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we've all got a bit of a hangover. Any aspirins in the audience, | 0:00:03 | 0:00:03 | |
please? ! Let's start the show! Oh! Oh! Hello! Hello, everybody! | 0:00:04 | 0:00:31 | |
Thank you very much. CHEERING AND APPLAUSE | 0:00:32 | 0:00:35 | |
Thank you very much. Yes, it's 2014! No, it is! And | 0:00:36 | 0:00:43 | |
before being rushed head long into a New Year, let's enjoy some | 0:00:44 | 0:00:46 | |
highlights of the year so far, starting with this. | 0:00:47 | 0:00:54 | |
Maybe I'm wrong, but I think what we see in acting, that's a pleasure? I | 0:00:55 | 0:01:00 | |
do see it like that, I do. It fair to say this sort of thing, this is | 0:01:01 | 0:01:03 | |
your least favourite aspect of making a film? No, not yet. | 0:01:04 | 0:01:12 | |
Mary Berry, we've been out here for, what, 30 seconds probably, so I | 0:01:13 | 0:01:24 | |
think it's time. So Harry. There you go. Thank you very much. So, Mary, | 0:01:25 | 0:01:30 | |
what have you brought us? I've brought you nothing. | 0:01:31 | 0:01:34 | |
AUDIENCE: Aw... I forgot to buy your book! | 0:01:35 | 0:01:45 | |
So, Mary Katy Perry, you must be the hottest female in the world right | 0:01:46 | 0:01:52 | |
now. Are you enjoying it, are you along for the ride or do you look at | 0:01:53 | 0:01:58 | |
someone like Paul and think, I would like that legacy, to be singing | 0:01:59 | 0:02:04 | |
songs in 40 years' time. Of course, I hope to have half the career that | 0:02:05 | 0:02:09 | |
you have or whatever, I'd be so grateful. I mean, I think you've | 0:02:10 | 0:02:14 | |
been doing this for longer, you know, than I've even before alive | 0:02:15 | 0:02:17 | |
and you have been doing it so incredibly well and the fact that | 0:02:18 | 0:02:23 | |
you're still here today in 2013... LAUGHTER | 0:02:24 | 0:02:27 | |
No, no, no, no! Hold on, hold on, hold on. Reel it in, bring it back, | 0:02:28 | 0:02:35 | |
Katie. Save this, Kate, come on. The fact that you're still here today... | 0:02:36 | 0:02:40 | |
You said that! The fact that you're not dead! I'm not talking in that | 0:02:41 | 0:02:45 | |
sense, I'm talking as a performer. He's about to be on this stage, I | 0:02:46 | 0:02:48 | |
think there's like a handful of people that can still do that well. | 0:02:49 | 0:02:52 | |
Yes. It's true. You brought it back, you brought it back. | 0:02:53 | 0:02:59 | |
What do I... You see if you were British, you would be like Sir | 0:03:00 | 0:03:04 | |
Robert deny row right now. Call me Bob. Lord Bob? Call me Sir Robert if | 0:03:05 | 0:03:11 | |
you want. Yeah. Robert seems better. You should be Sir Robert. Can I call | 0:03:12 | 0:03:18 | |
you Sir Robert? Yes. The campaign starts now. Yes. The Queen watches | 0:03:19 | 0:03:22 | |
this. I clearly hope not! | 0:03:23 | 0:03:29 | |
Oh, David! What? Your hair's so stupid. | 0:03:30 | 0:03:32 | |
LAUGHTER How rude! | 0:03:33 | 0:03:42 | |
Look! Nothing wrong with a plait down a man's back. Are you playing | 0:03:43 | 0:03:48 | |
Heidi at the moment? Perhaps I ought to just. You're going to pull it | 0:03:49 | 0:03:57 | |
back. A little bit back. It's very soft, isn't it? Thank you. Look at | 0:03:58 | 0:04:02 | |
Mary, she's all over it like a rash. Talk about grooming like a monkey, | 0:04:03 | 0:04:08 | |
like ooooh. Had a play around backstage actually. Can we change | 0:04:09 | 0:04:16 | |
the subject, please? ! LAUGHTER | 0:04:17 | 0:04:21 | |
Look at you. I'm in the danger zone. You're just going to see his eye | 0:04:22 | 0:04:31 | |
just fly right out. What are you doing... | 0:04:32 | 0:04:35 | |
LAUGHTER A I'm just going to get really close and then it can just | 0:04:36 | 0:04:36 | |
knock me on the back of the head. Do you still go clubbing, do you | 0:04:37 | 0:04:51 | |
still cut and run? Do you know I've never ever been to a club in my | 0:04:52 | 0:05:00 | |
life. Terrible. ErJudi Dench, you lie like a rug. I bumped into you in | 0:05:01 | 0:05:13 | |
Heaven. Oh, yes, you did. LAUGHTER Absolutely true. | 0:05:14 | 0:05:20 | |
They took us in through the back door. Wouldn't they? ! Story of her | 0:05:21 | 0:05:30 | |
life. LAUGHTER | 0:05:31 | 0:05:32 | |
That is the only time. Is that really the only time? Yes. Did you | 0:05:33 | 0:05:35 | |
not have a nice night? You looked like you were having fun? Yes, I | 0:05:36 | 0:05:38 | |
think we did. I'm gay and I've never been to | 0:05:39 | 0:05:44 | |
heaven. I won't get there either. That's astonishing, why were you | 0:05:45 | 0:05:48 | |
there, for Gods' sake? That's a good question too. I know the answer to | 0:05:49 | 0:05:52 | |
that as well. You went to see Cher. What? You were there to see Cher, | 0:05:53 | 0:05:57 | |
the singer Cher? Oh, yes, that's right. | 0:05:58 | 0:06:06 | |
Classic, I feel like we are getting classic Cher tonight. You are | 0:06:07 | 0:06:17 | |
getting Tartan. It's punk, punk edge, nice dark hair. Yes. Is it a | 0:06:18 | 0:06:22 | |
mood thing, do you wake up and decide which Cher you are going to | 0:06:23 | 0:06:25 | |
be? Are you out of your mind tonight? Possibly. | 0:06:26 | 0:06:32 | |
LAUGHTER I was like looking at the sofa, it's | 0:06:33 | 0:06:37 | |
like an out-of-body experience. It's like a dream I had. I have to say, | 0:06:38 | 0:06:42 | |
you do look amazing. You do, you look fabulous. Thank you. You have | 0:06:43 | 0:06:45 | |
been very forthcoming in saying you've had a bit of help along the | 0:06:46 | 0:06:51 | |
way. Oh, darling a lot, a lot. Me too. Yes, I can tell. No, but | 0:06:52 | 0:06:57 | |
whatever you've had done it's good, it's worked. Yes, I hope. But you | 0:06:58 | 0:07:02 | |
know what I mean, sometimes people look terrible. You don't | 0:07:03 | 0:07:06 | |
lookteringible. You've had work done, really? What's the worst | 0:07:07 | 0:07:11 | |
procedure, the most painful? Having my vagina that tightened. It was the | 0:07:12 | 0:07:18 | |
worst. Did you really? Oh, it was just... | 0:07:19 | 0:07:23 | |
LAUGHTER? Excruciating. Wow? That did that entail? See, look at the | 0:07:24 | 0:07:29 | |
face. What did that entail? You will show you later. | 0:07:30 | 0:07:38 | |
Wow. In fairness, Sharon, it's only fair. I had my vagina that | 0:07:39 | 0:07:44 | |
tightened, I did it myself at home with a Singer sewing machine, it was | 0:07:45 | 0:07:50 | |
very successful. LAUGHTER | 0:07:51 | 0:07:53 | |
But now, the love affair in the original Star Wars films, we all | 0:07:54 | 0:07:56 | |
remember it was so beautiful and the famous scene in The Empire Strikes | 0:07:57 | 0:08:01 | |
Back where, you're not turned into stone, you're turned into something | 0:08:02 | 0:08:04 | |
Snells Something else, yes, I don't remember what it was, sorry. Yes, | 0:08:05 | 0:08:09 | |
I'm sorry. We've got the lovely moment when it's about to happen. | 0:08:10 | 0:08:10 | |
Here it is. (Chewbacca moans) | 0:08:11 | 0:08:58 | |
CHEERING AND APPLAUSE Chewy seems more upset than Princess | 0:08:59 | 0:09:06 | |
Leia? Yes. You were in time with the clip, a natural knee-jerk. That's | 0:09:07 | 0:09:11 | |
one of my favourite Chewbacca moments, that "arrrrr". Did I take | 0:09:12 | 0:09:23 | |
you back? He's back on set now. There is an awful lot of people in | 0:09:24 | 0:09:27 | |
the audience who love you. Love you, Harrison. All right, calm down. So | 0:09:28 | 0:09:31 | |
I'm just going to give an opportunity for some of them to say | 0:09:32 | 0:09:37 | |
"I love you". So where... Look, hands right up there. You already | 0:09:38 | 0:09:40 | |
did it, didn't you? OK, what's your name? Anna. And stand up. Where are | 0:09:41 | 0:09:46 | |
you from, Anna? Surrey. Surrey? Yes. Love Harrison. That's the point. | 0:09:47 | 0:09:50 | |
Wait a minute. We are getting to that. OK, so there he is, he's not | 0:09:51 | 0:09:56 | |
getting any nearer. Look him in the eyes and tell him. Oh, wait for the | 0:09:57 | 0:09:59 | |
music. MUSIC. | 0:10:00 | 0:10:02 | |
Look him in the eyes. I love you. | 0:10:03 | 0:10:13 | |
I know. Whoa! CHEERING AND APPLAUSE | 0:10:14 | 0:10:15 | |
Very good. Beautiful, beautiful, beautiful. | 0:10:16 | 0:10:25 | |
Great action figures, ladies and gentlemen. We've got some here. Oh, | 0:10:26 | 0:10:33 | |
no, you've dropped your hammer! It's yours. Have you seen this yet? | 0:10:34 | 0:10:37 | |
Not that particular one, but the likeness is incredible. | 0:10:38 | 0:10:41 | |
It is uncanny, isn't it, ladies and gentlemen? Slightly sedated version. | 0:10:42 | 0:10:50 | |
You press you here and you talk. Lightning shall strike you down! | 0:10:51 | 0:10:58 | |
Jesus. Strike you down... Angry. Natalie's action figure. Here she | 0:10:59 | 0:13:08 | |
You are not leaning against anything I don't think. You have just chosen | 0:13:09 | 0:13:30 | |
to lean? There was a pillar there. There was? Yes, they cropped it. How | 0:13:31 | 0:13:35 | |
annoying. One hand on your keys there, I see. Then we've got the | 0:13:36 | 0:13:41 | |
traditional wooden fence denim lean. Yes, denim is very much part of | 0:13:42 | 0:13:45 | |
rock'n'roll. Of course. Yes, as is leaning. | 0:13:46 | 0:13:54 | |
April, a very radical lean in April. No, he's in a street and he's going, | 0:13:55 | 0:14:00 | |
what am I leaning on? ! Am I leaning? | 0:14:01 | 0:15:26 | |
came away without a song. Wow. We got very close one day because I | 0:15:27 | 0:15:34 | |
brought in a song called Golden Rings and it was, "I can buy you | 0:15:35 | 0:15:40 | |
golden rings" and it was like, oh God, | 0:15:41 | 0:16:01 | |
what am I leaning on? ! Am I leaning? | 0:16:02 | 0:16:03 | |
the tea? ! Do you know... Shock, yeah, it was the tea that did | 0:16:04 | 0:16:07 | |
it! CHEERING AND APPLAUSE | 0:16:08 | 0:16:20 | |
No, no no. We are going to let people who like you ask the two | 0:16:21 | 0:16:25 | |
doctors questions. Right. See if you can answer them. | 0:16:26 | 0:16:28 | |
They'll need somewhere comfortable to sit to ask the questions, so | 0:16:29 | 0:16:32 | |
behold the red chair, ladies and gentlemen! | 0:16:33 | 0:16:33 | |
Here it is. So, who's up first? Hi. Hi. What's | 0:16:34 | 0:16:41 | |
your name? David. Very good. I believe you are a Dr Who fan? I am. | 0:16:42 | 0:16:54 | |
No, I really do believe it. LAUGHTER | 0:16:55 | 0:16:56 | |
We 're not laughing at you David. We are not laughing at you. Were you | 0:16:57 | 0:17:00 | |
meant to be in Raging Bull or was that just a story? Yes, I was. No, I | 0:17:01 | 0:17:05 | |
wasn't meant to be in Raging Bull. It was one of my first interviews, I | 0:17:06 | 0:17:09 | |
was starting out. I don't know how my agent got me in the room with | 0:17:10 | 0:17:14 | |
him, but he did and I surprised he doesn't remember me because I walked | 0:17:15 | 0:17:20 | |
in looking like a hooker. Was it in New York? It was in LA, yeah... | 0:17:21 | 0:17:27 | |
People who look like hookering, people who look like hookers. | 0:17:28 | 0:17:31 | |
Hookers in white dresses, yes. I didn't think I had a chance. I was | 0:17:32 | 0:17:39 | |
going to swear on this. What were you going to stay? -- say? A shot in | 0:17:40 | 0:17:47 | |
hell. A shot in hell! Wow, where do you live? ! | 0:17:48 | 0:17:53 | |
LAUGHTER A shot in hell, oohh, woo-hoo... I | 0:17:54 | 0:18:01 | |
can only pollise, Sir Bob! -- apologise, Sir Bob. | 0:18:02 | 0:18:08 | |
Who's up next? Hello. Oh, my God! Oh, my God! | 0:18:09 | 0:18:15 | |
He looks more like you than you do. That's where your gear went. What's | 0:18:16 | 0:18:25 | |
your name? Er, Matt. No! Wow. Now, have you made yourself look like | 0:18:26 | 0:18:29 | |
Matt Smith? No, I think I was born this way. Tragedy, isn't it? | 0:18:30 | 0:18:37 | |
Benedict, are people still comparing you to an otter? I don't know, are | 0:18:38 | 0:18:42 | |
they? They are. There are some new ones, have you seen The New Ones? | 0:18:43 | 0:18:48 | |
No, I haven't seen The New Ones. They're called mimmis. This is an | 0:18:49 | 0:18:53 | |
Internet thing. This is Benedict. You think that's a boy, doesn't look | 0:18:54 | 0:18:58 | |
like an otter? Yes, he does you. Look at it. He strikes a pose, he | 0:18:59 | 0:19:05 | |
strikes a thoughtful pose. Otters don't think that much. Yet they do. | 0:19:06 | 0:19:11 | |
They do. Here's the thing, I mean I'm the one who's not doing the pose | 0:19:12 | 0:19:16 | |
properly, that's the correct steeple of fingers underneath the chin. | 0:19:17 | 0:19:20 | |
Mine's in front of my face. I take notes from my men. You as Julian | 0:19:21 | 0:19:27 | |
Assange. Right. Otter Julian Assange! | 0:19:28 | 0:19:30 | |
LAUGHTER And next, the final one. Here you | 0:19:31 | 0:19:34 | |
are waving goodbye and you think, otters don't have arms, how can they | 0:19:35 | 0:19:40 | |
do that. Yes, they do! LAUGHTER | 0:19:41 | 0:19:43 | |
CHEERING AND APPLAUSE Genius. | 0:19:44 | 0:19:45 | |
Now, who's up next? Who's up next? CHEERING AND APPLAUSE | 0:19:46 | 0:20:07 | |
My favourite part of the show. Can you guess what wooden creature | 0:20:08 | 0:20:14 | |
Mark Freeman might be? Careful. Cat wheezele. Unbelievable. Cat | 0:20:15 | 0:20:23 | |
wheezele? -- weasel. An old tramp in the woods. No, it is a hedgehog. No, | 0:20:24 | 0:20:34 | |
a hedgehog is not express expressive. | 0:20:35 | 0:20:41 | |
LAUGHTER I'm so wrong. So, here's Martin. Here's Martin, right. And | 0:20:42 | 0:20:47 | |
you would think a hedgehog could never look like that. Never. | 0:20:48 | 0:20:52 | |
LAUGHTER Amazing. | 0:20:53 | 0:20:57 | |
Happy hedgehog. Then we've got less happy Martin. Does he have a | 0:20:58 | 0:21:04 | |
hedgehog to look like hum? Yes, he does. | 0:21:05 | 0:21:09 | |
I don't think he looks like a hedgehog at all. I think that's | 0:21:10 | 0:21:12 | |
anybody making a face and put a hedgehog next to them and they look | 0:21:13 | 0:21:18 | |
like a hedgehog. OK, explain this one then. This is so specific. | 0:21:19 | 0:21:24 | |
OK. OK. Now, look at the hedgehog. Hello! | 0:21:25 | 0:21:34 | |
I rest my case, your honour, yes. OK, if you don't mind, this is the | 0:21:35 | 0:21:42 | |
clincher, this is Martin Freeman encountering fans and, how can a | 0:21:43 | 0:21:46 | |
hedgehog do this. It's not possible. I'm told this isn't photo shopped. | 0:21:47 | 0:21:57 | |
LAUGHTER Well done the hedgehog, great work. | 0:21:58 | 0:22:05 | |
OK, now, famously, you were very close to Princess Diana, but even | 0:22:06 | 0:22:10 | |
before that, I think you played at Prince Andrew's 21st? Yes. At | 0:22:11 | 0:22:18 | |
Windsor Castle, yes. And that was a very nervy experience because Ray | 0:22:19 | 0:22:22 | |
Cooper, my percussion player and myself played. Suddenly you looked | 0:22:23 | 0:22:28 | |
on the ballny and they were all gold chairs and they filled up and you | 0:22:29 | 0:22:32 | |
thought oh God -- balcony. I was in a ballroom with a band and Diana | 0:22:33 | 0:22:37 | |
Spencer, she wasn't prince Charles's wife then, she said, do you want to | 0:22:38 | 0:22:42 | |
dance, so I can't dance anyway, but we did a charleston. Then we went | 0:22:43 | 0:22:46 | |
into dinner and then it was a buffet dinner and Prenn six Anne said shall | 0:22:47 | 0:22:51 | |
we go to the disco -- Princess Anne. It's the quietest disco you've ever | 0:22:52 | 0:22:56 | |
heard and I had to dance with Princess Anne and I was thinking, I | 0:22:57 | 0:23:02 | |
was born in a council house and the Queen said, "can we join you" as if | 0:23:03 | 0:23:09 | |
I was going to say "no, fuck off, right" and they segued into rock | 0:23:10 | 0:23:15 | |
around-the-clock by Bill Haley and it was surreal because the Queen was | 0:23:16 | 0:23:21 | |
going like dar-dar-dar, it was a most surreal moment of my life. | 0:23:22 | 0:23:27 | |
After being born in a council house and remembering rock | 0:23:28 | 0:23:29 | |
around-the-clock, the odds of you dancing with the Queen at Windsor | 0:23:30 | 0:23:35 | |
Castle are very, very low. CHEERING AND APPLAUSE | 0:23:36 | 0:23:39 | |
Amazing. My agent called me up one day and it | 0:23:40 | 0:23:43 | |
was quite early on in my career I think, I wasn't very old and she | 0:23:44 | 0:23:46 | |
said, love, a couple of things and she went through a couple of things | 0:23:47 | 0:23:54 | |
and then she said "hm-hm, love, Earl... Can I ask you a question" | 0:23:55 | 0:24:00 | |
and I said, go ahead and she said "have you ever do you think been in | 0:24:01 | 0:24:07 | |
a porn film? " And I said "ooh, I beg your pardon" and she said, "the | 0:24:08 | 0:24:12 | |
papers have been on to me and they've seen such a film with | 0:24:13 | 0:24:16 | |
someone with your name and apparently it looks a bit like you". | 0:24:17 | 0:24:22 | |
I was thinking have I? I mean, really? She said possibly when you | 0:24:23 | 0:24:26 | |
were in Italy, you know, on your gap year and I thought, "oh, yes, that | 0:24:27 | 0:24:31 | |
probably happened, I was probably drugged". ". I was probably drugged | 0:24:32 | 0:24:36 | |
and set upon. And they put it in a film. We did do some research and | 0:24:37 | 0:24:41 | |
Jennifer Saunders does exist. She's not here, don't worry. You looked | 0:24:42 | 0:24:45 | |
worry there. Please, God, please, God. We found some of her early | 0:24:46 | 0:24:49 | |
work. We are not going to show it to you, don't worry. Have you ever seen | 0:24:50 | 0:24:54 | |
her? No, of course I haven't seen her, I didn't think she existed. | 0:24:55 | 0:24:59 | |
There she is, Girl of the Month. Do you want that for your collection. | 0:25:00 | 0:25:04 | |
What is that? Genuine, Jennifer Saunders probably watching with her | 0:25:05 | 0:25:10 | |
grandchildren right now. Wow. That's really quite frightening, isn't it? | 0:25:11 | 0:25:14 | |
If I were you, I would say it was you. Girl of the Month. Bob's going, | 0:25:15 | 0:25:27 | |
er... This is all Jennifer. This isn't you? She doesn't take her | 0:25:28 | 0:25:31 | |
pants off. This is very demure. She does over the page. Oh, there it is, | 0:25:32 | 0:25:42 | |
yes. LAUGHTER | 0:25:43 | 0:25:44 | |
And that's Jennifer Saunders. It's the French Saunders there | 0:25:45 | 0:25:50 | |
actually. Your fans obviously love you. They are very respectful. And I | 0:25:51 | 0:25:56 | |
love them. Is there a reason why they do this? They film themselves | 0:25:57 | 0:26:01 | |
watching your videos? Yeah, they're awesome. They started a radio | 0:26:02 | 0:26:05 | |
station called Radio Art Pop now. Have you come across Mr Motor Mouth? | 0:26:06 | 0:26:11 | |
I think I know who you are talking about. This is the first time you | 0:26:12 | 0:26:17 | |
watched Applause. Yes, I do. Here we go. | 0:26:18 | 0:26:24 | |
She's flying. Oh, yes, bitch. Yes, turn around. | 0:26:25 | 0:26:46 | |
Oooh, bitch. He's amazing. Are you sure he's a | 0:26:47 | 0:26:56 | |
fan? Well, get this, we thought if he was that excited to watch a video | 0:26:57 | 0:26:59 | |
of you, how excited would... No, he's not here! | 0:27:00 | 0:27:05 | |
LAUGHTER How exciting would it be if we Skyped him? Amazing. So I'm going | 0:27:06 | 0:27:11 | |
to Skype him now. Skyping. Hang on. Can you see me? Hello? Hi, Graham, | 0:27:12 | 0:27:18 | |
how are you, darling? I'm very good. Zachary? Is it Zachary? Yes. Your | 0:27:19 | 0:27:28 | |
hair is amazing? Thanks, darling. OK, so brace yourself, Zachary, | 0:27:29 | 0:27:33 | |
brace yourself, Zachary, because I'm moving the camera. Zachary, here is, | 0:27:34 | 0:27:45 | |
Lady Gaga. Argh... Arghs... Yes, bitch, oh, bitch. That lace and the | 0:27:46 | 0:27:55 | |
sheer and the necklace, honey, you worked bitch, you ain't that. You're | 0:27:56 | 0:28:00 | |
so famous right now, you've no idea, you're all over UK television. There | 0:28:01 | 0:28:04 | |
you are. Any little act Pellow bit for the album, would you do a line | 0:28:05 | 0:28:11 | |
or something to blow his mind? Sure. "I can't help the way I'm feeling | 0:28:12 | 0:28:24 | |
#... # CHEERING AND APPLAUSE | 0:28:25 | 0:28:31 | |
Zachary, we'll send you a tape. Thank you so much. I love you | 0:28:32 | 0:28:34 | |
Zachary, I love you, I love you, I watch you all the time. I love you, | 0:28:35 | 0:28:40 | |
baby and you look so proud and happy I'm so proud of you baby, I'm so | 0:28:41 | 0:28:44 | |
proud of you. Well done, Zachary. Bye-bye. What a nice man! | 0:28:45 | 0:28:50 | |
In this country as an actress, you went to Hollywood, which seemed at | 0:28:51 | 0:28:55 | |
the time surprising, you showed up in junior with Arnold | 0:28:56 | 0:28:58 | |
Schwarzenegger? Yes, it was fun actually. Was that fun to do? He was | 0:28:59 | 0:29:05 | |
actually orange, Arnold. He was really and truly orange. I believe | 0:29:06 | 0:29:09 | |
there are a lot of them about here now like Simon Cowell. But he was | 0:29:10 | 0:29:14 | |
very nice, very courtly, you know, Austrian and courtly. Yes. Can he | 0:29:15 | 0:29:22 | |
act? No, no, no, no. APPLAUSE | 0:29:23 | 0:29:25 | |
Don't be silly. He was very honest about that. | 0:29:26 | 0:29:31 | |
Talking of acting, Colin Farrell? Yes. You've acted with some amazing | 0:29:32 | 0:29:35 | |
people over the years? A couple of times. But even when you were young | 0:29:36 | 0:29:40 | |
you seemed so unintimidated, there was a story of you working with | 0:29:41 | 0:29:45 | |
Bruce Willis to his face? That was intimidation finding a very loud | 0:29:46 | 0:29:49 | |
voice, so I was a bit can cheeky with him. Was it a courtroom scene? | 0:29:50 | 0:29:54 | |
When he had trouble with that word? Yes. He was playing the trial judge | 0:29:55 | 0:30:00 | |
advocate and I was for the accused. I stood up with great overacting | 0:30:01 | 0:30:06 | |
zeal and said "objection, your honour", and he looked at me and he | 0:30:07 | 0:30:13 | |
went "line". And I heard from the monitor, the script supervisor go | 0:30:14 | 0:30:19 | |
"overruled". And he said "overruled". | 0:30:20 | 0:30:26 | |
We were gad Papps. I said to him that day, you ied better get an | 0:30:27 | 0:30:30 | |
early night because you have a word to learn for tomorrow, to which he | 0:30:31 | 0:30:35 | |
responded "fuck you, Irish! ". I said I'd do the accent. | 0:30:36 | 0:30:41 | |
Obviously, you wanted to be an actor, that was your ambition, you | 0:30:42 | 0:30:46 | |
didn't set tout be a movie star, but that's happened, so does a day go by | 0:30:47 | 0:30:51 | |
when people don't shout out, you know, lines from movies and things | 0:30:52 | 0:30:54 | |
to you, or does that happen all the time? No, I don't get that that | 0:30:55 | 0:31:02 | |
often from people. Do you remember that night we were having dinner. It | 0:31:03 | 0:31:06 | |
was Grey Pride Parade night... Of course. And we were downtown and so | 0:31:07 | 0:31:11 | |
he had his back to the door and I was, you know, facing him and all | 0:31:12 | 0:31:16 | |
these Queens came in, all these drag Queens, fabulous came in and they | 0:31:17 | 0:31:20 | |
saw me and they were look woo and they came round the corner and saw | 0:31:21 | 0:31:31 | |
him and it was like woo (low-key woo) | 0:31:32 | 0:31:33 | |
Were you wine and dined by Hollywood agents? No, Ian Huntley go over | 0:31:34 | 0:31:36 | |
there, no. They are making your show in America and you didn't go? That's | 0:31:37 | 0:31:40 | |
right. -- I didn't go over there. | 0:31:41 | 0:31:45 | |
I didn't want to go. Is that a bit weird. Have you ever been? To | 0:31:46 | 0:31:52 | |
America, no. You have never been to America? No, is that illegal. So | 0:31:53 | 0:31:58 | |
knowing flow rant, Jo. But that's why people like me. There are places | 0:31:59 | 0:32:03 | |
in the world I would rather go in the world rather than America. Like? | 0:32:04 | 0:32:14 | |
Burma and the Ukraine. Both of which are one billion times better than | 0:32:15 | 0:32:23 | |
the United States. APPLAUSE | 0:32:24 | 0:32:26 | |
We must talk about Halloween. Oh, Halloween. Yes. This has become a | 0:32:27 | 0:34:32 | |
The point is, I hope to be unrecognised. I think you might be | 0:34:33 | 0:34:39 | |
able to be recognised on this one. I think on this one you are | 0:34:40 | 0:34:46 | |
unrecognisable. It was the wine that gave me away! | 0:34:47 | 0:34:51 | |
Are you smoking there? I hadn't gotten that far! | 0:34:52 | 0:35:00 | |
LAUGHTER Here we are, fingers on the buzzers | 0:35:01 | 0:35:19 | |
who. Who suffers from scholarsophobia? Do you know what it | 0:35:20 | 0:35:22 | |
is What does it mean? I can't remember anything? ! | 0:35:23 | 0:35:29 | |
LAUGHTER You have worms. I think I don't even | 0:35:30 | 0:35:36 | |
like to say the word. Fear of words? Worms, worms, worms.let You are | 0:35:37 | 0:35:43 | |
frightened of worms? One jumped in my sandal when I was a very little | 0:35:44 | 0:35:48 | |
girl in wet weather. Jumped? ! Yes. You said that was a worm? Yes. Have | 0:35:49 | 0:35:55 | |
you been scared of worms ever since? Yes. You can just walk away from | 0:35:56 | 0:36:00 | |
them, you know. LAUGHTER They're very quick, the | 0:36:01 | 0:36:05 | |
worms in her garden. Was she born here, your wife? Yes. Were you at | 0:36:06 | 0:36:11 | |
the Hello Teddy moment for the birth? Yes, I was. Down the business | 0:36:12 | 0:36:17 | |
end? Yes, I was. Well done. It was like my favourite pub burning down. | 0:36:18 | 0:36:20 | |
Yes. LAUGHTER | 0:36:21 | 0:36:41 | |
No tread left on that tyre. Have you rebuilt her? Er, haven't | 0:36:42 | 0:36:49 | |
bothered rebuilding it yet because there might be another one on the | 0:36:50 | 0:36:53 | |
way. I don't want to go about it twice. Yes. I think best to live | 0:36:54 | 0:37:02 | |
with the ruins for now. Ive. This This feels like overhearing | 0:37:03 | 0:37:06 | |
something at a doctor's surgery. We'll just live with it. Which | 0:37:07 | 0:37:14 | |
camera, sorry, Ida. You have a beautiful foo. | 0:37:15 | 0:37:22 | |
LAUGHTER Robbie did the radio last Saturday | 0:37:23 | 0:37:26 | |
and was going, I say things I shouldn't on chat shows and I was | 0:37:27 | 0:37:34 | |
going "no, no, you'll be fine. " I'm always terrified because I always | 0:37:35 | 0:37:37 | |
end up having to apologise to somebody or send a bunch of flowers | 0:37:38 | 0:37:42 | |
to somebody. I was on stage, I can't remember where it was, Stuttgart or | 0:37:43 | 0:37:46 | |
somewhere that hit her done all the speeches from. Yes. 80,000 people in | 0:37:47 | 0:37:53 | |
front of me and you sort of have... Robbie life in Nuremberg. It was | 0:37:54 | 0:37:59 | |
Nuremberg, it was, it was! Of course it was. | 0:38:00 | 0:38:06 | |
Go on, go on, go on. So anyway, when you are singing, you could be | 0:38:07 | 0:38:10 | |
singing but also at the same time you could be having a bit of | 0:38:11 | 0:38:13 | |
dialogue with yourself, words come out, performance happens, sometimes | 0:38:14 | 0:38:16 | |
when you are that comfortable you're going, check them out, she's fit, | 0:38:17 | 0:38:21 | |
look at her boobs, seen you looking at the boobs, it's OK you are Robbie | 0:38:22 | 0:38:25 | |
you can look at them, that kind of stuff, then this particular night, | 0:38:26 | 0:38:32 | |
80,000 people in front of me and I'm singing Angels er whatever it is and | 0:38:33 | 0:38:36 | |
in the back of my mind I went "look at these lot, they really like me, I | 0:38:37 | 0:38:41 | |
really like them too. It's amazing, brought up with the German thing and | 0:38:42 | 0:38:44 | |
my grandma used to have a Jerry under the bed she peed in and now | 0:38:45 | 0:38:49 | |
look at all of these lot loving me and I love them it's fantastic here, | 0:38:50 | 0:38:54 | |
I'll show them my appreciation after I've finished singing this song. " | 0:38:55 | 0:39:02 | |
Then Angels finish and I go dtion Deutschland Deutschland... # | 0:39:03 | 0:39:20 | |
And 80,000 people booed me. It would have been worse if they'd | 0:39:21 | 0:39:29 | |
gone, finally a leader! Yes. | 0:39:30 | 0:39:34 | |
APPLAUSE In international incidents, an | 0:39:35 | 0:39:38 | |
incident nearly occurred. Where would we be without a sense of | 0:39:39 | 0:39:45 | |
humour? Germany. We can't let Mary go without | 0:39:46 | 0:39:50 | |
celebrating one of our favourite websites about cakes where people | 0:39:51 | 0:39:55 | |
have taken pictures and these are real cakes, they've been ordered and | 0:39:56 | 0:39:59 | |
paid for and it's a thing of like, you order the cake and it goes wrong | 0:40:00 | 0:40:04 | |
I think with the person that answers the phone in the bakery. You will | 0:40:05 | 0:40:12 | |
get the idea. Thanks for a great year in purple. | 0:40:13 | 0:40:16 | |
That's blue. They've got it so wrong, it's not IN purple! | 0:40:17 | 0:40:23 | |
I like that. This is another again, very straightforward one, on the | 0:40:24 | 0:40:26 | |
phone, what do you want on top of your cake? Happy birthday with | 0:40:27 | 0:40:31 | |
balloons and crap like that. So they say to you, what do you want | 0:40:32 | 0:40:46 | |
on your cake. I want sprinkles. LAUGHTER | 0:40:47 | 0:40:48 | |
OK. Now here is the thing. Nothing can go wrong. Nothing could go | 0:40:49 | 0:40:52 | |
wrong. You go in with a memory stick and you say, can you put this on a | 0:40:53 | 0:40:55 | |
cake. Oh, no! To be fair, they did a pretty good | 0:40:56 | 0:41:11 | |
job of that. It's great. Nicely ex-caused. Finally, surely, | 0:41:12 | 0:41:16 | |
surely there's nothing nicer than a cake to celebrate the arrival of a | 0:41:17 | 0:41:18 | |
baby. LAUGHTER | 0:41:19 | 0:41:30 | |
Great cakes. | 0:41:31 | 0:43:52 |