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Daniel, your cake is delicious. Thank you. But Harry, I'm not so | :00:09. | :00:15. | |
sure about yours. The filling has gone right off. | :00:16. | :00:18. | |
Well... Charming. Let's start the show! | :00:19. | :00:40. | |
CHEERING AND APPLAUSE. Hello. Thank you very much. | :00:41. | :00:52. | |
Thank you very much. Tonight we have all your favourite stars. Top actor, | :00:53. | :00:55. | |
Daniel Radcliffe is here, ladies and gentlemen. | :00:56. | :01:00. | |
TV Burp star, Harry Hill is on the show! | :01:01. | :01:06. | |
The Queen of all baking, Mary Berry is here! | :01:07. | :01:14. | |
Plus, later in the show, we have one Lord aleaping, Andrew Lloyd Webber | :01:15. | :01:21. | |
is here. And, steady, ladies, we'll have music and chat from the legend | :01:22. | :01:25. | |
that is Sir Cliff Richard, ladies and gentlemen! | :01:26. | :01:31. | |
Ooooo... Sorry you are hungover now, aren't | :01:32. | :01:41. | |
you? ! Cliff will be performing a track from his new album which is, | :01:42. | :01:46. | |
ladies and gentlemen, his 100th album. He's got 100 albums. I know. | :01:47. | :01:55. | |
That is an achievement, that is. In true rock'n'roll style, Cliff | :01:56. | :01:57. | |
celebrated by trashing his hotel room. Yes, he did, yes. See, see, | :01:58. | :02:04. | |
look. See. He put the cushion back all wonky, do you see. It's off | :02:05. | :02:10. | |
centre. He's mad, he's wild. Left a huge tip though, yes. Looking | :02:11. | :02:15. | |
forward to seeing Andrew Lloyd Webber again. He recently brought | :02:16. | :02:20. | |
back wizard of Oz back to the stage. I helped him find a Dorothy, but the | :02:21. | :02:24. | |
scare crow, ladies and gentlemen, where's he going to find someone you | :02:25. | :02:31. | |
really believe when they sing if I only had a brain? | :02:32. | :02:34. | |
LAUGHTER The search is over. | :02:35. | :02:40. | |
Andrew will be talking about his new musical, Stephen Ward, all about the | :02:41. | :02:46. | |
Profumo affair in the '60s where a call girl had an affair with a | :02:47. | :02:49. | |
Cabinet Minister. Why not? Members of the Cabinet are so sexy, right? ! | :02:50. | :02:55. | |
Right? I'm guessing lights on is extra! | :02:56. | :03:03. | |
So, I'm delighted to welcome the wonderful Harry Hill. He's written a | :03:04. | :03:11. | |
new musical. I wonder whose will be best, Harry Hill's or Andrew Lloyd | :03:12. | :03:18. | |
Webber's? Only one way to find out! Wouldn't you love it if that | :03:19. | :03:22. | |
actually happened. Harry's musical is all about The X Factor, called I | :03:23. | :03:28. | |
Can't Sing and will feature Simon Cowell. Wonder what it will sound | :03:29. | :03:35. | |
like (Kerching) | :03:36. | :03:38. | |
Got to feed that baby! Always a pleasure to welcome film | :03:39. | :03:42. | |
star Daniel Radcliffe back to the show. He's not just done films, oh | :03:43. | :03:47. | |
no, he's also appeared in a musical. Looking good! | :03:48. | :03:52. | |
Cliff's appeared in a musical. Looking good. | :03:53. | :03:57. | |
Even I've appeared in a musical. Hey... Oh! | :03:58. | :04:07. | |
Let's get our guests on. Harry Hill. | :04:08. | :04:14. | |
Hello, Sir. CHEERING AND APPLAUSE | :04:15. | :04:23. | |
Creator of Food Glorious Food, Mary Berry. There you are. Hello! | :04:24. | :04:31. | |
There you go. Mary, Harry. And Daniel Radcliffe! | :04:32. | :04:43. | |
Hi. APPLAUSE | :04:44. | :04:46. | |
Sit, sit, sit. You look so smart. What a smart guy. | :04:47. | :04:52. | |
I say smart. Daniel. What's going on? Yes. We should probably address | :04:53. | :04:57. | |
my hair, yes. This is what my head looks like now. I'm seeing it on the | :04:58. | :05:00. | |
screen for the first time. Don't look! I'm filming Frankenstein at | :05:01. | :05:05. | |
the moment and playing Egor and this is what his hair looks like. That's | :05:06. | :05:11. | |
not your hair is it? No, it's extensions. Mary is all over you | :05:12. | :05:13. | |
like a rash. Grooming you like a monkey. | :05:14. | :05:20. | |
She did have a play around backstage actually. Can we change the subject, | :05:21. | :05:27. | |
please? ! LAUGHTER | :05:28. | :05:30. | |
Mary Berry, we've been out here for how long, about 30 seconds probably, | :05:31. | :05:40. | |
so I think it's time. So, Harry, Mary and Harry. Thank you very much. | :05:41. | :05:46. | |
So, Mary, what have you brought us? I've brought you nothing. | :05:47. | :05:51. | |
Well, I forgot to buy your book! Nothing? ! I haven't brought you a | :05:52. | :06:07. | |
cake today. Reminds me, I've bought... Would you | :06:08. | :06:14. | |
mind signing for my mum, your book? Most certainly. To Jan. Does she | :06:15. | :06:22. | |
bake? Well, yes. She actually baked our wedding cake when I married my | :06:23. | :06:28. | |
wife. Oh. I Saimaried, we haven't got the papers through from the | :06:29. | :06:32. | |
Philippines yet, but she did bake it. To Jan, keep trying. I mean keep | :06:33. | :06:40. | |
baking. She baked this wedding cake and phoned me and said, how's the | :06:41. | :06:45. | |
wedding cake going on and she said I baked it and it split in two in the | :06:46. | :06:51. | |
oven which is not great. Oh, dear. You can always put them together | :06:52. | :06:55. | |
again, no-one will know when the icing goes on top. She put some | :06:56. | :07:03. | |
chopsticks in and filled the gap with fudge. Sounds delicious. | :07:04. | :07:11. | |
Thank you. That'll make her day. This is a proper, real pen. Very | :07:12. | :07:15. | |
good and posh. Thank you for the compliment and the pen, but we are | :07:16. | :07:20. | |
still married. It's been three weeks now. Lovely. Harry Hill, obviously | :07:21. | :07:27. | |
known from TV Burp, but he's here tonight, not as a TV star, but a | :07:28. | :07:32. | |
movie star! Yes, I'm going to be a big movie star, Daniel! Is there | :07:33. | :07:39. | |
room for one more? Always. You are in a movie called the Harry Hill | :07:40. | :07:44. | |
Movie? Yes, we agonised for a long time. We did quite a few ideas for | :07:45. | :07:51. | |
what to call it, you know. It's a bit route one, the movie. In the | :07:52. | :07:55. | |
end, we had a competition with the team, the crew, as we couldn't | :07:56. | :07:58. | |
really come up with something. We said, if anyone can come up with a | :07:59. | :08:02. | |
better title than that, they would win ?100, Mary. Look at the face. | :08:03. | :08:10. | |
That's a lot. The entries we got, a lot were rude. No! Yes. The crew, | :08:11. | :08:18. | |
basically an anonymous ballot. One was slaphead goes on holiday. One | :08:19. | :08:31. | |
was just, the catering's crap. The Harry Potter titles were all Harry | :08:32. | :08:40. | |
Potter and what the thing was about. That's what we were thinking. Your | :08:41. | :08:45. | |
fans, that makes it clear. Do you think I'll be all right, Mary? I do. | :08:46. | :08:50. | |
Now, Daniel Radcliffe, what we love about you, you've done such a great | :08:51. | :08:54. | |
job of choosing stuff. You have been so busy and made a great choice of | :08:55. | :09:03. | |
the new movie, Kill Your Darlings. It's fantastic. Thank you. You | :09:04. | :09:08. | |
should be proud of yourself. It's a true story and you would think we'd | :09:09. | :09:13. | |
know the story and yet we don't. Tell us why? I play Alan in a film, | :09:14. | :09:20. | |
he goes to Colombia and meets lieus yen who was a founder member of the | :09:21. | :09:25. | |
beat movement that no-one's heard of and after Alan fell madly in love | :09:26. | :09:32. | |
with him, Lucien murdered an older man who he was in love with and it's | :09:33. | :09:37. | |
about how that murder helped to form the beat generation in a way and it | :09:38. | :09:41. | |
was suppressed, this story, for the best part of 06 years by Lucien who, | :09:42. | :09:46. | |
when you see the film, will understand why he wanted the story | :09:47. | :09:51. | |
suppressed. I'm guessing you were offered the part but you didn't say | :09:52. | :09:56. | |
yes -- 60 years? When you are copping out of a big franchise, your | :09:57. | :10:02. | |
name carries a certain amount of value to it for reasons other than | :10:03. | :10:09. | |
acting and I wanted to make sure the direct director wanted me for the | :10:10. | :10:13. | |
right reasons. I asked to audition, he saw me and didn't hate me so I | :10:14. | :10:17. | |
got the part. It's so weird talking to you with that hair. We are all | :10:18. | :10:26. | |
getting used to it together tonight. I feel like saying, what pretty eyes | :10:27. | :10:31. | |
you have. More people are thinking that, I'm not thinking what I | :10:32. | :10:37. | |
thought when I first had it done which was, I look like a young | :10:38. | :10:45. | |
Charles Manson. Good for Egor! Yes. The decadent side of New York here | :10:46. | :10:47. | |
in the film. Here is a clip. What do you hate in the pit of your | :10:48. | :10:55. | |
gut? Institutions. You are an extraordinary man. Why, | :10:56. | :11:28. | |
thank you. CHEERING AND APPLAUSE | :11:29. | :11:37. | |
Outside of the murder element of the story, what I loved was that! That | :11:38. | :11:42. | |
thing of going to college and thinking things for the first time | :11:43. | :11:46. | |
and finding your tribe and stuff? Yes, absolutely. It struck me | :11:47. | :11:49. | |
watching it that, of course, you missed out on that? I didn't go to | :11:50. | :11:53. | |
university in that sense but I do feel like I very much found my tribe | :11:54. | :11:59. | |
tribal thing when I fell into the film industry. I was suddenly | :12:00. | :12:03. | |
somewhere new and felt like I belonged for the first time. But | :12:04. | :12:06. | |
it's about these guys who went to university and have that moment that | :12:07. | :12:09. | |
a lot of people have when they go to university and want to change the | :12:10. | :12:12. | |
world and do great things and the great thing about these guys is they | :12:13. | :12:16. | |
actually did. That's the difference between everyone else's life and | :12:17. | :12:20. | |
theirs. LAUGHTER | :12:21. | :12:22. | |
It's true! It's nothing that somebody else couldn't do | :12:23. | :12:25. | |
necessarily. Wow, you can chill red wine! | :12:26. | :12:32. | |
Some people do go back. Even Emma went back and Natalie Portman. Would | :12:33. | :12:38. | |
you Dover that? I bet you would love university? A lot of people say that | :12:39. | :12:43. | |
to me, but I love filming, I love film sets and being on them and | :12:44. | :12:46. | |
doing plays or whatever, I love my job, so it would mean taking time | :12:47. | :12:50. | |
out of that. Maybe there'll come a time when I don't like my job as | :12:51. | :12:53. | |
much, but I can't see that happening. I love it, make no bones | :12:54. | :13:00. | |
about it. It's like that kid's dream coming true? I got an amazing job on | :13:01. | :13:04. | |
something I love doing and it's sort of like every job I do I think, is | :13:05. | :13:08. | |
somebody going to stop me from doing this one day because that would be | :13:09. | :13:11. | |
terrible. I would say in mitigation, the price you are paying is the | :13:12. | :13:22. | |
hairment -- hair. APPLAUSE | :13:23. | :13:25. | |
Harry, you are a bit of a geek. Harry, this isn't a joke, you are a | :13:26. | :13:29. | |
fully qualified doctor? Yes, I haven't done it for a long time, | :13:30. | :13:36. | |
but... Yes. I am. A medical doctor? Yes, I was a doctor for a couple of | :13:37. | :13:42. | |
years. Would you bump into consultants and say, what are you up | :13:43. | :13:45. | |
to and you have to say you are working with a blue cat or whatever? | :13:46. | :13:52. | |
I remember saying to my teacher, Dr Shipman, I said to him... | :13:53. | :13:58. | |
LAUGHTER No. Cut that out! So imagine there's a medical emergency, | :13:59. | :14:02. | |
for instance, I don't know, Mary might slip into a diabetic coma or | :14:03. | :14:07. | |
something after a cake. You don't snort the cakes, do you? | :14:08. | :14:11. | |
When I'm judging, I have a good piece of cake because otherwise how | :14:12. | :14:15. | |
can I tell. And remember when I'm tasting the cakes, their mothers and | :14:16. | :14:19. | |
aunties and best friends are look looking and if I haven't tasted | :14:20. | :14:23. | |
every one properly, even if it's burnt, I've got to try it. In one | :14:24. | :14:28. | |
episode, how many bits of cake would you eat? Us It depends how many | :14:29. | :14:33. | |
bakers we have left. So episode one? I would have thought it must have | :14:34. | :14:39. | |
been about 40. Wow. Do you think you might have | :14:40. | :14:45. | |
worms, Mary? He's a trained doctor. Do you have an itchy bottom? | :14:46. | :14:51. | |
LAUGHTER Not at the moment. | :14:52. | :14:58. | |
If anyone had a medical emergency, would you step forward and go "I | :14:59. | :15:03. | |
am"? Not now. I have done that on a plane once coming back from | :15:04. | :15:07. | |
Amsterdam. It was a book thing, it wasn't a recreational thing. They | :15:08. | :15:12. | |
made the announcement, any doctors on board and I thought, I won't put | :15:13. | :15:17. | |
my hand up, but in the end they came over to me and sayth said Harry | :15:18. | :15:22. | |
there's someone. So I walked back to the back of the plane and someone | :15:23. | :15:29. | |
had overdosed on what people go to Amsterdam for, not the Anne Frank | :15:30. | :15:34. | |
museum. He was having a panic attack and so I put a calming hand on their | :15:35. | :15:39. | |
shoulder. As I walked back to my seat, the entire aircraft applauded. | :15:40. | :15:46. | |
APPLAUSE Mary, we must talk about BakeOff | :15:47. | :15:50. | |
because it's bigger than ever and moving to BBC One next year? Yes, | :15:51. | :15:54. | |
and we had nine million of you watch it. Wow. Did you and Paul consult | :15:55. | :15:59. | |
about BBC One or did they just come in and tell you? We were told we may | :16:00. | :16:05. | |
move to BBC One, but we weren't consulted, it was a BBC decision. | :16:06. | :16:14. | |
What about the money, Mary? I haven't heard, but it would be nice. | :16:15. | :16:19. | |
Can I mention your name? Don't mention my name, but you should get | :16:20. | :16:22. | |
more money. Thank you for telling me that. Tomorrow morning. Seriously, | :16:23. | :16:26. | |
the final obviously, nine million of us watched that final. Can we be | :16:27. | :16:31. | |
honest, Mary? The final bit of the final, those wedding cakes, they | :16:32. | :16:40. | |
were kiss poor weren't they? LAUGHTER Look at that. That's the | :16:41. | :16:48. | |
winner! It looks like a tipped over bowl of pot pourri. It's, just | :16:49. | :16:56. | |
remember, you didn't taste it. It's not even or anything, all slopy. | :16:57. | :17:03. | |
She doesn't look very happy. She thought, I'm never going to win with | :17:04. | :17:07. | |
this, and then she saw the other ones. I thought, this is going to be | :17:08. | :17:11. | |
amazing, what the amateur bakers are going to do, I'll be blown away and | :17:12. | :17:16. | |
I was like, really, that's it? Takes a long time to make a wedding cake. | :17:17. | :17:20. | |
Longer than they had? Exactly. Somebody who's making a wedding | :17:21. | :17:25. | |
cake, it will take them hours and hours. Don't tell my mum that. Your | :17:26. | :17:32. | |
mum's still sticking ill together. Do you cook? It's really | :17:33. | :17:37. | |
embarrassing, we shouldn't have this conversation with Mary Berry. | :17:38. | :17:44. | |
Perhaps I ought to just pull your hair back. It's like trying to talk | :17:45. | :17:51. | |
to Oz. It's very soft isn't it? Thank you. It's real dead human | :17:52. | :17:58. | |
beings hair. Is it yours? No, it's from, I assume, a dead person or a | :17:59. | :18:03. | |
person that donated their hair. Somebody donated their hair who's | :18:04. | :18:07. | |
had their hair cut off. It was found on a floor! The thing is, Mary | :18:08. | :18:15. | |
Berry, famously, you have now become a fashion icon. It's true. You wear | :18:16. | :18:19. | |
somebody on the show and it sells. I'm not making this up, am I? Well I | :18:20. | :18:24. | |
think often when people are as old as I am, they wear rather dull | :18:25. | :18:28. | |
things and on the programme I always try and have lots of different | :18:29. | :18:32. | |
coloured jackets in bright colours and fun colours and I think that | :18:33. | :18:37. | |
cheers you up. A lot of people when I wear grey and black and things | :18:38. | :18:44. | |
when you... When you're old! You have a nice sparkle tonight? People | :18:45. | :18:48. | |
will be Googling that dress and tomorrow out of the shops, out of | :18:49. | :18:53. | |
the shops! And also a try dress that is suitable for my age, you know. I | :18:54. | :18:58. | |
don't like very short skirts or having bare arms because Paul | :18:59. | :19:03. | |
Hollywood always says you've got a bit of flab here, you want to cover | :19:04. | :19:10. | |
that up. He wasn't just meaning me, but people of my age. | :19:11. | :19:20. | |
The thing is, people obvious obviously will flock to your film, | :19:21. | :19:24. | |
Daniel. A quote on the poster from Mary Berry? That will sell tickets. | :19:25. | :19:29. | |
Yes. We should have called it Mary Berry the movie. Yes. Just make up a | :19:30. | :19:36. | |
quote from Mary Berry, something she says tonight. OK, say great. Great. | :19:37. | :19:47. | |
Nice buns! LAUGHTER There are buns in the film, | :19:48. | :19:51. | |
in fairness. I didn't talk about them. You almost didn't. And I'm not | :19:52. | :19:57. | |
going to. There weren't as many buns as I thought there were going to be. | :19:58. | :20:01. | |
I thought it would be naked all the time. Mary Berry is selling | :20:02. | :20:09. | |
something this year though, a book which I know somebody's mother is | :20:10. | :20:14. | |
getting for Christmas this. Is Recipe for Life and it's your life | :20:15. | :20:21. | |
story. Because you are so vital and so of the moment and this huge | :20:22. | :20:28. | |
television star, I suppose what's surprising is the beginning of the | :20:29. | :20:38. | |
book is like history. Now I feel terrible like Paul Hollywood like | :20:39. | :20:42. | |
I'm being rude. When you look at the pictures and things, it's very... | :20:43. | :20:47. | |
I'm almost a war time baby so it's quite, things were difficult, they | :20:48. | :20:56. | |
were frugal, we didn't have much. This seems unbelievable. Those were | :20:57. | :21:00. | |
farm holidays. We never stayed in a hotel. We used to camp and have farm | :21:01. | :21:06. | |
holidays and I loved them. There is a picture in here that looks like a | :21:07. | :21:10. | |
still from Harry Hill the Movie. Look at that. Amazing. | :21:11. | :21:16. | |
Now, I remember that. Dad was very keen on photography and that was our | :21:17. | :21:21. | |
Siamese cat. He put on the end of that straw a piece of meat and that | :21:22. | :21:27. | |
is why the cat is doing that. Doesn't like milk at all then, is | :21:28. | :21:31. | |
that what you are saying? It couldn't get it from a straw could | :21:32. | :21:37. | |
it? No. I thought Mary was very posh and saying, I'm not having that cat | :21:38. | :21:41. | |
lick a saucer. Use a straw like the rest of the children! | :21:42. | :21:47. | |
Your personal life is in here too. Your husband, he wooed you. I mean, | :21:48. | :21:51. | |
how many times did he ask you to marry him? Quite a few times because | :21:52. | :21:55. | |
he was a rugger player and he always used to go the pub afterwards and | :21:56. | :21:59. | |
then he'd sort of suggest that he might marry me and I was never too | :22:00. | :22:04. | |
sure that perhaps whether he was drunk, but I'm sure he was. | :22:05. | :22:13. | |
Eventually, he went to ask my father for my hand. He went to see my | :22:14. | :22:24. | |
father and, as he drove into the drive, we lived in Bath and he drove | :22:25. | :22:27. | |
into the drive and he ran over one of my father's doves. And it was | :22:28. | :22:34. | |
dead and my father came out of the double doors evidently, I wasn't | :22:35. | :22:39. | |
there, and he said "you silly fool" so Paul was quite quick and thought, | :22:40. | :22:43. | |
perhaps I won't ask, so he came back the next weekend and was working for | :22:44. | :22:49. | |
a company in Bristol and he came with a bin end of a box with wine | :22:50. | :22:54. | |
and things, dumped that on the door, asked for my hand and of course now | :22:55. | :22:58. | |
we are married. What happened to the above? You weren't tempted to put it | :22:59. | :23:04. | |
in a white wine sauce? I could have done, but I was in London. We have | :23:05. | :23:10. | |
been married 46 years. That's one of the poshest anecdotes we have had on | :23:11. | :23:14. | |
the show. Driveway, double doors and a dead dove! | :23:15. | :23:22. | |
LAUGHTER The dove was buried just beneath the har-har. We can't go | :23:23. | :23:32. | |
without celebrating one of our favourite websites which is Cake | :23:33. | :23:37. | |
Wrecks where people have taken pictures of these real cakes that | :23:38. | :23:42. | |
were ordered and paid for. It's a standard thing of you order the cake | :23:43. | :23:46. | |
and goes wrong with the person I think who answers the phone in the | :23:47. | :23:49. | |
bakery. You will get the idea. So, for instance, here is a classic. | :23:50. | :23:52. | |
Thanks for a great year in purple. And yet they've got it so wrong, | :23:53. | :24:06. | |
it's not in purple! This is another again, very | :24:07. | :24:10. | |
straightforward one on the phone bolt botz what do you want on top of | :24:11. | :24:15. | |
your cake, happy birthday with balloons and crap and stuff like | :24:16. | :24:19. | |
that. --. | :24:20. | :24:25. | |
They say, what do you want on your cake. I want sprinkles. | :24:26. | :24:34. | |
Here is the thing. Nothing can go wrong, you go in with a memory stick | :24:35. | :24:40. | |
and you say, can you put this on a cake. Oh, no. | :24:41. | :24:48. | |
To be fair, they did a pretty good job of that. Nicely executed. | :24:49. | :24:59. | |
LAUGHTER A couple of designs with the skill - skill is not the issue, | :25:00. | :25:05. | |
but taste. I mean who, is going to be the first person to cut into this | :25:06. | :25:12. | |
cake? Roasted dog. You know, a cake is a | :25:13. | :25:18. | |
cake. Who wouldn't want to eat a nice slice of cake. Wait till you | :25:19. | :25:24. | |
see this cake. That's a cake! | :25:25. | :25:33. | |
You know what, "I'm full". And finally, surely there's nothing | :25:34. | :25:37. | |
nicer than a cake to celebrate the arrival of a baby. | :25:38. | :25:46. | |
All the cakes. There you go! We talk too long. We must hurry up. | :25:47. | :25:56. | |
Harry Hill, you have made a film. This is the Harry hill Movie on 20th | :25:57. | :26:01. | |
December it's out. We don't want to spoil it for people, but the plot? | :26:02. | :26:06. | |
Based on a true story about me living at home with my nan played by | :26:07. | :26:11. | |
Julie Walters and a honourable memberster is given only a week to | :26:12. | :26:16. | |
live by the vet so I ask him what he wants to do and I think that he says | :26:17. | :26:22. | |
go to Blackpool but because I don't speak much hamster - I don't know if | :26:23. | :26:27. | |
you speak it - sorry it was a Guinea pig, he says I want to meet Rihanna | :26:28. | :26:32. | |
and we misinterpret it and we head off on a trip to Blackpool. Along | :26:33. | :26:36. | |
the way, he gets exposed to radiation and becomes 150 feet tall | :26:37. | :26:41. | |
and I fall in love with a girl covered in shells played by Sheridan | :26:42. | :26:47. | |
Smith. And I am fighting my evil twin brother, Otto, who was | :26:48. | :26:51. | |
separated from me at a very young age brought up by Alsatians. Based | :26:52. | :26:58. | |
on a true story, as I say. Yes. It's a story that needed to be told. | :26:59. | :27:05. | |
It's a simple scene really isn't it? Yes. Sull tried it yet? We had a | :27:06. | :27:14. | |
test screening. It was really good. You know about test screenings, you | :27:15. | :27:18. | |
play the rough cut of the film in front of an audience. Yes. And one | :27:19. | :27:24. | |
lady said, because the hamster is supposed to be my childhood hamster, | :27:25. | :27:27. | |
so technically the hamster would be about 30 years old, I suppose, and | :27:28. | :27:32. | |
we know they only live to about three. She goes, hang on a minute, | :27:33. | :27:40. | |
how hold's this -- how old's this hamster supposed to be, she said it | :27:41. | :27:45. | |
would make a lot more sense if it was a tortoise exposed to radiation | :27:46. | :27:50. | |
and was 150 feet tall. So that was really useful. Yes. There are | :27:51. | :27:56. | |
special effects but some of the things that are real. Yes. The | :27:57. | :28:12. | |
Dachsunt? Yes, the Jackson Five tribute. Michael and Tito and little | :28:13. | :28:26. | |
Afro-s. ? Real dachshunds wearing wigs and they dance around. He's | :28:27. | :28:31. | |
moonwalking that one. We had one when I was a child and | :28:32. | :28:35. | |
because there was petrol rationing my father had a motorbike and Rupert | :28:36. | :28:39. | |
used to be put inside his jacketed and the buttons done up and he'd | :28:40. | :28:44. | |
drive to work with Rupert the dachshund in his coat. Can you | :28:45. | :28:47. | |
imagine. You would be stopped now, wouldn't you? And rightly so, Mary! | :28:48. | :28:57. | |
Political correctness gone mad, it's not that, it's just common-sense | :28:58. | :29:03. | |
needed. This is a taster of some of what you can expect. Calling it the | :29:04. | :29:09. | |
Harry Hill Movie was a good idea because it really is. | :29:10. | :29:12. | |
Get ready for the story of two brothers, one raised by his nan. The | :29:13. | :29:23. | |
other by wild animals. He was brought up by Alsatians? Oh, yes, | :29:24. | :29:27. | |
it's more common than you'd think. Any idea what it's like to have to | :29:28. | :29:32. | |
lick your own bum just to fit in? What? And the fight for their | :29:33. | :29:38. | |
hamster. Are you all right? The adventure on the big screen. Nan | :29:39. | :29:45. | |
nan, how many times, no strip agrammes on a week night. -- | :29:46. | :29:53. | |
strip-a-grammes on a week night. My next guest, simply is the most | :29:54. | :29:58. | |
successful composer of musicals the world has ever known. Please welcome | :29:59. | :30:07. | |
Andrew Lloyd Webber. Hello, hello, hello, how are you? | :30:08. | :30:12. | |
Andrew Lloyd Webber. Andrew, it's exciting times because | :30:13. | :30:24. | |
the West End is welcoming a brand-new Andrew Lloyd Webber | :30:25. | :30:28. | |
musical. Steven Ward. I saw the very first preview and I just loved it, I | :30:29. | :30:33. | |
thought it was great but it seemed to slick and done. Are you changing | :30:34. | :30:36. | |
a lot between now and the opening night? No. OK. Fair enough. Not | :30:37. | :30:42. | |
really. Hopefully not. Although there's a book about Steven Ward | :30:43. | :30:47. | |
that just come out last week which said he was murdered which means | :30:48. | :30:50. | |
that I'm going to have to change the end if it's true. That is extremely | :30:51. | :30:55. | |
irritating. Anyway, you know... It opens on the 19th December? Yes. And | :30:56. | :31:02. | |
reunites you with the Sun set boulevard team? Chris and Don, yes. | :31:03. | :31:09. | |
Exciting for me really because Sun set was one of my favourites | :31:10. | :31:15. | |
actually. Stephen Ward is a grown-up subject, it ain't Charlie and the | :31:16. | :31:20. | |
Chocolate Factory and it's time, you know. For a long time I wanted to | :31:21. | :31:24. | |
take a subject that was a little out of the ordinary. I didn't know when | :31:25. | :31:28. | |
I started work on this one exactly the hornet's nest I was going to | :31:29. | :31:34. | |
stir up. I hadn't a clue that there was really quite so much anger about | :31:35. | :31:38. | |
what happened to him. And all of the various things which | :31:39. | :31:44. | |
I diverse most people know about, it's about the guy that was the | :31:45. | :31:49. | |
scapegoat for the Profumo affair that brought the Government down. | :31:50. | :31:52. | |
But the Profumo affair is a tiny bit of our story, only about I think 100 | :31:53. | :31:58. | |
seconds of stage time. It's about really how the establishment in a | :31:59. | :32:03. | |
kind of way closed ranks and they had to find a scapegoat. | :32:04. | :32:10. | |
And it was this man, Stephen Ward. One sees it all the time, again and | :32:11. | :32:14. | |
again and again, it's happening around us now. In case you are | :32:15. | :32:20. | |
thinking it sounds dry, it does break taboos, I can't remember the | :32:21. | :32:27. | |
last time I heard of a West End musical with a full-on oernlingy. | :32:28. | :32:35. | |
Yes. What is the orgy song called? You have never had it so good. That | :32:36. | :32:39. | |
was the Conservative Party's election slogan for a while and | :32:40. | :32:45. | |
Private Eye really came up with, you have never had it so often! Uses | :32:46. | :32:53. | |
both lines. This was all at Clifton at the cottage by the water? Some of | :32:54. | :32:57. | |
it was. Stephen Ward rented a cottage and it was indeed by the | :32:58. | :33:01. | |
water. I've been there. Since you can now... Mary, back off, that's | :33:02. | :33:11. | |
not important... With the orgy, you weren't tempted to do one of those | :33:12. | :33:17. | |
looking for Maria-type shows, were you? There was a moment when we | :33:18. | :33:25. | |
couldn't find a girl for Amanda Rice-Davies, a fascinating person to | :33:26. | :33:28. | |
meet. We couldn't find anyone for that. I very near nearly -- nearly | :33:29. | :33:36. | |
rang Graham to say should we do a late-night programme. But it didn't | :33:37. | :33:42. | |
happen. Or you could cruise the web. This is Christine and Mandy, they | :33:43. | :33:48. | |
are in Stephen Ward's flat and celebrating the end of their | :33:49. | :33:50. | |
innocence. # No more wide boys running our | :33:51. | :33:59. | |
lives # We just use our heads and we've | :34:00. | :34:02. | |
got it made # No more bad times | :34:03. | :34:07. | |
# Last year was a bitch # We must find new ways of | :34:08. | :34:16. | |
scratching that itch... # APPLAUSE | :34:17. | :34:18. | |
Well, opens on the 19th, I hope it's a hit, it deserves to be a hit. | :34:19. | :34:22. | |
Andrew, if you are looking for another subject for a musical, may I | :34:23. | :34:28. | |
suggest the BakeOff. Seriously, wouldn't that be a good musical. | :34:29. | :34:42. | |
What should we call it? BakeOff. Bake Cats. The musical will rise and | :34:43. | :34:51. | |
rise. You can have for ya sponge. It's a good idea. It's fantastic, | :34:52. | :34:55. | |
the good. It's music time, everyone. Ladies, | :34:56. | :35:01. | |
are you ready? Mary, steady your nerves. Performing the song, | :35:02. | :35:07. | |
Fabulous from his new album, the the one and only, Sir Cliff Richard! | :35:08. | :35:17. | |
# Well I always knew I was crazy for you. # But now I know you thrill me | :35:18. | :35:27. | |
so. # If this is love. # (oo-oo oo--ooh). # Well it's fabulous. # | :35:28. | :35:34. | |
Your lips close to mine. # I got chills up my spine. # And when we | :35:35. | :35:40. | |
touch. # I thrill so much. # If this is love. # (oo-oo oo--ooh). # Well | :35:41. | :35:47. | |
it's fabulous. # Well I read in a book. # About love and its charms. # | :35:48. | :35:54. | |
But I, I never knew. # 'Til I held you in my arms. # When I hold you | :35:55. | :36:01. | |
tight. # I know, I know I'm right. # 'Cause only you. # Can do what you | :36:02. | :36:10. | |
do. # If this is love. # (oo-oo oo--ooh). # Well it's fabulous. # | :36:11. | :36:14. | |
Well I always knew. # I was crazy for you. # But now I | :36:15. | :36:46. | |
know. # You thrill me so. # If this is love. # (oo-oo oo--ooh). # Well | :36:47. | :36:49. | |
it's fabulous. # Well I read in a book. # About | :36:50. | :37:25. | |
love and its charms. # But I, I never knew. # 'Till I held you in my | :37:26. | :37:29. | |
arms. # When I hold you tight. # Well I know, I know I'm right. # | :37:30. | :37:34. | |
'Cause only you. # Can do what you do. # If this is love. # (oo-oo | :37:35. | :37:38. | |
oo--ooh). # Fabulous. # If this is love. # (oo-oo oo--ooh). # It's | :37:39. | :37:43. | |
fabulous. # Well if this is love. # Well it's fabulous...# Fabulous! | :37:44. | :38:28. | |
album? Yes. Somebody bought one, look, she's waving it at you. Trying | :38:29. | :38:37. | |
to sell it, I'm not sure. I spoke to you on the radio and you are going | :38:38. | :38:41. | |
to do tours? I've been doing them since January and the interesting | :38:42. | :38:44. | |
thing is, although there is a DVD out... Is there a DVD out? ! I've | :38:45. | :38:51. | |
been silly, there we go, yeah... I hadn't actually recorded the album | :38:52. | :38:55. | |
but I wanted to test some of the songs, so five of them I tried it | :38:56. | :38:59. | |
out on audiences and the reaction was terrific and I thought, | :39:00. | :39:03. | |
fabulous, go. By the way, do you know any more corpses, I need some | :39:04. | :39:08. | |
more hair like that? I can get you the number of somebody that does | :39:09. | :39:13. | |
know. I had my hair chopped off because they kept saying it was a | :39:14. | :39:16. | |
wig. So I thought, I'll cut it short and see what they think now. It's a | :39:17. | :39:25. | |
short wig. A short wig! Now, Sir Cliff, there were some | :39:26. | :39:30. | |
rumours this year. Oh. People got very upset, there was a rumour that | :39:31. | :39:36. | |
there would be no Sir Cliff Richard calendar 2014. | :39:37. | :39:44. | |
But happiness, happiness. I don't know where they get... In the | :39:45. | :39:55. | |
cupboard, he has a hidy hole. It's available. It's the Cliff | :39:56. | :39:58. | |
Richard calendar. You look very happy there, but guessing where you | :39:59. | :40:04. | |
are standing, you were possibly suicide suicidal. Awful advertising. | :40:05. | :40:11. | |
Dangerous. Don't play I Spy. I was thinking train but I was also | :40:12. | :40:14. | |
listening out. It's what you want, ladies and | :40:15. | :40:17. | |
gentlemen, it's what you want in a Cliff Richard calendar, lots of | :40:18. | :40:22. | |
nice, traditional poses. There's the Cliff Richard lean. I like this one | :40:23. | :40:26. | |
because actually you are not leaning against anything, I don't think, you | :40:27. | :40:29. | |
have just chosen to lean. There was a pillar there. There was? | :40:30. | :40:34. | |
Yes, they've cropped it. How annoying. Some hands on your keys | :40:35. | :40:45. | |
there. Then the traditional denim fence lean. Denim is very much part | :40:46. | :40:51. | |
of rock'n'roll. As is leaning. April, a very radical lean in April. | :40:52. | :40:57. | |
He's in a street and he's going, what am I leaning on? ! Am I | :40:58. | :41:02. | |
leaning, am I falling? That's air guitar. At the end of the song where | :41:03. | :41:09. | |
you go like that. It's called airplaying. | :41:10. | :41:16. | |
And then, May, ladies and gentlemen. We are on very, very familiar | :41:17. | :41:20. | |
territory. It's everyone's favourite, it is the foot on tree | :41:21. | :41:21. | |
lean. When you are doing a calendar, do | :41:22. | :41:31. | |
you talk about it like this and go, OK, shall we lean... ? No, I think | :41:32. | :41:39. | |
the rumours got out because it's true. Not completely. You hit the | :41:40. | :41:42. | |
nail on the head. How many shapes can I pull with this body? Six? For | :41:43. | :41:53. | |
the next calendar. We need you! APPLAUSE | :41:54. | :41:54. | |
But now, ladies and gentlemen, excited as we are that the calendar | :41:55. | :41:59. | |
is out, that's very exciting, I come with - this is upsetting news - as | :42:00. | :42:03. | |
you know, is this your 35th calendar? Is it? I think it's your | :42:04. | :42:08. | |
35th. You have sold millions and millions and millions of calendars, | :42:09. | :42:13. | |
year in, year out, Cliff top of the calendar chart, ladies and | :42:14. | :42:14. | |
gentlemen. Yes. | :42:15. | :42:32. | |
Number two this year. The pesk pesky One Direction boys. What will they | :42:33. | :42:37. | |
feel if the number two is 73 years old? What are they doing, going to | :42:38. | :42:44. | |
school, whatever, your fans need calendars. Doctors appointments, | :42:45. | :42:51. | |
dentists, cat to the vet. They need them! | :42:52. | :42:55. | |
Is anything going to happen to that calendar? It's just that it's | :42:56. | :43:05. | |
Christmas and my mum... LAUGHTER | :43:06. | :43:13. | |
To Jan. Oh, dear, "to Jan". I don't think I've ever done this on | :43:14. | :43:16. | |
television. Signed a calendar on television. | :43:17. | :43:22. | |
Harry, could you give the calendar to Mary, please. If you were seen | :43:23. | :43:26. | |
with it, look like you are enjoying it I think it's lovely. There you | :43:27. | :43:38. | |
go... CAMERA CLICK. Good luck with the | :43:39. | :43:43. | |
album and the tour. Please thank my guests tonight, Mr Harry Hill, Sir | :43:44. | :43:53. | |
Cliff Richard, Mary Berry, Daniel Radcliffe | :43:54. | :43:57. | |
And Lord Lloyd Webber. Join me next week when we'll have Jessie J, | :43:58. | :44:02. | |
hobbit star Martin Freeman and Ben Stiller, along with Jamie Oliver. | :44:03. | :44:05. | |
Join me then. Bye! | :44:06. | :44:09. |