. His job is to kill white | :07:40. | :07:44. | |
men and get the bountys for criminals who are hiding -- | :07:44. | :07:50. | |
bounties for criminals who are hiding out who have bounties on | :07:50. | :08:00. | |
:08:00. | :08:00. | ||
their head. We have a clip. This is Jamie Foxx as Django meeting | :08:01. | :08:04. | |
Christopher Waltz, the bounty hunter. His life is about to change. | :08:05. | :08:14. | |
:08:15. | :08:16. | ||
This is my horse. What kind of doctor? Dentist. Did you purchase | :08:16. | :08:24. | |
those men at the slave auction? Speak English! Please forgive me. | :08:24. | :08:28. | |
Amongst your inventory I have been led to believe is a specimen I'm | :08:28. | :08:34. | |
keen to acquire. Hello, you poor devils. Is there one amongst you | :08:34. | :08:44. | |
:08:44. | :08:57. | ||
who was a resident of the plantation? I am. Who said that? | :08:57. | :09:07. | |
:09:07. | :09:11. | ||
What is your name? Django. You are the one I'm looking for. APPLAUSE | :09:11. | :09:20. | |
Thank you. Thank you. Thank you. always, a stellar cast, Samuel | :09:20. | :09:27. | |
Jackson. Does anyone turn you down? Every once in a while it happens. A | :09:27. | :09:32. | |
weird - one of the things was in the case of Pulp Fiction, I had | :09:32. | :09:41. | |
worked with Michael on Reservoir Dogs. I thought he was terrific. I | :09:41. | :09:47. | |
wrote the character that John Travolta played for him. I write | :09:47. | :09:51. | |
the whole script. I'm working on it for seven months. He knows it is | :09:51. | :09:56. | |
coming. He knows I'm writing it. He is like, "Oh yes, I can't wait to | :09:56. | :10:03. | |
do it, it will be great." LAUGHTER Two weeks before I finish the | :10:03. | :10:13. | |
:10:13. | :10:13. | ||
script, he takes the job on Wyatt Earp and he can't do it. That | :10:13. | :10:20. | |
explains the black mamba in Kill Bill 2. Did you have to fight to | :10:20. | :10:28. | |
get John Travolta in it? No-one wanted him. The film he did before | :10:28. | :10:37. | |
Pulp Fiction was Look Who's Talking 3. That's a great film(!) It's a | :10:37. | :10:42. | |
trilogy! It is like Back To The Future! You are a young director, | :10:42. | :10:49. | |
you have John Travolta and you are teaching him how to dance. I didn't | :10:49. | :10:54. | |
have to teach him how to dance. Could you dance like that now? | :10:54. | :11:04. | |
:11:04. | :11:04. | ||
wanted him to dance a particular way. I'll do it! APPLAUSE Let me | :11:04. | :11:14. | |
:11:14. | :11:14. | ||
set it up. Twists can be boring. I wanted Vincent and Mia to have two | :11:14. | :11:21. | |
different characters when they twist. When Vince twists, I wanted | :11:21. | :11:30. | |
him to be rigid. APPLAUSE Like that. That's good. Thank you, thank you. | :11:30. | :11:40. | |
:11:40. | :11:40. | ||
When Mia twists, the image that I had in my mind was cat from the | :11:40. | :11:48. | |
Aristocats. There is that one sing where she dances and she is like... | :11:48. | :11:58. | |
:11:58. | :11:58. | ||
LAUGHTER Just before we move off Pulp Fiction, have you seen the | :11:58. | :12:08. | |
:12:08. | :12:15. | ||
Pulp Fiction... You mean the Stephen King novel ...? That's | :12:15. | :12:22. | |
Carrie! It is a bit of Ireland. It is a remote bit of Ireland. These | :12:22. | :12:27. | |
students take a little clip from Pulp Fiction and they have dubbed | :12:27. | :12:37. | |
:12:37. | :12:40. | ||
it over so well with quite broad accents. Do you have an example? | :12:40. | :12:50. | |
Here it is. I'm talking about a glass of beer. It is like being in | :12:50. | :12:54. | |
McDonald's, you know what they call a quarterpounder with cheese in | :12:54. | :13:04. | |
:13:04. | :13:05. | ||
Paris? Do you know what a quarterpounder is? A Royale with | :13:05. | :13:15. | |
:13:15. | :13:15. | ||
cheese. What do they call a Big Mac? They call it Le Big Mac! | :13:15. | :13:21. | |
LAUGHTER Isn't that good? Great. I would encourage those guys to do | :13:21. | :13:27. | |
the entire movie. I would love to see that. You know what is coming?! | :13:27. | :13:37. | |
:13:37. | :13:41. | ||
You have my permission! Talking of directing John Travolta, you have | :13:41. | :13:47. | |
filmed a film Welcome To The Punch. He sounds like a handful? You would | :13:47. | :13:55. | |
have to ask his wife! LAUGHTER is great. He's the most sharp, | :13:55. | :13:59. | |
intelligent, write it is best dialogue, the best characters... | :13:59. | :14:09. | |
:14:09. | :14:11. | ||
Hello?! Hello?! We will work that out! LAUGHTER He is unbelievable. | :14:11. | :14:16. | |
He would do the running man for me to energise me. He would come up | :14:16. | :14:22. | |
behind me and I would be getting ready to do a scene and he would go | :14:22. | :14:31. | |
up behind me and he would go, "I'm going to fuck you up!" LAUGHTER | :14:31. | :14:41. | |
sent me an e-mail saying that exact thing, for no reason. That's | :14:41. | :14:51. | |
Welcome To The Punch. That is me with a lot of pineapple in me! | :14:51. | :14:55. | |
you have had directors push you to the edge? Didn't you have a thing | :14:55. | :15:01. | |
where you had a chase? I did. I had to do a scene, I had to get out of | :15:01. | :15:05. | |
a bath and my wife in the show, not my real-life wife, she came round | :15:05. | :15:09. | |
and she wanted something and I had it and then she took it and I had | :15:09. | :15:15. | |
to chase her around the flat in the nude dripping wet. It was shot in | :15:15. | :15:23. | |
February. LAUGHTER It took 11 hours to shoot. They're impressed! I had | :15:23. | :15:30. | |
a really small, I didn't need any more flesh-coloured triangle taped | :15:30. | :15:36. | |
over my tiny shrivelled genitals and I had to run round this set for | :15:36. | :15:41. | |
11 hours and I had to pin her to the bed. The only time we stopped, | :15:41. | :15:45. | |
they had to put more water on me. It is like when they get a whale on | :15:45. | :15:55. | |
:15:55. | :15:55. | ||
the beach. You might die if Yu don't -- if they don't keep him wet. | :15:55. | :16:03. | |
I said to the director, "Have you got a problem with me?" No! When | :16:03. | :16:09. | |
they made it, when they finished it, it was rubbish! APPLAUSE Going back | :16:09. | :16:12. | |
to directing, Quentin Tarantino, this is your seventh movie. Have | :16:12. | :16:18. | |
you thought of tackling Shakespeare? He's about to do | :16:18. | :16:28. | |
:16:28. | :16:31. | ||
Macbeth. I am. We are like Harry Potter, we are allowed... Maybe you | :16:31. | :16:36. | |
don't care about the bad luck, I do! This might be my biggest hit | :16:36. | :16:44. | |
ever! I said The Scottish Play's real name. It's good. It's got lots | :16:44. | :16:51. | |
of blood and gore. It's got a moving forest. It is right up your | :16:51. | :16:56. | |
strasse! People have made Shakespearean comparisons to my | :16:56. | :17:03. | |
work... You have played Lady Macbeth? I did. LAUGHTER You did? | :17:03. | :17:09. | |
made a bold choice(!) I was auditioning for places in drama | :17:09. | :17:13. | |
courses when I was a teenager and they gave us a list of pieces to | :17:13. | :17:19. | |
learn. And I went - I thought I would be different. I did Lady | :17:19. | :17:25. | |
Macbeth. Not very well! LAUGHTER Look, I have a bit here. If you | :17:25. | :17:30. | |
wanted to do a bit, we have marked it up. You probably know... I'm in | :17:30. | :17:34. | |
the middle of rehearsing it. I do know that bit, I think. If you do | :17:34. | :17:41. | |
that bit, there. I have got a little prop for you. There you go. | :17:42. | :17:48. | |
LAUGHTER If you just read that. That is your line down THERE. Where | :17:48. | :17:58. | |
it says Lady Macbeth. Maybe if you do the notes afterwards. OK. I | :17:58. | :18:03. | |
promise I will be better than this if you come and see the play. | :18:03. | :18:05. | |
Macbeth doth Murder sleep - the innocent sleep, | :18:05. | :18:08. | |
Sleep that knits up the ravell'd sleave of care, | :18:08. | :18:10. | |
The death of each day's life, sore labor's bath, | :18:10. | :18:12. | |
Balm of hurt minds, great nature's second course, | :18:12. | :18:15. | |
Chief nourisher in life's feast. Macbeth doth Murder sleep - the | :18:15. | :18:17. | |
innocent sleep, Sleep that knits up the ravell'd | :18:17. | :18:19. | |
sleave of care, The death of each day's life, sore | :18:19. | :18:21. | |
labor's bath, Balm of hurt minds, great nature's | :18:21. | :18:24. | |
second course, Chief nourisher in life's feast. | :18:24. | :18:34. | |
:18:34. | :18:35. | ||
What do you mean? That is the line! That's as is written. Quentin, we | :18:35. | :18:44. | |
can certainly make it like cinema shape. Do you want to stand up? We | :18:44. | :18:54. | |
:18:54. | :18:58. | ||
have a bigger sword. That is more you, isn't it? Can we make it | :18:58. | :19:05. | |
cinemascope? There you go. You are playing in Scottish, right? I don't | :19:05. | :19:13. | |
have to. I'm making sure that was a Scottish accent! LAUGHTER Go with | :19:13. | :19:23. | |
the Scottish accent. Stay with that. And so I think you are OK, but | :19:23. | :19:26. | |
really, you know, you can't have a prop like this and let this jofr | :19:26. | :19:30. | |
take you, man. You have to play -- overtake you, man. You have to play | :19:30. | :19:40. | |
:19:40. | :19:48. | ||
with it. This isn't a toothpick! LAUGHTER What is it? It is like | :19:48. | :19:52. | |
stealthy Ninja directing! He is going to be pulling out these cool | :19:52. | :19:59. | |
moves. Here we go. Shall we have a bit of music. | :19:59. | :20:09. | |
:20:09. | :20:11. | ||
MUSIC FROM PULP FICTION Action. Macbeth doth Murder sleep - the | :20:11. | :20:13. | |
innocent sleep, Sleep that knits up the ravell'd | :20:13. | :20:16. | |
sleave of care, The death of each day's life, sore | :20:16. | :20:18. | |
labor's bath, Balm of hurt minds, great nature's | :20:18. | :20:20. | |
second course, Chief nourisher in life's feast. | :20:20. | :20:30. | |
:20:30. | :20:31. | ||
Fuck you, you fucking fuck, what do you mean?! There you go! APPLAUSE | :20:31. | :20:38. | |
I'm taking that. Beautiful. That was Tarantino. Jamie Lloyd is | :20:39. | :20:43. | |
directing yours. Yes. Where and when can we see it? We will be on | :20:43. | :20:52. | |
at the Trafalgar Studios from 9th February onwards. We have a | :20:52. | :20:55. | |
wonderful outreach programme targeting first time theatre-goers | :20:55. | :20:59. | |
and people who would not always feel that comfortable going to the | :20:59. | :21:05. | |
theatre, so people who maybe feel alienated by the prices. On the | :21:05. | :21:12. | |
first Mondays of every week, we make it affordable. Lots happens, | :21:12. | :21:17. | |
it's easy to follow? A lot of killing. A lot of nearly sex! | :21:17. | :21:21. | |
LAUGHTER Is it set now? Is it set then? It is set - it is like if we | :21:21. | :21:27. | |
took all the hot topics of the day so economic disaster, environmental | :21:27. | :21:31. | |
disaster, Scottish independence. Imagine they all happened at the | :21:31. | :21:41. | |
:21:41. | :21:42. | ||
same time and then 50 years later. Is it kilt or no kilt? No kilts. No | :21:42. | :21:46. | |
Irn-Bru. There may be whisky and there will be blood. No haggis? | :21:46. | :21:56. | |
:21:56. | :21:58. | ||
That is a wedding invitation! LAUGHTER There may be haggi, but we | :21:58. | :22:02. | |
have not rested... I suppose in a way it is fitting that you are | :22:02. | :22:06. | |
playing Macbeth. So many people discovered you in Last King Of | :22:06. | :22:13. | |
Scotland. Yes. APPLAUSE You look amazing there! How did you do that? | :22:13. | :22:22. | |
You must have eaten a lot of pies! LAUGHTER The end of that film is so | :22:22. | :22:32. | |
:22:32. | :22:33. | ||
intense that you hang - it is worse than anything you have done. Oh! | :22:33. | :22:37. | |
Check out my nearly six-pack! I don't have that any more. That must | :22:37. | :22:43. | |
have been horrible to do? Yes, that was pretty nasty to do. Also, I was | :22:43. | :22:47. | |
such a victim in that scene, not necessarily of circumstance, | :22:47. | :22:52. | |
because I helped create that circumstance, but I was a victim of | :22:52. | :22:58. | |
violence in that scene. I was being suspended on this little sea saw. | :22:58. | :23:03. | |
How we had the money for CGI I don't know. There was no weight on | :23:03. | :23:07. | |
these ropes that had these things going into my fake chest. I was | :23:07. | :23:11. | |
acting and doing all my thing and stuff and I suppose I stopped | :23:11. | :23:15. | |
breathing at one point. I stopped breathing for too long that I | :23:15. | :23:21. | |
passed out. I'm balancing on this bicycle saddle and I fell off. I | :23:21. | :23:24. | |
was hanging upside-down with this wire connected to my fake nipple | :23:24. | :23:29. | |
which is made of silicon rubber and nobody ran in to save me as I was | :23:29. | :23:33. | |
about to smash my head on the ground. They thought, "Crazy actors, | :23:33. | :23:41. | |
they do this stuff all the time! He is probably just acting." Quentin, | :23:41. | :23:50. | |
you strangled Diane, didn't you? did. How badly did you strangle | :23:50. | :23:55. | |
her? It was interesting. The thing is when ever you do a close-up of | :23:55. | :24:01. | |
somebody being strangled in a film, I never buy it. All right? When | :24:01. | :24:04. | |
somebody is being strangled there is a thing that happens to their | :24:04. | :24:10. | |
face and the way they turn a certain colour and their veins pop | :24:10. | :24:17. | |
out. How do you know this?! I guess I don't know that for sure! | :24:17. | :24:21. | |
LAUGHTER I can imagine. And it always seems fake, you know, they | :24:21. | :24:28. | |
are doing this all the time. This was Inglourious Basterds? I talked | :24:28. | :24:32. | |
to Diane and I said, "Look, here is what I would like to do if you are | :24:32. | :24:42. | |
:24:42. | :24:42. | ||
OK with it. I don't want any bullshit here." OK? "I want to do | :24:42. | :24:52. | |
:24:52. | :24:55. | ||
it because it is on me. I only want to do this once." I don't want you | :24:55. | :25:03. | |
breathing afterwards! I said, "I'm going to be the hands and I'm going | :25:03. | :25:08. | |
to just strangle you, all right?" LAUGHTER "I'm going to cut off your | :25:08. | :25:11. | |
air for a little bit of time. We will see the reaction in your face | :25:11. | :25:20. | |
and then we will cut." The stunt guy will be there. LAUGHTER We will | :25:20. | :25:28. | |
do it once! And she trusted me. Wow! So we got a really good thing. | :25:28. | :25:37. | |
It was real. It looked really good. Also, I was able to... Enjoy it? | :25:37. | :25:44. | |
no. LAUGHTER I'm trying to get a reaction... APPLAUSE Do you ever | :25:44. | :25:51. | |
try sex scenes in that kind of way? I'm going to put it in you, I will | :25:51. | :25:56. | |
only do it once! I don't want to be here all day! APPLAUSE Is this | :25:56. | :26:03. | |
making you nervous? You are acting again? You are doing Jonathan Creek | :26:03. | :26:07. | |
again? We are. It is nicer than this? Someone once put a vacuum | :26:07. | :26:15. | |
cleaner over my face and it sucked on my cheek. LAUGHTER Is this a new | :26:15. | :26:20. | |
series? It is a one-off special. We might do more later in the year. | :26:20. | :26:26. | |
Brilliant. I'm glad it is back. Thank you. It was weird that it | :26:26. | :26:33. | |
went away. We have Rick Mayall and Joanna Lumley. When will it be on? | :26:33. | :26:39. | |
At Easter. Does it involve a rabbit or Jesus? No. No rabbits and no - | :26:39. | :26:49. | |
:26:49. | :26:50. | ||
there is a kind of a resurrection... It is quite clever. I look forward | :26:50. | :26:57. | |
to seeing it. Alan Davies, a stand- up comedian again. Yes. Ten years? | :26:57. | :27:03. | |
It is longer. The last time I toured was in 1999. I did the | :27:03. | :27:07. | |
Edinburgh Festival in 2001. Last year I toured around the UK and I'm | :27:07. | :27:12. | |
doing two shows in Hammersmith in February. The 16th and 17th | :27:12. | :27:18. | |
February. That's my poster. It's got well reviewed. You are kind of | :27:18. | :27:22. | |
kicking yourself you didn't do it for so long? Kind of. I have | :27:22. | :27:26. | |
enjoyed touring again. I enjoyed doing the show. I have two small | :27:26. | :27:30. | |
children now. So when I'm at home, it is quite full-on and then when | :27:30. | :27:36. | |
I'm touring, it is like a day out! LAUGHTER Wonder around - I went | :27:36. | :27:40. | |
around Carlisle which turns out to be really nice, going in-and-out of | :27:40. | :27:44. | |
the shops. I went to the pictures. It was like being on holiday. The | :27:45. | :27:51. | |
show is going well. I have enjoyed it. It is called Life Is Pain, | :27:51. | :27:57. | |
which doesn't sound full of laughs? I saw the poster and I thought, | :27:58. | :28:02. | |
"That looks like a talk about suicide." It came from an an ebg | :28:02. | :28:07. | |
dote about a little girl who said that to her mum when she was being | :28:07. | :28:10. | |
told off. She was about six-years- old. She is being told off. She | :28:10. | :28:16. | |
said to her mum, "Life is pain." I thought it was hilarious! LAUGHTER | :28:16. | :28:21. | |
Wait till I tell the audience. Oh! The same little girl on another | :28:21. | :28:25. | |
occasion, the mum was telling her off, she turned to her mum and she | :28:25. | :28:31. | |
said, "Even the people you love will betray you." It goes into a | :28:31. | :28:36. | |
folder of notes of funny things. LAUGHTER Sounds like a character | :28:36. | :28:45. | |
from one of your films. Or one of your kick arse films! That became | :28:45. | :28:50. | |
the title of the show. It is about my family growing up, you know, and | :28:50. | :28:54. | |
life is pain. Everyone's got a little bit. I don't dwell on that. | :28:54. | :29:00. | |
Then it is quite a lot of stuff about sex toys! LAUGHTER There's | :29:00. | :29:05. | |
bits about parenting in it? My dad features quite a lot. My own | :29:05. | :29:11. | |
parenting. When we grew up we were nagging Our Father for stuff to buy. | :29:11. | :29:17. | |
My mum died when we were little. I remember him buying a lilo on | :29:17. | :29:21. | |
holiday once. I had a diving mask that I wore for the two weeks, I | :29:21. | :29:26. | |
never took it off. LAUGHTER I was ten, right? My sister had a bikini, | :29:26. | :29:30. | |
she was eight. But it came up around her neck and nearly drowned | :29:30. | :29:37. | |
her. She pulled me under. I said, "Give me the bikini!" I had the | :29:37. | :29:42. | |
diving mask and the bikini on. I have never been happier before or | :29:42. | :29:47. | |
since! When he got the lilo, rather than blowing it up, he went to the | :29:47. | :29:56. | |
hire car and got the foot pump and he blew the lilo up like this. | :29:56. | :29:59. | |
LAUGHTER As if he was on display. People will watch you if you blow | :29:59. | :30:03. | |
it up like that. Then he said, "Come here, please. Test that." I | :30:03. | :30:09. | |
touched the pillow bit and it went BANG! LAUGHTER Separated from the | :30:09. | :30:15. | |
main body of the lilo. I have never seen that happen before or since. | :30:15. | :30:22. | |
He is looking at me like, "You little shit!" No hidden pins. You | :30:22. | :30:30. | |
have overinflated the lilo. Before we move on, James, we must mention | :30:30. | :30:40. | |
:30:40. | :30:40. | ||
your new movie with Danny Boyle. Yes. It will be March ...? 27th | :30:41. | :30:50. | |
March. That is my birthday. This movie is called Trance. It is about | :30:50. | :31:00. | |
memory loss? It is about er... It is about er... Very good! It is | :31:00. | :31:05. | |
about memory loss, violence, both psychological and physical, it is | :31:05. | :31:09. | |
about sexual desire and art and theft. It is a psychological | :31:09. | :31:15. | |
thriller. It is very Danny Boyle. Sounds very much like Jonathan | :31:15. | :31:19. | |
Creek. And Macbeth and Django Unchained. We have a bit of the | :31:19. | :31:29. | |
:31:29. | :31:46. | ||
trailer which sets it up and makes Where is it? I can't remember. | :31:46. | :31:54. | |
you'll remember. Have you been hypnotised before? I want you to | :31:54. | :32:01. | |
relax. APPLAUSE He is just special | :32:01. | :32:07. | |
whatever he does, like yourself. He is a national treasure. I realised | :32:08. | :32:14. | |
we didn't explain what it was about. You steal...? I steel a $25 million | :32:14. | :32:23. | |
painting as it is being auctioned. And after the heist is over, when | :32:23. | :32:25. | |
the baddies I'm in league with decide to open the box, they bring | :32:25. | :32:28. | |
out the frame and there is nothing there and they come to me and say, | :32:29. | :32:35. | |
"Where's the painting?" I go, "I'm honest when I say I can't | :32:35. | :32:39. | |
remember." We try and unlock where the painting is. We unlock a hell | :32:39. | :32:45. | |
of a lot more than just where the painting is. The audience doesn't | :32:45. | :32:49. | |
know where it is? The audience have no idea. They haven't seen it | :32:49. | :32:54. | |
happen? No, it is about what you think you remember and how memory | :32:54. | :32:59. | |
is a very creative process. whole film would have been, if he | :32:59. | :33:04. | |
had just said, "Just think where you were when you last had it." | :33:04. | :33:14. | |
LAUGHTER Then you would have found it! We had on QI where if you were | :33:14. | :33:17. | |
looking for something, like your car keys, if you keep saying the | :33:17. | :33:24. | |
name of the thing you are looking for, you are more likely to find it. | :33:24. | :33:34. | |
:33:34. | :33:39. | ||
Really? Yes. So keep saying, self- respect, self-respect. LAUGHTER | :33:39. | :33:46. | |
Ten-inch cock! It is mainly keys! Right. It is time for music. This | :33:46. | :33:53. | |
singer has had an extraordinary 2012 and has been nominated for | :33:53. | :34:03. | |
:34:03. | :34:07. | ||
three BRIT Awards. It is Emeli Sande. APPLAUSE You look so well. | :34:07. | :34:17. | |
:34:17. | :34:17. | ||
Thank you. Hello. Happy New Year? Happy New Year. What an amazing | :34:17. | :34:23. | |
year you had? Last year was ace. It was amazing. It was this time last | :34:23. | :34:33. | |
:34:33. | :34:36. | ||
year, you had just got the BRITs Best Breakthrough Choice. You made | :34:36. | :34:44. | |
me sit next to Madonna! Who got Best Oldcomer. This is the best- | :34:44. | :34:48. | |
selling album of 2012. Yes. Congratulations. Thank you very | :34:48. | :34:56. | |
much. Fantastic. APPLAUSE Thank you. It must be that scary thing, "Now I | :34:56. | :35:02. | |
have to do another album."? Yes, I am delaying it. Maybe thinking | :35:02. | :35:06. | |
about other career options! It's amazing. I never expected anything | :35:06. | :35:10. | |
like that. What a year. I don't think I can top 2012. I will try. | :35:11. | :35:15. | |
Listen, you must be sick talking about it. I must mention the | :35:15. | :35:21. | |
Olympics. It was lovely seeing so much of you! LAUGHTER How did you | :35:21. | :35:26. | |
end up in quite so much of it? Did the Closing Ceremony people know | :35:27. | :35:31. | |
that you had been booked for the opening bit? I don't think they had. | :35:31. | :35:38. | |
You don't say no, really. Working with Danny Boyle was amazing. | :35:38. | :35:42. | |
Getting asked to do the Opening Ceremony was - I was invited to | :35:42. | :35:47. | |
their secret bunker. The whole plan was unveiled. Getting to sing Abide | :35:47. | :35:51. | |
With Me was a great honour. The next week, Kim Gavin got in touch. | :35:51. | :35:58. | |
There I was. You looked great. I know the venue well! You were | :35:58. | :36:04. | |
performing George Square at the Glaswegian Torch... Yes. I carried | :36:04. | :36:10. | |
the Torch towards you and I thought I was going to get to go all the | :36:11. | :36:17. | |
way. They said, "No, you give it to somebody else." I get to watch her? | :36:17. | :36:24. | |
They said, "No, you are outside the fence!" I have just carried the | :36:24. | :36:29. | |
Olympic Torch. I'm in films and everything! LAUGHTER I can't watch | :36:29. | :36:34. | |
the gig? Have you not met before? No. You are both from Scotland? | :36:34. | :36:39. | |
There's only about five of us. is weird. We are connected. I have | :36:39. | :36:46. | |
written a song for Trance. You have. We have got our Scotland... Yes. I | :36:46. | :36:54. | |
was very excited. I am really excited. The film is great. You are | :36:54. | :37:00. | |
singing my favourite track off the album. I thought this would be an | :37:00. | :37:05. | |
obvious second single. I don't know. It feels like a sad close to the | :37:05. | :37:10. | |
album. Really? No. We wanted to leave this till the last. It was | :37:10. | :37:16. | |
one of the first ones that I really feel expresses me so I'm happy to | :37:16. | :37:19. | |
sing it tonight and for it to close the album campaign. Is this the | :37:19. | :37:25. | |
last single? Yes. I think so. can milk another few out of it! | :37:25. | :37:29. | |
LAUGHTER Don't be an idiot! LAUGHTER And I know you are doing | :37:29. | :37:36. | |
it live for us tonight. Emeli, if you want to get ready? Off you go. | :37:36. | :37:46. | |
:37:46. | :37:47. | ||
Lovely. APPLAUSE Shortly, we will be paying a visit to the Red Chair. | :37:47. | :37:57. | |
:37:57. | :38:01. | ||
But first, performing Clown, Emeli # I guess it's funnier from where | :38:01. | :38:04. | |
you're standing # Cause from over here I missed the | :38:04. | :38:10. | |
joke # Clear the way for my crash | :38:10. | :38:18. | |
landing # I've done it again, another | :38:18. | :38:27. | |
number for your notes # I'd be smiling if I wasn't so | :38:27. | :38:37. | |
:38:37. | :38:40. | ||
desperate # I'd be patient if I had the time | :38:40. | :38:46. | |
# I could stop and answer all of your questions | :38:46. | :38:54. | |
# As soon as I find out how I can move from the back of the line | :38:54. | :39:02. | |
# I'll be your clown # Behind the glass | :39:03. | :39:07. | |
# Go 'head and laugh, # Cause it's funny I would too, | :39:07. | :39:16. | |
# If I saw me I'll be your clown, # On your favourite channel | :39:16. | :39:26. | |
# My life's a circus, circus, round in circles, selling out tonight | :39:26. | :39:34. | |
# I'd be less angry if it was my decision | :39:34. | :39:44. | |
:39:44. | :39:47. | ||
# And the money was just rolling in # If I had more than my ambition | :39:47. | :39:51. | |
# I'll have time for please, # I'll have time for thank you as | :39:51. | :39:59. | |
soon as I win # I'll be your clown | :39:59. | :40:08. | |
# Behind the glass # Go 'head and laugh, | :40:08. | :40:16. | |
# Cause it's funny I would too, # If I saw me I'll be your clown, | :40:16. | :40:19. | |
# On your favourite channel # My life's a circus, circus, round | :40:19. | :40:28. | |
in circles, selling out tonight # From the distance my choice is | :40:29. | :40:38. | |
:40:39. | :40:42. | ||
simple # From a distance I can entertain | :40:42. | :40:51. | |
# So you can see me, # I put make-up on my face | :40:51. | :40:58. | |
# But there's no way you can feel # From so far away | :40:58. | :41:06. | |
# I'll be your clown # Behind the glass | :41:06. | :41:13. | |
# Go 'head and laugh, # Cause it's funny I would too, | :41:13. | :41:22. | |
# If I saw me I'll be your clown, # On your favourite channel | :41:22. | :41:32. | |
:41:32. | :41:40. | ||
# My life's a circus, circus, round CHEERING AND APPLAUSE | :41:40. | :41:50. | |
Wow! Beautiful! Emeli Sande! APPLAUSE Come and join me, Emeli. | :41:50. | :41:58. | |
Oh! Just gorgeous! Thank you. Beautiful. Emeli Sande, everyone! | :41:58. | :42:07. | |
CHEERING AND APPLAUSE Thank you. Seriously, I think that is one of | :42:07. | :42:11. | |
the loveliest live vocals we have ever had on the show. Wow! Thank | :42:11. | :42:16. | |
you. Gorgeous! Thank you. Really gorgeous! APPLAUSE Right, before we | :42:16. | :42:21. | |
go tonight, just time for a visit to the Red Chair. Who have we got? | :42:21. | :42:27. | |
Hello? What is your name? Lee. Lovely. Where do you live? London. | :42:27. | :42:32. | |
In London. I'm from Newcastle. do you do in London? Interior | :42:33. | :42:39. | |
design. What is your favourite bit of interior design? Being creative. | :42:39. | :42:49. | |
Good answer! OK. Dull answer! A bit of rag rolling or something! Lee, | :42:49. | :42:56. | |
delight us with your tale? Basically, apologies to my mum now. | :42:56. | :43:00. | |
I was with my boyfriend at the time and I was trying to get to know him | :43:00. | :43:06. | |
a bit better, we were both getting to know each other a bit better. | :43:06. | :43:11. | |
hear you, Lee. My phone ended up on the bed, I lent on the bed and | :43:11. | :43:16. | |
ended up ringing my mum. Obviously I didn't know this until I had | :43:16. | :43:24. | |
finished. And then I had a message from my mum saying, "Are you OK, it | :43:24. | :43:31. | |
sounds like you are in pain?" LAUGHTER You can walk. Thank you. | :43:31. | :43:38. | |
Well done. If you would like to have a go on the Red Chair, go to | :43:39. | :43:47. | |
our website. A huge thank you to Emeli Sande. APPLAUSE Alan Davies. | :43:47. | :43:54. |