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Tonight on the show, we have a brilliant actress, a favourite | :00:00. | :00:08. | |
comedian and a fantastic rapper. What do you think of that? Seven! | :00:09. | :00:15. | |
We've also got the head judge from Strictly Come Dancing. It's a ten | :00:16. | :00:16. | |
from Len! Let's start the show. APPLAUSE | :00:17. | :00:44. | |
Hello. Merry Christmas everybody! CHEERING | :00:45. | :00:48. | |
Yes, it's the last show before Christmas and I'm getting ready to | :00:49. | :00:52. | |
celebrate, ladies and gentleman. Lots of festive treats tonight. | :00:53. | :00:57. | |
Legendary actress Julie Walters is here. | :00:58. | :01:02. | |
I know. My favourite comedian, Miranda Hart is on the show! Head | :01:03. | :01:12. | |
Strictly judge, Len Goodman, is here! And top British rap star, | :01:13. | :01:19. | |
Tinie Tempah is joining us! APPLAUSE | :01:20. | :01:22. | |
I tell you, just what you need at Christmas, someone who's good at | :01:23. | :01:27. | |
rapping! LAUGHTER | :01:28. | :01:29. | |
What's that? They want the Comedy Award back? So looking forward to | :01:30. | :01:35. | |
catching up with Julie. We all loved her in Calendar Girls. What a | :01:36. | :01:42. | |
gorgeous pose. It's not easy looking good sitting naked at a pinot. I | :01:43. | :01:51. | |
especially like Julie in Mamma Mia. What a great story. Meryl Streep is | :01:52. | :01:56. | |
running towards her old love Pierce Brosnan. Here she is a minute later | :01:57. | :02:05. | |
when he starts to sing. APPLAUSE | :02:06. | :02:07. | |
I'd like to welcome Miranda Hart. Big star now. She knows all my | :02:08. | :02:12. | |
guests. Here she is with Julie. Do we have a picture with Tinie? Yeah? | :02:13. | :02:22. | |
She has a best-selling Christmas DVD out, teaching people how to exercise | :02:23. | :02:27. | |
with maracas. Seriously, she does. That is true. Not everyone looks | :02:28. | :02:35. | |
great with a pair of maracas. Ourgh... Hairy Biker Dave Myers, | :02:36. | :02:41. | |
although the Norwegian version of Strictly has someone harrier. It's | :02:42. | :02:47. | |
Christmas, don't you wish we could see that bear actually dancing. | :02:48. | :02:52. | |
Don't you? Don't you? MUSIC: Theme to Strictly. Let's get | :02:53. | :03:00. | |
on some guests. He's a big star, it's Tinie Tempah! Hello, Sir. | :03:01. | :03:07. | |
Welcome back. Sit yourself down there. | :03:08. | :03:11. | |
Time for a heart to heart, it's Miranda Hart! You look lovely. | :03:12. | :03:20. | |
Hello. Come and sit down. And Mamma Mia, it's Julie Walters! | :03:21. | :03:23. | |
CHEERING AND APPLAUSE Cheers. They told me to mind my head | :03:24. | :03:48. | |
on the arch. I think they meant me. Miranda, you've met Julie before. | :03:49. | :03:53. | |
Yes, we did a play together for the Mousetrap for charity. You haven't | :03:54. | :04:00. | |
met teeny before? No. You've been him. I was you. How did that work | :04:01. | :04:07. | |
out? Very, very well. I sang the rap bit to the JLS song, your bit. That | :04:08. | :04:13. | |
was for Sport Relief. Eyes wide shut. Do you remember it? Yeah. Go. | :04:14. | :04:20. | |
Do it. This is embarrassing. It's two years ago. I remember it really | :04:21. | :04:24. | |
well. # I don't want to get out of bed, if | :04:25. | :04:30. | |
I could rearrange the alphabet, you, me, JLS, yeah, there's a match mate, | :04:31. | :04:37. | |
looking forward to it, like a Saturday. Tonight's bright, got my | :04:38. | :04:47. | |
ray bans on and my eyes wide shut. APPLAUSE | :04:48. | :04:52. | |
Nice. Obviously, I'm better when I'm on stage at the O 2, with the moves | :04:53. | :04:57. | |
you know. Next album, featuring Miranda Hart. And the tour. Yeah, | :04:58. | :05:04. | |
nice. Done deal. I had to rap in the Harry Hill film. I found it hard to | :05:05. | :05:10. | |
learn. It's so hard to learn. Why are you pulling that face? I've only | :05:11. | :05:15. | |
seen clips of that film, but it looks very funny. We're seeing a | :05:16. | :05:21. | |
clip later. My rap is, you give me fun, sea and sun, hot dog in a bun, | :05:22. | :05:29. | |
kiss me quick, a paddle and a picnic. If it... Erm...... I can't | :05:30. | :05:34. | |
remember the rest. Ten out of ten. | :05:35. | :05:41. | |
Amazing. You can go now, you're redundant. We don't need you. You | :05:42. | :05:47. | |
can learn, Tinie, learn. Definitely. We have to talk after this. Miranda | :05:48. | :05:52. | |
Hart is oh, you're all over our Christmas television. Sorry about | :05:53. | :05:57. | |
that. Christmas Day you have the special of call of duty - no! Call | :05:58. | :06:05. | |
off the midwife. Call of midwife duty. Boom, boom, | :06:06. | :06:24. | |
boom. That's a special, yeah. Call The Midwife. I wish I hadn't seen | :06:25. | :06:27. | |
that. What a thing to take home. You've | :06:28. | :06:32. | |
seen worse. This is the Christmas special. Yes. Is it an hour or | :06:33. | :06:37. | |
longer? I think a bit longer. Good. It's a specialspecial. I love it. We | :06:38. | :06:43. | |
don't want any spoilers, but in the Christmas episode, does anyone have | :06:44. | :06:47. | |
a baby? I think somebody might give birth in the Christmas special. | :06:48. | :06:53. | |
Ooohhhh. It's like EastEnders, you never know what's going to happen. | :06:54. | :07:03. | |
Do you watch Call The Midwife? No. I'm joking. It has a certain type of | :07:04. | :07:08. | |
audience, so there must be people who only know you as Chummy. Yes, a | :07:09. | :07:13. | |
lot of people come up to me and say that they've said, "Chummy is a | :07:14. | :07:17. | |
funny character, have you thought about doing comedy? I politely | :07:18. | :07:23. | |
respond and feel like going, when you buy the three series of my | :07:24. | :07:27. | |
sitcom which have taken me 15 years of hard work, that's so sweet. | :07:28. | :07:36. | |
Julie, you're so famous, and yet, you do get mixed up with people. Oh, | :07:37. | :07:42. | |
yes. I was in a cafe, only a couple of years back and someone said, | :07:43. | :07:48. | |
"That's Julie Andrews." Brilliant. Just a name mix up, I think. There | :07:49. | :07:52. | |
is a mistaking me. I was in Marks Spencer, not very long ago, looking | :07:53. | :07:57. | |
at the underwear. Like a girl does. Checking it out and just about three | :07:58. | :08:02. | |
foot that way, were two women, looking through underwear. Suddenly, | :08:03. | :08:06. | |
the classic thing, they were chatting. Suddenly, it stopped and I | :08:07. | :08:13. | |
just knew. A bit of whispering. Then it was as if I was on television, | :08:14. | :08:16. | |
like I couldn't hear them. One said to the other, "Isn't that Julie | :08:17. | :08:21. | |
Walters? And the other said - there was a big pause - "Oh, no." | :08:22. | :08:33. | |
LAUGHTER "Not dressed like that." What can | :08:34. | :08:45. | |
you say? Honestly. Ed Sheeran was saying in an interview you have a | :08:46. | :08:49. | |
thing if you take your glasses off, that's it, nobody knows who you are. | :08:50. | :08:53. | |
Yes, it's like the reverse of Clark Kent. I've hit the nail on the head | :08:54. | :08:58. | |
with this one. When I take off the glasses, I could be anybody. You | :08:59. | :09:04. | |
look incredibly different. Then I put them on. It's Tinie Tempah. Or | :09:05. | :09:13. | |
the guy from the Halifax advert. That what happened. Oh, no. You look | :09:14. | :09:23. | |
nothing like him. I want to see. Suits you. You look like someone. | :09:24. | :09:30. | |
Who do you look like? Daniel Radcliffe? It is a bit. A little | :09:31. | :09:38. | |
scar on Your head. Amazing. Can you see now? No. At the moment, I have a | :09:39. | :09:49. | |
nobody on the couch. Tinie Tempah, everybody! | :09:50. | :09:54. | |
APPLAUSE 2014 very exciting year for comedy | :09:55. | :10:00. | |
because, and Miranda Hart you're going on tour, I was going to say | :10:01. | :10:07. | |
returning to stand up, but this is the first proper stand-up tour | :10:08. | :10:12. | |
you've done? Yeah I was doing stand-up about seven, eight years | :10:13. | :10:16. | |
ago, but then the telly took over. It's February 28 to October 18, your | :10:17. | :10:22. | |
website has the details. This is, like, you're doing like massive | :10:23. | :10:27. | |
arenas and things. How fabulous. Are you OK? Are you cool? Totally in | :10:28. | :10:33. | |
denial. I've written a show and I've got it ready and I've rehearsed it. | :10:34. | :10:36. | |
Yeah, you can't prepare for that scale. It's crazy that immediatians | :10:37. | :10:41. | |
can -- comedians can do these gigs. I'd just regret it massively if I | :10:42. | :10:46. | |
didn't do it. It will be quite an experience. I hope I'll enjoy it. | :10:47. | :10:50. | |
I'm excited as well. The thing is your fan base, you know, is quite | :10:51. | :10:55. | |
young. You've a lot of teenage fans. Yeah, it's a real mix. It's | :10:56. | :11:01. | |
something I wasn't expecting when I wrote the sitcom. I didn't expect | :11:02. | :11:05. | |
teenagers and very young, eight, nine as well. Down with the kids. | :11:06. | :11:09. | |
Can you speak to the kids? Yeah, I'm sort of 40 and gallop about and I | :11:10. | :11:15. | |
have a UK base. -- youth base. I'm trying to get well with it and | :11:16. | :11:18. | |
stuff. That was good. That's quite good. I'm just so, I've always been | :11:19. | :11:25. | |
old before my time. The whole music thing, I thought at one point, | :11:26. | :11:32. | |
someone was talking about Kanye West, that they were talking about a | :11:33. | :11:39. | |
tube stop. LAUGHTER | :11:40. | :11:41. | |
You're not allowed to say things like that. This is what we're | :11:42. | :11:47. | |
talking about. What will your youth base think of you now? I do a bit of | :11:48. | :11:52. | |
that on the tour, what it's like to suddenly try and commune - because I | :11:53. | :11:58. | |
don't know many teenagers. My nieces and nephews are younger. The way | :11:59. | :12:03. | |
they talk is, they don't use words any more. It's ack Ronnisms, | :12:04. | :12:16. | |
achronisms. They taught me some of these things, it was new to me. I'm | :12:17. | :12:22. | |
sounding so old. Which is CBA, which is can't be arsed. You can't just | :12:23. | :12:31. | |
say that, you go seebs. Because CBA is too long. I've never heard of | :12:32. | :12:41. | |
that. Do you want to get me a drink, seebs. There's one that was really | :12:42. | :12:48. | |
popular which was yolo, you only live once. When someone was about to | :12:49. | :12:53. | |
do something really stupid, they go yolo and just do it. The like the | :12:54. | :12:57. | |
idea of reclaiming these things. This is the plan. LMAO, do you know | :12:58. | :13:02. | |
that one? I don't know any of these. That's laughing my cars off. Let's | :13:03. | :13:09. | |
start reclaiming it, you know, older. That should be, say, look, my | :13:10. | :13:16. | |
artichoke's off. Yes, you would find a time for that. Or ruffle, do you | :13:17. | :13:22. | |
know that one, rolling on the floor laughing. Yeah. I don't know, rush | :13:23. | :13:34. | |
off to Fortenums and Liberties. Middle class. What about WTF? What's | :13:35. | :13:41. | |
that? Do you not know that one? Oh, what the... Yes! | :13:42. | :13:50. | |
APPLAUSE Now a word that the youngsters have | :13:51. | :13:56. | |
given us and very popular this year was selfies. It's in the dictionary | :13:57. | :14:00. | |
now. In the dictionary? Yes. It's been added. Tinie is all over it. | :14:01. | :14:06. | |
Over to my youth correspondent, Tinie Tempah. Selfies, presumably | :14:07. | :14:11. | |
you all have suffered at the hands of selfies. Do you get people... | :14:12. | :14:15. | |
From fans. Usually they're slightly behind you and there's my great big | :14:16. | :14:19. | |
white face at the front. Yes. You're a bit tall for a selfy. Honestly, | :14:20. | :14:30. | |
this is me. Can I have a selfy? Yes. I have big quads now. A lot of | :14:31. | :14:37. | |
bending. You have people to do your selfies? When fans ask me to take | :14:38. | :14:42. | |
selfies, I take them. I never personally taken my own one. I think | :14:43. | :14:45. | |
it's a bit weird. I think it's wrong. I think it's weird. What | :14:46. | :14:52. | |
culturally has happened? Technology has happened, so I am a massive fan | :14:53. | :14:57. | |
of yours, but younger, you were massive inspiration, if I had seen | :14:58. | :15:01. | |
you in the streets, I would have been beside myself with excitement. | :15:02. | :15:05. | |
Really? Oh, my goodness, do you not know who you are? Amazing. What I | :15:06. | :15:14. | |
never would have done is "Oh, hi, Julie Walters, do you mind? " It's | :15:15. | :15:21. | |
the equivalent of me going, do you mind, if I just sit here. | :15:22. | :15:30. | |
APPLAUSE It's the equivalent of like... This | :15:31. | :15:38. | |
has been the best show ever. You're familiar with the internet, | :15:39. | :15:46. | |
Julie? Yes. Of course I am. We've had these selfies, ill-timed | :15:47. | :15:52. | |
selfies. For instance, here's two very pretty young girls. They're | :15:53. | :15:55. | |
having a nice time at home. They thought, oh, let's take a selfy, | :15:56. | :16:00. | |
this will be nice. But they missed something key when they were taking | :16:01. | :16:01. | |
it. LAUGHTER | :16:02. | :16:14. | |
Now, you know you can be photobombed? What's that? Somebody | :16:15. | :16:19. | |
comes behind you and goes like that. These two girls have been photo | :16:20. | :16:22. | |
bummed. LAUGHTER | :16:23. | :16:31. | |
Then there's this thing where people find the occasion of where like, | :16:32. | :16:36. | |
this will be a good time to take a selfie. This boy thought it was a | :16:37. | :16:41. | |
good time to take a selfie with people trapped in a lift. | :16:42. | :16:45. | |
LAUGHTER Look how happy he looks. Look at the | :16:46. | :16:51. | |
faces in there. "Help! Help!" You guys -- this lady | :16:52. | :17:02. | |
has taken a selfie with a camel. We're guessing the camel was annoyed | :17:03. | :17:09. | |
because this is what happened next. LAUGHTER | :17:10. | :17:13. | |
Well done all the selfies. Very good. | :17:14. | :17:17. | |
APPLAUSE Julie Walters, Harry Hill was here | :17:18. | :17:23. | |
telling us about his movie. Now you play his Nan. Yes. Which is open | :17:24. | :17:27. | |
everywhere tonight. Yes. How did you end up in Harry Hill the movie? I | :17:28. | :17:35. | |
was asked to do it. Moving on. My agent rang up and said do you like | :17:36. | :17:42. | |
Harry Hill. I love him. He said, "He's going to do a film." And I | :17:43. | :17:46. | |
said I'd love to work with him and they sent me The Script and it made | :17:47. | :17:51. | |
me laugh. When you're considering a job, you focus more on who's in it, | :17:52. | :17:55. | |
rather than what it is? No, I focus on the money. | :17:56. | :17:57. | |
APPLAUSE Harry Hill, God love him, he tried | :17:58. | :18:10. | |
to tell us the story of the film, good luck, can you do any better? | :18:11. | :18:16. | |
It's a road movie. You see, but it is a Harry Hill road movie. A little | :18:17. | :18:24. | |
bit complicated. I play his Nan. Too young. I'd have to be like 103. We | :18:25. | :18:31. | |
go on this trip to Blackpool with our hamster Abu. Anyone get that | :18:32. | :18:37. | |
joke? I didn't. The film had finished when I got the joke. Well, | :18:38. | :18:44. | |
because we think he's going to die, he's not well. We go on the trip to | :18:45. | :18:47. | |
Blackpool because that's his last wish. We are pursued Biharery's evil | :18:48. | :18:56. | |
-- Harry's evil twin brother Otto Hill, played by Matt Lucas. He has a | :18:57. | :19:02. | |
vendetta against Harry, is that the right phrase? Yes, he's really very, | :19:03. | :19:08. | |
very bitter. I brought Harry up, but Otto was brought up by a family of | :19:09. | :19:13. | |
Alsatians just outside Kettering. It wasn't a happy time. That's it | :19:14. | :19:21. | |
really. We've got a clip. I think it does need some explaining. Do you | :19:22. | :19:27. | |
know? I don't know what the clip is. It's the.co.uk sand five -- | :19:28. | :19:36. | |
dachshund five? It's a tribute band which are dogs in wigs. We go to see | :19:37. | :19:44. | |
them. You're showing off, you're an enormous fan. I am an enormous fan | :19:45. | :19:48. | |
of them. Remind me, then what happened? I think that will get us | :19:49. | :19:59. | |
there. OK, come on now. ( Great seats. Noflt T -- novelty T-shirt | :20:00. | :20:06. | |
and cushion for you. I got you a hat and after shave Wet dog, nothing for | :20:07. | :20:16. | |
yourself? Oh, yeah, this. That's a bit hard core. You should see the | :20:17. | :20:22. | |
one I had done here. The show's starting. | :20:23. | :20:28. | |
Which one is Michael? Second from the end. No that's Jermaine. Oh, | :20:29. | :20:32. | |
yeah. APPLAUSE | :20:33. | :20:47. | |
I loved those doggies. Everything I see really makes me laugh. I love | :20:48. | :20:50. | |
those dogs. They're brilliant. The movie is out now at a cinema near | :20:51. | :20:56. | |
you. There you go. I'll know if you haven't been. Julie, obviously, star | :20:57. | :21:01. | |
of stage and screen, but we nearly lost Julie Walters to the caring | :21:02. | :21:06. | |
profession. Yes, you did. Were you a fully qualified nurse? No. Over to | :21:07. | :21:16. | |
Miranda. She has a bike. The You were a nursing assistant? No I was a | :21:17. | :21:21. | |
student nurse. But you never qualified? No, I didn't. You were | :21:22. | :21:24. | |
distracted from your nursing, were you not? I beg your pardon? You were | :21:25. | :21:30. | |
distracted from your nursing. Was I? Didn't you discover the joys of | :21:31. | :21:33. | |
romance? I did. I discovered them, first of all, I discovered them on | :21:34. | :21:36. | |
the ward, because I fell in love with so many patients, well a couple | :21:37. | :21:42. | |
of them. Nothing happened, but the first men's ward that I went on, the | :21:43. | :21:47. | |
sister gave me a huge talk. "Now - she was Irish - now if you see any | :21:48. | :21:55. | |
movement in the pyjama region, you simply get out your biro and give it | :21:56. | :22:02. | |
a good snap." That will put a stop to it. I can't tell you how many | :22:03. | :22:12. | |
relationships that ruined. In terms of sex education, Miranda, at | :22:13. | :22:16. | |
school, your school, the sex education was bizarre. No, there was | :22:17. | :22:26. | |
no sex e did he to -- sex ed to speak of. It's in my tour. We lived | :22:27. | :22:33. | |
on rumours. They were spread. At 11 you would get pregnant if you sit on | :22:34. | :22:37. | |
a rugby ball this a boy's just sat on. That's true, I think. There's | :22:38. | :22:44. | |
one that someone spread that you jump into a river on May Day means | :22:45. | :22:51. | |
you're legally married in Sussex. English people can't get pregnant in | :22:52. | :22:58. | |
Germany. That was one of them. Quite specific. Yeah, sexually repressed. | :22:59. | :23:03. | |
I've yet to come into my sexual peak is basically what I'm saying. In | :23:04. | :23:06. | |
terms of getting advice, Tinie Tempah has had advice from the | :23:07. | :23:10. | |
master, didn't Lionel Richie give you advice? Yeah, one time when I | :23:11. | :23:16. | |
was in LA. Actually he was coming out of Soho House and I was coming | :23:17. | :23:22. | |
in. He said, "Can I give you one word of advice? Never get married." | :23:23. | :23:26. | |
He walked out and left and that was it. Crazy. I'm going to try and live | :23:27. | :23:33. | |
by that. I'm joking. No, you're not. Lionel has been on the show and | :23:34. | :23:38. | |
talked about how he uses his own music to would the ladies. Yes. | :23:39. | :23:44. | |
Tinie? It's happened by accident, one time. Because of bloody shuffle. | :23:45. | :23:49. | |
Why did they invent shuffle. What's that? When it's playing on your | :23:50. | :23:55. | |
computer and it just plays randomly. No. Never do it Julie. It's very | :23:56. | :24:02. | |
dangerous. One of my really low underground songs came on while I | :24:03. | :24:06. | |
was in the act. It was just super awkward. I like that mime "in the | :24:07. | :24:13. | |
act". LAUGHTER | :24:14. | :24:25. | |
The act of what? I was trying to reach over and switch it off and | :24:26. | :24:28. | |
that was making things worse so I left it on. It didn't put her off? | :24:29. | :24:35. | |
No, she actually liked it. I think I really get awkward. If I'm with you | :24:36. | :24:41. | |
or with you or you... What, sexually? Well, if you want. Since | :24:42. | :24:48. | |
we've both been there. And I come on the telly or the radio, I get really | :24:49. | :24:53. | |
weird, does that not happen to any of you? Yeah, get weird? Like if | :24:54. | :25:00. | |
you've been with someone. No, I don't like that. Imagine, you're in | :25:01. | :25:07. | |
the act, whatever that is... What is that? I don't know, you're in the | :25:08. | :25:12. | |
act with Tinie. He's doing his act. Doing that. It's like a vets. | :25:13. | :25:27. | |
LAUGHTER All creatures great and small. Oh, | :25:28. | :25:33. | |
Tinie you've told us so much tonight. Imagine you're doing the | :25:34. | :25:38. | |
act. With a cow? And this came on. This is Wivy. | :25:39. | :25:42. | |
-- Wifey. Oh! Get a room. What happened then? | :25:43. | :26:07. | |
What was that. What was that. Tinie was doing the act. Calm down. It's | :26:08. | :26:17. | |
time to bring on my next guest. This weekend, the nation will stop to | :26:18. | :26:21. | |
find out who's going to be crowned winner of Strictly Come Dancing | :26:22. | :26:25. | |
2013. Please welcome the head judge himself, Len Goodman! | :26:26. | :26:27. | |
APPLAUSE I've been standing round there | :26:28. | :26:58. | |
for... Any way. How are you? I'm feeling good. These two ladies love | :26:59. | :27:06. | |
you. We love you! I want to touch him as well. Go on, take a piece. | :27:07. | :27:15. | |
Do you watch Strictly? Not as much. I watched the first time, the first | :27:16. | :27:23. | |
one. But never... Never again! I listen to your first track and I've | :27:24. | :27:26. | |
never... APPLAUSE | :27:27. | :27:31. | |
Actually, you say that, you're a fan of rap music, are you? Sugar heel | :27:32. | :27:35. | |
gang. # My name's wonder mic and I want | :27:36. | :27:40. | |
to... # Yeah! Everyone's rapped so far apart | :27:41. | :27:47. | |
from Tinie Tempah. Later. Yeah, you have a backing track and everything. | :27:48. | :27:54. | |
This is a big year, the year of the woman. An all-female final, never | :27:55. | :28:00. | |
happened before. Why this year? I do not know. One of those things. | :28:01. | :28:04. | |
Normally, you get men on, because I felt it was women that voted and if | :28:05. | :28:08. | |
there was, perhaps they weren't that bulked up in this. I don't know. For | :28:09. | :28:14. | |
some reason, I think it's exciting. It's more of a level playing field. | :28:15. | :28:18. | |
They're all brilliant. Four lady celebrities, four pro guys and then | :28:19. | :28:22. | |
see what happens. What would you do if it was Natalie and Abbey and | :28:23. | :28:27. | |
there was a dance-off how would you pick? Good question! When it's a | :28:28. | :28:32. | |
dance-off, you mustn't think about what's been in the past or your | :28:33. | :28:36. | |
expectations, what they could do in the future, you look at each dance. | :28:37. | :28:41. | |
You know, you have to make a decision. Hard. It's hard. I did it | :28:42. | :28:48. | |
once with - and it was terrible, Rod Stewart's wife. Her. Penny. That's | :28:49. | :28:56. | |
it. And Gabby lowingan. -- Logan and they both shouldn't have been in the | :28:57. | :29:00. | |
dance-off. They were both terrific. There were loads of Ann Widdicomes | :29:01. | :29:08. | |
which had got through, things like that, that's what I find weird about | :29:09. | :29:16. | |
Strictly. You tend to remember John Sergeant. Russell Grant. You know? | :29:17. | :29:25. | |
If you said to me, who won it the year Ann Widdicome was on, I can't | :29:26. | :29:30. | |
remember. But you remember her. It's strange. You seem to remember the | :29:31. | :29:34. | |
bizarre ones. Someone watching at home has poured themselves a big | :29:35. | :29:38. | |
glass of wine to cheer themselves up. Len said he was my favourite. | :29:39. | :29:46. | |
It's on Saturday and Sunday. No. All happening on Saturday? All live on | :29:47. | :29:50. | |
Saturday night. I'm so happy to be here. May the best lady win. I'm so | :29:51. | :29:55. | |
looking forward to seeing it. So am I. You're also all over the | :29:56. | :29:59. | |
television because there's Len Goodman's dance band days on BBC 4 | :30:00. | :30:05. | |
and Boxing Day, BBC One, Len Goodman's perfect Christmas. That's | :30:06. | :30:10. | |
right. What's your perfect Christmas? Very little. My mum is | :30:11. | :30:15. | |
still alive, she's 96. She'll be in. My wife Susan, mum and dad will be | :30:16. | :30:20. | |
in. My son has gone off to the girlfriend's. So he'll be in on | :30:21. | :30:24. | |
Boxing Day. Yeah, we just - it's bizarre, you get up at 10am and you | :30:25. | :30:30. | |
have a glass of sherry. Everything goes out of the window. Then you | :30:31. | :30:34. | |
think, a great big breakfast, I think I'll have half a dozen | :30:35. | :30:46. | |
satsumas now. There's no grand kids yet? I'm fuming with him. See he's | :30:47. | :30:52. | |
been with this girl for quite a while, Sophie. Lovely. James and | :30:53. | :30:57. | |
Sophie. Good proper name. I was brought up more or less, I had my | :30:58. | :31:02. | |
mum and dad, my granddad, I was always with my granddad. He taught | :31:03. | :31:08. | |
me values. He was a greengrocer. I remember once, he got six tons of | :31:09. | :31:13. | |
potatoes from the market. We had a yard and a stable thing, the horse | :31:14. | :31:19. | |
had gone. I said to him, "Granddad, why have you got all these potatoes? | :31:20. | :31:27. | |
He said, "They're cheap. Never forget, your money's like your | :31:28. | :31:31. | |
Willie, it only grows if you play with it." | :31:32. | :31:36. | |
APPLAUSE He taught me the proper values in | :31:37. | :31:40. | |
life. I want to do the same for my grand child. That could be why | :31:41. | :31:44. | |
they're not having grandchildren. Get on with it, boy! When it comes | :31:45. | :31:55. | |
to parties and things, do you dance? I rarely go to parties any more. If | :31:56. | :31:59. | |
I have to go to a wedding or something like that, I never dance. | :32:00. | :32:04. | |
I'll tell you why. If I get up and think, oh, come on we'll have this | :32:05. | :32:09. | |
nice little how's your father. People are like, cor he ain't much | :32:10. | :32:14. | |
good. If I think, I'll do it a little bit. Look at him, showing | :32:15. | :32:21. | |
off. Then up comes the men, it's not the women. It's the men. "Would you | :32:22. | :32:28. | |
do a dance with my wife? And if you say OK, then the flood gates open. | :32:29. | :32:35. | |
You never sit down any more. You've done it with her and it goes on and | :32:36. | :32:39. | |
on. I just have to sit there. We know you love to dance Miranda. I | :32:40. | :32:44. | |
love the notion of dancing. In my head I'm a dancer. Does it make | :32:45. | :32:53. | |
dancing difficult, the height thing? When I turned 40 I decided to let go | :32:54. | :32:58. | |
of that. But I remember once dancing with somebody thing and sitting next | :32:59. | :33:02. | |
to a guy getting on really well, going great. We didn't notice each | :33:03. | :33:07. | |
other sitting down how tall we were. When we stood up, he was honestly | :33:08. | :33:13. | |
there. Went onto the dance floor and I was like this. People called it | :33:14. | :33:25. | |
the number two move. A bit of bump and grind there. Have | :33:26. | :33:29. | |
you encountered this, the taller woman, shorter man problem? Of | :33:30. | :33:34. | |
course. Is there a solution? Are there moves you could teach Miranda? | :33:35. | :33:38. | |
We would be a perfect couple because we're both tall and elegant. She's | :33:39. | :33:43. | |
got a natural rhythm. I just saw the gyration there in her hips. She has | :33:44. | :33:49. | |
that naturally. Were she to avail herself, she could dance right now. | :33:50. | :33:53. | |
Could you show her a couple of moves. | :33:54. | :33:53. | |
APPLAUSE This area here is our Christmas | :33:54. | :34:05. | |
dance area. This is nice. Mr Goodman, Miss Hart. Are you jealous | :34:06. | :34:11. | |
of me right now? We're doing salsa. It's three steps. Left foot. | :34:12. | :34:17. | |
Forward. By the way, do you like my shoes. They're for you. Gorgeous. | :34:18. | :34:28. | |
One, two, three. Now go back on your right foot, one, two, three. Now | :34:29. | :34:32. | |
again. Binning, bang, Bonning. I'm bringing in a hip, I don't care what | :34:33. | :34:39. | |
you say. That's really good. Now a bit of rhythm. | :34:40. | :34:47. | |
# Have you seen my conkers # My lovely big brown conkers | :34:48. | :34:52. | |
# They're on the trees # They're big as can... # | :34:53. | :35:04. | |
Now stay there. Ready? Work that girl. Yes! Calm down. | :35:05. | :35:19. | |
APPLAUSE Gorgeous. Well done. | :35:20. | :35:28. | |
Talking of the music, we're going to have some music. This is the single | :35:29. | :35:36. | |
coming out. The third single coming out in February off the new album | :35:37. | :35:41. | |
Don demonstration -- Demonstration, out now. Available now! Out now! I'm | :35:42. | :35:47. | |
performing it on my tour, which is in April. After you. After mine. | :35:48. | :35:52. | |
Yeah. Tickets are on sale now. Now! OK, I get it. I see why you're here. | :35:53. | :36:03. | |
Backing dancers? Definitely. The track is Lover in the a Fighter. It | :36:04. | :36:08. | |
features Labrinth. The album features loads of people. From Emeli | :36:09. | :36:19. | |
Sande, Dizzee Rascal, big Sean, two American rappers, Paloma faith, | :36:20. | :36:24. | |
loads of people. Yeah, a big event. We're looking forward to the tour, | :36:25. | :36:28. | |
looking forward to this. If you want to join Labrinth and get ready Mr | :36:29. | :36:33. | |
Tinie Tempah. Of course, absolutely. | :36:34. | :36:36. | |
APPLAUSE You're coming back. Go. | :36:37. | :36:44. | |
In a moment, we'll have the last stories of the year in the famous | :36:45. | :36:46. | |
red chair. Now here is Tinie Tempah! # Well, I'm a lover not a fighter, | :36:47. | :36:59. | |
yeah. # So kiss that girl and say good-bye now. # 'cos I came for | :37:00. | :37:06. | |
kicks not for arguments. # No, woah, oh, oh. # 'cos I'm a lover not a | :37:07. | :37:10. | |
fighter. # Somebody fill in the gaps. # | :37:11. | :37:45. | |
somebody fill in the dots. # I feel like Cruella Deville the way I be | :37:46. | :37:49. | |
stealing the spots. # When all the shutters are down shall we be still | :37:50. | :37:53. | |
in the shop. # I shop for clothes when it's closed, # That's why I | :37:54. | :37:57. | |
feel like the boss. # In my vintage ebay watch. # that's why I feel like | :37:58. | :38:01. | |
the Hoff. # Weren't gonna wait for no institute not to gimme a job. # | :38:02. | :38:05. | |
These critics giving me # that's why I give 'em my crotch. # These paps | :38:06. | :38:09. | |
are getting too nosey. # that's why I give 'em my snot. # 'cos I just | :38:10. | :38:13. | |
tripled my cost of living, # Steak, salmon, lobster, chicken. # That's | :38:14. | :38:17. | |
made in my Boffi kitchen by Rosa Dacosta women. # Come from | :38:18. | :38:20. | |
disturbing London, the city of foster children # Grateful what God | :38:21. | :38:23. | |
has given. # save us from constant sin in the city of God. # I'm from | :38:24. | :38:28. | |
the city of God, # Travelling up in the Shard # I really been at the | :38:29. | :38:32. | |
top. # Separate the man from the man. # Well I'm a lover not a | :38:33. | :38:38. | |
fighter. # So a kiss that girl and say good-bye now. # 'cos I came for | :38:39. | :38:42. | |
kicks not for arguments. # No, woah, oh, oh. # 'cos I'm a lover not a | :38:43. | :38:50. | |
fighter. # Yeah. Hello. # I used to sit on the settee eating a tin of | :38:51. | :38:54. | |
spaghetti. # Now women think that I'm sexy because I been on the tele. | :38:55. | :38:58. | |
# Car like 007, them alloys spin in Pirellis. # I'm with a gold digging | :38:59. | :39:02. | |
heffa. # I call her miss Moneypenny. # is it real? Is it fake? Somebody | :39:03. | :39:06. | |
gimme a break. # I grew up on minimum wage and I grew up in an | :39:07. | :39:10. | |
estate. # These rappers calling me bruv and they can't even relate. # | :39:11. | :39:14. | |
Are they even ready and willing do anything that it takes? # I saw my | :39:15. | :39:18. | |
teacher from college. # she says she thinks that I'm great. # I'm gonna | :39:19. | :39:22. | |
give her the D. # cos she never gimme an A. # She's try'na get in my | :39:23. | :39:26. | |
jeans. # I'm try'na kick off my J's. # Take of my D and give her my | :39:27. | :39:31. | |
DNA. # cos all these be loving me, sipping my bubbly. # Watching | :39:32. | :39:34. | |
Hangover Hungover be the quickest recovery. # Couple bad grades. I did | :39:35. | :39:38. | |
s in my study. # And now she wants my name and a kiss on them double | :39:39. | :39:43. | |
D's. # And I love it. I've got too much love to burn, babe. # Ain't got | :39:44. | :39:47. | |
no time to exchange words, babe # Things to do. # People to see, yeah. | :39:48. | :39:52. | |
# I guess we all gotta play the game. # Well, I'm a lover not a | :39:53. | :40:03. | |
fighter. # So a kiss that girl and say good-bye now. # 'cos I came for | :40:04. | :40:10. | |
kicks not for arguments. # No, woah, oh, oh. # 'cos I'm a lover not a | :40:11. | :40:23. | |
fighter. # Yeah. Hello. # CHEERING AND APPLAUSE | :40:24. | :40:33. | |
Tinie Tempah and Labrinth as well! Very good. Thank you, thank you. We | :40:34. | :40:40. | |
loved it. Thank you so much. Len, what would you say to that | :40:41. | :40:44. | |
performance? It was almost a foxtrot. It was good. It's ridge | :40:45. | :40:50. | |
make and plenty going on. We try. Thank you Len. That was really good. | :40:51. | :40:59. | |
Len liked it. People think I'm an old fuddy dude, I'm with it -- | :41:00. | :41:06. | |
duddy, I'm with it a bit. LAUGHTER | :41:07. | :41:13. | |
Before we go, time for a story in the red chair. Who's there? Hi. Hi. | :41:14. | :41:20. | |
I have high hopes for you. What's your name? Debbie. Live? | :41:21. | :41:26. | |
Leatherhead. What is, what is... Well, any way. Where is that? | :41:27. | :41:33. | |
Surrey. It's in Surrey! Surrey, Julie. I know. What do you do? I | :41:34. | :41:44. | |
work in accounts. Oh, dear. No. I like the look of Debbie. All | :41:45. | :41:51. | |
right. She's got trapped in accounts. She never intended to stay | :41:52. | :41:55. | |
there. She's dreaming of getting out of there. Her private life is | :41:56. | :41:58. | |
probably very interesting. That's true. She just does that for money. | :41:59. | :42:08. | |
Come 5pm, woo-hoo. Leatherhead, I tell you. The seedy side of | :42:09. | :42:13. | |
Leatherhead. Sorry Debbie, we forgot about you. ?. Off you go. I used to | :42:14. | :42:19. | |
be quite overweight. I was about 14 stone. I had a boyfriend who was | :42:20. | :42:24. | |
lovely and he invited me round his house. Went round the house and his | :42:25. | :42:29. | |
parents were eating their dinner. He was eating with the parents. They | :42:30. | :42:34. | |
said go and sit in the lounge and wait for him to finish. Lovely | :42:35. | :42:41. | |
lounge, fluffy cushions, it was Christmas, looked gorgeous. Sat on | :42:42. | :42:46. | |
the sofa, heard a cracking noise, got up, I'd sat on the cat and broke | :42:47. | :42:50. | |
its back and it was dead. No! No. No. That's not an anecdote. | :42:51. | :43:08. | |
That's a confession. APPLAUSE | :43:09. | :43:13. | |
if you'd like to join us on the show, look for tickets via our | :43:14. | :43:20. | |
website. Thank you to my guests Tinie Tempah, Miranda Hart, Julie | :43:21. | :43:31. | |
Walters, and Mr Len Goodman! APPLAUSE | :43:32. | :43:36. | |
It's Christmas. No show next week, but join me on New Year's Eve for a | :43:37. | :43:43. | |
bumper show with Frank Skinner, Joan and Jackie Collins, Michael Buble, | :43:44. | :43:46. | |
the entire Anchorman cast and reunited at last, the stars of Monty | :43:47. | :43:53. | |
Python. Until then, very merry Christmas, goodbye everybody, | :43:54. | :43:54. | |
goodbye. | :43:55. | :44:00. |