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Tonight on the show, I've got the star of the new Hobbit film, | 0:00:02 | 0:00:04 | |
so I'd better get on. I'll just put my magic ring on | 0:00:04 | 0:00:06 | |
to make myself invisible. | 0:00:06 | 0:00:08 | |
Oh, excuse me, sorry, ow! | 0:00:08 | 0:00:09 | |
Sorry, no, could you...? Thank you very much. | 0:00:09 | 0:00:12 | |
Thank you. Thank you so much. | 0:00:12 | 0:00:15 | |
Oh, stupid ring! Let's start the show! | 0:00:16 | 0:00:18 | |
CHEERING AND APPLAUSE | 0:00:18 | 0:00:21 | |
Hello! | 0:00:37 | 0:00:38 | |
Hello, everybody! | 0:00:38 | 0:00:40 | |
Good evening. Good evening, good evening. | 0:00:41 | 0:00:44 | |
Hello! Welcome, all. | 0:00:45 | 0:00:48 | |
Oh, quel show we've got for you tonight. | 0:00:48 | 0:00:51 | |
Bilbo the hobbit himself, Martin Freeman is on the show! | 0:00:51 | 0:00:55 | |
CHEERING | 0:00:55 | 0:00:57 | |
Yes! | 0:00:57 | 0:00:58 | |
My favourite comedian, Dawn French, is on the show! | 0:00:58 | 0:01:01 | |
CHEERING | 0:01:01 | 0:01:05 | |
My other favourite comedian...oops! Lee Mack is here! | 0:01:05 | 0:01:08 | |
CHEERING | 0:01:08 | 0:01:12 | |
And...adding even more glamour than a hobbit and Lee Mack, | 0:01:12 | 0:01:15 | |
we've got music and chat with the fabulous Girls Aloud. | 0:01:15 | 0:01:18 | |
CHEERING | 0:01:18 | 0:01:20 | |
HE BABBLES INCOHERENTLY | 0:01:21 | 0:01:23 | |
So, this is it, ladies and gentlemen. | 0:01:25 | 0:01:28 | |
It is official, Hobbit mania is sweeping the nation. | 0:01:28 | 0:01:32 | |
The new film is out now, Hobbit: An Unexpected Journey. | 0:01:32 | 0:01:36 | |
At the premiere this week in London, | 0:01:36 | 0:01:38 | |
one Hobbit fan took the opportunity to surprise his girlfriend. | 0:01:38 | 0:01:42 | |
Aww! | 0:01:42 | 0:01:44 | |
AUDIENCE SIGH | 0:01:44 | 0:01:46 | |
Isn't that amazing? | 0:01:46 | 0:01:47 | |
A Hobbit fan with a girlfriend(!) | 0:01:47 | 0:01:49 | |
LAUGHTER | 0:01:49 | 0:01:52 | |
All your favourite characters are in the film, including Gollum. | 0:01:52 | 0:01:55 | |
He's back. | 0:01:55 | 0:01:57 | |
It looks like they've disturbed him on the toilet, doesn't it? | 0:01:57 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:01 | |
-IMITATING GOLLUM: -"Oh, its precious ring is on fire!" | 0:02:01 | 0:02:04 | |
LAUGHTER | 0:02:04 | 0:02:06 | |
"Leave it a minute." | 0:02:09 | 0:02:11 | |
Apparently, Prince Charles is a big fan of Tolkien. | 0:02:11 | 0:02:13 | |
Yeah, he even went to visit the set. Here he is meeting Gloin the dwarf. | 0:02:13 | 0:02:18 | |
LAUGHTER | 0:02:18 | 0:02:20 | |
Look at those funny ears! | 0:02:20 | 0:02:22 | |
LAUGHTER | 0:02:22 | 0:02:23 | |
No, look at them. There's lots of them. | 0:02:23 | 0:02:26 | |
A lot of people are saying that Martin was born to play Bilbo, | 0:02:26 | 0:02:29 | |
but that's been said about other characters in The Hobbit. | 0:02:29 | 0:02:32 | |
I mean, here's Bifur the dwarf... | 0:02:32 | 0:02:34 | |
and I think we all know who was born to play him. | 0:02:34 | 0:02:37 | |
LAUGHTER | 0:02:38 | 0:02:41 | |
Oh, come on, that's uncanny! | 0:02:41 | 0:02:43 | |
So excited to have Girls Aloud on the show! | 0:02:44 | 0:02:47 | |
CHEERING AND APPLAUSE | 0:02:47 | 0:02:49 | |
I know! Now... | 0:02:49 | 0:02:51 | |
CHEERING AND APPLAUSE | 0:02:51 | 0:02:54 | |
Apparently, I'm not the only one. | 0:02:54 | 0:02:56 | |
The band have been celebrating their 10th anniversary. | 0:02:56 | 0:02:59 | |
-CHEERS -I know! Ten years. | 0:02:59 | 0:03:02 | |
Makes you think, "What was I doing ten years ago?" | 0:03:02 | 0:03:04 | |
LAUGHTER | 0:03:04 | 0:03:07 | |
Happy days! | 0:03:09 | 0:03:10 | |
LAUGHTER | 0:03:10 | 0:03:12 | |
Girls Aloud had a massive party. | 0:03:12 | 0:03:14 | |
They even met up again with their old Popstars rivals, One True Voice. | 0:03:14 | 0:03:18 | |
Yeah, they did. | 0:03:18 | 0:03:20 | |
LAUGHTER AND APPLAUSE | 0:03:20 | 0:03:22 | |
And what a weekend it was! Especially for Kimberley. | 0:03:24 | 0:03:27 | |
Oh, here she is on Friday evening... | 0:03:27 | 0:03:29 | |
Saturday evening... | 0:03:29 | 0:03:31 | |
and Sunday morning. | 0:03:31 | 0:03:33 | |
LAUGHTER | 0:03:33 | 0:03:34 | |
Let's get some guests on! | 0:03:34 | 0:03:37 | |
Later, we'll have music and chat from Girls Aloud... | 0:03:37 | 0:03:40 | |
CHEERING | 0:03:40 | 0:03:42 | |
..but first, it's Lee Mack! | 0:03:42 | 0:03:44 | |
-Hello, sir. -Sit yourself down. | 0:03:49 | 0:03:51 | |
Time for a bit of French kissing, it's Dawn French! | 0:03:52 | 0:03:55 | |
CHEERING | 0:03:55 | 0:03:57 | |
Oh, the show business of it all! | 0:03:59 | 0:04:01 | |
-You look gorgeous. -Thank you. | 0:04:01 | 0:04:03 | |
Have a seat, too. | 0:04:03 | 0:04:04 | |
APPLAUSE | 0:04:04 | 0:04:06 | |
And I can hear the pitter patter of big, hairy feet. | 0:04:06 | 0:04:08 | |
It's Martin Freeman! | 0:04:08 | 0:04:10 | |
CHEERING AND APPLAUSE | 0:04:10 | 0:04:12 | |
-Hello, sir. -Hi. Have a seat. | 0:04:13 | 0:04:15 | |
APPLAUSE | 0:04:15 | 0:04:18 | |
Hello, all. | 0:04:22 | 0:04:23 | |
Now, listen, if you are Christmas shopping, | 0:04:23 | 0:04:25 | |
all your needs are on this sofa. | 0:04:25 | 0:04:28 | |
We've got the big Christmas movie, The Hobbit, | 0:04:28 | 0:04:30 | |
-we've got a beautiful novel, haven't we? -Yes, we have. | 0:04:30 | 0:04:33 | |
If fiction's not your thing, we've got an autobiography down the end. | 0:04:33 | 0:04:37 | |
-Yes. -It's all there. -Have you got an autobiography? | 0:04:37 | 0:04:39 | |
-I have, yeah. -Oh, fair play. | 0:04:39 | 0:04:41 | |
I'm here shamelessly plugging it. LAUGHTER | 0:04:41 | 0:04:43 | |
-Is it out already? -Have you got a film out? -Yeah, yeah, yeah. | 0:04:43 | 0:04:46 | |
Tell me about this film. What it's called? | 0:04:46 | 0:04:48 | |
It's a documentary about Middle Earth. | 0:04:48 | 0:04:50 | |
We won't be needing you, Graham! LAUGHTER | 0:04:50 | 0:04:53 | |
But here he is, you know, THE Hobbit, | 0:04:53 | 0:04:56 | |
the star of the biggest movie of the year, and yet - | 0:04:56 | 0:05:00 | |
this is inspiring for actors watching - | 0:05:00 | 0:05:04 | |
you HAVE done panto. | 0:05:04 | 0:05:06 | |
Yeah. Yes, I have. | 0:05:06 | 0:05:07 | |
I've done a kind of panto, many years ago at the Lyric Hammersmith. | 0:05:07 | 0:05:11 | |
What do you mean, "a kind of panto?" | 0:05:11 | 0:05:13 | |
Well, it was with a company called Improbable Theatre. | 0:05:13 | 0:05:17 | |
I mean, it was a sort of an unscripted panto, | 0:05:17 | 0:05:19 | |
based on Angela Carter's Cinderella, and I was Buttons. | 0:05:19 | 0:05:23 | |
-OK. -Yeah. | 0:05:23 | 0:05:24 | |
That sounds awful. | 0:05:24 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
It really wasn't. It was really good. | 0:05:28 | 0:05:31 | |
Unscripted panto, it's just like... | 0:05:31 | 0:05:34 | |
Let's face it, scripted pantos are awful. | 0:05:34 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:38 | |
Because you did the ITV one, didn't you? | 0:05:38 | 0:05:40 | |
I did, so it was a one-night thing. | 0:05:40 | 0:05:42 | |
But I actually fractured my ribs. | 0:05:42 | 0:05:44 | |
I played Idle Jack, and I had to fall over in the shot, | 0:05:44 | 0:05:48 | |
and there was a big stack of toilet paper in the shot | 0:05:48 | 0:05:51 | |
and the idea was that I fall on it. And like an idiot, I thought, | 0:05:51 | 0:05:54 | |
"If I fall completely flat, that'll cushion the fall, won't it, | 0:05:54 | 0:05:57 | |
-"toilet paper?" -Eek. | 0:05:57 | 0:05:58 | |
But it was cheap stuff. It wasn't like your thick, quilted stuff. | 0:05:58 | 0:06:01 | |
It was your home brand stuff. | 0:06:01 | 0:06:03 | |
LAUGHTER | 0:06:03 | 0:06:05 | |
The word "Lidl" gave it away. | 0:06:05 | 0:06:07 | |
I went straight down, squashed them, fractured my ribs. | 0:06:07 | 0:06:09 | |
And it's actually shown every year on ITV2 or something. | 0:06:09 | 0:06:11 | |
And you see me getting up and going, "Oh, God..." | 0:06:11 | 0:06:14 | |
I had to try to carry on for the rest of the panto. | 0:06:14 | 0:06:16 | |
There is nothing worse than being in immense pain | 0:06:16 | 0:06:18 | |
-in front of an audience. -No. | 0:06:18 | 0:06:20 | |
You should see what I'm going through now. | 0:06:20 | 0:06:22 | |
LAUGHTER | 0:06:22 | 0:06:24 | |
-Now, Dawn, you're a big fan of the panto. -Yes. | 0:06:24 | 0:06:27 | |
Was it Croydon you went...? | 0:06:27 | 0:06:28 | |
Yes, we went to see a friend of ours, Gareth Snook, in a pantomime. | 0:06:28 | 0:06:31 | |
I think he was playing Buttons... | 0:06:31 | 0:06:33 | |
and we went along to see it and there was a kind of big moment | 0:06:33 | 0:06:37 | |
when Buttons decided to do a joke with the whole of the audience, | 0:06:37 | 0:06:42 | |
and asked us all to look at our programmes | 0:06:42 | 0:06:44 | |
and there was a lucky number on the back of the programme, | 0:06:44 | 0:06:47 | |
and the lucky person who had the number would win a troll. | 0:06:47 | 0:06:51 | |
And it was a big, giant troll like that. | 0:06:51 | 0:06:53 | |
I've never won anything in my life, | 0:06:53 | 0:06:55 | |
-and I really, really wanted that troll. Badly. -Yes. | 0:06:55 | 0:06:58 | |
And we all had to look at the back of our programmes and he said, | 0:06:58 | 0:07:02 | |
"And the number is... The number is... | 0:07:02 | 0:07:04 | |
"number 13." I had number 13, I couldn't believe it. | 0:07:04 | 0:07:08 | |
So, I was up, out of my chair, Jennifer was tugging at me, | 0:07:08 | 0:07:10 | |
trying to get me to sit down, | 0:07:10 | 0:07:12 | |
I was out of my chair, running, running down to the front, | 0:07:12 | 0:07:15 | |
I knew that troll was going to be mine... | 0:07:15 | 0:07:17 | |
only to discover, when I got to the front of the stage, | 0:07:17 | 0:07:20 | |
trying to grab at the troll, that everybody had number 13. | 0:07:20 | 0:07:24 | |
LAUGHTER | 0:07:24 | 0:07:26 | |
That was, in fact, the joke. | 0:07:26 | 0:07:27 | |
But my greed had precluded me from seeing that. | 0:07:29 | 0:07:32 | |
Getting to the stage just took about two minutes, | 0:07:32 | 0:07:34 | |
but getting back to my seat took about 13 years. | 0:07:34 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:40 | |
-Were you the only one who was actually up and running? -Only one. | 0:07:40 | 0:07:43 | |
And there were... | 0:07:43 | 0:07:44 | |
You know, there were a few busloads of people in the front rows | 0:07:44 | 0:07:47 | |
who've come from the "We don't know how to think very well" place... | 0:07:47 | 0:07:50 | |
LAUGHTER | 0:07:50 | 0:07:52 | |
They got it. I didn't get it. They got it. | 0:07:52 | 0:07:55 | |
-They got it? -Yeah. | 0:07:55 | 0:07:56 | |
I hear you. | 0:07:56 | 0:07:58 | |
Speaking of trolls... Nice link, nice link! Thanks for that. | 0:07:58 | 0:08:02 | |
You're getting us right back on track. | 0:08:02 | 0:08:04 | |
I thought you'd say, "Talking of trolls, | 0:08:04 | 0:08:06 | |
"we've got a prize tonight if you got the lucky number..." | 0:08:06 | 0:08:09 | |
Martin Freeman, who knew this day would come? | 0:08:09 | 0:08:12 | |
It must be amazing, because you've been filming The Hobbit for so long. | 0:08:12 | 0:08:17 | |
Did you lose sight of the fact | 0:08:17 | 0:08:18 | |
that it was ever going to be a film in cinemas? | 0:08:18 | 0:08:20 | |
You kind of do, in a...what I think is quite a helpful way, actually, | 0:08:20 | 0:08:24 | |
because it kind of decreases the...pressure | 0:08:24 | 0:08:27 | |
and that kind of expectation. | 0:08:27 | 0:08:28 | |
About once a month, Jimmy Nesbitt would look at me and say, | 0:08:28 | 0:08:32 | |
"Martin, you are The Hobbit," | 0:08:32 | 0:08:34 | |
to sort of remind me that this was actually going to be a film, | 0:08:34 | 0:08:37 | |
because it would sort of dawn on you sometimes | 0:08:37 | 0:08:39 | |
that we were making this...these three incredibly huge films. | 0:08:39 | 0:08:43 | |
When he said, "You are The Hobbit," were you dressed as a giraffe? | 0:08:43 | 0:08:45 | |
LAUGHTER | 0:08:45 | 0:08:47 | |
-"Martin, you are the HOBBIT." -Go back and get dressed. | 0:08:47 | 0:08:49 | |
Go back and get the right bloody costume. | 0:08:49 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:55 | |
No-one is walking out of the cinema, thinking, | 0:08:55 | 0:08:58 | |
"I wish I had more film for my money." | 0:08:58 | 0:09:00 | |
-It's epic! It really is epic. And two more to come. -Yes. | 0:09:00 | 0:09:04 | |
Pete likes an epic film. | 0:09:04 | 0:09:05 | |
When you signed on, though, | 0:09:05 | 0:09:07 | |
-did you sign on for one movie or two movies? -Two. | 0:09:07 | 0:09:09 | |
And then at what point did someone say, | 0:09:09 | 0:09:11 | |
"Oh, by the way, we're making another movie"? | 0:09:11 | 0:09:15 | |
On the day of the wrap party, they told us. | 0:09:15 | 0:09:18 | |
For those of you who don't know, the wrap party is the party | 0:09:18 | 0:09:20 | |
when you finish principal photography. | 0:09:20 | 0:09:23 | |
So, we thought, "OK, we're going home, and that's the end," | 0:09:23 | 0:09:27 | |
and they said, "Look, we're going to make three films." | 0:09:27 | 0:09:29 | |
I mean, we are going to be coming back next year anyway | 0:09:29 | 0:09:32 | |
for pick-ups, for pick-up shots... | 0:09:32 | 0:09:34 | |
Yeah, not just pick-ups. | 0:09:34 | 0:09:35 | |
LAUGHTER | 0:09:35 | 0:09:37 | |
You know these people ARE human beings... | 0:09:37 | 0:09:39 | |
LAUGHTER | 0:09:39 | 0:09:41 | |
They weren't in the front row for a panto. | 0:09:41 | 0:09:43 | |
Graham mentioned the cinema earlier. | 0:09:43 | 0:09:45 | |
Cinema is like television, but it's, like, massive! | 0:09:45 | 0:09:47 | |
LAUGHTER | 0:09:47 | 0:09:49 | |
And you can eat popcorn, it's very nice. You'll have a lovely time. | 0:09:49 | 0:09:52 | |
Oh, I know. But yes, and they said, "We're going to make three films, | 0:09:52 | 0:09:56 | |
"because we have, you know, an amazing amount of | 0:09:56 | 0:09:59 | |
"footage and material that we would have to squeeze into two. | 0:09:59 | 0:10:02 | |
"We want to tell this story properly, so..." | 0:10:02 | 0:10:05 | |
I kind of think, "If you really think this is what's needed, | 0:10:05 | 0:10:08 | |
"then I'm OK with that." | 0:10:08 | 0:10:10 | |
I suppose when you see the script | 0:10:10 | 0:10:13 | |
and you realise that it only goes up to page 33 of the actual book, | 0:10:13 | 0:10:16 | |
that's a clue that there are more to come. | 0:10:16 | 0:10:19 | |
We should have realised, yeah. | 0:10:19 | 0:10:21 | |
Because I thought, | 0:10:21 | 0:10:23 | |
"It's weird that it ends just with Bilbo leaving Bag End..." | 0:10:23 | 0:10:25 | |
LAUGHTER | 0:10:25 | 0:10:27 | |
I thought Gollum was in it. | 0:10:27 | 0:10:30 | |
And you've... How many premieres have you done now? | 0:10:30 | 0:10:33 | |
Four...four. Yeah. So, London last night... | 0:10:33 | 0:10:36 | |
If any of you are wondering, four is just one more than three. | 0:10:36 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:41 | |
I won't do any more of that, Martin, I promise. | 0:10:43 | 0:10:45 | |
No, I quite enjoy it, actually. I do quite like it, | 0:10:45 | 0:10:48 | |
but it also hurts me. | 0:10:48 | 0:10:49 | |
It means he's in pain... | 0:10:50 | 0:10:52 | |
Shut up! | 0:10:52 | 0:10:54 | |
Four. We did Wellington... | 0:10:54 | 0:10:56 | |
He knows what four is as well, you don't have to put the numbers up. | 0:10:56 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:11:01 | |
We did Wellington... | 0:11:01 | 0:11:03 | |
Tokyo, New York and London. And today, it's open. | 0:11:03 | 0:11:07 | |
Listen, we've got a clip, | 0:11:07 | 0:11:09 | |
and I think this is around your first day of filming... | 0:11:09 | 0:11:14 | |
-Yes... -This is you and Gollum... | 0:11:14 | 0:11:15 | |
Yeah, well, this is the first thing we shot. | 0:11:15 | 0:11:17 | |
And...because you know you're going to be working with this character | 0:11:17 | 0:11:21 | |
-for so long... -Yeah... | 0:11:21 | 0:11:23 | |
How do you pitch it, knowing, whatever I do today, | 0:11:23 | 0:11:27 | |
I'm going to be doing this in two years? | 0:11:27 | 0:11:30 | |
Well, that's a good question. You are finding... | 0:11:30 | 0:11:33 | |
-Well done. -Thank you. | 0:11:33 | 0:11:34 | |
LAUGHTER | 0:11:34 | 0:11:35 | |
It's only taken four years. | 0:11:35 | 0:11:37 | |
You don't do a Geordie accent, that's what I'd say. | 0:11:37 | 0:11:40 | |
Yes, I decided, "Shall I go with the Senegalese...?" | 0:11:40 | 0:11:43 | |
No, yeah, you kind of find your way. | 0:11:43 | 0:11:46 | |
You know, we were shooting this scene | 0:11:46 | 0:11:48 | |
for probably about ten working days, I suppose, | 0:11:48 | 0:11:51 | |
and it's about a ten-minute scene, and Andy Serkis and I | 0:11:51 | 0:11:54 | |
did it over and over again in one take. | 0:11:54 | 0:11:56 | |
We shot it like a play, we shot it like a theatre piece... | 0:11:56 | 0:12:00 | |
And in that time, if you've got Gollum kind of coming at you, | 0:12:00 | 0:12:02 | |
you have to react and you have to just go with the moment. | 0:12:02 | 0:12:07 | |
OK, well, this is Martin Freeman playing Bilbo Baggins, | 0:12:07 | 0:12:10 | |
meeting Gollum for the first time. | 0:12:10 | 0:12:12 | |
What is it, Precious? | 0:12:12 | 0:12:15 | |
What is it? | 0:12:15 | 0:12:17 | |
My name... | 0:12:17 | 0:12:18 | |
is Bilbo Baggins. | 0:12:18 | 0:12:21 | |
Bagginses? | 0:12:21 | 0:12:23 | |
What is a Bagginses, Precious? | 0:12:23 | 0:12:27 | |
I'm a... | 0:12:27 | 0:12:28 | |
hobbit from the Shire. | 0:12:28 | 0:12:30 | |
Oh! | 0:12:30 | 0:12:31 | |
We like goblinses, batses and fishes, | 0:12:31 | 0:12:33 | |
but we hasn't tried hobbitses before! | 0:12:33 | 0:12:36 | |
Is it soft? Is it juicy? | 0:12:37 | 0:12:40 | |
Now, now... | 0:12:40 | 0:12:43 | |
Keep your distance. I will use this if I have to. | 0:12:43 | 0:12:46 | |
HE SCREAMS | 0:12:46 | 0:12:47 | |
I don't want any trouble, do you understand? | 0:12:47 | 0:12:50 | |
Just show me the way to get out of here, and I'll be on my way. | 0:12:50 | 0:12:53 | |
Why? Is it lost? | 0:12:53 | 0:12:55 | |
Yes, yes, and I want to get unlost as soon as possible. | 0:12:55 | 0:12:59 | |
Oh, we knows. We knows safe paths for hobbitses, | 0:12:59 | 0:13:02 | |
safe paths in the dark. | 0:13:02 | 0:13:04 | |
Shut up! | 0:13:04 | 0:13:05 | |
-I didn't say anything. -We wasn't talking to you. | 0:13:05 | 0:13:08 | |
APPLAUSE | 0:13:08 | 0:13:11 | |
I was surprised how long it took you to get ready, | 0:13:16 | 0:13:18 | |
because you look like yourself. | 0:13:18 | 0:13:20 | |
-You know, a lot of the dwarves... -What are you saying? | 0:13:20 | 0:13:23 | |
Well, no, the dwarves... | 0:13:23 | 0:13:25 | |
-We've had this before... -A lot of the dwarves are very... | 0:13:25 | 0:13:27 | |
Massive feet. | 0:13:27 | 0:13:29 | |
But that takes a long time? | 0:13:29 | 0:13:31 | |
The dwarves, yes, some of the dwarves took about three hours, | 0:13:31 | 0:13:34 | |
because they have a big head prosthetic... | 0:13:34 | 0:13:37 | |
You know, they have a massive helmet... | 0:13:37 | 0:13:39 | |
LAUGHTER | 0:13:39 | 0:13:41 | |
Don't explain that. Don't. | 0:13:41 | 0:13:43 | |
They have a big prosthetic helmet, big yak hair, beards, | 0:13:43 | 0:13:47 | |
you know, noses, the lot. | 0:13:47 | 0:13:49 | |
And they also have massive fat suits where they put everything on... | 0:13:49 | 0:13:52 | |
-So, you got away lightly? -I got away pretty lightly, yeah, I did. | 0:13:52 | 0:13:54 | |
-I was an hour and a quarter in make-up. -Wow. | 0:13:54 | 0:13:56 | |
-Because Dawn knows how you feel... -Yes. | 0:13:56 | 0:13:58 | |
-Because you've been there, haven't you? -I have. -Yes. | 0:13:58 | 0:14:01 | |
I have been a hobbit in my time. | 0:14:01 | 0:14:02 | |
Dawn... We have a picture of Dawn as a hobbit. There she is. | 0:14:02 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:09 | |
Oh, dear, that's with Jennifer! | 0:14:09 | 0:14:11 | |
-Looking good. -Yeah, looking very good. | 0:14:16 | 0:14:18 | |
Now, in terms of the scale of everything... | 0:14:18 | 0:14:20 | |
So...are hobbits a bit bigger than dwarves...? | 0:14:20 | 0:14:23 | |
No, I mean, actually, they're roughly the same size. | 0:14:23 | 0:14:26 | |
Hobbits are basically three foot six, three foot seven, roughly. | 0:14:26 | 0:14:29 | |
And, I mean...the dwarves, some of them are... | 0:14:29 | 0:14:33 | |
some of them are a fair bit taller than me, | 0:14:33 | 0:14:35 | |
some of them are kind of my sort of size. | 0:14:35 | 0:14:37 | |
So, as two species, they're not really that much different in size. | 0:14:37 | 0:14:41 | |
And then, Ian McKellen, is he bigger than a person? | 0:14:41 | 0:14:43 | |
He's kind of man-sized. Yeah, he's kind of human size. | 0:14:43 | 0:14:46 | |
-But then elves are taller? -Elves are even taller, yeah. | 0:14:46 | 0:14:50 | |
And it is seamless when you watch the movie... | 0:14:50 | 0:14:52 | |
Yeah, it's very consistent. | 0:14:52 | 0:14:54 | |
You really forget that you and the dwarfs are all regular folk. | 0:14:54 | 0:14:58 | |
You do. | 0:14:58 | 0:14:59 | |
And it really comes home to you, because, of course, | 0:14:59 | 0:15:01 | |
when you are surrounded just by each other all the time, | 0:15:01 | 0:15:03 | |
you forget that your characters are meant to be really small, | 0:15:03 | 0:15:06 | |
and so, when we come... | 0:15:06 | 0:15:08 | |
it will be in film two, in Laketown, the world of men... | 0:15:08 | 0:15:10 | |
Hello. | 0:15:10 | 0:15:11 | |
LAUGHTER | 0:15:11 | 0:15:13 | |
-You know, where you go most weekends. -Tuesday nights. | 0:15:13 | 0:15:15 | |
Is that like my version of DFS? | 0:15:15 | 0:15:17 | |
LAUGHTER | 0:15:17 | 0:15:19 | |
"Come to the world of men. Sale now on." | 0:15:19 | 0:15:23 | |
GRAHAM GIGGLES | 0:15:23 | 0:15:25 | |
Yeah, suddenly, all our scale doubles come out to play... | 0:15:25 | 0:15:29 | |
So, all of us have a smaller person playing us, and so, | 0:15:29 | 0:15:33 | |
you suddenly realise that next to regular sized people, | 0:15:33 | 0:15:37 | |
we are really small. | 0:15:37 | 0:15:39 | |
In the sequences, you know, the dinners and stuff, | 0:15:39 | 0:15:42 | |
-where different sized people are all together... -Yes. | 0:15:42 | 0:15:45 | |
-They were filmed at the same time? -But in different sets, yeah. | 0:15:45 | 0:15:49 | |
So, exactly the same time. We would be in this set... | 0:15:49 | 0:15:51 | |
We'd be in normal Bag End set. | 0:15:51 | 0:15:53 | |
-You know, my house is called Bag End... -Your house is so nice. | 0:15:53 | 0:15:56 | |
-It's beautiful. -You could live in that house, couldn't you? | 0:15:56 | 0:15:58 | |
Peter Jackson has it in his holiday home. I kid you not. | 0:15:58 | 0:16:01 | |
He has the original one from Lord Of The Rings | 0:16:01 | 0:16:03 | |
taken down, rebuilt to the last detail, in his holiday home, | 0:16:03 | 0:16:07 | |
-so guests stay in Bag End. -It looks lovely. Anyway, go on. | 0:16:07 | 0:16:10 | |
Did you ever find a Teletubby in the back corner, | 0:16:10 | 0:16:13 | |
-in your living room? -No. | 0:16:13 | 0:16:16 | |
Because they live in similar little hillocks. | 0:16:16 | 0:16:18 | |
-They do, actually, that's true. -Smoking a cigarette out the back. | 0:16:18 | 0:16:21 | |
Really pissed off. | 0:16:21 | 0:16:23 | |
No, so, we're there, and McKellen is over there | 0:16:24 | 0:16:27 | |
in a smaller green-screen studio and he's got, you know, | 0:16:27 | 0:16:31 | |
rows and rows of lighting up tennis balls | 0:16:31 | 0:16:34 | |
with our character faces on them. | 0:16:34 | 0:16:36 | |
We've all got earpieces in. | 0:16:36 | 0:16:38 | |
So, we're speaking, we're imagining looking at McKellen like that, | 0:16:38 | 0:16:42 | |
he's imagining looking at us down there... | 0:16:42 | 0:16:44 | |
We can only hear all this stuff via an earpiece, | 0:16:44 | 0:16:47 | |
and they're filmed by what's called slave motion cameras. | 0:16:47 | 0:16:50 | |
So, there's two cameras doing exactly the same moves | 0:16:50 | 0:16:52 | |
all the way through. | 0:16:52 | 0:16:54 | |
You are able to then render it immediately, | 0:16:54 | 0:16:56 | |
so that you cross them over and, | 0:16:56 | 0:16:58 | |
even before you've buggered about with it, | 0:16:58 | 0:17:00 | |
it looks like he's in the room with us and he's three feet taller. | 0:17:00 | 0:17:04 | |
-It's incredible. -It sounds very complicated, but actually, | 0:17:04 | 0:17:07 | |
we have some of the technology to demonstrate. | 0:17:07 | 0:17:09 | |
So, Dawn, if I give you... | 0:17:09 | 0:17:12 | |
-your book. -Oh, yes. | 0:17:12 | 0:17:14 | |
-You could use this as a promotional opportunity. -Ah! | 0:17:14 | 0:17:18 | |
If you go round the back, we've got a blue screen bit round the back. | 0:17:18 | 0:17:21 | |
-Do I go that way? -Yes. Take this and follow Nick. | 0:17:21 | 0:17:25 | |
You need to move down a bit. | 0:17:25 | 0:17:27 | |
-Right. -Do I move down? -No, you stay there. | 0:17:27 | 0:17:29 | |
This will take your breath away, ladies and gentlemen. | 0:17:31 | 0:17:35 | |
You will remember where you were when... | 0:17:35 | 0:17:38 | |
-Oh, a bit further down, Lee. -Further this way? -Yeah. | 0:17:38 | 0:17:42 | |
Are you worried that I'm going to get off with a hologram of Dawn? | 0:17:42 | 0:17:44 | |
LAUGHTER | 0:17:44 | 0:17:47 | |
So, we can see Dawn in her blue screen bit. | 0:17:47 | 0:17:49 | |
There's Dawn with her book. Lovely. Looking nice. | 0:17:49 | 0:17:53 | |
And now, we'll put Dawn onto the sofa. | 0:17:53 | 0:17:57 | |
Wow! | 0:17:57 | 0:17:58 | |
LAUGHTER | 0:17:58 | 0:18:01 | |
-Love it! -That's incredible! | 0:18:03 | 0:18:06 | |
Graham, look, I'm taller than somebody for a change! | 0:18:06 | 0:18:09 | |
I've never been tall in my life! | 0:18:09 | 0:18:11 | |
Wow! | 0:18:11 | 0:18:12 | |
What's happened to Dawn? | 0:18:12 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:16 | |
I said, "Don't have the pasties! | 0:18:16 | 0:18:18 | |
Aww, Martin! | 0:18:19 | 0:18:20 | |
-Dawn, what are you holding there? -I'm holding my book... | 0:18:20 | 0:18:25 | |
LAUGHTER | 0:18:25 | 0:18:27 | |
-Gosh, Martin... -Would you like a copy, Martin? | 0:18:27 | 0:18:30 | |
I'd love a copy, please. | 0:18:30 | 0:18:31 | |
Why don't you reach for it, Martin? Reach up! | 0:18:31 | 0:18:34 | |
There we go! Oh, yeah! | 0:18:34 | 0:18:37 | |
APPLAUSE | 0:18:37 | 0:18:40 | |
Oh, beautiful. Thanks, Dawn. | 0:18:40 | 0:18:42 | |
You're welcome, you're so welcome. | 0:18:42 | 0:18:45 | |
-That incredible. -Isn't it? | 0:18:45 | 0:18:47 | |
There we go. We'll get Dawn back. | 0:18:47 | 0:18:50 | |
I'm going to put that down, for undue prominence. | 0:18:50 | 0:18:52 | |
How funny would it be if she came back and she was still that big? | 0:18:52 | 0:18:55 | |
LAUGHTER In some freak television accident... | 0:18:55 | 0:18:58 | |
Oh, here she comes, the clever, beautiful Dawn. | 0:18:58 | 0:19:01 | |
CHEERING AND APPLAUSE | 0:19:01 | 0:19:02 | |
-Back to normal size. -You are. | 0:19:03 | 0:19:06 | |
-Lovely. -Can I get closer to Dawn? -Yes, you can. -Hello, hello. | 0:19:06 | 0:19:09 | |
-Hello. -Hello. Hello, hello. | 0:19:09 | 0:19:11 | |
You've basically recreated | 0:19:11 | 0:19:13 | |
what it took us years and millions of pounds to do. Thanks. | 0:19:13 | 0:19:17 | |
It looks better in the film, but that did look quite good. It did. | 0:19:17 | 0:19:21 | |
-Beautifully done, Dawn. -Thank you. -Well acted. -Thank you so much. | 0:19:21 | 0:19:24 | |
But, acting be gone, Dawn has caught the writing bug, haven't you? | 0:19:24 | 0:19:27 | |
-I have, seriously. -This is your second novel? -Yes, it is. | 0:19:27 | 0:19:30 | |
-And was this easier, do you think, than the first? -No, harder, I think. | 0:19:30 | 0:19:34 | |
Harder, because I didn't know, really, | 0:19:34 | 0:19:37 | |
what was required of me in the first novel. | 0:19:37 | 0:19:39 | |
You know, I'm a baby writer, I don't really know how to do this, | 0:19:39 | 0:19:43 | |
I just knew that I wanted to tell a story. | 0:19:43 | 0:19:45 | |
In the first one, I knew the kind of story that I wanted to tell, | 0:19:45 | 0:19:48 | |
but this one has got to be better than that one. | 0:19:48 | 0:19:50 | |
But the first one went incredibly well and sold like hot cakes. | 0:19:50 | 0:19:53 | |
This one, Oh, Dear Silvia... | 0:19:53 | 0:19:54 | |
It sounds like I'm describing... | 0:19:54 | 0:19:56 | |
You know, every Harry Potter film, people are going, | 0:19:56 | 0:19:59 | |
-"Oh, it's darker than the last film..." -Yes. | 0:19:59 | 0:20:01 | |
-But this is darker than the last book. -Yes. Yes, it is. | 0:20:01 | 0:20:03 | |
Well, it's not entirely dark. There are comedy characters in it, | 0:20:03 | 0:20:07 | |
but the premise is quite dark, | 0:20:07 | 0:20:10 | |
in as much as the person at the centre of the book is in a coma. | 0:20:10 | 0:20:13 | |
Ha ha ha! | 0:20:13 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:17 | |
There's a kind of mystery at the centre of it, a secret, | 0:20:17 | 0:20:20 | |
a very big secret. | 0:20:20 | 0:20:22 | |
And so, I've decided that all the characters | 0:20:22 | 0:20:25 | |
would come into the room and they would tell their stories to her. | 0:20:25 | 0:20:29 | |
So, we find out all about who she is | 0:20:29 | 0:20:31 | |
via all the different people in her family | 0:20:31 | 0:20:33 | |
and her friends that come in. | 0:20:33 | 0:20:34 | |
So, you kind of fill it in a bit like a jigsaw puzzle | 0:20:34 | 0:20:37 | |
and hopefully, if I've done it right, you're thinking, | 0:20:37 | 0:20:40 | |
"Oh, if only the daughter knew that," and, | 0:20:40 | 0:20:42 | |
"Oh, no, she shouldn't have done that, if she knew that..." | 0:20:42 | 0:20:45 | |
and everything is revealed as it kind of goes on. | 0:20:45 | 0:20:48 | |
-As you say, there are funny bits. The sister is funny... -Yeah, yeah. | 0:20:48 | 0:20:52 | |
She's got a crazy sister who's into alternative medicines | 0:20:52 | 0:20:55 | |
and any kind of therapies to wake her up. | 0:20:55 | 0:20:58 | |
She feels like it's her duty to wake her up, | 0:20:58 | 0:21:00 | |
so she brings in animals and does an animal therapy session in there | 0:21:00 | 0:21:03 | |
with a Chihuahua and a stick insect, and she... | 0:21:03 | 0:21:07 | |
You know, she brings in a stripper and she thinks that, surely, | 0:21:07 | 0:21:11 | |
that would wake her up at the pertinent moment. | 0:21:11 | 0:21:15 | |
So, inside a coma suite in a hospital, there is a stripper. | 0:21:15 | 0:21:19 | |
I shouldn't have said that, cos you only find that out in the book... | 0:21:19 | 0:21:22 | |
But I can't help it, you're all my best friends. | 0:21:22 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:27 | |
I imagined you down in Cornwall, sort of lady novelist, | 0:21:27 | 0:21:31 | |
maybe some friends over for lunch or cream tea | 0:21:31 | 0:21:33 | |
and then half an hour of writing, you know, before bed. | 0:21:33 | 0:21:36 | |
But no, it's a full day... | 0:21:36 | 0:21:39 | |
I do kind of office hours. I do. | 0:21:39 | 0:21:41 | |
I have a walk with my dog in the morning and then I settle down to it | 0:21:41 | 0:21:45 | |
and I do it all the way through till lunchtime, | 0:21:45 | 0:21:47 | |
then I watch rubbish TV at lunchtime | 0:21:47 | 0:21:49 | |
and then I work through until about six or seven in the evening. | 0:21:49 | 0:21:52 | |
-Wow! -But honestly, it's not a chore, because I absolutely love it. | 0:21:52 | 0:21:55 | |
Lee, when you were writing the autobiography, | 0:21:55 | 0:21:58 | |
were you very disciplined? Or did you sort of do it on the run? | 0:21:58 | 0:22:01 | |
I just... No, I was very disciplined, | 0:22:01 | 0:22:03 | |
-because I foolishly thought I could write it in eight weeks. -Ah. | 0:22:03 | 0:22:06 | |
I said to Rob Brydon, "I've been asked to do my autobiography. | 0:22:06 | 0:22:08 | |
"I'm going to do it in eight weeks." | 0:22:08 | 0:22:10 | |
-And he laughed like I was an idiot. -Yeah. | 0:22:10 | 0:22:12 | |
And I said to someone the other day, "It takes longer than you think." | 0:22:12 | 0:22:15 | |
And they went, "No, it takes longer than YOU think. We all know." | 0:22:15 | 0:22:19 | |
"We all know how long it takes. You're the idiot." | 0:22:19 | 0:22:21 | |
-Did you do it in eight weeks? -No. -Oh, no. | 0:22:21 | 0:22:23 | |
-I finished it about eight or nine months later. -Yeah. | 0:22:23 | 0:22:25 | |
The problem is, I couldn't finish it, because every time you finish it, | 0:22:25 | 0:22:28 | |
you're a day more of your life, so I would write about that day, | 0:22:28 | 0:22:31 | |
and then the next day happened and every day I was thinking, | 0:22:31 | 0:22:34 | |
"Maybe this is the day I drop dead," | 0:22:34 | 0:22:36 | |
and I won't have to write this any more. | 0:22:36 | 0:22:37 | |
You can't end the thing, can you? | 0:22:37 | 0:22:39 | |
-I've got it, in fact. -Oh, have you got it? | 0:22:39 | 0:22:41 | |
Do you want me to go next door and hand it down in giant size? | 0:22:41 | 0:22:44 | |
Look, in a regular size. But the cover arrived before the book...? | 0:22:44 | 0:22:48 | |
Yeah, they send the cover and ask you if you're happy with it. | 0:22:48 | 0:22:50 | |
I wanted to see what it would look like on a book, | 0:22:50 | 0:22:52 | |
but the book hadn't been printed, | 0:22:52 | 0:22:54 | |
so I put it on a book that I had at home, | 0:22:54 | 0:22:56 | |
and the only one that fitted was the Hannibal Lecter book. | 0:22:56 | 0:22:59 | |
LAUGHTER | 0:22:59 | 0:23:01 | |
And then I forgot to take it off, so it's been sitting on my shelf, | 0:23:01 | 0:23:04 | |
and I always think the babysitters and stuff | 0:23:04 | 0:23:06 | |
have been having a look round and are looking through, going, | 0:23:06 | 0:23:09 | |
"He's had a life, this one." | 0:23:09 | 0:23:10 | |
LAUGHTER "Good God!" | 0:23:10 | 0:23:13 | |
-"Mum, pick me up." -"I'm frightened!" | 0:23:14 | 0:23:17 | |
"He said he's going to drive me home. I don't want to be driven home. | 0:23:17 | 0:23:20 | |
"He ate the last babysitter's face." | 0:23:20 | 0:23:22 | |
LAUGHTER | 0:23:22 | 0:23:24 | |
-Hate that. -So, Mack: The Life. | 0:23:24 | 0:23:25 | |
Now, there are some bits of your life that I was expecting. | 0:23:25 | 0:23:28 | |
You know, being a funny kid, the early jobs, all of that... | 0:23:28 | 0:23:31 | |
-But the sex change, that shocked you, right? -I know! | 0:23:31 | 0:23:34 | |
But also, your obsession with the Queen, | 0:23:34 | 0:23:36 | |
that you seem to have lived most of your life wanting to meet the Queen. | 0:23:36 | 0:23:39 | |
Well, when I was quite young, I saw the Royal Variety Show | 0:23:39 | 0:23:43 | |
and the comedian that was on had met the Queen, | 0:23:43 | 0:23:45 | |
so I assumed that that meant that you must be really funny | 0:23:45 | 0:23:48 | |
to meet the Queen. | 0:23:48 | 0:23:50 | |
She says, "He's funny enough to meet me," | 0:23:50 | 0:23:52 | |
-I thought that was how it worked. -Command you to be funny. | 0:23:52 | 0:23:54 | |
Yes, in the Royal Command Performance. | 0:23:54 | 0:23:56 | |
They literally command you. | 0:23:56 | 0:23:57 | |
So, I had it in the back of my head that I should meet the Queen one day, | 0:23:57 | 0:24:00 | |
and then I can say that I've finally made it as a comedian. | 0:24:00 | 0:24:03 | |
But I got to do the Royal Variety Show three times, | 0:24:03 | 0:24:05 | |
and it was never...never the Queen. | 0:24:05 | 0:24:07 | |
It was always Charles. | 0:24:07 | 0:24:09 | |
-Charles. You know, I like Charles... -Yeah. -But, on the third visit... | 0:24:09 | 0:24:13 | |
It didn't help, though, because I was very drunk on one of them and, | 0:24:13 | 0:24:16 | |
if you go on near the beginning, | 0:24:16 | 0:24:18 | |
you've got, like, three hours before the line-up, | 0:24:18 | 0:24:20 | |
so I got really drunk and Camilla came up and said, | 0:24:20 | 0:24:23 | |
"How come you gentlemen are so funny?" | 0:24:23 | 0:24:25 | |
And because I was drunk, I went, "We're on drugs!" | 0:24:25 | 0:24:27 | |
LAUGHTER | 0:24:27 | 0:24:29 | |
You could see that look in her eye. I was like a little kid | 0:24:29 | 0:24:31 | |
who'd just farted in front of their auntie to show off. | 0:24:31 | 0:24:33 | |
She was like, "You idiot." | 0:24:33 | 0:24:35 | |
You did get to meet her, though. | 0:24:35 | 0:24:37 | |
Finally, this year. | 0:24:37 | 0:24:39 | |
It genuinely was true that at the end of the... | 0:24:39 | 0:24:41 | |
I was trying to think of a way of ending the book | 0:24:41 | 0:24:43 | |
and I'd mentioned wanting to meet the Queen in the book and, | 0:24:43 | 0:24:45 | |
literally as I was trying to finish it, I got a phone call | 0:24:45 | 0:24:47 | |
to ask if I could host the Jubilee concert this year and I thought, | 0:24:47 | 0:24:50 | |
"This will be great, I get to meet the Queen." | 0:24:50 | 0:24:53 | |
And there was so much pressure... | 0:24:53 | 0:24:54 | |
We were all nervous about doing the gig, | 0:24:54 | 0:24:56 | |
but I was more nervous about ending my book, | 0:24:56 | 0:24:59 | |
so I had to meet the Queen, and I had to get the photo. | 0:24:59 | 0:25:02 | |
And so, she came, and they chucked out everybody that wasn't... | 0:25:02 | 0:25:05 | |
It was such a small room, | 0:25:05 | 0:25:06 | |
so the person who was going to take the photo couldn't take it. | 0:25:06 | 0:25:09 | |
She said, "I'm being thrown out, it's just you lot who were in the show," | 0:25:09 | 0:25:12 | |
so she hands on the camera and I see Alfie Boe, the opera singer, | 0:25:12 | 0:25:15 | |
and I go, "Alfie, mate, don't mess this up. | 0:25:15 | 0:25:17 | |
"There's the camera. You've got to get this shot." | 0:25:17 | 0:25:21 | |
I think, if you have a look at the shot, | 0:25:21 | 0:25:23 | |
it's not exactly what you'd call... | 0:25:23 | 0:25:25 | |
LAUGHTER | 0:25:25 | 0:25:28 | |
-Everyone's in it! -Everyone's in it. | 0:25:28 | 0:25:31 | |
I'll tell you what... | 0:25:31 | 0:25:32 | |
-I recognise that bloke! -Do you recognise the bloke? -I recognise him. | 0:25:32 | 0:25:36 | |
I was going to change the whole story. | 0:25:36 | 0:25:38 | |
I didn't want to meet the Queen, | 0:25:38 | 0:25:39 | |
I always wanted to meet Kylie Minogue and Lenny Henry... | 0:25:39 | 0:25:41 | |
I thought, "Then it might work." | 0:25:41 | 0:25:43 | |
Bless him. I didn't give him much warning. | 0:25:43 | 0:25:45 | |
I said, "Press that button and hope for the best," and he did. | 0:25:45 | 0:25:48 | |
And did she talk to you at all, or you just met her? | 0:25:48 | 0:25:50 | |
She was great, actually. She did this thing with Gary Barlow and Kylie... | 0:25:50 | 0:25:53 | |
It was their job to show her around everybody | 0:25:53 | 0:25:56 | |
and I think Kylie didn't know who I was, and panicked, | 0:25:56 | 0:25:58 | |
and just backed off, because she didn't want to introduce me... | 0:25:58 | 0:26:01 | |
And so, the Queen was left stranded on her own, | 0:26:01 | 0:26:03 | |
making polite conversation, and I saw the Queen looking around, | 0:26:03 | 0:26:06 | |
"Usually, I'm dragged away at this point, | 0:26:06 | 0:26:08 | |
"but no-one is coming to get me." | 0:26:08 | 0:26:09 | |
So, I said, "Are you staying at the Premier Inn with Lenny?" | 0:26:09 | 0:26:12 | |
And she said, "No..." | 0:26:12 | 0:26:14 | |
LAUGHTER | 0:26:14 | 0:26:17 | |
-And you met William as well, didn't you? -I met William, yeah. | 0:26:17 | 0:26:20 | |
That was interesting, because he was really nice. | 0:26:20 | 0:26:22 | |
He came up and he said... | 0:26:22 | 0:26:24 | |
You get to go to the Palace afterwards, | 0:26:24 | 0:26:26 | |
and his opening line to me was, "You need to get some new jokes." | 0:26:26 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:32 | |
And I went, "Listen, I don't tell you how to be the future King." | 0:26:32 | 0:26:35 | |
And he laughed and went, "I'm only joking. | 0:26:35 | 0:26:36 | |
"I'm a big fan of Not Going Out," my sitcom, and I was so excited | 0:26:36 | 0:26:39 | |
and I was just about to talk to him | 0:26:39 | 0:26:41 | |
and then Cheryl Cole started talking to him | 0:26:41 | 0:26:43 | |
and he was far more interested in her and I had to wander off. | 0:26:43 | 0:26:45 | |
If I ever see that woman... Oh, she's coming on, isn't she? | 0:26:45 | 0:26:48 | |
LAUGHTER | 0:26:48 | 0:26:50 | |
Because, Martin, you met Prince William this week. | 0:26:50 | 0:26:52 | |
-I met him last night. -Yes! | 0:26:52 | 0:26:54 | |
-He was very nice. -Two nights ago. | 0:26:54 | 0:26:56 | |
I met him two nights ago! | 0:26:56 | 0:26:58 | |
LAUGHTER | 0:26:58 | 0:27:00 | |
Oh, look at you! You've got Brylcreem in your hair or something! | 0:27:00 | 0:27:03 | |
It looks like you've done that thing you did with Dawn, that's incredible. | 0:27:03 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:08 | |
And that's my Amanda behind me. Look, that's Amanda. | 0:27:08 | 0:27:11 | |
-Was that pre or post? -That was pre. -OK. | 0:27:11 | 0:27:14 | |
What, pre-op? | 0:27:14 | 0:27:16 | |
-Pre seeing the film. -No, that was pre. | 0:27:16 | 0:27:19 | |
It was cool, it was good. I realised that... | 0:27:19 | 0:27:22 | |
Because I think a lot of people, myself included, | 0:27:22 | 0:27:25 | |
have that thing of...you know, Are you going to bow? | 0:27:25 | 0:27:29 | |
-Are you going to do that thing? -Did he? | 0:27:29 | 0:27:31 | |
LAUGHTER | 0:27:31 | 0:27:33 | |
No, he didn't. He kind of raised himself up. | 0:27:33 | 0:27:35 | |
Not in a sexual way... | 0:27:35 | 0:27:36 | |
LAUGHTER | 0:27:36 | 0:27:38 | |
But... You have that slight thing of thinking, | 0:27:38 | 0:27:41 | |
"Well, I'm not strictly a monarchist," you know, | 0:27:41 | 0:27:43 | |
"but I wouldn't hurt anyone..." | 0:27:43 | 0:27:45 | |
LAUGHTER | 0:27:45 | 0:27:47 | |
Was this your opening line to him? "Oh, I wouldn't hurt you." | 0:27:47 | 0:27:50 | |
I'm a bit annoyed about what you do and what your ancestors have done... | 0:27:50 | 0:27:53 | |
I'm just not sure that we should be paying for you, but... | 0:27:53 | 0:27:57 | |
but he's a nice guy. | 0:27:57 | 0:27:58 | |
You wouldn't be rude, you're well brought up. | 0:27:58 | 0:28:00 | |
-Did you bow in the end? -I curtsied. | 0:28:00 | 0:28:02 | |
LAUGHTER | 0:28:02 | 0:28:04 | |
-I've met a monarch. I've met one. -Have you? | 0:28:04 | 0:28:07 | |
-Yeah, I met the Queen Mother when I was four. -Aww! | 0:28:07 | 0:28:09 | |
-Yeah. Oh, God, yeah. -Oh, yeah? | 0:28:09 | 0:28:11 | |
-She, like, so came to our house for tea. -No, she didn't! | 0:28:11 | 0:28:13 | |
-I saw that. -She, like, so did. | 0:28:13 | 0:28:16 | |
Wait a minute. Why did she come to your house? | 0:28:16 | 0:28:18 | |
I think it was that she was visiting the RAF station where we were. | 0:28:18 | 0:28:21 | |
My dad was in the RAF. | 0:28:21 | 0:28:23 | |
She'd been to the posh end, the officers end, | 0:28:23 | 0:28:25 | |
and I think we were judged to be a safe, sort of oiky family | 0:28:25 | 0:28:28 | |
that she could come and see. | 0:28:28 | 0:28:30 | |
And my mum got new teacups and everything, I got new shoes... | 0:28:30 | 0:28:33 | |
-I has to curtseying for weeks. Weeks! -Was it very exciting? | 0:28:33 | 0:28:36 | |
But it was the Queen Mother, obviously. | 0:28:36 | 0:28:38 | |
I was a bit upset that she didn't have a crown, no unicorns... | 0:28:38 | 0:28:41 | |
LAUGHTER | 0:28:41 | 0:28:43 | |
And also, I don't know what was going on at that time, | 0:28:43 | 0:28:45 | |
but she came up the path, and she smiled, and she had brown teeth. | 0:28:45 | 0:28:48 | |
-Yeah. -So I thought she was a witch... | 0:28:48 | 0:28:50 | |
LAUGHTER | 0:28:50 | 0:28:52 | |
..and I didn't want her in my house at all. | 0:28:52 | 0:28:54 | |
And I just hid, onto my dad's leg. | 0:28:54 | 0:28:55 | |
Just grabbed onto my dad's leg and didn't move. | 0:28:55 | 0:28:58 | |
But what I think is nice about people seeing you guys on the couch | 0:28:58 | 0:29:00 | |
is that everyone, no matter where you end up, you do start somewhere. | 0:29:00 | 0:29:05 | |
-Dawn, you worked in the hotel business. -Yeah, I was a chambermaid. | 0:29:05 | 0:29:08 | |
I used to be a chambermaid in the holidays in Salcombe in Devon. | 0:29:08 | 0:29:13 | |
Yeah, I loved it. I loved the mischief of it, actually. | 0:29:13 | 0:29:17 | |
I loved the chambermaid's rule | 0:29:17 | 0:29:20 | |
that you knock and enter straight away. | 0:29:20 | 0:29:22 | |
"Chambermaid!", in. | 0:29:22 | 0:29:24 | |
LAUGHTER | 0:29:24 | 0:29:26 | |
Oh, you catch people doing all sorts of things. | 0:29:26 | 0:29:28 | |
Once, I went into a room, "Chambermaid!" Enter. | 0:29:28 | 0:29:31 | |
And a man was doing press-ups behind the sofa | 0:29:31 | 0:29:33 | |
and I had a long chat with him about the day, the weather, | 0:29:33 | 0:29:36 | |
blah blah blah, | 0:29:36 | 0:29:37 | |
and then I realised he wasn't actually doing press-ups at all. | 0:29:37 | 0:29:40 | |
There was somebody else there. | 0:29:40 | 0:29:42 | |
LAUGHTER | 0:29:42 | 0:29:45 | |
And I can state clearly here, | 0:29:45 | 0:29:47 | |
I have not ever cleaned someone's toilet with their toothbrush. | 0:29:47 | 0:29:51 | |
No, I have not. | 0:29:51 | 0:29:52 | |
I have not ever taken a picture of my own arse with their camera. | 0:29:54 | 0:29:57 | |
No, I have not. | 0:29:57 | 0:29:58 | |
LAUGHTER | 0:29:58 | 0:30:00 | |
-When you were not cleaning a toilet with the toothbrush... -Yeah. | 0:30:00 | 0:30:02 | |
When you were not doing that, why weren't you doing that? | 0:30:02 | 0:30:05 | |
Well, because there really wasn't a really awful man | 0:30:05 | 0:30:08 | |
who made passes at all of us all of the time. | 0:30:08 | 0:30:10 | |
So, I decided not to do that to him. | 0:30:10 | 0:30:14 | |
Why didn't you take a picture of your arse? | 0:30:14 | 0:30:16 | |
For the same sort of reason? | 0:30:16 | 0:30:18 | |
No, that was just sheer fun. | 0:30:18 | 0:30:20 | |
You know, when you had to send your pictures off | 0:30:20 | 0:30:22 | |
and get them back from Boots? | 0:30:22 | 0:30:23 | |
And the people are well gone by then, come on! | 0:30:23 | 0:30:26 | |
Good fun, and they'll never know whose arse.... Till now. | 0:30:26 | 0:30:30 | |
LAUGHTER | 0:30:30 | 0:30:33 | |
Right, everyone, shall we have some music? | 0:30:33 | 0:30:35 | |
CHEERING | 0:30:35 | 0:30:37 | |
Oh, yeah. | 0:30:37 | 0:30:38 | |
My final guests tonight are the best-selling British girl group | 0:30:38 | 0:30:42 | |
of the century. | 0:30:42 | 0:30:43 | |
Performing their classic hit Love Machine, it is Girls Aloud! | 0:30:43 | 0:30:46 | |
CHEERING | 0:30:46 | 0:30:51 | |
Oh, let's go! | 0:30:51 | 0:30:53 | |
# Ladies, you're damn right | 0:31:02 | 0:31:04 | |
# You can't read that man's mind | 0:31:04 | 0:31:06 | |
# We're living in two tribes | 0:31:06 | 0:31:08 | |
# And heading for war | 0:31:08 | 0:31:10 | |
# But nobody's perfect | 0:31:10 | 0:31:12 | |
# We all gotta work it | 0:31:12 | 0:31:14 | |
# But fellas, we're worth it | 0:31:14 | 0:31:16 | |
# So don't break the law | 0:31:16 | 0:31:18 | |
# Your call's late, big mistake | 0:31:18 | 0:31:20 | |
# You've gotta hang about in limbo for as long as I take | 0:31:20 | 0:31:22 | |
# Next time, read my mind | 0:31:22 | 0:31:24 | |
# And I'll be good to you | 0:31:24 | 0:31:26 | |
# We're gift-wrapped kitty cats | 0:31:26 | 0:31:28 | |
# We're only turning into tigers when we gotta fight back | 0:31:28 | 0:31:31 | |
# Let's go, Eskimo | 0:31:31 | 0:31:33 | |
# Out into the blue | 0:31:33 | 0:31:34 | |
# Come take my hand, understand that you can | 0:31:34 | 0:31:38 | |
# You're my man and I need you tonight | 0:31:38 | 0:31:43 | |
# Come make my dreams | 0:31:43 | 0:31:44 | |
# Honey, hard as it seems | 0:31:44 | 0:31:46 | |
# Loving me is as easy as pie | 0:31:46 | 0:31:51 | |
# I'm just a love machine | 0:31:51 | 0:31:53 | |
# Feeding my fantasy | 0:31:53 | 0:31:56 | |
# Give me a kiss or three | 0:31:56 | 0:31:59 | |
# And I'm fine | 0:31:59 | 0:32:00 | |
# I need a squeeze a day | 0:32:00 | 0:32:02 | |
# Instead of this negligee | 0:32:02 | 0:32:04 | |
# What will the neighbours say | 0:32:04 | 0:32:07 | |
# This time? | 0:32:07 | 0:32:08 | |
# I've been going crazy while you sleep | 0:32:08 | 0:32:12 | |
# I've been searching for a language that the two of us can speak | 0:32:12 | 0:32:16 | |
# So Mr Prehistoric, make your wheel | 0:32:16 | 0:32:20 | |
# And I'll breathe underwater cos I like the way it feels | 0:32:20 | 0:32:24 | |
# Your call's late, what a big mistake | 0:32:24 | 0:32:26 | |
# You better hang about in limbo for as long as I take | 0:32:26 | 0:32:29 | |
# Next time, read my mind | 0:32:29 | 0:32:31 | |
# And I'll be good to you | 0:32:31 | 0:32:32 | |
# We're gift-wrapped kitty cats | 0:32:32 | 0:32:34 | |
# We're only turning into tigers when we gotta fight back | 0:32:34 | 0:32:37 | |
# Let's go, Eskimo | 0:32:37 | 0:32:39 | |
# Out into the blue | 0:32:39 | 0:32:41 | |
# Come take my hand, understand that you can | 0:32:41 | 0:32:44 | |
# You're my man and I need you tonight | 0:32:44 | 0:32:49 | |
# Come make my dreams | 0:32:49 | 0:32:51 | |
# Honey, hard as it seems | 0:32:51 | 0:32:53 | |
# Loving me is as easy as pie... # | 0:32:53 | 0:32:58 | |
CHEERING | 0:32:58 | 0:33:01 | |
Are you ready, girls? | 0:33:04 | 0:33:06 | |
# I'm just a love machine | 0:33:14 | 0:33:16 | |
# Feeding my fantasy | 0:33:16 | 0:33:18 | |
# Give me a kiss or three | 0:33:18 | 0:33:21 | |
# And I'm fine | 0:33:21 | 0:33:22 | |
# I need a squeeze a day | 0:33:22 | 0:33:24 | |
# Instead of this negligee | 0:33:24 | 0:33:26 | |
# What will the neighbours say | 0:33:26 | 0:33:29 | |
# This time? | 0:33:29 | 0:33:31 | |
# Oh, it's very new | 0:33:31 | 0:33:34 | |
# Can anybody tell me what to do? | 0:33:34 | 0:33:39 | |
# Oh, this feeling's very strange | 0:33:39 | 0:33:43 | |
# Can anybody tell me what's your game, game, game? | 0:33:43 | 0:33:48 | |
# Oh, a little education | 0:33:48 | 0:33:49 | |
# Oh, to give you motivation | 0:33:49 | 0:33:51 | |
# Oh, we'll turn the situation | 0:33:51 | 0:33:54 | |
# Round | 0:33:54 | 0:33:56 | |
# Oh, cos I don't want to change you | 0:33:56 | 0:33:58 | |
# Oh, making you a stranger | 0:33:58 | 0:34:00 | |
# Oh, I'll only rearrange you | 0:34:00 | 0:34:03 | |
# For now | 0:34:03 | 0:34:04 | |
# I'm just a love machine | 0:34:04 | 0:34:06 | |
# Oh, to give you motivation | 0:34:06 | 0:34:08 | |
# I'm just a love machine | 0:34:08 | 0:34:10 | |
# Oh, oh | 0:34:10 | 0:34:12 | |
# I'm just a love machine | 0:34:12 | 0:34:14 | |
# Oh, to give you motivation | 0:34:14 | 0:34:16 | |
# I'm just a love machine | 0:34:16 | 0:34:18 | |
# Oh, oh | 0:34:18 | 0:34:20 | |
# I'm just a love machine. # | 0:34:20 | 0:34:23 | |
CHEERING AND APPLAUSE | 0:34:23 | 0:34:25 | |
-Thank you. -Thank you. -Thank you. | 0:34:25 | 0:34:27 | |
Girls Aloud, everybody! Come and join me, ladies. | 0:34:30 | 0:34:33 | |
Pile on in. | 0:34:35 | 0:34:36 | |
You all right there? Let me help you up. There you go. Hello. | 0:34:37 | 0:34:41 | |
Hello, in you go. | 0:34:41 | 0:34:44 | |
Hello. Hello. | 0:34:44 | 0:34:47 | |
Hello. In you go. | 0:34:47 | 0:34:48 | |
CHEERING AND APPLAUSE | 0:34:48 | 0:34:51 | |
You pile down. You're in here, you're in here. | 0:34:53 | 0:34:56 | |
OK. OK, so you come down there. | 0:34:58 | 0:35:02 | |
There, there, there. Room. | 0:35:02 | 0:35:04 | |
Sorry you're in economy. Sorry about that | 0:35:06 | 0:35:09 | |
They're flying steerage. | 0:35:11 | 0:35:13 | |
I love that song, and I loved that performance! | 0:35:13 | 0:35:15 | |
CHEERING AND APPLAUSE | 0:35:15 | 0:35:18 | |
No, it was full-on, it was great. | 0:35:20 | 0:35:22 | |
And that, of course, is on the album Girls Aloud Ten, | 0:35:22 | 0:35:24 | |
Greatest Hits plus four new tracks, in shops now. | 0:35:24 | 0:35:28 | |
-Yes. -Yes, it is! | 0:35:28 | 0:35:30 | |
So, it is unbelievable. | 0:35:32 | 0:35:33 | |
Ten years have passed since we first saw you. | 0:35:33 | 0:35:36 | |
Where have the ten years gone, seriously? | 0:35:36 | 0:35:38 | |
When you find out, let me know. | 0:35:38 | 0:35:40 | |
-Three years since you did anything together... -Yes. | 0:35:40 | 0:35:43 | |
So, who made this happen? Who picked up the phone? Who spoke first? | 0:35:43 | 0:35:46 | |
-To be honest... -It was one of those things. We always knew... | 0:35:46 | 0:35:49 | |
I mean, it's ten years. We started ten years ago... | 0:35:49 | 0:35:51 | |
I always forget what you sound like, Nadine, it's fabulous. | 0:35:51 | 0:35:54 | |
LAUGHTER | 0:35:54 | 0:35:55 | |
Graham, just remind yourself, | 0:35:55 | 0:35:57 | |
it's a Derry accent you're looking for. | 0:35:57 | 0:36:00 | |
-CHEERING -I know! | 0:36:00 | 0:36:02 | |
I was watching America's Next Top Model and you were in it. | 0:36:02 | 0:36:04 | |
-Subtitles throughout. -Could you believe it?! | 0:36:04 | 0:36:06 | |
-LAUGHTER -I've never... | 0:36:06 | 0:36:09 | |
Back to the ten years, Graham. | 0:36:09 | 0:36:11 | |
So, three years away, somebody must have said something to somebody. | 0:36:11 | 0:36:14 | |
It was a natural thing, because ten years... | 0:36:14 | 0:36:17 | |
I mean, three years was too long to take off. | 0:36:17 | 0:36:20 | |
Can we have subtitles again? | 0:36:20 | 0:36:21 | |
LAUGHTER | 0:36:21 | 0:36:23 | |
I needed subtitles for the pair of them we first met. Seriously. | 0:36:23 | 0:36:27 | |
I've been saying that for years. | 0:36:27 | 0:36:29 | |
So, it was always going to happen? | 0:36:29 | 0:36:31 | |
Yes, we knew we were going to get back together. | 0:36:31 | 0:36:33 | |
We always knew we were taking a break. | 0:36:33 | 0:36:35 | |
It just went on a little bit longer than we thought. | 0:36:35 | 0:36:37 | |
And then it was ten years. It feels like a natural...a celebratory time. | 0:36:37 | 0:36:42 | |
You know, a decade in music, so it just feels like a natural time. | 0:36:42 | 0:36:45 | |
-I suppose... Are you the only one who has written a book, Cheryl? -Yes. | 0:36:45 | 0:36:49 | |
LEE: No, I've written a book as well. | 0:36:49 | 0:36:51 | |
LAUGHTER | 0:36:51 | 0:36:53 | |
Her book... Her book's massive! | 0:36:53 | 0:36:54 | |
LAUGHTER | 0:36:54 | 0:36:56 | |
-And did everyone read Cheryl's book? -No. | 0:36:56 | 0:36:59 | |
LAUGHTER | 0:36:59 | 0:37:02 | |
Not one of them, not one of them. | 0:37:02 | 0:37:03 | |
-We are definitely going to. -Don't. | 0:37:03 | 0:37:05 | |
-If you want this to happen, don't. -They don't need to, they were there. | 0:37:05 | 0:37:08 | |
The past ten years of it, at least. | 0:37:08 | 0:37:10 | |
I know, but I still want to read it. LAUGHTER | 0:37:10 | 0:37:13 | |
-Really want to read it, yeah. -I haven't had time to read it. | 0:37:13 | 0:37:15 | |
Whatever. This one hasn't had time, she's been too busy cha-cha-cha-ing. | 0:37:15 | 0:37:20 | |
Now, you're all friends. Are you all voting for Kimberley? | 0:37:20 | 0:37:23 | |
ALL: Yes. Of course. | 0:37:23 | 0:37:25 | |
CHEERING AND APPLAUSE | 0:37:25 | 0:37:27 | |
They've been so amazing. They've been so encouraging. | 0:37:30 | 0:37:33 | |
When I'm getting tired, they're like, | 0:37:33 | 0:37:35 | |
"Uh-uh-uh, get back to the studio and get cha-cha-cha-ing..." | 0:37:35 | 0:37:38 | |
Well, let's have a look at you in action. | 0:37:38 | 0:37:40 | |
I mean, that was your forte, wasn't it? | 0:37:40 | 0:37:42 | |
-Four tens. -I know, that was amazing. -That is amazing. | 0:37:42 | 0:37:45 | |
And it seems crazy that you're promoting this album and... | 0:37:45 | 0:37:49 | |
Did you book this in first? | 0:37:49 | 0:37:51 | |
It has turned into a bit of a crazy time, | 0:37:51 | 0:37:54 | |
but everything that I'm doing is so amazing | 0:37:54 | 0:37:56 | |
that it just keeps me going. | 0:37:56 | 0:37:58 | |
We literally, last week, were rehearsing for a gig | 0:37:58 | 0:38:00 | |
we did at the weekend. | 0:38:00 | 0:38:01 | |
We haven't done anything... | 0:38:01 | 0:38:03 | |
like, five songs in a row, for three years. | 0:38:03 | 0:38:05 | |
She was taking ten minutes and going and dancing with Pasha | 0:38:05 | 0:38:08 | |
-in a different studio. -Wow. -It's crazy. | 0:38:08 | 0:38:10 | |
And she's doing her own record. | 0:38:10 | 0:38:12 | |
-It is a busy time. -So, this one's on it at the moment. | 0:38:12 | 0:38:16 | |
So, let's talk about next year. | 0:38:16 | 0:38:17 | |
So, there's a tour that, rather handily for you, | 0:38:17 | 0:38:20 | |
starts in Newcastle in February. | 0:38:20 | 0:38:22 | |
Oh, we love being in Newcastle, it's such a good crowd. | 0:38:22 | 0:38:24 | |
And then it finishes in Liverpool. Handy for you, Nicola, that's great. | 0:38:24 | 0:38:28 | |
It's going to be a full-on party from start to end. | 0:38:28 | 0:38:31 | |
Cheap cab home. That'll be nice, lovely. | 0:38:31 | 0:38:33 | |
LAUGHTER | 0:38:33 | 0:38:35 | |
-Cheryl's busy doing X Factor again... -Yeah. | 0:38:35 | 0:38:37 | |
CHEERING | 0:38:37 | 0:38:40 | |
-Are you really doing it again? -No. | 0:38:40 | 0:38:41 | |
LAUGHTER | 0:38:41 | 0:38:43 | |
Damn, I thought we had a scoop! I thought, "That was really easy." | 0:38:43 | 0:38:47 | |
You know what, as well? | 0:38:47 | 0:38:48 | |
It's a good job somebody mentioned that today to me, | 0:38:48 | 0:38:51 | |
because I get caught out. | 0:38:51 | 0:38:52 | |
I never read half the crap that's written, | 0:38:52 | 0:38:54 | |
so when I hear things, sometimes I'm like, "What?" | 0:38:54 | 0:38:58 | |
No, I'm definitely not doing UK X Factor next year. | 0:38:58 | 0:39:00 | |
-Definitely not? -Definitely not. | 0:39:00 | 0:39:02 | |
Till you see her doing it... | 0:39:02 | 0:39:04 | |
LAUGHTER | 0:39:04 | 0:39:06 | |
Now, we're very excited you're back and, of course, | 0:39:06 | 0:39:08 | |
all of your fans are very excited. | 0:39:08 | 0:39:10 | |
CHEERING | 0:39:10 | 0:39:14 | |
Actually, I wonder if the girl in these pictures... | 0:39:14 | 0:39:17 | |
I love... These pictures were in the paper during the week. | 0:39:17 | 0:39:19 | |
I wonder if she's here. This girl... | 0:39:19 | 0:39:23 | |
-Oh, no. -Do you know her? She looks like Cherie Blair. | 0:39:23 | 0:39:26 | |
LAUGHTER | 0:39:26 | 0:39:28 | |
So, there she is. Now, you think she's excited there. | 0:39:28 | 0:39:31 | |
Wait until you see her in the next one. | 0:39:31 | 0:39:33 | |
LAUGHTER | 0:39:33 | 0:39:34 | |
Let's see the next one. | 0:39:39 | 0:39:41 | |
LAUGHTER | 0:39:41 | 0:39:43 | |
-And she's thrilled to see you, Cheryl. -I don't know... | 0:39:43 | 0:39:46 | |
I can't figure out whether it's thrilled to see me or, like, | 0:39:46 | 0:39:48 | |
"Oh, my God! That's what she looks like in real life!" | 0:39:48 | 0:39:51 | |
But she's very excited. Even before you arrived, she is very excited. | 0:39:51 | 0:39:55 | |
Look at this one. | 0:39:55 | 0:39:57 | |
LAUGHTER | 0:39:57 | 0:39:59 | |
-You didn't notice her doing that in front of you? -Not at all. | 0:40:02 | 0:40:04 | |
-It looks like she wants to eat somebody. -Is she here? | 0:40:04 | 0:40:07 | |
It'd be great if she was here, you cut to her, and she was just like... | 0:40:07 | 0:40:11 | |
"I'm like this all the time, you idiot." | 0:40:11 | 0:40:13 | |
"It's my natural expression." | 0:40:14 | 0:40:16 | |
Well, listen, good luck with the album, good luck with the tour, | 0:40:16 | 0:40:19 | |
and thank you so much for that performance. | 0:40:19 | 0:40:21 | |
CHEERING | 0:40:21 | 0:40:23 | |
Before I release my sofa stars into the night, | 0:40:24 | 0:40:28 | |
it's time for a story or two in the Big Red Chair. | 0:40:28 | 0:40:31 | |
So, who's up first? Oh, look at them, going, "Yes!" | 0:40:31 | 0:40:33 | |
Sorry, I was so excited. | 0:40:33 | 0:40:35 | |
-Hello. -Hello! -Wow. | 0:40:35 | 0:40:38 | |
It's like to dress-up Friday. | 0:40:38 | 0:40:40 | |
LAUGHTER | 0:40:40 | 0:40:41 | |
-What do you do? -I'm an IT manager. -OK, and what's your name? -William. | 0:40:41 | 0:40:45 | |
-All right. Where are you from, William? -Canada, Montreal. | 0:40:45 | 0:40:47 | |
Oh, he's from Montreal! | 0:40:47 | 0:40:49 | |
Wow! Just when you thought IT couldn't get any more boring, | 0:40:49 | 0:40:51 | |
he's Canadian. LAUGHTER | 0:40:51 | 0:40:53 | |
And do you live here now? | 0:40:57 | 0:40:58 | |
-Yes, I do. I live in Watford. -Oh, excellent. | 0:40:58 | 0:41:00 | |
It can get more boring! | 0:41:00 | 0:41:02 | |
LAUGHTER | 0:41:02 | 0:41:04 | |
What a lovely location you've chosen. | 0:41:04 | 0:41:07 | |
All right, off you go with your story. | 0:41:07 | 0:41:09 | |
OK, I travelled across the country for work | 0:41:09 | 0:41:12 | |
and I ended up starting to date the lady | 0:41:12 | 0:41:15 | |
that lived below me in the flat, | 0:41:15 | 0:41:17 | |
and she asked if I could spend Christmas dinner | 0:41:17 | 0:41:20 | |
to meet her parents. | 0:41:20 | 0:41:21 | |
So, I sat down and there were four generations around this big... | 0:41:21 | 0:41:25 | |
CHEERING AND APPLAUSE | 0:41:25 | 0:41:28 | |
Ruthless! Ruthless! | 0:41:28 | 0:41:30 | |
Oh! I didn't know you had all that ink on your back! | 0:41:33 | 0:41:36 | |
-Didn't you? -No! -It's not finished, either. | 0:41:36 | 0:41:39 | |
-Oh, are you going to colour it in? -Yeah. | 0:41:39 | 0:41:41 | |
-Lovely. -Colour by numbers. | 0:41:41 | 0:41:44 | |
-Oh, is it a map of Middle Earth? -Yes. | 0:41:44 | 0:41:46 | |
LAUGHTER | 0:41:46 | 0:41:48 | |
Right, one more, one more. OK. | 0:41:48 | 0:41:49 | |
-Hello! -Hello! -Hi. | 0:41:49 | 0:41:51 | |
-What's your name, sir? -Tim. -NADINE: -I saw him earlier on. | 0:41:51 | 0:41:54 | |
You saw him earlier? | 0:41:54 | 0:41:55 | |
I saw him. I asked him to put my mic pack on. Was it you? | 0:41:55 | 0:41:58 | |
-Tim, did Nadine ask you to put her mic pack on? -No. | 0:41:58 | 0:42:01 | |
LAUGHTER | 0:42:01 | 0:42:03 | |
You have a twin running around somewhere, Tim, | 0:42:03 | 0:42:05 | |
a twin running around here. | 0:42:05 | 0:42:07 | |
-A twin Tim? -I think that's what she said. | 0:42:07 | 0:42:09 | |
LAUGHTER | 0:42:09 | 0:42:11 | |
I think you need to ask him, | 0:42:11 | 0:42:12 | |
-NORTHERN IRISH ACCENT: -"How are you?" | 0:42:12 | 0:42:14 | |
LAUGHTER | 0:42:14 | 0:42:16 | |
-Now, where you from, Tim? -Dudley, West Midlands. | 0:42:16 | 0:42:18 | |
CHEERING | 0:42:18 | 0:42:21 | |
And what do you do in Dudley? | 0:42:21 | 0:42:23 | |
I was a dental nurse, but I'm now down this end | 0:42:23 | 0:42:26 | |
doing voluntary youth work at the Salvation Army. | 0:42:26 | 0:42:30 | |
Good for you. Very good. | 0:42:30 | 0:42:32 | |
CHEERING AND APPLAUSE | 0:42:32 | 0:42:35 | |
Tim, delight us with your tale. | 0:42:37 | 0:42:39 | |
Well, I went on holiday with my family in Devon | 0:42:39 | 0:42:42 | |
and I went to get some food. | 0:42:42 | 0:42:44 | |
I got some battered sausage and chips... | 0:42:44 | 0:42:46 | |
LAUGHTER | 0:42:46 | 0:42:48 | |
..and I went back to the caravan, I sat down... | 0:42:48 | 0:42:50 | |
LAUGHTER | 0:42:50 | 0:42:52 | |
..opened my battered sausage and chips | 0:42:52 | 0:42:54 | |
and then two old biddies, 80-year-olds, | 0:42:54 | 0:42:58 | |
come in and I thought, "I'm in the wrong caravan," | 0:42:58 | 0:43:02 | |
but they were naked. They were full-on naked. | 0:43:02 | 0:43:05 | |
I ran back to my caravan with my battered sausage. | 0:43:05 | 0:43:07 | |
I didn't know what to do. | 0:43:07 | 0:43:09 | |
LAUGHTER | 0:43:09 | 0:43:10 | |
I said to my mum and dad that they were naked | 0:43:10 | 0:43:13 | |
and they didn't believe me. | 0:43:13 | 0:43:14 | |
They looked outside, saw them naked, | 0:43:14 | 0:43:16 | |
looked at the next caravan, they were naked... | 0:43:16 | 0:43:18 | |
We were at a nudist camp, and I didn't know what to do. | 0:43:18 | 0:43:21 | |
LAUGHTER | 0:43:21 | 0:43:23 | |
I have not looked at an old woman the same. | 0:43:23 | 0:43:25 | |
You can walk, Tim. Go on, you can walk. | 0:43:25 | 0:43:27 | |
CHEERING AND APPLAUSE | 0:43:27 | 0:43:29 | |
So sweet! | 0:43:30 | 0:43:32 | |
Well done, everyone. | 0:43:33 | 0:43:34 | |
If you would like to have a go on that red chair, you can. | 0:43:34 | 0:43:37 | |
Just contact us via our website at this very address. | 0:43:37 | 0:43:39 | |
Ladies and gentlemen, please thank my guests tonight, Girls Aloud... | 0:43:39 | 0:43:42 | |
CHEERING AND APPLAUSE | 0:43:42 | 0:43:44 | |
-..Lee Mack... -CHEERING AND APPLAUSE | 0:43:44 | 0:43:46 | |
-..Dawn French... -CHEERING AND APPLAUSE | 0:43:46 | 0:43:49 | |
-..and Mr Martin Freeman. -CHEERING AND APPLAUSE | 0:43:49 | 0:43:51 | |
Join me next week, with Dawn's other half, | 0:43:53 | 0:43:54 | |
Ab Fab Queen, Jennifer Saunders, | 0:43:54 | 0:43:57 | |
Hollywood star Dustin Hoffman, | 0:43:57 | 0:43:58 | |
legendary comedian Billy Connolly | 0:43:58 | 0:44:00 | |
and Doctor Who himself, Matt Smith. | 0:44:00 | 0:44:02 | |
I'll see you then. Goodbye, everybody, goodbye. | 0:44:02 | 0:44:05 | |
CHEERING AND APPLAUSE | 0:44:05 | 0:44:06 | |
Subtitles by Red Bee Media Ltd | 0:44:27 | 0:44:30 |