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This programme contains some strong I have got the stars of Top Gear on | :00:10. | :00:19. | |
the show tonight. I'm running a bit late. I better put my foot down! | :00:19. | :00:25. | |
Oh dear. I think I need a drink. I probably shouldn't drink and drive. | :00:25. | :00:35. | |
:00:35. | :00:45. | ||
Here, you take it, Nicola. Let's CHEERING AND APPLAUSE | :00:45. | :00:55. | |
:00:55. | :00:56. | ||
Hello. Hello. Hello everybody. Hello! Hello! Welcome one, welcome | :00:56. | :01:06. | |
:01:06. | :01:12. | ||
all. Oh, oh dear. Skid marks everywhere. | :01:12. | :01:13. | |
LAUGHTER Hey, we've got some great guests | :01:13. | :01:16. | |
for you and Tonight's show is brought to you by the letter J, yes, | :01:16. | :01:19. | |
Hollywood star, Jake Gyllenhaal is here. I know! Top Gear stars, | :01:19. | :01:22. | |
Jeremy Clarkson and James May are on the show. And stand by lawyers, | :01:22. | :01:32. | |
:01:32. | :01:35. | ||
my all time favourite comedian, the legend that is Joan Rivers is here. | :01:35. | :01:36. | |
APPLAUSE Plus later on, we've got some fat | :01:36. | :01:38. | |
beats from the wonderful, Ke$ha, ladies and gentlemen. | :01:38. | :01:40. | |
I know! I know! I know something for | :01:40. | :01:46. | |
everyone. Jake, of course, the star of many great films, Donnie Darko, | :01:46. | :01:51. | |
Source Code and Brokeback Mountain where he played a cowboy struggling | :01:51. | :01:55. | |
with his sexuality. It is hard to know if a cowboy is | :01:55. | :02:03. | |
gay, you know. I would guess probably straight. This one, it is | :02:03. | :02:09. | |
impossible to tell, isn't it? It must have been difficult for | :02:09. | :02:12. | |
Brokeback Mountain, living out doortion Arwondering why you are | :02:12. | :02:19. | |
having strange feelings for the person you are sharing a camp with! | :02:19. | :02:25. | |
LAUGHTER Oh, look at you! | :02:25. | :02:27. | |
LAUGHTER That is a sight that could turn a | :02:27. | :02:37. | |
straight man gay, it is, isn't it? As is this sight! | :02:37. | :02:39. | |
LAUGHTER The mystery is why are two bald men | :02:39. | :02:44. | |
in the bath with her? LAUGHTER | :02:44. | :02:50. | |
Is that the bush tucker challenge? It is very strange. I really loved | :02:50. | :02:55. | |
Jake in The Day After Tomorrow. Oh, do you know, I don't think anyone | :02:55. | :02:59. | |
could fail to hear the film's powerful message about climate | :02:59. | :03:05. | |
change. La-la. Yeah, I'm delighted to welcome Jeremy Clarkson and | :03:05. | :03:09. | |
James May, two of the stars of Top Gear. I don't know a lot about cars. | :03:09. | :03:19. | |
:03:19. | :03:19. | ||
I do know that people say a man's car is really a a penis substitute! | :03:19. | :03:25. | |
I have to say say Jeremy is right about one thing, driving down a | :03:25. | :03:31. | |
road in an open top car, you really do look sexy! Of course, I'm always | :03:31. | :03:35. | |
excited to have Joan Rivers back on the show. She still looks fantastic, | :03:35. | :03:39. | |
ladies and gentlemen, done she? Fantastic. I know, it is no secret, | :03:39. | :03:45. | |
she had a little bit of work done, yeah. I wonder what she would have | :03:45. | :03:50. | |
looked like if she hadn't? Let's get some guests on. Later, we | :03:50. | :03:56. | |
will behaving music from Ke$ha. But first, we could be in for a bumpy | :03:56. | :04:04. | |
ride, it is James May and Jeremy Clarkson. | :04:04. | :04:09. | |
Sit yourselves down. APPLAUSE | :04:09. | :04:11. | |
From the red carpet to the red sofa, it is Joan Rivers. | :04:11. | :04:21. | |
CHEERING AND APPLAUSE Hello, darling. | :04:21. | :04:26. | |
Joan, Jeremy, James. It is Jake Gyllenhaal. | :04:26. | :04:35. | |
CHEERING AND APPLAUSE It is so nice to meet you. Come in, | :04:35. | :04:43. | |
come in, come in. Sit down. Sit down. | :04:43. | :04:45. | |
APPLAUSE Oh that couch, how lovely. I have | :04:45. | :04:49. | |
to say normally, normally in a bland way, when everyone sits down | :04:49. | :04:55. | |
I go, "You all look great." I can't do that because the head honcho of | :04:55. | :04:59. | |
the Fashion Police is on the show. How are we doing, Joan? | :04:59. | :05:03. | |
shouldn't even talk. You look fine because black makes everybody look | :05:03. | :05:13. | |
thin except Aretha Franklin. LAUGHTER | :05:13. | :05:16. | |
You You two, you either have it or you don't, you know what I'm | :05:16. | :05:20. | |
saying? Fashion is like herpes, you either have it or you don't? Joan, | :05:20. | :05:24. | |
can you see my nipples? I don't want to. | :05:24. | :05:27. | |
That means I'm dressed. Can you see my nipples and please | :05:28. | :05:33. | |
look down? LAUGHTER | :05:33. | :05:36. | |
No, you're dressed. James May down the end there, you | :05:36. | :05:42. | |
spent a lot of money on clothes, don't you? Yeah, occasionally, but | :05:43. | :05:48. | |
I have this ability to make expensive clothes or cheap and | :05:48. | :05:52. | |
tatty clothes look equally crap and it is a gift. | :05:52. | :05:59. | |
You look particularly shit tonight. LAUGHTER | :05:59. | :06:01. | |
Even by his own low standards. don't think you look so bad. | :06:01. | :06:05. | |
Thank you very much. But you were in broke back back | :06:05. | :06:10. | |
mountain! I have been distracted, because you | :06:10. | :06:19. | |
have a healthy beard, Jake. Did you leave it on from last year's Movemb | :06:19. | :06:26. | |
rerks, Movember thing? I am doing a show. I am playing a character... | :06:26. | :06:33. | |
It is not very good tonight, is it? How long are you going to have the | :06:33. | :06:38. | |
beard for? Until the play is over. OK. Probably another few weeks. | :06:38. | :06:43. | |
Do you like it? Do you want me to let you know when it is gone. | :06:43. | :06:48. | |
If you could. It is gone. I will let you know. | :06:48. | :06:58. | |
Just a text with with "it's done." Is it itchy? Not anymore. Do you | :06:58. | :07:03. | |
have to brush it out? Does stuff get caught in it? Sometimes I brush | :07:03. | :07:07. | |
it, yes. I have a dog and you leave it for a | :07:07. | :07:11. | |
while and then you are sorry you left it. | :07:11. | :07:14. | |
I essentially have a dog on my face. If that answers your questions, I | :07:14. | :07:17. | |
hope it does. I don't know what you are feeding | :07:17. | :07:19. | |
it, but it is lovely. It has got a nice gloss. | :07:19. | :07:27. | |
Joan, do you do you find a man in a beard attractive? | :07:28. | :07:37. | |
:07:38. | :07:38. | ||
It reminds me too much of the Kardasians in the morning! | :07:38. | :07:39. | |
LAUGHTER The boys down the end there, you | :07:39. | :07:43. | |
seem like men. I thought you would have beards? No, we went to the | :07:44. | :07:49. | |
North Pole, you you can't shave and we got there and there was a very | :07:49. | :07:55. | |
faint dirty smudge and nothing grows, I have no testosterone at | :07:55. | :08:00. | |
all. I'm fundamentally a girl. When you reach a certain age, hair | :08:00. | :08:07. | |
grouse on a woman. I have got a fair o'clock shadow on my ass. | :08:07. | :08:15. | |
Do you get a beard in your ears? get that? Men say, "Look in my | :08:15. | :08:21. | |
ears." I want to say that is a moment I will never forget for the | :08:21. | :08:25. | |
rest of my life. You have a five o'clock shadow, where did you say | :08:25. | :08:29. | |
it? On my ass. ? In some cultures, it is | :08:29. | :08:36. | |
attractive. LAUGHTER | :08:37. | :08:39. | |
I haven't found the culture, but in some cultures, it is very | :08:39. | :08:43. | |
attractive. LAUGHTER | :08:43. | :08:45. | |
Jake, it is Jake Gyllenhaal, is that right? That's right. | :08:45. | :08:47. | |
Is it particularly in Britain people have problems with your | :08:47. | :08:54. | |
name? I mean, I have run into a couple of people usually under the | :08:54. | :08:58. | |
influence who have pronounced it not in the right way. A drunk woman | :08:58. | :09:08. | |
:09:08. | :09:09. | ||
came up to me and thought my name was Jake Jake Googenballs. | :09:09. | :09:13. | |
You are from LA and you spend a lot of time in London? I do, I work | :09:13. | :09:17. | |
here a lot. I love it in London. I love it in England. Some of My | :09:18. | :09:21. | |
Freedom close closest friends are British. That's why I have I have | :09:21. | :09:29. | |
such good style! Given that you were born in LA, your new movie End | :09:29. | :09:33. | |
Of Watch has taken you to a bit of LA you didn't know? Yes. It is what | :09:33. | :09:37. | |
a lot of people know from movies as one of the most dangerous parts of | :09:37. | :09:43. | |
Los Angeles. I grew up in Hollywood and I grew up all over LA in | :09:43. | :09:46. | |
different ways and I know it very well, but I never spent a lot of | :09:46. | :09:52. | |
time in South Central and it is a dangerous area and we spent five | :09:52. | :09:54. | |
months preparing for the movie with police officers. | :09:55. | :09:59. | |
I don't think the British police would let you do this. You went on | :09:59. | :10:04. | |
ride alongs at night with the real policemen? Yes, two or three times | :10:04. | :10:09. | |
a month we would go on right alongs with police officers and we would | :10:09. | :10:12. | |
alternate with five or six different partners and we saw a lot | :10:12. | :10:16. | |
of things on the streets. If there is a raid or something and | :10:16. | :10:20. | |
there is a call, an emergency, and you arrive and someone is going, | :10:20. | :10:30. | |
:10:30. | :10:32. | ||
"My husband just beat me up. Jake Gyllenhaal is here." | :10:32. | :10:33. | |
LAUGHTER Hello. | :10:33. | :10:38. | |
This time I am leaving you! LAUGHTER | :10:38. | :10:40. | |
Did you get that? No, that never happened. Fortunately, people have | :10:40. | :10:44. | |
more important things to deal with when the police arrive. | :10:44. | :10:49. | |
A lot of that preparation, that's diligent, well done. Why did you | :10:49. | :10:54. | |
get tasered? Because I'm an idiot! I don't know. Because we were in a | :10:54. | :10:59. | |
group. We were at the police accad knee in -- academy in Los Angeles | :10:59. | :11:03. | |
and they offered us to be pepper pepper sprayed or tasered and we | :11:03. | :11:11. | |
chose...? Could you have not chosen neither? That's a choice we could | :11:11. | :11:14. | |
have made. We are actors so we are not the sharpest tools in the shed | :11:14. | :11:19. | |
and we decided to go for quick and painful as opposed to long and | :11:19. | :11:26. | |
painful and we all got tasered. But why? Well we spent... There is | :11:27. | :11:31. | |
no logical explanation why for why we did it. | :11:31. | :11:34. | |
So you would know what it was like? Yes. | :11:34. | :11:39. | |
Why didn't you just act? That's the idea that experiencing it does | :11:39. | :11:43. | |
influence the sense of realism in a movie and I think it does in this | :11:43. | :11:47. | |
movie. In this movie you feel like you are with us in a car and and | :11:47. | :11:53. | |
that was our goal and to get tasered for all of you... | :11:53. | :11:55. | |
LAUGHTER Is that going to be on the DVD | :11:55. | :11:58. | |
extras? It may. It may. I'm getting that | :11:58. | :12:04. | |
DVD right now. I will go straight to extras. Is it really terrible? | :12:04. | :12:09. | |
Yeah, it is terrible. LAUGHTER | :12:09. | :12:11. | |
We sort of knew that, didn't we? I wouldn't recommend it. | :12:12. | :12:19. | |
People ask me more than you think. "is it really that bad?" I'm rather | :12:19. | :12:24. | |
enjoying this. There was the moment where they | :12:24. | :12:27. | |
didn't shoot it at us, they put in our pocket and our legs so it | :12:27. | :12:30. | |
wouldn't hit our face or something like that. They said, "We're going | :12:30. | :12:36. | |
to do it for five seconds." I said OK, that's the amount of time you | :12:36. | :12:42. | |
have to do to pass the Taser test. And so they put on us and I | :12:42. | :12:46. | |
remember it feeling it and screaming like a little child | :12:46. | :12:50. | |
quickly. I said, "How long was that?" They said that's a second- | :12:50. | :12:54. | |
and-a-half. That was forever. | :12:54. | :13:02. | |
Does wee come out and stuff? What? | :13:02. | :13:04. | |
LAUGHTER That sounds like a wee situation. | :13:04. | :13:08. | |
That sounds like oh. Are you talking about a video game or... | :13:08. | :13:14. | |
Not for me. Well done. You're young, yeah. | :13:14. | :13:16. | |
LAUGHTER The rest of us, we would have let | :13:16. | :13:22. | |
LAUGHTER Pretty much I'm doing it at the | :13:22. | :13:24. | |
thought of this! It is a really, really impressive film and you are | :13:24. | :13:30. | |
brilliant. You and your partner played by Michael Pena. You know | :13:30. | :13:35. | |
him from Crash and you are phenomenal together. You must be so | :13:35. | :13:39. | |
proud of it and the work you put into it. I am. | :13:39. | :13:44. | |
We have a short clip. This is you and Michael back at the station. It | :13:44. | :13:50. | |
is self explanatory. Evening. Sir. So this is it? This | :13:50. | :14:00. | |
:14:00. | :14:00. | ||
is the guns you took off the cowboy. That's nice hardware. I heard he | :14:00. | :14:07. | |
took a shot at you. Are you OK? Yes. Keep up the good work guys, I | :14:07. | :14:09. | |
really appreciate it. Carry on. Good evening, sir. | :14:09. | :14:16. | |
Good evening, sir. Why do you get nervous? You want | :14:16. | :14:21. | |
him. I'm not gay, but I would go down on him if he asked. | :14:21. | :14:24. | |
Sometimes I don't know when you're kidding and I have to know when | :14:24. | :14:27. | |
you're kidding. I'm not kidding. | :14:27. | :14:32. | |
I've got to know when you're kidding. I'm not kidding. | :14:32. | :14:34. | |
APPLAUSE Very good. | :14:34. | :14:40. | |
Now, Joan Rivers, you are on a roll, young lady. Isn't that fabulous at | :14:40. | :14:48. | |
this age. All my friends are dead. Nobody is there to appreciate me. | :14:48. | :14:50. | |
LAUGHTER I spend half my day working and | :14:50. | :14:53. | |
half my day going to funerals. The minister always says the same thing. | :14:53. | :14:57. | |
"she is in a better place." And you want to go, "No, she is not. She | :14:58. | :15:04. | |
had a house in the Hamptons.". year, you will be 80? Next year I | :15:04. | :15:14. | |
:15:14. | :15:24. | ||
will be 80. APPLAUSE | :15:24. | :15:26. | |
They are really applausing because they think, "How much longer?" Do | :15:26. | :15:29. | |
you know what would be nice if I died on your show. You would get to | :15:29. | :15:32. | |
see a show and a death and they would go to dinner parties and they | :15:32. | :15:41. | |
would say, "You were there." She was talking and she fell over. | :15:41. | :15:47. | |
APPLAUSE It was amazing. We thought botox. | :15:47. | :15:52. | |
You know what I hate, I hate the obituaries when they say, "Sadie, | :15:52. | :16:02. | |
:16:02. | :16:03. | ||
106, suddenly." You go, hold it. 1406, about time -- 106, about time. | :16:03. | :16:09. | |
LAUGHTER Time to go. We want the jewellery. | :16:09. | :16:11. | |
LAUGHTER There is weird things about ageing | :16:11. | :16:13. | |
that I didn't realise. It is very hard if you were attractive. You | :16:13. | :16:23. | |
:16:23. | :16:26. | ||
guys don't have to worry, but... APPLAUSE | :16:26. | :16:29. | |
I have friends and I am not going to name names, Goldie Hawn. They | :16:29. | :16:33. | |
can't take it any longer. She would say, "Would you believe I have a | :16:33. | :16:39. | |
grown-up daughter?" I want to go, "Yes." | :16:39. | :16:41. | |
LAUGHTER It is very hard for a woman to get | :16:41. | :16:46. | |
older. And older men because I always faked the organism and now | :16:46. | :16:53. | |
these old guys, you if you moan and groan in the wrong ear, they don't | :16:53. | :16:58. | |
hear it! It is such a waist. | :16:58. | :17:03. | |
-- waste. So it is hard getting older. | :17:03. | :17:10. | |
But you work, you have got two shows on the network now? | :17:10. | :17:13. | |
Fashion Police and you have to say this Sunday night. | :17:13. | :17:17. | |
You take over the channel some nights. Fashion Police is about to | :17:17. | :17:24. | |
celebrate its 100th episode? Isn't that amazing? It is a big hit. | :17:24. | :17:29. | |
you single. We'll talk! She just broke up with the porn king of | :17:29. | :17:35. | |
America. He owns Vivid. Ah, you know. | :17:35. | :17:39. | |
Busted. We went to the porn awards. They | :17:39. | :17:43. | |
have a red carpet, I'm not lying to you and the porn awards, it is | :17:43. | :17:53. | |
:17:53. | :17:56. | ||
shaved, but it is a red carpet... LAUGHTER | :17:56. | :17:59. | |
They take it seriously, you know, they go, just to have been on top | :17:59. | :18:02. | |
of her is enough of an honour. LAUGHTER | :18:02. | :18:06. | |
But Melisa, there is a fashion police... The reality show is you | :18:06. | :18:11. | |
living with her, Joan Knows Best that's Sunday nights as well. | :18:11. | :18:15. | |
Working together, that seems crazy? Working had family is very hard. We | :18:15. | :18:20. | |
shop together and we work together and we decorate together. She is | :18:20. | :18:24. | |
like the gay son I never had. You know what is great, I get to go | :18:24. | :18:28. | |
with my grandson and that's very important. I don't want to go here | :18:28. | :18:35. | |
because it is a family show. If you are a pig and your husband is a pig, | :18:35. | :18:45. | |
:18:45. | :18:47. | ||
figure it out! LAUGHTER | :18:47. | :18:50. | |
My grandson is going to be in a commercial, they want him in a | :18:50. | :18:59. | |
diaper commercial as a turd! LAUGHTER | :18:59. | :19:01. | |
Joan, you are in good company on the couch tonight. I don't believe | :19:01. | :19:08. | |
any of these things. Jeremy, you like to stir it up. Not like that! | :19:08. | :19:10. | |
LAUGHTER Here is my line. Here is Joan's | :19:10. | :19:18. | |
line. LAUGHTER | :19:18. | :19:20. | |
Jeremy, OK, I understand sometimes controversy can stumble into your | :19:20. | :19:23. | |
life, but you do seem to go looking for it? I don't. | :19:23. | :19:27. | |
Come on, you are Tweeting the car regular regular strations people | :19:27. | :19:33. | |
who annoy you on the road! That's looking for trouble. I just | :19:33. | :19:36. | |
think that's funny because they think they have got away with it | :19:36. | :19:42. | |
and you go, "You haven't." I have only got 86 followers, but it is | :19:42. | :19:46. | |
nice from my point of view. I think that's good because it paid them | :19:46. | :19:50. | |
back. James, you seem so nice. I am. | :19:50. | :19:55. | |
Do you hate anything? Yeah, I have irrational hate treds like wiring. | :19:55. | :19:58. | |
I hate wires like on computers, under the desk or behind the | :19:59. | :20:02. | |
television. There is a lot of wires. | :20:02. | :20:09. | |
OCD. It is those wooden, those wooden sticks you get in America | :20:09. | :20:13. | |
for stirring a coffee because all the misery of humanity is in that | :20:13. | :20:20. | |
piece of wood because the coffee has become an elaborate construct | :20:20. | :20:24. | |
you have an extra shot and a dash of chocolate and a warning about | :20:24. | :20:30. | |
the heat and they say, "Would you like this piece of splintery wood." | :20:30. | :20:34. | |
It doesn't stir it up because it is really thin and it goes round and | :20:34. | :20:44. | |
:20:44. | :20:44. | ||
round and nothing happens. Why? I hate it. | :20:44. | :20:46. | |
LAUGHTER Shall I give you an idea of how | :20:46. | :20:49. | |
much OCD James has got? This is a watch. It has got the little | :20:49. | :20:52. | |
pointer thing that has to go by the 12. If I talk to James and there is, | :20:52. | :20:55. | |
if I do that, it drives him. Yeah, because you are not actually | :20:55. | :20:59. | |
timing anything. LAUGHTER | :20:59. | :21:01. | |
You can't just leave it there. It is the funniest thing in the world. | :21:01. | :21:07. | |
I just sit and go and it it shuts him up. I have done it again now. I | :21:07. | :21:09. | |
will pull my sleeve down and he will never know. | :21:09. | :21:15. | |
Jake seems so balanced, so, you know, yeah. Does anything kind your | :21:15. | :21:21. | |
greers? Nothing, I am always so calm and imso together at all times. | :21:21. | :21:26. | |
I believe you. I hate nothing. Everything is so beautiful. What a | :21:26. | :21:30. | |
wonderful world! LAUGHTER | :21:30. | :21:35. | |
Look at Joan's face! LAUGHTER | :21:35. | :21:38. | |
It doesn't take much to set you off. Why do you hate women with prams? | :21:38. | :21:43. | |
Why? Because they take up the whole street. | :21:43. | :21:52. | |
LAUGHTER They have like those stupid twins. | :21:52. | :21:54. | |
LAUGHTER Out of the way, I have twins, you | :21:54. | :21:57. | |
know, I have - if you had given your husband a blow job instead of | :21:57. | :22:01. | |
sex... LAUGHTER | :22:01. | :22:06. | |
What's wrong with Glee? What's Glee ever done to you? Glee, that stupid | :22:06. | :22:10. | |
show where they are all happy! LAUGHTER | :22:10. | :22:15. | |
Don't. You've watched Glee, did you have a good time at high school? | :22:16. | :22:19. | |
Well you are handsome so you probably had a good time at high | :22:19. | :22:23. | |
school. I have so many gay friends, all the gay people on Glee, all the | :22:23. | :22:28. | |
gay boys are running and laughing. At my high school, they were | :22:28. | :22:38. | |
:22:38. | :22:43. | ||
running and fucking hiding! APPLAUSE | :22:43. | :22:45. | |
Well, listen, we thought we might ask the audience if there was | :22:45. | :22:47. | |
anything that anode them slightly. Dear god, it was a tsunami of | :22:47. | :22:51. | |
hatred. Let's go and meet some of the people in the audience. Feel | :22:51. | :23:00. | |
free to chip in. Is it Nathan? Stand up Nathan. So what annoys you | :23:00. | :23:07. | |
Nathan? People with really wet, limp limp hand shakes. | :23:07. | :23:13. | |
Jake hates that. Jake is nodding. Everything is so beautiful. | :23:13. | :23:19. | |
Well get you. Where is Siobhan Gallagher? There is Siobhan. Excuse | :23:19. | :23:29. | |
:23:29. | :23:35. | ||
I. Excuse I. Stand up. What annoys you? Men with cats. | :23:35. | :23:38. | |
LAUGHTER Julie Phillips. What annoys you? | :23:38. | :23:47. | |
Children that stare. Yes, that, the devil children. | :23:47. | :23:52. | |
Children on the train. The one that comes over the back, when you are | :23:52. | :23:55. | |
an an aeroplane. LAUGHTER | :23:56. | :24:03. | |
. What about the one that goes, "Lady, lady." I always go is there | :24:03. | :24:11. | |
a terrorist on board? I'm willing to help out. | :24:11. | :24:13. | |
LAUGHTER I'm going to write a column about | :24:13. | :24:18. | |
that. Deborah Miranda. Stand up. Hi. Hi. | :24:18. | :24:28. | |
:24:28. | :24:31. | ||
What do you hate? Jeremy Clarkson. What have I done now? Why? Because | :24:31. | :24:38. | |
I'm Mexican. Actually no. Actually no. I'm going | :24:38. | :24:43. | |
to put my foot. I didn't say anything unpleasant about Mexicans. | :24:43. | :24:47. | |
Did you not? No, I was sitting near a man who said something unpleasant | :24:47. | :24:52. | |
and that was enough for me to spark fury. It wasn't even him. The | :24:52. | :24:56. | |
irritating little Brummie midges got away with it. No, I would | :24:56. | :25:02. | |
apologise on his behalf. We went to the Mexican Embassy to apologise on | :25:02. | :25:10. | |
his behalf and we got paralytic. We said sorry to the Mexicans. Well | :25:10. | :25:20. | |
:25:20. | :25:25. | ||
done, thank you very much. And another thing I hate! | :25:25. | :25:26. | |
LAUGHTER We have changed you. It is so | :25:26. | :25:32. | |
beautiful here. And I am never coming back to | :25:32. | :25:37. | |
Britain again. If you want to hear more traffic based ranning of that | :25:37. | :25:43. | |
quality, -- ranting you could do worse than buy the DVD, the Worse | :25:43. | :25:50. | |
Car In The History of the World. You guys like nice cars? Yeah, but | :25:50. | :25:54. | |
why don't we just say that now and go back to Joan? | :25:54. | :25:58. | |
No, no. I would rather listen to Joan than | :25:58. | :26:04. | |
drone on about cars. We need to sell it a bit. We have. | :26:04. | :26:08. | |
Right, buy that. Please buy it. You don't want have | :26:08. | :26:12. | |
to watch it. All we are bothered about is you buy it. | :26:12. | :26:17. | |
You went around and tested... were obliged to put something on | :26:17. | :26:23. | |
the zisk in the -- disc on the box. Have you seen the photographs of us | :26:23. | :26:29. | |
on the front front cover? I think you didn't know that picture was | :26:29. | :26:34. | |
being taken! That's like our carers, they just | :26:34. | :26:42. | |
take the jackets off and now got the picture pop them back on. | :26:42. | :26:46. | |
Was it hard to pick the worst car ever? Not really. If you sit down | :26:46. | :26:50. | |
and think about it, I won't say what it is because we want people | :26:50. | :26:56. | |
to buy that. We rattled through six or seven choices and they went, "It | :26:56. | :27:00. | |
is this car because the expectation of it was good, but it was awful." | :27:00. | :27:08. | |
You bought it and thought thought "I am doing well. I look a bit of a | :27:08. | :27:13. | |
plonker." Is there an initial or a name? There is a name. | :27:13. | :27:19. | |
Is it a long name? As soon as we mentioned it we said | :27:19. | :27:25. | |
yes, but you would have to be moronic to buy one. | :27:25. | :27:30. | |
I am that moron. Seriously, I have owned the worst car in the world. | :27:30. | :27:35. | |
But I liked it. LAUGHTER | :27:35. | :27:41. | |
I liked it. That's beautiful. Yeah, I loved it, Jake. I loved | :27:41. | :27:44. | |
that car. Oh they mock that car. I loved it. | :27:44. | :27:48. | |
Are you making that up? I only got rid of it because my dog out grew | :27:48. | :27:55. | |
You had that car that we think... It is my favourite car ever. | :27:55. | :28:00. | |
I meant magnificent. LAUGHTER | :28:00. | :28:02. | |
Did you choose it on purpose because you knew I owned it? | :28:02. | :28:07. | |
I thought you had a Porsche. I had one of those, I didn't like | :28:07. | :28:11. | |
that. No, it is horrible. | :28:11. | :28:15. | |
Can you say it if you say you loved it? It spoils the end of the video | :28:15. | :28:19. | |
because I'm caring like that. tell you after. | :28:19. | :28:26. | |
I'm going to have to go and buy that DVD. | :28:26. | :28:28. | |
LAUGHTER I will never watch it. | :28:28. | :28:35. | |
Here is a clip. Here is some of the fun you had | :28:35. | :28:45. | |
choosing the worst car in the world. You useless piece of... | :28:45. | :28:51. | |
I'm stuck. You lift it had up? didn't. This is fraudulent. Aur' | :28:52. | :29:01. | |
cheating -- you're cheating. The Stig's Yorkshire cousin. Oh my | :29:01. | :29:08. | |
god. You can tell it is his because | :29:08. | :29:16. | |
necessary the boot. A trinket for sad fantasists. | :29:16. | :29:22. | |
Jeremy had one! LAUGHTER | :29:22. | :29:31. | |
Where is the Stig? Hang on a minute. James, there has | :29:31. | :29:41. | |
:29:41. | :29:44. | ||
been a bit of an accident with your car. | :29:44. | :29:45. | |
APPLAUSE I forgot the obvious question, | :29:45. | :29:50. | |
where is the Hamster? Where is Mr Richard Hammond? Honestly, he is in | :29:50. | :29:56. | |
Mexico. Is he making amends? Get on the stage, kill him. | :29:56. | :29:59. | |
He is in America. He is always in America. He is wung of those people | :29:59. | :30:02. | |
-- one of those people, they are desperate to be Americans. He is | :30:02. | :30:09. | |
one of those people. I am one of those people too. | :30:09. | :30:18. | |
He says, "I will take a bud." Like you do. "I will take a Bud." No, | :30:18. | :30:23. | |
Richard, please may I have? Can I get a coffee and one of those | :30:23. | :30:26. | |
sticks as well. Oh, shut up about the sticks. | :30:26. | :30:31. | |
Now, listen, we must mention Top Gear, isn't it the most successful | :30:32. | :30:36. | |
Television programme in the world? It is now. It is seen by 350 | :30:36. | :30:40. | |
million people in in 170 countries and this year you are celebrating | :30:40. | :30:47. | |
the tenth anniversary. Congratulations. | :30:47. | :30:49. | |
APPLAUSE What do you mean, you are not? | :30:49. | :30:52. | |
isn't. I am only celebrating my nine-and- | :30:52. | :30:54. | |
a-half anniversary. He was lost for the first series. | :30:54. | :30:59. | |
We told him where the studio was, but he has no sense of direction. | :30:59. | :31:04. | |
thought it was a long way. He got lost at the second Albert | :31:04. | :31:05. | |
Hall. There are two. | :31:05. | :31:09. | |
He says there are two Albert Halls and he got lost and we had to get | :31:10. | :31:19. | |
another man to stand in for him. Have you done the Top scoop gear? - | :31:19. | :31:29. | |
- Gear? Why why have you not done it? I would be useless. | :31:29. | :31:33. | |
Who would like to see Graham do it? AUDIENCE: Yes. | :31:33. | :31:39. | |
Can't you be killed doing it? I was scared coming on this show. | :31:39. | :31:48. | |
You could be killed on this show. I remember once being in a Russian | :31:48. | :31:55. | |
built plane that had been in ang goalian Air Force and used in Cuba | :31:55. | :32:01. | |
and I remember thinking, "At least the kids have a great anecdote. | :32:01. | :32:07. | |
"how did your dad die?" To die in a reasonably priced car would be all | :32:07. | :32:09. | |
right. It would save anyone speaking at | :32:09. | :32:12. | |
the the funeral, they could just show the footage. | :32:12. | :32:18. | |
We got in a real car accident, we were filming End Of Watch. All the | :32:18. | :32:21. | |
footage you see, we have a scene in the movie that's in the trailer and | :32:21. | :32:24. | |
in the movie where we are driving, I never drive the car, Michael Pena | :32:24. | :32:28. | |
my partner in the movie drives the car, but we didn't know, but the | :32:28. | :32:34. | |
road had been repaved and he took the anti-lock brakes off. We had | :32:34. | :32:39. | |
half a block to get up to speed at 60mph and we braked, the car in | :32:39. | :32:43. | |
front of us which was an old van, we braked and they braked and we | :32:43. | :32:47. | |
just skidded like maybe 1250 feet right in the back side of the car | :32:47. | :32:57. | |
:32:57. | :32:57. | ||
and the airbags come out. What is in the movie is the best part, | :32:57. | :33:00. | |
which is the camera bumping into the car and rolling down the street | :33:00. | :33:10. | |
while the you hear the director and the cinema to go grafr screaming. | :33:10. | :33:16. | |
Do you drive? Since high school, I have only been in the back seat! | :33:16. | :33:18. | |
LAUGHTER It is so much better. | :33:18. | :33:25. | |
If I do Top Gear, will you you be in the back seat? Yes. | :33:25. | :33:29. | |
It is time for music now. This singer is one of the most talked | :33:29. | :33:32. | |
about stars to come out of America in the last couple of years. Queen | :33:32. | :33:37. | |
of the super dance, performing her new single, Die Young, please | :33:37. | :33:47. | |
:33:47. | :33:50. | ||
# I hear your heart beat to the beat of the drums | :33:50. | :33:57. | |
# Oh what a shame that you came here with someone | :33:57. | :34:02. | |
# So while you're here in my arms # Let's make the most of the night | :34:02. | :34:12. | |
like we're gonna die young # We're gonna die young | :34:12. | :34:17. | |
# Let's make the most of the night like we're gonna die young | :34:17. | :34:23. | |
# Let's make the most of the night like we're gonna die young | :34:23. | :34:33. | |
:34:33. | :34:35. | ||
# Young hearts, out our minds # Running 'til we outta time | :34:35. | :34:41. | |
# Wild child's lookin' good # Living hard just like we should | :34:41. | :34:44. | |
# Don't care whose watching when we tearing it up | :34:44. | :34:47. | |
# That magic that we got nobody can touch | :34:47. | :34:51. | |
# Looking for some trouble tonight # Take my hand, I'll show you the | :34:51. | :34:57. | |
wild, side # Like it's the last night of our | :34:57. | :35:02. | |
lives # We'll keep dancing 'til we die | :35:02. | :35:05. | |
# I hear your heart beat to the beat of the drums | :35:05. | :35:13. | |
# Oh what a shame that you came here with someone | :35:13. | :35:18. | |
# So while you're here in my arms, # Let's make the most of the night | :35:18. | :35:25. | |
like we're gonna die young # We're gonna die young | :35:25. | :35:35. | |
:35:35. | :35:44. | ||
# Let's make the most of the night like we're gonna die young | :35:44. | :35:48. | |
# Let's make the most of the night like we're gonna die young | :35:48. | :35:58. | |
:35:58. | :36:01. | ||
# Young hunks, taking shots # Stripping down to dirty socks | :36:01. | :36:10. | |
# It's pretty obvious that you've got a crush (you know) | :36:10. | :36:13. | |
# Take my hand I'll show you the wild side | :36:13. | :36:15. | |
# Like it's the last night of our lives | :36:15. | :36:25. | |
:36:25. | :36:26. | ||
# We'll keep dancing 'til we die # I hear your heart beat to the | :36:26. | :36:32. | |
beat of the drums # Oh what a shame that you came | :36:32. | :36:36. | |
here with someone # So while you're here in my arms, | :36:37. | :36:41. | |
# Let's make the most of the night like we're gonna die young | :36:41. | :36:44. | |
# I hear your heart beat to the beat of the drums | :36:44. | :36:47. | |
# Oh what a shame that you came here with someone | :36:47. | :36:52. | |
# So while you're here in my arms # Let's make the most of the night | :36:52. | :36:58. | |
like we're gonna die young # We're gonna die young | :36:58. | :37:08. | |
:37:08. | :37:22. | ||
# Let's make the most of the night Ke$ha, everybody. | :37:22. | :37:29. | |
Come over here. Beautiful, Ke$ha, everyone. | :37:29. | :37:34. | |
Beautiful. You sit down there with Mr James | :37:34. | :37:44. | |
:37:44. | :37:45. | ||
May. That's lovely. Oh. That was spectacular, Ke$ha, thank you very | :37:45. | :37:50. | |
much. It will be released on 4th | :37:50. | :38:00. | |
:38:00. | :38:01. | ||
December? Yeah. I have got a card here. The single | :38:01. | :38:08. | |
is released on 4th December. Jake is playing a member of the | :38:08. | :38:17. | |
LAPD. Right now. He is pretending to be an actor. | :38:17. | :38:23. | |
Did you have any trouble because you broke no a house, didn't you? A | :38:23. | :38:27. | |
celebrity's house? Which one? wish I could say that! | :38:27. | :38:32. | |
Didn't you break into Prince's house? Oh yeah, yeah. | :38:32. | :38:36. | |
What you have forgotten? definitely remember that. I broke | :38:36. | :38:42. | |
into a few people's houses. It always turns out different. | :38:42. | :38:48. | |
You say snuck in, I say broke in. How do you sneak in? I don't break | :38:48. | :38:52. | |
anything. No. I just crept under a fence and | :38:52. | :38:57. | |
the door was unlocked. To me, that's like having a big welcoming | :38:57. | :39:03. | |
sign. And was Prince in? He was playing the guitar. Isn't that | :39:03. | :39:10. | |
crazy? I'm not even joking. He was jamming on the guitar? | :39:10. | :39:13. | |
was, though. Why did you do that? Because I | :39:13. | :39:16. | |
wanted to work with him. That's a great way to introduce | :39:16. | :39:23. | |
yourself. It works sometimes, it really does. No? On my new album, I | :39:23. | :39:33. | |
:39:33. | :39:35. | ||
did a song and I worked with ig with Iggy Pop because I stalked him | :39:35. | :39:43. | |
for years. I have got a kitchen shutter and it | :39:43. | :39:48. | |
is going down tonne, I'll tell you. We have time for a story or two in | :39:48. | :39:53. | |
the red chair. Who is up first. Hello. Pm. Hello. What is your | :39:53. | :39:58. | |
name? Linda. Where are you from? Essex. | :39:58. | :40:03. | |
Lovely and what do you do in Essex, Linda? I am a mum to Frankie. | :40:03. | :40:08. | |
Frankie, oh. LAUGHTER | :40:08. | :40:18. | |
:40:18. | :40:22. | ||
How Old is Frankie? He is six. Hopefully he won see this show! | :40:22. | :40:23. | |
LAUGHTER -- hopefully he won't see this | :40:23. | :40:26. | |
show! LAUGHTER | :40:26. | :40:28. | |
Wow, that's a leaver operating a big red chair. | :40:28. | :40:36. | |
The world is so beautiful! LAUGHTER | :40:36. | :40:41. | |
Shall we try it again? Shall we try it again? Who is up next? Hello. | :40:41. | :40:44. | |
Hello. What's your name? Jane. | :40:44. | :40:49. | |
Where are you from? Surbiton. What are you doing in Surbiton? | :40:49. | :40:59. | |
:40:59. | :41:03. | ||
am a full-time mum to three kids and we have got a new puppy, Graham. | :41:03. | :41:09. | |
LAUGHTER Cats, forget about them! | :41:09. | :41:15. | |
This is the one. This is the one. This one is going to tell the story. | :41:15. | :41:23. | |
Hello. Forget about it! LAUGHTER | :41:23. | :41:28. | |
Anybody with facial hair... Yeah, I hope the selectors back there, do | :41:28. | :41:35. | |
we have anyone left? OK. Hello. | :41:35. | :41:41. | |
No. No. No. I'm protecting you. What's your name? Charley. | :41:41. | :41:51. | |
:41:51. | :41:53. | ||
I bet. Where Where would people find you | :41:53. | :41:56. | |
if if they were they were looking? Huddersfield. | :41:56. | :42:00. | |
Have you come all the way from Huddersfield today? Yes. | :42:00. | :42:07. | |
On a train or something? Yeah. Do you do something? I am a waiter | :42:07. | :42:13. | |
at the moment. Where? Where? Pizza Hut. | :42:13. | :42:23. | |
:42:23. | :42:28. | ||
They have got them big crusts. LAUGHTER | :42:28. | :42:30. | |
All right, I have high hopes, Charlie, you have travelled from | :42:30. | :42:36. | |
Huddersfield to tell this story. I am a huge Ke$ha fan. In | :42:36. | :42:40. | |
Birmingham she chose me to go on stage with her and she gave me a | :42:40. | :42:43. | |
lap dance and it was the best day of my life. | :42:43. | :42:49. | |
That's a beautiful story. I know. I treat my fans well. | :42:49. | :42:54. | |
What? He said what? She said she treats | :42:54. | :43:02. | |
her fans well? She does. Look at Charlie. He is so happy. | :43:02. | :43:07. | |
How does that look go down in Huddersfield? Did you get get | :43:08. | :43:12. | |
changed on the train? Yeah. It was a shirt and tie when he got | :43:12. | :43:22. | |
:43:22. | :43:23. | ||
on the train. Now, look! Charlie, you can walk. Listen, well | :43:23. | :43:30. | |
done to everyone on the show. Thank you to all of my guests tonight, | :43:30. | :43:32. | |
Ke$ha. APPLAUSE | :43:32. | :43:40. |