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Tonight, the 50ening -- 50th anniver... Oh, no, I think I'm | :00:00. | :00:18. | |
regenerating. CHEERING | :00:19. | :00:23. | |
On the show tonight... Oh, it's happening again. | :00:24. | :00:31. | |
That's better, on the show tonight, we celebrate the 50th anniversary | :00:32. | :00:37. | |
of... Oh, no, blimey, here we go again. I tell you what - let's just | :00:38. | :00:40. | |
start the show! CHEERING AND APPLAUSE | :00:41. | :01:09. | |
Welcome one and all. Lovely to see you. | :01:10. | :01:10. | |
CHEERING That's so nice. Thank you so much. | :01:11. | :01:15. | |
We have a show-and-a-half for you tonight. To help celebrate the 50th | :01:16. | :01:22. | |
anniversary, we will be joined by two doctors. Matt Smith is here, | :01:23. | :01:26. | |
ladies and gentleman! And the gorgeous David Tennant is on the | :01:27. | :01:33. | |
show! Yeah. Oscar-winning Hollywood star, Emma Thompson be here! | :01:34. | :01:40. | |
Hillarious comic Jimmy Carr is on the show! The country's famous | :01:41. | :01:46. | |
singer, Robbie Williams, is here, ladies and gentleman! I'm very | :01:47. | :01:53. | |
excited to tell you that he'll be performing exclusively later in the | :01:54. | :01:57. | |
show, with the one and only Olly Murs! I know. A bit of a dew t. | :01:58. | :02:07. | |
Looking forward to seeing Robbie again. Did you all see Robbie on the | :02:08. | :02:14. | |
X Factor? It was good. Look at that! Do you know what I mean, that is | :02:15. | :02:18. | |
incredible, that set. Hand crafted boat, proper sails, rigging, all to | :02:19. | :02:24. | |
give it that nautical theme. Other people made less of an effort. | :02:25. | :02:33. | |
LAUGHTER "You're a world-class performer. You | :02:34. | :02:40. | |
made it your own, Robbie." Robbie such an entertainer. He has | :02:41. | :02:44. | |
done some out-there routines over the years. You do look at that and | :02:45. | :02:50. | |
think what happened to that girl's bra and nickers? -- knickers. Can't | :02:51. | :03:00. | |
wait to meet Emma Thompson. Recently she played the Queen in the TV drama | :03:01. | :03:04. | |
Walking the Dogs. It's all about when Her Majesty was woken by a | :03:05. | :03:07. | |
strange man trying to get into her bedroom. "Wake up Lizzie, it's our | :03:08. | :03:15. | |
anniversary." LAUGHTER | :03:16. | :03:18. | |
I especially like the scene where she first met Camilla. Do we have a | :03:19. | :03:24. | |
picture? Yeah, we do. LAUGHTER | :03:25. | :03:31. | |
She's out on a Friday! She doesn't watch it. Emma starred with Arnold | :03:32. | :03:35. | |
Schwarzenegger in Junior. Now I don't know if you remember that film | :03:36. | :03:41. | |
was all about a man having a baby. Quite unrealistic, because if a man | :03:42. | :03:44. | |
was actually having a baby, he'd have water retention, get all | :03:45. | :03:52. | |
bloaty, you know... APPLAUSE | :03:53. | :03:58. | |
let's get some guests on! Later we have the two doctors, first fasten | :03:59. | :04:04. | |
your seat belts, it's Mr Jimmy Carr! Suited, booted, lovely. | :04:05. | :04:09. | |
APPLAUSE Let him entertain us, it's Robbie | :04:10. | :04:13. | |
Williams everybody! CHEERING AND APPLAUSE | :04:14. | :04:23. | |
Gorgeous. Hello, Sir. It's the supercalifragilisticexpialidocious | :04:24. | :04:25. | |
Emma Thompson! CHEERING | :04:26. | :04:40. | |
Showbiz kissing all very good. Snake skin as well. Python. Beautiful. | :04:41. | :04:51. | |
That's just one python on each leg. Yes I evicerated them myself. Pull | :04:52. | :04:57. | |
out the body and pull them on. Me and gym yip said, we definitely | :04:58. | :05:05. | |
would. Even I might. LAUGHTER | :05:06. | :05:07. | |
So long as I could see the Oscars from where I was. I could wear them | :05:08. | :05:14. | |
as earrings. That would be nice. Emma Thompson, congratulations | :05:15. | :05:20. | |
because recently, what an honour, because everyone thinks you buy the | :05:21. | :05:29. | |
star in the holly walk of fame. You got the hand prints. I did. They get | :05:30. | :05:33. | |
you to dress up, then they present you with a square yard of wet cement | :05:34. | :05:38. | |
and invite you to stick body parts into it. Don't you think that's | :05:39. | :05:43. | |
eccentric? I think you're on all fours. It seems like quite a solid, | :05:44. | :05:49. | |
steady position. I have found it so, in the past. | :05:50. | :05:58. | |
LAUGHTER Yet, this happened. Because I was | :05:59. | :06:13. | |
mucking about as usual. Because the press suck any moment of joy out of | :06:14. | :06:16. | |
those moments, they said she's fallen over, when they knew fine | :06:17. | :06:21. | |
well, I was doing it you know, oh, my God. You're not a big fan of LA. | :06:22. | :06:28. | |
You don't like spending that much time there. I like LA, but it's a | :06:29. | :06:31. | |
funny old place. It's a strange place. As soon as you get there you | :06:32. | :06:38. | |
think, oh, my God, my bum looks big in this, meaning LA. It's true. This | :06:39. | :06:42. | |
is the problem. I've lived there for a long time. They say if you sit in | :06:43. | :06:49. | |
a bar bore shop for long -- barber shop for long enough you're going to | :06:50. | :06:56. | |
get a hair cut. If you live in LA for long enough you are going to | :06:57. | :06:59. | |
have surgery. I've had a thatch done. I didn't even need it. I had | :07:00. | :07:05. | |
three months off, I got bored. It's like, oh, well, I'll go in. Is that | :07:06. | :07:13. | |
new hair? No, I've got some round the side. Because they've got the | :07:14. | :07:17. | |
colour wrong in the front. I've got some round the side done and I | :07:18. | :07:21. | |
didn't need it. That's what I'm saying about Los Angeles. They're | :07:22. | :07:25. | |
very conscious of how everybody looks. Yeah. They all look the same. | :07:26. | :07:30. | |
There's a hierarchy. There's the star system thing, which we don't | :07:31. | :07:33. | |
really have here, thank goodness. I don't like that. They'll always find | :07:34. | :07:37. | |
a way of making you feel bad. There's always some VIP in | :07:38. | :07:42. | |
closure... That you're not in. You think you're in an important bit and | :07:43. | :07:47. | |
you're not in the most important bit or your ticket is green, when the | :07:48. | :07:52. | |
really important ticket is pink. They find ways of making you feel | :07:53. | :07:55. | |
less than or more than all the time. I don't approve of that. The amount | :07:56. | :07:59. | |
of times I've turned up to places and the look on people's faces and | :08:00. | :08:05. | |
they realise I'm not Robin Williams... | :08:06. | :08:09. | |
LAUGHTER Seriously. No, sorry, it's me. All | :08:10. | :08:16. | |
the time. We knew you in this country as an actress. Then you went | :08:17. | :08:20. | |
to Hollywood and we saw you in what seemed at the time surprising films, | :08:21. | :08:24. | |
like you showed up in Junior with Arnold Schwarzenegger. That was fun, | :08:25. | :08:29. | |
actually. Was that fun to do? He was actually orange, Arnold. He was | :08:30. | :08:33. | |
truly orange. I believe there are a lot of them about here, now. I blame | :08:34. | :08:40. | |
Simon Cowell. He was very nice. Very courtly in a way, Austrian and | :08:41. | :08:48. | |
courtly. Can he act? No, no, no. APPLAUSE | :08:49. | :08:55. | |
But he was very honest about that. Your new film, Saving Mr Banks, I've | :08:56. | :09:01. | |
seen it. It's just brilliant. Oh, thanks. So good. Thank you very | :09:02. | :09:06. | |
much. It opens next Friday, November 29. Yes. You're playing PL Travers | :09:07. | :09:18. | |
who wrote Mary Poppins. Tom hanks plays Walt Disney. Here are you at a | :09:19. | :09:24. | |
premiere. You see! I can't help it. LAUGHTER | :09:25. | :09:34. | |
I just can't, you know. Put the banana down. I thought these | :09:35. | :09:39. | |
would be good props for later. Lovely. They look good on you. Do | :09:40. | :09:45. | |
you want one, darling? Thank you. It's a story of getting Mary Poppins | :09:46. | :09:50. | |
to the screen, but also the story of where the Mary Poppins story came | :09:51. | :09:56. | |
from. Sort of thing, yes. How long had Disney been asking for the | :09:57. | :10:00. | |
rights? 20 years they asked and she was incredibly snobby, thought film | :10:01. | :10:05. | |
was rubbish, thought everything that Walt Disney had done was rubbish, | :10:06. | :10:09. | |
hated cartoons and hated Hollywood and didn't want Mary Poppins to be | :10:10. | :10:13. | |
turned into a pretty woman who sang, which is of course what happened. | :10:14. | :10:18. | |
She just was very attached to the character because she'd had a | :10:19. | :10:24. | |
horrible childhood and I think a lot of child authors have wounded | :10:25. | :10:28. | |
children inside that they're trying to help. Then there's this weird, | :10:29. | :10:36. | |
very 21st century paranoia about her in that she insisted that all the | :10:37. | :10:41. | |
meetings with the writers were taped. Yes, I had to listen to them. | :10:42. | :10:45. | |
It was like poking hot forks into my ears. It was endless. She was vile | :10:46. | :10:49. | |
to them and they hated her. They really did hate her. The existed | :10:50. | :10:55. | |
Sherman brother talks about how she was vile. She was. It's a | :10:56. | :10:58. | |
fascinating character to play. She's in the a wife or a mother. She's a | :10:59. | :11:03. | |
very powerful biddy who has turned up in Hollywood in a good pair of | :11:04. | :11:09. | |
shoes and gone "No, I think you're all rubbish. " To someone who got | :11:10. | :11:12. | |
everything he wanted all the time. It's a great clash of personalities. | :11:13. | :11:16. | |
If you go to watch the film, stay to the end, of course, you will... Yes, | :11:17. | :11:27. | |
do try and stay till the end. Stay to the end, Graham Norton. During | :11:28. | :11:36. | |
the end credits, they actually play some of the real tapes. We've got a | :11:37. | :11:41. | |
clip. This is from the movie, which opens next Friday, the 29th. This is | :11:42. | :11:47. | |
you working with the Sherman brothers and being objectionable. | :11:48. | :11:52. | |
Giver it a whir. What's happening? What are you doing? All right ladies | :11:53. | :12:03. | |
and gents, a poem suitable for the occasion, thought up before your | :12:04. | :12:09. | |
very eyes. All right, here we go. # A room here for everyone | :12:10. | :12:13. | |
# Gather around # Constables responstible... No, | :12:14. | :12:22. | |
responstible is not a word. We made it up. Well, unmake it up. | :12:23. | :12:35. | |
APPLAUSE It's really good. | :12:36. | :12:44. | |
Was Mary Poppins famous before that then, was it a hit before? Yeah, | :12:45. | :12:49. | |
yeah. Absolutely it was famous. That's a real perm by the way. Did | :12:50. | :12:54. | |
you have to walk around with that? I had to walk around with that for | :12:55. | :12:59. | |
months. We think it really suits you. You look better there. | :13:00. | :13:05. | |
I look like a baby woolly mammoth. There are parallels to Miss | :13:06. | :13:11. | |
Thompson's life in that you too have created a magical nanny, Nanny | :13:12. | :13:16. | |
McPhee. As my husband said, "You've written about a magical nanny and | :13:17. | :13:21. | |
now you're playing someone who has written a magical nanny. I wonder | :13:22. | :13:27. | |
behind every magical nanny there's a rancid, bitter, can tank Russ old | :13:28. | :13:34. | |
nag." To do that, to be in Nanny McPhee, how long does that take? | :13:35. | :13:38. | |
Slightly less long than it takes me to look like this. | :13:39. | :13:45. | |
APPLAUSE Upsettingly. | :13:46. | :13:50. | |
You're in Hollywood now, you're getting Oscars and things, do you | :13:51. | :13:55. | |
have to do things? What do you do to maintain the whole thing? Look at me | :13:56. | :14:02. | |
- I don't do anything. I'm normal. I wouldn't do anything really. You're | :14:03. | :14:08. | |
very lucky normal. It's psychotic having your body opened up by | :14:09. | :14:12. | |
someone and putting things into it. That's not psychotic, that's a | :14:13. | :14:16. | |
Saturday night. Injecting yourself with poison and opening your body up | :14:17. | :14:22. | |
to other people - come on. Can I get an eye lash off here. Go on then. | :14:23. | :14:27. | |
That's pretend. I think it's a lycra eye lash. Make a wish. You can wish | :14:28. | :14:35. | |
on lycra. Now Robbie, what are you singing later? I Wanna be Like You. | :14:36. | :14:42. | |
I know that's a duet. You're not singing alone. No, I'm not. I'm with | :14:43. | :14:50. | |
somebody I love very much. Can you sing, by the way? No, I can't. At | :14:51. | :14:58. | |
all? No. It's never stopped me. LAUGHTER | :14:59. | :15:07. | |
Mr Olly Murs! The song is from the new album, which is Swings Both | :15:08. | :15:14. | |
Ways. It's such a good title. A really good title. It's in shops and | :15:15. | :15:19. | |
on computers and things now. The songs, you wrote a lot of the songs | :15:20. | :15:25. | |
around the time that Ida was pregnant and after Teddy was born. | :15:26. | :15:29. | |
Do you have more of a sense of your legacy, what your daughter will | :15:30. | :15:43. | |
think of daddy? I think I'm quite an unconscious Persian! ? This is | :15:44. | :15:49. | |
daddy. Daddy is always going to be say first and think second. Sorry. | :15:50. | :15:55. | |
Yeah we were writing about the time she was born. I always see songs as, | :15:56. | :16:05. | |
certain songs that I write as being promise that's I make. I made one | :16:06. | :16:12. | |
promise to Ida on a promise on a song called I Won't Do That To You, | :16:13. | :16:17. | |
about not breaking her heart. As soon as I sung it that was sealed. | :16:18. | :16:24. | |
Then I wrote Go Gentle for Teddy, for all your days and nights I'm | :16:25. | :16:27. | |
going to be there. That's my seal and my promise. I was always... I've | :16:28. | :16:34. | |
been really self, a pop star since I was 16. I've of everything done for | :16:35. | :16:40. | |
me. I know relatively little. Now I have to look after this little | :16:41. | :16:43. | |
person. I was terrified I wouldn't be up to it. Dads really connect | :16:44. | :16:47. | |
with the song. More than any other song that I've ever done, people | :16:48. | :16:53. | |
stop in the cars, roll down the window. It feels like the song has | :16:54. | :16:56. | |
reached its destination, because dads look at me with that knowing | :16:57. | :17:00. | |
look in their eyes. I know they've got it. Was Teddy born here? Yes, | :17:01. | :17:07. | |
she was. You at the hello Teddy moment, for the birth? Yes, I was. | :17:08. | :17:11. | |
Down the business end? Yeah, I was. Well done. It was like my favourite | :17:12. | :17:17. | |
pub burning down. LAUGHTER | :17:18. | :17:38. | |
Very little tread left on that tyre. Have you rebuilt her? We haven't | :17:39. | :17:45. | |
bothered rebuilding it yet. Because there might be another one on the | :17:46. | :17:50. | |
way. We don't want to go about it twice. | :17:51. | :17:53. | |
I think best to live with the ruins for now. This feels like overhearing | :17:54. | :18:05. | |
something at a doctor's surgery. Which camera, sorry Ida! You have a | :18:06. | :18:14. | |
beautiful foo, yeah. LAUGHTER | :18:15. | :18:22. | |
Robbie. Radio last Saturday, and he was going, "I say things I shouldn't | :18:23. | :18:27. | |
on chat shows." I was going, "No, no, you'll be fine." I'm terrified | :18:28. | :18:32. | |
because I end up having to apologise to somebody or send a bunch of | :18:33. | :18:36. | |
flowers to somebody. Let me ask you this question: Have you ever | :18:37. | :18:41. | |
offended somebody and then sent them flowers? I've never sent flowers. | :18:42. | :18:47. | |
I've sent letters. Hand written? Yeah. How was it taken? Never really | :18:48. | :18:55. | |
heard again. I thought I'd done the right thing. | :18:56. | :19:01. | |
Same question for you? I've done terrible, terrible things. Flowers | :19:02. | :19:06. | |
is the way forward. Other-wise put dog sheet through the letter box. | :19:07. | :19:11. | |
The other way is to burn the bridge entirely and go, there's no coming | :19:12. | :19:16. | |
back from that. I offend entire cities and towns. I've offended the | :19:17. | :19:21. | |
Isle of Man. Arnold Schwarzenegger a few minutes ago. Constantly writing | :19:22. | :19:26. | |
letters. To the Isle of Man? Yes, I offended the Isle of Man. How? | :19:27. | :19:31. | |
Something about inbreeding. It wasn't, actually. I think it was | :19:32. | :19:35. | |
about whipping homosexuals on the beach or shooting Scotsmen or | :19:36. | :19:39. | |
something. I had to write a letter of apology. I got a nice letter back | :19:40. | :19:44. | |
from the council of the Isle of Man inviting me over. They might have | :19:45. | :19:52. | |
had something in mind. I imagine a wicker man on the beach waiting for | :19:53. | :19:57. | |
you. I was on stage, I can't remember where it was, Stuttgart, or | :19:58. | :20:02. | |
somewhere that Hitler had done all his speeches from, 80,000 people in | :20:03. | :20:09. | |
front of me and - yeah, right... Robbie, life in Nuremberg. It was | :20:10. | :20:19. | |
Nuremberg! It was! Go on. Any way, when you're having, when you're | :20:20. | :20:23. | |
singing, you can be singing, but also at the same time, having a bit | :20:24. | :20:26. | |
of dialogue with yourself, words come out, performance happens. | :20:27. | :20:29. | |
Sometimes when you're that comfortable you're going, check them | :20:30. | :20:36. | |
out, she's fit. Look at her boobs. She's seen you looking at the boobs, | :20:37. | :20:41. | |
it's OK, you're Robbie, she likes you. You're being baudy. This | :20:42. | :20:45. | |
particular time, 80,000 people in front of me. I'm singing Angels or | :20:46. | :20:49. | |
whatever it is, in the back of my mind I went, look at these lot, they | :20:50. | :20:53. | |
really like me. I really like them too. It's amazing, you know, because | :20:54. | :20:57. | |
we're brought up with the German thing and my grandma used to have a | :20:58. | :21:01. | |
Gerry under the bed that she peed in. Now look at all of these lot | :21:02. | :21:06. | |
loving me. I love them. It's fantastic here. I'll show them my | :21:07. | :21:10. | |
appreciation after I finish seeing this song. This is while I'm | :21:11. | :21:15. | |
singing. Angels finished and I go, # Goich utschland -- | :21:16. | :21:32. | |
# Deutschland, Deutschland... # 80,000 people booed me. | :21:33. | :21:38. | |
It could have been worse if they'd gone, "Finally, a leader." | :21:39. | :21:48. | |
APPLAUSE An international incident nearly | :21:49. | :21:51. | |
occurred. Wow, wow, wow. Where would we be | :21:52. | :22:00. | |
without a sense of humour? Germany. Hopefully that won't happen later. | :22:01. | :22:04. | |
Even in the huge gigs you do, you do use the audience. In the Take the | :22:05. | :22:10. | |
Crown tour, there was one bit that you got someone on stage. You know | :22:11. | :22:13. | |
the bit I'm talking about? Yeah, yeah. This was in Sweden, you found | :22:14. | :22:20. | |
a girl who had written a sign. You are so nice. You actually found her | :22:21. | :22:30. | |
and as luck would have it, a very pert bottom. That didn't go | :22:31. | :22:33. | |
unnoticed on the evening. Did she get the tattoo? I think she did. She | :22:34. | :22:39. | |
looked a bit like Kate Moss. She was gorgeous. Name Lone Martinsen. The | :22:40. | :22:46. | |
weird thing is that was in Sweden. But apparently she lives in Norway. | :22:47. | :22:52. | |
She got the tattoo and the other thing she has got is Skype. Oh. Let | :22:53. | :23:01. | |
me just call it up now. There she is! Hi! | :23:02. | :23:10. | |
APPLAUSE Is it Lone? You got it right. | :23:11. | :23:27. | |
There's Mr Williams, can you see him in the distance there? Hello, | :23:28. | :23:32. | |
darling, nice to see you again. Did you do it? Yeah, I got it on the day | :23:33. | :23:38. | |
after. Now, I feel a bit like Dr Christian in Embarrassing Bodies... | :23:39. | :23:43. | |
LAUGHTER If you'd like to ease your pants | :23:44. | :23:50. | |
down. This does not sound like the kind of | :23:51. | :23:53. | |
thing a BBC presenter should be saying. | :23:54. | :24:00. | |
APPLAUSE Do you mind showing us? No, OK. This | :24:01. | :24:17. | |
is like every webcam experience I've ever had. It's the other side. There | :24:18. | :24:19. | |
it is. ever had. It's the other side. There | :24:20. | :24:29. | |
it Lovely. Thank you very much. Bye darling, take care. | :24:30. | :24:34. | |
Bye. Well done. | :24:35. | :24:42. | |
APPLAUSE That is another level of fame. | :24:43. | :24:46. | |
That's a crazy level of fame. Is it true that you're very popular in | :24:47. | :24:51. | |
Norway, Jimmy? I don't think... I thought they bought your DVDs or | :24:52. | :24:55. | |
something? A lot of people that come to gigs here from all over Europe. | :24:56. | :25:00. | |
But they learn English through comedy DVDs. Because it's like if | :25:01. | :25:03. | |
you get the learn English books, they're dull. If you get the comedy | :25:04. | :25:07. | |
DVDs, you know whether you've understood it or not. If you laugh | :25:08. | :25:10. | |
at the end of the joke, you've got it. If you don't laugh, you go, I | :25:11. | :25:14. | |
have to watch again and look it up. Much excitement because Mr Jimmy | :25:15. | :25:23. | |
Carr has a new DVD out. It is called Laugh if -- Laughing and Joking. | :25:24. | :25:29. | |
It's very, very funny, but it is quite rude. Yeah, it's unacceptable | :25:30. | :25:35. | |
is what it is. I'd like to apologise to Robbie's wife. Here's my question | :25:36. | :25:40. | |
then: Given that it is very rude, why the hell have they asked you to | :25:41. | :25:45. | |
do the Royal Variety Show? The DVD is about two hours long and I have | :25:46. | :25:49. | |
to do six minutes on the royal variety and there are six minutes of | :25:50. | :25:53. | |
clean jokes for that show. It was a long phone conversation where they | :25:54. | :25:56. | |
went, "You can't say that. You obviously can't say that. That's the | :25:57. | :25:59. | |
worst thing in the world. I don't know why people would laugh at | :26:00. | :26:03. | |
that." Then we found a few minutes of jokes. The royal variety is fun | :26:04. | :26:08. | |
to do. Who is the royal this year? It's Charles. He can take a joke I | :26:09. | :26:13. | |
think. You have experience of it... Stop it! It's not the worse thing. I | :26:14. | :26:18. | |
got booked for the big Jubilee thing at the Palace. You did that. The big | :26:19. | :26:22. | |
thing outside the front of the Palace. I got there like five hours | :26:23. | :26:27. | |
early. They said security will be tough. It will be difficult to get | :26:28. | :26:30. | |
in. There was an armed police officer on the gates of Buckingham | :26:31. | :26:35. | |
Palace with a machine gun in case anyone tried to steal the Queen to | :26:36. | :26:41. | |
photocopy her head and make money, they told me to bring three forms of | :26:42. | :26:45. | |
ID, I walked up to the policeman armed with a gun and said, "I'm here | :26:46. | :26:52. | |
for the concert." He went, "Are you Al-Qaeda? I said no. He went, "Go on | :26:53. | :26:59. | |
then." That was it. He didn't even go, "Do you promise? Jimmy's DVD is | :27:00. | :27:08. | |
out now. We haven't found a clip we can show have we? We have. This is | :27:09. | :27:14. | |
dedicated to Ida. I don't understand the vajazzle. I | :27:15. | :27:18. | |
know what it is. They whip away your hair from your foo-foo and they | :27:19. | :27:26. | |
diamante it. I say get a pit stick and have a crack yourself. Have a | :27:27. | :27:31. | |
sparkly crack yourself. I don't know who that's for. I never met a man | :27:32. | :27:36. | |
who said, "I love vaginas, I wish they were a bit more zhooshy. A few | :27:37. | :27:45. | |
sparkles wouldn't go a miss. I want a glamour pus, a showbiz entrance." | :27:46. | :27:54. | |
APPLAUSE Let's get my final guests out here. | :27:55. | :27:59. | |
There must be a tear in the fabric of time because we have not one, but | :28:00. | :28:04. | |
two, doctors in the house. Please welcome Matt Smith and David | :28:05. | :28:07. | |
Tennant! CHEERING AND APPLAUSE | :28:08. | :28:26. | |
You guys shove down a little bit. They go there. | :28:27. | :28:38. | |
Good doctors. Sit. Hello. Hi. Banana? A bit of protein. Oh, | :28:39. | :28:43. | |
David... What? Your hair is so stupid. I like it. | :28:44. | :28:51. | |
LAUGHTER Nothing wrong with a plait down a | :28:52. | :29:00. | |
man's back. Are you playing Heidi at the moment? It's nice. Thank you. Is | :29:01. | :29:05. | |
it always in a plait or do you let it loose? It's for a play. I didn't | :29:06. | :29:09. | |
choose to do this for my private life. In the play, it is unleashed. | :29:10. | :29:15. | |
I unleash the beast. But the rest of the time, it's kept neatly back | :29:16. | :29:22. | |
there. All that bit is false as well? There's sticky bits up there. | :29:23. | :29:26. | |
That's on the whole time? That's it. This is my life. I saw pictures of | :29:27. | :29:30. | |
you, and you had less hair than that. This is on the way back. Yeah | :29:31. | :29:35. | |
I'm growing it back. Why did you you your hair? I did a film and I had to | :29:36. | :29:45. | |
shave it. Bald in a film. Oh! Is the thing about the musical of American | :29:46. | :29:49. | |
psycho is that true? Yeah I'm rehearsing it now. It's that soon? | :29:50. | :29:57. | |
Yeah, I go into tech next week. I have questions for you, Robbie, | :29:58. | :30:00. | |
about singing. I'm not the best for that. | :30:01. | :30:02. | |
We know why we're here, we're here to celebrate the 50th anniversary of | :30:03. | :30:08. | |
Doctor Who. Is that why we're here? ! I thought we were here to talk | :30:09. | :30:15. | |
about hair. Night BBC One, 7. 50pm. Maybe I'm naive, I knew Doctor Who | :30:16. | :30:20. | |
was a big deal here. I didn't know, this is nuts, it is being beamed | :30:21. | :30:26. | |
live in 3D to something like 80 countries. It's a global thing. I'm | :30:27. | :30:34. | |
glad I learned my lines. You're both in it? Yeah. Didn't you take his | :30:35. | :30:38. | |
job? I don't want to create an argument. I know you're the reason | :30:39. | :30:44. | |
he's growing his hair and in a play. That's part of the joy of Doctor Who | :30:45. | :30:48. | |
though. How could you both be in it? You have to tune in hand find out, | :30:49. | :30:53. | |
Jimmy! You're here right now and you could just tell us. When I heard | :30:54. | :30:58. | |
they were both in it. I thought Matt, I get it. You're contract | :30:59. | :31:04. | |
wally obliged. You're still Doctor Who. You didn't have to. Did you | :31:05. | :31:08. | |
jump at the chance? I'm an old whore, I'll turn up for anything. | :31:09. | :31:13. | |
There is a bit of a precedent in Doctor Who, down the years, on the | :31:14. | :31:17. | |
big anniversaries some of the old doctors have returned and shaken | :31:18. | :31:22. | |
hands with the current version. Was there an etiquette, oh, no, please | :31:23. | :31:30. | |
you. There was a bit of that on my TARDIS. "My TARDIS". David has his | :31:31. | :31:39. | |
TARDIS. And I had to ask if you - it sounds stupid - but if you wanted to | :31:40. | :31:43. | |
fly it. Do you want to do a bit of flying in this bit? You don't want | :31:44. | :31:53. | |
to be proprietorial. Surely there should only be one TARDIS? Yes, but | :31:54. | :31:59. | |
the TARDIS regenerates in the same way the doctor does. It's unique to | :32:00. | :32:03. | |
each doctor. Oh, I thought they just redecorated it. Well, they do. But | :32:04. | :32:06. | |
it's changed through time. When I was in the TARDIS, it looked | :32:07. | :32:10. | |
different to the one that Matt's in now. Matt knocked through. It looks | :32:11. | :32:15. | |
nice now. It's bigger. Things go round and yeah. I liked your TARDIS | :32:16. | :32:24. | |
though. Thanks. It's cool. Retro. Yours is lovely as well. Do you have | :32:25. | :32:28. | |
your own sonic screwdrivers. Yes. His is bigger than mine. Mine is | :32:29. | :32:34. | |
bigger. His has a bit that comes up the end and lights up. Basically, | :32:35. | :32:38. | |
you can't tell us anything about it, but we can watch a clip now. The | :32:39. | :32:43. | |
people at Doctor Who, very excisingly, have given us an | :32:44. | :32:47. | |
exclusive clip, which I imagine is going to be amazing and many plot | :32:48. | :32:52. | |
spoilers in it. If you don't want to know what happens, do look away. | :32:53. | :32:57. | |
This clip will probably reveal a vast amount. | :32:58. | :33:02. | |
400 years is that all it takes? I moved on. Where? Where can you be | :33:03. | :33:05. | |
now that you can forget something like that? Spoilers. No, no. For | :33:06. | :33:11. | |
once, I would like to know where I'm going. No, you really wouldn't. | :33:12. | :33:23. | |
APPLAUSE Well that explained everything! They | :33:24. | :33:30. | |
gave you a cracker there. Here's the thing, Whovians have come to London | :33:31. | :33:36. | |
to celebrate this amazing anniversary. I sound like I'm making | :33:37. | :33:40. | |
this up, but it's true. They really have. You're looking at me like | :33:41. | :33:43. | |
"really? Y?" . What we're doing is we are going to let some of those | :33:44. | :33:48. | |
people ask the two doctors questions, see if you can answer | :33:49. | :33:52. | |
them. They will need somewhere comfortable to sit to ask the | :33:53. | :33:56. | |
questions. So behold the red chair, ladies and gentleman. | :33:57. | :34:02. | |
Someone's travelled across Europe to sit in the red chair. Even Europe, | :34:03. | :34:07. | |
global. They have followed the TARDIS across the skies. Who's up | :34:08. | :34:17. | |
first? Hi. Hi. Was your name? David. Very good. Now I believe you are a | :34:18. | :34:22. | |
Doctor Who fan. I am. No, I really do believe it. | :34:23. | :34:24. | |
LAUGHTER They're not laughing at you, David. | :34:25. | :34:36. | |
David, is it a question to the doctors? Yeah, it's about the | :34:37. | :34:41. | |
episode. Please. Basically, during the filming and what was released, | :34:42. | :34:47. | |
there wasn't much seen of Billy Piper as Rose Tyler putting into | :34:48. | :34:51. | |
doubt how much involvement she had. During the trailer and the poster, | :34:52. | :34:56. | |
there are mentions of bad wolf and the moment. Of course. Can you tell | :34:57. | :34:59. | |
us about her involvement and how it weaves into the plot of the episode? | :35:00. | :35:07. | |
Nothing. LAUGHTER | :35:08. | :35:19. | |
If he wants to see more of Billy piper, Secret Diary Of A Call Girl | :35:20. | :35:25. | |
is what he wants. Hello. Hello. Oh, my God! He looks more like you than | :35:26. | :35:33. | |
you do. That's where your hair went. What's | :35:34. | :35:40. | |
your name? Matt. No!No! ! Made yourself look like | :35:41. | :35:45. | |
Matt Smith? No, I think I was born this way. | :35:46. | :35:54. | |
Where do you live? Bristol. So close to car differ. Yes. -- Cardiff. Yes. | :35:55. | :36:00. | |
Do you have a question? In the clip that was shown David Tennant wears | :36:01. | :36:05. | |
the Fez, I was wondering any more hats were involved and did you get | :36:06. | :36:15. | |
the Fez on John Hurt? Sorry, Matt. Sorry buddy. | :36:16. | :36:24. | |
If you stood face to face, you would look like a vase. Have you seen him | :36:25. | :36:35. | |
before? No. Who's next? Oh, there's one. | :36:36. | :36:43. | |
LAUGHTER One more. Hi. Hole re. What's your | :36:44. | :36:56. | |
name? Stefan. Where are you from? Los Angeles. Have you known in for | :36:57. | :37:01. | |
this? Yeah, I did. I've been flying around the world, not to outdo the | :37:02. | :37:05. | |
girl earlier, I've been working on a Doctor Who tattoo and I've been | :37:06. | :37:09. | |
having all the doctors sign my arm and have it tattooed over the idea | :37:10. | :37:15. | |
to get them all. Oh, Christ. Since we're talking about it. Hold on. Did | :37:16. | :37:24. | |
I sign your arm at come con. I ambushed you in a hotel lobby. I | :37:25. | :37:30. | |
said be careful because I was drunk. You did it? Matt is here and then | :37:31. | :37:37. | |
sill vester McCoy is here and Peter Davidson. I'm missing David. We have | :37:38. | :37:42. | |
a spot specifically for you to sign. OK. What's your name again? Stefan. | :37:43. | :37:47. | |
Someone will show you how to get into the studio. Run in quick, | :37:48. | :37:54. | |
quick, quick. Leave your jacket. Tell him about Lone, maybe he could | :37:55. | :38:01. | |
sign it somewhere else. Oh, yes! We've had a lady, why not a man. | :38:02. | :38:08. | |
I'm just saying. . Come on in. Now this is David Tennant. Nice to meet | :38:09. | :38:15. | |
you. You too. Nice to see you again. Where did you get all this stuff? I | :38:16. | :38:26. | |
was in Debenhams. I have to go in here? That was made for you. Mr | :38:27. | :38:31. | |
Jimmy Carr wants to ask you a question. What do you think it's | :38:32. | :38:37. | |
going to be nice to touch a girl? I'm married to the Dalek. | :38:38. | :38:39. | |
Of course you are! Good answer. | :38:40. | :38:53. | |
I don't want to go over the lines. That's OK. I'm kind of nervous. | :38:54. | :38:59. | |
Beautifully done. Thank you David. Well done, Sir. | :39:00. | :39:09. | |
APPLAUSE Now, Robbie, do you want to go and | :39:10. | :39:14. | |
get ready with the band. Yes, please. There he goes. | :39:15. | :39:21. | |
The day of the doctor is tomorrow night at 7. 50pm and around the | :39:22. | :39:26. | |
world in 3D. Do not miss it. Now time for music, Robbie, are you | :39:27. | :39:31. | |
ready? I'm ready, mate. OK and it is a duet. I believe you | :39:32. | :39:36. | |
have a singing partner. He's my showbiz brother, please go wild for | :39:37. | :39:40. | |
Mr Olly Murs! APPLAUSE | :39:41. | :39:57. | |
# I'm the King of the swingers. # Oh, the jungle VIP. | :39:58. | :40:04. | |
# I've reached the top and I had to stop. | :40:05. | :40:07. | |
# And that's what botherin' me. # I wanna be a man, mancub. | :40:08. | :40:12. | |
# And stroll right into town. # And be just like them other men | :40:13. | :40:16. | |
I'm tired of monkeyin' around. # Oh, oobee doo. | :40:17. | :40:21. | |
# I wanna be like you. # I wanna walk like you. | :40:22. | :40:26. | |
# Talk like you, too. # You'll see it's true. | :40:27. | :40:32. | |
# An ape like me. # Can learn to be human too. | :40:33. | :40:52. | |
# Now don't try to kid me, mancub. # I made a deal with you. | :40:53. | :40:58. | |
# What I desire is man's red fire. # To make my dream come true. | :40:59. | :41:02. | |
# Now, give me the secret, mancub. # C'mon, clue me what to do. | :41:03. | :41:06. | |
# Give me the power of man's red flower. | :41:07. | :41:08. | |
# So I can be like you. # Oh, oubee doo. | :41:09. | :41:11. | |
# I wanna be like you. # I wanna walk like you. | :41:12. | :41:15. | |
# Talk like you, too. # You'll see it's true. | :41:16. | :41:22. | |
# An ape like me. # Can learn to be human too. | :41:23. | :41:27. | |
# Come on. # Skippedooooo. | :41:28. | :41:35. | |
# Skippedoooay. # Oh. | :41:36. | :41:49. | |
# Now I'm the King of the swingers oh. | :41:50. | :41:51. | |
# The jungle VIP. # I've reached the top and had to | :41:52. | :41:54. | |
stop. # Coz that's what botherin' me. | :41:55. | :41:59. | |
# I wanna be a man, mancub. # And stroll right into town. | :42:00. | :42:03. | |
# Be just like the other men. # We're tired of monkeyin' around! | :42:04. | :42:22. | |
# Swing to the left, # swing to the right. | :42:23. | :42:27. | |
# Put your hands up if you're lovin' life. | :42:28. | :42:29. | |
# Rob I'm lovin' life. # I'm lovin' life Olly. | :42:30. | :42:32. | |
# Oh? I'm lovin' life yeah. # Swing to the left, | :42:33. | :42:34. | |
# swing to the right. # Put your hands up if you're | :42:35. | :42:37. | |
feelin' nice. # Feelin' nice. | :42:38. | :42:40. | |
# Feelin' nice, yeah. # Oh, oobee doo. | :42:41. | :42:45. | |
# I wanna be like you. # I wanna walk like you. | :42:46. | :42:50. | |
# Talk like you, too-oo-oo. # You'll see it's true. | :42:51. | :42:55. | |
# An ape like me. # Can learn to be like someone like | :42:56. | :43:00. | |
you, yeah. # Can learn to be like someone like | :43:01. | :43:05. | |
you. # Oh can learn to be like someone | :43:06. | :43:09. | |
like? you! # Yeah. | :43:10. | :43:13. | |
# I want to be like you, you know # # Of course you do, Ollie! | :43:14. | :43:16. | |
CHEERING AND APPLAUSE Mr Robbie Williams and Olly Murs! | :43:17. | :43:31. | |
Fantastic. That's it for this week. Thank you to my guests, Olly Murs | :43:32. | :43:42. | |
and Robbie Williams! Mr Jimmy Carr, Emma Thompson, Matt Smith, and David | :43:43. | :43:50. | |
Tennant. Join me next week with music from Arcade Fire, Jeremy | :43:51. | :43:55. | |
Clarkson, Jo Brand, Sharon Osbourne and Hollywood heartthrob, Colin | :43:56. | :43:59. | |
Farrell. See you then, good night everybody, bye-bye. | :44:00. | :44:05. |