Browse content similar to Episode 12. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's Oscar season. On the show tonight, I have a two-time Academy | :00:10. | :00:14. | |
Award winner. And he's been nominated for another one. Who is | :00:14. | :00:22. | |
going to chat to him? And the winner is... Excited! Intense! | :00:23. | :00:27. | |
Excited! Graham Norton! You didn't win. Let's start the | :00:27. | :00:37. | |
:00:37. | :00:58. | ||
Thank you! So many people to thank! It means | :00:58. | :01:05. | |
so much to be nominated. Welcome to all. We have an amazing line-up for | :01:05. | :01:10. | |
you tonight. Hollywood superstar, Denzel Washington is on the show. | :01:10. | :01:18. | |
CHEERING AND APPLAUSE Nicholas Hoult is here. | :01:18. | :01:22. | |
CHEERING AND APPLAUSE Bill Bailey is on the show. | :01:22. | :01:27. | |
CHEERING AND APPLAUSE And we'll have the music from Conor Maynard. | :01:27. | :01:32. | |
Good - I know - good. I am delighted to welcome Nicholas Hoult | :01:32. | :01:40. | |
on to the show. Do you remember him as a star in a boy? Do you? Who was | :01:40. | :01:49. | |
the best boy? "I am." Here he is in his latest film skhral -- latest | :01:49. | :01:56. | |
film! Yes, mothers they do grow up. That is him playing a zombie in | :01:56. | :02:00. | |
Warm Bodies. It poses a big question, could a beautiful woman | :02:00. | :02:10. | |
:02:10. | :02:11. | ||
ever fall in love with a brain-dead zombie? Well, I... I'm so excited | :02:11. | :02:19. | |
to be meeting Denzel, something so cool and sexy about a man named | :02:19. | :02:28. | |
after an American city, Denzel Washington, Joaquin Phoenix, Johnny | :02:28. | :02:36. | |
Vegas! I believe that's called "a roll-top." His new film is called | :02:37. | :02:46. | |
Flight. He plays a pilot who has a drug problem. Imagine flying that | :02:47. | :02:53. | |
fast while on drugs! Oh, yes. The Jersey is yellow. You are green. As | :02:53. | :02:57. | |
always, a delight to have Bill Bailey back on the show. He is a | :02:57. | :03:02. | |
huge animal lover. He has campaigned for baboons, bears, even | :03:02. | :03:12. | |
:03:12. | :03:14. | ||
horses. We'll have music from Conor Maynard. | :03:14. | :03:24. | |
:03:24. | :03:30. | ||
Lovely to see you. There's something about the boy! | :03:30. | :03:36. | |
It's Nicholas Hoult. Lovely to see you. | :03:36. | :03:44. | |
And he's on my sofa, it's Denzel Washington. | :03:44. | :03:48. | |
Hello, Sir. Lovely to see you. Sit yourself down there, do. | :03:48. | :03:58. | |
:03:58. | :04:04. | ||
This is so rubbish, we should have confirmed this, I was calling you | :04:04. | :04:14. | |
:04:14. | :04:19. | ||
Denzel. Is that correct? It Denzel. He was Denzel and I'm Denzel Junior. | :04:19. | :04:25. | |
My mother started to call me Denzel, we would both turn up. It is a | :04:25. | :04:33. | |
pronunciation thing! So you are Denzel now. | :04:33. | :04:43. | |
No, I'm Denzel. That's all we have time for! | :04:43. | :04:52. | |
Seriously, Denzel... Denzel... right, it is Denzel. Nicholas your | :04:52. | :05:02. | |
:05:02. | :05:03. | ||
middle name is? Craraduc. It means the beloved one. Does it really? | :05:03. | :05:10. | |
People in Wales are watching television laughing at you! | :05:10. | :05:15. | |
It's lovely. It's good for my e- mail address. I shouldn't say that | :05:15. | :05:23. | |
probably! LAUGHTER | :05:23. | :05:30. | |
I'm guessing Bill Bailey is not your real name? Mark is the name I | :05:30. | :05:36. | |
was... LAUGHTER There's no pronunciation problems! I was | :05:36. | :05:46. | |
:05:46. | :05:47. | ||
Christianed Mark. There's an old jazz standard song called When You | :05:47. | :05:57. | |
:05:57. | :06:00. | ||
Come Out Bill Bailey. Your son, you went for a specific name - DAX. | :06:00. | :06:09. | |
It's a punchy name. Did you make it up? Made it up, got some Scrabble | :06:09. | :06:18. | |
letters! It's Klingon for you! A lot of people think I choose it | :06:18. | :06:28. | |
:06:28. | :06:34. | ||
because it is a name in Deep Space A lot of people, because I am a bit | :06:34. | :06:37. | |
of a science fiction fan they think it is because of that. It is not | :06:37. | :06:45. | |
that at all. It is an old French name, actually. Very, very exciting | :06:45. | :06:55. | |
:06:55. | :06:55. | ||
- Oscar nominated for your new film Flight. Very exciting, yes, yes. | :06:55. | :07:01. | |
It is your sixth nomination. Yes. You have won twice. Yes. When you | :07:01. | :07:09. | |
get the call this time around, is it as exciting? The first time is | :07:09. | :07:15. | |
crazy, but it's still an honour, a great honour. Who will you go with? | :07:15. | :07:20. | |
Actually I think I may go by myself. My wife is doing a play in New York. | :07:20. | :07:30. | |
:07:30. | :07:31. | ||
Shall we have a competition? Your wife is in a play. Yes, she's | :07:31. | :07:37. | |
doing a play. So you are going by yourself. Maybe I will take my | :07:37. | :07:43. | |
mother. You took your mother before, didn't you? Yes. And my wife. | :07:43. | :07:50. | |
Together? Yes. That is a brave mood. Mothers are obsessed by | :07:50. | :07:55. | |
centrepieces. Yes. Wherever they go, they love a centre-piece. So the | :07:55. | :07:59. | |
governor's ball afterwards is the big dinner and they had these | :07:59. | :08:03. | |
centrepieces. She started to talk about how beautiful it was. I could | :08:03. | :08:07. | |
see where she was going. I don't know if I had won that year. I | :08:07. | :08:11. | |
don't know if I carried out the Oscar, the centrepiece or both! I | :08:11. | :08:18. | |
did carry out the centrepiece. She was like, "Grab that, son." She was | :08:18. | :08:25. | |
like, It's a waste." I am walking out... It is a weird thing - | :08:25. | :08:30. | |
mothers are so obsessed. We went to that Elton John ball thing. She | :08:30. | :08:35. | |
came out with place mats a pile this high. I left her there. I went | :08:35. | :08:44. | |
home. She was there until 3am, came home with a mass of... She had | :08:44. | :08:48. | |
stolen little kettles and teapots. You know that thing about your e- | :08:48. | :08:51. | |
mail address, again probably shouldn't be telling this story! We | :08:51. | :09:01. | |
are hear to talk about Flight. Your performance is phenomenal. Tell us | :09:01. | :09:05. | |
about the character and your story. It is a pilot, who has a drinking | :09:06. | :09:12. | |
problem. There's a potential problem with the plane and he | :09:12. | :09:17. | |
crash-lands the plane. Then he's considered a hero, but he really | :09:17. | :09:20. | |
starts spiralling downwards with more and more drink and people | :09:20. | :09:30. | |
:09:30. | :09:41. | ||
don't know about it and he's a mess. APPLAUSE | :09:41. | :09:49. | |
You've sold it now. You play a pilot and the director, | :09:49. | :09:53. | |
he's talking about how prepared you were, because you did all the | :09:53. | :09:59. | |
flights. We got in a flight stimulator. It was great. We went | :09:59. | :10:04. | |
to Delta Airlines. They allowed me to get into a flight simulator and | :10:04. | :10:12. | |
allowed me to do take offs. We didn't need to land because we | :10:12. | :10:17. | |
crashed the plane! Could you fly a plane now? | :10:17. | :10:24. | |
No!, no, no, no. I am just pushing buttons like I know! This is one of | :10:24. | :10:34. | |
:10:34. | :10:34. | ||
these films - they will never show this in in-flight entertainment! | :10:34. | :10:39. | |
don't think so. Have you seen it? couple of hours before getting on a | :10:39. | :10:49. | |
:10:49. | :10:51. | ||
Go and see the movie. If you are going on holiday | :10:51. | :10:57. | |
tomorrow, perhaps look away. This is Denzel in charge on the fateful | :10:57. | :11:03. | |
flight. We're in an uncontrolled dive. We have a jammed stabiliser | :11:03. | :11:13. | |
:11:13. | :11:14. | ||
or something. Oh, Lord, we're going 7,000. When I say I want you to | :11:14. | :11:20. | |
reflact it... What you going to do? Push these forward, full throatle... | :11:20. | :11:24. | |
Why would I do it now? We're going to roll it. What do you mean, roll | :11:24. | :11:34. | |
Say hello to Trevor. I love you Trevor. You be a good boy. Mummy | :11:34. | :11:40. | |
loves you! I've got control. Oh, Lord! | :11:40. | :11:50. | |
:11:50. | :12:05. | ||
Speed brakes. That's a good clip. | :12:05. | :12:15. | |
:12:15. | :12:17. | ||
If you want to see the whole movie, You actually did that? They rolled | :12:17. | :12:21. | |
the whole thing? Not in the air, but... No. That would be excessive! | :12:21. | :12:26. | |
But you can do that. You can actually turn a plane over and fly | :12:26. | :12:31. | |
it upside down for a short period of time - one can do that. | :12:31. | :12:39. | |
LAUGHTER "One" with a drink tray. Yeah, they | :12:39. | :12:47. | |
do that. Ryanair do that. LAUGHTER | :12:47. | :12:51. | |
Whenever they want to get anymore change out of your pocket. | :12:51. | :12:54. | |
LAUGHTER As they say, your performance is | :12:54. | :12:59. | |
really terrific in this. By the way, I don't think I said it - good luck. | :12:59. | :13:04. | |
Good luck at the Oscars. Yeah. the thing that impressed me most as | :13:04. | :13:05. | |
a drinker - LAUGHTER | :13:05. | :13:09. | |
Is you do hang-overs really, really well! | :13:09. | :13:14. | |
LAUGHTER They're very good. You know, that | :13:14. | :13:21. | |
kind of - (Lip smacking) I really felt it! Because acting | :13:21. | :13:26. | |
drunk - how did you prepare? Well, you don't want to act drunk. You | :13:26. | :13:30. | |
want to act like you're not drunk. You are drunk, so you're trying to | :13:30. | :13:35. | |
act like you're not instead of just staggering around. He was pretty | :13:35. | :13:39. | |
lucid, you know, which was even more frightening. He's drunk flying | :13:39. | :13:44. | |
the plane. I heard you talking about you watched people on YouTube | :13:44. | :13:49. | |
to see how drunks behave, is that right? Yeah, you can YouTube | :13:49. | :13:54. | |
"drunks" - you can. YouTube, drunks, and there's one guy who takes about | :13:54. | :13:59. | |
ten minutes to put one shoe on. read about that. We found... | :13:59. | :14:04. | |
found that? I think he's leaving an Aldi, right, and he has to go | :14:04. | :14:14. | |
:14:14. | :14:14. | ||
through a sliding door, OK? Here he problem - not a problem. I am | :14:14. | :14:24. | |
:14:24. | :14:26. | ||
We have the one you talked about - I think this is the one - did one - | :14:26. | :14:30. | |
is it the scandal? Cau, he's trying to put his sandal on. At some | :14:30. | :14:40. | |
:14:40. | :15:02. | ||
It's like the good samaritan. poor guy. He's gets it on - oh, | :15:02. | :15:12. | |
:15:12. | :15:12. | ||
you're all good. Oh! Hello, lady. "Hello, ladies!" That was my | :15:12. | :15:17. | |
favourite one. Nicholas, in Skins, you kind of mixed up the acting | :15:17. | :15:21. | |
drunk and being drunk a bit, didn't you? I did once yeah,. It was the | :15:21. | :15:26. | |
first time I had to do a sex scene, um, and obviously, fairly nervous. | :15:26. | :15:33. | |
Obviously, yes. So I had a little drink beforehand. When you say "a | :15:33. | :15:38. | |
little drink..." I had two glasses of champagne and a vodka, so yeah - | :15:38. | :15:42. | |
it's very difficult, though, when the director is there, and he's | :15:42. | :15:45. | |
trying to encourage you to - fake climax. | :15:45. | :15:50. | |
LAUGHTER What time of the day was this? | :15:50. | :15:59. | |
was 8.00am. Oh! That's very, very tricky. That was me doing it then... | :15:59. | :16:05. | |
That was it? Yeah. It's just a nice surprise, | :16:05. | :16:10. | |
unexpected. Didn't expect that! Yeah. Acting drunk, I think it's a | :16:10. | :16:17. | |
hard thing. It is hard, yeah, because it's a easy to overdo it | :16:17. | :16:20. | |
and do the cliched slurring - because when you're actually drunk, | :16:20. | :16:24. | |
you're not actually - you're enhanced. You're a bit louder, but | :16:24. | :16:28. | |
I actually heard this once - it happened to me when I went to a | :16:28. | :16:32. | |
party. I left with the wrong jacket, and it was a guy who I knew, Peter, | :16:32. | :16:37. | |
he had the same leather jacket, so we both left. I went, oh, I see a | :16:37. | :16:41. | |
problem here - brilliant. I've got a way out of this. I'll phone my | :16:41. | :16:44. | |
phone with his phone and leave a message, and he'll get it, and then | :16:44. | :16:49. | |
we'll meet up and get the jackets, so I thought I was being really | :16:49. | :16:54. | |
clever. And I thought I left a message - "Hello, Peter. Bill here. | :16:54. | :16:57. | |
I think there has been some misunderstanding with the jackets. | :16:57. | :17:04. | |
If we meet up in a couple of days we can sort this out. Cheerio" a | :17:04. | :17:14. | |
couple weeks later I heard my voice on my own phone - "Blah, blah, blah | :17:14. | :17:19. | |
there's a jacket -" for about ten minutes - oh! We should all hear | :17:19. | :17:26. | |
that once in our lives - not me! Denzel, in this movie, I couldn't | :17:26. | :17:32. | |
help but notice, slightly seedy - is that a horrible thing to say? It | :17:32. | :17:38. | |
was intentional. I'm not trying to insult the man. He was acting. | :17:38. | :17:43. | |
one of the first scenes in the movie, I am with this young lady, | :17:43. | :17:48. | |
and we're naked... You're selling more and more tickets - you're | :17:48. | :17:55. | |
doing very good! So I let it all hang out, let's say. Oh. He's not | :17:55. | :17:58. | |
working out. He's - he's - eats too much, drinks too much. Are you one | :17:58. | :18:03. | |
of those annoying people who finds it hard to put on weight? No. No. | :18:03. | :18:06. | |
LAUGHTER I can put on weight real easy. In | :18:06. | :18:10. | |
fact, for the movie, basically, what I would do is I would eat at | :18:10. | :18:15. | |
midnight, you know, have a big meal at midnight. Delicious! I loved it. | :18:15. | :18:21. | |
Going to bed full - there's nothing better! Oh! Yeah! I think it's | :18:21. | :18:24. | |
because I am Irish. I think because of the famine, I always think I | :18:24. | :18:30. | |
might starve to death in the middle of the night. Get a few carbs in at | :18:31. | :18:35. | |
midnight. No, yeah, absolutely! Because I read a story about when | :18:35. | :18:38. | |
Tom Hanks had to lose all the weight in Philadelphia, you were | :18:38. | :18:42. | |
quite mean to him. Oh, yeah! It was extreme. He was eating like only | :18:42. | :18:48. | |
800 calories a day, and he went way down, so we would do - he was | :18:48. | :18:53. | |
really, really skinny in the scenes in the courtroom, so I would, like, | :18:53. | :19:00. | |
leave a - candy bars and - you know - I would sneeze and 500 Almond | :19:00. | :19:03. | |
Joys would fly out. I was having pizzas delivered to him! | :19:03. | :19:07. | |
LAUGHTER Yeah. He thanked me when he won the | :19:07. | :19:17. | |
:19:17. | :19:20. | ||
Oscar. Um, in terms of physical | :19:20. | :19:24. | |
transitions, we have seen you go from boy to man to now zombie | :19:24. | :19:33. | |
because we have seen you play a zombie in Warm Bodies - it's kind | :19:33. | :19:37. | |
of a Zomm-romcom. Yeah, they blended them all together. | :19:37. | :19:44. | |
thought of that! So tell us about the story a little bit. I play a | :19:44. | :19:49. | |
zombie who feels a little bit trapped. He's unhappy. He wants to | :19:49. | :19:53. | |
feel alive again, poor guy. Yeah, exactly. He doesn't want to eat | :19:53. | :19:58. | |
brains, but he has to and whatever, but as he's out hunting one day, he | :19:58. | :20:02. | |
sees this Julie character played by Teresa Palmer and instantly falls | :20:02. | :20:07. | |
for her, basically, and she's the catalyst for him starting to change | :20:07. | :20:12. | |
- become human, but he also eats her boyfriend's brains, so it's | :20:12. | :20:18. | |
kind of a weird thing where he eats the brains - it's this weird thing | :20:18. | :20:26. | |
where the zombies eat the brains then relive the people's memories. | :20:26. | :20:31. | |
Yeah. This is setting up the whole idea of you being a zombie in your | :20:31. | :20:35. | |
zombie world. What am I doing with my life? I am so pale. I should get | :20:35. | :20:39. | |
out more, eat better. My posture is terrible. I should stand up | :20:39. | :20:42. | |
straighter. People would respect me more if I stood up straighter. | :20:42. | :20:46. | |
What's wrong with me? I just want to connect. Why can't I connect | :20:46. | :20:49. | |
with people? Oh, right. It's because I'm dead. I shouldn't be so | :20:49. | :20:54. | |
hard on myself. I mean, we're all dead. This girl's dead. That guy's | :20:54. | :20:59. | |
dead. That guy in the corner is definitely dead. These guys look | :20:59. | :21:02. | |
awful. I wish I could introduce myself, but I don't remember my | :21:02. | :21:05. | |
name anymore. I mean, I think it started with an R, but that's all I | :21:05. | :21:09. | |
have left. I can't remember my name or my parents or my job, although | :21:09. | :21:12. | |
my hoody would suggest I was unemployed. | :21:12. | :21:20. | |
LAUGHTER I like the zombie walk too. | :21:20. | :21:25. | |
zombie walk is very good. And they filmed it all in - is it Montreal | :21:25. | :21:29. | |
Yeah. Why did they go there? They're really accommodating in | :21:29. | :21:34. | |
Montreal. Also, there is an airport that is closed down, disused and | :21:34. | :21:38. | |
the old Olympic stadium. There's lots of places which are abandoned | :21:38. | :21:43. | |
basically. How great! Let's go to Montreal - sounds lovely and they | :21:43. | :21:45. | |
speak French - just gets better and better! | :21:45. | :21:51. | |
LAUGHTER East London's thinking, one day | :21:51. | :21:55. | |
we'll have zombie films here - if we're lucky! | :21:55. | :22:02. | |
LAUGHTER Now, you're an acting talent, | :22:02. | :22:07. | |
obviously. Denzel is in a film playing a pilot. He's studying | :22:07. | :22:12. | |
drunk people on YouTube. How does an actor prepare to play a zombie? | :22:12. | :22:16. | |
I'm not sure what - we watched a lot of zombie film, thens there was | :22:16. | :22:20. | |
that kind of thing - it's kind of being hungover. That's what I | :22:20. | :22:23. | |
thought about all the time - just that feeling when you wake up, and | :22:23. | :22:27. | |
you can't really talk. You're groaning. You feel really terrible. | :22:27. | :22:31. | |
I tried not to blink a lot because I thought zombies probably wouldn't | :22:31. | :22:36. | |
blink, which was a bad decision. course. There were some long scenes. | :22:36. | :22:41. | |
The difficult thing is the zombie run. Zombie walking is a slow | :22:41. | :22:44. | |
shuffle, but Teresa is a quick runner. There were a couple of | :22:44. | :22:48. | |
scenes where we're running around, and I am trying to keep up in a | :22:48. | :22:54. | |
zombie fashion. You've got to show us! You've got to show us. Let's | :22:54. | :22:58. | |
see the zombie run. Where should I do it? Just anywhere. Oh, man. I | :22:58. | :23:02. | |
can't believe I am doing this. I haven't done it in a little while. | :23:02. | :23:12. | |
:23:12. | :23:31. | ||
Action. We nearly lost you! But the staring | :23:31. | :23:35. | |
does sound really hard. Did you genuinely not blink? I think I | :23:35. | :23:39. | |
blink once, but that's later on when he starts to get more human. I | :23:39. | :23:44. | |
was wearing contact lens, which actually really helps for not | :23:44. | :23:47. | |
blinking. That was just a choice you made or... Yeah, it was a dumb | :23:47. | :23:52. | |
choice I made when I was speaking to the director - "I don't think | :23:52. | :23:57. | |
zombies really blink". He was like, "Cool. Give it a shot". I would be | :23:57. | :24:01. | |
in the middle of the shot thinking oh, no, my eyes are hurting so much. | :24:01. | :24:08. | |
It kind of - maybe worked, I don't know. You have two Oscars. We don't | :24:08. | :24:14. | |
have to do this. Let's do a scaring thing. No, I am in. This is the | :24:14. | :24:19. | |
best - a staring contest. blinking, right? I sort of already | :24:19. | :24:25. | |
know Denzel is going to win this! You're staring into camera five. | :24:25. | :24:30. | |
Bill's on four. Nick's on seven... And then I have a range of cameras. | :24:30. | :24:40. | |
:24:40. | :24:51. | ||
three, two, one - stare. EERIE MUSIC | :24:51. | :24:57. | |
I BLINKED! WELL DONE! ALREADY TEARING UP. OH, THEY'RE STILL GOING. | :24:57. | :25:07. | |
:25:07. | :25:12. | ||
I GAVE UP. APPLAUSE | :25:12. | :25:17. | |
You're good - you are very good at that! Here's the amazing thing - | :25:17. | :25:25. | |
you have been in so many things, About a Boy, Skins, A Single Man - | :25:25. | :25:35. | |
:25:35. | :25:36. | ||
Denzel, guess what year Nicholas 19... Correct. '84. '89. You have | :25:36. | :25:41. | |
an Oscar as old as him, right? LAUGHTER | :25:41. | :25:51. | |
'89, so that makes you... 23. have underwear older than him. | :25:51. | :25:55. | |
first time we really saw you was in About a Boy, and it's weird because | :25:55. | :26:00. | |
you are recognisable, but there's another shot of you. That just | :26:00. | :26:05. | |
looks like you, yeah, apart from the pudding bowl - how old were you | :26:05. | :26:08. | |
in that movie? I was 11 when we did that yeah. That must have been hard | :26:08. | :26:13. | |
as an 11-year-old walking around with that hair. I mean, I had | :26:13. | :26:17. | |
pretty embarrassing hair beforehand. Oh. Is that how you got the part? | :26:17. | :26:20. | |
Yeah. And then you, on the other hand, it's extraordinary because | :26:21. | :26:27. | |
since kind of St Elsewhere and - you don't seem to have changed at | :26:27. | :26:33. | |
ALL! No, I just - you know, good genes. My mother is 90. Wow! | :26:34. | :26:37. | |
shouldn't have said that. This won't play in the States - it does | :26:37. | :26:42. | |
run in the States. And you know she'll see it. She'll see it! And | :26:42. | :26:47. | |
I'll hear about it too. I'll hear about it. By the way, if you want | :26:47. | :26:57. | |
:26:57. | :27:07. | ||
to take that - You've still got it, Denzel! Eyes | :27:07. | :27:13. | |
on the fruit. Because, bill, what age were you when you discovered | :27:13. | :27:18. | |
your look? LAUGHTER | :27:19. | :27:22. | |
If you know what I mean - LAUGHTER | :27:22. | :27:27. | |
Where are you going with this, Graham? Well, no. You have always | :27:27. | :27:32. | |
looked like this as long as I have known you. I have always looked | :27:32. | :27:39. | |
like this. I'm rocking - it's called a skullette! I have always | :27:39. | :27:44. | |
been hairy since a child... I'll get to you, Denzel, on this topic. | :27:44. | :27:50. | |
I've got, yeah, a lot of hair, yeah! I was just like a dribble | :27:50. | :27:55. | |
when I was a kid, and it stopped me having, you know, having tattoos | :27:55. | :27:59. | |
because I really wanted a tattoo like a rite of passage when I was a | :27:59. | :28:05. | |
teenager. I was very hairy, and the tattooists - I went and asked if I | :28:05. | :28:10. | |
could get a tattoo. The tattooist saw all the hair and thought the | :28:10. | :28:13. | |
only thing that would make sense on you is something you would glimpse | :28:13. | :28:17. | |
in a dense forest. LAUGHTER | :28:17. | :28:23. | |
So I had like a pamt -- sort of like a panther trapped in a thicket, | :28:23. | :28:27. | |
"Help me!" Wood in a continue and, that sort of thing. Here's the | :28:27. | :28:33. | |
thing - so very hairy, but also a lover of nature. Yes. You're saying | :28:33. | :28:36. | |
there is some kind of link there? Could be because you have just | :28:36. | :28:40. | |
finished making a documentary for the BBC... Yes. This is a | :28:40. | :28:44. | |
fascinating story, and I didn't know it. Follows in the footsteps | :28:44. | :28:48. | |
of the naturalist Alfred Russell Wallace, apparently very important, | :28:48. | :28:52. | |
but I haven't heard of him. That's the reason why I wanted to make | :28:52. | :28:55. | |
this film was because nobody's heard of him, and he is probably | :28:55. | :28:59. | |
the greatest naturalist of the 19th century, perhaps one of the greats | :28:59. | :29:05. | |
of all time, and he was a Victorian explorer who travelled throughout | :29:05. | :29:10. | |
what is today modern Indonesia, Singapore and Malaysia. It was the | :29:10. | :29:14. | |
mala archipelago then and he travelled throughout this whole | :29:14. | :29:17. | |
archipelago for eight years pretty much on his own, and he collected | :29:17. | :29:23. | |
thousands of specimens. He discovered thousands of new species. | :29:23. | :29:27. | |
He made an enormous contribution to sort of natural history and our | :29:27. | :29:32. | |
knowledge of the natural world. Crucially, he came up with the | :29:32. | :29:36. | |
theory of evolution independently of Darwin in 1858, but since | :29:36. | :29:41. | |
Wallace's death in 1913, his memory has kind of been lost, and it's | :29:41. | :29:45. | |
Darwin that everyone knows. What's weird is because now you have just | :29:45. | :29:47. | |
done this travelling around this area, and it's still not an easy | :29:48. | :29:53. | |
area to travel around, so back then, I mean... Yeah. You think in the | :29:53. | :29:57. | |
1850s he was travelling through jungles, up rivers that no | :29:57. | :30:03. | |
Europeans had ever travelled, discovering species, seeing birds | :30:04. | :30:07. | |
of paradise, seeing amazing sights no European has ever seen. He was | :30:07. | :30:15. | |
doing this on his own, no mobile phone, no anti-malarials, nothing, | :30:15. | :30:19. | |
just a couple of butterfly nets and a determination. We've got a clip | :30:19. | :30:22. | |
of you going down one of those rivers and seeing some of the | :30:23. | :30:32. | |
:30:33. | :30:44. | ||
These monkeys are found only here. They are known locally as "white | :30:44. | :30:51. | |
man, monkey." Which I have to say I am slightly offended by! | :30:51. | :31:01. | |
:31:01. | :31:12. | ||
With the huge noses, pale faces and Is it the Chinese fascinated by | :31:12. | :31:17. | |
them? My guide, Eric, who took me up the river, he said that he took | :31:17. | :31:20. | |
a party of Chinese guys up the river and they were fascinated by | :31:20. | :31:25. | |
the fact these monkeys had a permanent erection. The Chinese are | :31:25. | :31:30. | |
very fond of their sort of medicines and their... They were | :31:30. | :31:34. | |
saying basically, I want some of what the monkey's had. So he tried | :31:35. | :31:40. | |
to persuade them that it is really poisonous because they eat young | :31:40. | :31:47. | |
leaves and unripe fruit. These Chinese guys were thinking, come | :31:47. | :31:52. | |
on.... Natural Viagra. They were all violently ill and nothing... | :31:52. | :32:01. | |
it because of their diet? It's the diet. They have this and also... | :32:01. | :32:09. | |
You're young! You're young! Pick the right fruits. | :32:09. | :32:16. | |
That will help. You talk about China a lot in your | :32:16. | :32:22. | |
tour, Qualmpeddler. Yes. What a tour! It starts 26th April. You've | :32:22. | :32:28. | |
had an extra 41 dates. Yes. Later in the year. Because they are all | :32:28. | :32:31. | |
selling out. Which is fantastic. You talk about your travels in | :32:31. | :32:37. | |
China. That is right. I spent about a month in China earlier last year | :32:37. | :32:43. | |
and it's a place that's hard to like some times, because it's a | :32:44. | :32:47. | |
place where there's little compassion, I have to say. We went | :32:47. | :32:55. | |
to an industrial part of China and there's a lot of Chinese | :32:55. | :32:59. | |
restaurants, obviously, it is China. As you would imagine! | :32:59. | :33:04. | |
So popular there. We went to a Chinese restaurant. This is one of | :33:04. | :33:08. | |
the most... It was a surreal thing. We went to a Chinese restaurant. | :33:08. | :33:12. | |
Like a lot of Chinese restaurants there are things in tanks, but, you | :33:12. | :33:18. | |
know, crabs, lobsters that kind of thing. Then there were other things, | :33:18. | :33:23. | |
snakes, lizards, to be eaten on the menu. And then and I kid you not, | :33:23. | :33:28. | |
there was an owl, in a cage, on the menu. | :33:28. | :33:32. | |
Right! That was just there waiting to be, you can pick something out, | :33:32. | :33:37. | |
have a prawn brought out or an owl. I was thinking, this is the stuff | :33:37. | :33:43. | |
they have got on display. What have they got behind? Have they got like | :33:43. | :33:49. | |
a big foot back there? A Phoenix? That would be tricky to cook! | :33:50. | :33:55. | |
LAUGHTER So what we did was we negotiated | :33:55. | :34:02. | |
with them, we said can we buy this owl. There was doing and froing, | :34:02. | :34:08. | |
eventually they said OK. It was like these crazy westerners want a | :34:09. | :34:16. | |
take-away owl. So they wrapped it in Sellotape. You are kipping! | :34:16. | :34:20. | |
wrapped it in Sellotape. Put it in a cardboard box. We said thank you | :34:20. | :34:26. | |
and drove off. We indicated with a phrase book, take us to a forest, | :34:26. | :34:33. | |
where we can release the ow lrk. The owl was by -- owl. The owl was | :34:33. | :34:41. | |
very angry. At this point, we're in a wood, a forest, dusk. It is | :34:41. | :34:47. | |
really angry, wrapped in Sellotape. I think this is when you meet your | :34:47. | :34:54. | |
school's headmaster. They meet you and they say, "What are you doing." | :34:54. | :35:04. | |
It' not what it seems, it's Bill Oddy's party. I had to say the taxi | :35:04. | :35:11. | |
driver, you hold theal lols while I cut the Sellotape off. There's not | :35:11. | :35:20. | |
a phrase book in the world! We did it. We cut it free and we watched | :35:20. | :35:25. | |
it fly off into the woods. You're a hero. APPLAUSE. We are about to | :35:25. | :35:31. | |
have music, but very quickly, you are good friends with President | :35:31. | :35:37. | |
Obama. It's not like we talk every day. He's so tied up. He's busy. | :35:37. | :35:42. | |
You are sharing a joke. Yeah. Friends. We were talking about | :35:42. | :35:52. | |
:35:52. | :35:56. | ||
Owls! He's having his inauguration. We | :35:56. | :36:02. | |
have a picture of you at the first one. Yeah! My wife. | :36:02. | :36:09. | |
The event started at like, I don't know, 1pm. That was like 7am. | :36:09. | :36:16. | |
She said that we have to make sure we get seats. "We've got to get | :36:16. | :36:22. | |
seats." You were in the front row. We had orange tickets. They had | :36:22. | :36:27. | |
different colour tickets. I did all this stuff. Made all these speeches | :36:27. | :36:30. | |
for the President. They gave me seats which were 30 rows back. I | :36:31. | :36:36. | |
was like, no, no, I am moving up. I moved up front. That is me waiting | :36:36. | :36:46. | |
Where is your wife? She's in a warm bed, you know! I was actually there | :36:46. | :36:50. | |
about three hours too early. Have you put that paper down to save a | :36:50. | :36:55. | |
seat for her? Yeah. That is taken! It is taken! Right, | :36:55. | :37:01. | |
it is time for music now. 2013, this will be an amazing year for | :37:01. | :37:06. | |
this guy. Performing Animal, please welcome Conor Maynard. | :37:06. | :37:16. | |
:37:16. | :37:16. | ||
# Looking for a girl I've seen but now she's gone | :37:16. | :37:20. | |
# Felt so good even though she did me wrong | :37:20. | :37:28. | |
# She knows what I want but she's bad for me. | :37:28. | :37:33. | |
# She gets what she wants when she's touching me. | :37:33. | :37:39. | |
# I should've known better but she took my self-control. | :37:39. | :37:45. | |
# You can take my heart like a criminal. | :37:45. | :37:54. | |
# Won't you make me believe I'm the only one. | :37:54. | :37:58. | |
# So grab me by the neck and don't you ever let go. | :37:58. | :38:01. | |
# Mess me up so good until I'm begging for more. | :38:01. | :38:11. | |
:38:11. | :38:13. | ||
# You can tear me apart like an animal, like an animal. | :38:13. | :38:19. | |
# I know I'm getting close from the trail of broken hearts. | :38:19. | :38:27. | |
# Hope she's coming back to finish what she started. | :38:27. | :38:31. | |
# I never see the claws until she's touching me. | :38:31. | :38:34. | |
# She's holding me to tight it's getting hard to breathe. | :38:34. | :38:40. | |
# I've never won a game but it feels too good to care. | :38:40. | :38:43. | |
# You can take my heart like a criminal, (like a criminal, like a | :38:43. | :38:51. | |
criminal). # Won't you make me believe I'm the | :38:51. | :38:54. | |
only one (I'm the only one, I'm the only One). | :38:54. | :39:00. | |
# So grab me by the neck and don't you ever let go. | :39:00. | :39:04. | |
# Mess me up so good until I'm begging for more. | :39:04. | :39:12. | |
# You tear me apart like an animal, like an animal. | :39:12. | :39:15. | |
# Take me to the dark and don't you ever let go. | :39:15. | :39:18. | |
# I like when you treat me like an animal. | :39:18. | :39:24. | |
# Take me to the dark and don't you ever let go (don't ever let go). | :39:24. | :39:27. | |
# I like when you treat me like an animal. | :39:27. | :39:30. | |
# Take me to the dark and don't you ever let go. | :39:30. | :39:34. | |
# I like when you treat me like an animal (treat me like an animal). | :39:34. | :39:37. | |
# Take me to the dark and don't you ever let go. | :39:37. | :39:47. | |
:39:47. | :39:54. | ||
# I like when you treat me like an # Messed me up so good, I'm begging | :39:54. | :39:58. | |
for more # Tear me apart | :39:58. | :40:01. | |
# Like an animal. One more time, here we go | :40:01. | :40:06. | |
# Grab me by the neck and don't you ever let go | :40:06. | :40:11. | |
# Mess me up real good, till I'm begging for more | :40:11. | :40:16. | |
# Tear me apart like an animal. # Like an animal | :40:16. | :40:26. | |
:40:26. | :40:32. | ||
CHEERING AND APPLAUSE Conor Maynard, everybody. Come and join me, do. | :40:32. | :40:38. | |
Have a little seat there. Do, do, do. There we go! Very nice to meet | :40:38. | :40:45. | |
you. Thank you very much. Thank you. Actually, Denzel, guess what year | :40:45. | :40:54. | |
Conor was born in? The 90s. So sorry. Even Nicholas was working | :40:54. | :41:01. | |
by then! You were doing adds and stuff. That | :41:01. | :41:06. | |
is the new single off the album Contrasts, which is available now. | :41:06. | :41:12. | |
Animal is out on 21st January. Am I correct? That is perfect. You have | :41:12. | :41:17. | |
done well here. It is 2013 - it is the year you are taking America? | :41:17. | :41:21. | |
literally got back. I have been promoting my album. It is hard. It | :41:21. | :41:27. | |
is a massive market. It is difficult. It is something I | :41:27. | :41:31. | |
dreamed about when I was younger. For me, it is getting that. | :41:31. | :41:38. | |
cannot say, "When I was younger." Last week and I thought about it. | :41:38. | :41:43. | |
Before we go tonight, there's just time for a visit to a red chair. | :41:43. | :41:52. | |
What have we got? Hello. Hello. She's assumed the brace position. | :41:52. | :41:57. | |
She's waiting for the obvious! What is your name? Florence. Where are | :41:57. | :42:07. | |
:42:07. | :42:09. | ||
you from? I am French. That's all right! What do you do? I'm a PA. | :42:09. | :42:19. | |
:42:19. | :42:28. | ||
She annoyed me throughout! Everything about that annoyed me. | :42:28. | :42:36. | |
OK, we're going to have another one. Hello. Evening. What is your name? | :42:36. | :42:46. | |
:42:46. | :42:46. | ||
Sacha. What do you do? I'm a consultant dermatology -- | :42:46. | :42:52. | |
dermatologist with an interest in paediatric dermatology. When I was | :42:52. | :42:56. | |
12 I was invited to a school friend's sleepover and in the | :42:56. | :43:01. | |
middle of the night I had the call to nature, and so I, in the dark, I | :43:01. | :43:09. | |
tiptoeed into the bathroom. As soon as I hit that warm seat there was a | :43:09. | :43:18. | |
flow. A few seconds later I heard a bleated, bla, bla. I snapped on the | :43:18. | :43:24. | |
light and say I had sat and weeed on my friend's elderly man, who was | :43:24. | :43:32. | |
also answering the call to nature. It was a double decking. I don't | :43:32. | :43:37. | |
know. She was quite old! All right, well done! | :43:37. | :43:42. | |
If you like to go in the big red chair, you can. Go to our website. | :43:42. | :43:48. | |
Go to this very address. Thank you to my guests. Conor Maynard. | :43:48. | :43:52. |