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This programme contains some strong language. A top of the range Irish | :00:00. | :00:07. | |
model, sexy exterior, looks good with the top down and ladies believe | :00:08. | :00:12. | |
me, it will be the smoothest ride of your life. Let's start the show. | :00:13. | :00:36. | |
Hello! APPLAUSE | :00:37. | :00:46. | |
Hello, hello, hello! Thank you very much. You're very kind. Ladies and | :00:47. | :00:50. | |
gentleman, we have got a packed sofa tonight. Irish actor turned | :00:51. | :00:55. | |
Hollywood star, Colin Farrell is here! I know. Top Gear favourite, | :00:56. | :01:02. | |
Jeremy Clarkson is on the show everybody! Brilliant comic Jo Brand | :01:03. | :01:13. | |
is here! Showbiz legend, Sharon Osbourne is joining us, ladies and | :01:14. | :01:18. | |
gentleman! And providing the music all the way from Canada, the | :01:19. | :01:27. | |
fantastic Arcade Fire. APPLAUSE | :01:28. | :01:31. | |
Great to have Colin Farrell bark on the show, star of so many great | :01:32. | :01:38. | |
movies, like Phone Booth, and here he is in an early role. Men stripped | :01:39. | :01:42. | |
off in the jungle, always macho, hey? | :01:43. | :01:49. | |
I would sooner east a kangaroo testicle. | :01:50. | :01:57. | |
Colin starred in the film version of the American show Miami vice. Here | :01:58. | :02:07. | |
he is as Crockett and here is his partner, Tubbs. No, he's not. There | :02:08. | :02:11. | |
they are together. Not everyone looks that good in a sports car, no. | :02:12. | :02:17. | |
I'm a big fan of Top Gear. I do love the star in a reasonably priced car. | :02:18. | :02:22. | |
They have all sorts of celebrities. They even asked me. They did. I'm | :02:23. | :02:29. | |
very, very busy. So I sent my dog Madge. | :02:30. | :02:33. | |
You may laugh, honestly, she was doing OK until she saw a squirrel. | :02:34. | :02:41. | |
Jarm yip's not just -- Jeremy is not just mad about cars, he loves | :02:42. | :02:45. | |
cycling. It's very popular nowadays. Even David Cameron does it. David | :02:46. | :02:50. | |
Cameron, you are our Prime Minister, why aren't you riding with a helmet? | :02:51. | :02:58. | |
Oh, my mistake, you are. Let's get some guests on. Later on | :02:59. | :03:04. | |
music with Arcade Fire. First, she's my favourite brand of comic, it's Jo | :03:05. | :03:10. | |
Brand. APPLAUSE | :03:11. | :03:18. | |
In a gown. Hello darling. Sit yourself down. It's Jeremy Clarkson! | :03:19. | :03:23. | |
Here he is. I'm here. Hello, Sir. | :03:24. | :03:27. | |
How are you? I'm very well, have a seat, Sir, do. She's got the X | :03:28. | :03:37. | |
Factor, it's Sharon Osbourne. APPLAUSE | :03:38. | :03:45. | |
My Irish eyes are smiling, it's Colin Farrell! | :03:46. | :03:53. | |
CHEERING AND APPLAUSE So nice to see you. You too. | :03:54. | :04:02. | |
A warm welcome to everyone. I'm not normally nervous when I do this | :04:03. | :04:10. | |
show, but I look at that couch and think - trouble! If I were a | :04:11. | :04:15. | |
teacher, I would not seat you together. Why? Jo and Jeremy, did | :04:16. | :04:21. | |
you have beef at some point? Well a small beef. Do you remember years | :04:22. | :04:27. | |
ago... Don't remind him. Oh, I do remember, yes. A talent dinner. Ha, | :04:28. | :04:37. | |
ha, talent, me! Some TV exec, went round the table, Jeremy was opposite | :04:38. | :04:41. | |
me and said let's start with you Jo, how would you improve the BBC. And I | :04:42. | :04:47. | |
said, "Sack Jeremy Clarkson." I did it for a laugh. I said I'd pan all | :04:48. | :04:56. | |
jokes about tap upons which would mess you up. You're good now? We're | :04:57. | :05:01. | |
fine. Sharon, I think we immediate you feud free, you have no beef. No, | :05:02. | :05:08. | |
no, no. Only positive energy into the universe. Very good. It's scary | :05:09. | :05:13. | |
the way you say that. I'm not feeling the positive energy. I'll | :05:14. | :05:20. | |
make you feel better. Gaga was the last one. The gardener? | :05:21. | :05:28. | |
The GaGa. I like my gardener. No, she's lovely. And are you | :05:29. | :05:34. | |
getting on OK with Simon now, that's all good? I never see him, so he's | :05:35. | :05:39. | |
fine. Colin Farrell, you're just Zen now, calm, lovely Colin now. No? You | :05:40. | :05:51. | |
live in a happy place. There's a lot to talk about tonight. You have | :05:52. | :05:56. | |
movie, a book, aI DVD. But we begin down the end with Jo, who ladies and | :05:57. | :06:01. | |
gentleman, is our first and possibly only official panto guest, yes, Jo | :06:02. | :06:07. | |
Brand... APPLAUSE | :06:08. | :06:15. | |
It's Aladdin. It is. Weirdly I'm not Aladdin. Who are you? I am the | :06:16. | :06:22. | |
Jeanie of the ring, cue many jokes about Spinkers. -- sfinkers to. -- | :06:23. | :06:30. | |
sphincters. Apparently there are two genies, I didn't realise that. Who | :06:31. | :06:37. | |
else is in it? Is that Flawless? Do you know Flawless? That was a bit | :06:38. | :06:44. | |
lukewarm. It's pressure to put yourselves under to call yourself | :06:45. | :06:49. | |
Flawless. Who are they playing? Wait for this, they're playing the Peking | :06:50. | :06:54. | |
police force. LAUGHTER | :06:55. | :07:00. | |
Where is it? Yeah, can we get tickets? Where is it? This is | :07:01. | :07:08. | |
exactly why I came here. It's in Wimbledon from December 6 to January | :07:09. | :07:12. | |
12. The role you play, the last time this production was done, it was | :07:13. | :07:16. | |
played by Pamela Anderson. Yes, who bases a lot of her act on me, | :07:17. | :07:21. | |
actually. There's Pamela Anderson in her p costume. Here's you in your | :07:22. | :07:29. | |
costume. Are you singing and dancing? After a fashion. | :07:30. | :07:34. | |
Is it one of those pantos where you do pop songs or traditional songs? | :07:35. | :07:40. | |
We do a mixture of pop songs and traditional songs. What are you | :07:41. | :07:44. | |
giving us? I'm not giving a pop song or a traditional song, at one point | :07:45. | :07:48. | |
I go, # If I were not upon the stage | :07:49. | :07:56. | |
something else I'd rather be # If I were not upon the stage, a | :07:57. | :08:01. | |
pole dancer I'd be # APPLAUSE | :08:02. | :08:06. | |
I love it. You've given it away now. That was my suggestion, they vetoed | :08:07. | :08:13. | |
it. Because of children. That woman doesn't really look like a pole. Or | :08:14. | :08:21. | |
a dancer. Indeed. How does the couch feel about pantos? Where I live, | :08:22. | :08:25. | |
there's an amazing theatre and they put on a fantastic panto every year. | :08:26. | :08:29. | |
We were discussing it at work the other day because Richard Hammond is | :08:30. | :08:33. | |
the sort of person who you know he's going to end up as Buttons. He is | :08:34. | :08:40. | |
going there ultimately. Talking of being in panto, Sharon, you have | :08:41. | :08:50. | |
given... I did tremendous work as a child, you know. You did. It was | :08:51. | :08:57. | |
Cliff Richard, you were with him? Yes and Frank Guyfield. You? I was | :08:58. | :09:06. | |
magnificent as a pigeon. Where was this? At the palladium. Yes. Wow. | :09:07. | :09:15. | |
I've had my time in the theatre. You trained at the Gaiety. Were you in | :09:16. | :09:21. | |
the pantos? No. I don't think they're affiliated. No, I never got | :09:22. | :09:25. | |
the call for panto, no the yet but Christmas is coming up, and I'm not | :09:26. | :09:45. | |
working. True, fingers crossed. Robe Jo's sphincter... I have a slot free | :09:46. | :09:55. | |
time. I could say, "I could be a lad in." Zing! With your bean stalk. | :09:56. | :10:03. | |
Leave it. Leave it. Hey, we must mention... I've heard | :10:04. | :10:10. | |
it's more of a salami. I'm not interested. | :10:11. | :10:14. | |
That's because you're bloody boring, love. | :10:15. | :10:15. | |
Liven up a bit. I'm shutting this down. Jo Brand, we | :10:16. | :10:26. | |
must celebrate the fabulous Getting On, which is now in America. It is. | :10:27. | :10:34. | |
It's slightly upped the glamour combota. -- quota. Were you wined | :10:35. | :10:39. | |
and dined by Hollywood agents? No, I didn't go over there. What, they're | :10:40. | :10:46. | |
making your show and you didn't go? That's right. The cheque can come by | :10:47. | :10:54. | |
post. Have you ever been? To America? No. It's fun. Is that | :10:55. | :11:01. | |
illegal? No. So ignorant, Jo. I am ignorant, Colin, but that's why | :11:02. | :11:04. | |
people like me. There are places in the world that I'd rather go than | :11:05. | :11:12. | |
America. Like? All of them. Every single country in the world is | :11:13. | :11:19. | |
better than America. Burma and the Ukraine, both of which | :11:20. | :11:23. | |
are one billion times better than the United States. | :11:24. | :11:33. | |
Now, talking of acting, Colin Farrell you've acted with some | :11:34. | :11:36. | |
amazing people over the years. Couple of times. Even when you were | :11:37. | :11:41. | |
young, you seemed unintimidated. There's a story of working with | :11:42. | :11:45. | |
Bruce Willis, you were quite to his face. That was intimidating finding | :11:46. | :11:50. | |
a very loud voice. I was cheeky with him. Was it a courtroom scene? Yeah, | :11:51. | :11:54. | |
when he had trouble with that word? Yeah. He was playing the trial judge | :11:55. | :12:00. | |
advocate, I was the defence for the accused. I stood up and with great | :12:01. | :12:06. | |
overacting zeal said, "Objection your honour." He looked at me and | :12:07. | :12:16. | |
went "line". I heard from the monitor, "Overruled" | :12:17. | :12:27. | |
"Overruled" I said to him that day, I said you better go home and have | :12:28. | :12:31. | |
an early night because you have a word to learn tomorrow. To which he | :12:32. | :12:41. | |
responded, "Fuck you, Irish." Better news. Your new film, Saving Mr Banks | :12:42. | :12:46. | |
opens tonight across the country. There's great people in it. We spoke | :12:47. | :12:51. | |
to Emma Thompson last week. Lovely Emma. She's gorgeous. Like you're in | :12:52. | :12:54. | |
a different - well you are in a different film. You play her father. | :12:55. | :13:00. | |
I play her father in flashback. We shot it in two weeks. The scenes are | :13:01. | :13:04. | |
dropped throughout the story, as her upbringing is coming to the fore of | :13:05. | :13:12. | |
her memory. We all assumed the woman who wrote Mary Poppins, we assumed | :13:13. | :13:16. | |
she was born in Britain. No she was born in Australia. She had a fairly | :13:17. | :13:21. | |
traumatic upbringing. When she was 20 she left Australia and redesigned | :13:22. | :13:24. | |
herself and became the quintessential British woman of | :13:25. | :13:30. | |
education and of class and dignity. I think it's interesting because | :13:31. | :13:33. | |
it's a Disney movie and you're not the greatest dad in the world in the | :13:34. | :13:38. | |
film. Not really, no. The film doesn't judge him. You're not the | :13:39. | :13:42. | |
villain of the piece. No he's just a raging alcoholic who can't get his | :13:43. | :13:46. | |
life together and suffers from an awful affliction of Mel collie and | :13:47. | :14:01. | |
-- melncholy and affliction. There's no good-guy, bad-guy in this one. It | :14:02. | :14:06. | |
was a sad part of the story. It's kind of where the Mary Poppins story | :14:07. | :14:10. | |
comes from. Absolutely, what she did and what a lot of artists do, I | :14:11. | :14:16. | |
imagine whether they're painting or writing music or whatever it may be, | :14:17. | :14:21. | |
you channel every experience in your life in various way. What she did | :14:22. | :14:26. | |
with Mary Poppins is she gave the children in that book a chance with | :14:27. | :14:30. | |
their father that she never had. That's why she was so protective of | :14:31. | :14:36. | |
the material. She never wanted Waters Disney to -- Waters Disney to | :14:37. | :14:43. | |
-- Walt Disney to put his saccharin hands all over it. This is you and | :14:44. | :14:52. | |
Travers, her father. It's you trying to make the best of a bad lot and | :14:53. | :14:59. | |
start again. Everybody ready? Yes. See you soon, Katie Nana. Take care, | :15:00. | :15:07. | |
love. Everybody ready. Walking bus, left, right, left, right. Thank you. | :15:08. | :15:25. | |
Left, left, left, right, left. One, two, three, new town, new job, new | :15:26. | :15:35. | |
bank, new life. Come on, my little ducklings. | :15:36. | :15:41. | |
APPLAUSE It's really good. | :15:42. | :15:45. | |
It's a really sweet film. Now you've got your own two little boys now. I | :15:46. | :15:50. | |
do. You're trying to get them into Disney? Into the park? They've been | :15:51. | :15:58. | |
banned of course. No, yeah the films. We're doing the back log. | :15:59. | :16:04. | |
We're going back to lady and the tramp and 101 Dalmations. Are they | :16:05. | :16:10. | |
liking them? Yeah, my little son can't stop singing | :16:11. | :16:15. | |
# We are Siamese, if you please # They'd love the Peking police, love | :16:16. | :16:18. | |
it. Sharon, in your book, in terms of | :16:19. | :16:23. | |
parenting mistakes, there is a brilliant photograph where you left | :16:24. | :16:24. | |
Ozzy holding the baby. LAUGHTER | :16:25. | :16:32. | |
I love that picture. Is that Jack? Actually, it is. | :16:33. | :16:41. | |
Yes. He looks terrified. Even the baby knows - this isn't right. This | :16:42. | :16:46. | |
is not the way it's meant to be. No. I mean, there were times, children's | :16:47. | :16:51. | |
parties, I'm going to the ladies room, come out and I hear all this | :16:52. | :16:56. | |
screaming and Ozzy had rammed about 15 kids into the garden shed. He was | :16:57. | :17:03. | |
doing that face in the shed and that was him entertaining the children. | :17:04. | :17:11. | |
Jeremy, dad of three, are you like a really embarrassing father? Only | :17:12. | :17:21. | |
when I speak. Or move. Or be in the same as them. Yeah, can | :17:22. | :17:27. | |
you imagine how awful it would be to wake up knowing I was your father. | :17:28. | :17:34. | |
Because your eldest girl, is she 18 now? 19. There must be gentlemen | :17:35. | :17:40. | |
caller? There's a current very strong gentleman caller who is from | :17:41. | :17:47. | |
Dublin. Yeah. They love him. Exactly. She's loved up. So she's | :17:48. | :17:52. | |
very happy. Are you very happy or is that weird? Well, of course, it's | :17:53. | :17:56. | |
weird. She was in a pram eight minutes ago. Now she has a | :17:57. | :18:00. | |
boyfriend. But the thing is, I'm supposed to hate him. I always said | :18:01. | :18:04. | |
you can bring anyone you like home, as long as they don't have a | :18:05. | :18:07. | |
motorcycle. If they have a motorcycle I shall set fire to it. | :18:08. | :18:13. | |
And if he buys another one, I shall set fire to that. They won't go on | :18:14. | :18:18. | |
motorcycles. That was the bare bones of it. He doesn't have a motorcycle. | :18:19. | :18:24. | |
He doesn't drive. He hasn't got a clue who I am. He's in a band. He's | :18:25. | :18:29. | |
tremendous. They're a sweet couple. It's great. Don't you find if that | :18:30. | :18:35. | |
person makes them happy, you're happy. She is plainly happy when | :18:36. | :18:40. | |
he's around. That's tremendous news. I adore my children as everybody in | :18:41. | :18:47. | |
the world does. Right answer, yeah. It would be controversial if you | :18:48. | :18:52. | |
went, "Nah, they're all right." You were relatively old to become a mum. | :18:53. | :18:56. | |
I was 43 when I had my first child, yes. Weren't there embarrassing | :18:57. | :19:01. | |
incidents, well moments. Quite a few times I wasn't actually taken to be | :19:02. | :19:07. | |
their mother but a slightly older relative. We took my daughter Eliza, | :19:08. | :19:14. | |
when she was six, she hurt her eye and we took her to A This junior | :19:15. | :19:19. | |
doctor came in and young Australian guy and started explaining | :19:20. | :19:23. | |
everything to my friend, who was with me, then he turned to me and | :19:24. | :19:31. | |
went, "And what does Nan think? Unsurprisingly Nan thought he was a | :19:32. | :19:34. | |
twat. APPLAUSE | :19:35. | :19:43. | |
Now. That happens a lot actually. Now, very quickly, Colin, you're not | :19:44. | :19:49. | |
just a very responsible dad now. You're also very into the fitness, | :19:50. | :19:53. | |
is yoga you're mad on now? Yeah, mad on it. | :19:54. | :19:57. | |
I love it. Seriously. I know. I came in here and looked for a mat. I love | :19:58. | :20:02. | |
it. I do it every day. For how long? An hour. Do you do it by yourself or | :20:03. | :20:07. | |
does someone tell you what to do? Someone tells me and a group of | :20:08. | :20:11. | |
people, strangers in a room. Is it not embarrassing? No. OK. Not when | :20:12. | :20:16. | |
I've done the things I've done, which are highly embarrassing. | :20:17. | :20:21. | |
Breakfast, lunch and dinner. Oh, you saw that, huh? Yeah, several times. | :20:22. | :20:27. | |
I love Sharon. That's the worst thing about making a sex tape is | :20:28. | :20:31. | |
that you can't blame anyone about the bad dialogue. | :20:32. | :20:39. | |
LAUGHTER Who are you to bring that up. Now | :20:40. | :20:45. | |
the salami thing has greater... I saw it all! | :20:46. | :20:53. | |
Listen... Yoga. Yeah, yoga. Positions. So here's the thing, in | :20:54. | :21:06. | |
terms of fitness, I don't know if our LA contingent are aware of this | :21:07. | :21:11. | |
man, he's called Craig ramsy. Do you know him? He's come up with these, | :21:12. | :21:17. | |
basically, in our busy lifestyle... Is he the silence? There was silence | :21:18. | :21:21. | |
after you said his name. Who is he? That's what I'm going to tell you | :21:22. | :21:30. | |
now. He's a fitness expert and he's come up with these workouts you can | :21:31. | :21:34. | |
do in five minutes and it doesn't matter what you're doing. In the | :21:35. | :21:38. | |
office, you can work out. These are just ways of burning calories. Why | :21:39. | :21:44. | |
walk to the printer when you can grape vine. Left in front, left | :21:45. | :21:50. | |
behind. LAUGHTER | :21:51. | :21:58. | |
Work out in the shower. You know when you have a manicure, | :21:59. | :22:07. | |
pedicure? Finishing off with grace and style. Even in the car wash. | :22:08. | :22:15. | |
If they're detailing that car, light touches. | :22:16. | :22:18. | |
LAUGHTER He's brilliant, I just wonder, does | :22:19. | :22:41. | |
he have an app. We've been in touch with him to see if there were easy | :22:42. | :22:45. | |
exercises we could do in a chat show formation. Can I say, I'm a bit | :22:46. | :22:49. | |
worried I might have a stroke. I'm just saying that in case I die on | :22:50. | :22:53. | |
television. I love my husband and I love my kids and goodbye. | :22:54. | :23:00. | |
I'm having an aneurysm just thinking about it. You can get a refund for | :23:01. | :23:05. | |
the Wimbledon theatre. Right now, he's on Skype now. | :23:06. | :23:13. | |
Amazing. Hello. Hi? Hello Graham! Hi am -- hi. | :23:14. | :23:18. | |
APPLAUSE We've been loving your exercises so | :23:19. | :23:22. | |
far. Have you come up with ones we can do on the show without people | :23:23. | :23:26. | |
noticing, just quickly? Let me explain the exercise I'm going to | :23:27. | :23:35. | |
give you today. Can anyone else not hear him? We can all hear him, you | :23:36. | :23:40. | |
have had a stroke. APPLAUSE | :23:41. | :23:45. | |
Do you have an exercise for the couch? Absolutely, let's bring our | :23:46. | :23:54. | |
booty to the front of that couch. I have no idea what you're talking | :23:55. | :23:59. | |
about. Your arse. Come on Sharon, lean back a little bit, hold on for | :24:00. | :24:04. | |
dear life, lift up those legs nice and high for me. | :24:05. | :24:14. | |
For my good girl and naughty girl lift. | :24:15. | :24:24. | |
I love you. You are amazing. You are a naughty, naughty girl, man. You | :24:25. | :24:32. | |
know you haven't been to America... Thank you very much. | :24:33. | :24:39. | |
Bye. Right, now Sharon, you look amazing. | :24:40. | :24:44. | |
You look fabulous. Thank you. APPLAUSE | :24:45. | :24:51. | |
You've been very forth coming in saying that you've had help along | :24:52. | :25:00. | |
the way. Oh, darling, a lot. A lot. Me too. I can tell. Whatever you've | :25:01. | :25:04. | |
had done it's good. It's worked. Yes, I hope. You know what I mean, | :25:05. | :25:08. | |
sometimes people look terrible. But you don't look terrible. If you've | :25:09. | :25:18. | |
had done -- work done really. ? What was the worst procedure? Having my | :25:19. | :25:23. | |
vagina tightened. It was the worst. Did you really? It was just | :25:24. | :25:31. | |
excruciating. What did that entail? Look at the face. What did that | :25:32. | :25:40. | |
entail? I'll show you later. In fairness Sharon, it's only | :25:41. | :25:48. | |
fair... I've had my vagina tightened. I did it at home with a | :25:49. | :25:55. | |
Singer sewing machine. In between having surgery, Sharon | :25:56. | :26:01. | |
has managed to write a book. I did it while I was recuperating, because | :26:02. | :26:05. | |
you can't move, you see, not for a while. So I read, this is your life | :26:06. | :26:10. | |
since 2007. I think oh, well not that much could have happened. Oh, | :26:11. | :26:14. | |
my God! So much has happened to you since 2007. You packed it in in that | :26:15. | :26:21. | |
time. Before we talk about it, you and Ozzy, you're fine now. Yes, yes. | :26:22. | :26:27. | |
It's all good now. Which is great, I'm so pleased. You've been on the | :26:28. | :26:31. | |
show and talked about your marriage. My God it has been tumultuous. It's | :26:32. | :26:36. | |
been a long time. When you've known someone 40 years and then been with | :26:37. | :26:43. | |
them 33, a lot happens in everyone's life. You tried to run him over. He | :26:44. | :26:47. | |
was drunk. He didn't mean it. | :26:48. | :26:51. | |
All these things have happened. And he can't remember it. | :26:52. | :26:59. | |
She's had her vagina tightened. If that's not love. ... I don't know | :27:00. | :27:06. | |
what it! You got through all this stuff and then, on your 30th | :27:07. | :27:10. | |
anniversary, it all fell apart. Yeah. What was it, just that he | :27:11. | :27:15. | |
relapsed, that you couldn't. He had relapsed and it was the combination | :27:16. | :27:20. | |
again of the drugs and the drink and it was like, oh, no not again, I've | :27:21. | :27:26. | |
got ten minutes left and am I going to spend it like this, you know? He | :27:27. | :27:30. | |
moved out. It was over. Yeah. I moved out, yeah. And then, how did | :27:31. | :27:36. | |
you come back together again? Because, it was down to him. He did | :27:37. | :27:41. | |
what he was supposed to do, which is work a 12-step programme and stay | :27:42. | :27:46. | |
clean and sober and that's what he does. So therefore, when you're | :27:47. | :27:51. | |
using, you know, you don't know what you're doing. You become a monster. | :27:52. | :27:56. | |
He stopped because he realised what he was going to lose. Not just me, | :27:57. | :28:01. | |
but everything he would have lost. I've seen you together, I cannot | :28:02. | :28:06. | |
imagine Ozzy without you. Do you know, he says we're like bread and | :28:07. | :28:10. | |
butter. That's what we are. We fit together so perfectly. We're as one. | :28:11. | :28:17. | |
We're a team. It's 40 years. It's like, and the hardest thing I ever | :28:18. | :28:22. | |
had to do was to walk away. But I knew if I stayed, it would have | :28:23. | :28:25. | |
carried on. He would have stayed clean maybe a week, two, and then it | :28:26. | :28:30. | |
would have, oh, she's out, all right, she'll never know I've just | :28:31. | :28:35. | |
drunk a bottle of vodka. She won't know. That's how it goes. When did | :28:36. | :28:40. | |
you sell all his cars? When I found out that he was driving drunk. I | :28:41. | :28:48. | |
just sold every car he had. APPLAUSE | :28:49. | :28:53. | |
Because it's not him, it's everybody else. So as soon as I heard that, it | :28:54. | :28:59. | |
was like, right, nobody has a car. Get him a pair of roller skates. Let | :29:00. | :29:04. | |
him get up a hill with those. I think everyone is delighted that you | :29:05. | :29:08. | |
are back together. You're right, you do seem to, you know, we like you | :29:09. | :29:14. | |
together. You seem to have mellowed. We don't hear stories about the | :29:15. | :29:18. | |
Tiffany boxes being sent any more. No, you just get past all of that. | :29:19. | :29:23. | |
Can I ask, did they have poo in them? Yes. Really? Yes. My God. If | :29:24. | :29:30. | |
Sharon didn't like you, then you would get a Tiffany box. You would | :29:31. | :29:35. | |
have to open it, even if it stank. You have to open a Tiffany box. You | :29:36. | :29:40. | |
do that white satin ribbon, open it up and there's one of Jack's | :29:41. | :29:45. | |
towereds, it -- turds, it was brilliant. He used to say to me, | :29:46. | :29:49. | |
"Mummy, why do you make me poo in a box? I'm just like, "Behave, Jack, | :29:50. | :29:55. | |
keep shitting." APPLAUSE | :29:56. | :30:03. | |
The home spun wisdom. Oh, yes. Television has changed, hasn't it? | :30:04. | :30:09. | |
You're not shy with an opinion. How badly has it back fired? How bad | :30:10. | :30:14. | |
have reactions been? Oh, shocking. I had to punch peers Morgan. I -- | :30:15. | :30:21. | |
Piers Morgan. I broke my finger on him. If I don't get a round of | :30:22. | :30:26. | |
applause on that... APPLAUSE | :30:27. | :30:29. | |
Were you drunk? I'd just come off call my combluf. -- bluff. I thought | :30:30. | :30:36. | |
he is a waste of blood and organs that man. My best was I got pied. | :30:37. | :30:41. | |
Have you ever had a custard pie in your face, when she got me, it was a | :30:42. | :30:45. | |
bloody good shot, about you she put too much sugar in it. It was a | :30:46. | :30:52. | |
banoffee pie. That was quite kind. Who is she? An environmentalist. She | :30:53. | :30:59. | |
didn't like me. I had a better bunch of environmentalists recently who | :31:00. | :31:04. | |
threw horse crap into my rose bed as a protest. That's handy. Thank you. | :31:05. | :31:08. | |
Well, thanks a lot. You've made my roses fantastic. I'm going to drive | :31:09. | :31:13. | |
my Range Rover a bit more and they can throw a bit more. Being | :31:14. | :31:18. | |
environmentalists they might have known. And then shoving a rather | :31:19. | :31:23. | |
delicious, if rather over sugared custard pie in my face. I spend most | :31:24. | :31:28. | |
of my life being beaten up. It is Christmas and sure enough, there's a | :31:29. | :31:34. | |
new Top Gear DVD in the shops. Unbelievable, isn't it (! ) It's a | :31:35. | :31:40. | |
surprise for everybody. This one is called the Perfect Road | :31:41. | :31:44. | |
Trip. What's the idea? I remember coming up with it, we were on a | :31:45. | :31:49. | |
mountain side in the Himalayas, told, miserable and sleeping in a | :31:50. | :31:54. | |
tent. My pillow was full of gravel. We said wouldn't it be fun to drive | :31:55. | :31:59. | |
from Venice to somewhere in the south of France, driving nice cars | :32:00. | :32:05. | |
and stay in nice hotels. So we did. There's no suffering as such. Well a | :32:06. | :32:10. | |
bit, I did rally driving. You've done that. I have. It's terrifying. | :32:11. | :32:15. | |
Unimaginable horror. We have a clip. It's all very sunshine, palm trees, | :32:16. | :32:18. | |
gorgeous, but you get to France and the weather turns. | :32:19. | :32:25. | |
Hammond, do I have to do this? Yeah. It's my thing today and this is what | :32:26. | :32:30. | |
we're doing. So to show what a good sport I am, I obliged. Oh, God. Oh, | :32:31. | :32:47. | |
that hurts. So, discomfort... Oh, that's horrible! Danger. Misery. | :32:48. | :32:59. | |
Cold. Swivelling around at 21mph. Oh, no! I've just had a brown | :33:00. | :33:07. | |
shower. That really was the final straw. | :33:08. | :33:13. | |
APPLAUSE It looks terrible. Have you done | :33:14. | :33:18. | |
that before? Rally driving? Yes. Anyone who can do that is a witch. | :33:19. | :33:22. | |
Could you do it? I'm not saying you're a witch, but I presume you | :33:23. | :33:29. | |
couldn't do it? I am a bloody witch. Could I do what? Rally driving. I | :33:30. | :33:36. | |
have my international rally driving license. Have you? I have. We have a | :33:37. | :33:42. | |
picture of you. Keep yourself entertained. When you're behind the | :33:43. | :33:47. | |
wheel do you suffer from road rage? Erm...... Yeah. Yeah, don't you? No. | :33:48. | :33:53. | |
You do, Jeremy. No, never. You tweet about it. No, well I just put their | :33:54. | :33:59. | |
number plates on Twitter. Who was the cab driver you had? I was | :34:00. | :34:05. | |
getting a cab back from a gig in Hackney, we were at the traffic | :34:06. | :34:09. | |
lights. This car hit us up the arse. Then just drove off because that's | :34:10. | :34:14. | |
how it works in Hackney, apparently. The cab driver turned to me and he | :34:15. | :34:18. | |
said the words that I'd been wanting to hear my whole life. "Do you mind | :34:19. | :34:24. | |
if we chase him, love? That's brilliant. We had a car chase in | :34:25. | :34:29. | |
Hackney for half an hour. It was brilliant. Really fast, wrong way up | :34:30. | :34:33. | |
one-way streets. Sadly, we lost this car and he goes, oh, I'll have to | :34:34. | :34:39. | |
drive you back to south London. 150 quid that cab cost me. | :34:40. | :34:46. | |
APPLAUSE OK. It is time to some music, before | :34:47. | :34:50. | |
we hear the stories in the big red chair, performing their latest | :34:51. | :34:55. | |
single from the international number one album, ladies and gentleman, it | :34:56. | :34:56. | |
is Arcade Fire. # Afterlife, oh my God, what an | :34:57. | :35:27. | |
awful word. # After all the breath and the dirt | :35:28. | :35:35. | |
and the fires are burnt. # And after all this time, and after | :35:36. | :35:43. | |
all the ambulances go. # And after all the hangers-on are | :35:44. | :35:47. | |
done hanging on to the dead lights # Of the afterglow. | :35:48. | :35:54. | |
# I've gotta know. # Can we work it out? | :35:55. | :35:59. | |
# We scream and shout 'till we work it out. | :36:00. | :36:05. | |
# Can we just work it out? # Scream and shout 'till we work it | :36:06. | :36:09. | |
out? # 'Till we work it out, 'till we | :36:10. | :36:13. | |
work it out. # 'Till we work it out, 'till we | :36:14. | :36:19. | |
work it out. # Afterlife, I think I saw what | :36:20. | :36:27. | |
happens next. # It was just a glimpse of you, like | :36:28. | :36:31. | |
looking through a window. # Or a shallow sea. | :36:32. | :36:35. | |
# Could you see me? # And after all this time. | :36:36. | :36:40. | |
# It's like nothing else we used to know. | :36:41. | :36:45. | |
# After all the hangers-on are done hanging on to the dead lights. | :36:46. | :36:51. | |
# Of the afterglow. # I've gotta know. | :36:52. | :37:06. | |
# Can we just work it out? # Scream and shout till we work it | :37:07. | :37:14. | |
# But you say. # Oh. | :37:15. | :37:16. | |
# When love is gone. # Where does it go? | :37:17. | :37:18. | |
# And you say. # Oh. | :37:19. | :37:22. | |
# When love is gone. # Where does it go? | :37:23. | :37:27. | |
# And where do we go? # Where do we go? | :37:28. | :37:38. | |
# And after this. # Can it last another night? | :37:39. | :37:46. | |
# After all the bad advice. # Had nothing at all to do with | :37:47. | :37:50. | |
life. # I've gotta know. Out | :37:51. | :37:58. | |
# Can we work it out # Scream and shout till we work it | :37:59. | :38:02. | |
out # Can we just work it out? | :38:03. | :38:10. | |
# Scream and shout till we work it out. | :38:11. | :38:13. | |
# And you say # Oh | :38:14. | :38:16. | |
# When love is gone # Where does it go? And you say | :38:17. | :38:21. | |
# Oh. # When love is gone | :38:22. | :38:27. | |
# Where does it go? # Oh. | :38:28. | :38:33. | |
# We know it's gone, but where did it go? | :38:34. | :38:37. | |
# Oohhh. # We know it's gone, but where did | :38:38. | :38:42. | |
it go? # Where do we go? | :38:43. | :39:07. | |
APPLAUSE Arcade Fire! Come and join us, do. | :39:08. | :39:20. | |
Hello, Sir, thank you very much. Shove up. Hi everyone. Good evening. | :39:21. | :39:31. | |
Win and Will, very good. New single off the new album Reflektor. It's | :39:32. | :39:35. | |
done so well, number one everywhere. You are the representatives of | :39:36. | :39:41. | |
Arcade Fire. Yeah, it's like we've landed on foreign shores, you send | :39:42. | :39:44. | |
the representatives... To make peace. I think Sharon is our leader. | :39:45. | :39:51. | |
I'm designating you. You've been doing some Giggs here. You were in | :39:52. | :39:56. | |
Blackpool? Yes. All the hot spots. I tell you. | :39:57. | :40:01. | |
They made a fake tower in Paris that looks just like a tower in | :40:02. | :40:05. | |
Blackpool. Crazy. I love Arcade Fire because you put on a show. So many | :40:06. | :40:10. | |
bands don't bother. Look at you, you've dressed up and painted your | :40:11. | :40:14. | |
face and everything. I did this so I can sleep during interviews. | :40:15. | :40:18. | |
Tips you should have learned everyone. | :40:19. | :40:21. | |
Thank you very much for coming in. Thank you for having us It sounded | :40:22. | :40:25. | |
great. Before we go, time for a story in the red chair. Who be | :40:26. | :40:31. | |
there? Hello! Hi. Don't look stressed. It's all fine. Lettuce. | :40:32. | :40:42. | |
-- What's your name? Lettuce. APPLAUSE | :40:43. | :40:47. | |
That's a stupid name. You'd change it. Ridiculous. Who's next now that | :40:48. | :40:57. | |
we've tossed the lettuce - ha, tossed the lettuce! Ha, ha, ha. I | :40:58. | :41:04. | |
just thought of it. Hello. Hi, what's your name? Nathan. Fine. What | :41:05. | :41:11. | |
do you do? Sales. What do you sell? I sell holidays. Ah, so you're like | :41:12. | :41:16. | |
a travel agent? LAUGHTER | :41:17. | :41:23. | |
Thanks for detailing it. Off you go with your story. I'm quite a big | :41:24. | :41:30. | |
Clarkson fan actually. So basically, I like going out for drives. One day | :41:31. | :41:35. | |
I thought, it would be nice to go to the Cotswolds and I went to | :41:36. | :41:39. | |
Clarkson's house and just drove up and down a few times trying to see | :41:40. | :41:45. | |
him and I didn't. That man's a stalker! Stalking me. | :41:46. | :41:56. | |
It is annoying if people do it to you. Did he throw horseshit into my | :41:57. | :42:01. | |
garden? In which case he can go on the chair again. Who's next? Sheila. | :42:02. | :42:06. | |
Hello. How are you? Very well, thank you. Very good. What do you do? I'm | :42:07. | :42:11. | |
a health promotion officer. So many interesting jobs tonight. I can get | :42:12. | :42:16. | |
you doing exercise like you were talking about. Can we see your | :42:17. | :42:21. | |
naughty girl? I will be getting my legs in the air. | :42:22. | :42:29. | |
Sheila, off you go with your tale. One of your guests invited my | :42:30. | :42:33. | |
daughter to a Hallowe'en party when she was about 13. So you have this | :42:34. | :42:38. | |
vision of apple bobbing and spiders, so off we go and there's security | :42:39. | :42:43. | |
guards and dogs and big black hands blown up ten foot either side of the | :42:44. | :42:49. | |
front door. You go in the house and there's ghouls and ghosts. . | :42:50. | :42:53. | |
Daughter was terrified. Then vision, cue the music and out of the ghouls | :42:54. | :42:59. | |
and monsters comes a nun, does anybody recognise me? Is that you? | :43:00. | :43:05. | |
Yes. It was Sharon. It's another stalker. Why were you invited to her | :43:06. | :43:10. | |
party? Because our kids were at school together. Our kids played | :43:11. | :43:17. | |
together. Well done, it was dull. APPLAUSE | :43:18. | :43:22. | |
It wasn't really a story at all. Well done everyone. If you'd like to | :43:23. | :43:27. | |
join us and have a go in the big red chair, you can contact us on our | :43:28. | :43:31. | |
website. Thank you to my guests tonight, Arcade Fire! Jo Brand! | :43:32. | :43:39. | |
Jeremy Clarkson! Sharon Osbourne! And Colin Farrell! Join me next week | :43:40. | :43:46. | |
with pop legend, Sir Cliff Richard, composer Andrew LLoyd-Webber, | :43:47. | :43:53. | |
comedian Harry Hill, bake-off Queen, Mary Berry and actor Daniel | :43:54. | :43:59. | |
Radcliffe. See you then everybody, bye-bye. | :44:00. | :44:05. |