Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains adult humour. | :00:05. | :00:11. | |
Welcome to BBC One. It's an exciting race tonight. Hollywood | :00:11. | :00:21. | |
:00:21. | :00:25. | ||
starlet on the inside lane. And national treasure on the outside. | :00:25. | :00:35. | |
:00:35. | :00:38. | ||
This may take some time. Let's APPLAUSE | :00:38. | :00:46. | |
Good evening. Good evening one and all. You're very welcome and we've | :00:46. | :00:50. | |
got a great show for you tonight. Our favourite Brit in Hollywood, | :00:50. | :00:57. | |
Minnie Driver is on the show. Presenter Clare Balding is on the | :00:57. | :01:02. | |
show. Top funny man Stephen Merchant is | :01:02. | :01:09. | |
here. And chart topping Irish band The | :01:09. | :01:14. | |
Script is with us. Always nice to have Stephen back on | :01:14. | :01:20. | |
the show. At 6'7" he often towers over his colleagues. Doesn't he. | :01:20. | :01:27. | |
Yeah. Mind you that's something Clare knows all about. Yeah. | :01:27. | :01:31. | |
That's Clare at Newmarket. She's the new face of Channel 4 Racing. | :01:31. | :01:35. | |
Apparently they wanted someone with more glamour, style, more sex | :01:35. | :01:45. | |
:01:45. | :01:47. | ||
appeal than her predecessor. Tick. Here she is at Royal Ascot. | :01:47. | :01:53. | |
Oohhh! That's Ladies' Day, where everybody wears a hat. They do. | :01:53. | :01:58. | |
Bless. Clare was also one of the stars of the BBC's Olympic coverage. | :01:58. | :02:03. | |
I tell you, I love the way children got into the Olympics. Wasn't it | :02:03. | :02:08. | |
sweet? Here are some kids who have just seen Usain Bolt warming up. | :02:08. | :02:11. | |
Here's some who have spotted Mo Farah training. | :02:11. | :02:17. | |
And here is one who has just heard the Spice Girls at theing -- | :02:17. | :02:27. | |
:02:27. | :02:27. | ||
closing ceremony. Adorable. Minnie and Stephen are starring in | :02:27. | :02:31. | |
I Give It A Year. It's all about a doomed marriage. Doomed marriage? | :02:31. | :02:38. | |
Where did they get the idea from? That's Katie Price with her new | :02:38. | :02:41. | |
husband Kieran. If you're watching the Monday night repeat, I'm sorry | :02:41. | :02:47. | |
that didn't work out. LAUGHTER | :02:47. | :02:51. | |
But do you think, where did that bloke come from? How did he end up | :02:51. | :02:59. | |
marrying Katie Price? Husband number three, please. | :02:59. | :03:04. | |
We'll all marry her eventually. Let's get some guests on. | :03:05. | :03:11. | |
Later we'll have music from The Script. First, it's Stephen | :03:11. | :03:15. | |
Merchant. Let me greet you. | :03:15. | :03:25. | |
:03:25. | :03:31. | ||
Hello Sir. Nice to see you. It's Clare Balding! Hello. Have a seat. | :03:31. | :03:41. | |
:03:41. | :03:42. | ||
And mirror, signal, manoeuvre, it's You look fabulous. Sit yourself | :03:42. | :03:47. | |
down. APPLAUSE | :03:47. | :03:52. | |
I feel like the scruffy one. I'm just wearing a jacket, look at you | :03:52. | :03:56. | |
three. Beautiful. We've been comparing heels. I said I can't | :03:56. | :04:01. | |
walk in heels more than two sets. She said, I'll raise you. Do you | :04:01. | :04:08. | |
mind if I take them off? No. Can I just take my trousers off? Sure. | :04:08. | :04:13. | |
that all right. I feel so at home. Look at you all comfy. That's so | :04:13. | :04:19. | |
much better. A very British couch. You have been out of the country. | :04:19. | :04:24. | |
Clare Balding went from jobbing presenter... National treasure. | :04:24. | :04:28. | |
word "national" is always in front. She's like a Building Society now. | :04:28. | :04:34. | |
I can lend you money, it's fine. Dame Clare Balding. Are you a dame? | :04:34. | :04:39. | |
No, I'm not. Did you get anything in the honours? No. Why not? | :04:39. | :04:43. | |
don't deserve anything. That's shocking. It's not. They gave | :04:43. | :04:49. | |
awards to every man and his dog. They didn't give one to me. I'm | :04:49. | :04:52. | |
livid. Bradley Wiggins gets a knighthood for winning something | :04:52. | :04:58. | |
and riding a bike. I've got three BAFTAs and two Golden Globes and | :04:58. | :05:02. | |
not a stuff. You probably have an OBE. No, I don't. I don't deserve. | :05:02. | :05:07. | |
It Give it time. Due notice this resemblance or did people tweet | :05:07. | :05:13. | |
you? Somebody told me that I looked a bit like Keneth Branagh, but as | :05:13. | :05:23. | |
:05:23. | :05:26. | ||
Henry V and actually, I do. This is uncanny. I use that as my Avatar. I | :05:26. | :05:31. | |
met him over Christmas. I was doing some programmes... He is wearing | :05:31. | :05:36. | |
eye make up. Oh, my God. I said I've been abusing your image and | :05:36. | :05:41. | |
using you as my Avatar, look. He was very good. He laughed about it. | :05:41. | :05:45. | |
You use that picture and people thought it was you? Yeah. That's | :05:45. | :05:51. | |
amazing. And are mad about the Twitter. I love the Twitter. It's | :05:51. | :05:55. | |
sweet because your followers are sending you pictures, did you ask | :05:55. | :06:00. | |
them to? I got quite attached, I like things that look like | :06:00. | :06:03. | |
buildings or boxes or things that aren't meant to look like people. | :06:03. | :06:08. | |
People started sending me pictures. It's sounds odd. I'm not a mad, | :06:08. | :06:17. | |
raving... This is one. They look evil. What are you doing with the | :06:17. | :06:23. | |
files? Tell us who this door handle looks like? This is very good. | :06:23. | :06:31. | |
Keneth Williams. It does. matron. This is astonished toilet. | :06:31. | :06:38. | |
LAUGHTER People send me these. They are | :06:38. | :06:42. | |
funny. Is it rude of me to say, it doesn't look like you, but it has a | :06:42. | :06:51. | |
whiff of you. Not a whiff. APPLAUSE | :06:51. | :07:00. | |
It's uncanny. Minnie Driver, and indeed Stephen | :07:00. | :07:05. | |
Merchant, you're in this movie, I Give It A Year, it opens on 8th | :07:05. | :07:10. | |
February. This is a weird question to ask you, because I've seen the | :07:11. | :07:16. | |
film, but who are you in it? Because it's never quite explained | :07:16. | :07:21. | |
who you are. Is that a terrible thing to say. It doesn't matter. | :07:21. | :07:25. | |
I'm meant to be her sister. But it is never really qualified. I wasn't | :07:25. | :07:35. | |
sure. I mean, it's a fair question from, you know, you. Who are you in | :07:35. | :07:41. | |
this film? It's not my fault. And you are very funny in it. Oh, good. | :07:42. | :07:45. | |
Thanks. He just doesn't know why you're in it. You have some really | :07:45. | :07:52. | |
good lines in it. I've got good lines. There's very little rom in | :07:52. | :07:58. | |
this rom-com. A lot of com. It's a really funny movie. This is a scene, | :07:58. | :08:06. | |
it's comasz and it's what charades go wrong. You're there with your | :08:06. | :08:14. | |
husband who is a doctor. Here we go. Television. TV. Four | :08:14. | :08:24. | |
:08:24. | :08:26. | ||
words. First word. Tapping. Hanging. Vera Duck. Braille. Impotent. Sick, | :08:26. | :08:32. | |
stupid. I femme gnat. Annoying, idiot, disappointment, shame, | :08:32. | :08:42. | |
:08:42. | :08:46. | ||
regret, lazy, sadness. Doctor. LAUGHTER | :08:46. | :08:51. | |
What's weird is because, as I say, there isn't a lot of romance in it, | :08:51. | :08:54. | |
but that marriage, your marriage has got a functional relationship | :08:54. | :09:01. | |
in the movie. It does. I think it's very real in that you don't have to | :09:01. | :09:07. | |
like the person you love all the time. It's not the romanticising of | :09:07. | :09:12. | |
the relationship. It's the warts and all, which is what that central | :09:12. | :09:17. | |
couple are trying to make it work and it's not workingment -- working. | :09:17. | :09:21. | |
It's what happens when you give up and give into being a cynical old | :09:21. | :09:30. | |
cow, like me, in the film. Your part, was it writden for you? | :09:30. | :09:36. | |
Dan said. That he wrote the role of a sort of socially autistic nerd | :09:36. | :09:41. | |
who always says the wrong thing. love the two women going... Frb | :09:41. | :09:46. | |
Yeah, that makes sense. Yeah. Absolutely. Yeah, so that's why I | :09:46. | :09:53. | |
did it. The inappropriate things you say sometimes... In the movie? | :09:53. | :09:56. | |
Well, no in life. Are they intentional? Never. Someone asked | :09:57. | :10:01. | |
me on the red carpet what would your superpower be? And I said to | :10:01. | :10:05. | |
never be embarrassed. So many of the things I've done in TV shows | :10:06. | :10:09. | |
and stuff are about the anxiety of embarrassment. You remember when I | :10:09. | :10:13. | |
was here last time, do you remember this? What happened? I was talking | :10:13. | :10:17. | |
about my stand-up show, which was about finding a wife. The brilliant | :10:17. | :10:21. | |
Jo Brand was on the show. She sat where you are. She was great, | :10:21. | :10:25. | |
fantastic. I love her. She's fantastic. I said I'm hoping I will | :10:25. | :10:30. | |
find a beautiful wife. And Jo said "Are only beautiful women allowed | :10:30. | :10:36. | |
to come to the show." And I said, "No, everyone's welcome, Jo." | :10:36. | :10:42. | |
LAUGHTER Honestly oh, it never occurred to | :10:42. | :10:47. | |
me. I swear, it never occurred to me. It just came and I don't know | :10:47. | :10:52. | |
if it's an English thing. Certainly the movie is really, it seems a | :10:52. | :10:57. | |
really British take on a rom-com. We're going to watch a clip. You're | :10:57. | :11:01. | |
a best man. We have a clip of you giving the best man speech. | :11:01. | :11:06. | |
For those of you who don't know me and especially if we meet in the | :11:06. | :11:14. | |
bar later, my name is Dani, do you want a pint? Fornication, I'll read | :11:14. | :11:19. | |
that again. For an occasion like this, I want to make sure I keep up | :11:19. | :11:23. | |
the traditions of being a best man. I need to guest the groom to the | :11:23. | :11:28. | |
church on time. Tick. Remember the rings. Did that and have sex with a | :11:28. | :11:32. | |
bridesmaid. LAUGHTER | :11:32. | :11:35. | |
It's great to see so many people turn out to see Josh finally tie | :11:35. | :11:42. | |
the knot and about time too. Nat has it all. She's clever apparently | :11:42. | :11:45. | |
really delivers in the bedroom. Like mother, like daughter, hey? I | :11:45. | :11:49. | |
feel she could easily be a model. I think we'll agree, if it wasn't for | :11:49. | :11:54. | |
her nose. Very good. APPLAUSE | :11:54. | :12:04. | |
That is brilliant. Funny. You're tour is about looking for love. | :12:04. | :12:13. | |
Right. Did it work? No. It didn't. I discovered that most of the | :12:13. | :12:17. | |
groupies that hang around outside the door are middle aged men who | :12:17. | :12:23. | |
work in IT. So I've had some fun nights, as you can imagine. But, no, | :12:23. | :12:30. | |
there was no wives. Really? Yeah and I've been everywhere, Australia, | :12:30. | :12:35. | |
America, New Zealand. I've looked high and low. Still looking. I've | :12:35. | :12:38. | |
really lowered my standards now. There might even be someone... | :12:38. | :12:42. | |
Sorry, I shouldn't have said that. This is what I mean. I always put | :12:42. | :12:48. | |
my foot in it. They were on my side. So you're single at the moment. | :12:48. | :12:52. | |
You're stepping out I believe. Don't say any more, I'm not prying. | :12:53. | :13:02. | |
I'm not going all tabloid. But you're dating? Yes. And didn't he | :13:02. | :13:08. | |
want to marry you? It is a bit confusing. He's only four. What | :13:08. | :13:14. | |
kind of a mother are you? Walking around in provocative clothing. | :13:14. | :13:22. | |
Stop it. It's so grim. Are you like Miss Haversham? No. What do you | :13:22. | :13:26. | |
mean, he wanted to marry you? Because he said, "I want a brother | :13:26. | :13:31. | |
and a sister. I said, "You've got to have a husband to get one of | :13:31. | :13:38. | |
those." He went, "I can be that." Exactly awwee. Not revolting. | :13:38. | :13:43. | |
That's your disgusting piggery in your head. How did you explain to | :13:43. | :13:47. | |
him that he couldn't be. They are married now. | :13:47. | :13:57. | |
:13:57. | :14:04. | ||
Of course you can marry mummy. wrong!. Clare, you are settled. How | :14:04. | :14:10. | |
many years? Ten years. Six years civilly partnered. I thought you | :14:10. | :14:20. | |
:14:20. | :14:21. | ||
just said, "Punished." One of my nephews, he's four. They all adore | :14:21. | :14:31. | |
:14:31. | :14:35. | ||
Alice. He said, Unty -- anty Clare, can men and women get married too? | :14:35. | :14:41. | |
You say you have been together with your partner for a long time. Do | :14:41. | :14:47. | |
you not get fearful of getting bored. I thought I would never get | :14:47. | :14:57. | |
:14:57. | :15:00. | ||
bored of Wii tennis. It's in the loft skram Now, Dame! | :15:00. | :15:07. | |
Now, Dame Clare Balding.... have to stop saying that! I cannot | :15:07. | :15:14. | |
believe they did not give it to you. I didn't do anything. You sat there | :15:14. | :15:21. | |
going "Here's the swimming," for nearly a month. It has all changed. | :15:21. | :15:26. | |
Britain's brightest on BBC One, I love - this is on Saturday nights, | :15:26. | :15:32. | |
because it seems an unlikely think to put on a Saturday night. Because | :15:32. | :15:42. | |
:15:42. | :15:42. | ||
it is intell gent!? Talk us through it? We are looking for people who | :15:42. | :15:49. | |
are really bright. Don't look at me. I'm ignoring him. | :15:49. | :15:53. | |
Numeracy, literacy, memory and emotional intelligence, so social | :15:53. | :15:58. | |
perception is tested. I love it. A lot of people come on who have not | :15:58. | :16:02. | |
done well in exams. It shows you how bad they are for testing | :16:02. | :16:07. | |
whether we are bright or not. All- round brightness gets you further | :16:07. | :16:11. | |
in life rather than academic brilliance. They all look unlikely | :16:11. | :16:18. | |
to be on television. They are not proper contestants who go on quizs. | :16:18. | :16:25. | |
People who are young and try and show how clever they are. He has | :16:25. | :16:32. | |
that look about somebody. Are you saying it look like a nerd? | :16:32. | :16:41. | |
Obviously not now. Graham probably has one... I do. Stephen was on | :16:41. | :16:48. | |
Block Busters. Now it sound funny. At the time you didn't do it | :16:48. | :16:58. | |
:16:58. | :16:58. | ||
ironically! I was old enough to know better. They revived the show | :16:58. | :17:08. | |
:17:08. | :17:08. | ||
with Michael Aspall. I was 20. old? I was 20. You look younger. | :17:08. | :17:16. | |
Here you are. Which one are you? That's me trying to fig our out a | :17:16. | :17:23. | |
question. Did -- figure out a question. Did you have a mascot? | :17:23. | :17:29. | |
They didn't allow you. Why two people against one person? I used | :17:29. | :17:39. | |
:17:39. | :17:41. | ||
to watch thinking, which idiot goes on their own? If I had a friend I | :17:41. | :17:47. | |
would not be on Blockbusters. I think I was a smart bloke, but I | :17:48. | :17:51. | |
was terrible. The pressure of the lights - it was intense. I have | :17:51. | :17:57. | |
worked with Les Dennis - all the big names. He would do family | :17:57. | :18:02. | |
fortunes. I asked him the funny answers. I understand now. There | :18:02. | :18:12. | |
:18:12. | :18:13. | ||
was name a bird with a long neck and the answer was Naiomi Cameron. | :18:13. | :18:19. | |
My favourite was name something you would open other than a door and | :18:19. | :18:26. | |
the answer was bowels. One of the appeals of you Clare | :18:26. | :18:32. | |
Balding, is that people see you as an every woman. People can rehate | :18:32. | :18:42. | |
:18:42. | :18:44. | ||
to you. That's nice! Having read your book, which is my -- My | :18:44. | :18:54. | |
:18:54. | :18:54. | ||
Animals and other Family. It is like you grew up in PG | :18:54. | :19:04. | |
:19:04. | :19:05. | ||
Woodhouse land. I knew dad was not great at health and safety. Putting | :19:05. | :19:11. | |
on slays behind his car. I enjoyed it. Was great. You survived it. | :19:11. | :19:17. | |
thought I was a dog for most of the beginning of my life. You had to be | :19:17. | :19:24. | |
a dog to get attention and you were a dog to get attention and you were | :19:24. | :19:27. | |
an only child at the time! Yes. I don't see what's odd about that. I | :19:27. | :19:31. | |
could see the dogs were getting a lot of attention. I thought I would | :19:31. | :19:36. | |
be a dog and then they will rough my hair up! You tell your life | :19:36. | :19:40. | |
through animals that you have met and known throughout your life. | :19:40. | :19:46. | |
What was the Shetland? Valcry. you brought into lunch? I thought | :19:46. | :19:53. | |
she would want to be with us. Shetland pony, not full-sized? | :19:53. | :20:00. | |
would be mad! It was a big house, but yes... I brought her in and she | :20:00. | :20:05. | |
did a droping in the kitchen and my mother was not very pleased. That | :20:05. | :20:09. | |
is good. That shows standards. It would be terrible if your mother | :20:09. | :20:17. | |
was relaxed about it. Don't worry about it! A bit of a stin income | :20:17. | :20:24. | |
the kitchen! -- stink in the kitchen. This is your house - this | :20:24. | :20:29. | |
is lunch and look who has popped in - the Queen Mother. I love the fact | :20:29. | :20:36. | |
she kept her hat on for lunch. was the Queen Mother at your house? | :20:36. | :20:46. | |
:20:46. | :20:47. | ||
Well, my father trained racehorses. She liked a tipple. No, she didn't | :20:47. | :20:52. | |
gamble. Not really. She came to see her horses and stayed for lunch. | :20:52. | :20:58. | |
is an extraordinary childhood and would make a good film. We are in | :20:58. | :21:06. | |
discussion about the dramatisation of it... Kenneth Braaugh's going to | :21:06. | :21:16. | |
:21:16. | :21:18. | ||
play her! He is Clare Balding! Him in a dress, | :21:18. | :21:24. | |
bringing a pony into the kitchen! Well! | :21:24. | :21:31. | |
And we've got this cast! Stephen Merchant plays the jockey, | :21:31. | :21:35. | |
obviously! That is the other thing in this book. Maybe everyone knew | :21:35. | :21:40. | |
this, I didn't realise how serious you were about being a jockey. You | :21:40. | :21:47. | |
were a proper jockey. I was an amateur jockey. You are joking! | :21:47. | :21:55. | |
I am heavy to be a jockey. You are tall. And heavy. I won the amateur | :21:55. | :22:00. | |
championship and won my weight in champagne. The sponsors pulled out | :22:00. | :22:08. | |
the following year! They did. The chaim paing did my 21st -- | :22:08. | :22:13. | |
champagne did my 21st birthday party. It is odd how your body | :22:13. | :22:19. | |
betrays you when you cannot do the thing you want to. I was always | :22:19. | :22:27. | |
heavy. I would eat and drink nothing, sweat in a sawn that. Dad | :22:27. | :22:31. | |
could lose five or six pounds in one day. I thought I would be able | :22:31. | :22:37. | |
to and I couldn't. You cut your nails to lose weight! That didn't | :22:37. | :22:42. | |
make any difference. I kept my hair short. I thought that would make a | :22:42. | :22:48. | |
difference. It didn't either. are racing against people like | :22:48. | :22:54. | |
Princess Anne? She was riding on the amateur racecourse at the same | :22:54. | :22:59. | |
time. We rode against each other at a race at Beverley. I managed to | :22:59. | :23:04. | |
carve her up, without realising. My horse decided to do it. He jumped a | :23:04. | :23:08. | |
path. That is your story, obviously! That is what I told her. | :23:08. | :23:14. | |
She was probably cross. And fair dos. I cut her up on the bend. We | :23:14. | :23:24. | |
:23:24. | :23:26. | ||
had about another mile to race. I didn't realise - I really didn't | :23:26. | :23:30. | |
realise it was her. When we came into the strait there was a blanket | :23:30. | :23:35. | |
finish. As I am pulling up, I think I have just won that. I didn't | :23:35. | :23:39. | |
realise until I came back and my mother was as pale as anything. She | :23:39. | :23:47. | |
said, "Do you know what you have done?" I said, I think I have won. | :23:47. | :23:53. | |
She said, no, you have carved up Princess Anne. It was all unnerving, | :23:53. | :24:00. | |
all the girls were in there before me and.... It is an amazing image, | :24:00. | :24:07. | |
Princess Anne going "where's Balding?" It was a little frosty. | :24:07. | :24:13. | |
Have you made peace? Well, I hope so. I see Zara Phillips a lot. | :24:13. | :24:23. | |
is why she didn't get the OBE! pay-back time! | :24:23. | :24:30. | |
A big cross - off the list., No, no, In the book you talk about the | :24:31. | :24:36. | |
complicated thing of naming horses. People do name horses such weird | :24:36. | :24:44. | |
things. And the people trying to smuggle quite rude names in. New | :24:44. | :24:49. | |
Was Big Tits allowed here? It was allowed in France but not here. | :24:49. | :24:52. | |
that because they didn't know what it was? That is a real name in | :24:53. | :25:02. | |
:25:03. | :25:08. | ||
France. The Great Titans - it means big | :25:08. | :25:18. | |
:25:18. | :25:21. | ||
tits. That is what they are. Can I be in your show? Clare was | :25:21. | :25:25. | |
not considering that! She cannot mean that show where I am looking | :25:25. | :25:32. | |
for intelligent people! Yes, you can, Minnie. Ignore him! | :25:32. | :25:39. | |
Do a celebrity special for Christmas. A celebrity pity special. | :25:39. | :25:47. | |
Well done! I hope there's a question about the French for Big | :25:47. | :25:50. | |
Tits! We have the British Horseracing | :25:50. | :25:57. | |
Boarbroodd authority - bless them - they issued a list of all the names | :25:57. | :26:02. | |
which have been refused because people tried to smuggle these names | :26:02. | :26:05. | |
through. That authority they saw through them. They saw what people | :26:05. | :26:10. | |
were trying to do. So Minnie, if you want to read some out in your | :26:10. | :26:16. | |
beautiful voice. I will. Here is beautiful voice. I will. Here is | :26:16. | :26:26. | |
:26:26. | :26:27. | ||
the first one. Read that one out. Here's another one. | :26:27. | :26:37. | |
:26:37. | :26:41. | ||
This will be available as a podcast! Minnie going... There is | :26:41. | :26:49. | |
an Irishness to this. If you write them up like this we | :26:49. | :26:53. | |
can get away with this! I think we're OK! | :26:53. | :27:03. | |
:27:03. | :27:06. | ||
Another one? It looks like a proper name. | :27:06. | :27:12. | |
Wouldn't that be amazing if the Queen mum had accidentally bought | :27:12. | :27:22. | |
:27:22. | :27:26. | ||
that horse. This cannot be real How can they see through that one? | :27:26. | :27:36. | |
:27:36. | :27:45. | ||
Here we go - another one. The weird one is there was one | :27:45. | :27:51. | |
called Hoof Hearted. There's some footage of this horse with the | :27:51. | :28:01. | |
:28:01. | :28:10. | ||
APPLAUSE That's real! | :28:10. | :28:16. | |
Listen, Stephen Merchant, you've gone all Hollywood. Yes. I have | :28:16. | :28:25. | |
seen pictures of you with Hali Berry. It is a series of sketches. | :28:25. | :28:30. | |
I was asked if I would be on a blind date with her. I have seen it | :28:30. | :28:37. | |
- it is very, very funny. Movie 43, out on Friday. Is it called that | :28:37. | :28:45. | |
because it is 43 sketches? They are looking for some missal movie | :28:45. | :28:55. | |
:28:55. | :28:56. | ||
called Movie 43. These teenagers... It is crazy the cast list, it is | :28:56. | :29:03. | |
Kate Winslett, Richard Gear, it is mad. They asked if I wanted to be | :29:03. | :29:11. | |
in a sketch, I said yes. I wanted a picture of me with Haile Berry. I | :29:11. | :29:16. | |
could show all the people who laughed at me as a teenager. This | :29:16. | :29:26. | |
:29:26. | :29:31. | ||
We play a game of truth or dare. It starts and the dares escalate. So | :29:31. | :29:37. | |
at one point I wind up with a tattooed peen us -- penis on my | :29:37. | :29:42. | |
face. She makes guacamole with one of her boobs. It's classy. It will | :29:42. | :29:49. | |
give Lincoln a run for its money at the Oscars. How do you do that? | :29:49. | :29:58. | |
get all the elements and... thanks. Pestle and mortar. The | :29:58. | :30:02. | |
other big Hollywood news is your stand-up tour almost like a movie | :30:02. | :30:07. | |
in itself is now being turned into a sitcom. I did the show in America | :30:07. | :30:11. | |
and some HBO came up and said would you think about doing it as a | :30:11. | :30:15. | |
sitcom. My stand up show is about my failure to find a wife and | :30:15. | :30:18. | |
general pathetic life as a loseer. And they thought, yeah, we want | :30:18. | :30:23. | |
this on TV. So that's what we're doing. Is there not going to come a | :30:23. | :30:27. | |
huge dilemma when they say we want to turn it into a six-part series | :30:27. | :30:34. | |
that if you find a wife, in that time, you ruin your career. He'll | :30:34. | :30:39. | |
keep her in a bunker. Sort of where he already does keeper. | :30:39. | :30:43. | |
Yeah, you're right. I mean it's not a documentary. Soy could | :30:43. | :30:47. | |
theoretically be married and still be acting the role. It's going to | :30:47. | :30:52. | |
ruin your jam though if you do get married. It would. Thank you, | :30:52. | :30:55. | |
you're wishing on me a deep, miserable, lonely laugh, so the | :30:55. | :31:00. | |
laughs keep coming. I'm not. Is one of the episodes going to feature | :31:00. | :31:05. | |
that hideous wedding experience you had? It is. Yeah. I mean, I thought | :31:06. | :31:10. | |
I'd met this woman of my dreams at this wedding. You know you get | :31:10. | :31:13. | |
stuck on a table with people you don't know. There was a girl | :31:13. | :31:17. | |
opposite. We hit it off. I was stuck next to this couple, Ollie | :31:17. | :31:20. | |
and Lisa, they had a toddler in a high chair, just sat there like | :31:20. | :31:27. | |
that. Just mashing bread sticks and stuff. The mother wouldn't | :31:27. | :31:31. | |
reprimand him. She was going "What's he like." She would | :31:31. | :31:35. | |
dominate the table with these stories, you know these people | :31:35. | :31:40. | |
they're not really stories, it was like, "Here's one for you, I went | :31:40. | :31:47. | |
to the erm... Erm... The erm... Eiffel Tower. No, no the erm... | :31:47. | :31:54. | |
Supermarket. Did a big, big erm... Shop. Did a shop. I got back to the | :31:54. | :32:01. | |
checkout and I'd forgotten my purse. I had to go home for it. Honestly. | :32:01. | :32:05. | |
I was thinking if that story was making its way out of my brain | :32:05. | :32:09. | |
towards my mouth, another part of my brain would have stepped in and | :32:09. | :32:13. | |
gone "Where the hell are you going?" This is a wedding. I don't | :32:13. | :32:20. | |
know what this is. She's whitering on and her husband who is a posh | :32:20. | :32:28. | |
bloke pipes up and goes "Where do I recognise you from?" I said The | :32:28. | :32:32. | |
Office. He said "I've seen The Office. Not my cup of tea. I'll | :32:32. | :32:36. | |
tell you where you're going wrong with The Office. He said not much | :32:36. | :32:39. | |
story." I'm thinking yeah because you know about stories because | :32:39. | :32:43. | |
you're married to bloody Charles Dickens. | :32:43. | :32:47. | |
That's not the reason I blew it with this girl. So this toddler is | :32:47. | :32:51. | |
sat there the whole time and we're having soup and for no reason, this | :32:51. | :32:55. | |
kid just took his shoe off, just lobbed it in the air. It came | :32:55. | :32:59. | |
flying down, landed in my soup right, all over me. No-one else is | :32:59. | :33:06. | |
touched. I'm covered in it. The mother went, "What's he like?" And | :33:06. | :33:16. | |
:33:16. | :33:28. | ||
I said," He's like a (BLEEP)". It's time for some music now. This | :33:28. | :33:31. | |
group's third album has topped the charts all over the world. Tonight | :33:31. | :33:38. | |
they're performing a new single, If You Could See Me Now. Please | :33:38. | :33:48. | |
:33:48. | :33:53. | ||
# It was February 14 Valentines Day # The roses came but they took you | :33:53. | :33:55. | |
away. # Tattooed on my arm is a charm to | :33:55. | :33:58. | |
disarm all the harm # Gotta keep myself calm but the | :33:58. | :34:01. | |
truth is you're gone. # And I'll never get to show you | :34:01. | :34:04. | |
these songs # Dad you should see the tours that | :34:04. | :34:06. | |
I'm on. # I see you standing there next to | :34:06. | :34:08. | |
# Both singing along, yeah, arm in arm. | :34:08. | :34:11. | |
# And there are days when I'm losing my faith? | :34:11. | :34:13. | |
# Because the man wasn't good. He was great. | :34:13. | :34:16. | |
# He'd say "Music was the home for your pain" | :34:16. | :34:18. | |
# And explained I was young, he would say | :34:18. | :34:22. | |
# Take that rage, put it on a page. # Take that page to the stage | :34:22. | :34:25. | |
# Blow the roof off the place. # I'm trying to make you proud | :34:25. | :34:29. | |
# Do everything you did. # I hope you're up there with God | :34:29. | :34:32. | |
saying "That's my kid!" # I still look for your face in the | :34:32. | :34:35. | |
crowd. # Oh, if you could see me now | :34:35. | :34:39. | |
# Would you stand in disgrace or take a bow? | :34:39. | :34:45. | |
# Oh, if you could see me now # Oh if you could see me now. | :34:46. | :34:48. | |
# If you could see me now would you recognize me? | :34:48. | :34:51. | |
# Would you pat me on the back or would you criticize me? | :34:52. | :34:54. | |
# Would you follow every line on my tear-stained face | :34:54. | :34:56. | |
# Put your hand on my heart that was cold. | :34:57. | :35:01. | |
# As the day you were taken away # I know it's been a while, but I | :35:01. | :35:04. | |
can see you clear as day. # Right now, I wish I could hear | :35:04. | :35:07. | |
you say # I drink too much, and I smoke too | :35:07. | :35:10. | |
much dutch. # But if you can't see me now that | :35:10. | :35:12. | |
a must # You used to say I wont know a | :35:13. | :35:16. | |
wind until it crossed me. # Like I wont know real love 'til | :35:16. | :35:19. | |
I've loved and I've lost it # So if you lost a sister, | :35:19. | :35:22. | |
someone's lost a mom. # And if you lost a dad then | :35:22. | :35:25. | |
someone's lost a son # And they're all missing out, yeah, | :35:25. | :35:28. | |
they're all missing out. # So if you get a second to look | :35:28. | :35:31. | |
down on me now # Mom, Dad I'm just missing you now. | :35:31. | :35:33. | |
# I still look for your face in the crowd | :35:34. | :35:37. | |
# Oh, if you could see me now. # Would you stand in disgrace or | :35:37. | :35:46. | |
take a bow? # Oh, if you could see me now | :35:46. | :35:50. | |
# Oh, oh # Would you call me a saint or a | :35:51. | :35:53. | |
sinner? # Would you love me a loser or | :35:53. | :35:59. | |
winner? # Oh, oh | :35:59. | :36:03. | |
# When I see my face in the mirror # We look so alike that it makes me | :36:03. | :36:06. | |
shiver. # I still look for your face in the | :36:06. | :36:12. | |
crowd # Oh, if you could see me now. | :36:12. | :36:15. | |
# Would you stand in disgrace or take a bow? | :36:15. | :36:24. | |
# Oh, if you could see me now. # Yeah, I'm just missing you now. | :36:24. | :36:27. | |
# I still look for your face in the crowd. | :36:27. | :36:32. | |
# Oh, if you could see me now # Would you stand in disgrace or | :36:32. | :36:38. | |
take a bow? # Oh, if you could see me now | :36:38. | :36:41. | |
# If you could see, you could see me now. | :36:41. | :36:51. | |
:36:51. | :36:54. | ||
# If you could see, you could see APPLAUSE | :36:54. | :37:00. | |
The Script, ladies and gentleman! Come on over. | :37:00. | :37:05. | |
Everyone, shove up. Hello Sir. Have a seat there. Hello Sir. Very nice | :37:05. | :37:15. | |
:37:15. | :37:21. | ||
to see you. Lovely. Shake hands, awe. How lovely. Look a -- at The | :37:21. | :37:24. | |
Script. That's the new single off the album. That's done incredibly | :37:24. | :37:31. | |
well. That single is not out till March the... 4Th. It's a way aways. | :37:31. | :37:36. | |
You have to do the promotion. You have to be on the radio. Giving you | :37:36. | :37:41. | |
the exclusive on it as well. Thank you very much. I think everyone | :37:41. | :37:47. | |
liked it. Thank you very much. You're on tour, sort of on tour | :37:47. | :37:54. | |
still. We were on last night, we played Hamburg last night. Munich. | :37:54. | :37:59. | |
Sorry. So showbiz. Tomorrow is Holland. 16,000 people | :37:59. | :38:04. | |
tomorrow night as well. Will they be as good as that audience though? | :38:04. | :38:12. | |
I doubt it. I should say you were in London at the O2 2 2nd and 23rd | :38:12. | :38:16. | |
of March. If you like drinking and who doesn't, and you're going on | :38:16. | :38:22. | |
tour, you have such a good system for getting back to your room. Is | :38:22. | :38:30. | |
it you? Yeah. I have a great tour manager who sticks the number to | :38:30. | :38:33. | |
our room on the back of our phones. But I keep the same room in every | :38:33. | :38:41. | |
hotel. Isn't that clever. I stay at the same number in every hotel. | :38:41. | :38:49. | |
was thinking it would have to be a low number. If it was like 1102 and | :38:49. | :38:55. | |
there was no 11th floor. It should be 999. The Voice you've recorded | :38:55. | :38:58. | |
some of it? Yeah we've shot the blind auditions, the most exciting | :38:58. | :39:03. | |
part. We shot those and it was amazing. Are you just at home | :39:03. | :39:08. | |
picking your nose while he's off doing that? I have a show called | :39:08. | :39:14. | |
the Mouth. I put the Voice on mute and I give | :39:14. | :39:20. | |
him shit all night. I love how obsessed you became with | :39:20. | :39:29. | |
it, moving furniture, like the chair spins. It must be fun. | :39:29. | :39:34. | |
really is. Do you go before the audience comes in? Yeah, me and Tom | :39:34. | :39:38. | |
were just touching our buttons. Everyone loves a mechanical chair. | :39:38. | :39:42. | |
Before we go tonight, let's pay a advise toit our very own, big red | :39:42. | :39:49. | |
chair, who's up first? Hello? You look quite serious. What's your | :39:49. | :39:52. | |
name? Hugo. You are quite serious, aren't you? What do you do? I work | :39:52. | :39:58. | |
in insurance. I wasn't going to guess that, but you could have. | :39:58. | :40:01. | |
What sort of insurance? Normally property, but actually we've | :40:01. | :40:05. | |
branched out and insured our first porn star's penis. | :40:05. | :40:14. | |
True story. Against what? Fire and theft? | :40:14. | :40:20. | |
APPLAUSE Well damage and being kidnapped for | :40:20. | :40:27. | |
ransom. Yeah. Is that your story? No. OK. That's just his dull day | :40:27. | :40:32. | |
job. Off you go, Hugo, with your tale. | :40:32. | :40:38. | |
My tale today is of my third driving test. We are going along, | :40:38. | :40:42. | |
fine. The examer says right in a minute we're going to go through | :40:42. | :40:45. | |
the emergency stop. I'll put my hand up and go for it, hit the | :40:45. | :40:52. | |
brakes. You weren't having it. Why? Because I feel like we've had the | :40:52. | :40:56. | |
best of Hugo. I wanted to know what was going to happen. Now you never | :40:56. | :41:02. | |
will. Get the next one on. Wow. | :41:02. | :41:09. | |
She only plailz a bitch. -- plays. Do we have someone else? Hello. | :41:09. | :41:18. | |
Yeah I'm with you. This is going to be great. This guy is great. What's | :41:18. | :41:26. | |
your name? Nathan. Where are you from? Australia. His voice though, | :41:26. | :41:36. | |
:41:36. | :41:36. | ||
that's a porn star's voice. I think he's the... Really? Yeah. Nathan, | :41:37. | :41:45. | |
what do you do here now? Teaching. What are you teaching? Not a lot. I | :41:45. | :41:52. | |
teach primary school kids. Anything at all? Not on Mondays. Subjects? | :41:52. | :41:58. | |
Years one to six and get given and told to teach it. | :41:58. | :42:04. | |
LAUGHTER He's teaching our kids? Some parent | :42:04. | :42:09. | |
in a second is going to go, I recognise him. Oh, my God. | :42:09. | :42:15. | |
Nathan, I'll tell you now, you're now looking for a new job. Don't | :42:15. | :42:19. | |
let that extract you. Off you go. We're sitting here and a few of the | :42:19. | :42:26. | |
lads are around the TV. Let's go away for new years. Great, go on a | :42:26. | :42:31. | |
trip to friends. Book in, 170 Aussies and Kiwis. Bound to be | :42:31. | :42:36. | |
trouble. We're on a four-day bender. Can I stop you now? You're a | :42:36. | :42:44. | |
primary school teacher! That's your job. Sorry, somebody had to say. | :42:44. | :42:48. | |
That keep going. On about the fourth day, I take it upon myself | :42:48. | :42:52. | |
to think this is a great idea, hand my beer to my mate. I run as fast | :42:52. | :42:57. | |
as I can in my snow boods, slide on the ice like a penguin, I'm looking | :42:57. | :43:02. | |
at this big wall of powder and think, great this is going to stop | :43:02. | :43:06. | |
me, go straight through the wall of powder and land on a set of metal | :43:06. | :43:10. | |
stairs. My head goes bang down three flights of stairs. That | :43:10. | :43:17. | |
explains a lot. I get up and it was amazing. I had | :43:17. | :43:21. | |
blood coming out of my mouth. I stand up and look up and a crowd of | :43:21. | :43:31. | |
:43:31. | :43:36. | ||
people on the balcony going "That's tops." Well done to everyone in the | :43:36. | :43:42. | |
red chair. Thank you to my guests tonight. The Script, Stephen | :43:42. | :43:52. | |
:43:52. | :43:54. |