Browse content similar to Episode 14. Check below for episodes and series from the same categories and more!
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Sutherland, but a great day for heading into the hills or going out | :00:02. | :00:06. | |
and about generally, if you don't mind that Jill. Winds easing off | :00:06. | :00:10. | |
through the afternoon. Feeling quite pleasant here, temperatures | :00:10. | :00:15. | |
at six or seven degrees typically. Three or four in the east, adding | :00:15. | :00:21. | |
in the wind chill it will feel more like temperatures below freezing. | :00:21. | :00:24. | |
Fantastic rugby weather. Tomorrow afternoon I will be torn between | :00:24. | :00:28. | |
the sofa and getting into the sunshine. A chilly wind at | :00:28. | :00:33. | |
Twickenham, but winds light at the Millennium Stadium. | :00:33. | :00:37. | |
This ridge comes in on Saturday evening, briefly dipping into frost. | :00:37. | :00:42. | |
But temperatures rising again as the weather front topples in, | :00:42. | :00:46. | |
producing cloudier skies for Sunday. Notice temperatures significantly | :00:46. | :00:51. | |
higher, perhaps even 10 or 11 degrees, across the south-west. | :00:51. | :00:56. | |
As we go into next week, very strong winds for a time across the | :00:56. | :01:00. | |
north of the UK, but turning gradually to the north. It will get | :01:00. | :01:05. | |
colder again, we are likely to see snow and certainly widespread | :01:05. | :01:15. | |
:01:15. | :01:15. | ||
Apology for the loss of subtitles for 151 seconds | :01:15. | :03:47. | |
overhead frost. More details online, Tonight I'm talking to the new film | :03:47. | :03:57. | |
:03:57. | :04:06. | ||
about Alfred Hitchcock. Let's start CHEERING AND APPLAUSE | :04:06. | :04:16. | |
Oh. Too kind. Ladies and gentlemen, we have got a frighteningly good | :04:16. | :04:24. | |
show for you tonight. She is acting royalty, Dame Helen Mirren is here. | :04:24. | :04:34. | |
:04:34. | :04:34. | ||
Yes, she is! Plus, we've got two stars from the Knocked Up sequel, | :04:34. | :04:40. | |
This Is 40. Paul Rudd is on the show. With him is his co-star, | :04:40. | :04:44. | |
Leslie Mann, ladies and gentlemen. Plus, we've got music from the | :04:44. | :04:54. | |
:04:54. | :05:03. | ||
fantastic Little Mix. Little Mix. Little Mix. Little Mix won X fact - | :05:03. | :05:08. | |
- X Factor last year. Simon Cowell loved them because of the sound | :05:08. | :05:18. | |
:05:18. | :05:18. | ||
they generate. (TillRINGS). Paul and Leslie appeared together in the | :05:18. | :05:22. | |
comedy Knocked Up all about someone who was surprised about delighted | :05:22. | :05:27. | |
to find out they were having a baby. Elton has two kids now. Elijah and | :05:27. | :05:33. | |
Zachary. I saw a picture of Zach ree recently and he really does | :05:33. | :05:38. | |
have Elton's hair. Paul and Leslie's new movie is all about | :05:38. | :05:43. | |
turning 40. You know particularly for women it can be hard hitting | :05:43. | :05:50. | |
their 40s. Worry about their looks and can they find a man who still | :05:50. | :05:54. | |
fancies them? Yes, they can. Dame Helen will be here chat being her | :05:54. | :06:03. | |
new film where she plays the wife of Alfred Hitchcock. Steady girls. | :06:03. | :06:10. | |
The movie was set when Hitchcock was making Psycho. Such a brilliant | :06:10. | :06:15. | |
film. Best-known for the iconic shower scene. There's Janet Leigh. | :06:15. | :06:20. | |
What could she have seen in a hotel bathroom that would have scared her | :06:20. | :06:24. | |
that much? Don't mind me, love. Helen has been in so many great | :06:24. | :06:30. | |
movies and winning an Oscar when she standard in The Queen. She does | :06:30. | :06:39. | |
look a lot like her Her Majesty. -- Her Majesty. Here is Helen with a | :06:39. | :06:45. | |
corgi. Here is the Queen with a corgi. Here is Helen meeting Tony | :06:45. | :06:51. | |
Blair. Here is the Queen meeting Tony Blair. Spot on. Here is Helen | :06:51. | :07:01. | |
with some bananas. Surely we haven't. OK. Here is the Queen with | :07:01. | :07:10. | |
some bananas. Phew. Let's get some guests on. Later, we will be having | :07:10. | :07:19. | |
music from Little Mix. But first, man alive, it's Leslie Mann. You | :07:19. | :07:29. | |
sit down there. Ruddy hell, it's Paul Rudd, everybody. | :07:29. | :07:39. | |
:07:39. | :07:50. | ||
CHEERING AND APPLAUSE Sit yourself down. Welcome all. Now, | :07:50. | :07:55. | |
have you just come back from America, Helen? No. I'm working on | :07:55. | :08:00. | |
a play here. When did you get your star on the Walk of Fame? That was | :08:01. | :08:07. | |
three weeks ago. An age ago. are you beside, with? I'm very | :08:07. | :08:17. | |
:08:17. | :08:21. | ||
close to Sylvester Stallone. Nice. It's a broad church. Are you guys... | :08:21. | :08:28. | |
Do you have the star bit? No. yet. Any minnow. I don't know. | :08:28. | :08:34. | |
Little Mix are on the Hollywood Walk of Fame. The big one, which is | :08:34. | :08:43. | |
such an honour. You are in the Chie -- Chinese Theatre. I am. Are you | :08:43. | :08:47. | |
double jointed? I wanted to do everything back to front. It looked | :08:47. | :08:51. | |
like my hands and feet were weirdly back to front. I did. I crossed my | :08:51. | :08:56. | |
legs over like this. I will show off now. I don't know if I can do. | :08:56. | :09:02. | |
It I crossed my legs over like this. I wanted my hands to go like that. | :09:02. | :09:10. | |
Oh! That wasn't a very good idea. Mystery marks. Cut that bit out. | :09:10. | :09:14. | |
Mystery marks in the cement. What is that? I want people to look at | :09:14. | :09:21. | |
that going, "that's weird, how did that work?". I'm there and | :09:21. | :09:26. | |
incredibly proud. Paul, you have an affinity to Britain, is your family | :09:26. | :09:33. | |
all British? Yes, both my parents are from London. You are ours! Yeah. | :09:33. | :09:38. | |
I'm the first American in my family. So... I have been coming here my | :09:38. | :09:42. | |
whole life. I feel very, very much at home. This is old hat. No sense | :09:42. | :09:46. | |
of excitement at all? No, not at all. This is very exciting. Even | :09:46. | :09:51. | |
more so. Even more so. Where is your family from. Which part of the | :09:51. | :10:01. | |
:10:01. | :10:02. | ||
world in England? My dad was Edgware. London boy. That got an, | :10:02. | :10:09. | |
"oh !" My mum was from Surrey. Chiswick. I was born there. | :10:09. | :10:16. | |
Surbiton is huge. It's lovely to have you here Leslie. Why you are, | :10:16. | :10:24. | |
didn't a psychic tell you not to travel? Yes, a psychic told me not | :10:24. | :10:31. | |
to fly, text and drive or drive on curvy roads. While texting. Sounds | :10:31. | :10:40. | |
like a very bad psychic. Don't jump off a cliff. She really scared me. | :10:40. | :10:46. | |
I didn't want to leave the house. Now, I feel like, you know, like I | :10:46. | :10:51. | |
want to rebell against the psychic and just do all these things and be | :10:51. | :10:58. | |
like, "screw you, psychic" I'm going to stphrie. I feel if I talk | :10:58. | :11:05. | |
about it enough it won't happen. You have to fly home yet! So far, | :11:05. | :11:15. | |
so good. This programme is dedicated to... I'm glad I'm on a | :11:15. | :11:20. | |
different flight. I thought, Paul, you would look more - you are | :11:20. | :11:29. | |
preparing for anchor man. I was wondering where you were going for | :11:29. | :11:36. | |
that. More clean cut. Or a little more... Put together. The anchor | :11:36. | :11:43. | |
man hair is quite an event. start shooting Anchor Man 2. I'm | :11:43. | :11:49. | |
trying to recapture that, unfortunately. Is that all your | :11:49. | :11:57. | |
hair All my hair, sideburns. did they get it so... Fabulous? | :11:57. | :12:01. | |
That was all real. I have been trying... We are going to start | :12:01. | :12:05. | |
shooting in a few weeks. Are you all back together in it? Yeah. | :12:05. | :12:09. | |
it true the last time you were on the show you did a spoiler for the | :12:09. | :12:14. | |
first one? The last time, yes, we spoke and I was on your show, I was | :12:14. | :12:22. | |
here talking about Anchor Man I had this story, I say in the movie that | :12:22. | :12:29. | |
I have a nickname for my... So weird to say it out loud. A | :12:29. | :12:36. | |
nickname for my penis. I also have a nickname for my testicles, the | :12:36. | :12:45. | |
left one is James Westfall the right one is Dr Kenneth Noisewater. | :12:45. | :12:55. | |
:12:55. | :13:02. | ||
Quite a mouthful! You said it, not me! James Westfall was my roommate | :13:02. | :13:06. | |
in college. I thought I will say that, and I'm not going to tell him. | :13:06. | :13:10. | |
When he sees the movie on opening day, which I knew he would, that | :13:10. | :13:18. | |
will be a nice surprise for him. Yeah. So I told the story, not | :13:18. | :13:23. | |
really putting it together that the show would air the night before the | :13:23. | :13:28. | |
movie opened, the show aired and everybody started calling James, | :13:28. | :13:33. | |
did you watch Graham Norton he was talking about you. I felt I was | :13:33. | :13:38. | |
carrying a football and fumbled on the one-yard line. I timed it | :13:38. | :13:43. | |
poorly. A lot of guests forget they are going to be on television. I | :13:43. | :13:47. | |
forget I'm going to air. It seems so unlikely. We have two great | :13:47. | :13:53. | |
films, Hitchcock and This Is 40. Helen, Hitchcock. Congratulations | :13:53. | :13:58. | |
on the nominations. BAFTA is the next one. Is that in a week and a | :13:58. | :14:04. | |
bit? Sunday week. Is the gown choosen? Yes, it is. All about the | :14:04. | :14:11. | |
gown. Nothing else matters. That is all it has become about. It is a | :14:11. | :14:18. | |
lot of pressure? It is. It's unfair for us girls. So uncomfortable. | :14:18. | :14:21. | |
Uncomfortable and stress making. They tell you look crap anyway. | :14:21. | :14:26. | |
After all that. After all that, exactly. You play the wife of the | :14:26. | :14:31. | |
great Alfred Hitchcock, Alma. It's not a biopic it's a specific point | :14:31. | :14:37. | |
in time? Yes. It's the making of psycho. Originally, the film was | :14:37. | :14:41. | |
called Hitchcock and the making of Psycho. It's about that period of | :14:41. | :14:44. | |
time. They made this movie that nobody wanted to make. They | :14:45. | :14:48. | |
believed in. They mortgaged their house to pay for. It they paid for | :14:48. | :14:55. | |
it themselves. Boy, did that pay off in the end, big time! Yeah. | :14:55. | :15:00. | |
It's an interesting point in a marriage. Interesting point in an | :15:00. | :15:05. | |
artist's life, a film-makers life. It's an interesting point of film | :15:05. | :15:08. | |
history as well. In an extraordinary kind of thing, you | :15:08. | :15:13. | |
met Hitchcock? I did, yes, when I was very, very, very young. A child. | :15:13. | :15:19. | |
A child. A child. No, when he came to England, London, to make his | :15:19. | :15:24. | |
last movie Frenzy. Was it his last movie? Yes, I was an actress sent | :15:24. | :15:29. | |
off to meet him. He hated me. Absolutely didn't like me at all. I | :15:29. | :15:33. | |
didn't like him either. How did that manifest itself? In what way. | :15:33. | :15:39. | |
How did you know he didn't like you? I don't know. He just wasn't... | :15:39. | :15:45. | |
He was just so the of Hitchcockish. He was big, sitting behind his desk. | :15:45. | :15:50. | |
I was very intimidated. Anyway, I was arrogant and stupid. I didn't | :15:51. | :15:56. | |
realise he was a great genius. wasn't for you? No, I wanted to be | :15:56. | :16:00. | |
in move with Jack Nicholson. I didn't want to do a Hitchcock movie. | :16:00. | :16:09. | |
I mean, I was an idiot. Obviously, Anthony Hopkins does the full Iron | :16:09. | :16:17. | |
Lady treatment. That is incredible. Pros thet -- prosthetics make-up is | :16:17. | :16:21. | |
incredible what they do. Absolutely amazing. I mean, I was this close | :16:21. | :16:28. | |
to him. I couldn't see... Absolutely real. Incredible. | :16:28. | :16:34. | |
you forget? The make-up artist got nominated for an Academy Award. | :16:34. | :16:38. | |
Quite rightly. Would you forget he was in there? No. Totally. I would | :16:38. | :16:43. | |
forget that Tony was in there. At the end of the day, he did this... | :16:43. | :16:47. | |
He did this alarming thing. By then he was frustrated with the make-up | :16:47. | :16:53. | |
he put his hand up and rip it off his face. Like one of those horror | :16:53. | :16:57. | |
movies. There would be Anthony Hopkins. It was like, "what the | :16:57. | :17:05. | |
hell are you doing here?" You are in this movie, really? He was | :17:05. | :17:09. | |
Anthony Hopkins became a stranger. I only knew him as Hitchcock. | :17:09. | :17:14. | |
opens here on 8th February, next Friday. We have got a scene, this | :17:14. | :17:20. | |
is you and Hitch discussing the plot of their new movie Psycho. | :17:20. | :17:24. | |
Think of the shock value. Killing off your leading lady half way | :17:24. | :17:33. | |
through. I mean, you are intrigued, are you not, my dear? Come on, | :17:33. | :17:41. | |
admit it. Admit it? Actually, contingency's a huge mistake. You | :17:41. | :17:46. | |
shouldn't wait until half way through, kill her off after 30 | :17:46. | :17:56. | |
:17:56. | :17:58. | ||
minutes. Well! That is all true. I mean, she was | :17:58. | :18:04. | |
very hands on in the making of the film? All of his movies, yes, | :18:04. | :18:07. | |
absolutely. From early script development through the shoots, | :18:07. | :18:12. | |
through the costumes and through the casting. Not so much she wasn't | :18:12. | :18:18. | |
on the set. She did do what we show in the movie during the making of | :18:19. | :18:23. | |
Psycho she did go in in and took over. When he was shooting she | :18:23. | :18:30. | |
would stay back. One of the films that drew you to the fact that you | :18:30. | :18:37. | |
are married to a very successful director? Yes. It made me | :18:37. | :18:42. | |
understand certain elements in the script. I mean, when I first went | :18:42. | :18:46. | |
to Hollywood and got with Taylor I completely, I don't know if you are | :18:46. | :18:50. | |
experienced this, Leslie, people walking through you to get to your | :18:50. | :18:57. | |
husband. Because the great and famous, in my case it was Taylor | :18:57. | :19:02. | |
Hackford when I arrived. In Hollywood people can be pretty | :19:02. | :19:11. | |
brutal. It's a strange relationship. In what way? I can relate. Leslie | :19:11. | :19:18. | |
Mann is married to Judd Apatow. You work with Judd a lot? Yes. We have | :19:18. | :19:23. | |
worked together, yeah... Has he directed you? Yes. It's weird. It's | :19:23. | :19:27. | |
a different relationship. What happens at home. What happens there. | :19:27. | :19:32. | |
It's really different thing. I found when I was being directed by | :19:32. | :19:37. | |
Taylor I moved towards the cast. It was like, you know, I'm with them. | :19:37. | :19:46. | |
I'm not with you. Right. These are my peeps. You're not my peep. | :19:46. | :19:50. | |
you have been directing all day to come home it must be hard to stop | :19:50. | :19:57. | |
and not be like, "not like that, we're losing light, first | :19:57. | :20:00. | |
positions." Do you have to remind the director when he comes home he | :20:00. | :20:08. | |
is not the director any more? in general. I sometimes do. Yeah, | :20:08. | :20:16. | |
Judd gets really bossy. I have to... And demanding. Yeah, I do have to | :20:16. | :20:21. | |
shut that down when we get home. feel like I know so much about your | :20:21. | :20:28. | |
live. Judd has written and directed This Is 40. It's called a sort of | :20:28. | :20:34. | |
sequel to Knocked Up. We remember you from Knocked Up. Where is the | :20:34. | :20:38. | |
couple now? Obviously about to turn 40. It's about five years later. We | :20:38. | :20:43. | |
are turning 40 within the same week. We kind of... Are going through a | :20:43. | :20:49. | |
little crisis. A little crisis. Reassessing things. The kids are | :20:49. | :20:58. | |
older. We, kind of, look at it as an opportunity to, reevaluate. Are | :20:58. | :21:04. | |
we doing a good job as parents? Are we doing a good job as a married | :21:04. | :21:08. | |
couple. Are we doing a good job in relating with our own parents and | :21:08. | :21:13. | |
what can we do to make things better. Working on the script you | :21:13. | :21:17. | |
did it through your own marriage, is that right? Sometimes we would | :21:17. | :21:23. | |
have little arguments through the characters, Pete and Debbie. Saying | :21:23. | :21:28. | |
things through the character that is we might be afraid to say to one | :21:28. | :21:38. | |
another. OK. Things like that. was Debbie I maigt say this... | :21:38. | :21:43. | |
Judd might say, "wouldn't it be fun to have a scene where, you know, | :21:43. | :21:48. | |
Debbie is really crazy and controlling?" I would say, "yeah, | :21:48. | :21:56. | |
it would be create to have a scene where Pete admits that he's a big | :21:56. | :22:01. | |
dick." We would do that. Did you get a chance to put in the things | :22:01. | :22:09. | |
that annoy you about Judd? A lot of things annoy me about Judd. Don't | :22:09. | :22:17. | |
they, after a long time of being married? The coughing thing didn't | :22:17. | :22:26. | |
make it in? The morning snot? that every day? Every day. He say | :22:26. | :22:33. | |
it is's allergies. My husband does the same thing. Disgusting! | :22:33. | :22:41. | |
second he wakes up it's like a Fawcett of snott. He snorts and | :22:41. | :22:46. | |
snorts and doesn't think to blow his nose until I tell him. He will | :22:47. | :22:54. | |
take a paper towel from the kitchen. Not use the whole paper towel. He | :22:54. | :23:02. | |
will rip-off a little corner and blow his nose into the bit of paper | :23:02. | :23:07. | |
towel. It's not big enough to hold it all. He will take the corner of | :23:07. | :23:13. | |
it and clean up in there. Then, it starts all over again. It's like | :23:13. | :23:16. | |
never-ending. I don't know what that. Is I feel like there is | :23:16. | :23:20. | |
something he should take or a surgery he should get or something | :23:20. | :23:27. | |
to cure that. Or is that... That is never going to go away? It's an | :23:27. | :23:32. | |
infection. Is it? It sounds unbearable. I would leave him. I | :23:33. | :23:39. | |
would pack up the kids and get out. Leave him some tissues and just go. | :23:39. | :23:46. | |
Yeah. But he is also a genius. A snotty genius. The other thing | :23:46. | :23:52. | |
about my husband, he is absolutely finds it impossible put dishes in | :23:52. | :23:56. | |
the dish dish washer. He cannot do. It very weird. There is the sink. | :23:56. | :24:00. | |
There is the dish washer. He will put things in the sink and just | :24:00. | :24:04. | |
won't put them in the dish washer. I take them out and I put them in | :24:04. | :24:09. | |
the dish washer. I think, no, he has to learn. I take them out of | :24:09. | :24:13. | |
the dish washer and put them in the sink. I think, I can't stand them | :24:13. | :24:17. | |
in the sink. Put them in the dish washer. No, if you leave them in | :24:17. | :24:22. | |
the dish washer he will never learn that he didn't put them in the dish | :24:22. | :24:30. | |
washer. I take them in and out 20 times. Is he really hairy? Is he | :24:30. | :24:39. | |
what? Is he what, hairy. Hairy? Taylor? Not particularly. Since we | :24:39. | :24:49. | |
:24:49. | :24:55. | ||
are complaining about husbands. Judd very hairy? Very hairy. Do you | :24:55. | :24:59. | |
trim him? Yes. I don't know why I do. This I want to pass it on to my | :24:59. | :25:06. | |
daughter, teach her to do. It I have to shave his... His His... | :25:06. | :25:14. | |
Quickly now. His neck. His neck. OK. But. There is a special trick to it. | :25:14. | :25:19. | |
You have to do like a fade. So it's not a line because then it will be | :25:20. | :25:26. | |
like a hair shirt. You have to do like clean from the bottom of the | :25:26. | :25:34. | |
hair line. Blend it in. Yeah. Then blend. Yeah. Fashionable look these | :25:34. | :25:39. | |
days. I know. Anything else. are doing well. You should get | :25:39. | :25:45. | |
someone in to do that. Like the gardener! Leave him on the lawn, | :25:45. | :25:55. | |
face down. They will take care of it. Right, This Is 40 opens on the | :25:55. | :26:03. | |
14th February what an a lovely inexpensive Valentine's Day treat | :26:03. | :26:07. | |
for somebody. This is a clip. This is the two of you in bed having a | :26:07. | :26:13. | |
nice time. Why do we fight. makes no sense at all. It makes no | :26:13. | :26:17. | |
sense. I feel like you want to kill me. I do want to kill you. | :26:17. | :26:22. | |
would you do that? I would poison your cupcake that is you pretend | :26:22. | :26:28. | |
not to eat every day and put enough to slowly weaken you. I would enjoy | :26:28. | :26:34. | |
our last few months together. too. You would be weak and sweet I | :26:34. | :26:39. | |
would take care of you while killing you. You can still surprise | :26:39. | :26:44. | |
me. I thought you would do me with one swell swoop of poison, but you | :26:44. | :26:49. | |
could extend it over a series of months. Have you thought about | :26:49. | :26:57. | |
killing me? Sure. A wood chipper. wood chipper. Wow. Did you see | :26:57. | :27:07. | |
:27:07. | :27:07. | ||
Fargo? Yeah. Phew! CHEERING AND APPLAUSE | :27:07. | :27:14. | |
Happy Valentine's Day's, hon. Sitting there going, "oh, this is | :27:14. | :27:20. | |
our lives." it's all good. Your husband is directing you, he keeps | :27:20. | :27:25. | |
in every movie encouraging you to cop off with other people. I know! | :27:25. | :27:34. | |
What is that about? I don't know. He does encourage that. Fascinating | :27:34. | :27:39. | |
psychological study. I heard you talking and you were honest about | :27:39. | :27:47. | |
how excited you were to kiss ZachEfron. Yeah. What a great thing. | :27:47. | :27:57. | |
:27:57. | :27:58. | ||
Not in a creepy way. We all get it. He was very young at the time. My | :27:58. | :28:05. | |
daughter... He was weak. I could pin him down. Oh. I had a steamy | :28:05. | :28:11. | |
sex scene in Love Ranch that Taylor directed. How was that? You know | :28:11. | :28:15. | |
what those scenes are like. They are so technical. There are 120 | :28:15. | :28:20. | |
people on the set anyway. You know, it's... It's something... No, don't | :28:20. | :28:25. | |
put your leg there. Put your hand here. I will shoot it this way. It | :28:25. | :28:31. | |
just becomes just, what is the word, a mathematical thing to work out. I | :28:31. | :28:38. | |
know that the actor was absolutely mortified, you know. He was really | :28:38. | :28:42. | |
worried about it. Of course, it was absolutely fine. It must be, kind | :28:42. | :28:47. | |
of, in terms of going to work, it's quite a nice thing to do, isn't it, | :28:47. | :28:53. | |
sometimes? Here is the thing. get to kiss a Hollywood actor. | :28:53. | :28:58. | |
hear actors saying what you say, it's technical, there is a crew. | :28:58. | :29:06. | |
That is just what we say. I say, "that's not true at all, it's | :29:07. | :29:14. | |
awesome. It's not too bad." Your kids were thrilled about the Zac | :29:14. | :29:21. | |
Efron thing? Zac kissed me. My daughter Maude ran up to me and | :29:21. | :29:29. | |
licked my face. That was so she could taste Zac's spit. His minty | :29:29. | :29:34. | |
spit. His minty spit. Helen, you talked about your least favourite | :29:34. | :29:41. | |
kisser was. Who was your best? Please, don't go there! The best | :29:41. | :29:47. | |
kisser. Oh, gosh, what a difficult question. You mean stage, theatre... | :29:47. | :29:52. | |
I mean acting kiss? It's all kissing! No, it's not all kissing. | :29:52. | :29:58. | |
That is what we... You know, we so often as actors, more in the | :29:58. | :30:05. | |
theatre, also in auditions for film things. You walk in and, OK, and | :30:05. | :30:10. | |
you have to immediately be very intimate if it's not kissing it's | :30:10. | :30:15. | |
touching, hugging with someone you have met 30 seconds ago. We get to | :30:15. | :30:19. | |
be able to do that. Things that other people would just feel so | :30:19. | :30:24. | |
embarrassed and weird. We have to be able to go there very quickly. | :30:24. | :30:29. | |
It's really hard. It's really awful, isn't it? Just terrible. It's | :30:29. | :30:34. | |
strange. It's like you are done kissing somebody. It's like, "hi, | :30:34. | :30:41. | |
I'm Paul." it's weird. Paul, your longest screen kiss was with | :30:41. | :30:48. | |
someone unlikely? The most kisses I had in a movie was with your hero | :30:48. | :30:55. | |
Jack Nicholson. You kissed Jack. Many, many times. Can I lick your | :30:55. | :31:04. | |
face? Please, please do. Yeah, I was... He played my faither in a | :31:04. | :31:12. | |
film called How Do You Know. The relationship we had, James Brooks | :31:12. | :31:17. | |
wanted was that of a loving father and son. No matter what stress we | :31:17. | :31:20. | |
were under or conflict in our relationship was we would kiss each | :31:20. | :31:30. | |
:31:30. | :31:35. | ||
other, hello and goodbye. James Brooks films a scene 730 -- 70 | :31:35. | :31:41. | |
times. On the lips? Yes. It was great. When I first met him I was | :31:41. | :31:50. | |
going to rehearse with Jack Nicholson, I was very nervous. I | :31:50. | :31:54. | |
had never seen him in person. I was a huge fan. He walked in, looked at | :31:54. | :32:00. | |
me, grabbed me. Do it to me. Do it. Wait, wait. So you don't get | :32:00. | :32:10. | |
lipstick on you. This is... This is what Jack Nicholson did. You are me, | :32:10. | :32:20. | |
:32:20. | :32:30. | ||
I will be JackNicholson. Excuse me, CHEERING AND APPLAUSE | :32:30. | :32:40. | |
:32:40. | :32:41. | ||
. You have lipstick on you. Thank you, very much. I feel bad for | :32:41. | :32:51. | |
Leslie. You don't want my disease. You have a cold, back off lady! | :32:51. | :32:55. | |
old were you? This was just a couple of years ago. It was one of | :32:55. | :33:03. | |
the greatest moments of my life. Yeah, I bet it was. Now,... | :33:03. | :33:09. | |
mine! And mine right there. Now, Helen we must talk about your | :33:09. | :33:16. | |
return to the stage. Oh, yes. Right. What? Yeah. It's quite soon. You | :33:16. | :33:23. | |
are back on the stage in the West End The Audience. It's your return | :33:23. | :33:28. | |
to the role of Her Majesty the Queen. Absolutely. You are doing a | :33:28. | :33:34. | |
big span of time? The whole, you know, not the whole of her reign. | :33:34. | :33:42. | |
Told through the story of this audience. It's the audience she has | :33:42. | :33:46. | |
with all Prime Ministers. Churchill was her first Prime Minister. It's | :33:46. | :33:51. | |
told, it goes backwards and towards in time. We start with Churchill | :33:51. | :33:58. | |
and go to Cameron. It gets all the way to Cameron? Cameron. Yes. | :33:58. | :34:06. | |
Because it goes over the space of time. It is on the stage. What are | :34:06. | :34:10. | |
they doing? Quick changes. Amazingly fast changes that can | :34:10. | :34:16. | |
happen. I mean, obviously somewhat to do with acting. Changes that | :34:16. | :34:22. | |
happen within, hopefully, 15 seconds. So, theatre magic. I think | :34:22. | :34:26. | |
I read you in an interview talking about how her voice. You think of a | :34:26. | :34:31. | |
Queen as a constant. Her voice has changed? Absolutely from when she | :34:31. | :34:38. | |
was with Churchill. She talked like that (high pitched tone) I did too | :34:38. | :34:43. | |
when I was about 22. I talked terribly like that. It was the way | :34:43. | :34:48. | |
you spoke in those days. Drama school thing. Drama school thing | :34:48. | :34:57. | |
thing. All of our voices change. Hers has changed substantially | :34:57. | :35:03. | |
(deep voice) now she talks like that! In terms of approaching the | :35:03. | :35:08. | |
stage, do you still suffer from stage fright? Yes. Of course. You | :35:08. | :35:16. | |
have just come off the stage, I understand. Yeah. Even up until the | :35:16. | :35:25. | |
last show I would get nervous to start. That, "five minutes, | :35:25. | :35:29. | |
places." Hearing "places" is the worst feeling in the world when you | :35:29. | :35:34. | |
are waiting in the wings. Have you done stage, Leslie? I haven't. We | :35:34. | :35:38. | |
were nervous to come out here. Every time you go before an | :35:38. | :35:43. | |
audience is nerve-wracking. People have told me about things that have | :35:43. | :35:48. | |
gone wrong on stage and gone wrong in the audience. The place you did | :35:48. | :35:55. | |
Grace. There was an audience incident what a problem. You may | :35:55. | :36:01. | |
pray this doesn't happen. Tell me what. I was about to start a | :36:01. | :36:05. | |
monologue I heard some, there were three of us on stage. There was a | :36:05. | :36:10. | |
commotion. I thought, did somebody's cell phone go off? The | :36:10. | :36:15. | |
commotion dies down. It didn't die down. It was getting louder. People | :36:15. | :36:22. | |
started arguing and saying things in full voice. In the audience? | :36:23. | :36:27. | |
the audience. I didn't know whether or not to stop the play. I thought | :36:27. | :36:31. | |
maybe somebody... It was a medical emergency. I didn't... I didn't | :36:31. | :36:36. | |
know what to do. I just kept talking and pretended it wasn't | :36:36. | :36:44. | |
happening. It was very clear that I was getting thrown, as we all were. | :36:44. | :36:50. | |
Michael Shannon, who was in the play with me, he got to his section | :36:50. | :36:53. | |
and started screaming his lines in the direction of the noise. It had | :36:53. | :36:59. | |
been going on for a full minute. He is such a terrifying figure anyway. | :36:59. | :37:02. | |
He scared everybody. It got very quiet. I then, at the end of the | :37:02. | :37:07. | |
scene, went off stage to ask what happened. It turned out that | :37:07. | :37:17. | |
:37:17. | :37:21. | ||
somebody in the front row was drunk and went "yuk" and threw up on 20 | :37:21. | :37:27. | |
people. The commotion were the people standing up covered in vomit. | :37:27. | :37:36. | |
Oh. Wondering how they were going to... Disgusting. Oh, mymaltessers | :37:36. | :37:42. | |
are warm! It was a first. Right. It's time for music now. These | :37:42. | :37:49. | |
girls have gone from prize-winners to top charters. Performing their | :37:49. | :37:59. | |
:37:59. | :38:11. | ||
new single, Change Your Life. # She captures her reflection and | :38:11. | :38:15. | |
she throws the mirror to the floor # Her imagine is distorted | :38:15. | :38:21. | |
screaming, "is it worth it any more?" | :38:21. | :38:23. | |
# No-oh-oh # Are you scared of the things that | :38:23. | :38:30. | |
they might put you through? # Does it make you wanna hide the | :38:30. | :38:36. | |
inner you? # You're not the only one, so let | :38:36. | :38:42. | |
them criticise # You're untouchable when you | :38:42. | :38:45. | |
realise # Ooooh | :38:45. | :38:53. | |
# Change, change your life, take it # We're gonna stick together, Noel' | :38:53. | :38:59. | |
get through it all # Change, change your life, take it | :38:59. | :39:06. | |
# Take it all # You're gonna use it to become | :39:06. | :39:09. | |
what you've always known # Become what you've always known | :39:09. | :39:14. | |
# His body starts to flicker like nobody wants to know his name | :39:14. | :39:18. | |
# Just another soul with feelings but nobody's there to feel the pain | :39:18. | :39:23. | |
# No, no, no # They can rip you, bring you down, | :39:23. | :39:29. | |
down to their size # But they will never get to the | :39:29. | :39:32. | |
heart you hold inside # Oh-oh | :39:32. | :39:38. | |
# You're not the only one, so let them criticise | :39:38. | :39:43. | |
# Ooh # You're untouchable when you | :39:43. | :39:46. | |
realise # Ooh-oh-oh | :39:46. | :39:49. | |
# Change, change your life, take it # Take it all | :39:49. | :39:54. | |
# We're gonna stick together, Noel' get through it all | :39:54. | :39:59. | |
# I Noel' get through it all # Change, change your life, take it | :39:59. | :40:06. | |
# Take it all # You're gonna use it to become | :40:06. | :40:10. | |
what you've always known # Become what you've always known | :40:10. | :40:14. | |
# Change, change your life, take it # Change your life and take it all | :40:14. | :40:21. | |
# Change, change your life, take it # Change your life and take it all | :40:21. | :40:25. | |
# You got the right to show the world | :40:26. | :40:32. | |
# Something never seen # We wanna hear you scream it out | :40:32. | :40:42. | |
:40:42. | :40:46. | ||
# You're not alone # Oh, whoa, oh, yeah | :40:46. | :40:50. | |
# Change, change your life, take it # Take it all | :40:50. | :40:56. | |
# We're gonna stick together, Noel' get through it all | :40:56. | :41:02. | |
# Change, change your life, take it # Change your life and take it all | :41:02. | :41:09. | |
# You're gonna use it to become what you've always known | :41:09. | :41:19. | |
:41:19. | :41:21. | ||
# Become what you've always known. Beautiful. Little Mix, everybody. | :41:21. | :41:29. | |
Come and join me. If you squeeze up. Two in the front, two at the back. | :41:29. | :41:39. | |
:41:39. | :41:40. | ||
Look at you. Disabled by fashion! There you go. Two in upper class | :41:40. | :41:47. | |
and two in premium and economy. Just wash in, wash out. Are you | :41:47. | :41:53. | |
feeling the cold? I'm all right. Nice beanie hat. Two at the back, | :41:53. | :41:59. | |
you can hardly see there over the big hat. We didn't expect a hat. | :41:59. | :42:05. | |
That islet third single off the album DNA which has done so well. | :42:06. | :42:11. | |
Thank you. APPLAUSE | :42:11. | :42:16. | |
You and, more importantly Simon Cowell, must be thrilled. For Uncle | :42:16. | :42:22. | |
Simon you are on tour now? We are on tour. It's amazing. It's | :42:22. | :42:26. | |
incredible that it is your tour? That is what is strange. To see | :42:26. | :42:30. | |
everybody there for us was overwhelminging much we cried. | :42:30. | :42:37. | |
were like, "they are all there for us." amazing. How very showbusiness. | :42:37. | :42:43. | |
You were a DJ, Paul? Well, you know when you say I was a DJ, that | :42:43. | :42:49. | |
sounds a cool thing. I wasn't a cool DJ. Would you have played that | :42:49. | :42:58. | |
song? That is a floor filler. I was a DJ for Bar Mitzvahs. Are you all | :42:58. | :43:07. | |
right there? I'm fine. I'm fine! Shall we move up. It was a while | :43:07. | :43:15. | |
ago. I was more MCHammer. If I was doing it now, for sure. Yes. Have | :43:15. | :43:25. | |
:43:25. | :43:26. | ||
you ever heard of MCHammer. What about Right Said Fred? No. That was | :43:26. | :43:33. | |
really big. You have never heard of him? Heard of him. Oh, yeah. Wow. | :43:33. | :43:38. | |
It's like you have come on to make us all feel old. We are all having | :43:38. | :43:43. | |
a great night and we are like - we are so old! Before we go tonight, | :43:43. | :43:49. | |
let's have a visit to the big Red Chair. Who have we got? Oh, they | :43:49. | :43:54. | |
love you. What is your name? Samantha. What do you do? I work in | :43:54. | :44:00. | |
a GP surgery. Doing what? Reception work mainly. Mainly. Yeah. Yeah. A | :44:00. | :44:07. | |
bit of security as well! Yeah. Yeah. Lovely. Yeah. Nice. Yeah. You there, | :44:07. | :44:15. | |
move! All right. Off you go with your story. So, I went for my very | :44:15. | :44:24. | |
first Hollywood wax a few years ago. Little Mix have been for some! OK. | :44:24. | :44:34. | |
Little Mix are... It's a Hollywood wax. Is that when they put a "H" in | :44:34. | :44:43. | |
it? It's everything, isn't it? that when they put a, "H" in it? | :44:43. | :44:53. | |
:44:53. | :44:54. | ||
everything is off. I don't know much about down there. A "H" will | :44:54. | :45:04. | |
:45:04. | :45:11. | ||
be hard to do! Did someone give you an, "H." You went for a Hollywood | :45:11. | :45:16. | |
wax. Does anyone know what it is? No. Leslie lives in Hollywood he | :45:16. | :45:21. | |
doesn't know what it is. Basically, they remove every hair from down | :45:21. | :45:27. | |
there. Everything? Everything is gone. Everything absolutely gone. | :45:27. | :45:31. | |
Everything. Everything! They clear the area. Yeah. I'm there laying on | :45:31. | :45:36. | |
the bed. She is ripping way at me. I'm gripping the bed with physical | :45:37. | :45:41. | |
pain. Of course. She's finally getting to the very end. I'm at the | :45:41. | :45:51. | |
:45:51. | :45:51. | ||
end of my tether and I peed myself. Oh! I don't know whether it's a | :45:51. | :45:57. | |
good story or not. Shall we let her walk, if she can? Shall we let her | :45:57. | :46:06. | |
walk? You can walk, lovely lady. There we go. One more. This is it. | :46:06. | :46:16. | |
:46:16. | :46:18. | ||
This is it. OK. Here is our final one. Hello. Hi. What is your name? | :46:18. | :46:24. | |
Drew. Lovely. Are you from abroad? Yes. I'm studying here. Where | :46:24. | :46:32. | |
abouts in America. Kansas. That is where I'm from. I know. Where in | :46:32. | :46:40. | |
Kansas. Leighwood. Same here. this a Paul Rudd story. You did go | :46:40. | :46:50. | |
:46:50. | :46:52. | ||
to high school with my parents CHEERING AND APPLAUSE | :46:52. | :46:58. | |
You beat me to it! You beat me to it. Well done. If you would like to | :46:58. | :47:03. | |
join us on the show and have a go in the Red Chair you can go to our | :47:03. | :47:08. | |
website at this address: Thank you so much to all my guests tonight's, | :47:08. | :47:16. |