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Tonight on the show, we've got the star of Rocky. | 0:00:02 | 0:00:04 | |
HE PANTS | 0:00:04 | 0:00:05 | |
CHEERING | 0:00:05 | 0:00:07 | |
Let's, erm... Let's... | 0:00:07 | 0:00:09 | |
What a wuss! Let's start the show. | 0:00:11 | 0:00:14 | |
Yay! | 0:00:14 | 0:00:15 | |
APPLAUSE AND CHEERING | 0:00:15 | 0:00:18 | |
-APPLAUSE AND CHEERING -Oh! Oh! | 0:00:32 | 0:00:35 | |
Thank you very much. | 0:00:35 | 0:00:37 | |
Thank you, thank you, thank you. Hello, everybody, | 0:00:37 | 0:00:40 | |
and welcome, one and all. | 0:00:40 | 0:00:42 | |
What a line-up we've got to kick off the year. | 0:00:42 | 0:00:44 | |
One of the biggest action heroes of all time - | 0:00:44 | 0:00:46 | |
Sylvester Stallone is here! | 0:00:46 | 0:00:48 | |
-CHEERING -Yeah! | 0:00:48 | 0:00:51 | |
It's a warm welcome back to the great Robert De Niro, | 0:00:51 | 0:00:54 | |
ladies and gentlemen! | 0:00:54 | 0:00:55 | |
CHEERING | 0:00:55 | 0:00:57 | |
Top actress Carey Mulligan is here. | 0:00:57 | 0:01:01 | |
CHEERING | 0:01:01 | 0:01:02 | |
Star of Superbad and Moneyball, Jonah Hill is on the show. | 0:01:02 | 0:01:07 | |
CHEERING | 0:01:07 | 0:01:09 | |
Plus, we'll be having music from Jake Bugg, everybody! | 0:01:09 | 0:01:13 | |
-CHEERING -The lovely Jake Bugg. | 0:01:13 | 0:01:15 | |
So sweet! So sweet. | 0:01:15 | 0:01:17 | |
I'm delighted to welcome | 0:01:17 | 0:01:19 | |
Robert De Niro AND Sylvester Stallone - | 0:01:19 | 0:01:21 | |
how incredible is that? | 0:01:21 | 0:01:22 | |
Together at last, they're both in a new boxing movie, Grudge Match. | 0:01:22 | 0:01:26 | |
Now, obviously, not their first time in the ring, | 0:01:26 | 0:01:28 | |
De Niro starred in the legendary Raging Bull. | 0:01:28 | 0:01:31 | |
Wow. Now, if you haven't seen it, | 0:01:31 | 0:01:33 | |
it's sort of a romantic comedy, you know. | 0:01:33 | 0:01:37 | |
Sleepless In Seattle with gloves. | 0:01:37 | 0:01:40 | |
Bob... Bob gained a lot of weight | 0:01:40 | 0:01:42 | |
to shoot the scenes at the end of that film. | 0:01:42 | 0:01:44 | |
I think we've got a photo. | 0:01:44 | 0:01:47 | |
-LAUGHTER -Unrecognisable! | 0:01:47 | 0:01:50 | |
Sylvester, of course, played the iconic boxer Rocky Balboa. | 0:01:50 | 0:01:54 | |
Now, Rocky had so many epic fights. | 0:01:54 | 0:01:56 | |
This is from Rocky IV, | 0:01:56 | 0:01:59 | |
this one's from Rocky III. | 0:01:59 | 0:02:01 | |
This is Rocky II. | 0:02:01 | 0:02:02 | |
Now, to be honest, a complete mismatch. | 0:02:02 | 0:02:05 | |
The end of that film - what a mess. | 0:02:05 | 0:02:08 | |
Not just Rocky, though, | 0:02:08 | 0:02:09 | |
Sylvester was also troubled Vietnam vet John Rambo. | 0:02:09 | 0:02:13 | |
-CHEERING -Hmm, a violent sadistic vet - | 0:02:13 | 0:02:15 | |
-where have I seen that before. -CAT MEOWS | 0:02:15 | 0:02:19 | |
Let's get some guests on! | 0:02:19 | 0:02:21 | |
Later we'll have music from Jake Bugg! | 0:02:21 | 0:02:23 | |
But first, he's not just good, he's super-good - it's Jonah Hill! | 0:02:23 | 0:02:28 | |
CHEERING | 0:02:28 | 0:02:30 | |
-Wow, hello, sir! -How are you? -I'm well. | 0:02:30 | 0:02:33 | |
Nice to see you, sit down. | 0:02:33 | 0:02:35 | |
-Lovely suit. -Thank you. | 0:02:35 | 0:02:37 | |
Carey on clapping - it's Carey Mulligan. | 0:02:37 | 0:02:41 | |
CHEERING | 0:02:41 | 0:02:44 | |
Beautiful, beautiful. Hello, darling. | 0:02:44 | 0:02:46 | |
-Hello. -Hi. | 0:02:46 | 0:02:47 | |
-What's happened to your hair? -I know! | 0:02:47 | 0:02:50 | |
And here's two genuine Hollywood heavyweights - | 0:02:50 | 0:02:53 | |
it's De Niro and Stallone! | 0:02:53 | 0:02:55 | |
Well! Hello, sir, welcome back. Lovely to see you. | 0:02:57 | 0:03:01 | |
Hello, very nice to see you. Come in, come in! Whoa! | 0:03:01 | 0:03:05 | |
I know you. | 0:03:05 | 0:03:06 | |
Sit down, sit down, sit down. | 0:03:06 | 0:03:10 | |
Wow. | 0:03:10 | 0:03:11 | |
CHEERING | 0:03:11 | 0:03:14 | |
-It's impressive. -They like you. | 0:03:16 | 0:03:19 | |
-No, no. -No, it was you. | 0:03:19 | 0:03:21 | |
No, there was silence before you walked out. | 0:03:21 | 0:03:23 | |
What a couch, ladies and gentlemen, what a couch. | 0:03:23 | 0:03:27 | |
Are you staying, Bob? | 0:03:27 | 0:03:29 | |
-I am. -OK, fine. -No, my hat? | 0:03:29 | 0:03:31 | |
-Because I have a shaved head... -Oh! It might frighten us? | 0:03:31 | 0:03:34 | |
-I feel better. -OK. | 0:03:34 | 0:03:36 | |
It is acting royalty, ladies and gentlemen, | 0:03:38 | 0:03:40 | |
I think you'll agree. Acting royalty. | 0:03:40 | 0:03:43 | |
CHEERING | 0:03:43 | 0:03:44 | |
-Some newer members of the royal family. -For sure. | 0:03:46 | 0:03:50 | |
And then some...vintage royalty. | 0:03:50 | 0:03:52 | |
Us has-beens. | 0:03:52 | 0:03:55 | |
Lookin' good. | 0:03:55 | 0:03:57 | |
And Rocky, very popular in the Mulligan household, I believe. | 0:03:57 | 0:04:00 | |
Isn't it? No, it is. | 0:04:00 | 0:04:02 | |
My mum's dog's called Rocky | 0:04:02 | 0:04:04 | |
and my dog's called Rambo. | 0:04:04 | 0:04:07 | |
-It was meant to be. -I know. | 0:04:09 | 0:04:11 | |
Anything that walks on four legs reminds people of me, thanks a lot. | 0:04:11 | 0:04:16 | |
Thank you, appreciate that. | 0:04:16 | 0:04:18 | |
Jonah, do you have a cat called Jake LaMotta or anything? | 0:04:18 | 0:04:20 | |
No, I'm allergic to cats. | 0:04:20 | 0:04:22 | |
Otherwise he really would, he would, yeah. | 0:04:23 | 0:04:26 | |
My mum's here. I always bring a family member. | 0:04:28 | 0:04:31 | |
-You did, you brought your dad last time. -I brought my dad last time. | 0:04:31 | 0:04:33 | |
-Where's your mum, let's wave at her. -God, she's going to hate this. Mum! | 0:04:33 | 0:04:37 | |
Where is she? | 0:04:37 | 0:04:38 | |
-Where is she? Oh, there she is. -Oh, there you are, hello. Hi! | 0:04:38 | 0:04:42 | |
No... Lots of women are waving. How many mothers do you have? | 0:04:42 | 0:04:45 | |
Oh, the one that looks like you. | 0:04:47 | 0:04:49 | |
OK, yeah. The lady who actually looks like Carey Mulligan. | 0:04:49 | 0:04:53 | |
By the way, can I just ask you, you know you were here to promote Shame? | 0:04:53 | 0:04:57 | |
-Yeah. -Did your dad ever see it? -No, Dad's never seen Shame. | 0:04:57 | 0:05:00 | |
-That's good. -My dad has! | 0:05:00 | 0:05:02 | |
-Have you seen Shame? -BOTH: Yes. | 0:05:05 | 0:05:07 | |
OK, yeah. | 0:05:07 | 0:05:09 | |
Looking away. "Yes, I have seen it." | 0:05:14 | 0:05:16 | |
Jonah, is it true, you know, | 0:05:16 | 0:05:18 | |
encouraging people to go to see your movies - | 0:05:18 | 0:05:21 | |
weren't you in the movie theatre | 0:05:21 | 0:05:23 | |
encouraging people to go to your movies? | 0:05:23 | 0:05:25 | |
I started out when I was young, I just turned 30 a couple of weeks ago. | 0:05:25 | 0:05:29 | |
-You don't look it. -Thank you, thank you. I look 48. | 0:05:29 | 0:05:32 | |
But I started when I was 19, 20, | 0:05:34 | 0:05:37 | |
and I was 20, 21, | 0:05:37 | 0:05:39 | |
and I was real excited because I was in a movie theatre | 0:05:39 | 0:05:41 | |
and one of the previews for a film I was in came on | 0:05:41 | 0:05:43 | |
and it was, like, really exciting and I was with my friend and I was trying to make him laugh. | 0:05:43 | 0:05:47 | |
The preview came on and we were in a movie theatre | 0:05:47 | 0:05:49 | |
and no-one knew it was me. | 0:05:49 | 0:05:51 | |
No-one even knew who I was yet or anything and I go, | 0:05:51 | 0:05:53 | |
"I'm seeing that!" to try and make my friend laugh, | 0:05:53 | 0:05:56 | |
and then a guy in front of us who had no idea I was behind him just goes, | 0:05:56 | 0:05:59 | |
"Yeah, maybe on an aeroplane(!)" | 0:05:59 | 0:06:01 | |
LAUGHTER Dead serious. I was like, | 0:06:01 | 0:06:04 | |
"Oh, shit." | 0:06:04 | 0:06:06 | |
That's cruel. | 0:06:08 | 0:06:10 | |
I deserved it though, to be honest. | 0:06:10 | 0:06:13 | |
Talking of selling tickets, | 0:06:13 | 0:06:14 | |
Sylvester Stallone and Robert De Niro are here to sell tickets | 0:06:14 | 0:06:18 | |
to their new movie, Grudge Match, | 0:06:18 | 0:06:20 | |
which opens here on the 24th of January. | 0:06:20 | 0:06:22 | |
I didn't know what to expect - | 0:06:22 | 0:06:25 | |
-it's really good. -Thank you. -I mean, it's really good. | 0:06:25 | 0:06:27 | |
-How was he? -You're both excellent. | 0:06:27 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:32 | |
I thought they cut him out. | 0:06:32 | 0:06:34 | |
It's funny but it's dramatic and...the fight scene, | 0:06:34 | 0:06:39 | |
the big fight, is just fantastic. | 0:06:39 | 0:06:42 | |
Thank you. | 0:06:42 | 0:06:43 | |
Obviously you have form, there's Raging Bull, Rocky. | 0:06:43 | 0:06:47 | |
For some reason, I thought, watching this film, | 0:06:47 | 0:06:51 | |
that it was your idea, this movie. | 0:06:51 | 0:06:52 | |
But, in fact, it was you, Bob, who were getting Sylvester to do it. | 0:06:52 | 0:06:56 | |
Yeah, I mean... | 0:06:56 | 0:06:57 | |
When I was told about it by Pete Segal, the director, | 0:06:57 | 0:07:00 | |
and Billy Gerber, one of the producers, and I said yes, | 0:07:00 | 0:07:03 | |
send me the script, a couple of years ago and then... | 0:07:03 | 0:07:06 | |
But I always knew that it had to be Sylvester to do it. | 0:07:06 | 0:07:09 | |
He's saying that now. "Is there anybody BUT Sylvester available?" | 0:07:09 | 0:07:13 | |
"Him again?! | 0:07:15 | 0:07:16 | |
"Geez, that's original!" | 0:07:16 | 0:07:18 | |
Boxing, Stallone - that's going to work. | 0:07:18 | 0:07:21 | |
-But why did you have to talk him into it? -He had reservations. | 0:07:23 | 0:07:26 | |
I think he was worried about it being a comedy wouldn't work | 0:07:26 | 0:07:29 | |
and I said, "Don't worry about it, we'll learn it together, | 0:07:29 | 0:07:32 | |
"it'll be OK." | 0:07:32 | 0:07:34 | |
I've said it before, it could've come out | 0:07:34 | 0:07:36 | |
like Raging Bullwinkle against Rocky the Flying Italian Squirrel, | 0:07:36 | 0:07:41 | |
it could've come out as a comedy, | 0:07:41 | 0:07:43 | |
but an unintentional comedy. | 0:07:43 | 0:07:45 | |
But the way they worked it - the drama and the other cast, | 0:07:45 | 0:07:50 | |
Alan Arkin and Kim Basinger, it started to get very, very good. | 0:07:50 | 0:07:53 | |
So I thought, maybe I should not be so foolish | 0:07:53 | 0:07:55 | |
and so precious and protective of Rocky | 0:07:55 | 0:07:59 | |
and let it go. | 0:07:59 | 0:08:00 | |
But also, it's not just as easy as saying, | 0:08:00 | 0:08:02 | |
"Oh, yeah, I'll do that movie." You then had to get ready. | 0:08:02 | 0:08:04 | |
-Yeah, there is that part. -Yeah. | 0:08:04 | 0:08:07 | |
How hard was that? | 0:08:07 | 0:08:08 | |
Well, I work out, so you have a baseline | 0:08:08 | 0:08:11 | |
and then after that the boxing is a great work-out and fun to do. | 0:08:11 | 0:08:16 | |
It's invigorating, it's hard, but, you know, it's good. | 0:08:16 | 0:08:19 | |
And in terms of physical transformation, is Raging Bull | 0:08:19 | 0:08:21 | |
still the biggest physical transformation you've done, Bob? | 0:08:21 | 0:08:25 | |
Yes, yeah. Physically, yeah. I gained 60 lbs. | 0:08:25 | 0:08:29 | |
Oh, my God, how long did that take? | 0:08:29 | 0:08:31 | |
-It took about close to three months, four months. -We've got... | 0:08:31 | 0:08:35 | |
That's unbelievable. | 0:08:35 | 0:08:37 | |
And is the story about France true? | 0:08:39 | 0:08:41 | |
-Yeah, I ate in France... -Ate France! | 0:08:41 | 0:08:44 | |
I really... | 0:08:45 | 0:08:47 | |
The food... The only problem was it was a little rich, | 0:08:47 | 0:08:50 | |
so I couldn't eat as much as I thought I could, | 0:08:50 | 0:08:52 | |
whereas if I went to Italy it would've been better, I might have gained more weight. | 0:08:52 | 0:08:55 | |
And is it nice, putting on 60 lbs? | 0:08:55 | 0:08:57 | |
The first 15-20 are fun, | 0:08:57 | 0:08:59 | |
then it's drudgery, it's work, it's awful. | 0:08:59 | 0:09:02 | |
How much did you put on for Cop Land? | 0:09:02 | 0:09:05 | |
Cop Land, I put on about 35. | 0:09:05 | 0:09:07 | |
I went to a place called the Canadian Pancake House there. | 0:09:07 | 0:09:11 | |
Every day I lay face-down in batter. | 0:09:11 | 0:09:13 | |
"Are you done with that French toast?" | 0:09:13 | 0:09:18 | |
-It was bad. -But you do look so good in the fight sequences, | 0:09:18 | 0:09:22 | |
but equally, those scenes at the beginning - is that stock footage? | 0:09:22 | 0:09:26 | |
-Stock footage. -Oh, it is stock footage? | 0:09:26 | 0:09:28 | |
No, they digitally did some of those. They did both. | 0:09:28 | 0:09:32 | |
-Both. -That's incredible. | 0:09:32 | 0:09:33 | |
So basically at the beginning you see them as young men. | 0:09:33 | 0:09:37 | |
That's why we're hoping our careers can be extended another three years. | 0:09:37 | 0:09:40 | |
Our avatars. | 0:09:40 | 0:09:42 | |
Because you were both so recognisable, | 0:09:43 | 0:09:46 | |
and people, for some reason, | 0:09:46 | 0:09:48 | |
seem to love doing impressions of both of you, | 0:09:48 | 0:09:50 | |
does it ever make you...? | 0:09:50 | 0:09:52 | |
When you're acting, does it ever make you self-conscious? | 0:09:52 | 0:09:55 | |
BOTH: No. | 0:09:55 | 0:09:57 | |
LAUGHTER | 0:09:57 | 0:10:00 | |
You never get worried about doing yourself? | 0:10:00 | 0:10:02 | |
No... | 0:10:02 | 0:10:03 | |
-Do you? -Yeah. | 0:10:07 | 0:10:09 | |
Sometimes I'll hear a playback and I'm going, | 0:10:09 | 0:10:12 | |
"God, that's a horrible imitation." | 0:10:12 | 0:10:14 | |
And then I'll go, "Shit, that's me!" | 0:10:14 | 0:10:16 | |
I really do sound that bad. | 0:10:17 | 0:10:20 | |
Bob, you know there's that picture - | 0:10:20 | 0:10:22 | |
have you seen this photograph? | 0:10:22 | 0:10:24 | |
Yeah, I was trying to figure where I did it and when I did it. | 0:10:24 | 0:10:27 | |
It's this guy called Andy Gotts, | 0:10:27 | 0:10:30 | |
he took a picture | 0:10:30 | 0:10:31 | |
and he claims it's you doing an impression of Al Pacino | 0:10:31 | 0:10:35 | |
doing an impression of you. | 0:10:35 | 0:10:37 | |
LAUGHTER | 0:10:39 | 0:10:42 | |
OK. | 0:10:43 | 0:10:44 | |
Listen, we've got a clip. | 0:10:46 | 0:10:48 | |
This is Bob's character | 0:10:48 | 0:10:49 | |
trying to convince your character | 0:10:49 | 0:10:52 | |
to go ahead with the grudge match. | 0:10:52 | 0:10:54 | |
You made me wait 30 years to prove to the world I can kick your ass, | 0:10:54 | 0:10:58 | |
and that's what I'm going to do, I'm going to kick your ass. | 0:10:58 | 0:11:00 | |
-You're going to move on. -Move on, move on? -Move on! | 0:11:00 | 0:11:03 | |
Now that you got her, you want me to move on? | 0:11:03 | 0:11:05 | |
How do you live with yourself knowing that we tied? | 0:11:05 | 0:11:07 | |
How do you... That there was no grudge match?! You never beat me! | 0:11:07 | 0:11:11 | |
-I was there! -No! -He kicked your ass. | 0:11:11 | 0:11:13 | |
He didn't kick my ass, he knew I wasn't ready for that fight. | 0:11:13 | 0:11:16 | |
I lost that fight because I was out of shape. | 0:11:16 | 0:11:18 | |
The first one I kicked his ass because I was IN shape. | 0:11:18 | 0:11:20 | |
-You're pathetic. -Pathetic! Tell her! Tell her. | 0:11:20 | 0:11:24 | |
-He wasn't ready. -See? | 0:11:24 | 0:11:25 | |
So you were afraid of that third fight. | 0:11:25 | 0:11:27 | |
-Not even a little bit, I was going to knock you out. -Let's do it now, then! | 0:11:27 | 0:11:31 | |
-Look at us! What are you talking about? Look at us. -Yeah, look at us. | 0:11:31 | 0:11:34 | |
We're not dead. Everybody's laughing at us, the whole world's laughing at us. | 0:11:34 | 0:11:38 | |
-That's right. -But we're not dead, we're not dead. | 0:11:38 | 0:11:41 | |
In fact, this whole thing has made me feel more alive than ever! | 0:11:41 | 0:11:44 | |
-Wow. -APPLAUSE | 0:11:44 | 0:11:47 | |
They showed the yellin' stuff again. | 0:11:49 | 0:11:51 | |
Seriously, it is great, and here's the thing - | 0:11:52 | 0:11:55 | |
I don't think it's a spoiler, | 0:11:55 | 0:11:56 | |
because it would be a very bad film if the grudge match didn't happen - | 0:11:56 | 0:12:00 | |
so there is a big grudge match at the end, | 0:12:00 | 0:12:02 | |
and it's phenomenal, the boxing at the end. | 0:12:02 | 0:12:05 | |
And there's incredible shots where, for both of you, | 0:12:05 | 0:12:07 | |
is there a way to do them? | 0:12:07 | 0:12:09 | |
You know when you've been punched | 0:12:09 | 0:12:11 | |
and you come round | 0:12:11 | 0:12:12 | |
and it's like your face is hanging off? | 0:12:12 | 0:12:15 | |
-Yeah, yeah, yeah. -Is there a technique to that? | 0:12:15 | 0:12:17 | |
There's two ways of doing it. One is to get punched, | 0:12:17 | 0:12:20 | |
and that works well. | 0:12:20 | 0:12:22 | |
It really is true! | 0:12:24 | 0:12:25 | |
Then we did the slow motion, it's not worth it. | 0:12:25 | 0:12:28 | |
Then there's one where Bob clips me | 0:12:28 | 0:12:30 | |
and you put whatever you want in your mouth, | 0:12:30 | 0:12:33 | |
a little blood, whatever, | 0:12:33 | 0:12:34 | |
and you cough at the same time as you breathe in... | 0:12:34 | 0:12:37 | |
HE COUGHS | 0:12:37 | 0:12:38 | |
..and that creates the effect | 0:12:38 | 0:12:42 | |
without it looking like... | 0:12:42 | 0:12:44 | |
Cos people try to spit. You get hit and you go...pfff! | 0:12:44 | 0:12:48 | |
-It doesn't work. -So you cough it out? | 0:12:48 | 0:12:50 | |
You cough it out, you go, "Ahem!" | 0:12:50 | 0:12:53 | |
And it creates this... | 0:12:53 | 0:12:54 | |
Disgusting! This mural of pain. | 0:12:54 | 0:12:58 | |
We got the software | 0:12:58 | 0:13:00 | |
and put it in that camera there, nine. | 0:13:00 | 0:13:03 | |
-Yeah. -It's like high-speed. So that you can slow it down. | 0:13:03 | 0:13:05 | |
I'm just talking, words are coming out of my mouth. I don't know what I'm talking about. | 0:13:05 | 0:13:09 | |
Apparently it can do this thing. | 0:13:09 | 0:13:11 | |
So, if we demonstrate - I'm not going to ask you to hit me, | 0:13:11 | 0:13:14 | |
-but if you could pretend to hit me. -Right. -Yeah. -Yeah. | 0:13:14 | 0:13:18 | |
Really pretend. | 0:13:18 | 0:13:19 | |
Emphasis on the P! OK. | 0:13:20 | 0:13:21 | |
-HE MIMICS ANNOUNCER: -"That was the last show in the Graham Norton Series... | 0:13:21 | 0:13:25 | |
"We dedicate it..." A big black box around the whole show! | 0:13:25 | 0:13:28 | |
So, if you can demonstrate... | 0:13:28 | 0:13:31 | |
We have a glove. | 0:13:31 | 0:13:33 | |
-Sorry, excuse I. Is that the right one? -Yeah. -Yeah. OK, OK. | 0:13:33 | 0:13:38 | |
But you are pretending? | 0:13:40 | 0:13:42 | |
It's like being at home again. | 0:13:42 | 0:13:43 | |
-Yeah. -You look way too happy. | 0:13:43 | 0:13:46 | |
You look delighted. | 0:13:48 | 0:13:51 | |
I really liked your movie, | 0:13:53 | 0:13:55 | |
I can't tell you how much I liked this film! | 0:13:55 | 0:13:58 | |
Best film I've EVER seen. | 0:13:58 | 0:13:59 | |
You're all invited, I'll buy you all tickets! | 0:13:59 | 0:14:02 | |
OK. So, stand up. | 0:14:03 | 0:14:05 | |
I'm going to put a little water in my mouth. | 0:14:05 | 0:14:09 | |
-So I cough the water? -Yes. | 0:14:09 | 0:14:11 | |
Now, I'm going to come across this way. | 0:14:11 | 0:14:14 | |
-Mm-hmm, Mm-hmm. -Boom. GRAHAM SQUEALS | 0:14:14 | 0:14:17 | |
It'll come to, like, your ear, and then you just turn | 0:14:18 | 0:14:22 | |
-and it looks like I nailed you. Ready? -Mm-hmm. | 0:14:22 | 0:14:25 | |
Ready? | 0:14:27 | 0:14:29 | |
On three. | 0:14:29 | 0:14:30 | |
One, two, three. | 0:14:30 | 0:14:32 | |
Argh! | 0:14:32 | 0:14:34 | |
APPLAUSE | 0:14:34 | 0:14:35 | |
OK, now. That was good. OK. | 0:14:35 | 0:14:38 | |
I didn't spit on anyone, no? | 0:14:39 | 0:14:42 | |
OK, now we get to watch that back in... | 0:14:43 | 0:14:48 | |
And this is... I guess this is what they do in the movies? | 0:14:48 | 0:14:51 | |
So, here it is. | 0:14:51 | 0:14:52 | |
APPLAUSE | 0:14:59 | 0:15:01 | |
That's great! | 0:15:01 | 0:15:04 | |
Eurgh! | 0:15:04 | 0:15:06 | |
Eurgh! | 0:15:06 | 0:15:07 | |
Isn't that great? It doesn't take much! | 0:15:08 | 0:15:12 | |
LAUGHTER | 0:15:24 | 0:15:27 | |
I'm still looking at him like, "Wow". | 0:15:27 | 0:15:30 | |
You haven't moved. You haven't moved. | 0:15:32 | 0:15:36 | |
You're like a photograph behind me. | 0:15:36 | 0:15:39 | |
Am I still going?! | 0:15:39 | 0:15:41 | |
-Yeah! -God. | 0:15:41 | 0:15:43 | |
That's funny. | 0:15:43 | 0:15:44 | |
-I've got a face like a wind sock. -I know. | 0:15:44 | 0:15:47 | |
You can only keep that going for a few seconds, then you go, | 0:15:47 | 0:15:50 | |
"Oh, God." I know what you mean. Cut on the cut. | 0:15:50 | 0:15:54 | |
Weirdly, in terms of hitting people, | 0:15:54 | 0:15:57 | |
Carey Mulligan, you did damage to Ryan Gosling, didn't you? | 0:15:57 | 0:16:00 | |
Yeah, I've... I've hit him. | 0:16:00 | 0:16:02 | |
Yeah. In a movie? | 0:16:02 | 0:16:04 | |
-In a movie, yeah. -I never liked him. | 0:16:04 | 0:16:06 | |
Erm, no, I got to hit him a lot. | 0:16:08 | 0:16:10 | |
It was a slap, it wasn't a hit, | 0:16:10 | 0:16:13 | |
but it was 17 takes. | 0:16:13 | 0:16:15 | |
This was in Drive. Were you really hitting him? | 0:16:15 | 0:16:17 | |
-He wanted it. -Bad! | 0:16:17 | 0:16:20 | |
He wanted it BAD. But after 17 times even your hand must have hurt. | 0:16:20 | 0:16:24 | |
It did, it was! | 0:16:24 | 0:16:26 | |
Oh, I suffer... Ow! | 0:16:26 | 0:16:28 | |
In terms of physical things, | 0:16:28 | 0:16:31 | |
in Wolf Of Wall Street, Jonah Hill's new movie, | 0:16:31 | 0:16:34 | |
there's loads of physical things. | 0:16:34 | 0:16:36 | |
-It's wild, it is a wild film. -Yes. | 0:16:36 | 0:16:38 | |
-But there are some fights in that as well. -Yeah. | 0:16:38 | 0:16:42 | |
Jon Bernthal, actually, who's in your guys' film, | 0:16:42 | 0:16:45 | |
plays our drug dealer and my nemesis in the film | 0:16:45 | 0:16:48 | |
and there's a scene where I'm antagonising him on a rooftop | 0:16:48 | 0:16:52 | |
and we did it a few times | 0:16:52 | 0:16:53 | |
and he's supposed to hit me in the face | 0:16:53 | 0:16:56 | |
and we did it a few times | 0:16:56 | 0:16:57 | |
and we were then sitting in between at Scorsese's little video village | 0:16:57 | 0:17:01 | |
where his monitors are at his little couch. | 0:17:01 | 0:17:04 | |
And the three of us are sitting there | 0:17:04 | 0:17:05 | |
and John's pacing in the background with no shirt on, | 0:17:05 | 0:17:08 | |
he's a really buff guy, was a boxer. | 0:17:08 | 0:17:10 | |
Yeah, yeah, he was the real deal. | 0:17:10 | 0:17:12 | |
And Marty just kept saying, "Doesn't look good. | 0:17:12 | 0:17:15 | |
"Looks fake, looks fake, looks fake." | 0:17:15 | 0:17:17 | |
And didn't like it, and I just wanted to please him. | 0:17:17 | 0:17:19 | |
He goes, "Hey, kid, you want to try one where he hits you for real?" | 0:17:19 | 0:17:23 | |
And I just was quiet, cos I'm not going to say no | 0:17:23 | 0:17:25 | |
and I didn't want to say yes, | 0:17:25 | 0:17:27 | |
so I was hoping the silence would eventually let the idea | 0:17:27 | 0:17:31 | |
just float away into the atmosphere. | 0:17:31 | 0:17:33 | |
And Leo's sitting over here | 0:17:33 | 0:17:35 | |
and I looked to Leo cos, you know, he's my friend, maybe he'll be like, | 0:17:35 | 0:17:39 | |
"Oh, maybe there's another way to do it or something." | 0:17:39 | 0:17:42 | |
I turned to him and I just looked at him and he just goes like this... | 0:17:42 | 0:17:44 | |
LAUGHTER He just looks in the other direction | 0:17:46 | 0:17:49 | |
and I go, "All right, let's do it." | 0:17:49 | 0:17:50 | |
And Jon just, in the next take, the whole thing was crazy, | 0:17:50 | 0:17:54 | |
he just nailed me and I had these big fake teeth in the film | 0:17:54 | 0:17:57 | |
and they split in half and just flew out of my mouth. | 0:17:57 | 0:18:00 | |
-Oh, my God! -It was great, it's a great scene, though, | 0:18:00 | 0:18:03 | |
I'm really proud of it! | 0:18:03 | 0:18:04 | |
That's good! | 0:18:06 | 0:18:07 | |
The Wolf Of Wall Street, it opens next Friday | 0:18:07 | 0:18:10 | |
and, unbelievably, it is based on a true story. | 0:18:10 | 0:18:14 | |
Yeah, it's pretty shocking. | 0:18:14 | 0:18:16 | |
Yeah, this guy Jordan Belfort. So he was a stockbroker of sorts. | 0:18:16 | 0:18:20 | |
Of sorts, you know, | 0:18:20 | 0:18:22 | |
these guys kind of convince people... | 0:18:22 | 0:18:24 | |
It's called pump-and-dump scam, | 0:18:24 | 0:18:25 | |
so they convince you to give them your money | 0:18:25 | 0:18:27 | |
but they know they're not going to make you any money back | 0:18:27 | 0:18:30 | |
and they basically just rip people off for all their money. | 0:18:30 | 0:18:33 | |
But these guys made billions, they made incredible amounts of money. | 0:18:33 | 0:18:37 | |
Yeah, they lived very excessively | 0:18:37 | 0:18:38 | |
and the whole movie's about kind of how they got rich, | 0:18:38 | 0:18:41 | |
their greed, their excess, | 0:18:41 | 0:18:43 | |
and kind of how that plays out in the end. | 0:18:43 | 0:18:46 | |
And he was around - Jordan Belfort was on the set and things. | 0:18:46 | 0:18:49 | |
He wasn't on set, but Leo and I would spend time with him off the set. | 0:18:49 | 0:18:52 | |
And what's he like now? Does he... | 0:18:52 | 0:18:54 | |
-He's in the movie, you know, he's in the last scene. -Yeah. | 0:18:54 | 0:18:57 | |
He's at the end of the film. | 0:18:57 | 0:18:59 | |
He gives motivational speeches about business and stuff. | 0:18:59 | 0:19:04 | |
LAUGHTER | 0:19:04 | 0:19:05 | |
Learn from the master(!) | 0:19:05 | 0:19:08 | |
You play his second-in-command, Donnie. | 0:19:08 | 0:19:12 | |
We've got the clip here, | 0:19:12 | 0:19:13 | |
-and this is where Donnie first meets Jordan Belfort. -Yeah. | 0:19:13 | 0:19:17 | |
Make a lot of money? | 0:19:17 | 0:19:19 | |
Yeah, I do all right for myself. | 0:19:19 | 0:19:21 | |
I'm trying to put it together - | 0:19:21 | 0:19:23 | |
nice car, we live in the same building... | 0:19:23 | 0:19:25 | |
I just, I'm not understanding. How much money do you make? | 0:19:25 | 0:19:28 | |
I don't know... | 0:19:28 | 0:19:30 | |
70,000 last month. | 0:19:30 | 0:19:32 | |
HE SCOFFS | 0:19:32 | 0:19:34 | |
I'm serious. | 0:19:34 | 0:19:36 | |
Yeah. No, I'm serious too. Seriously, how much money you make? | 0:19:36 | 0:19:39 | |
I told you, 70,000. | 0:19:39 | 0:19:41 | |
Well, technically 72,000 last month. | 0:19:41 | 0:19:44 | |
-You made 72 grand in one month? -Yeah. | 0:19:46 | 0:19:49 | |
I tell you what... | 0:19:53 | 0:19:56 | |
you show me a pay stub for 72,000 | 0:19:56 | 0:19:58 | |
and I quit my job right now and I work for you. | 0:19:58 | 0:20:00 | |
Hey, Paulie, what's up? Yeah, no, everything's fine. | 0:20:07 | 0:20:11 | |
Hey, listen, I quit. | 0:20:11 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:15 | |
Have you guys seen this yet? | 0:20:19 | 0:20:21 | |
I was going to say you were fantastic in that film, it's great. | 0:20:21 | 0:20:24 | |
Thank you very much. | 0:20:24 | 0:20:25 | |
-I met Jordan Belfort a few times when he was in his heyday and... -Really? | 0:20:25 | 0:20:29 | |
Yeah, yeah, I was actually on that boat too so he was quite the guy. | 0:20:29 | 0:20:33 | |
Hello! | 0:20:33 | 0:20:35 | |
I got around, pal. | 0:20:35 | 0:20:37 | |
-And your film was amazing, Carey. -Thanks. -It's a good couch tonight. | 0:20:37 | 0:20:42 | |
-I even wrote the Coen brothers a fan letter, it was flawless. -Wow. | 0:20:42 | 0:20:45 | |
I'm telling you, it was a seamless film. It's an amazing year, you know. | 0:20:45 | 0:20:49 | |
We're just hanging in there, punching each other in the face | 0:20:49 | 0:20:51 | |
and these guys here are doing really magnificent work. | 0:20:51 | 0:20:54 | |
No, it is a really enjoyable film, it's such a big | 0:20:54 | 0:20:57 | |
festival of excess and there's scenes like the orgy on the plane. | 0:20:57 | 0:21:03 | |
Is that at all fun or is it just wildly embarrassing? | 0:21:03 | 0:21:07 | |
Uh, it was cool to see Martin Scorsese feel embarrassed | 0:21:07 | 0:21:12 | |
that day because he's so in control of everything but, you know, | 0:21:12 | 0:21:17 | |
everyone's naked on the plane and he's in charge of everything and | 0:21:17 | 0:21:21 | |
he doesn't want to be out of line or anything so he's being | 0:21:21 | 0:21:24 | |
so respectful of everyone... | 0:21:24 | 0:21:25 | |
So he took his clothes off too? | 0:21:25 | 0:21:27 | |
LAUGHTER | 0:21:27 | 0:21:30 | |
No, but he's asking these people, | 0:21:30 | 0:21:31 | |
he's asking us to do these insane things, you know, | 0:21:31 | 0:21:34 | |
so it's kind of funny cos he laughs and he goes, | 0:21:34 | 0:21:36 | |
"Oh, I don't know, maybe, go...put your hand there, I don't know!" | 0:21:36 | 0:21:40 | |
LAUGHTER | 0:21:40 | 0:21:42 | |
He doesn't want to be disrespectful but honestly, | 0:21:42 | 0:21:46 | |
it was so unsanitary, that's the only thing I... | 0:21:46 | 0:21:50 | |
Everyone's like, "Oh, was it crazy and fun?" | 0:21:50 | 0:21:52 | |
I was just like, "I need to Purell my whole body." | 0:21:52 | 0:21:56 | |
But you did try to have sexy time on a plane. | 0:21:58 | 0:22:01 | |
That's not true, I didn't "try to have time sexy time on a plane." | 0:22:01 | 0:22:04 | |
That is like the worst lead-in statement I've ever heard. | 0:22:04 | 0:22:08 | |
I am a romantic and when I was 18, 12 years ago, | 0:22:08 | 0:22:13 | |
I flew on a plane and I sat next to a beautiful girl my age | 0:22:13 | 0:22:18 | |
and I was excited because in my romantic mind, | 0:22:18 | 0:22:21 | |
that was going to be my wife | 0:22:21 | 0:22:22 | |
and I thought we were going to fall in love, | 0:22:22 | 0:22:24 | |
and so we started talking and she was flirting back and she was great | 0:22:24 | 0:22:28 | |
and she was laughing and we were having a great time and I was | 0:22:28 | 0:22:32 | |
so on top of the world. | 0:22:32 | 0:22:34 | |
And I go, "Excuse me, I'm going to use the restroom" and I go | 0:22:34 | 0:22:36 | |
and she can't see, it's obscured, you couldn't see the restroom | 0:22:36 | 0:22:40 | |
and so I'm there and a guy's in there and he's taking for ever, right? | 0:22:40 | 0:22:44 | |
So, like, he's in there, like seven minutes go by, | 0:22:44 | 0:22:47 | |
eight minutes go by, and he finally comes out and I go in and, | 0:22:47 | 0:22:52 | |
not to be crass, but it smelled like someone had passed away... | 0:22:52 | 0:22:56 | |
LAUGHTER | 0:22:56 | 0:22:57 | |
..and so I go in and I'm like, "Oh, my God, it's horrible." | 0:22:57 | 0:23:01 | |
So I hold my breath, I use the bathroom very quickly, | 0:23:01 | 0:23:03 | |
I wash my hands, I come out and she's waiting for the restroom. | 0:23:03 | 0:23:06 | |
LAUGHTER | 0:23:06 | 0:23:09 | |
And so I opened the door and she's like all smiley still | 0:23:09 | 0:23:16 | |
and we squeeze by each other and I want to express it like, | 0:23:16 | 0:23:21 | |
"But some guy was in there before", you know. | 0:23:21 | 0:23:24 | |
It was so quick and she's like "What?" And it was so fast | 0:23:24 | 0:23:27 | |
and then her face just...turned and there was no turning back | 0:23:27 | 0:23:32 | |
so I sat back down and she comes and sits next to me and I'm like, | 0:23:32 | 0:23:37 | |
"Just so you know, there was a guy in the bathroom right before me." | 0:23:37 | 0:23:42 | |
And like mid-sentence, she just goes, | 0:23:42 | 0:23:44 | |
"It's fine, it's fine", and then just reads the rest of the flight. | 0:23:44 | 0:23:47 | |
Awww. | 0:23:47 | 0:23:50 | |
Some guy ruined my future. | 0:23:50 | 0:23:53 | |
APPLAUSE | 0:23:53 | 0:23:55 | |
And, Carey, of course, | 0:23:55 | 0:23:56 | |
you haven't had the Martin Scorsese experience but you did have the | 0:23:56 | 0:23:59 | |
Leonardo DiCaprio experience for The Great Gatsby. | 0:23:59 | 0:24:03 | |
Yeah, yeah, that was daunting. | 0:24:03 | 0:24:05 | |
But I'd never met... Oh, there he is. | 0:24:05 | 0:24:08 | |
I'd never met Leo or Baz Luhrmann or anything and, yeah, | 0:24:08 | 0:24:12 | |
it was a pretty scary one. | 0:24:12 | 0:24:13 | |
-But in the audition, what scene were you auditioning with? -Oh, oh. | 0:24:13 | 0:24:18 | |
Keep up, keep up. | 0:24:18 | 0:24:20 | |
LAUGHTER | 0:24:20 | 0:24:21 | |
Cue anecdote. | 0:24:21 | 0:24:23 | |
LAUGHTER | 0:24:23 | 0:24:25 | |
-Oh, damn it. -You have editors on this show. | 0:24:25 | 0:24:29 | |
Oh, yeah, so we had to do this scene where Daisy kisses him | 0:24:29 | 0:24:35 | |
and, you know, you don't just kiss Leonardo DiCaprio so we were | 0:24:35 | 0:24:39 | |
-sort of halfway through the scene and I was sort of like here... -Yeah? | 0:24:39 | 0:24:42 | |
Oh, sorry. | 0:24:42 | 0:24:44 | |
Keep going, keep going. | 0:24:44 | 0:24:46 | |
Stay in the moment. | 0:24:46 | 0:24:48 | |
LAUGHTER AND APPLAUSE | 0:24:48 | 0:24:52 | |
I'm sorry, you can use my head as a... | 0:24:56 | 0:24:59 | |
So, I was like here and then I was like, "Shit, shit..." | 0:24:59 | 0:25:04 | |
Ooh, sorry, Mum. I was like, should I...? | 0:25:04 | 0:25:07 | |
LAUGHTER | 0:25:07 | 0:25:09 | |
Did you drag her up? Did you drag her up? | 0:25:09 | 0:25:12 | |
LAUGHTER | 0:25:12 | 0:25:14 | |
I didn't know if I should kiss him or not so I got that, turned | 0:25:14 | 0:25:18 | |
and sort of asked Baz, "Should I kiss him?" | 0:25:18 | 0:25:20 | |
And he was like, "Yeah, yeah, yeah, go on." | 0:25:20 | 0:25:23 | |
So I just did it and then I got the job cos that's how you get them. | 0:25:23 | 0:25:26 | |
Yeah, hey. Good at the kissing, good at the kissing. | 0:25:26 | 0:25:31 | |
-And she was fantastic in the movie. -Yeah. -Thanks. -You're welcome. | 0:25:31 | 0:25:36 | |
-LAUGHTER -It's a love-in. | 0:25:36 | 0:25:39 | |
We've one more excellent film to talk about. | 0:25:39 | 0:25:44 | |
Carey Mulligan, the new Coen brothers film, Inside Llewyn Davis. | 0:25:44 | 0:25:48 | |
It opens on the 24th of January and now, again, this is a real story? | 0:25:48 | 0:25:53 | |
No. | 0:25:53 | 0:25:55 | |
Well, it's loosely based on Dave Van Ronk so it's kind of set | 0:25:55 | 0:25:58 | |
around a time in New York but it's loosely based on his... | 0:25:58 | 0:26:01 | |
It's some of his songs | 0:26:01 | 0:26:02 | |
and kind of the idea of that time in Greenwich Village in New York. | 0:26:02 | 0:26:06 | |
-OK, so it's in the '60s around the folk scene? -Yeah. | 0:26:06 | 0:26:08 | |
And tell the nice people who you play. | 0:26:08 | 0:26:11 | |
I play, uh, part of a singing duo. | 0:26:11 | 0:26:15 | |
I'm a folk singer so there's Jim and Jean so I'm Jean... | 0:26:15 | 0:26:20 | |
-That's sweet. -..and Jim is played by Justin Timberlake and then | 0:26:20 | 0:26:25 | |
Llewyn Davis is our close friend who's played by Oscar Isaac | 0:26:25 | 0:26:28 | |
and we're sort of a little group. | 0:26:28 | 0:26:29 | |
And this is kind of a different sort of role for you, like, | 0:26:29 | 0:26:32 | |
you're quite tough in this. | 0:26:32 | 0:26:33 | |
-Yeah. -Mmm. -Yes. | 0:26:33 | 0:26:35 | |
-Did you like it? -I did, yes. | 0:26:35 | 0:26:37 | |
-You unleashed? -I did, a little. It was good. | 0:26:38 | 0:26:41 | |
I mean, I came straight from doing The Great Gatsby | 0:26:41 | 0:26:44 | |
so I'd sort of had about six months of dresses and diamonds | 0:26:44 | 0:26:47 | |
and, you know, being very girly and then this which is a dark wig | 0:26:47 | 0:26:51 | |
and a polo neck and swearing and sort of marching around. | 0:26:51 | 0:26:55 | |
And you didn't meet the Coen brothers, you filmed yourself? | 0:26:55 | 0:26:58 | |
I did an audition in my hotel room, yeah. | 0:26:58 | 0:27:00 | |
I sort of did a little selfie audition. | 0:27:00 | 0:27:02 | |
-What? On your phone? -Yeah. | 0:27:02 | 0:27:04 | |
-Technology, yeah. -And what did you do? What did you give them? | 0:27:06 | 0:27:09 | |
I gave them angry, angry... | 0:27:09 | 0:27:11 | |
It was a scene from the movie, sort of angry American. | 0:27:13 | 0:27:16 | |
And did you have a friend holding the phone or did you hold it | 0:27:16 | 0:27:19 | |
-out like that and go...? -Yeah, my friend... | 0:27:19 | 0:27:21 | |
I did two, actually. | 0:27:21 | 0:27:24 | |
I did one audition where I was just | 0:27:24 | 0:27:27 | |
so excited to get to audition for the Coen brothers cos | 0:27:27 | 0:27:29 | |
I never thought I'd get to send them anything that they would see | 0:27:29 | 0:27:33 | |
so I did an audition after a dinner where I'd had a few drinks | 0:27:33 | 0:27:36 | |
with some friends and I was a bit tipsy | 0:27:36 | 0:27:39 | |
and I thought that that would be a great time to do the audition cos | 0:27:39 | 0:27:42 | |
when you've had a few drinks then your accent is better, generally. | 0:27:42 | 0:27:45 | |
Everyone agrees. | 0:27:45 | 0:27:47 | |
LAUGHTER | 0:27:47 | 0:27:49 | |
But when I have to do American accents, I drink. No. | 0:27:49 | 0:27:52 | |
So I had a few drinks and then I was like, "Maybe she should be | 0:27:52 | 0:27:56 | |
"eating", cos Brad Pitt does that and that looks great so maybe... | 0:27:56 | 0:28:00 | |
He eats all the time in films. | 0:28:01 | 0:28:04 | |
It was this really drunk audition where | 0:28:04 | 0:28:06 | |
I was eating this chocolate bar and was literally about to press | 0:28:06 | 0:28:10 | |
send and send it to Joel Coen and my friend was like, "Maybe wait. | 0:28:10 | 0:28:13 | |
-"Just see it in the morning." And then, thank God. -Save it as a draft. | 0:28:13 | 0:28:17 | |
Yeah. | 0:28:17 | 0:28:18 | |
Just use it as a rehearsal and then I did another one. | 0:28:18 | 0:28:22 | |
-Well, listen, we've got a clip and in fact, it is you singing. -Oh. | 0:28:22 | 0:28:25 | |
Yeah. Do you like singing? | 0:28:25 | 0:28:26 | |
Ehhh, I mean...I mean, I can sort of, yeah, well... | 0:28:28 | 0:28:32 | |
Why do I have such a long answer? | 0:28:32 | 0:28:35 | |
It's not a car at stake or anything. | 0:28:35 | 0:28:37 | |
LAUGHTER | 0:28:37 | 0:28:39 | |
-Then what am I doing here? -I hope I get this right! | 0:28:39 | 0:28:42 | |
Do I like singing? I don't know. | 0:28:44 | 0:28:46 | |
Anyway, like it or not, this is you and Justin Timberlake singing. | 0:28:46 | 0:28:50 | |
There's someone special in the audience tonight who'll maybe | 0:28:50 | 0:28:53 | |
get up and help me out here if you give a round of applause. | 0:28:53 | 0:28:56 | |
-I don't have my guitar. -I know that you folks know 'em and love 'em. | 0:28:56 | 0:28:59 | |
Ladies and gentlemen, Jim and Jean. | 0:28:59 | 0:29:02 | |
-APPLAUSE -Oh. | 0:29:02 | 0:29:04 | |
GUITAR BEGINS FOLK SONG | 0:29:09 | 0:29:12 | |
# If you missed the train I'm on | 0:29:26 | 0:29:30 | |
# You will know that I am gone | 0:29:30 | 0:29:34 | |
# You can hear the whistle blow | 0:29:34 | 0:29:37 | |
# 100 miles | 0:29:37 | 0:29:41 | |
-ALL: -# 100 miles, 100 miles | 0:29:41 | 0:29:45 | |
# 100 miles, 100 miles | 0:29:45 | 0:29:50 | |
# You can hear the whistle blow | 0:29:50 | 0:29:53 | |
# 100 miles. # | 0:29:53 | 0:29:56 | |
Beautiful. | 0:29:56 | 0:29:59 | |
APPLAUSE | 0:29:59 | 0:30:01 | |
Hey, now, listen, we've got Oscar winners and Oscar nominees, | 0:30:05 | 0:30:10 | |
you know, that'll happen. | 0:30:10 | 0:30:12 | |
LAUGHTER | 0:30:12 | 0:30:14 | |
-If you've been nominated, you're getting there. -Absolutely. | 0:30:14 | 0:30:16 | |
It's all good. | 0:30:16 | 0:30:17 | |
But it's interesting in any career when you know that you've made it. | 0:30:17 | 0:30:21 | |
Bob, do you remember the first time you thought to yourself, | 0:30:21 | 0:30:24 | |
"Ooh, I'm a bit famous"? | 0:30:24 | 0:30:26 | |
I think after Godfather II, that's probably when things changed. | 0:30:26 | 0:30:33 | |
I had done movies before then | 0:30:33 | 0:30:35 | |
and I remember I was on the unemployment line once after | 0:30:35 | 0:30:40 | |
having done a few films and having leads in features and stuff | 0:30:40 | 0:30:46 | |
but I was still on the unemployment line. | 0:30:46 | 0:30:48 | |
There was an actor who I knew who had done one film | 0:30:48 | 0:30:51 | |
and he was in that grace period where you do the movie | 0:30:51 | 0:30:56 | |
and it's being cut and you're waiting for it | 0:30:56 | 0:30:59 | |
so everybody's very optimistic and he told me, | 0:30:59 | 0:31:04 | |
"I don't read scripts, they send them to me, | 0:31:04 | 0:31:06 | |
"they go here, the casting director" so I said, | 0:31:06 | 0:31:08 | |
"You've got to take advantage of it now otherwise, I don't know." | 0:31:08 | 0:31:13 | |
So the movie opened and it was done by a very well-known director | 0:31:15 | 0:31:20 | |
who had a big success at first. | 0:31:20 | 0:31:22 | |
So, that day, | 0:31:23 | 0:31:25 | |
I went to the theatre up on the East Side of New York | 0:31:25 | 0:31:29 | |
and the theatre was empty, the guy was sitting there, | 0:31:29 | 0:31:32 | |
he was upset, it was a total disaster | 0:31:32 | 0:31:36 | |
and I found myself saying, "You were good but the movie was..." | 0:31:36 | 0:31:40 | |
DROWNED OUT BY LAUGHTER | 0:31:40 | 0:31:44 | |
Presumably, you must have been quite well-known | 0:31:44 | 0:31:46 | |
when you were driving a taxi, preparing for Taxi Driver. | 0:31:46 | 0:31:49 | |
No, I wasn't. | 0:31:49 | 0:31:51 | |
I drove for a couple of weeks, people recognised me | 0:31:51 | 0:31:54 | |
or they thought through the mirror, but, yeah. | 0:31:54 | 0:31:57 | |
So, no-one thought, "Oh, how weird, he's won an Oscar | 0:31:57 | 0:31:59 | |
-"and now he's driving a taxi." -No, actually, one person recognised me. | 0:31:59 | 0:32:03 | |
And they must have thought it was very strange. | 0:32:03 | 0:32:05 | |
No, I said, "I'm doing research on a movie." | 0:32:05 | 0:32:07 | |
And they were like, "Yeah, poor him." | 0:32:07 | 0:32:09 | |
LAUGHTER | 0:32:09 | 0:32:10 | |
Now, I didn't realise until you guys were coming on that, in fact, | 0:32:12 | 0:32:15 | |
you're in Grudge Match, but it goes all the way back that | 0:32:15 | 0:32:19 | |
Taxi Driver and Rocky were up for Oscars at the same time. | 0:32:19 | 0:32:22 | |
Exactly and actually, | 0:32:22 | 0:32:23 | |
they were at the theatres right next door to one another | 0:32:23 | 0:32:26 | |
so I'd go out and go, "Hmmm." So I'd take | 0:32:26 | 0:32:29 | |
pictures like Rocky would be like that, the picture like that. | 0:32:29 | 0:32:33 | |
And here we are. | 0:32:33 | 0:32:35 | |
And on the night, was Rocky a shoo-in or...? | 0:32:35 | 0:32:38 | |
No, no, it was actually... | 0:32:38 | 0:32:41 | |
About four or five elderly ladies with umbrellas were trampling me, | 0:32:41 | 0:32:45 | |
I had to get out of the theatre, I mean it was like the first ten | 0:32:45 | 0:32:47 | |
minutes, they go, "Who is this greasy guy? | 0:32:47 | 0:32:50 | |
"He's got a crooked mouth", and then eventually, it caught on, | 0:32:50 | 0:32:55 | |
but it was not, by any means, magic, that first day, it was a horror. | 0:32:55 | 0:33:00 | |
Cos I always assumed it was just sort of Hollywood folklore | 0:33:00 | 0:33:03 | |
but the story about you not giving them | 0:33:03 | 0:33:06 | |
the script without agreeing you to starring in it. | 0:33:06 | 0:33:09 | |
-That is true? -Oh, yeah. Definitely. | 0:33:09 | 0:33:11 | |
It was one of those crossroads situations that every artist | 0:33:11 | 0:33:15 | |
faces early on - go left, go right, and if you make the wrong | 0:33:15 | 0:33:18 | |
decision, sometimes you regret it for ever and I just knew... | 0:33:18 | 0:33:22 | |
I wasn't a very good student but I always understood dialogue | 0:33:22 | 0:33:28 | |
so I wrote something that I knew I could do, that I could feel | 0:33:28 | 0:33:31 | |
good with and I could show everything that is possible in my repertoire. | 0:33:31 | 0:33:36 | |
They said, "Well, yeah, it's great, | 0:33:36 | 0:33:38 | |
"but let's have Ryan O'Neal do it or let's have Burt Reynolds do it | 0:33:38 | 0:33:41 | |
"or Robert Redford do it" | 0:33:41 | 0:33:42 | |
so they're bringing up all these bankable names and I said, | 0:33:42 | 0:33:45 | |
"No, I don't think so", and at that time, I had to sell my dog, | 0:33:45 | 0:33:49 | |
we didn't have enough food. | 0:33:49 | 0:33:51 | |
I said, "One of us doesn't eat, it's either you, my wife or the dog." | 0:33:51 | 0:33:55 | |
So it was one of those things where you really roll the dice | 0:33:56 | 0:34:00 | |
and it paid off but it was a big long-shot. | 0:34:00 | 0:34:04 | |
Because you talked about selling your dog, | 0:34:04 | 0:34:06 | |
-I don't know why, we've got a picture of the dog. -Do you really? | 0:34:06 | 0:34:09 | |
-We do have a picture of the dog. Is that the dog? -That's it. | 0:34:09 | 0:34:12 | |
-You can see why I couldn't feed him. -Yeah. -Is that a mastiff? | 0:34:12 | 0:34:15 | |
-It's a buffalo, a bull mastiff. -Bull mastiff. -Yeah. | 0:34:15 | 0:34:18 | |
That's the dog. | 0:34:18 | 0:34:19 | |
I don't know why, even when I was totally broke, | 0:34:19 | 0:34:21 | |
I always wanted to have an animal with me | 0:34:21 | 0:34:23 | |
and I mean, literally, I was, as an usher, making 36 a week, | 0:34:23 | 0:34:27 | |
that was it, | 0:34:27 | 0:34:29 | |
so I bought this dog, that meant I don't eat. | 0:34:29 | 0:34:33 | |
Maybe that or you eat the dog, it's one of these. | 0:34:33 | 0:34:36 | |
-The story has a happy ending. -It does. | 0:34:37 | 0:34:40 | |
So finally, I get the job, I go back to the fella that I sold it to | 0:34:40 | 0:34:43 | |
who now won't give it back and he's a little short guy, really short... | 0:34:43 | 0:34:51 | |
Did he ride the dog? | 0:34:51 | 0:34:52 | |
I think the dog had turned into a piece of furniture, | 0:34:52 | 0:34:55 | |
I mean, he literally used it as a bed or something. | 0:34:55 | 0:34:58 | |
So he paid me like 60 for the dog, he goes, | 0:34:58 | 0:35:00 | |
"I'll give you the dog for 3,000." I said, "I don't have 3,000." | 0:35:00 | 0:35:05 | |
He goes, "All right, I want to be in the movie." | 0:35:05 | 0:35:07 | |
So I put him in the movie. | 0:35:07 | 0:35:08 | |
-LAUGHTER -So he's in Rocky? | 0:35:08 | 0:35:11 | |
Yeah, he's in a little scene. | 0:35:11 | 0:35:12 | |
I'm walking, he goes, "How'd you do last night?" | 0:35:12 | 0:35:15 | |
I say, "I did great, you should have been there." | 0:35:15 | 0:35:17 | |
He says, "How'd you do?" | 0:35:17 | 0:35:19 | |
I said, "What? Are you deaf?" | 0:35:19 | 0:35:20 | |
He goes, "No, I'm short." | 0:35:20 | 0:35:21 | |
LAUGHTER | 0:35:21 | 0:35:24 | |
Say the line or get out! | 0:35:26 | 0:35:28 | |
All right, it's time for some music. | 0:35:31 | 0:35:33 | |
This young man has just nabbed a Brits nomination | 0:35:33 | 0:35:35 | |
for Best British Male Solo Artist. | 0:35:35 | 0:35:38 | |
Performing A Song About Love, it is Mr Jake Bugg. | 0:35:38 | 0:35:41 | |
CHEERING | 0:35:41 | 0:35:44 | |
MUSIC: "A Song About Love" by Jake Bugg | 0:35:44 | 0:35:47 | |
# Tell me all the things you do | 0:35:53 | 0:35:58 | |
# You tell me that it's up to you | 0:35:58 | 0:36:04 | |
# Crying in the peaceful night | 0:36:04 | 0:36:09 | |
# Telling all the things you hide | 0:36:09 | 0:36:13 | |
# But out there in the future | 0:36:14 | 0:36:20 | |
# Maybe you're the rainbow | 0:36:20 | 0:36:25 | |
# There's no song without love | 0:36:25 | 0:36:28 | |
# With your eyes shut, you cry in your bed | 0:36:28 | 0:36:32 | |
# Is that what you wanted? | 0:36:35 | 0:36:39 | |
# Songs about love? | 0:36:39 | 0:36:44 | |
# Is that what you hoped you would find | 0:36:44 | 0:36:47 | |
# When it's burning inside | 0:36:47 | 0:36:50 | |
# But a song about love's not enough | 0:36:50 | 0:36:54 | |
# So what do you want? | 0:36:54 | 0:36:59 | |
# What are you needing? | 0:36:59 | 0:37:03 | |
# Songs about memories that hide and then shatter your mind | 0:37:03 | 0:37:09 | |
# Like a constant reminder | 0:37:09 | 0:37:12 | |
# I just want to find where you are | 0:37:12 | 0:37:16 | |
# I just want to find where you are | 0:37:19 | 0:37:25 | |
# I hold you and your eyes fall down | 0:37:33 | 0:37:38 | |
# You barely even make a sound | 0:37:38 | 0:37:43 | |
# Crying in the peaceful night | 0:37:43 | 0:37:49 | |
# Telling all the things you hide | 0:37:49 | 0:37:54 | |
# But out there in the future | 0:37:54 | 0:37:59 | |
# Maybe you're the rainbow | 0:37:59 | 0:38:04 | |
# There's no song without love | 0:38:04 | 0:38:07 | |
# With your eyes shut, you cry in your bed | 0:38:07 | 0:38:12 | |
# Is that what you wanted? | 0:38:14 | 0:38:19 | |
# Songs about love? | 0:38:19 | 0:38:24 | |
# Is that what you hoped you would find when it's burning inside | 0:38:24 | 0:38:29 | |
# But a song about love's not enough | 0:38:29 | 0:38:33 | |
# So what do you want? | 0:38:33 | 0:38:38 | |
# What are you needing? | 0:38:38 | 0:38:43 | |
# Songs about memories that hide and then shatter your mind | 0:38:43 | 0:38:48 | |
# Like a constant reminder | 0:38:48 | 0:38:51 | |
# I just want to find where you are | 0:38:51 | 0:38:55 | |
# I just want to find where you are | 0:38:58 | 0:39:06 | |
# I just want to find where you are. # | 0:39:08 | 0:39:15 | |
CHEERING AND APPLAUSE | 0:39:15 | 0:39:19 | |
Whoa! | 0:39:19 | 0:39:20 | |
Jake Bugg, everybody! Whoo! | 0:39:22 | 0:39:26 | |
Come and join me. | 0:39:28 | 0:39:29 | |
Well done, beautiful. Come and sit down. | 0:39:33 | 0:39:36 | |
You have yourself a seat there. | 0:39:36 | 0:39:38 | |
Jonah, Jake, Carey, Robert De Niro, Sylvester Stallone. | 0:39:38 | 0:39:42 | |
-Well done. Beautiful, really sweet song. -Oh, cheers, man. | 0:39:44 | 0:39:49 | |
Very sweet song and that's from the second album, Shangri La, | 0:39:49 | 0:39:52 | |
which'll be out now. | 0:39:52 | 0:39:53 | |
Congratulations on the Brits nomination. | 0:39:53 | 0:39:55 | |
Oh, thank you, I didn't know what you were talking about. | 0:39:55 | 0:39:58 | |
Well, no, cos I wasn't sure whether to say it to you or not cos | 0:39:58 | 0:40:00 | |
-I didn't know if you knew that you'd been nominated. -Yeah, I knew, but... | 0:40:00 | 0:40:03 | |
-Oh, right. -LAUGHTER | 0:40:03 | 0:40:05 | |
-What did you think I was talking about? -It could have been anything. | 0:40:05 | 0:40:09 | |
Well, it could have been anything, yeah, you could've... | 0:40:09 | 0:40:12 | |
Congratulations. On your life. | 0:40:12 | 0:40:14 | |
Em, no, so it's very good, you're | 0:40:14 | 0:40:16 | |
nominated for Best British Male Solo Artist, that's the good news. | 0:40:16 | 0:40:20 | |
Bad news is you are up against David Bowie. | 0:40:20 | 0:40:22 | |
Yeah, hopefully he won't turn up though. | 0:40:24 | 0:40:26 | |
Do you know who else you're up against? David Bowie and? | 0:40:27 | 0:40:31 | |
-Um, no, who else is doing it? -I don't know. | 0:40:31 | 0:40:33 | |
LAUGHTER | 0:40:33 | 0:40:35 | |
It's your nomination. | 0:40:35 | 0:40:37 | |
They won't give it to you if you're not interested. | 0:40:37 | 0:40:39 | |
They'll watch this, they'll think, "He doesn't want to win it." | 0:40:39 | 0:40:42 | |
You've got to fight for these things, Jake. Come on, you want it! | 0:40:42 | 0:40:45 | |
It's nice to be nominated but, you know, if I win or not, | 0:40:45 | 0:40:47 | |
I'm still going to carry on doing what I'm doing so... | 0:40:47 | 0:40:50 | |
That is true, yes. But you'll have a prize, Jake. | 0:40:50 | 0:40:55 | |
I've got no room in my suitcase for that. | 0:40:55 | 0:40:57 | |
Talk to the winners, talk to the nominees, see who's happier. | 0:40:57 | 0:41:01 | |
You want a prize. | 0:41:04 | 0:41:05 | |
CHEERING | 0:41:05 | 0:41:06 | |
Right, before we go tonight, | 0:41:07 | 0:41:09 | |
just time for a story in the red chair so who be there? | 0:41:09 | 0:41:12 | |
-Hello! -Hello. -Hi, how are you? -I'm good, thank you. | 0:41:12 | 0:41:14 | |
-Now, what's your name? -My name is Lana. | 0:41:14 | 0:41:16 | |
-Lana and where are you from, Lana? -Australia. -Oh, lovely. | 0:41:16 | 0:41:20 | |
-And do you live here now? -Yes, I do. -What do you do? | 0:41:20 | 0:41:22 | |
I'm a graphic designer. | 0:41:22 | 0:41:23 | |
-HE GASPS -She's a graphic designer, everyone, oooh. | 0:41:23 | 0:41:26 | |
Nice. | 0:41:26 | 0:41:27 | |
LAUGHTER | 0:41:27 | 0:41:30 | |
Jake Bugg couldn't care less, Lana. | 0:41:30 | 0:41:32 | |
He's bored of your life. OK. | 0:41:33 | 0:41:35 | |
Off you go with your story, Lana. | 0:41:37 | 0:41:39 | |
Oh, well, basically, tonight was very exciting for me | 0:41:39 | 0:41:42 | |
because from the time I was about 13 years old, I used to have a | 0:41:42 | 0:41:46 | |
kind of fantasy or dream about Mr Stallone being my father. | 0:41:46 | 0:41:50 | |
-You know what, can I? -Yeah. -Ah! | 0:41:50 | 0:41:54 | |
CHEERING AND APPLAUSE | 0:41:54 | 0:41:58 | |
She may be, I might be, this is scary. | 0:41:59 | 0:42:02 | |
-Oh, my God. -Were you in Australia 25 years ago? | 0:42:03 | 0:42:07 | |
No man wants to hear that. | 0:42:07 | 0:42:09 | |
LAUGHTER | 0:42:09 | 0:42:12 | |
-You like the fantasy bit, yeah. -Oh, my God, we've hit a low. | 0:42:12 | 0:42:16 | |
OK, let's have someone else. | 0:42:16 | 0:42:18 | |
-Hello. -Hi. | 0:42:18 | 0:42:20 | |
AUDIENCE MEMBER CHEERS | 0:42:20 | 0:42:21 | |
-Oh, someone's applauding you. What's your name? -I'm Kate. -Kate? -Yeah. | 0:42:21 | 0:42:26 | |
-Lovely and where are you from? -I'm from where you're from. | 0:42:26 | 0:42:28 | |
LAUGHTER | 0:42:28 | 0:42:31 | |
-I'm from Bandon. -Oh, you're from Bandon? -Yeah! -Oh, how lovely. | 0:42:31 | 0:42:35 | |
-Are you just over for the weekend? -No, I live here now. | 0:42:35 | 0:42:37 | |
-I've been here about four months. -Oh, great. | 0:42:37 | 0:42:40 | |
You've really lost the accent. | 0:42:40 | 0:42:42 | |
LAUGHTER AND APPLAUSE | 0:42:42 | 0:42:45 | |
Off you go with your story. | 0:42:45 | 0:42:47 | |
OK, so the story goes that two years ago, it was exam time | 0:42:47 | 0:42:51 | |
in the university, and I was driving home from the library and I met... | 0:42:51 | 0:42:56 | |
Goodbye! | 0:42:56 | 0:42:57 | |
LAUGHTER AND APPLAUSE | 0:42:57 | 0:43:01 | |
Life is too short. | 0:43:05 | 0:43:06 | |
OK, well done, everyone. | 0:43:08 | 0:43:09 | |
If you'd like to join us on the show and have a go in the red chair, | 0:43:09 | 0:43:12 | |
you can, just contact us via our website at this very address. | 0:43:12 | 0:43:15 | |
Thank you to all my guests tonight. | 0:43:15 | 0:43:17 | |
Mr Jake Bugg, | 0:43:17 | 0:43:19 | |
Jonah Hill, | 0:43:19 | 0:43:21 | |
Carey Mulligan, | 0:43:21 | 0:43:24 | |
Robert De Niro | 0:43:24 | 0:43:26 | |
and Sylvester Stallone. | 0:43:26 | 0:43:28 | |
Join me next week with musical guest Keane, | 0:43:29 | 0:43:32 | |
star of the hit show Girls, Lena Dunham, | 0:43:32 | 0:43:34 | |
BAFTA-winning actress Olivia Colman, | 0:43:34 | 0:43:36 | |
Long Walk To Freedom's Idris Elba | 0:43:36 | 0:43:38 | |
and movie star Michael Fassbender. I'll see you then. | 0:43:38 | 0:43:40 | |
Good night, everybody, goodbye! | 0:43:40 | 0:43:42 | |
CHEERING AND APPLAUSE | 0:43:42 | 0:43:45 |