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There's an Olympic medallist on the show tonight, so we're doing our chat show warm-up exercises. | 0:00:02 | 0:00:05 | |
-Right, everybody, something funny... -AUDIENCE: Ha, ha! | 0:00:05 | 0:00:07 | |
-Good. Something touching... -AUDIENCE: Ahh! | 0:00:07 | 0:00:09 | |
-A mad Daniel Radcliffe fan... -I love you, Daniel! | 0:00:09 | 0:00:12 | |
-Something exciting... -CHEERING | 0:00:12 | 0:00:14 | |
Yay, excellent! Let's start the show! | 0:00:14 | 0:00:17 | |
CHEERING AND APPLAUSE | 0:00:17 | 0:00:20 | |
This programme contains some strong language | 0:00:22 | 0:00:27 | |
Oh! Oh! | 0:00:33 | 0:00:35 | |
Hello! | 0:00:37 | 0:00:38 | |
Hello! Hello, hello! | 0:00:38 | 0:00:41 | |
Welcome all, welcome all, a great line-up for you tonight. | 0:00:43 | 0:00:45 | |
As you may have guessed, | 0:00:45 | 0:00:46 | |
Olympic golden girl Jessica Ennis is here, ladies and gentlemen! | 0:00:46 | 0:00:49 | |
-CHEERING -I know! | 0:00:49 | 0:00:51 | |
-The star of stage and screen, Daniel Radcliffe is here. -CHEERING AND APPLAUSE | 0:00:52 | 0:00:56 | |
-The hilarious Ricky Gervais is on the show! -CHEERING AND APPLAUSE | 0:00:57 | 0:01:01 | |
Plus we've got music and chat from the brilliant Bruno Mars, everybody! | 0:01:01 | 0:01:05 | |
CHEERING | 0:01:05 | 0:01:07 | |
So, looking forward to meeting Jessica Ennis, | 0:01:10 | 0:01:12 | |
hearing about her gold medal-winning exploits. | 0:01:12 | 0:01:15 | |
Jessica has such a rigorous training routine, yeah. | 0:01:15 | 0:01:18 | |
Now, there she is in a wheelie bin full of iced water. Oh, dear! | 0:01:18 | 0:01:22 | |
Although, you've got to be careful. Here she is, two minutes later... | 0:01:22 | 0:01:25 | |
LAUGHTER | 0:01:25 | 0:01:27 | |
"Oh, I forgot it's Thursday!" | 0:01:27 | 0:01:29 | |
Jessica's next big event is the 2014 Commonwealth Games in Glasgow. | 0:01:30 | 0:01:35 | |
-There's Glasgow... -LAUGHTER | 0:01:35 | 0:01:37 | |
Here's Jessica, finding out where it is... | 0:01:37 | 0:01:39 | |
LAUGHTER | 0:01:39 | 0:01:41 | |
"Nooo!" | 0:01:41 | 0:01:43 | |
During the Olympics, the papers covered all seven of her events, | 0:01:43 | 0:01:46 | |
focusing on the most important aspect of each one. | 0:01:46 | 0:01:50 | |
The 800 metres, | 0:01:50 | 0:01:51 | |
the high jump, | 0:01:51 | 0:01:52 | |
the shot put... | 0:01:52 | 0:01:54 | |
They really covered it, they really did. | 0:01:54 | 0:01:57 | |
Mind you, not the only famous arse of the Olympics. | 0:01:57 | 0:01:59 | |
LAUGHTER AND APPLAUSE | 0:01:59 | 0:02:01 | |
Eh, eh! Yeah. | 0:02:01 | 0:02:03 | |
Look at him there, thinking to himself, | 0:02:05 | 0:02:07 | |
"As soon as the Paralympics are over, | 0:02:07 | 0:02:10 | |
"I'm cutting disability allowance." | 0:02:10 | 0:02:12 | |
Let's get some guests on! | 0:02:12 | 0:02:14 | |
Later on, we'll be having a musical chat with Bruno Mars! | 0:02:14 | 0:02:17 | |
But first, he's the genius behind An Idiot Abroad, | 0:02:17 | 0:02:22 | |
it's Ricky Gervais! | 0:02:22 | 0:02:24 | |
CHEERING AND APPLAUSE | 0:02:24 | 0:02:25 | |
Whoa, whoa! | 0:02:25 | 0:02:27 | |
-Hello, sir. Welcome back. -Thank you. -Have a seat. | 0:02:30 | 0:02:32 | |
It's a personal best for me, I've got Jessica Ennis! | 0:02:33 | 0:02:36 | |
CHEERING AND APPLAUSE | 0:02:36 | 0:02:38 | |
Oh, golden, golden! Hello, darling. | 0:02:38 | 0:02:42 | |
Thank you so much for coming on. | 0:02:42 | 0:02:44 | |
Mwah, mwah, sit yourself down. | 0:02:44 | 0:02:46 | |
And we're going to try to get through the whole show | 0:02:46 | 0:02:48 | |
without mentioning Harry Potter - oh, no - | 0:02:48 | 0:02:49 | |
it's Daniel Radcliffe, everybody! | 0:02:49 | 0:02:51 | |
-CHEERING AND APPLAUSE -Hey! | 0:02:51 | 0:02:53 | |
How are you? Good to see you. | 0:02:54 | 0:02:56 | |
-Oh! Hello, all. -Hello. -Hi. -Hello. -Hi, hi. You're all very welc... | 0:03:03 | 0:03:07 | |
Well, I say, Ricky, welcome back. Daniel, welcome back. | 0:03:07 | 0:03:10 | |
-Jessica, you haven't been on the show before. -No. | 0:03:10 | 0:03:12 | |
-But you nearly did, and then you missed out. -I was absolutely gutted. | 0:03:12 | 0:03:17 | |
It was before the Olympics, so I had to train and prepare... | 0:03:17 | 0:03:20 | |
Oh, that... | 0:03:20 | 0:03:21 | |
Yeah, yeah, yeah... | 0:03:21 | 0:03:22 | |
I hope it was worth it(!) | 0:03:22 | 0:03:24 | |
You were going to meet Will Smith, weren't you? | 0:03:24 | 0:03:27 | |
-Will Smith was on the show. -Oh, I was so gutted. | 0:03:27 | 0:03:30 | |
-I was so excited and then I had to turn it down. -And now she's got us. | 0:03:30 | 0:03:35 | |
-Yeah. -Unlucky! | 0:03:35 | 0:03:37 | |
Showbiz tip, don't talk about people you prefer | 0:03:37 | 0:03:40 | |
in front of famous actors and comedians. | 0:03:40 | 0:03:43 | |
No, the Olympics was an amazing summer. | 0:03:43 | 0:03:45 | |
You guys, presumably, like everyone else, you watched? | 0:03:45 | 0:03:47 | |
-My favourite, ever. Really. -Oh, Olympics? -Yeah, absolutely, yeah. | 0:03:47 | 0:03:52 | |
Oh, good. I'm glad you liked it. | 0:03:54 | 0:03:55 | |
Ricky, you do running and kick-boxing and all sorts now, don't you? | 0:03:55 | 0:03:58 | |
Well, I always did, I just, um... I just did it once a year, or... | 0:03:58 | 0:04:02 | |
LAUGHTER | 0:04:02 | 0:04:04 | |
-Now I do it every day. -No, cos... It's the body beautiful, now. | 0:04:04 | 0:04:07 | |
-Well, hardly. -No, there's been pictures... | 0:04:07 | 0:04:09 | |
It's all relative, you wouldn't be saying it if I'd always been, you know... | 0:04:09 | 0:04:12 | |
-There's pictures of you looking gorgeous. -What you're saying is | 0:04:12 | 0:04:15 | |
-I used to be a horrendous, fat... -CHEERING AND WHOOPING | 0:04:15 | 0:04:19 | |
No, OK, listen. Right. | 0:04:19 | 0:04:20 | |
No, I can explain that photo. | 0:04:20 | 0:04:23 | |
That was the day of the Golden Globes... I don't mean in my pants. | 0:04:24 | 0:04:28 | |
LAUGHTER | 0:04:28 | 0:04:30 | |
Come on...! Grow up. | 0:04:30 | 0:04:31 | |
No, that was the day of the Golden Globes and I'd been on Ellen, | 0:04:31 | 0:04:35 | |
you know, the big chat show in America, yeah, and she gave me | 0:04:35 | 0:04:38 | |
those gold lame pants and said, "Will you wear these?" | 0:04:38 | 0:04:41 | |
Now, I didn't want to wear them for the Golden Globes, | 0:04:41 | 0:04:43 | |
because they're uncomfortable. They're way too small for me. | 0:04:43 | 0:04:46 | |
Even if I say so myself. | 0:04:46 | 0:04:48 | |
I looked like an action man after I'd put them on. | 0:04:48 | 0:04:51 | |
And so I took a picture. | 0:04:51 | 0:04:52 | |
That's the Four Seasons in LA, I took a picture to send her. | 0:04:52 | 0:04:55 | |
And the thing is, after the Golden Globes, | 0:04:55 | 0:04:58 | |
me and my girlfriend went back to the hotel, | 0:04:58 | 0:05:01 | |
we had a bottle of champagne that they'd put up there, | 0:05:01 | 0:05:03 | |
"Well done, congratulations...", | 0:05:03 | 0:05:05 | |
and the next day, we flew to New York. | 0:05:05 | 0:05:09 | |
Now, those shorts were so small that when I took them off, they ripped. | 0:05:09 | 0:05:13 | |
So in the bin, that I left behind in the hotel, | 0:05:13 | 0:05:16 | |
was some ripped gold lame hot pants and an empty bottle of champagne. | 0:05:16 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
What did that look like?! | 0:05:23 | 0:05:25 | |
And Daniel, you're not shy about showing us your body. | 0:05:25 | 0:05:29 | |
-No, I do it all the time now. -Yes. | 0:05:29 | 0:05:31 | |
Every job I do, I seem to be getting naked. | 0:05:31 | 0:05:33 | |
-Yeah, you got naked with a horse, didn't you? -I did, yeah. | 0:05:33 | 0:05:37 | |
Maybe you should explain that! | 0:05:37 | 0:05:40 | |
I've spent enough time explaining that! | 0:05:40 | 0:05:42 | |
No, yeah, I think, um, every film I've done this year, I've had to | 0:05:42 | 0:05:48 | |
get at least partially naked in. | 0:05:48 | 0:05:49 | |
It's weird, because it's one thing about strangers seeing you, | 0:05:49 | 0:05:53 | |
because then you're an actor, but when your FRIENDS see you... | 0:05:53 | 0:05:56 | |
-Yeah, but... -Never mind friends - MUM? | 0:05:56 | 0:05:59 | |
No, but... I don't know, like, | 0:05:59 | 0:06:01 | |
I ran the lines for the show with my mum and dad, so they knew, like... | 0:06:01 | 0:06:04 | |
-Yeah, but you had your clothes on when you are doing that. -Yes. | 0:06:04 | 0:06:07 | |
LAUGHTER | 0:06:07 | 0:06:11 | |
"I can't do it properly, Mum, unless..." | 0:06:11 | 0:06:14 | |
"This is an undress rehearsal." | 0:06:14 | 0:06:15 | |
I don't know, it was... They knew what I was getting myself into, | 0:06:15 | 0:06:19 | |
-so I guess... -Well, they've known it all their life, haven't they? | 0:06:19 | 0:06:22 | |
And do you stay in shape? | 0:06:22 | 0:06:24 | |
-Cos you look quite ripped in pictures of you. -Um, that was... | 0:06:24 | 0:06:27 | |
WOMEN: Woo! | 0:06:27 | 0:06:29 | |
-Black and white, why didn't I do black and white? -LAUGHTER | 0:06:29 | 0:06:32 | |
That's where you're going wrong. Low angle, too. | 0:06:32 | 0:06:35 | |
Um...but, er... Yeah, I mean, the first time I've been told to... | 0:06:35 | 0:06:40 | |
The film I've just done, Horns, was the first time I've been told to... RICKY SNIGGERS | 0:06:40 | 0:06:44 | |
..get in shape for something. | 0:06:44 | 0:06:45 | |
Can you tell them to grow up? LAUGHTER | 0:06:45 | 0:06:48 | |
Well, I wasn't expecting it. | 0:06:48 | 0:06:50 | |
That's fantastic. | 0:06:51 | 0:06:53 | |
Yeah, it's called Horns, and I... | 0:06:53 | 0:06:54 | |
-HE LAUGHS: -Don't say it again! | 0:06:54 | 0:06:57 | |
I'm going to be saying it a lot when I'm promoting it. | 0:06:57 | 0:07:00 | |
They may have changed the name of it, by then. | 0:07:00 | 0:07:02 | |
We're doing some audience research right now. | 0:07:02 | 0:07:05 | |
-They've changed it to The Horn. -Yeah. | 0:07:05 | 0:07:07 | |
And, yeah, so that was the first time a director has told me | 0:07:07 | 0:07:11 | |
to get in the gym and sort of... and be... | 0:07:11 | 0:07:14 | |
Anyway, we're talking about bodies, | 0:07:14 | 0:07:16 | |
and no-one could compete with Jessica Ennis. | 0:07:16 | 0:07:18 | |
-The body. -CHEERING | 0:07:18 | 0:07:20 | |
I mean, look at that. | 0:07:20 | 0:07:21 | |
-So, if you did slip out of your gown now... -LAUGHTER | 0:07:25 | 0:07:28 | |
..do you look like that now? | 0:07:28 | 0:07:30 | |
Um...maybe a little bit smoother round here. Only a little bit. | 0:07:30 | 0:07:35 | |
Maybe it's a four pack and not a six pack. | 0:07:35 | 0:07:37 | |
You just won a poll, didn't you, best celebrity body? | 0:07:38 | 0:07:41 | |
-Apparently, yeah. -Yeah. -It's mad. | 0:07:41 | 0:07:44 | |
But it's good, because it's sporting figure that out there now, | 0:07:44 | 0:07:46 | |
which is a nice kind of image to put out there, as opposed to | 0:07:46 | 0:07:51 | |
the really stick, skinny women that we see all the time, so it's good. | 0:07:51 | 0:07:55 | |
-Because originally... -CHEERING | 0:07:55 | 0:07:56 | |
-Yeah. -Yes. | 0:07:56 | 0:07:58 | |
APPLAUSE | 0:07:58 | 0:08:00 | |
It shows how things have changed, | 0:08:00 | 0:08:02 | |
because wasn't it one of the big stumbling blocks for you, personally, | 0:08:02 | 0:08:05 | |
going into athletics, was you didn't WANT to look like that. | 0:08:05 | 0:08:08 | |
Yeah, definitely. | 0:08:08 | 0:08:09 | |
When you're an athlete starting out, you know, | 0:08:09 | 0:08:11 | |
you're a young girl of 14, 15, and you're told to go in the gym | 0:08:11 | 0:08:14 | |
and you've got to lift weights and you've got to be stronger. | 0:08:14 | 0:08:17 | |
It's not what your friends are doing | 0:08:17 | 0:08:19 | |
and what you want to do at that age, | 0:08:19 | 0:08:21 | |
so it was a time when I was kind of, like, is this what I want to do, | 0:08:21 | 0:08:24 | |
and is it going to help me, is it the way I want to look? | 0:08:24 | 0:08:28 | |
But now, if it's the chance of winning an Olympic gold medal, | 0:08:28 | 0:08:31 | |
then it's something I definitely want to do. | 0:08:31 | 0:08:33 | |
And actually... Is that it? | 0:08:33 | 0:08:35 | |
-It is, yes. -Oh, can we see the medal? -Yes. | 0:08:35 | 0:08:38 | |
-AUDIENCE: Ooh! -Oh! See, we're so excited. It's an Olympic medal! | 0:08:38 | 0:08:42 | |
Yeah... I nearly left it in the dressing room. | 0:08:42 | 0:08:45 | |
-CHEERING AND APPLAUSE -Oh! Yeah! | 0:08:45 | 0:08:48 | |
-Can I lift it? How heavy? -It's heavy. | 0:08:48 | 0:08:51 | |
-Oh, that IS heavy. -That's amazing. | 0:08:51 | 0:08:53 | |
I think you should say, they asked you to bring it, | 0:08:53 | 0:08:55 | |
-you don't carry that round with you all the time. -Yeah! | 0:08:55 | 0:08:58 | |
Every cab you get in, "Oh, can I see the medal?" | 0:08:58 | 0:09:02 | |
Can I just say, that's just the same medal that everyone...? | 0:09:02 | 0:09:05 | |
I mean, GOLD medal that everyone... | 0:09:05 | 0:09:07 | |
-If you win something, you get a gold medal. -Yeah, not everyone gets one! -LAUGHTER | 0:09:07 | 0:09:11 | |
-If you take part! -We're all winners! | 0:09:11 | 0:09:14 | |
No, I just kind of think, cos you did SEVEN events... | 0:09:14 | 0:09:17 | |
If you run 100 metres and win, you get that. You did seven events, | 0:09:17 | 0:09:21 | |
it took you two days. I think they should amalgamate them | 0:09:21 | 0:09:23 | |
and give you a big gold bin lid, or something. | 0:09:23 | 0:09:26 | |
-It should be bigger for seven events! -Well, it's pretty big. | 0:09:26 | 0:09:29 | |
-I feel cheated on your behalf. -Do you? -Yeah, cheated. | 0:09:29 | 0:09:32 | |
You're one of the only people I've met | 0:09:32 | 0:09:34 | |
who is not impressed by a gold medal. LAUGHTER | 0:09:34 | 0:09:36 | |
"Everyone gets one of them, | 0:09:36 | 0:09:38 | |
"everyone, they hand them out when you walk through." | 0:09:38 | 0:09:40 | |
I squealed backstage, when I saw that. I made a noise, I went, "Argh!" | 0:09:40 | 0:09:45 | |
And I love that they give you a little case, and everything. | 0:09:45 | 0:09:49 | |
I know, and they tell you how to look after it, | 0:09:49 | 0:09:51 | |
what you should do to clean it. | 0:09:51 | 0:09:53 | |
I'll throw it to you! There you go! Well done! | 0:09:53 | 0:09:55 | |
New one? | 0:09:55 | 0:09:57 | |
Is there cleaning kit, and stuff? | 0:09:57 | 0:09:59 | |
No, no cleaning kit, just a guideline. | 0:09:59 | 0:10:01 | |
-You have to get the stuff yourself? -Where's the guideline? | 0:10:01 | 0:10:03 | |
Do you want me to show you? It's really not interesting! | 0:10:03 | 0:10:07 | |
Tragically, I am interested. | 0:10:07 | 0:10:08 | |
We're all interested in the inside of this case. | 0:10:08 | 0:10:10 | |
"Use a nonabrasive surface..." What does it say? | 0:10:10 | 0:10:13 | |
"It has been designed | 0:10:13 | 0:10:14 | |
"and manufactured to the highest standards... | 0:10:14 | 0:10:17 | |
"Handle your medal with care." OK, here we go. Yeah, I was right - | 0:10:17 | 0:10:19 | |
"Avoid any sort of impact or ABRASION..." | 0:10:19 | 0:10:22 | |
LAUGHTER | 0:10:22 | 0:10:23 | |
"..always try to carry it in its box..." Hello? | 0:10:23 | 0:10:25 | |
LAUGHTER | 0:10:25 | 0:10:27 | |
"Only clean it using a soft, dry cloth, | 0:10:27 | 0:10:29 | |
"preferably cotton or soft muslin." | 0:10:29 | 0:10:31 | |
This is really specific, isn't it? Yeah. | 0:10:33 | 0:10:36 | |
"Do not use any liquids, chemicals or abrasive substances | 0:10:36 | 0:10:38 | |
"when cleaning it." | 0:10:38 | 0:10:40 | |
-Wow. -Interesting stuff. | 0:10:40 | 0:10:42 | |
It sounds like there's not that much gold on it... | 0:10:42 | 0:10:44 | |
DROWNED OUT BY LAUGHTER | 0:10:46 | 0:10:48 | |
Apparently, it's lead. | 0:10:50 | 0:10:51 | |
Nonabrasive surfaces! | 0:10:53 | 0:10:55 | |
Well, thank you very much for bringing that in. It's just... | 0:10:55 | 0:10:58 | |
-What an amazing thing to have. -Thank you. -Right, now, Daniel Radcliffe. | 0:10:58 | 0:11:02 | |
What I love about you, is you can't second-guess what you're going to do next. | 0:11:02 | 0:11:07 | |
-Thank you. -Well, you leave the most financially successful film franchise of all time, and then, | 0:11:07 | 0:11:12 | |
you know, you could have done anything. | 0:11:12 | 0:11:14 | |
But you've done, you know, plays, musicals, you did a horror movie, | 0:11:14 | 0:11:18 | |
and now you're on TV but doing something really specific. | 0:11:18 | 0:11:23 | |
It is quite bizarre. | 0:11:23 | 0:11:24 | |
But it's excellent, it's Sky Arts 1, tell us what you're doing. | 0:11:24 | 0:11:28 | |
Um, it's a thing called A Young Doctor's Notebook. | 0:11:28 | 0:11:31 | |
It is very hard to describe. | 0:11:31 | 0:11:33 | |
Basically, it's a medical comedy set in Russia in 1917. It's based on... | 0:11:33 | 0:11:38 | |
LAUGHTER We all know those! | 0:11:38 | 0:11:40 | |
It's... My character...is... | 0:11:40 | 0:11:44 | |
Simply, in the script, is called "young doctor". | 0:11:44 | 0:11:47 | |
He arrives at this very remote hospital, | 0:11:47 | 0:11:50 | |
and he's kind of just dumped there and he has two cope with | 0:11:50 | 0:11:54 | |
an array of patients suffering from, you know, legs that need to be chopped off | 0:11:54 | 0:11:58 | |
and throats that need to be operated on, | 0:11:58 | 0:12:01 | |
and a syphilis epidemic... | 0:12:01 | 0:12:03 | |
None of it sounds funny. However... LAUGHTER | 0:12:03 | 0:12:06 | |
..it is, in fact... | 0:12:06 | 0:12:08 | |
-It's VERY funny. -It's very funny and it's all seen through the eyes... | 0:12:08 | 0:12:11 | |
The book is very funny | 0:12:11 | 0:12:12 | |
and the way the show has kind of been set up is that you're seeing | 0:12:12 | 0:12:16 | |
myself and John Hamm play the same character at different stages of his life, | 0:12:16 | 0:12:21 | |
older and younger, | 0:12:21 | 0:12:23 | |
and he is sort of remembering his own life, and so I'm a figment, | 0:12:23 | 0:12:27 | |
sort of, his memory. And he's interacting with himself, which allows us | 0:12:27 | 0:12:31 | |
to have some quite funny interchanges as he watches his young self. | 0:12:31 | 0:12:35 | |
Cos that's the thing, it's really Russian. | 0:12:35 | 0:12:38 | |
Oh, yeah, it is, and the other thing that's worth saying, is it's extremely bloodied. | 0:12:38 | 0:12:42 | |
Like, there are no punches pulled on the leg amputation or the tracheotomies. | 0:12:42 | 0:12:47 | |
-Yes, the blood budget was used. -Yes, that was, yeah... | 0:12:47 | 0:12:51 | |
But it was worth it. | 0:12:51 | 0:12:52 | |
And the syphilis thing, cos there's an awful lot... | 0:12:53 | 0:12:56 | |
Drip, drip, drip... I mean, it's... | 0:12:56 | 0:12:59 | |
It sounds just like Dad's Army. | 0:12:59 | 0:13:02 | |
It is classic... It is classic British comedy. | 0:13:03 | 0:13:05 | |
That's the thing, it kind of is! | 0:13:05 | 0:13:07 | |
You know the scene where you're telling a whole family they've got syphilis... | 0:13:07 | 0:13:11 | |
Yeah, it's one of my favourite scenes. I get to tell a mother | 0:13:11 | 0:13:13 | |
and two young children that they all have syphilis. | 0:13:13 | 0:13:15 | |
-How did they ALL get it? -Well, it's, it's... | 0:13:15 | 0:13:18 | |
You don't just get it like that. | 0:13:18 | 0:13:19 | |
Oh. | 0:13:20 | 0:13:21 | |
LAUGHTER | 0:13:21 | 0:13:24 | |
-Are you a real doctor now, are you? -It's infectious! | 0:13:24 | 0:13:27 | |
Woo! | 0:13:27 | 0:13:29 | |
He's qualified now! | 0:13:30 | 0:13:31 | |
He's not only a foot taller, but he's a qualified doctor! | 0:13:31 | 0:13:34 | |
LAUGHTER AND APPLAUSE | 0:13:34 | 0:13:37 | |
We've got a clip from A Young Doctor's Notebook. | 0:13:39 | 0:13:44 | |
-This is your first labour. -Delivering my first baby. Yeah. | 0:13:44 | 0:13:50 | |
I really might need to know this, one day. | 0:13:50 | 0:13:53 | |
WOMAN GROANS | 0:13:53 | 0:13:55 | |
Um, so, the midwife tells me travelled all the way from Dultsevo. | 0:13:55 | 0:14:00 | |
-Is that far? -It's a small village, just outside Grabelovka. | 0:14:00 | 0:14:03 | |
-Grabelovka? -It's not far from Kakhovka! -WOMAN GROANING | 0:14:03 | 0:14:06 | |
Oh, yes! Where I get off the train. Of course. | 0:14:06 | 0:14:08 | |
Sorry, I'm new to the area. I don't know where anything is. WOMAN GROANS | 0:14:08 | 0:14:11 | |
No, no, geographically! Of course, I mean, | 0:14:11 | 0:14:13 | |
obviously I know a transverse lie when I see one, | 0:14:13 | 0:14:15 | |
and this is one - well done, Ella. | 0:14:15 | 0:14:17 | |
Um... | 0:14:17 | 0:14:19 | |
So, what we have here, as I've just explained, is a transverse lie, | 0:14:19 | 0:14:23 | |
which means we must perform... | 0:14:23 | 0:14:25 | |
-..a podalic version? -A podalic version, yes, correct. | 0:14:29 | 0:14:32 | |
A procedure whereby the foetus is manually turned within the womb. | 0:14:32 | 0:14:35 | |
Well done, Pelagea. So, let's perform it. Looked lively. | 0:14:35 | 0:14:38 | |
-What are we waiting for? -Feldsher, prepare the chloroform. -Of course. | 0:14:38 | 0:14:42 | |
Yes, feldsher, you do the chloroform, and Anna, you do...that. WOMAN WHIMPERS | 0:14:42 | 0:14:47 | |
And, um, er, yes, you, you just wait there. And, um, I will... WOMAN GROANS | 0:14:47 | 0:14:52 | |
I will go and get my cigarettes. | 0:14:52 | 0:14:54 | |
LAUGHTER AND APPLAUSE | 0:14:54 | 0:14:57 | |
And A Young Doctor's Notebook is on Sky Arts 1 on Thursdays at 9pm. | 0:14:59 | 0:15:03 | |
But in terms of gore and stuff, because, Jessica, in athletics, | 0:15:03 | 0:15:07 | |
in one of your events, the javelin, that's an accident waiting... | 0:15:07 | 0:15:11 | |
you're throwing a spear in a populated area! | 0:15:11 | 0:15:15 | |
-It's dangerous. -Have you ever hit anybody? | 0:15:15 | 0:15:17 | |
I'VE never hit anyone. | 0:15:17 | 0:15:19 | |
But there was... | 0:15:19 | 0:15:21 | |
there's a decathlete called Roman Sebrle, | 0:15:21 | 0:15:24 | |
and, yeah, someone was throwing, | 0:15:24 | 0:15:25 | |
and he was on the side of the track doing long jump, | 0:15:25 | 0:15:28 | |
and it went in his shoulder. | 0:15:28 | 0:15:29 | |
It went through him, yeah. | 0:15:29 | 0:15:31 | |
And, literally, he is just so hardcore, this man, | 0:15:31 | 0:15:33 | |
he just went, "Rrrah!" And ripped it out. | 0:15:33 | 0:15:36 | |
And he was fine! | 0:15:36 | 0:15:37 | |
-HE LAUGHS -Absolutely fine! | 0:15:37 | 0:15:40 | |
-It was so true! -"Get me Dr Radcliffe!" | 0:15:40 | 0:15:43 | |
LAUGHTER | 0:15:43 | 0:15:46 | |
Jessica Ennis, not content | 0:15:49 | 0:15:51 | |
with running, jumping, and throwing, | 0:15:51 | 0:15:54 | |
has now started typing! | 0:15:54 | 0:15:56 | |
You've done a book, Unbelievable. | 0:15:56 | 0:15:57 | |
And it IS unbelievable, | 0:15:57 | 0:15:59 | |
because the amount of sacrifice and training, | 0:15:59 | 0:16:02 | |
and then the level of achievement, is extraordinary. | 0:16:02 | 0:16:06 | |
But, I must say, there's no point where you think, | 0:16:06 | 0:16:08 | |
"Oh, I might do that." I mean, it just... | 0:16:08 | 0:16:11 | |
Do you feel that it's all been worth it? | 0:16:11 | 0:16:13 | |
Of course, yeah. It's just, this whole year has been...unbelievable! | 0:16:13 | 0:16:18 | |
No, it's been incredible, the whole journey. | 0:16:18 | 0:16:21 | |
And it's not just been this year, | 0:16:21 | 0:16:22 | |
it's been the past few years. | 0:16:22 | 0:16:24 | |
You know, having an injury in 2008, | 0:16:24 | 0:16:26 | |
and coming back from that to this position. | 0:16:26 | 0:16:28 | |
You know, I would never have imagined | 0:16:28 | 0:16:30 | |
that I would get this point. | 0:16:30 | 0:16:31 | |
Cos you talk about sacrifice and stuff, | 0:16:31 | 0:16:34 | |
but unless you're reading this, | 0:16:34 | 0:16:36 | |
you don't quite get the level of sacrifice. | 0:16:36 | 0:16:38 | |
That you're COMPLETELY focused. | 0:16:38 | 0:16:40 | |
It's kind of, if you need to eat, you need to eat. | 0:16:40 | 0:16:42 | |
If you need to sleep you need to sleep. | 0:16:42 | 0:16:44 | |
You travel, you're training, | 0:16:44 | 0:16:46 | |
and the other odd thing, I don't know if you know, | 0:16:46 | 0:16:48 | |
the drug testers can just show up at your house whenever they want. | 0:16:48 | 0:16:52 | |
Yeah, you have to...it's a good system we have in this country. | 0:16:52 | 0:16:55 | |
You have to provide an hour of every day | 0:16:55 | 0:16:58 | |
that you are going to be in one place. | 0:16:58 | 0:17:00 | |
So I have mine in the morning. | 0:17:00 | 0:17:02 | |
So it's six or seven in the morning, | 0:17:02 | 0:17:03 | |
because I know, pretty much, I'll always be in bed. | 0:17:03 | 0:17:06 | |
Also, the drugs will have worn off by then. | 0:17:06 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:11 | |
Laughing too hard, Jessica! Laughing too hard! | 0:17:11 | 0:17:15 | |
LAUGHTER | 0:17:15 | 0:17:17 | |
Oh, God! ANYWAY... | 0:17:17 | 0:17:19 | |
..and they can literally test you any time as well. | 0:17:19 | 0:17:22 | |
So they can turn up whenever they want. | 0:17:22 | 0:17:24 | |
But I guess my favourite bit in the book | 0:17:24 | 0:17:27 | |
is you talking about running the 800m, | 0:17:27 | 0:17:30 | |
and what you got from that crowd of 80,000 people. | 0:17:30 | 0:17:34 | |
It was, honestly, like nothing I've ever experienced before. | 0:17:34 | 0:17:37 | |
Stepping into the stadium for the first time for the hurdles, | 0:17:37 | 0:17:40 | |
and then finally for the 800, the crowds was so loud. | 0:17:40 | 0:17:44 | |
And on that final 200m, | 0:17:44 | 0:17:46 | |
two of the girls kind of overtook me, | 0:17:46 | 0:17:49 | |
and they kind of gave me a bit of momentum | 0:17:49 | 0:17:51 | |
to carry me with them, and the crowd just went wild. | 0:17:51 | 0:17:54 | |
I've never, ever heard anything like it. | 0:17:54 | 0:17:56 | |
Cos you didn't have to win. | 0:17:56 | 0:17:58 | |
You could have lost by 15 seconds, couldn't you, and still won? | 0:17:58 | 0:18:00 | |
Yeah, I had a good gap, but I wanted to finish it off properly. | 0:18:00 | 0:18:04 | |
And the Russian girl... | 0:18:04 | 0:18:05 | |
APPLAUSE AND CHEERING | 0:18:05 | 0:18:08 | |
The Russian girl, Tatyana Chernova, | 0:18:11 | 0:18:13 | |
she'd beaten me previously in the year in the 800, | 0:18:13 | 0:18:16 | |
and she'd gone to the press and said, | 0:18:16 | 0:18:18 | |
"I can still beat her in the 800." | 0:18:18 | 0:18:20 | |
So as she came past me, I thought, "No, not this time! | 0:18:20 | 0:18:22 | |
"Not this time!" And I wanted to celebrate and enjoy that moment. | 0:18:22 | 0:18:26 | |
I suppose it's happened quite fast, because even before the Olympics, | 0:18:26 | 0:18:31 | |
we knew your name, but it was only really | 0:18:31 | 0:18:32 | |
in the build-up to the Olympics where, suddenly, you were the face, | 0:18:32 | 0:18:35 | |
and those posters were everywhere. Was that very odd for you? | 0:18:35 | 0:18:39 | |
Yeah, very strange. | 0:18:39 | 0:18:40 | |
Because, you know, I was just doing what I do every year, | 0:18:40 | 0:18:43 | |
competing and training, and then suddenly, it's Olympic year | 0:18:43 | 0:18:46 | |
and it's in London, and everyone knows about it. | 0:18:46 | 0:18:48 | |
And, yeah, I was part of a lot of ad campaigns going into that, | 0:18:48 | 0:18:52 | |
which was great fun, but really, really surreal. | 0:18:52 | 0:18:54 | |
You know, driving to training and seeing posters round my city. | 0:18:54 | 0:18:57 | |
Coming to London and seeing, you know, big billboards and stuff. | 0:18:57 | 0:19:00 | |
It was madness, really. | 0:19:00 | 0:19:02 | |
Was there a time when you were sort of cheating on your diet? | 0:19:02 | 0:19:04 | |
-SHE LAUGHS -Well, yeah! | 0:19:04 | 0:19:06 | |
I drove down from my house, | 0:19:06 | 0:19:07 | |
I was going to go and get some chips, | 0:19:07 | 0:19:09 | |
some fish and chips, like you do. | 0:19:09 | 0:19:11 | |
And, yeah, there was this massive Powerade poster of me | 0:19:11 | 0:19:14 | |
doing these crunches, like, really sweating. | 0:19:14 | 0:19:17 | |
You know, working really hard, and I thought, "I cannot go in there!" | 0:19:17 | 0:19:20 | |
So I turned around and went to the supermarket! | 0:19:20 | 0:19:23 | |
I couldn't! Can you imagine coming out with a bag of chips? | 0:19:23 | 0:19:27 | |
Next to that? It's not a good look! | 0:19:27 | 0:19:29 | |
And what's it like now? | 0:19:30 | 0:19:33 | |
I mean, can you walk around, or are you bothered a lot? | 0:19:33 | 0:19:36 | |
Yeah, a lot of people come up to me now, and it's lovely, | 0:19:36 | 0:19:38 | |
because everyone's congratulating me | 0:19:38 | 0:19:40 | |
and, you know, it's been really surreal, more than anything. | 0:19:40 | 0:19:43 | |
Cos you get proposals through the post now, don't you? | 0:19:43 | 0:19:46 | |
I've had lots of things on Twitter. | 0:19:46 | 0:19:48 | |
Do they want to marry you? | 0:19:48 | 0:19:50 | |
Yeah, lots of marriage proposals, but I'm engaged! I keep saying! | 0:19:50 | 0:19:54 | |
But it's not putting them off, is it? | 0:19:54 | 0:19:56 | |
I know! Very strange people! | 0:19:56 | 0:19:58 | |
And do they send you things? | 0:19:58 | 0:20:00 | |
Erm, I've been sent, yeah, lots of weird things. | 0:20:00 | 0:20:02 | |
I suppose the weirdest was this man used to make these little, | 0:20:02 | 0:20:05 | |
like, models of me. | 0:20:05 | 0:20:08 | |
-Like... -Whoa!! | 0:20:08 | 0:20:10 | |
Like, little cardboard... | 0:20:11 | 0:20:13 | |
well, no, wooden cut-outs. | 0:20:13 | 0:20:15 | |
This is an episode of CSI! | 0:20:15 | 0:20:16 | |
-I'm sure I've seen this one! -It's the beginning of one! | 0:20:16 | 0:20:19 | |
-They were quite good, though. -LAUGHTER | 0:20:19 | 0:20:21 | |
They started off really small, and then he sent me this big one! | 0:20:23 | 0:20:27 | |
I've made now! | 0:20:27 | 0:20:28 | |
Cos, Ricky, you talked about how you don't go to pubs anymore, and... | 0:20:30 | 0:20:33 | |
Well, no, I, um....I go out. | 0:20:33 | 0:20:37 | |
I go to restaurants and things, but pubs is the dangerous bit, | 0:20:37 | 0:20:41 | |
because people, when they've had a few, | 0:20:41 | 0:20:42 | |
they end up a little bit braver, | 0:20:42 | 0:20:44 | |
and they don't quite understand that you're having a quiet drink. | 0:20:44 | 0:20:47 | |
And the worst is Brits abroad. They're the worst. | 0:20:47 | 0:20:50 | |
Listen to this, everyone! | 0:20:50 | 0:20:53 | |
No, no, they're all lovely, but they say, | 0:20:53 | 0:20:55 | |
"All right, man! What are you doing? | 0:20:55 | 0:20:57 | |
"We're having a beer if you want to come and join us." | 0:20:57 | 0:21:00 | |
I'll go, "Er...I'm with friends at the moment." | 0:21:00 | 0:21:03 | |
And they'll go, "No? We'll be here for a while." | 0:21:03 | 0:21:05 | |
I'll go, "I'm all right." | 0:21:05 | 0:21:07 | |
And any minute, they'll go, "You've changed." | 0:21:07 | 0:21:10 | |
Well, not really. | 0:21:10 | 0:21:11 | |
I didn't used to go for a beer with strangers before I was famous. | 0:21:11 | 0:21:14 | |
So it's always an awkward moment when you say, "No, thank you." | 0:21:14 | 0:21:16 | |
But once, I was in the West End, and this guy came up to me, | 0:21:16 | 0:21:20 | |
he was a backpacker, I think. | 0:21:20 | 0:21:22 | |
He was a European guy. | 0:21:22 | 0:21:23 | |
And he went, "Oh, my God! | 0:21:23 | 0:21:25 | |
"I was going to buy your book for you to sign. | 0:21:25 | 0:21:28 | |
"I haven't bought it yet." | 0:21:28 | 0:21:30 | |
I went, "Oh." | 0:21:30 | 0:21:32 | |
He went, "Will you come with me to buy it?" | 0:21:32 | 0:21:35 | |
I've had that! | 0:21:35 | 0:21:36 | |
I went, "No." | 0:21:36 | 0:21:38 | |
And he was going, | 0:21:38 | 0:21:40 | |
"Mmm, there's Waterstones." | 0:21:40 | 0:21:43 | |
I go, "No, I'm not coming with you to buy my book." | 0:21:43 | 0:21:46 | |
I said, "I'll sign something," and he was looking through... | 0:21:46 | 0:21:49 | |
he found, like, a tube...and he kept looking, and I said, | 0:21:49 | 0:21:52 | |
"I'm NOT coming with you to buy my book! | 0:21:52 | 0:21:55 | |
"It's a no! I'll sign ANYTHING!" | 0:21:55 | 0:21:58 | |
But it's hard, because they think, "Why wouldn't you? | 0:21:58 | 0:22:01 | |
"I'm not going to meet you again, so this is my opportunity." | 0:22:01 | 0:22:05 | |
Yeah, exactly. That's the thing. | 0:22:05 | 0:22:06 | |
I was watching you tonight, Daniel, when you're outside, | 0:22:06 | 0:22:09 | |
with the guys behind the railings, | 0:22:09 | 0:22:10 | |
you were signing the autographs. | 0:22:10 | 0:22:12 | |
Did someone, when you started out, sit you down, | 0:22:12 | 0:22:15 | |
some experienced actor, | 0:22:15 | 0:22:16 | |
and kind of said, "OK, this is how you deal with this. | 0:22:16 | 0:22:19 | |
-"This is the way to behave." -No. | 0:22:19 | 0:22:21 | |
-You just... -You just kind of learn as you go, | 0:22:21 | 0:22:23 | |
because it's terrifying for the first little while. | 0:22:23 | 0:22:26 | |
It's really scary and intimidating. | 0:22:26 | 0:22:28 | |
Because that's the thing, because sometimes if you don't sign, | 0:22:28 | 0:22:32 | |
they'll boo. Like, loud. | 0:22:32 | 0:22:33 | |
And when you're 11 and 12, that's really kind of... | 0:22:33 | 0:22:36 | |
-AUDIENCE AWS -That's crazy! | 0:22:36 | 0:22:39 | |
It's funny, though! | 0:22:39 | 0:22:41 | |
Booing to a child! "Boo!" | 0:22:41 | 0:22:44 | |
-Like Shirley Temple! -HE SOBS | 0:22:44 | 0:22:46 | |
So for a while, it used to really freak me out, | 0:22:46 | 0:22:49 | |
but I think it's something you get a lot better at and more used to. | 0:22:49 | 0:22:54 | |
But it's also kind of great, because sometimes... | 0:22:54 | 0:22:57 | |
that's the thing, sometimes you say things that you're like... | 0:22:57 | 0:23:01 | |
to somebody I'm meeting for the first time, | 0:23:01 | 0:23:03 | |
I would sound like a massive narcissist, | 0:23:03 | 0:23:07 | |
but because of how crazy parts of my life has been, | 0:23:07 | 0:23:10 | |
it's just the case. | 0:23:10 | 0:23:11 | |
So the other day I said to somebody, | 0:23:11 | 0:23:13 | |
when they asked me to sign their arm, | 0:23:13 | 0:23:16 | |
I now say to people, "Please don't get this tattooed." | 0:23:16 | 0:23:20 | |
Which sounds insane and egotistical, | 0:23:20 | 0:23:23 | |
but I met the girl who got my horrible signature tattooed. | 0:23:23 | 0:23:26 | |
There's a guy who's got Brent on his... | 0:23:28 | 0:23:31 | |
like, the whole thing...Brent! | 0:23:31 | 0:23:34 | |
I mean, not even a cool guy like me. It's just me going... | 0:23:34 | 0:23:37 | |
and it's massive! | 0:23:37 | 0:23:39 | |
But, yeah, so it is very strange. | 0:23:39 | 0:23:44 | |
Well, you may want to thank your fans after tonight, Daniel, | 0:23:44 | 0:23:46 | |
-because they may be giving you your next film. -OK. | 0:23:46 | 0:23:50 | |
Because there is a website called Simply Daniel Radcliffe Fan Fiction. | 0:23:50 | 0:23:55 | |
-OK. -And what happens on here... -Wow, great! | 0:23:55 | 0:23:59 | |
-Have you been to this yet, Dan? -Um, I actually didn't go on it. | 0:23:59 | 0:24:03 | |
-Somebody... -Well, don't worry. | 0:24:03 | 0:24:05 | |
We're bringing you here now. | 0:24:05 | 0:24:07 | |
OK, so there you are. "Unleash your heart to the world of Radcliffe." | 0:24:07 | 0:24:11 | |
Simply Daniel Radcliffe Fan Fiction. | 0:24:11 | 0:24:13 | |
Right, here we go. This one's called Cabin Fever. | 0:24:13 | 0:24:15 | |
Oh, Christ! | 0:24:15 | 0:24:18 | |
Here's the plot synopsis: | 0:24:18 | 0:24:20 | |
Brilliant! | 0:24:31 | 0:24:33 | |
It's not even, like...I like the way | 0:24:33 | 0:24:36 | |
it's not even, like, fantasy fiction. | 0:24:36 | 0:24:38 | |
It's what it would be like if we met and they hated me. | 0:24:38 | 0:24:44 | |
Yeah, "I don't like him much." | 0:24:44 | 0:24:45 | |
"I don't like him, hypothetically." | 0:24:45 | 0:24:48 | |
-But then, obviously, you grow to love each other, I'm sure. -Oh, OK! | 0:24:48 | 0:24:51 | |
-Well, I hope so! -This one's called Distant Hearts. | 0:24:51 | 0:24:53 | |
LAUGHTER Jesus! | 0:25:01 | 0:25:04 | |
That might be the whole film. | 0:25:04 | 0:25:05 | |
Or maybe you teach her to walk again. | 0:25:05 | 0:25:08 | |
Something like that. | 0:25:08 | 0:25:09 | |
-I hope so! -Grace...this is Solo. | 0:25:09 | 0:25:12 | |
God, I don't like myself in ANY of this! | 0:25:24 | 0:25:26 | |
Not to worry, they love you in all of them. | 0:25:26 | 0:25:29 | |
OK, very quickly, very quickly. | 0:25:29 | 0:25:31 | |
Which one will he choose?! | 0:25:41 | 0:25:43 | |
-Aw! -It's tricky! | 0:25:43 | 0:25:45 | |
They are very special. Thank you, everybody who writes them. | 0:25:47 | 0:25:51 | |
We thought we'd freak them out by putting in... | 0:25:51 | 0:25:54 | |
-Oh, have you done one? -We CAN put one in. | 0:25:54 | 0:25:56 | |
-Oh, come on! -Oh, OK. | 0:25:56 | 0:25:58 | |
So let's make it about you and Jessica. | 0:25:58 | 0:26:01 | |
-OK, yeah. -Yeah. | 0:26:01 | 0:26:03 | |
What shall we call it? Olympic something. Olympic..? | 0:26:03 | 0:26:07 | |
Olympic...Porn? No. | 0:26:07 | 0:26:08 | |
Olympic World. | 0:26:10 | 0:26:11 | |
Daniel is an astronaut, and he wants to start a new colony of people, | 0:26:11 | 0:26:15 | |
so he finds the perfect woman... | 0:26:15 | 0:26:17 | |
Wait, wait, wait! I've got to write this down! | 0:26:17 | 0:26:20 | |
This is great! OK. Olympic... | 0:26:20 | 0:26:23 | |
-..World. -Daniel wants to find his perfect woman. | 0:26:24 | 0:26:26 | |
I've got to put authors in yet! Hang on! | 0:26:26 | 0:26:28 | |
Don't put my name to this! | 0:26:28 | 0:26:31 | |
Don't you dare put my name to this! | 0:26:31 | 0:26:34 | |
No, I'm a professional writer! | 0:26:34 | 0:26:37 | |
..Ennis...D Radcliffe... | 0:26:37 | 0:26:41 | |
and Graham Norton. | 0:26:43 | 0:26:46 | |
It's my show. | 0:26:48 | 0:26:50 | |
OK, so the story is...what is it? | 0:26:52 | 0:26:54 | |
Daniel Radcliffe's an astronaut? | 0:26:54 | 0:26:56 | |
He's an astronaut, but he realises that Earth has only got a few years, | 0:26:56 | 0:26:59 | |
so he's got to go to another planet and start the human race again. | 0:26:59 | 0:27:03 | |
Hang on! I've only got to "spaceman," | 0:27:03 | 0:27:04 | |
cos I can't spell "astronaut." | 0:27:04 | 0:27:07 | |
"Daniel is a spaceman." | 0:27:07 | 0:27:09 | |
LAUGHTER AND APPLAUSE | 0:27:09 | 0:27:13 | |
He is starting another world | 0:27:13 | 0:27:16 | |
so he brings the perfect woman. | 0:27:16 | 0:27:24 | |
It's called 'Ad 'Em and Leave. | 0:27:24 | 0:27:27 | |
-Oh! -CHEERING AND APPLAUSE | 0:27:27 | 0:27:31 | |
..Ennis...will they... | 0:27:33 | 0:27:36 | |
be able to breathe? | 0:27:36 | 0:27:40 | |
Dot, dot, dot. | 0:27:42 | 0:27:43 | |
His co-pilot, given to him, | 0:27:43 | 0:27:46 | |
is Lt. Norton... | 0:27:46 | 0:27:48 | |
..who has other plans. | 0:27:50 | 0:27:51 | |
LAUGHTER AND APPLAUSE | 0:27:51 | 0:27:55 | |
I'm submitting it, I'm submitting it! "Add story." There we go. | 0:27:59 | 0:28:02 | |
Lovely. That'll be on the site now. Just enjoy that. | 0:28:02 | 0:28:04 | |
Written by all of us. Very good. OK! | 0:28:04 | 0:28:07 | |
CHEERING AND APPLAUSE | 0:28:07 | 0:28:10 | |
Ricky, you've come all the way from Scandinavia to join us. | 0:28:13 | 0:28:15 | |
Yes, I'm back and forth. | 0:28:15 | 0:28:17 | |
I'm doing a bit of a European Tour at the moment. | 0:28:17 | 0:28:19 | |
What's that based...is it The Office, or is it Extras, | 0:28:19 | 0:28:23 | |
-or is it all of it? -Um, no, it's my stand-up. | 0:28:23 | 0:28:26 | |
But I haven't released it there, so it's like my greatest hits. | 0:28:26 | 0:28:30 | |
Ah, and you have to change it for them? | 0:28:30 | 0:28:32 | |
Some people call it money for old rope! | 0:28:32 | 0:28:34 | |
I don't have to change it, no. | 0:28:34 | 0:28:36 | |
You know, a lot of Europe, particularly Scandinavia, | 0:28:36 | 0:28:39 | |
speak perfect English. | 0:28:39 | 0:28:40 | |
They're really smart. They get everything. | 0:28:40 | 0:28:43 | |
And talking of abroad, An Idiot Abroad. | 0:28:43 | 0:28:46 | |
This is the third series, and it's on Sky at the moment? | 0:28:46 | 0:28:49 | |
That's right, yeah. | 0:28:49 | 0:28:50 | |
And this time, Karl is travelling with your pal, Warwick Davis. | 0:28:50 | 0:28:53 | |
-Exactly. -Christ! I didn't know that! | 0:28:53 | 0:28:55 | |
-Yeah. -Why have you done that to Warwick?! | 0:28:55 | 0:28:57 | |
-It's amazing! Warwick was up for it. -I bet he was! | 0:28:57 | 0:29:00 | |
When I first pitched it to Karl, I said, | 0:29:00 | 0:29:01 | |
"It's slightly different this time. | 0:29:01 | 0:29:04 | |
"It's you going round on a bike with Warwick in the basket." | 0:29:04 | 0:29:08 | |
And Karl went, "So I'm doing all the fucking pedalling?" | 0:29:10 | 0:29:12 | |
LAUGHTER | 0:29:12 | 0:29:15 | |
There they are. | 0:29:15 | 0:29:17 | |
But actually, what's funny about it is that Warwick is so... | 0:29:17 | 0:29:21 | |
Warwick's loving it! | 0:29:21 | 0:29:22 | |
Warwick is the least complaining person I have ever met. | 0:29:22 | 0:29:25 | |
-Absolutely, yeah. -Every day he came to work on Potter, | 0:29:25 | 0:29:28 | |
he had a full head prosthetic. | 0:29:28 | 0:29:30 | |
Not just full face, but full head, that he was just enclosed in. | 0:29:30 | 0:29:32 | |
It was three hours to get in and two and a half to get off, | 0:29:32 | 0:29:35 | |
and he was in it the entire day for ten years, and he never said a word. | 0:29:35 | 0:29:38 | |
And Karl was taking the Mickey out of him for that. | 0:29:38 | 0:29:40 | |
He said, "No-one knows who you are. You're always covered up. | 0:29:40 | 0:29:43 | |
"For all I know, you could have been the bin on 3-2-1." | 0:29:43 | 0:29:46 | |
APPLAUSE | 0:29:46 | 0:29:49 | |
Karl is also in your new baby Derek, | 0:29:52 | 0:29:57 | |
that starts on Channel 4 in the new year. | 0:29:57 | 0:29:59 | |
Yeah, I'm finishing it this week. | 0:29:59 | 0:30:03 | |
It's myself and Karl and obviously lots of others, | 0:30:03 | 0:30:07 | |
and it's set in an old people's home. | 0:30:07 | 0:30:11 | |
Because there was... People thought... People pre-judged it. | 0:30:11 | 0:30:15 | |
It was controversial before it happened and people saw the pilot and thought it was sweet. | 0:30:15 | 0:30:20 | |
Exactly. It got bad reviews before anyone had seen it. That was great. | 0:30:20 | 0:30:23 | |
Then they saw it and said, "Yeah, it's all right." | 0:30:23 | 0:30:26 | |
It's sweet. People assume it's going to be cutting and cynical and cruel. | 0:30:26 | 0:30:33 | |
You know, they thought about Life's Too Short. They thought Life's Too Short was going to be... | 0:30:33 | 0:30:38 | |
They think it about An Idiot Abroad. | 0:30:38 | 0:30:40 | |
Well it's not hidden camera. Warwick knows what's happening. | 0:30:40 | 0:30:45 | |
People are worried about taboo. | 0:30:45 | 0:30:47 | |
If there's any mention of any disability | 0:30:47 | 0:30:50 | |
they think that they're the butt of the joke. | 0:30:50 | 0:30:52 | |
They're not. It's people's attitudes that are butt of the joke. | 0:30:52 | 0:30:56 | |
Eventually people get it when they see it. | 0:30:56 | 0:30:59 | |
A lot of it is people not seeing it and assuming stuff. | 0:30:59 | 0:31:02 | |
I saw the pilot of Derek and I really liked it, | 0:31:02 | 0:31:05 | |
It was lovely. It was sweet and warm. I look forward to the series. | 0:31:05 | 0:31:09 | |
We have a clip of the new series. | 0:31:09 | 0:31:11 | |
-You fixing the table? -Uh-huh. | 0:31:16 | 0:31:18 | |
Wobbly leg? | 0:31:18 | 0:31:19 | |
Wobbly leg. | 0:31:19 | 0:31:21 | |
OK. Derek. Douglas. | 0:31:25 | 0:31:30 | |
All right. Jesus. | 0:31:30 | 0:31:32 | |
-Knackered aren't we? -Mm. -Why? | 0:31:35 | 0:31:38 | |
Why? Because we've been having sexual intercourse | 0:31:38 | 0:31:41 | |
since yesterday afternoon. | 0:31:41 | 0:31:43 | |
-Have we not? -Yeah. -Non-stop body rock. -Mm. | 0:31:43 | 0:31:46 | |
-Was I good? -Absolutely. -There you go. Straight from the horse's mouth. | 0:31:46 | 0:31:50 | |
-No offence. -It's OK. -On your way. | 0:31:50 | 0:31:53 | |
Thank you. Enjoyed that. Very nice. | 0:31:53 | 0:31:57 | |
Happy with that. | 0:31:59 | 0:32:00 | |
Just give my little balls a bit of breathing space. | 0:32:03 | 0:32:06 | |
APPLAUSE | 0:32:08 | 0:32:09 | |
All right. It's time to meet my final guest tonight. | 0:32:13 | 0:32:16 | |
Last year this man was the biggest selling artist in the world. | 0:32:16 | 0:32:19 | |
Ladies and gentleman, he's out of this world, it's Bruno Mars! | 0:32:19 | 0:32:22 | |
APPLAUSE | 0:32:22 | 0:32:24 | |
Hello, good to see you. Have a seat. There's Daniel, Jessica, Ricky. | 0:32:26 | 0:32:32 | |
Nice to meet you. | 0:32:33 | 0:32:36 | |
-Hello, sir, how are you? -I'm good. -You are good, aren't you? Wow. | 0:32:36 | 0:32:41 | |
Because you've got your new album out, | 0:32:41 | 0:32:43 | |
-which is called Unorthodox Jukebox. -That's right. | 0:32:43 | 0:32:46 | |
-What are you singing tonight? -I'm going to sing Locked Out Of Heaven. | 0:32:46 | 0:32:49 | |
CHEERING AND APPLAUSE | 0:32:49 | 0:32:52 | |
-They're loving it. You wrote a lot of the songs on this... -All the songs. | 0:32:52 | 0:32:56 | |
..while you were touring the last album. | 0:32:56 | 0:32:58 | |
Yeah, that was a big part of this album. | 0:32:58 | 0:33:02 | |
There were times on stage, I thought I wish I had a song like this. | 0:33:02 | 0:33:04 | |
So I took that energy and put it on Unorthodox Jukebox. | 0:33:04 | 0:33:07 | |
-You got inspired in all sorts of places, in a strip club. -Yes. | 0:33:07 | 0:33:12 | |
-Do tell us. Cue, the story. -OK. | 0:33:12 | 0:33:18 | |
He was on. | 0:33:18 | 0:33:19 | |
-DANIEL: I was there. -Yeah, Daniel Radcliffe on a pole. | 0:33:21 | 0:33:24 | |
I'm not a Pole, I'm a Russian! | 0:33:24 | 0:33:27 | |
We had a show in Paris and we had the day off the next day. | 0:33:28 | 0:33:32 | |
We all wanted to go out, the band. | 0:33:32 | 0:33:35 | |
-We ended up in this real seedy strip club. -Weird. | 0:33:35 | 0:33:38 | |
The DJ recognised me and you know, I'm trying to lay low. | 0:33:38 | 0:33:44 | |
And he said, "Ladies and gentleman, we have a special guest, Bruno Mars." | 0:33:44 | 0:33:47 | |
I thought, damn it. Cover's blown. | 0:33:47 | 0:33:50 | |
The worst part was he started playing my first single, Just The Way You Are. | 0:33:50 | 0:33:54 | |
I don't know if you've heard it... | 0:33:54 | 0:33:56 | |
-It's a beautiful song. -..but it's the last song you want to hear in a place like that. | 0:33:56 | 0:34:00 | |
-Yeah. -This poor girl gets on stage... And she's trying to dance to it. | 0:34:00 | 0:34:07 | |
And I said, "I'm sorry. I'm so sorry." | 0:34:07 | 0:34:10 | |
On this album I have some songs that I'll be proud of the next | 0:34:10 | 0:34:15 | |
time I'm in Paris at a strip club. | 0:34:15 | 0:34:16 | |
You wrote one specifically, Money Make Her Smile. | 0:34:19 | 0:34:22 | |
That's right, so get ready you French strippers! | 0:34:22 | 0:34:25 | |
So many beats per minute. Slow it down! I'm dizzy. | 0:34:26 | 0:34:30 | |
-You've been in Britain, enjoying... -I love it out here. | 0:34:30 | 0:34:35 | |
You like tweeting, don't you? | 0:34:35 | 0:34:37 | |
Yeah it's a good way to get straight to the fans. | 0:34:37 | 0:34:40 | |
-Jessica, you tweet - sweet tweets. -Do I? | 0:34:40 | 0:34:44 | |
-Can we show the picture of your dog? -Yes, please. | 0:34:44 | 0:34:47 | |
This is adorable. This is Jessica's dog wearing the gold medal. Myla. | 0:34:47 | 0:34:50 | |
AUDIENCE: Aw! | 0:34:50 | 0:34:52 | |
You know that room could do with a table. | 0:34:54 | 0:34:56 | |
-I don't know if you've lived there long, but just an occasional, something. -OK. | 0:34:58 | 0:35:02 | |
Maybe a rug. Just something. | 0:35:02 | 0:35:03 | |
-That's where she does sit ups. -Yeah. She looks cute, though. | 0:35:03 | 0:35:08 | |
She does. Ricky, you just, you tweet pictures of yourself. | 0:35:08 | 0:35:13 | |
I haven't got a dog. | 0:35:14 | 0:35:16 | |
LAUGHTER | 0:35:16 | 0:35:18 | |
You're trying to look as horrible as possible. | 0:35:23 | 0:35:25 | |
Yeah. It's a hobby, isn't it? | 0:35:25 | 0:35:28 | |
I think this may be the winner. | 0:35:28 | 0:35:30 | |
The good news is you're unrecognisable, | 0:35:30 | 0:35:32 | |
but the bad news is, it is you. | 0:35:32 | 0:35:34 | |
LAUGHTER | 0:35:34 | 0:35:35 | |
It is, yeah! | 0:35:38 | 0:35:40 | |
-Yeah. -How do you do that? -They're called bath pics. Just me in the bath. I do one every now and again. | 0:35:42 | 0:35:48 | |
Honestly, I'm prouder of that than The Office. | 0:35:52 | 0:35:56 | |
I want to see a bath pic. | 0:35:58 | 0:35:59 | |
-Everyone here has to do one. -BRUNO: I'll do one tomorrow. -OK. | 0:35:59 | 0:36:02 | |
-I promise as well. -You've got to... | 0:36:02 | 0:36:04 | |
LAUGHTER | 0:36:04 | 0:36:07 | |
APPLAUSE | 0:36:12 | 0:36:13 | |
-You can do it. It's good for you. -You don't tweet? -DANIEL: I haven't yet, no. | 0:36:13 | 0:36:19 | |
BRUNO: Too cool for school. | 0:36:19 | 0:36:20 | |
-I don't have anything that good to say all the time. -Welcome to Twitter. | 0:36:20 | 0:36:25 | |
-You know, I don't know. -If you're going to play by those rules... | 0:36:27 | 0:36:31 | |
The Pope's just joined. | 0:36:34 | 0:36:36 | |
That's the thing, that's what I loved about that, is that I'm now less current than the Pope. | 0:36:36 | 0:36:39 | |
-I'm now technologically behind the Catholic Church. -He hasn't tweeted yet. | 0:36:39 | 0:36:45 | |
-He's building up his following. -I hope it's a bath pic. | 0:36:45 | 0:36:48 | |
Yeah just with the hat on! | 0:36:48 | 0:36:51 | |
LAUGHTER | 0:36:51 | 0:36:53 | |
-I hope he does that. -We're running short on time. It is time for music. | 0:36:57 | 0:37:00 | |
-Bruno, if you want to go over and get ready. Thank you very much. -Thank you. | 0:37:00 | 0:37:05 | |
APPLAUSE | 0:37:05 | 0:37:07 | |
OK, in a moment, we'll have this week's stories in the red chair. | 0:37:07 | 0:37:13 | |
First performing Locked Out Of Heaven, it is Mr Bruno Mars! | 0:37:13 | 0:37:16 | |
# Oh, yeah, yeah Oh yeah, yeah, yeah, yeah | 0:37:23 | 0:37:26 | |
# Ooh! | 0:37:26 | 0:37:28 | |
# Oh, yeah, yeah Oh yeah, yeah, yeah, yeah | 0:37:28 | 0:37:32 | |
# Never had much faith in love or miracles | 0:37:34 | 0:37:39 | |
# Never want to put my heart on the line | 0:37:41 | 0:37:44 | |
# But swimming in your world is something spiritual | 0:37:47 | 0:37:52 | |
# I'm born again every time you spend the night | 0:37:54 | 0:37:59 | |
# Cos your sex takes me to paradise | 0:37:59 | 0:38:02 | |
# Yeah, your sex takes me to paradise | 0:38:02 | 0:38:06 | |
# And it shows | 0:38:06 | 0:38:09 | |
# Yeah, yeah, yeah | 0:38:09 | 0:38:11 | |
# Cos you make me feel like | 0:38:11 | 0:38:15 | |
# I've been locked out of heaven | 0:38:15 | 0:38:18 | |
# For too long | 0:38:18 | 0:38:21 | |
# For too long | 0:38:21 | 0:38:25 | |
# Yeah, you make me feel like | 0:38:25 | 0:38:28 | |
# I've been locked out of heaven | 0:38:28 | 0:38:31 | |
# For too long | 0:38:31 | 0:38:34 | |
# For too long | 0:38:34 | 0:38:38 | |
# Oh, yeah, yeah, yeah, yeah Ooh! | 0:38:40 | 0:38:44 | |
# Oh, yeah, yeah Oh, yeah, yeah, yeah, yeah | 0:38:45 | 0:38:49 | |
# Ooh! | 0:38:49 | 0:38:51 | |
# You bring me to my knees | 0:38:51 | 0:38:53 | |
# You make me testify Ooh! | 0:38:53 | 0:38:58 | |
# Yeah, you can make a sinner change his ways | 0:38:58 | 0:39:02 | |
# Ooh! | 0:39:02 | 0:39:04 | |
# Open up your gates | 0:39:04 | 0:39:05 | |
# Cos I can't wait to see the light | 0:39:05 | 0:39:10 | |
# And right there is where I want to stay | 0:39:10 | 0:39:16 | |
# Cos your sex takes me to paradise | 0:39:16 | 0:39:19 | |
# Yeah, your sex takes me to paradise | 0:39:19 | 0:39:22 | |
# And it shows | 0:39:22 | 0:39:26 | |
# Yeah, yeah, yeah | 0:39:26 | 0:39:28 | |
# Cos you make me feel like | 0:39:28 | 0:39:31 | |
# I've been locked out of heaven | 0:39:31 | 0:39:35 | |
# For too long | 0:39:35 | 0:39:38 | |
# For too long | 0:39:38 | 0:39:41 | |
# Yeah, you make me feel like | 0:39:41 | 0:39:44 | |
# I've been locked out of heaven | 0:39:44 | 0:39:47 | |
# For too long | 0:39:47 | 0:39:51 | |
# For too long | 0:39:51 | 0:39:54 | |
# Oh-oh-oh-oh Yeah, yeah, yeah | 0:39:54 | 0:40:00 | |
# Can I just stay here? | 0:40:00 | 0:40:04 | |
# Spend the rest of my days here | 0:40:04 | 0:40:08 | |
# Oh-oh-oh-oh Yeah, yeah, yeah | 0:40:08 | 0:40:13 | |
# Can I just stay here? | 0:40:13 | 0:40:16 | |
# Spend the rest of my days here | 0:40:16 | 0:40:20 | |
# Cos you make me feel like | 0:40:20 | 0:40:23 | |
# I've been locked out of heaven | 0:40:23 | 0:40:27 | |
# For too long | 0:40:27 | 0:40:30 | |
# For too long | 0:40:30 | 0:40:32 | |
# Yeah, you make me feel like | 0:40:32 | 0:40:35 | |
# I've been locked out of heaven | 0:40:35 | 0:40:40 | |
# For too long | 0:40:40 | 0:40:42 | |
# For too long | 0:40:42 | 0:40:45 | |
# Oh-oh-oh-oh | 0:40:45 | 0:40:48 | |
# Oh, yeah, yeah, yeah, yeah | 0:40:48 | 0:40:51 | |
# Ooh! | 0:40:51 | 0:40:53 | |
# Oh, yeah, yeah Oh, yeah, yeah, yeah. # | 0:40:53 | 0:40:58 | |
Thank you. | 0:40:59 | 0:41:00 | |
CHEERING AND APPLAUSE | 0:41:00 | 0:41:03 | |
Bruno Mars! Come back and join us. Wow! | 0:41:05 | 0:41:10 | |
Fantastic job. Have a seat there. | 0:41:12 | 0:41:16 | |
Wow! One more time for the band, ladies and gentleman! | 0:41:19 | 0:41:23 | |
CHEERING AND APPLAUSE | 0:41:23 | 0:41:26 | |
-Great job. We didn't see the dancing dummy. -I just met those guys! | 0:41:26 | 0:41:30 | |
-We didn't see the dancing. That was genius. -Thank you. -Very good. Brilliant. Thank you so much. | 0:41:30 | 0:41:35 | |
Right before we go, just time for a story or two in the red chair. | 0:41:35 | 0:41:38 | |
-Who's up first? Hello. -Hi. | 0:41:38 | 0:41:41 | |
Oh! | 0:41:41 | 0:41:43 | |
LAUGHTER | 0:41:43 | 0:41:45 | |
-What's your name, sir? -Ian. -Where are you from? -Glasgow. -Glasgow. | 0:41:45 | 0:41:51 | |
-You got some ink, Ian. -Yeah I do. -Serious ink. | 0:41:51 | 0:41:55 | |
-Yeah. -And you have it on the other arm too. -Yeah. | 0:41:55 | 0:41:59 | |
LAUGHTER | 0:41:59 | 0:42:02 | |
It just seems unlikely, that's all. Off you go with your story. | 0:42:04 | 0:42:10 | |
I used to work in a call centre... | 0:42:10 | 0:42:12 | |
LAUGHTER | 0:42:12 | 0:42:14 | |
This is a weird show. | 0:42:17 | 0:42:19 | |
DANIEL: Out of interest, do you have any idea what's going on at this point? | 0:42:19 | 0:42:23 | |
BRUNO: I have no idea. I just want him to pull this thing. | 0:42:23 | 0:42:27 | |
OK, you're working in a call centre. | 0:42:29 | 0:42:32 | |
A customer calls, he's hysterically crying, | 0:42:32 | 0:42:34 | |
I was like, "Oh, my goodness, are you OK? What's wrong?" | 0:42:34 | 0:42:37 | |
He was telling me that people came out to fix his internet | 0:42:37 | 0:42:41 | |
and they left live wires in his garden. | 0:42:41 | 0:42:46 | |
To which I was like, "Oh, my goodness, sir, | 0:42:46 | 0:42:48 | |
"we'll get that cleared up. Blah, blah, blah. | 0:42:48 | 0:42:50 | |
He told me his dog chewed on the wire. Kind of electrocuted itself. | 0:42:50 | 0:42:57 | |
LAUGHTER | 0:42:57 | 0:42:59 | |
I was trying to console him. I was, "I'm so sorry. What kind of dog was it?" | 0:42:59 | 0:43:03 | |
He's like... | 0:43:03 | 0:43:05 | |
LAUGHTER | 0:43:05 | 0:43:07 | |
He was like, "It's a Yorky." | 0:43:07 | 0:43:10 | |
I was, "Oh, my goodness, what was the dog's name? | 0:43:10 | 0:43:12 | |
He was like "Sparky." | 0:43:12 | 0:43:14 | |
-No! -Let him live. | 0:43:14 | 0:43:16 | |
-Flip me! -Do you want to be flipped? -Flip! | 0:43:18 | 0:43:22 | |
OK, he wants to be flipped. | 0:43:22 | 0:43:24 | |
Well done, everyone. | 0:43:26 | 0:43:28 | |
If you'd like to join us on the show | 0:43:28 | 0:43:31 | |
and have a go on the red chair you can. | 0:43:31 | 0:43:33 | |
Just contact us via our website at this address. | 0:43:33 | 0:43:35 | |
Thank you to my fabulous guests tonight - Mr Bruno Mars, | 0:43:35 | 0:43:38 | |
Ricky Gervais, Jessica Ennis, and Daniel Radcliffe. | 0:43:38 | 0:43:45 | |
Join me next week with the star of the New Hobbit film | 0:43:45 | 0:43:48 | |
Martin Freeman, comedian and writer Dawn French, | 0:43:48 | 0:43:51 | |
top comic Lee Mack | 0:43:51 | 0:43:52 | |
and pop princesses Girls Aloud, ladies and gentlemen. | 0:43:52 | 0:43:55 | |
I'll see you then. Goodnight, everybody. Bye bye! | 0:43:55 | 0:43:58 | |
Subtitles by Red Bee Media Ltd | 0:44:16 | 0:44:19 |