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One of my guests tonight is the star of the Walter Mitty film. The other | :00:08. | :00:15. | |
is one who day dreams. Sometimes I wish I was an ordinary member of the | :00:16. | :00:19. | |
audience, you know, like you! Can you imagine that? Try to imagine it? | :00:20. | :00:27. | |
Imagine it, imagine it, imagine it. Oh! | :00:28. | :00:31. | |
Read that, read that, read that .. Let's start the show! | :00:32. | :00:32. | |
Yes! CHEERING AND APPLAUSE | :00:33. | :00:55. | |
Hello! Hi! | :00:56. | :01:03. | |
Oh, welcome to you and you and you. Welcome, all. | :01:04. | :01:07. | |
What a cavalcade of talent I have on the sofa tonight, one of the | :01:08. | :01:11. | |
funniest stars in Hollywood, the brilliant Ben Stiller is here, | :01:12. | :01:17. | |
ladies and gentlemen. I know! Bilbo Baggins himself, Martin | :01:18. | :01:21. | |
Freeman is here! Yes! | :01:22. | :01:28. | |
Jamie Oliver is on the show! Yeah! | :01:29. | :01:34. | |
Plus we have music from Rebecca Ferguson. Pf | :01:35. | :01:40. | |
Oh, I'm looking forward to meeting Jamie Oliver. Here he is. Loves | :01:41. | :01:46. | |
doing a selfie. Is there anyone who loves a selfie more than him? | :01:47. | :01:52. | |
Yeah... Seriously? Cameron, Obama and the | :01:53. | :01:55. | |
Danish Prime Minister taking a selfie at a slightly inappropriate | :01:56. | :01:58. | |
occasion. Hey, hey, I wonder if Michelle Obama | :01:59. | :02:04. | |
thought that was funny? No, she did not. | :02:05. | :02:08. | |
Delighted to have Martin Freeman back on the show. He's about to | :02:09. | :02:12. | |
preprize his role as Bilbo bag begins in the new hobt film -- | :02:13. | :02:19. | |
hobbit film. That's him in the lair of Smaug, the ruthless ill-tempered | :02:20. | :02:24. | |
dragon who guards his gold jealously. | :02:25. | :02:32. | |
I don't like your ring, I don't like your hairy beard and for that reason | :02:33. | :02:36. | |
I'm out - I do impressions! So excited to welcome Ben Stiller on to | :02:37. | :02:41. | |
the show! CHEERING AND APPLAUSE | :02:42. | :02:44. | |
You might well cheer. He'll be telling us about his new film, The | :02:45. | :02:49. | |
Secret Life Of Walter Mitty. Ben's character spends his whole life day | :02:50. | :02:54. | |
bream dreaming. All sorts of people have day dreams - I would like to | :02:55. | :02:58. | |
achieve world peace. I would like to be Prime Minister. | :02:59. | :03:04. | |
I like cheese. Let's get some guests on. | :03:05. | :03:10. | |
Later, we'll have music from Rebecca Ferguson. | :03:11. | :03:17. | |
But first, it's Jamie Oliver! Hello. | :03:18. | :03:22. | |
Hello, Sir. Sit yourself down. Very nice to see you. He's got the hobbit | :03:23. | :03:31. | |
habit, it's Martin Freeman! Hello. Sit yourself down. And time | :03:32. | :03:36. | |
to Meet The Fockers, it's Ben Stiller! | :03:37. | :03:41. | |
Wow. Hello. I'm really well, lovely to see you. Sit yourself down. | :03:42. | :03:50. | |
Woo. Hello, gents. All good? Very good. You have a large audience | :03:51. | :03:55. | |
Yes. CHEERING AND APPLAUSE | :03:56. | :03:58. | |
Because heating your home is quite expensive. | :03:59. | :04:06. | |
Hm. Do you two know each other? We have met before. Yes, where did we | :04:07. | :04:13. | |
meet? At your premier when you did that film when you wiped your bum | :04:14. | :04:18. | |
with a ferret. Oh yes, that one Thank you very much. It was | :04:19. | :04:23. | |
emotional. It meant a lot to me You've stayed in touch, clearly We | :04:24. | :04:27. | |
ran into each other at a restaurant. Do you remember that? Yes, then I | :04:28. | :04:31. | |
came to see you in a very good play in which you were very good. I'm | :04:32. | :04:36. | |
surprise, he's a very good actor. I'm not lying. | :04:37. | :04:42. | |
For a moment, it looked like we might do a film together, then we | :04:43. | :04:46. | |
didn't. It fell apart. I like your Socks though. Thanks, man, it's | :04:47. | :04:51. | |
swings and roundabouts, we didn t do a film, but look at these Socks | :04:52. | :04:56. | |
Martin and Jamie? Never met I don't think. We must met in the toilet. | :04:57. | :05:00. | |
He's beautiful. OK. Just about half an hour ago | :05:01. | :05:08. | |
Sorry I missed out on that. Jamie Oliver, a chef, is on the | :05:09. | :05:14. | |
show, and I notice. Yes. Have you brought us Christmas treats? No no, | :05:15. | :05:20. | |
no, no. Chocolate. But also vegan Brownies for a certain friend who's | :05:21. | :05:23. | |
a vegan here. Yes, I am. Vegan Brownies? I always | :05:24. | :05:33. | |
check any dietary requirements and they said vegan. Right. Disdainful. | :05:34. | :05:44. | |
I'm sorry, I was a vegan. That's really annoying. A vegan is annoying | :05:45. | :05:49. | |
but a vegan who shows up and goes "oh, no, I can eat anything". I got | :05:50. | :05:57. | |
too annoying as a vegan. I can't tell you how difficult it was to | :05:58. | :06:01. | |
develop a really good Brownie for a vegan. Really good, fresh. Doesn't | :06:02. | :06:07. | |
mean I can't eat thinks that are vegan just because I used to eat a | :06:08. | :06:12. | |
vegan. I'll try one. I don't really eat eggs or dairy. Eggs are in | :06:13. | :06:19. | |
veganism. Aren't they? Shouldn't you know all about that stuff? To be | :06:20. | :06:23. | |
honest, I just phoned up Nigella and said, can you just sort me out. | :06:24. | :06:29. | |
APPLAUSE They're great. Would you like to try | :06:30. | :06:37. | |
some? Please, please. They taste very healthy. Yes, yes, | :06:38. | :06:45. | |
yes. A vegan Brownie for you. Really good. That's what happens | :06:46. | :06:48. | |
when you give away free food. I know. They were so delicious, I | :06:49. | :06:53. | |
finished mine! Yeah. Don't feel you have to finish | :06:54. | :07:01. | |
it, by the way. I like it. Very quickly, I've got to | :07:02. | :07:06. | |
mention one of my favourite film, Zoolander. | :07:07. | :07:15. | |
APPLAUSE Is it true there'll be a sequel | :07:16. | :07:19. | |
Possibly. There's a script and they are trying to figure out if it can | :07:20. | :07:22. | |
be got together. I want to make sure it's put together the way it should | :07:23. | :07:28. | |
be. Does it kind of plague you, the Blue Steel and all that sort of | :07:29. | :07:33. | |
stuff? I actually like it because of that, the fact that it wasn't a big | :07:34. | :07:37. | |
hit and I get people on Twitter sending me pictures of their kids | :07:38. | :07:41. | |
saying, this is my baby doing Blue Steel and it's a baby like this | :07:42. | :07:48. | |
Everybody seems to think their child is doing that. It's nice. Do you | :07:49. | :07:51. | |
have to make an effort, like if you were doing a promotion for | :07:52. | :07:54. | |
something, do you have to make sure your face never goes into Blue | :07:55. | :07:59. | |
Steel? I do it unintentionally sometimes. The whole look came out | :08:00. | :08:03. | |
of the way that my wife told me that I look when I would brush my hair in | :08:04. | :08:07. | |
the mirror. Like when I look in the mirror, I look at myself and she'll | :08:08. | :08:11. | |
go like, why are you going like this? ! I realised it was my mirror | :08:12. | :08:17. | |
face. Obviously, mobile phones have changed the whole thing of | :08:18. | :08:21. | |
photographs. And Martin, I hear you are very happy to have your picture | :08:22. | :08:27. | |
taken. That's what I heard? That's absolute bullshit. I don't know the | :08:28. | :08:31. | |
rest of the sentence. The rest of it now is informed by your reaction, | :08:32. | :08:38. | |
but you never smile. That's because I'm not that happy. The clue is that | :08:39. | :08:43. | |
I'm not really smiling. I don't mind moving images of myself, but yes, | :08:44. | :08:46. | |
still photography I've never quite got the hang of. I don't know what | :08:47. | :08:51. | |
face to pull. Blue Steel, I should try that. But yes, I don't hate it | :08:52. | :08:55. | |
but I'm not very good at it at all, no. But as men, you always feel | :08:56. | :09:01. | |
inadequate in a photo shoot? I sure do, yeah. Definitely don't know what | :09:02. | :09:05. | |
I'm doing in a photo shoot. They must try to make you do terrible | :09:06. | :09:16. | |
things, Jamie? Oh, oh... LAUGHTER From my Naked Chef times, | :09:17. | :09:21. | |
I'm constantly being asked to get my kit off, it's just a nightmare, or | :09:22. | :09:26. | |
juggle fruit and veg and stick them in places and smile and I am | :09:27. | :09:29. | |
smiling, a bit more, let's see those teeth, you know. But one | :09:30. | :09:34. | |
photographer did get you to get your kit off? Er... Well partly it took a | :09:35. | :09:42. | |
while to get the confidence to say no, like J-Lo and say no, but I did | :09:43. | :09:49. | |
an awful shoot. Actually, it was for an American magazine in a bathtub | :09:50. | :09:53. | |
full of sud and fruit I think. It was such the worst picture. I can't | :09:54. | :10:04. | |
imagine what that looks like. APPLAUSE | :10:05. | :10:07. | |
You're a baby! The thing is, I've got four kids | :10:08. | :10:11. | |
now. The next few years when Poppy and Daisy come back and go, "dad, | :10:12. | :10:18. | |
why were you dressed up with that dog" and why "why were you in that | :10:19. | :10:26. | |
gin fruit bowl? " Ben, your new film is, The Secret Life Of Walter Mitty. | :10:27. | :10:30. | |
This is you as an actor and director, out on the 26th December - | :10:31. | :10:37. | |
Boxing Day - obvious obviously St Steven's day. What is the origins of | :10:38. | :10:41. | |
that day? Isn't it when you open your boxes? No. A coal delivery | :10:42. | :10:49. | |
wasn't it, guys? Does anybody know? Does anybody care The family have a | :10:50. | :10:53. | |
fist fight following a terrible Christmas Day. Which is more true. | :10:54. | :10:58. | |
Is it called anything else in America? The Secret Life Of Walter | :10:59. | :11:05. | |
Mitty - oh, Boxing Day, oh, it's called the Day after Christmas. Yes. | :11:06. | :11:10. | |
Listen, the thing about this film is, you talk about the Hobbit being | :11:11. | :11:14. | |
epic, but this is a comedy but also has an epic element to it? Yes, it's | :11:15. | :11:19. | |
a guy going out into the world on this journey, the character is a | :11:20. | :11:23. | |
dray dreamer and he's lives in his head a lot and is forced to go out | :11:24. | :11:28. | |
into the world and is forced to find a negative because he takes | :11:29. | :11:33. | |
photographs for Life magazine. He goes to places like Iceland and | :11:34. | :11:42. | |
places like that. We had hobbit type Vistas. It's all good. | :11:43. | :11:51. | |
We had mountains and stuff. The fantasy elements were big action | :11:52. | :11:57. | |
sequences? Yes. Walter lives in New York and a lot of his fantasies | :11:58. | :12:01. | |
involve him doing things in New York. He has a boss that's really | :12:02. | :12:07. | |
horrible to him and he has a fantasy of fighting the boss in the streets | :12:08. | :12:11. | |
of New York, it's sort of a super hero fight. There was a safety rig. | :12:12. | :12:16. | |
I'm sure you have to do stuff like that. I just didn't use any. Lots of | :12:17. | :12:25. | |
people do, it's fine. This stuff was really dangerous? Well, yeah, if | :12:26. | :12:32. | |
it's an 100 foot dragon. Some of the stuff does look | :12:33. | :12:36. | |
dangerous, but you're directing it, but because you are doing the stuff, | :12:37. | :12:41. | |
you've got stunt people telling you? Yes, once you get there, you work it | :12:42. | :12:46. | |
out and let the coordinate coordinator do it. This ex-marine | :12:47. | :12:52. | |
takes over during those moments And there was a sequence where I jumped | :12:53. | :12:57. | |
into the water in the Iceland sea. Chilly? Yes, very. I was wearing a | :12:58. | :13:02. | |
dry suit which kept my body warm but hands and head when they got wet, | :13:03. | :13:08. | |
got really cold. Yes. We did a shot ready to jump in and there was a | :13:09. | :13:12. | |
fishing trawler behind me. We did it once and I thought we had it and he | :13:13. | :13:16. | |
made me do it again, of course. I said, do we have to and he said "you | :13:17. | :13:22. | |
know, well yes". Made me feel like I was going to be like a pussy or | :13:23. | :13:32. | |
something. Actually, you mentioned that and this is a clip we have | :13:33. | :13:37. | |
This is where the fantasies stop and he's encountering real life? Yes, | :13:38. | :13:41. | |
it's all sort of happening. Here is the clip. | :13:42. | :13:50. | |
There's a fin here I think. It will be a porpoise. I don't think it s a | :13:51. | :13:55. | |
porpoise. It will protect you from the sharks. OK. | :13:56. | :14:03. | |
I'm here. Hey. Hey. OK. That's a shark. That's what I said. | :14:04. | :14:24. | |
APPLAUSE Wow. Listen, The Secret Life Of | :14:25. | :14:30. | |
Walter Mitty is obviously about a man's rich fantasy life. We asked | :14:31. | :14:34. | |
the audience if they had fantasies. Ben, these are going to blow you | :14:35. | :14:39. | |
away. Look at that audience. Imagine the rich fantasy lives they will | :14:40. | :14:44. | |
have. Where's Elaine? Now, let's have a lack at Elaine. Let's get the | :14:45. | :14:49. | |
camera to Elaine. Let's see her That's Elaine. Looks like a regular | :14:50. | :14:53. | |
lady. Wait until you hear her fantasy. This is her fantasy. OK. "I | :14:54. | :14:59. | |
work in a small independent opticians," that's reality, man not | :15:00. | :15:05. | |
fantasy. This is her fantasy. She fantasises that someone would come | :15:06. | :15:10. | |
in and buy all the expensive sunglasses as I know that would | :15:11. | :15:13. | |
really stand me in good stead with the boss. | :15:14. | :15:20. | |
LAUGHTER That's her fantasy. | :15:21. | :15:28. | |
Really swinging through the fences there. | :15:29. | :15:30. | |
She's given herself the freedom to dream and there's nothing wrong with | :15:31. | :15:35. | |
that. No. Good on you, Elaine, keep dreaming. | :15:36. | :15:40. | |
Really amazing. I wouldn't have guessed that looking at you. It s | :15:41. | :15:43. | |
impossible to tell. This next one is a little better. Where's Rita? | :15:44. | :15:49. | |
There's Rita. Look at Rita! She s so frisky. Her fantasy is rubbing olive | :15:50. | :16:01. | |
oil all over Jamie Oliver. She's made it into a recipe. | :16:02. | :16:05. | |
Seasoning him with a dash of salt and pepper. Wow. Would you then cook | :16:06. | :16:11. | |
him? Is that the idea? Absolutely, yes. Olive oil on his cheeks? And a | :16:12. | :16:16. | |
bit more elsewhere. Ooh! Rita, hello! Happy Christmas. | :16:17. | :16:22. | |
May I ask a question? Please do Hello. Hello. Erm, thank you. Would | :16:23. | :16:31. | |
that be extra Virgin olive oil? Without a shadow of a doubt? . Would | :16:32. | :16:36. | |
that be your every day cheap salt or sea salt? Got to be sea salt, | :16:37. | :16:42. | |
nothing else. Thank you. I like the way you imagine you are going to eat | :16:43. | :16:47. | |
yourself. I'm hoping I'm going to be delicious! Made a lot of mar miss | :16:48. | :16:52. | |
that in my time. -- marinades in my time. | :16:53. | :16:57. | |
Where's Lucy? There's Lucy. Hello. Can the person speak their own | :16:58. | :17:05. | |
fantasy. Oh, go! Can I just say, we have been doing | :17:06. | :17:09. | |
this show for 15 years, we have learned that no, they can't. That's | :17:10. | :17:16. | |
why I read them. It's a trial-and-error process and you see | :17:17. | :17:25. | |
Lucy now, incapable. Just looking a little like argh. | :17:26. | :17:29. | |
LAUGHTER I know what you mean, it does seem | :17:30. | :17:34. | |
weird. Nice try. A a lot of them don't speak English. | :17:35. | :17:42. | |
There must be a translator here Lucy. "I fantasise about getting a | :17:43. | :17:48. | |
selfie with Martin Freeman and he smiled in the picture". I think this | :17:49. | :17:57. | |
might be true. Have you got your phone? Come down. | :17:58. | :18:01. | |
Come down. OK. | :18:02. | :18:09. | |
APPLAUSE Are you going to do it yourself A | :18:10. | :18:18. | |
selfie. The definition of a selfie is that you're doing it yourself. | :18:19. | :18:25. | |
Who is that? It's a wrestler. Why the hell do you want a selfie with | :18:26. | :18:30. | |
me? ! If your normal kind of guy is a wrestler? ! It's a fantasy come | :18:31. | :18:36. | |
true. OK, OK. It's not a selfie if she does that. But this is quicker I | :18:37. | :18:42. | |
feel and her hands are shaking. She's smiling. Go on, smile. He s | :18:43. | :18:46. | |
smiling, ladies and gentlemen. Beautiful! Beautiful. You got your | :18:47. | :18:51. | |
selfie. Well done, Lucy. There she goes. . | :18:52. | :18:54. | |
CHEERING AND APPLAUSE Made her fantasy come true! | :18:55. | :18:59. | |
Now, it's fun you to see you smiling though. It's like you are doing a | :19:00. | :19:05. | |
character or something. He doesn't even know me and he thinks I'm a | :19:06. | :19:09. | |
miserable shit. He saw you in that restaurant. | :19:10. | :19:14. | |
Hey, talking of fantasies, the hobbit, the great greatest film of | :19:15. | :19:18. | |
all-time is back. Opened in cinemas today. Last time we saw you, you | :19:19. | :19:27. | |
were about half way to Smaug? Smog you said, not even trying. Is it | :19:28. | :19:35. | |
Smaug? Yes, not smog. In Ireland we say snog. It's indifferent. It's not | :19:36. | :19:41. | |
your accent. Anyway, half way to the dragon's lair? You pick us up where | :19:42. | :19:46. | |
we are very much on the journey facings trialing and tribulations | :19:47. | :19:50. | |
and Bilbo is in a different phase of his life, he's no longer the sort of | :19:51. | :19:54. | |
innocent wide-eyed thing, he's having to get stuck in and do or die | :19:55. | :19:59. | |
really. A lot more action in this one. Yes, there is. In the first | :20:00. | :20:04. | |
film, you had to set up the premise of who everybody is and introduce 13 | :20:05. | :20:10. | |
dwarves for a start. This one we just start running and expect the | :20:11. | :20:15. | |
audience to hopefully know where we are. Seriously, your performance in | :20:16. | :20:19. | |
this, I don't know how you do it, it's so clever. In terms of how the | :20:20. | :20:24. | |
ring is changing Bilbo and it's over such a long period of time? You mean | :20:25. | :20:29. | |
the filming of it Well, all of it, watching it is long, but... | :20:30. | :20:34. | |
LAUGHTER? That was almost a compliment. Of course it's long Do | :20:35. | :20:40. | |
you file away in your head kind of where I should be in my arc or is | :20:41. | :20:45. | |
Peter Jackson defining you? It's a mixture of both. Page one acting is, | :20:46. | :20:51. | |
where have I been and where am I going, so you have to keep a handle | :20:52. | :20:56. | |
on that. From beginning to end it was two-and-a-half years, so it s a | :20:57. | :21:04. | |
long gig. We have a clip. Go on The Desolation Of Smaug. Well said. | :21:05. | :21:08. | |
That better? Yes. Really? Yes, Smaug, as in crowd, yes. It crimes | :21:09. | :21:19. | |
are crowd? Yes, Smaug. Smaug? Yes. Anyway, this is you, Ian McKellen is | :21:20. | :21:25. | |
Gandalf and he's starting to twig that Bilbo is changing. | :21:26. | :21:32. | |
OK. You have changed, Baggins, you are not the same hobbit as the one | :21:33. | :21:37. | |
that lift the shire -- left the shire. I was going to tell you. | :21:38. | :21:48. | |
I... Found something in the goblin tunnels. Found what? | :21:49. | :21:55. | |
What did you find? My courage. Good. That's good. You'll need it. | :21:56. | :22:19. | |
APPLAUSE I look like I'm coming round my | :22:20. | :22:25. | |
uncle's house when I come here, it's like "well done". Very good. Your | :22:26. | :22:29. | |
guys, are you fans of this genre? How much do you love me? ! Loads. | :22:30. | :22:42. | |
You are pretty good. I'm actually a huge fan so I was excited to be on | :22:43. | :22:45. | |
the show and I'm very excited about the new Sherlock season. | :22:46. | :22:53. | |
CHEERING AND APPLAUSE It's not all about me. It's all | :22:54. | :22:57. | |
about Martin. Back on New Year's Day? Correct. It's the 1st, 5th and | :22:58. | :23:02. | |
12th. They are really chucking em out there? Yeah. One of the odd | :23:03. | :23:09. | |
things that Sherlock fans do, when Benedict was here, he was telling us | :23:10. | :23:13. | |
about how they compare him to an otter and it seems unlikely, but | :23:14. | :23:19. | |
here is a classic. Benedict Cumberbatch, and here he is looking | :23:20. | :23:26. | |
like an otter. It does sort of work. Now they've got you compared to | :23:27. | :23:29. | |
another woodland creature. Do you know what is coming? No. You don't | :23:30. | :23:35. | |
follow me on the Internet? ! What's wrong with you? Can you guess what | :23:36. | :23:44. | |
creature he might be? Careful. Other side? Keep it clean. It's It's | :23:45. | :23:53. | |
really unlikely. Cat weasel. Unbelievable. Cat weasel? ! That's | :23:54. | :23:58. | |
not even a creature. It's an old tramp in the woods! | :23:59. | :24:09. | |
No, it is a hedgehog. A hedgehog is not express | :24:10. | :24:18. | |
expressive. LAUGHTER | :24:19. | :24:23. | |
And here is Martin. Here is Martin. You would think a hedgehog couldn't | :24:24. | :24:27. | |
look like that. LAUGHTER | :24:28. | :24:36. | |
Amazing. APPLAUSE | :24:37. | :24:38. | |
Happy hedgehog. Then less happy Martin. Does he have a hedgehog to | :24:39. | :24:45. | |
look like him? Yes, he does. I don't think he looks like a | :24:46. | :24:50. | |
hedgehog at all. Anybody making a face like that could look like a | :24:51. | :24:55. | |
hedgehog. I think Ben's seen through the flaw. Explain this one then | :24:56. | :24:58. | |
This is so specific. OK. OK. Now look at the hedgehog. | :24:59. | :25:08. | |
LAUGHTER I rest my case. OK. If you don't | :25:09. | :25:19. | |
mind, this is the clincher. This is Martin Freeman obvious obviously | :25:20. | :25:23. | |
engaging with fans. How can a hedgehog do this. I'm told this | :25:24. | :25:30. | |
isn't photo shopped. Looks like a mutant hedgehog. | :25:31. | :25:41. | |
A post-apocalyptic thing. APPLAUSE | :25:42. | :25:43. | |
It's Christmas and Christmas wouldn't be Christmas without Jamie | :25:44. | :25:47. | |
Oliver being top of the best-selling book list. Save With Jamie came from | :25:48. | :25:54. | |
your online community, your fans, the forums? Yes. They liked the | :25:55. | :26:00. | |
quick recipes? Yes, but the fans, the people that like to cook, they | :26:01. | :26:04. | |
know what they want and one minute it was speed and the next minute it | :26:05. | :26:08. | |
was delicious food, comfort food that is not going to break the bank, | :26:09. | :26:12. | |
stuff that will help save you money and I kind of thought it was a | :26:13. | :26:16. | |
timely thing in the recession and looking at the average Brit wastes | :26:17. | :26:21. | |
40% of everything we buy, I thought it would be really good for letting | :26:22. | :26:25. | |
me worry about creating the whole book of delicious food where the | :26:26. | :26:29. | |
average cost is about ?1. 30 a portion and rest assured that it's | :26:30. | :26:34. | |
delish. So that's what I did and hopefully people love it. You asked | :26:35. | :26:38. | |
the readers questions throughout the book. For instance, here is one on | :26:39. | :26:43. | |
page 7 0. "Have you ever opened a bottle of wine and not quite | :26:44. | :26:48. | |
finished it? " No! | :26:49. | :26:54. | |
I'm sorry. Jamie, if you did that, how would you know it's time to go | :26:55. | :27:02. | |
to bed? LAUGHTER It's a world turned up side | :27:03. | :27:07. | |
down. But there are some really lovely recipes in there. I try and | :27:08. | :27:11. | |
make them solid and safe and we test the hell out of them and get the | :27:12. | :27:14. | |
public to test them and we get teenagers to test them so, you know, | :27:15. | :27:17. | |
hopefully that's what we are known for, stuff that works. There's | :27:18. | :27:21. | |
nothing more to bring out the anger in the British public or any public | :27:22. | :27:25. | |
when they go shopping for the ingredients and it don't work. The | :27:26. | :27:28. | |
chef world seems very competitive? Very much so. You seem to be fair | :27:29. | :27:34. | |
game for some reason, like Gordon Ramsay's been quite rude about you, | :27:35. | :27:37. | |
why do they pick on you, because you are successful? We used to get on. | :27:38. | :27:43. | |
Did you really? Yeah... But, I don't know what happened really. It's a | :27:44. | :27:49. | |
shame. It is a bit. Oh, I see. Well, it is a bit because when I was | :27:50. | :27:55. | |
a young chef and you are training, there are certain characters that | :27:56. | :27:58. | |
are your everything and you look up and read every word of their books | :27:59. | :28:03. | |
and then when life doesn't quite work like that it's a bit | :28:04. | :28:07. | |
disappointing really. Ben Stiller, you are very woman pettive aren t | :28:08. | :28:17. | |
you? Am I? That's what I hear? Didn't Ping-Pong take over your | :28:18. | :28:20. | |
life? Yes, there was a Ping-Pong table and a tournament developed and | :28:21. | :28:24. | |
I got very competitive and shouldn't have been because I wasn't very | :28:25. | :28:28. | |
good. It was frustrating to be competitive and not be good at | :28:29. | :28:33. | |
something so yes, definitely. But then didn't you train up and decide | :28:34. | :28:37. | |
I'm going to do this? I took some lessons, yes. Table-tennis election | :28:38. | :28:42. | |
sons, did you? Yes, from a person who said they were a pro, yes. I am | :28:43. | :28:52. | |
quite good at table-tennis. You were going to be a professional squash | :28:53. | :28:56. | |
player? I thought easy was going to be until I was 14. As a junior, I | :28:57. | :29:01. | |
was very good, yes. I didn't though there were professional squash | :29:02. | :29:04. | |
players? At the time I was doing it in the 80s, it nearly came | :29:05. | :29:09. | |
Overground and people got known and the national press started picking | :29:10. | :29:13. | |
up on it and my heroes started to be like on things like A Question of | :29:14. | :29:19. | |
Sport and grandstanded and for about five minutes squash was big then | :29:20. | :29:24. | |
went underground again. Do do you use the ceiling also in squash? This | :29:25. | :29:31. | |
is the reason squash was never. . There's no ceiling. You use walls. | :29:32. | :29:36. | |
Like raquet ball? Yes, but with a smaller head and smaller ball. It's | :29:37. | :29:43. | |
meat and drink for you? Yes. Dodge ball, you really did that? Yes, yes, | :29:44. | :29:48. | |
a long time ago, we'd seen dodge ball and my wife was in the scene | :29:49. | :29:52. | |
and I was playing against her in the scene and I had to, you know, nail | :29:53. | :29:56. | |
her with the dodge ball and I, I did. Bang in the face? Yes, which | :29:57. | :30:02. | |
you shouldn't do. I mean it wasn't, I wanted to just get it right for | :30:03. | :30:08. | |
the shot but it was too strong. Was that a quiet drive snoem I don't | :30:09. | :30:12. | |
think we drove home together! I've got work to do, see you back | :30:13. | :30:16. | |
there! Moving on. A lot of cooking talk is | :30:17. | :30:24. | |
taken out of context. It's quite innuendo-laden. If you got all the | :30:25. | :30:27. | |
phrases that Jamie says and stuck them together... Oh, my God. You've | :30:28. | :30:34. | |
probably seen this. So if you listen very carefully, there's visuals as | :30:35. | :30:37. | |
well, but listen very carefully this is what you get. It's Jamie | :30:38. | :30:41. | |
Oliver talks dirty. Hi, guys, welcome to mischief food, | :30:42. | :30:48. | |
pick up a bone. It's not hard, just over centimetrics so it's it's not | :30:49. | :30:51. | |
wobblings. Rub it backwards and forwards again and again and again. | :30:52. | :30:55. | |
Not that there is a rush but you can get a sense of urgency, you can t | :30:56. | :30:59. | |
just sit there playing around, so keep it moving. Don't want to it be | :31:00. | :31:04. | |
wobbly. Keep tossing it off. No point in getting scared now. Rub it | :31:05. | :31:12. | |
all over. Be careful, don't! It -- don't! It all over the place. Second | :31:13. | :31:17. | |
important bit, my cucumber, put it full whack into the burger. Then | :31:18. | :31:23. | |
have a look inside it. Then I'm going to put it in your mouth. Some | :31:24. | :31:27. | |
people love it, some people hate it. Give it a try, don't turn your nose | :31:28. | :31:31. | |
up at it. If you don't like it, you can take it out which is nice and | :31:32. | :31:36. | |
reasonable. But let's not be precious. It doesn't really matter | :31:37. | :31:39. | |
what it looks like. What does matter is that when you eat it, you don't | :31:40. | :31:43. | |
get a massive chunk of cheese. Some people don't like it, some love it | :31:44. | :31:47. | |
because they are used to it. Don't worry about it, just stick it in | :31:48. | :31:52. | |
there and do the best job possible. CHEERING AND APPLAUSE | :31:53. | :32:00. | |
Beautiful. It's music time everyone. But first, Ben you've got to go I | :32:01. | :32:05. | |
do, yes. Sorry, I don't want to leave. What the hell are you doing? | :32:06. | :32:09. | |
Supposed to go to a screening of our movie. Followed by a vegan dinner | :32:10. | :32:14. | |
party. Yes. So, please... I have to answer | :32:15. | :32:17. | |
questions afterwards, that's why I have to go. Oh, OK! I'm not just | :32:18. | :32:23. | |
going to watch. I feel bad. I wanna stay. We've loved having you here. | :32:24. | :32:27. | |
So please say thank you to the fabulous Mr Ben Stiller. | :32:28. | :32:31. | |
Thank you. CHEERING AND APPLAUSE | :32:32. | :32:34. | |
OK. I love this woman's voice, probably up with of the best acts | :32:35. | :32:38. | |
ever to come out of the X Factor. Here she is, Rebecca Ferguson! | :32:39. | :32:54. | |
# I used to hate you so easily. # Look into your eyes so eagerly. # | :32:55. | :33:12. | |
And where there was cold. # I wouldn't walk away. # 'Cause when | :33:13. | :33:21. | |
there's money love is blind. # He's so blind. # But after a time. # I | :33:22. | :33:32. | |
realized that for me to grow. # I've got to let go. # I hope life treats | :33:33. | :33:43. | |
you good. # I hope life treats you good. # I hope, I hope, I hope, I | :33:44. | :33:50. | |
hope, I hope, I hope. # I hope life treats you well. # I hope she treats | :33:51. | :33:55. | |
you well. # I hope, I hope, I hope, I hope, I hope, I hope. # I hope | :33:56. | :34:04. | |
that she is kind. # I hope that she is kind. # I hope, I hope, I hope, I | :34:05. | :34:10. | |
hope, I hope, I hope. # 'Cause after a time you realize that it ain't | :34:11. | :34:14. | |
easy. # 'Cause after a time you realize that you should've believed | :34:15. | :34:27. | |
me. # I hope life treats you good. # I hope life treats you good. # I | :34:28. | :34:33. | |
hope, I hope, I hope, I hope, I hope, I hope. # Loving ourselves | :34:34. | :34:42. | |
comes so easily. # Forgiveness was like the biggest sin to me. # And | :34:43. | :34:47. | |
where there was war. # I wouldn t walk away. # But after a time. # I | :34:48. | :34:55. | |
realized that for me to grow. # I've got to let go. # I hope life treats | :34:56. | :35:08. | |
you good. # I hope life treats you good. # I hope, I hope, I hope, I | :35:09. | :35:14. | |
hope, I hope, I hope. # I hope life treats you well. # I hope she treats | :35:15. | :35:20. | |
you well. # I hope, I hope, I hope, I hope, I hope, I hope. # I hope | :35:21. | :35:27. | |
that she is kind. # I hope that she is kind. # I hope, I hope, I hope, I | :35:28. | :35:33. | |
hope, I hope, I hope. # Hope life treats you good. # I hope life | :35:34. | :35:38. | |
treats you good. # I hope, I hope, I hope, I hope, I hope, I hope. # Used | :35:39. | :35:56. | |
to hate you so easily. # I forgive you | :35:57. | :36:04. | |
# For all that you are #... # | :36:05. | :36:13. | |
Rebecca Ferguson, everybody. Gorgeous. Come over and join me | :36:14. | :36:21. | |
Mwah! Rebecca Ferguson. Have a seat. Hi. Hi. Jamie Oliver. Martin | :36:22. | :36:27. | |
Freeman. Nice to meet you. | :36:28. | :36:31. | |
I love that song. I've been playing it to death on the radio. Thank you | :36:32. | :36:35. | |
so much for doing it. Thank you thanks for having me. Delighted to | :36:36. | :36:38. | |
have you here. That is out now, the single? Yes. It's off the second | :36:39. | :36:43. | |
album which we have waited a while for? I know, I was so busy. You know | :36:44. | :36:48. | |
what though, I finished working on the last album last December and | :36:49. | :36:50. | |
then went straight into writing this album so it seems like I've been | :36:51. | :36:54. | |
away for quite a long time but I have been busy. I believe you, all | :36:55. | :36:59. | |
right! I know you are not sitting at home watching telly picking your | :37:00. | :37:01. | |
nose. All this new stuff, are you touring? | :37:02. | :37:05. | |
Are people going to see you? I'm touring in March in the UK and I'm | :37:06. | :37:09. | |
in Europe in April so I'm busy. In Europe in April? Yes. In the Europe? | :37:10. | :37:17. | |
Yes. Something Sonia said years ago. Oh, which was it? Yes, when she was | :37:18. | :37:24. | |
in the Eurovision Song Contest. I'm in the Europe. Do your Sonia | :37:25. | :37:31. | |
impression - oh, you are doing it! Time for a story from the red chair. | :37:32. | :37:38. | |
Let us see who is up first. Hi. You look a little tense. Relax! Relax. | :37:39. | :37:44. | |
There's a crash mat. What is your name, Sir? Jordan. And | :37:45. | :37:49. | |
where do you live? In London, but I'm from Yorkshire. What do you do | :37:50. | :37:52. | |
in London? I'm a police officer Really? He's a police officer! Very | :37:53. | :37:56. | |
good. What area of the police are you in? Are you a bobby on the beat? | :37:57. | :38:00. | |
A detective. Seems very young to be a detective. | :38:01. | :38:05. | |
Seems very young. You would know, of course. I would know, yes. | :38:06. | :38:10. | |
LAUGHTER Sherlock, you know. | :38:11. | :38:18. | |
Yeah. He looks younger than Rupert Graves. For me, he's too young to be | :38:19. | :38:23. | |
a detective. You wouldn't cast him as a detective? Way too young. If he | :38:24. | :38:28. | |
came round, you would say, they are not going to solve this crime. | :38:29. | :38:32. | |
Unless the crime has taken place in a kindergarten. They stole our | :38:33. | :38:36. | |
trampoline! Ah h. Sorry, I got distracted, | :38:37. | :38:43. | |
Jordan. Officer Jordan, off you go with your story. Cooking a disaster, | :38:44. | :38:49. | |
I apologise to Jamie. My wife's the worst cook ever, but I thought I'd | :38:50. | :38:55. | |
do something adventurous, so I made sausage, mash and veg. Wow. Yeah. I | :38:56. | :39:01. | |
was there mashing away the potato for hours, it felt like, and I | :39:02. | :39:06. | |
couldn't get the lumps out so I thought I would put nit the food | :39:07. | :39:09. | |
bledder thinking I would get the lumps out because that's what that | :39:10. | :39:13. | |
does. It didn't quite come out looking like mashed potato though | :39:14. | :39:17. | |
but I had to no choice but to serve it, at which point one of my friends | :39:18. | :39:21. | |
finally ate the food, in fear as they were, they thought it was | :39:22. | :39:24. | |
Chelseas sauce because it was liquid goo all over the plate. | :39:25. | :39:37. | |
You see, we brief them beforehand and say, tell us the most amazing, | :39:38. | :39:45. | |
most amusing thing that's ever happened in your life! | :39:46. | :39:52. | |
Jordan's a detective. Imagine all the exciting things that happened to | :39:53. | :39:56. | |
that man and he went with runny mash potato! | :39:57. | :39:59. | |
LAUGHTER Wow. Wow. I usually feel sorry for | :40:00. | :40:05. | |
the people you do that to, but that was justified. It really was. The | :40:06. | :40:09. | |
thing that amazed me is, he had a blender. | :40:10. | :40:12. | |
What was he doing with that? ! Must have been a gift. | :40:13. | :40:17. | |
All right, hello. Hi. Hi. You are fine. You are fine. | :40:18. | :40:21. | |
You could be the walker. What is your name? It's Leanne. | :40:22. | :40:32. | |
Where do you live? In a small town called Atherstone not far from | :40:33. | :40:34. | |
Coventry. Ah yes. What do you do there? I m a | :40:35. | :40:38. | |
business analyst. She's a business analyst! | :40:39. | :40:45. | |
Seriously, that's what she does Rebecca, she's a business analyst. | :40:46. | :40:49. | |
Don't look like that! It's a valid job. You are a singer, | :40:50. | :40:55. | |
she's a business analyst. She loves analysing business, it's what gets | :40:56. | :41:01. | |
her up in the morning. Leanne. Delight us with your tale. | :41:02. | :41:06. | |
Right, it's a bit embarrassing actually, I can't... Good! That s | :41:07. | :41:11. | |
the point. Already we are on to a winner if | :41:12. | :41:15. | |
it's better than mashed potato, I'll let you walk! | :41:16. | :41:19. | |
When I was much younger and foolish, I was on holiday with some friends. | :41:20. | :41:25. | |
Oh, yes. We decided one night to go skinny-dipping in the lake. Can I | :41:26. | :41:30. | |
stop you there, already mash potato, you've surpassed. You're naked on | :41:31. | :41:33. | |
holiday. Hurrah! | :41:34. | :41:38. | |
So, I was so desperate to get into the lake so that people didn't see | :41:39. | :41:43. | |
me that I ran as fast as I could, slipped over on the top step, | :41:44. | :41:47. | |
knocked myself out and ended up getting rescued out of the lake by | :41:48. | :41:53. | |
my friends. Wow. I told that on TV. Shall we let her | :41:54. | :42:00. | |
walk? Yes, we'll let you walk. Go on, walk. Go on, Leanne. One more, | :42:01. | :42:06. | |
one more. OK. Last one, here we go. Hello. Hi. What is your name? Yaz, | :42:07. | :42:15. | |
Y-A-Z. All right, I'll write it down. | :42:16. | :42:25. | |
LAUGHTER Where do you live, Yaz with a Z I | :42:26. | :42:30. | |
live in Weybridge. What do you do for a living? Marketing analyst | :42:31. | :42:34. | |
Another one, more of the analysts, they love being analysts, don't they | :42:35. | :42:41. | |
love analysing. OK, use, yes, I got that right, it's Y-A-Z, yes. Off you | :42:42. | :42:47. | |
go, Yaz? This is about my previous job. I had recently started this job | :42:48. | :42:52. | |
and we had this Christmas dinner and there was a huge table and yeah we | :42:53. | :43:00. | |
just sat mixed teams and the sales director, top man, just was sitting | :43:01. | :43:05. | |
next to me and I was like, oh, this is a good opportunity to show off. | :43:06. | :43:10. | |
Anyway, so they were talking about work, you know, they were talking | :43:11. | :43:13. | |
about promotions and everything and I just want to show myself that I | :43:14. | :43:16. | |
know what they are talking about... Glad you did! | :43:17. | :43:23. | |
LAUGHTER Yeah, and then, we get a promotion called one month free so | :43:24. | :43:27. | |
we give customers one month free product. So I turned around to the | :43:28. | :43:32. | |
sales director and said, do you want one night stand instead of one month | :43:33. | :43:37. | |
free? My God. Thank you, Yaz. Well done, | :43:38. | :43:42. | |
everyone. If you would like to join us on the sofa, have a goo, you can | :43:43. | :43:46. | |
contact us via the website at this very address: Thank you, my lovely | :43:47. | :43:52. | |
guests tonight, Rebecca Ferguson. Jamie Oliver. | :43:53. | :43:57. | |
Martin Freeman. Join me next week with Tinie Tempah, | :43:58. | :44:06. | |
Miranda Hart and Julie Walters. Good night, everybody. Bye-bye! | :44:07. | :44:12. |