Episode 12 The Graham Norton Show


Episode 12

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Transcript


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On tonight's show, two top detectives from Luther

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and Broadchurch. I'd be a great detective.

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Now, madam, where were you on the night of January 17th at 10:35?

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-Sleeping.

-No, you're here.

-I was here.

-You're here. It's now.

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Let's start the show!

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Oh, oh, hello!

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Hello over there!

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Hello back there! Hello to you all!

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A very warm welcome. We have a great line-up for you tonight.

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Star of The Wire, Luther and now the stunning Long Walk To Freedom,

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Idris Elba's here, ladies and gentlemen!

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CHEERING AND APPLAUSE

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Back off, lady, security.

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Britain's newest national treasure, Olivia Colman, is on this show!

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CHEERING AND APPLAUSE

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Yes!

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Creator and star of the hit US sitcom, Girls,

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Lena Dunham is here! Yes!

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CHEERING AND APPLAUSE

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Plus we've got music from the brilliant Keane, ladies and gentlemen. Woo hoo!

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CHEERING AND APPLAUSE

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Very good. I tell you, it'll be a sofa full of exciting, happy people.

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Sort of the exact opposite of this.

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LAUGHTER

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Celebrity Big Brother, isn't it great?

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Tell you, more faded TV stars than a magistrates court.

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LAUGHTER AND APPLAUSE

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What?

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Great to have Idris Elba on the show, star of the brilliant

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new film about Nelson Mandela, Long Walk To Freedom.

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It is a great honour for anyone to have a biopic.

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You do wonder who would play me in a film of my life.

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LAUGHTER

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Stupid. I don't smoke.

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Idris, very cool, ladies and gentlemen, very cool man.

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No matter what role he's playing, he always looks great.

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Whether he's a drug dealer, a policeman, a toasting fork...

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LAUGHTER

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That's a hard look to carry off.

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I'm delighted to welcome Olivia Colman back to the show! Oh!

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She starred in the brilliant Broadchurch, of course, as DS Miller.

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She's up for a National Television Award for best detective.

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And you do think, really? Best detective?

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She didn't spot her husband was the murderer. He's upstairs.

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In the first episode,

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there was the harrowing scene when they removed the body

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from the beach. Always traumatic.

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Heave!

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LAUGHTER

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That's it, that's it. Where did I put my chair?

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I loved Olivia in the Olympic sitcom Twenty Twelve. Oh, yes.

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I enjoyed that one.

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I like that people in the audience go, "Oh, yes,

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"she was very good in that, yes. I did enjoy that, yes."

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Of course, it's the Winter Olympics soon in Russia.

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Been a lot of controversy over how welcome

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gay athletes are going to be,

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but honestly, are there any gay athletes in the Winter Olympics?

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LAUGHTER AND APPLAUSE

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I guess we'll never know.

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The Winter Olympics, very similar to the Summer Olympics.

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In the summer you have the sprint event,

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in the winter you have the sprint event.

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Summer, the jumps, winter, the jumps.

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In the summer, the snatch lifts, and in winter...

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LAUGHTER

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Let's get some guests on!

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Later we'll be having music from Keane.

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But first, she's keen as mustard, it's Olivia Colman!

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CHEERING

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-Oh, oh!

-Hello.

-So beautiful.

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Hello, darling. So nice to see you.

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Sit yourself down, Olivia Colman.

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She's the hot star of the cool Girls, it's Lena Dunham.

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CHEERING AND APPLAUSE

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Hi!

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Hello, darling. So nice to see you.

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-Thank you.

-Sit yourself down.

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And he's taking the long walk to my sofa,

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it's Idris Elba!

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CHEERING AND APPLAUSE

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-Hey, you made it.

-How are you?

-Really well.

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Lovely to see you. Sit down, sit down, sit down.

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Nice couch, and we often get people on the sofa

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who like and admire each other.

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But Olivia Colman down the end,

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you're like a competition winner tonight.

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I know, I'm so excited.

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I got so excited in the corridor, meeting them both, I nearly weed.

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It would've been so cute if she had.

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A little awkward, though.

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Oh, not that awkward. Um...

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I saw you at the Golden Globes.

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-Did you not meet at the Golden Globes?

-No.

-No, I looked at him.

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I looked at him extensively.

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Is it true that at the Golden Globes,

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because you're for film, you're for TV, are you separate?

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Um, I think so, yes.

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There's a sort of film section and there's a TV section, I guess.

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That's a very nice way of putting it.

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Basically, it's like all the film people are in a glorious area

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with confetti streaming down and you're drinking champagne,

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and all the TV people are just like in shanties at the back.

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This year I was nominated for both. Not bragging...

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It's just true.

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TV and film. I chose the film section.

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It's the right choice.

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No-one's going to visit the TV section if they don't have to.

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-Is it one party at the end? Did you dance?

-Yeah.

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-I didn't go to the party.

-No?

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Did you go to the party?

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I did, I went to, like, six.

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-The last time I saw you, you were behind the decks.

-Yeah, yeah.

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You were doing all this stuff. One on, one off.

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He was so good, they had to tell him to stop dancing.

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-It's true, isn't it?

-It is, yeah.

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It was one of these buildings that is sort of a heritage building.

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There were so many people dancing because I'm a great DJ.

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The floor was shaking, literally,

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and they thought nothing was going to cave in,

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so I had to get on the mic,

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this is a first, to tell people, "Stop dancing, please."

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That was the first time I've ever done that.

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-And then you did your Carpenters mix.

-Yeah.

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Carpenters, a bit of Jay-Z.

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-Do you talk when you DJ?

-Back in the day I did.

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-I was a mics man, on the mic.

-You did all that?

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"Ladies in the house!" All that stuff?

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LAUGHTER

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Easy, Graham Norton, what's gwannin'?

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-That's called the hype man, right?

-That's right. I was that guy.

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-Well done.

-Cool.

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And you're young, so obviously dancing, it's your world.

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I love to dance. I love to express myself through dance.

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I express myself all over my home through dance.

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I have to say, I did feel for you.

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-There was that episode of Girls, by the way, I'm a big fan...

-Thank you.

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There's an episode of Girls where you're high on substances

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-and you go clubbing.

-Yeah.

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Which was weird, because I've never actually been clubbing

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so I had to get really method

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and ask a lot of people what clubbing was like.

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-But you were in a club with people.

-I was, but it was like 10am.

-Oh, OK.

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That same club three days later was where Chris Brown

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-and Drake got in a fight over Rihanna.

-Wow.

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And I like to think I have something to do with it.

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LAUGHTER

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I felt because of your character was a bit out of her head

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so she swapped her top...

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With a handsome gay man.

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-But you ended up in a string vest and no bra.

-It's true.

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For the whole episode.

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Which seemed like the funniest idea in the writer's room.

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"Oh, my God, my nipples are going to be out for the entire episode."

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Then the reality of having my nipples out

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for the entire episode...

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The worst was that by the end it was normal.

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In the end my breasts had lost...

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If they hadn't already lost all their power, it had just gone.

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Olivia, as an actress, where do you stand on the whole kit off thing?

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I'd rather not.

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-You'd rather not take your shirt off, you mean?

-Yes.

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That's a totally respectable choice.

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In fact, it might be THE respectable choice.

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Those days have long gone.

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Early on, what was the audition where you dressed all sexy?

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Yes, that was, yeah...

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It was very early on, so my third or fourth ever audition.

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I was going to see a really well-known, well-respected

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theatre casting director. I was so excited.

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I had this script sent through.

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The character was quite a raunchy hooker.

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So I bought some fishnets and I had my top as low as I dared

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and a short skirt, and I wore a big duffel on the way there.

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When I got there, I took it off and she sort of looked at me.

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I was thinking that wasn't the reaction I was hoping for.

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Then she was saying,

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"What did you think about the character of Matilda?" or something.

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I was thinking, "I don't think that's the character I was looking at."

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There was half an hour of trying to pretend I knew

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what she was talking about, and then she realised I hadn't got

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the same script that she had, and passed over the real script,

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which was about nuns.

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LAUGHTER AND APPLAUSE

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Wow.

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I've never been in to see her again.

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Wondered what I was doing.

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That's the best story I've ever heard.

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I didn't get the job.

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Idris, the weird thing is I haven't seen you do many sex scenes,

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and I have looked.

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They're not out there.

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I did one.

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I did a sex scene with Beyonce.

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-Did you?!

-I didn't see that.

-What was that?

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-In a film called Obsessed.

-I didn't see that.

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So going to buy that now.

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-I'll be out there googling.

-It wasn't a sex scene, we just...

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Netflix are going to see a surge this evening.

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-We just had a kiss, we played husband and wife.

-Oh, yeah.

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I tend not to do sex scenes that often.

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I don't get the romantic lead very often.

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I hear you've got a sexy look, you've perfected it.

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-For when the call comes.

-Oh, yeah, man.

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-You've got your sexy look.

-Oh, yeah.

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OK, do the sexy look down there.

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LAUGHTER

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-How's that?

-Olivia?

-What, have I got to do a look?

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No, I just thought you might be peeing.

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Oh!

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-It works.

-It would work.

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It renders them speechless.

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Listen, Idris, huge congratulations to you.

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Mandela, Long Walk To Freedom.

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It's a career-defining performance.

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-Thank you, man.

-It puts you on a different level.

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-Thank you very much.

-It's just phenomenal.

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If you haven't seen it yet, it's still out,

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-it's still playing everywhere.

-Yes.

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-Ladies, have you seen it?

-Yes, I have.

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I have too, it's beautiful.

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-Thank you very much.

-Beautiful.

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Look at them!

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I've been rendered slightly mute.

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We're both, like... "Yes, I have."

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No, I really have.

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What's extraordinary about this film is the timing.

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It's gone from being a biopic

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into being this amazing celebration of a life and of his achievements.

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-Yeah.

-That night - nothing could have prepared you for that night,

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-because it was the night of the premiere.

-I know.

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It was crazy, because it was this moment -

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being back home in England, with a film like this,

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and a character like that, it was the biggest moment of my life.

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I had 30 members of my family there.

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You know, came out to Leicester Square

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and there I was on a poster, and London had come out.

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It was just a wicked moment.

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And then of course the Royal family were there, and that was great.

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Then, of course, the night ended with this moment of...

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you know, announcing to the audience that Mr Mandela had passed.

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And that... You can't write that stuff.

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It was so... It was just weird.

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-You had to announce to the audience?

-Yeah.

-I just got chills.

-Mm.

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-Yeah.

-I went onstage with the producer to announce it,

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you know, I was literally in tears,

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and so was Anant Singh, the producer.

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The audience were stunned into silence.

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-I mean, it was just so weird.

-Wow.

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And the film, it's brought you to the White House?

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-There was a screening at the White House?

-Yeah.

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Wow, that's... Like, I'm sure you've been to amazing places

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-but that must still be quite a cool thing.

-It was, yeah...

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-IMITATES OBAMA:

-I went to see President Obama...

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..who said, "Idris is a very cool guy."

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-That's amazing.

-Thank you.

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That's another role I'm preparing for.

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Do it, do it.

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Black president, it'll be a series.

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And the crazy thing is, it brought you all this success,

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but you did turn it down. You weren't going to do this.

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Yeah, I was nervous about it.

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I thought it was a joke - I thought Roger, my agent,

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was taking the piss.

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-It would've been like, "Do you want to play God?"

-Exactly.

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I was like, "God? No, I'm all right."

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But no, really, I thought he was taking the piss,

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and I was like, "Come on, Roger, seriously,

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"Morgan Freeman must be available."

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Why are you calling me with this?

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And then I was really nervous about taking the role.

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You know that kind of feeling, like, "If I mess this up,

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"then good night, it's curtains for Idris." You know?

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I did turn it down. But...

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-Not so much turned it down, but took my time to answer.

-Yeah.

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And then I said, "Of course I will. Yes, please."

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And, you know, the performance is great.

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We knew you were really good - the American accent,

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because Stringer Bell in the Wire is flawless.

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But this is more than an accent. It's such a recognisable voice.

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-Yeah, yeah.

-So was it just you locked in a room

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-with newsreels and footage?

-I mean, I listened to his voice a lot.

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You know, I say this all the time, but my late dad had a voice

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that was similar, in my head, anyway,

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to what I think Mr Mandela's sounded like in real life -

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I hadn't met him.

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And I had two voice coaches with me,

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someone that helped me with Xhosa, which is the language he speaks,

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and then English and the technical stuff.

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So I kind of learned what his voice was doing

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and trying to figure out a way to make my voice sound like his.

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I also learned his cadence.

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You know, it's an interpretation of his voice.

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I don't think it's exactly perfect. But I certainly wanted to...

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Because I look like Mr Mandela so much...

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LAUGHTER

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It's uncanny.

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No, but because I don't,

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I really wanted to give the audience something they could hold on to,

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and the voice was it, I think.

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All right, well, let's have a look at your performance.

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This is you at the end of the trial before you're sent to Robben Island.

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Yeah.

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A just share in the whole of South Africa.

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We want equal political rights.

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One man, one vote.

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I have dedicated myself to this struggle of the African people.

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I have fought against White domination.

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I have fought against Black domination.

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I have cherished the ideal of a free, democratic society,

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where all persons live together in harmony with equal opportunities.

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It is an ideal which I hope to live for and achieve,

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but if needs be,

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it is an ideal for which I am prepared to die.

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-APPLAUSE

-Wow.

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If that had played for one more second, I would have sobbed.

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-Beautiful.

-I know. Great voi... and such an extraordinary story.

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I suppose, what struck me is that because - some of those scenes,

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you are performing in front of hundreds,

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I'm sure sometimes thousands,

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of South African extras, so, like, you're getting instant feedback.

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-You know, you know whether you've nailed this or not.

-Oh, yeah.

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So you must have got properly nervous.

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Mate, you know, South African crews, they won't let you lie.

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There's no lying, you know?

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You either be Mr Mandela or you walk out of here.

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I remember walking out and there was like 600 extras

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and this one guy came round and he goes...

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And I started to speak and I forgot my line,

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and all I heard was, "Come on, Stringer Bell."

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I was like, "Agh..."

0:16:360:16:38

So, you know, I had to really put my foot into that part

0:16:380:16:42

because this is about a very famous man

0:16:420:16:46

that's very important to South Africans.

0:16:460:16:48

-So they wouldn't let me just mess around with it.

-Yeah.

0:16:480:16:53

The Robben Island scenes, were they filmed on Robben Island?

0:16:530:16:56

Some of them, yeah. Some of them.

0:16:560:16:58

We re-created a prison and made a replica of his cell in a studio.

0:16:580:17:02

-And you spent the night on Robben Island?

-Yeah.

0:17:020:17:05

-I won't do that again.

-No!

0:17:050:17:08

-That sounds like a good actor idea, but terrible human idea.

-Stupid.

0:17:080:17:12

It was terrifying. The place is haunted, it's awful.

0:17:120:17:15

I mean - the security guard...

0:17:150:17:16

they said, "Look, you have to take this phone."

0:17:160:17:18

I was like, "I don't need the phone."

0:17:180:17:20

They was like, "No, you have to take it,

0:17:200:17:21

"just in case you really want to leave."

0:17:210:17:23

You know? So, "Take the phone, all right? And call us." You know?

0:17:230:17:26

The security guard was about a mile away

0:17:260:17:28

from where I was being stationed inside the prison.

0:17:280:17:31

Anyway, so I've gone, "Oh, take the phone.

0:17:310:17:33

"I don't need the phone."

0:17:330:17:34

Sat in the prison cell and, like, picked up the phone.

0:17:340:17:37

And then, there was no service, of course.

0:17:370:17:40

And I was like, "Wow, I'm really going to stay here the night."

0:17:420:17:44

We're so lucky that you made this movie, thank you.

0:17:440:17:47

-Thank you very much, I appreciate that.

-It's gorgeous.

0:17:470:17:49

And of course, Olivia Colman,

0:17:490:17:50

you were in the last big political biopic. The Iron Lady.

0:17:500:17:53

-No, that is true!

-Sorry, didn't mean the giggle.

0:17:530:17:55

No, but you were in it! I'm not making this up!

0:17:550:17:57

It feels a bit silly compared to that.

0:17:570:17:59

It's a little hard to move on from that clip

0:17:590:18:02

and say anything funny, I have to say.

0:18:020:18:04

-You play Carol Thatcher.

-SHE CHUCKLES

0:18:040:18:07

So, how much preparation goes into...

0:18:070:18:09

-Well, obviously you put a nose on.

-I did have a nose.

0:18:090:18:12

But what else goes on, preparing for Carol Thatcher?

0:18:120:18:16

I should make up some shit, but um...

0:18:160:18:19

Er...I watched I'm A Celebrity Get Me Out Of Here.

0:18:220:18:26

LAUGHTER AND APPLAUSE

0:18:260:18:28

Guys, can we make a promise here and now

0:18:350:18:37

that neither of you will ever go on that show.

0:18:370:18:39

Or any reboot of I'm A Celebrity Get Me Out Of Here?

0:18:390:18:41

-I promise, faithfully.

-No. I want to do Big Brother.

0:18:410:18:44

-OK.

-Do you?

-No.

0:18:440:18:47

LAUGHTER

0:18:470:18:50

God forbid.

0:18:500:18:52

But when you're playing something like a detective, do you do...?

0:18:520:18:55

Like for Broadchurch, did you do preparation?

0:18:550:18:57

No.

0:18:570:19:00

Sorry.

0:19:000:19:01

David did. And I could ask him questions.

0:19:010:19:05

It seems silly doubling up.

0:19:060:19:08

I-I... To defend my actions,

0:19:080:19:11

I don't think my character spoke in the same rhythms as detectives,

0:19:110:19:16

so I thought it would be better if I didn't have that influence.

0:19:160:19:21

Good answer.

0:19:210:19:23

Now I feel really stupid for staying the night in prison.

0:19:230:19:26

-APPLAUSE

-You won't do it again.

0:19:270:19:29

But talking about real people...

0:19:320:19:34

Are you playing yourself in Girls?

0:19:340:19:37

A version of myself. Not my exact self.

0:19:370:19:40

I definitely - you have two very accomplished people

0:19:400:19:42

who've played historical figures,

0:19:420:19:44

and I just play a kind-of-like-myself person,

0:19:440:19:46

who gives hand jobs.

0:19:460:19:48

So...I probably shouldn't be here.

0:19:480:19:52

I feel ashamed.

0:19:520:19:54

Aww. Listen, this show, Girls,

0:19:540:19:56

if you haven't seen this show, Girls,

0:19:560:19:59

it is just a huge hit in the States, it's on HBO.

0:19:590:20:03

Here it's on Sky Atlantic.

0:20:030:20:04

Series three starts next Monday at 10pm.

0:20:040:20:07

But series one and two are available as box sets,

0:20:070:20:09

-or you can also get them on demand.

-Thank you, Graham.

0:20:090:20:12

Yeah - I want people to see Girls. I love it. It's a great show.

0:20:120:20:16

That's so nice of you to say.

0:20:160:20:17

And if people aren't familiar with the show - tell us about it.

0:20:170:20:21

It's about four girlfriends in New York City

0:20:210:20:24

trying to figure it out.

0:20:240:20:25

I don't know if that sounds familiar to anybody.

0:20:250:20:28

-COUGHS:

-Sex And The City.

0:20:280:20:29

It's so funny, because we've done three years

0:20:310:20:33

and at this point people have realised the differences

0:20:330:20:36

with Sex And The City. It's just unavoidable -

0:20:360:20:38

they are and always will be the four-girls-in-New-York-City show,

0:20:380:20:41

and we bow down to them.

0:20:410:20:43

But, yeah, it's about four friends

0:20:430:20:45

who think they are better people than they actually are

0:20:450:20:49

and the challenges and collisions of being young

0:20:490:20:52

and trying to make your life work.

0:20:520:20:54

-It's just brilliantly observed.

-Thank you.

-It's really funny,

0:20:540:20:57

and it's the social awkwardness...

0:20:570:20:59

We've got a flavour of what it's like.

0:20:590:21:01

-This is a clip from the first episode of season three.

-Yes.

0:21:010:21:05

So, one of your friends has broken up. Your boyfriend...

0:21:050:21:10

One of my friends has been brutally dumped

0:21:100:21:13

and my boyfriend has run into the guy who brutally dumped her

0:21:130:21:16

and has promised to keep it a secret from her.

0:21:160:21:19

Here we go.

0:21:190:21:20

-You saw Charlie?

-Yeah.

0:21:200:21:22

Why didn't you tell me?

0:21:220:21:24

You know, it wasn't...

0:21:240:21:26

We're not really friends.

0:21:260:21:28

Did you know?

0:21:280:21:29

No, he did not tell me that he ran into Charlie on Bedford Avenue.

0:21:290:21:33

-Did he ask about me?

-Of course not.

0:21:330:21:35

Yeah, actually. He said, "How's Marnie?"

0:21:350:21:38

-What did you say?

-I said, "She's good. She's good.

0:21:380:21:41

"She seems very clean."

0:21:410:21:43

He said you had a new job, he said you had a new boyfriend from Spain.

0:21:430:21:47

Did he seem like he had a girlfriend?

0:21:470:21:49

You all look very gorgeous this evening.

0:21:500:21:52

Thank you. Why don't we have some chips?

0:21:520:21:55

I didn't buy these chips for my health. You know what I'm saying?

0:21:550:21:58

-Cheers to your...book, Hannah, really.

-Thank you so much,

0:22:010:22:03

but Marnie, we're not going to talk about my book right now.

0:22:030:22:06

This isn't the appropriate time

0:22:060:22:07

to discuss my incredibly exciting professional endeavour.

0:22:070:22:10

No, it is the time, it's totally the time.

0:22:100:22:12

We should also talk about how...good this taco is, huh?

0:22:120:22:15

Am I right?

0:22:150:22:16

I'm sorry...

0:22:180:22:19

APPLAUSE

0:22:210:22:23

Thank you!

0:22:240:22:25

I think we can all admit that looks like a real sack of crap

0:22:250:22:27

after the Mandela thing.

0:22:270:22:29

-No, no, that's looks great.

-Thank you.

0:22:290:22:31

My favourite thing.

0:22:310:22:32

-We need different shows, we need different things.

-Yeah.

0:22:320:22:35

But what's weird is, it's probably not FOR me,

0:22:350:22:38

but I really enjoy it. I love it.

0:22:380:22:40

I'm so glad. I hope it's for everyone,

0:22:400:22:42

because no matter what your age or sex,

0:22:420:22:45

-you can always relate to being a douche bag.

-Yeah.

0:22:450:22:48

Also you can relate - I do remember what being that age was, just about.

0:22:480:22:53

But I've heard you talking -

0:22:530:22:55

you know, you're an award-winning writer,

0:22:550:22:57

and yet I've heard you say that you still find it hard composing texts.

0:22:570:23:01

Yeah, it's the most stress... I mean, now...

0:23:010:23:04

In my single days,

0:23:040:23:06

I was extraordinarily bad at composing texts.

0:23:060:23:08

And I'm lucky that I'm with someone who thinks it's OK

0:23:080:23:11

when I write them the worst three-paragraph texts

0:23:110:23:15

about my emotions consistently throughout the day.

0:23:150:23:17

But that doesn't work as well when you're in the single flirting phase.

0:23:170:23:21

In college once, I hooked up with a guy,

0:23:210:23:25

didn't hear from him for a couple of months,

0:23:250:23:27

which was not unusual for me.

0:23:270:23:29

And then he sent me a text that said, "Happy new year."

0:23:290:23:31

And I said, "Happy new year. I'm pregnant."

0:23:310:23:33

I thought it was the funniest thing that had ever happened.

0:23:350:23:39

He did not.

0:23:390:23:41

I remember after a one-night stand once,

0:23:410:23:43

in the morning, you know, there was a kind of text...

0:23:430:23:45

I texted back, "I love you." Because I thought it was hilarious.

0:23:450:23:48

-It is hilarious.

-Nothing.

0:23:480:23:50

It's so funny.

0:23:500:23:53

That's the kind of joke where if someone gets it...

0:23:530:23:55

Then you might fall in love with them.

0:23:550:23:57

Yeah, because they'd be so cool and chillin' with it.

0:23:570:24:00

My husband - we text each other "I love you" and things,

0:24:000:24:03

and every now and again he'll write back, "Who is this?"

0:24:030:24:06

That's so funny!

0:24:070:24:09

I bet Idris is good at texting.

0:24:090:24:11

-Mm...no.

-No?

0:24:110:24:14

I would say...

0:24:140:24:15

I don't know what time of night, there comes a time of night

0:24:150:24:18

when someone should just take Idris' phone away.

0:24:180:24:20

Yes.

0:24:200:24:21

Because did you mean to send this to the world?

0:24:210:24:24

Oh, no, don't do it!

0:24:240:24:25

Agh.

0:24:250:24:26

-No...

-Did you tweet that?

0:24:290:24:31

I did, man. I had this phone...

0:24:310:24:34

-I'm so glad you said that.

-I was sending it to this chick.

0:24:340:24:38

I was like, "It's late," you know what I'm saying,

0:24:380:24:40

"Come over, this is me."

0:24:400:24:43

Was it meant to be a text?

0:24:430:24:44

And, then, you know, I was scrolling down,

0:24:440:24:46

I looked away for a second, looked back

0:24:460:24:49

-and it has gone Twitter - send.

-Oh!

0:24:490:24:51

And you now that bar that goes, "Doo-doo - sending."

0:24:510:24:53

And I was like, "Argh!"

0:24:530:24:55

-Can I just say, that could have been much worse.

-Oh, yeah.

0:24:550:24:58

It could've been a picture of my nuts or something.

0:24:580:25:01

-You know what I mean?

-Yes.

0:25:010:25:02

It could've been awful. "I'm coming round later."

0:25:020:25:05

LAUGHTER

0:25:050:25:09

I'm so glad that everyone got to see that.

0:25:090:25:13

I'm not.

0:25:130:25:15

Listen, we wonder, anybody in the audience have a good flirty text?

0:25:150:25:21

Anyone at all? Oh, look, people are putting - oh, look.

0:25:210:25:24

-Wow!

-Very proud of themselves.

0:25:240:25:26

Anyone else?

0:25:260:25:27

-Are you in a relationship?

-I am.

0:25:270:25:29

-Are you in a relationship?

-Yes.

0:25:290:25:31

Do you have any in yours?

0:25:310:25:32

Well, I'm in a relationship, so I should say no.

0:25:320:25:35

Wow. Anyone else?

0:25:370:25:39

Here's a lady. Hello. Hi, what's your name?

0:25:390:25:41

-Thea. Thea.

-Hello...

-Hello.

0:25:410:25:45

-Where are you from, Thea?

-I'm from Norway.

0:25:490:25:51

-Do you live here now?

-Yes, live here now.

0:25:510:25:54

OK. The text you're going to show me, is it in English?

0:25:540:25:57

Yes, it's in English.

0:25:570:25:58

Good. Otherwise it'll be quite dull.

0:25:580:26:01

Hilarious for our Scandinavian viewers, but...

0:26:010:26:04

-So, who is this now?

-It's an English guy that I met.

0:26:040:26:08

-Oh, yes.

-Yes.

-Is it nice? Is it sweet?

0:26:080:26:10

-It's nice, yeah.

-Oh...

0:26:100:26:13

OK. Oh, hang on. It's gone a bit dark.

0:26:130:26:16

Who is saying, "What are you up to?" Is that him?

0:26:160:26:19

-Yes.

-OK. "What you up to?

0:26:190:26:22

"Hey stranger, sorry I've been so absent."

0:26:220:26:25

This is useless, isn't it?

0:26:250:26:27

When somebody says "I've been so absent."

0:26:270:26:30

Is he studying psychology or something?

0:26:300:26:33

That would be a worrying sign, but no, he's not.

0:26:330:26:35

OK, OK.

0:26:350:26:37

"Sorry I've been so absent,

0:26:370:26:38

"something came up and then I ran away to Scotland for Christmas..."

0:26:380:26:41

Oh, what a loser.

0:26:410:26:42

"If you're out and about, you should come home via Pimlico and see me."

0:26:440:26:49

OK, can I just say,

0:26:500:26:52

that is not sweet.

0:26:520:26:53

I just realised that's a bit sad, if that's the best text I got.

0:26:550:26:58

Have you replied to this yet?

0:27:000:27:01

-No.

-We could reply to it.

0:27:010:27:04

APPLAUSE

0:27:040:27:06

Do you know - what's his name?

0:27:060:27:08

It's James.

0:27:080:27:09

I love the friend, "JAMES!"

0:27:090:27:11

Can I borrow your phone?

0:27:130:27:14

I'll take it back to experts, and we'll reply.

0:27:140:27:18

Wow!

0:27:200:27:21

What are we going to say?

0:27:210:27:23

Let's do it.

0:27:230:27:24

Do you want me to come over to you?

0:27:240:27:26

No, no. I can type.

0:27:260:27:27

Here's what I'd write. "I'm slightly unimpressed by your manoeuvres."

0:27:270:27:31

Slow down.

0:27:310:27:33

This is going to be good for you, I promise.

0:27:350:27:39

You're adorable and you can do better.

0:27:390:27:41

-Manoeuvres may be spelt wrong. But anyway...

-That's OK.

0:27:420:27:46

-She's not from here.

-Yeah!

0:27:460:27:48

"I'm slightly unimpressed by your manoeuvres. Try again."

0:27:480:27:52

Oh, I like that! "Try again."

0:27:520:27:55

-Can I add a bit?

-Yeah, go.

-Pass the phone.

-No, I'll do it.

0:27:550:27:58

-Going to do a photo?

-Unless you're going to take a picture.

0:27:580:28:00

Yeah. "Here's a picture of my boyfriend."

0:28:000:28:02

Oh, let's do it!

0:28:020:28:05

Let's do it!

0:28:050:28:06

That's really good!

0:28:090:28:11

APPLAUSE

0:28:110:28:13

All right.

0:28:140:28:16

I'll... I'll hang on to your phone.

0:28:170:28:22

If James replies...

0:28:220:28:24

She's in a private hell right now.

0:28:240:28:28

Thank you very much, Thea.

0:28:280:28:30

Now, in terms of romance, February 14th, Valentine's Day,

0:28:300:28:34

Olivia Colman, what will you be doing on Valentine's Day?

0:28:340:28:37

Oh...

0:28:370:28:38

Er...

0:28:380:28:40

LAUGHTER

0:28:400:28:41

-WHISPERS: Is this about the film?

-Yes.

0:28:410:28:45

I'll be watching a film.

0:28:450:28:47

LAUGHTER

0:28:470:28:49

-Your film comes out on February 14th.

-OK...

0:28:490:28:53

-No, I know...

-Oh, my God, it's like pulling teeth.

0:28:530:28:58

Wait - cos I thought you meant... The premiere's before that,

0:28:580:29:01

so I won't actually be watching it on that day.

0:29:010:29:03

I thought you meant what would I be doing?

0:29:030:29:05

I was thinking, I don't know if I want to tell you what I'd be doing.

0:29:050:29:08

Only as a...bit of whimsy,

0:29:080:29:10

saying, "Well, I'll be sitting with millions of others in a cinema

0:29:100:29:12

"watching my new film Cuban Fury."

0:29:120:29:15

So sorry. I see what you did, now.

0:29:150:29:16

-Yeah.

-Thank you.

0:29:160:29:18

This is Cuban Fury, a new British comedy,

0:29:180:29:21

-with yourself and Nick Frost...

-Yeah, I'm not on the poster.

0:29:210:29:26

..and Chris O'Dowd. Isn't that...?

0:29:260:29:27

Oh, no, but it could be you, with the leg in the air.

0:29:270:29:29

Yeah. Now, I can safely say, ladies and gentleman,

0:29:290:29:32

without fear of contradiction,

0:29:320:29:33

it is the best British-based, salsa rom-com I have ever seen.

0:29:330:29:39

-Thank you.

-That can go on the poster.

0:29:390:29:41

Yeah. For sure.

0:29:410:29:43

No, it's a really funny, sweet film.

0:29:430:29:45

-It is a lovely film.

-Now, who are you?

0:29:450:29:48

Um, I can't actually remember the name of my character, but I...

0:29:480:29:51

LAUGHTER

0:29:510:29:52

It was a while ago.

0:29:540:29:56

Do you dance a lot, though?

0:30:010:30:03

Yes, thank you for saving me. I do.

0:30:030:30:06

In that... Um...

0:30:060:30:08

Well, Nick Frost is the lead guy.

0:30:080:30:10

And he...as a child...

0:30:100:30:12

Oh, I'm his sister, that's it! I'm his sister

0:30:120:30:14

-And...

-Well remembered.

-Thank you.

0:30:140:30:17

And as children he was salsa champion,

0:30:170:30:21

endless cups and awards and things.

0:30:210:30:23

And we used to go off and do competitions,

0:30:230:30:26

and I was his dance partner.

0:30:260:30:27

And then something happened and his life changed

0:30:270:30:30

and salsa wasn't for him after that moment.

0:30:300:30:33

And then cut to Nick Frost, present day,

0:30:330:30:36

or whatever his character's called... And, um... Bruce! He's called Bruce!

0:30:360:30:42

APPLAUSE And...

0:30:420:30:45

I can't believe people are applauding you

0:30:450:30:49

for remembering the names of people in your own film.

0:30:490:30:54

It was ages ago.

0:30:540:30:56

You know this feeling, you film something, two years ago...

0:30:560:30:59

Nelson Mandela.

0:30:590:31:00

"I play this bloke, um..."

0:31:020:31:05

OK, so you play - he's a dancer.

0:31:060:31:08

So he's... Yeah, and for the film....

0:31:080:31:11

So, he falls in love with Rashida Jones.

0:31:110:31:14

Got the name!

0:31:140:31:16

-That's Quincy Jones' daughter, right?

-Yes!

0:31:160:31:19

-She's beautiful.

-She IS beautiful.

-She's LOVELY.

0:31:190:31:22

And, um...he discovers that... Am I giving away the plot?

0:31:220:31:26

-Yes.

-I can't tell anything...

0:31:260:31:27

I think maybe you've told us enough now.

0:31:270:31:29

-OK.

-I'm going to stop you now.

0:31:290:31:30

-He dances again...

-Yes.

-..and he's amazing.

0:31:300:31:32

-But so do you, so do you.

-Yes.

0:31:320:31:35

We know you're big into preparation,

0:31:350:31:37

-but you must have had some dance lessons.

-We had to, I was forced to.

0:31:370:31:40

Because I had to dance onscreen, so I had to practise.

0:31:400:31:43

You look good, though.

0:31:430:31:45

Well, there is... As you know, they have people who actually can dance,

0:31:450:31:49

who... Because I can only spin three times before I vomit. So...

0:31:490:31:54

We do have a picture of you in rehearsals,

0:31:540:31:56

where it doesn't look like it's going that well.

0:31:560:31:58

That's the best thing I've ever seen.

0:32:020:32:05

I also love that you're wearing like a full sweat suit and heels.

0:32:050:32:09

They're Christian Louboutins, as well. Wow!

0:32:090:32:12

No, I think that's the glow of a heater or something on the sole.

0:32:120:32:16

-No...

-Did you get good?

-Well, um...

0:32:160:32:19

I don't know.

0:32:200:32:22

The choreographer would probably be laughing.

0:32:220:32:25

I got much better.

0:32:250:32:26

-Show us a move, go on. One move.

-No, don't make me do that.

0:32:260:32:29

-Dance, dance, dance!

-No!

0:32:290:32:30

You can't do that!

0:32:300:32:33

-Get naked, naked, naked, naked!

-You can't make me do that!

0:32:330:32:36

-I can't do it!

-Go on, just one move!

-Look.

0:32:360:32:38

Ahh.

0:32:380:32:40

I tell you what, we'll have a compromise.

0:32:400:32:43

Can I just say, Olivia - you owe me.

0:32:430:32:46

-We'll watch a clip where you dance.

-I'm so excited.

0:32:460:32:49

That was very convincing.

0:32:490:32:52

-We'll watch a clip where you dance.

-Thank you.

0:32:520:32:54

OK. Here you go.

0:32:540:32:56

-You're wasting your life.

-What do you know?

0:32:560:32:58

You are 35 years old and you are working as a hula girl.

0:32:580:33:01

Oh, sorry, no hula woman. Ooh! Ugh!

0:33:010:33:04

-Good shot.

-Thanks.

0:33:090:33:12

Musica, maestro.

0:33:120:33:14

What about these guys?

0:33:150:33:17

What about these guys?

0:33:170:33:19

HE TRILLS

0:33:190:33:21

SALSA MUSIC PLAYS

0:33:210:33:24

Let's go!

0:33:310:33:32

Come on!

0:33:360:33:38

Hooray!

0:33:420:33:43

APPLAUSE

0:33:430:33:45

-Oh!

-That makes me want to dance, now.

0:33:470:33:49

-Woo!

-Woo!

0:33:490:33:52

CHEERING

0:33:540:33:56

OK... It's time for some music.

0:33:560:33:59

They are one of the most successful British bands in recent years,

0:33:590:34:02

and they've just released their greatest hits.

0:34:020:34:04

Performing Everybody's Changing, it is Keane!

0:34:040:34:07

MUSIC: "Everybody's Changing" by Keane

0:34:120:34:14

# You say you wander

0:34:320:34:37

# Your own land

0:34:370:34:41

# When I think about it I don't see how you can

0:34:430:34:50

# You're aching

0:34:530:34:55

# You're breaking

0:34:550:34:58

# And I can see the pain in your eyes

0:34:580:35:03

# Says everybody's changing and I don't know why

0:35:030:35:08

# So little time

0:35:140:35:18

# Try to understand

0:35:180:35:21

# That I'm trying to make a move just to stay in the game

0:35:210:35:28

# I try to stay awake and remember my name

0:35:280:35:34

# But everybody's changing and I don't feel the same

0:35:340:35:40

# You're gone from here

0:35:540:35:57

# Soon you will disappear

0:35:570:35:59

# Fading into beautiful light

0:35:590:36:04

# Cos everybody's changing and I don't feel right

0:36:040:36:10

# So little time

0:36:150:36:20

# Try to understand

0:36:200:36:22

# That I'm trying to make a move just to stay in the game

0:36:220:36:30

# I try to stay awake and remember my name

0:36:300:36:35

# But everybody's changing and I don't feel the same

0:36:350:36:40

# So little time

0:37:000:37:04

# Try to understand

0:37:040:37:07

# That I'm trying to make a move just to stay in the game

0:37:070:37:15

# I try to stay awake and remember my name

0:37:150:37:21

# But everybody's changing and I don't feel the same

0:37:210:37:29

# Oh, everybody's changing and I don't feel the same. #

0:37:300:37:38

APPLAUSE

0:37:400:37:42

Keane, everybody!

0:37:460:37:47

Come on over. Yes!

0:37:470:37:50

-Thank you.

-Beautiful job, sir.

0:37:500:37:53

-Have a seat beside Olivia. Well done.

-Hello!

0:37:530:37:56

-Hello.

-All right?

-Yeah, good.

0:37:560:38:01

Hi, it's a pleasure.

0:38:010:38:02

-Well done.

-Beautiful.

0:38:020:38:04

Sit down - Tom, Tom and Tim representatives of Keane on Earth.

0:38:040:38:09

-You've all met and that's all very good.

-Apart from the other two.

0:38:090:38:11

Well, they're stepping off to the bar and they're happy.

0:38:110:38:14

-No, they're hanging around.

-They're waving.

0:38:140:38:16

Losers!

0:38:160:38:17

That's from the greatest hits album.

0:38:190:38:21

-Best selling greatest hits album last year.

-I believe.

0:38:210:38:24

-Really?

-Yeah, someone told me.

0:38:240:38:25

You should check that, but apparently that's true.

0:38:250:38:28

Now, the thing about a greatest hits album,

0:38:280:38:31

is you do think, "Ooh, that possibly means goodbye Keane.

0:38:310:38:35

"Keane not so keen."

0:38:350:38:36

-So is this the end of Keane?

-Never heard that joke before.

0:38:360:38:39

I know. Well, you called the band Keane, come on.

0:38:390:38:42

What is happening?

0:38:420:38:44

Well, we're going to take a bit of a break.

0:38:440:38:46

-Ohh...

-Yeah.

0:38:460:38:49

I like it, sympathy.

0:38:490:38:50

Maybe that's enough to keep carrying on.

0:38:510:38:54

-So it's over for a while.

-Yeah.

0:38:540:38:56

Well, I've got a few things I'd like to do this year.

0:38:560:39:00

-What?

-LAUGHTER

0:39:000:39:02

Go on a 12-month holiday?

0:39:020:39:04

Solo.

0:39:040:39:06

Yeah, maybe. Maybe that. Yeah, a few things, personal things.

0:39:060:39:09

Now, Christmas, of course, was all about another Keane hit,

0:39:090:39:12

because of course the John Lewis ad was a Keane song,

0:39:120:39:16

-Lily Allen's version...

-I love that!

-..of Somewhere Only We Know.

0:39:160:39:19

Now, I just assumed, "Oh, that's good for Keane."

0:39:190:39:22

But it was mostly good for Tim.

0:39:220:39:24

-Royalties-wise, you mean.

-Yeah.

0:39:270:39:29

Er... Yeah, I don't know.

0:39:290:39:32

-Well, didn't you write that song?

-I did, yes. Absolutely.

0:39:320:39:35

-So that was a really good Christmas for you.

-Yeah.

0:39:350:39:38

Nice little bonus.

0:39:380:39:40

Especially after the greatest hits. Pretty good Christmas.

0:39:400:39:43

Forget Jingle Bells. That's like ker-ching.

0:39:430:39:47

-LENA:

-Is that a big ad... I'm not from this country.

0:39:470:39:50

It was a big Christmas ad, but also Lily Allen was singing it,

0:39:500:39:53

it also became the Christmas number one...

0:39:530:39:55

No, it wasn't Christmas number one,

0:39:550:39:56

-it was number one leading up to Christmas for weeks.

-Wow.

0:39:560:39:59

-Yeah, so, like...

-Lily Allen is a singer.

0:39:590:40:01

I know who Lily Allen is!

0:40:010:40:04

Thank you.

0:40:040:40:05

But there was a lot of discussion about the ad.

0:40:050:40:07

Because it was about a bear and... was that a hare or rabbit?

0:40:070:40:12

-Hare, yeah.

-That were friends.

0:40:120:40:14

And a lot of people pointed out that that was unlikely in nature.

0:40:140:40:18

There's so much about that advert that's unlikely.

0:40:200:40:23

Yeah!

0:40:230:40:24

They're not going to buy each other presents from John Lewis.

0:40:240:40:28

That's unlikely.

0:40:280:40:29

-That's true.

-And bears like to use rabbits to wipe their arses

0:40:290:40:32

after they've taken a shit.

0:40:320:40:34

Something else to remember.

0:40:350:40:36

And an alarm clock is never an acceptable gift.

0:40:360:40:39

It's a terrible gift.

0:40:390:40:40

I don't know if you remember,

0:40:400:40:41

before Christmas Private Eye did a cover

0:40:410:40:43

which reflected a lot of people's worries about the ad.

0:40:430:40:48

Can we zoom in on there, and what the bear is saying?

0:40:480:40:51

LAUGHTER

0:40:520:40:54

Yeah, don't wake a bear.

0:40:590:41:02

Well, good luck with the greatest hits album,

0:41:020:41:04

and I hope it's not the end of Keane.

0:41:040:41:05

-I hope there's more Keane.

-Yeah, more.

-Yeah.

-Yeah.

-Yeah.

0:41:050:41:08

They're so like, "Yeah..."

0:41:080:41:10

The minute this show is over, I'm never going to see this man again.

0:41:120:41:16

Right, before we go tonight, just time for a story in the red chair.

0:41:160:41:20

So, who be there? Who be there?

0:41:200:41:22

-Hello.

-Hi!

-Hi!

0:41:220:41:24

-Are you very tall?

-Yes, very.

-How tall are you?

0:41:240:41:27

-Er, 5'11".

-Oh, is that all?

0:41:270:41:29

You look like you're seven feet tall!

0:41:290:41:32

-Are you on a cushion or something?

-No. Well, just the one on the chair.

0:41:320:41:36

Obviously, yes.

0:41:360:41:38

-Bizarre. What's your name, nice lady?

-Rachel.

0:41:390:41:42

-And where are you from, Rachel?

-I'm from Stoke-on-Trent.

0:41:420:41:44

Oh, lovely. What do you do up there?

0:41:440:41:46

-I'm a mobile hairdresser.

-A mobile hairdresser!

0:41:460:41:49

So you come to them?

0:41:490:41:51

-Yes, I go to people's houses.

-Oh, my God!

0:41:510:41:53

Do you have one of those hairdryers

0:41:530:41:55

that's like a spaceman's helmet on a stand?

0:41:550:41:58

No, I don't, actually,

0:41:580:41:59

but I do have a bird table that I have to use to put all my stuff on.

0:41:590:42:03

You bring a bird table?

0:42:030:42:04

LAUGHTER

0:42:040:42:06

Do you have a name on the side of your van?

0:42:090:42:11

On my van?! I don't drive a van!

0:42:110:42:15

How do you transport your bird table?

0:42:150:42:17

-I just stick it in the boot.

-Oh, OK, fair enough.

0:42:170:42:20

She's very mobile.

0:42:200:42:22

OK, off you go with your story, Rachel.

0:42:220:42:24

Well, a couple of years ago,

0:42:240:42:26

I had a boyfriend who had long hair and a beard.

0:42:260:42:29

We were driving one day to work, and someone crashed in the back of us.

0:42:290:42:33

So we got out of car and it was actually a nun who got out car

0:42:330:42:35

that had crashed into the back of us.

0:42:350:42:37

She took one look at my boyfriend and started shouting,

0:42:370:42:40

"Oh, my God, the Lord's come for me."

0:42:400:42:42

Thought he was Jesus...

0:42:420:42:44

so, ran, jumped back in the car

0:42:440:42:47

and drove off and left us on this roundabout in shock.

0:42:470:42:50

So, we managed to get her licence plate

0:42:500:42:53

and we had to report it to the police.

0:42:530:42:55

So we had to ring work and tell them we were going to be late

0:42:550:42:57

cos this nun had crashed into us,

0:42:570:42:59

and the police had to go and track this nun down

0:42:590:43:01

and she got arrested for leaving the scene of the accident.

0:43:010:43:04

-Good story.

-Good story!

0:43:040:43:06

You can walk. Well done.

0:43:060:43:10

APPLAUSE

0:43:100:43:12

Well, if you'd like to join us on the show

0:43:120:43:14

and have a go in the red chair, you can.

0:43:140:43:16

Just contact us via our website, at this very address.

0:43:160:43:19

Thank you to all my guests tonight - Keane, ladies and gentlemen.

0:43:190:43:22

Olivia Colman.

0:43:230:43:26

Lena Dunham...

0:43:270:43:29

..and Mr Idris Elba.

0:43:300:43:33

Join me next week with comedian Lee Mack,

0:43:350:43:37

musical guest Katy B,

0:43:370:43:39

-football star Thierry Henry...

-AUDIENCE: Woo!

-I know!

0:43:390:43:42

Oscar-nominated actress Keira Knightley

0:43:420:43:44

and actor-director Sir Kenneth Branagh.

0:43:440:43:47

I'll see you then. Good night, everybody, goodbye!

0:43:470:43:49

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