Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING | 0:00:02 | 0:00:03 | |
On the show tonight, | 0:00:03 | 0:00:04 | |
we've got the sexiest French footballer of all time! | 0:00:04 | 0:00:08 | |
Oops! Let's start the show! | 0:00:08 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:10 | 0:00:14 | |
Oh, hello. Hello, hello. | 0:00:29 | 0:00:33 | |
HE LAUGHS | 0:00:33 | 0:00:34 | |
Hello, good evening and welcome one, welcome all. Whoo-hoo, whoo-hoo. | 0:00:34 | 0:00:40 | |
-AUDIENCE: Whoo! -Yeah, all right, enough whooping. | 0:00:40 | 0:00:42 | |
Hey, we've got a very exciting sofa for you tonight. | 0:00:42 | 0:00:45 | |
Acting royalty, Sir Kenneth Branagh is here. | 0:00:45 | 0:00:48 | |
-CHEERING AND APPLAUSE -I know! Smell the quality! | 0:00:48 | 0:00:52 | |
British actress turned Hollywood superstar, | 0:00:52 | 0:00:54 | |
Keira Knightley is here, ladies and gentlemen. | 0:00:54 | 0:00:56 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:58 | |
Hilarious comic Lee Mack is on the show. | 0:00:58 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:04 | |
And, and, French footballing legend Thierry Henry will be dropping in. | 0:01:04 | 0:01:10 | |
CHEERING AND APPLAUSE | 0:01:10 | 0:01:11 | |
I know! | 0:01:11 | 0:01:13 | |
Plus, we've got music from the fabulous Katy B. | 0:01:13 | 0:01:16 | |
Yes, we do. | 0:01:16 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:17 | 0:01:18 | |
Very good. | 0:01:18 | 0:01:20 | |
Oh, do you know, even I am very excited to talk to Thierry Henry. | 0:01:20 | 0:01:25 | |
Thierry Henry. You know, he's one of France's greatest ever footballers. | 0:01:25 | 0:01:29 | |
That's him helping to defeat England. | 0:01:29 | 0:01:32 | |
Now, I'm not saying England are rubbish, | 0:01:32 | 0:01:34 | |
but this is the last time they beat the French. | 0:01:34 | 0:01:37 | |
LAUGHTER | 0:01:37 | 0:01:40 | |
As well as France, Thierry has played for many years at Arsenal. | 0:01:40 | 0:01:44 | |
Do you know, they've even built a statue of him at the stadium. | 0:01:44 | 0:01:48 | |
They have. And you think, that's very nice, very flattering. | 0:01:48 | 0:01:50 | |
And you know, I believe Manchester United have just unveiled | 0:01:50 | 0:01:53 | |
one of Wayne Rooney. | 0:01:53 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:57 | |
Spot on. It's a good likeness, it really is. | 0:01:57 | 0:02:01 | |
That's a talented artist. | 0:02:01 | 0:02:03 | |
Hey, delighted to welcome Keira Knightley onto the show. | 0:02:03 | 0:02:05 | |
The star of so many lavish period films. | 0:02:05 | 0:02:08 | |
AUDIENCE: Whoo! | 0:02:08 | 0:02:09 | |
All right, lads. Look. Your man cheering, he was like... | 0:02:09 | 0:02:13 | |
You don't have a hope! | 0:02:13 | 0:02:15 | |
LAUGHTER | 0:02:15 | 0:02:18 | |
Here she is in King Arthur, wielding the famous sword Excalibur. | 0:02:18 | 0:02:22 | |
HE GROWLS | 0:02:22 | 0:02:24 | |
Now, King Arthur was shot on location in the West of England. | 0:02:24 | 0:02:28 | |
You wouldn't believe how rainy it was when they filmed the fight scene. Terrible. | 0:02:28 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:33 | |
What a flood. I blame gay marriage. | 0:02:33 | 0:02:36 | |
LAUGHTER | 0:02:36 | 0:02:38 | |
APPLAUSE | 0:02:38 | 0:02:42 | |
Anyway... I loved Keira in Atonement, so romantic. | 0:02:48 | 0:02:52 | |
Look at her there, gazing wistfully into the middle distance | 0:02:52 | 0:02:55 | |
surrounded by flowers. | 0:02:55 | 0:02:56 | |
Of course, not everyone can pull that look off. | 0:02:56 | 0:02:59 | |
LAUGHTER | 0:02:59 | 0:03:01 | |
That's Kenneth Branagh as Detective Wallander. | 0:03:01 | 0:03:05 | |
Looks like another case of rape. | 0:03:05 | 0:03:08 | |
LAUGHTER | 0:03:08 | 0:03:10 | |
There are farmers in! Yay! | 0:03:10 | 0:03:13 | |
It's a cash crop joke. | 0:03:15 | 0:03:17 | |
Now, Kenneth's here to talk about his new film | 0:03:19 | 0:03:21 | |
Jack Ryan: Shadow Recruit | 0:03:21 | 0:03:24 | |
where as well as directing, he stars as a Russian baddie. | 0:03:24 | 0:03:28 | |
Ooh, there he is. | 0:03:28 | 0:03:30 | |
On the phone, "Yes, Mr Putin, | 0:03:30 | 0:03:32 | |
-"we'll keep all the gays out of the country, yes." -LAUGHTER | 0:03:32 | 0:03:36 | |
As the head of the Winter Olympics, Russian Prime Minister Putin | 0:03:36 | 0:03:39 | |
still continuing his crackdown on gays in Russia. Yeah. | 0:03:39 | 0:03:43 | |
Here is the completely heterosexual Putin. | 0:03:43 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:49 | |
Is someone trying a little hard? | 0:03:51 | 0:03:54 | |
The only way Putin could look more gay is if that horse | 0:03:56 | 0:03:59 | |
was a unicorn. | 0:03:59 | 0:04:01 | |
LAUGHTER | 0:04:01 | 0:04:03 | |
Let's get some guests on! | 0:04:03 | 0:04:07 | |
Later on I'll be meeting Thierry Henry, but first, | 0:04:07 | 0:04:11 | |
the brightest spark on the comedy circuit, it's Lee Mack! | 0:04:11 | 0:04:14 | |
-CHEERING AND APPLAUSE -Hello, sir. -Hello, how are you? | 0:04:14 | 0:04:18 | |
-Welcome, welcome, sit you down. -Thank you. Hello. | 0:04:18 | 0:04:21 | |
She's the best period actress, full stop. | 0:04:21 | 0:04:24 | |
-It's Keira Knightley, everybody! -CHEERING AND APPLAUSE | 0:04:24 | 0:04:28 | |
-Oh, beautiful, beautiful! -Thank you. | 0:04:28 | 0:04:30 | |
-Lovely to see you. Sit down, Keira Knightley. -Hello. | 0:04:30 | 0:04:34 | |
And is this a star I see before me? Yes, it's Sir Kenneth Branagh! | 0:04:34 | 0:04:38 | |
CHEERING AND APPLAUSE | 0:04:38 | 0:04:41 | |
-Hello, sir. Nice to see you. -How are you? -I'm really well. -Thank you. | 0:04:41 | 0:04:46 | |
CHEERING AND APPLAUSE | 0:04:46 | 0:04:48 | |
Very nice to see you all. | 0:04:49 | 0:04:52 | |
Luckily, as luck would have it, | 0:04:52 | 0:04:54 | |
on the day that Thierry Henry is on the show... | 0:04:54 | 0:04:58 | |
-You do all follow the football, don't you? -Yes, indeed, yes. | 0:04:58 | 0:05:01 | |
Thierry, of course, legendarily played here for a north London team | 0:05:01 | 0:05:04 | |
that I'm not a fan of so I respect and admire him from a distance. | 0:05:04 | 0:05:09 | |
-He'll be sitting there. -Yes, I'm probably going to move over. | 0:05:09 | 0:05:12 | |
-Are you Tottenham? -Yes. | 0:05:12 | 0:05:15 | |
CHEERING AND BOOING | 0:05:15 | 0:05:17 | |
Tell you what, can I just say, let's get this out of our system now. | 0:05:17 | 0:05:21 | |
Does anyone here support Arsenal? Please God, somebody does. | 0:05:21 | 0:05:24 | |
-CHEERING -It's been rigged! | 0:05:24 | 0:05:26 | |
I don't want him to walk on and people just go, "Boo!" | 0:05:26 | 0:05:29 | |
-What team do you support? -West Ham. | 0:05:30 | 0:05:33 | |
-CHEERING -Awesome. That's amazing. | 0:05:33 | 0:05:35 | |
-Is that every West Ham fan in? -Pretty much! | 0:05:35 | 0:05:37 | |
Let's see how you do with cheering, Lee. Who do you support? | 0:05:39 | 0:05:42 | |
This is going to take the roof off. Blackburn Rovers. | 0:05:42 | 0:05:45 | |
MUTED CHEERING | 0:05:45 | 0:05:47 | |
One bloke. Everyone else thinks it's a place in Middle Earth. | 0:05:47 | 0:05:50 | |
You will help me out with the footballing chat. Yes. Very good. | 0:05:50 | 0:05:52 | |
The other exciting thing... The last time you were here, | 0:05:52 | 0:05:56 | |
you were a mere mortal, now you are "Sir" Kenneth Branagh. | 0:05:56 | 0:06:00 | |
CHEERING AND APPLAUSE | 0:06:00 | 0:06:03 | |
-Thank you very much. -It's a fabulous thing. | 0:06:03 | 0:06:06 | |
Yes, it was pretty amazing. | 0:06:07 | 0:06:09 | |
Obviously you go to Buckingham Palace, it's quite something, | 0:06:09 | 0:06:12 | |
go through that gate, everybody's standing outside taking pictures. | 0:06:12 | 0:06:15 | |
But you do get terrified. | 0:06:15 | 0:06:17 | |
Frankly, you're terrified of stepping on dogs | 0:06:17 | 0:06:19 | |
-cos those corgis are everywhere. -Is that true? -Yeah. | 0:06:19 | 0:06:23 | |
I was waiting, there was a long, long corridor | 0:06:23 | 0:06:25 | |
and the music was playing and suddenly it was hush | 0:06:25 | 0:06:28 | |
and you knew she was coming, she was coming. | 0:06:28 | 0:06:30 | |
You could see there were guys in uniform and then before she arrived, | 0:06:30 | 0:06:33 | |
just four little corgis in advance. | 0:06:33 | 0:06:35 | |
Slightly nerve-racking when you actually get to do the knighting bit | 0:06:35 | 0:06:38 | |
because you're terrified of putting your knee on one. | 0:06:38 | 0:06:42 | |
-That would spoil the day! -I think so. -What did she say to you? | 0:06:42 | 0:06:47 | |
Do you know, I have no idea. | 0:06:47 | 0:06:49 | |
You are so nervous, I mean she could have been saying anything. | 0:06:49 | 0:06:52 | |
She might have said, "I hate your films." | 0:06:52 | 0:06:54 | |
"Thank you very much." | 0:06:54 | 0:06:56 | |
"You seem a bit of an idiot." "Absolutely, thank you so much." | 0:06:56 | 0:07:00 | |
You're mumbling away. You are in a kind of dream. | 0:07:00 | 0:07:03 | |
-You were doing the nodding? -A lot of nodding. | 0:07:03 | 0:07:06 | |
Then she very firmly moves you away to let you know... | 0:07:06 | 0:07:09 | |
She has to, because lots of people are there, completely tongue-tied. | 0:07:09 | 0:07:12 | |
-What were you doing? -Well... -"Back off, Branagh." | 0:07:12 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:18 | |
I did hear that when she said, | 0:07:18 | 0:07:19 | |
"Easy, tiger! Easy, tiger!" "You, out now!" | 0:07:19 | 0:07:23 | |
The Queen, I know you were saying she shrugged you away | 0:07:23 | 0:07:25 | |
but I got told it's the opposite. | 0:07:25 | 0:07:27 | |
That in normal situations, when she's not doing that, | 0:07:27 | 0:07:29 | |
she doesn't walk away, | 0:07:29 | 0:07:31 | |
someone will lead her away to the next person | 0:07:31 | 0:07:33 | |
and I just don't think she likes you. | 0:07:33 | 0:07:36 | |
Now I'm thinking that I should have brushed my teeth, you know. | 0:07:36 | 0:07:39 | |
I've heard that before, | 0:07:39 | 0:07:41 | |
she shakes your hand and goes sort of like that. | 0:07:41 | 0:07:44 | |
I did the Jubilee thing. | 0:07:44 | 0:07:46 | |
We hosted... The comedians did a minute each | 0:07:46 | 0:07:49 | |
and we all had to go backstage and meet her. | 0:07:49 | 0:07:52 | |
The thing to do, when she pushes it back, you just push it back again. | 0:07:52 | 0:07:56 | |
I've never met a Royal in my life. I'm thinking, "Wait a minute!" | 0:07:57 | 0:08:01 | |
-You've never met any? -No. -Even I've met some! -Have you? -Yes! | 0:08:01 | 0:08:05 | |
You've met a few queens... | 0:08:05 | 0:08:08 | |
CHEERING AND APPLAUSE | 0:08:08 | 0:08:11 | |
-Don't clap that. Don't clap that. -Boo! Boo! | 0:08:11 | 0:08:16 | |
So listen, listen, we must move on, because Keira and Kenneth, | 0:08:20 | 0:08:24 | |
you come hot foot from your premiere of Jack Ryan: Shadow Recruit, | 0:08:24 | 0:08:29 | |
which I've seen and it's really exciting, a proper thriller. | 0:08:29 | 0:08:32 | |
-Thanks very much. -It's thrilling. It opens tonight, | 0:08:32 | 0:08:35 | |
stars both of you and you directed it as well. | 0:08:35 | 0:08:39 | |
I did direct it, yeah. And I got to play the villain. | 0:08:39 | 0:08:42 | |
I get to bring Keira Knightley into my wicked plot | 0:08:42 | 0:08:46 | |
and also to get in the way of Chris Pine, | 0:08:46 | 0:08:49 | |
so I was very lucky to work with the pair of them. It was great. | 0:08:49 | 0:08:52 | |
Keira, because Ken's directing this, if you are in a scene with him, | 0:08:52 | 0:08:55 | |
-how odd is that? -It's quite weird. | 0:08:55 | 0:08:57 | |
Especially cos he's the baddie and he's a psychotic baddie in it. | 0:08:57 | 0:09:00 | |
We've got one scene where... Are you trying to kill me? | 0:09:00 | 0:09:02 | |
I'm not sure what you are trying to do, | 0:09:02 | 0:09:04 | |
but he's being horrible to me, he's being psychotic | 0:09:04 | 0:09:07 | |
and we're in the back of a truck | 0:09:07 | 0:09:09 | |
and I'm tied up like that and he's screaming at me | 0:09:09 | 0:09:11 | |
and he'd be screaming at me in this Russian accent | 0:09:11 | 0:09:14 | |
and all of a sudden it will be like, "OK, cut. That was lovely. | 0:09:14 | 0:09:17 | |
"Thank you so much". | 0:09:17 | 0:09:19 | |
-I wasn't as camp as that, was I? -You were. | 0:09:20 | 0:09:24 | |
I thought I was all Russian and butch and I stayed that way. | 0:09:24 | 0:09:27 | |
You know, movies are often... | 0:09:27 | 0:09:29 | |
In this kind of story they are about moments. | 0:09:29 | 0:09:31 | |
You need to get that moment right | 0:09:31 | 0:09:32 | |
and sometimes the great thing is you can go back and do it again. | 0:09:32 | 0:09:35 | |
We have an interesting series of scenes | 0:09:35 | 0:09:38 | |
-while Chris Pine is trying to save the world. -In the restaurant? -Yes. | 0:09:38 | 0:09:41 | |
That is a white-knuckle ride. | 0:09:41 | 0:09:43 | |
He is distracted - quelle surprise - | 0:09:43 | 0:09:45 | |
by this woman and her love of Russian literature, | 0:09:45 | 0:09:49 | |
which is a winner for the guy that I play. | 0:09:49 | 0:09:51 | |
And we got to do... We played the scenes as one whole thing | 0:09:51 | 0:09:55 | |
and did it many times, repeated and improvised a bit. | 0:09:55 | 0:09:57 | |
And who's not going to love doing that? Thank you very much. | 0:09:57 | 0:10:01 | |
I'm totally... In sitcom land, you get one or two takes, that's it. | 0:10:01 | 0:10:05 | |
I'm so jealous. In my show, I go, "Can we do that again because..." | 0:10:05 | 0:10:09 | |
And they go, "No, we're moving on." | 0:10:09 | 0:10:11 | |
And I go, "My flies were undone and my cock was out." | 0:10:11 | 0:10:14 | |
"Fine. We'll just go with it." | 0:10:14 | 0:10:17 | |
LAUGHTER | 0:10:17 | 0:10:18 | |
-No-one noticed! -CHEERING AND APPLAUSE | 0:10:18 | 0:10:21 | |
Zing! Zing! right back at you! | 0:10:25 | 0:10:27 | |
Listen, we must watch a clip of your movie! | 0:10:29 | 0:10:31 | |
This is the two of you and you, the baddie, | 0:10:31 | 0:10:34 | |
have whisked away Keira Knightley | 0:10:34 | 0:10:36 | |
and Chris Pine is playing Jack Ryan - wants her back! | 0:10:36 | 0:10:40 | |
HORN BLARES | 0:10:40 | 0:10:42 | |
MOBILE PHONE RINGS | 0:10:42 | 0:10:44 | |
-Kathy! -I hope for your sake you have not yet transmitted | 0:10:46 | 0:10:49 | |
the information you stole from me. | 0:10:49 | 0:10:51 | |
We haven't started transmitting yet. I still have the stick drive. | 0:10:51 | 0:10:54 | |
Very good. Very good, Jack. | 0:10:55 | 0:10:57 | |
Let us hope Kathy and I can believe you. | 0:10:57 | 0:10:59 | |
If not, I have always found in these situations, | 0:10:59 | 0:11:02 | |
the sweetest results are achieved by working with loved ones. | 0:11:02 | 0:11:06 | |
-You know I have what you want. Put her on the phone. -Talk to her. | 0:11:06 | 0:11:10 | |
-Kathy! -Talk to your fiance. | 0:11:10 | 0:11:13 | |
Kathy! Talk to me! | 0:11:13 | 0:11:14 | |
BRAKES SCREECH | 0:11:14 | 0:11:17 | |
KATHY! | 0:11:17 | 0:11:18 | |
APPLAUSE | 0:11:18 | 0:11:21 | |
Oh! Can I just say, even if it's not Chris Pine, | 0:11:21 | 0:11:23 | |
that is how they drive in Moscow. | 0:11:23 | 0:11:26 | |
I'm getting to that age where I watch that and I thought, | 0:11:27 | 0:11:29 | |
"I hope he's fully comprehensive." | 0:11:29 | 0:11:32 | |
Keira Knightley, you are excellent. | 0:11:34 | 0:11:36 | |
I'm sorry we had a clip where you didn't talk. | 0:11:36 | 0:11:38 | |
-Keira does have lines. -It's fine. Only a couple, it's fine. | 0:11:38 | 0:11:42 | |
-She speaks throughout the film. -In a brilliant American accent. | 0:11:42 | 0:11:44 | |
Yes, very good. | 0:11:44 | 0:11:46 | |
-Here's the madness, because look at you, so young, so pretty. -Thanks. | 0:11:46 | 0:11:51 | |
-Keira Knightley has been in the business for...is it 22 years? -Yeah. | 0:11:51 | 0:11:56 | |
-That's frightening, isn't it? -22 years! | 0:11:56 | 0:11:59 | |
-Elaine Paige has only been in it 50! -I'm catching up. -You really are. | 0:11:59 | 0:12:04 | |
When you watch The Bill... | 0:12:04 | 0:12:06 | |
I'm sure we watched The Bill all those years ago. | 0:12:06 | 0:12:08 | |
Did you notice Keira Knightley? | 0:12:08 | 0:12:10 | |
Oh, yeah. There we go. | 0:12:10 | 0:12:12 | |
You look exactly the same! | 0:12:12 | 0:12:15 | |
Do you remember what you did? | 0:12:15 | 0:12:17 | |
I do. I played Sheena Rose. | 0:12:17 | 0:12:19 | |
It was still the most exciting character I've ever played | 0:12:19 | 0:12:22 | |
cos I watched The Bill the whole time | 0:12:22 | 0:12:24 | |
and I was so cool at school because I was in The Bill. | 0:12:24 | 0:12:27 | |
Sheena Rose. I stole coins but I found a dead body | 0:12:27 | 0:12:30 | |
-and was traumatised by it. -Of course. | 0:12:30 | 0:12:32 | |
-Were you in many episodes? -Just in one. It was great. Loved it. | 0:12:32 | 0:12:36 | |
-You look good in it. -Thanks. | 0:12:36 | 0:12:39 | |
-Big, green bag. -How old were you? | 0:12:39 | 0:12:41 | |
Were you 12 when you got the Star Wars movie? | 0:12:41 | 0:12:44 | |
-Star Wars I was 12, yeah. -That's incredible. | 0:12:44 | 0:12:47 | |
-We've got you in Star Wars. -Good hairstyle! | 0:12:47 | 0:12:50 | |
-You played Natalie Portman's double. -Yes. | 0:12:50 | 0:12:53 | |
I didn't know what I was doing when I got it. | 0:12:53 | 0:12:56 | |
They just said... Nobody gives you scripts, it's all very secret. | 0:12:56 | 0:12:59 | |
They kept on shoving me forward and I'd be dressed in exactly | 0:12:59 | 0:13:03 | |
the same thing she was dressed in, but nobody told me why. | 0:13:03 | 0:13:06 | |
Actually, when we got... | 0:13:06 | 0:13:08 | |
Again, I never knew when it was me and when it wasn't. | 0:13:08 | 0:13:11 | |
Sometimes in the wide shots they would use me instead of her, | 0:13:11 | 0:13:13 | |
cos she wanted to go home early so I'd come forward. | 0:13:13 | 0:13:16 | |
Can I ask? I haven't seen this film, I'm so sorry. | 0:13:16 | 0:13:18 | |
Are you her double, in the fictional world you're playing her double? | 0:13:18 | 0:13:21 | |
-I don't know. -You were a decoy. | 0:13:21 | 0:13:24 | |
If people wanted to kill that princess, Natalie Portman... | 0:13:24 | 0:13:27 | |
-They'd kill me instead. -I don't know much about decoys and stuff, | 0:13:27 | 0:13:29 | |
but I wouldn't have them stood next to each other. | 0:13:29 | 0:13:32 | |
That's an assassin's dream. | 0:13:32 | 0:13:34 | |
"Where is she? I want to shoot her!" | 0:13:34 | 0:13:36 | |
"You can't miss her, she's stood next to the girl with the white face." | 0:13:36 | 0:13:40 | |
That's totally backfired. | 0:13:40 | 0:13:42 | |
But I would have thought, here's the thing, | 0:13:42 | 0:13:44 | |
you do look incredibly like Natalie Portman. | 0:13:44 | 0:13:47 | |
You would think that would be the end of your career, | 0:13:47 | 0:13:50 | |
in that, you know what I mean? | 0:13:50 | 0:13:51 | |
-We've got one of those already. -Done. | 0:13:51 | 0:13:54 | |
I guess I grew about two feet taller. | 0:13:54 | 0:13:57 | |
-Just a stretched version, really. -Then, having been in Star Wars, | 0:13:57 | 0:14:00 | |
how amazing to then be in the next most successful franchise | 0:14:00 | 0:14:04 | |
-of all time, Pirates Of The Caribbean. -Yeah. | 0:14:04 | 0:14:07 | |
CHEERING AND APPLAUSE | 0:14:07 | 0:14:10 | |
It looks like you're all just on holiday. Was it properly fun? | 0:14:10 | 0:14:13 | |
Yeah, it was great. | 0:14:13 | 0:14:15 | |
You know, I mean, like, sword fighting | 0:14:15 | 0:14:17 | |
and kind of jumping in water and Orlando Bloom, who is lovely, | 0:14:17 | 0:14:20 | |
-and Johnny Depp, who's lovely. So... -LAUGHTER | 0:14:20 | 0:14:23 | |
Great. They painted on my tits as well, which is always quite fun. | 0:14:23 | 0:14:27 | |
They painted on your tits? Or they painted on...your tits. | 0:14:28 | 0:14:32 | |
-If you go back... -Was that a scene hand who was bored? | 0:14:32 | 0:14:35 | |
And went, "All right, love? How are you doing, all right? | 0:14:35 | 0:14:39 | |
LAUGHTER | 0:14:39 | 0:14:40 | |
"I always paint on the girls' tits." | 0:14:40 | 0:14:43 | |
LAUGHTER AND APPLAUSE | 0:14:43 | 0:14:45 | |
-Those are painted? -I mean, they're mine. | 0:14:46 | 0:14:50 | |
-They're not painted. -They are painted. | 0:14:50 | 0:14:52 | |
You say they're yours, I think one of them's played by Natalie Portman. | 0:14:52 | 0:14:56 | |
You're right. We got Natalie Portman's breasts for that. | 0:14:56 | 0:14:59 | |
She did an excellent job. | 0:14:59 | 0:15:01 | |
It was 45 minutes every morning | 0:15:01 | 0:15:02 | |
and they would do shading to give me a cleavage. | 0:15:02 | 0:15:06 | |
-It took 45 minutes! 45 minutes. -45 minutes for shading? | 0:15:06 | 0:15:10 | |
-I've got very little up top. -Do they hoist them up and then paint? | 0:15:10 | 0:15:14 | |
They hoist them up, shove a lot in there... | 0:15:14 | 0:15:16 | |
They did as much as they could to get whatever I have up, | 0:15:16 | 0:15:20 | |
which took quite a lot, then paint in the rest of it. | 0:15:20 | 0:15:23 | |
I like that Lee is being so incredulous that this happens, | 0:15:25 | 0:15:28 | |
-because you've had... -Oh, yeah. I have had my tits advanced. | 0:15:28 | 0:15:33 | |
Here are you, this is all painted on. | 0:15:35 | 0:15:37 | |
I should point out that the six pack has been painted on, | 0:15:37 | 0:15:41 | |
but the man-boobs are real. LAUGHTER | 0:15:41 | 0:15:44 | |
Can I just say that was a comedy sketch, | 0:15:44 | 0:15:46 | |
that's not just what I used to be like. | 0:15:46 | 0:15:49 | |
-That isn't you... -That's not how I started out. | 0:15:49 | 0:15:52 | |
That's not you on your wedding day. | 0:15:52 | 0:15:55 | |
I didn't fail at the audition for Thor. | 0:15:55 | 0:15:57 | |
Talking of Thor, Chris Hemsworth, did they paint any of that on? | 0:15:57 | 0:16:02 | |
-No painting there. -So this is him? This is him? | 0:16:02 | 0:16:05 | |
CHEERING | 0:16:05 | 0:16:07 | |
It's funny, when you showed my photo, I got nothing. | 0:16:07 | 0:16:11 | |
LAUGHTER Absolutely nothing. | 0:16:11 | 0:16:14 | |
-That's ridiculous! -It is. | 0:16:14 | 0:16:17 | |
I remember the morning we were going to do that | 0:16:17 | 0:16:19 | |
and I was slightly embarrassed because we were taking it, | 0:16:19 | 0:16:21 | |
you know, taking the thing seriously and everything. | 0:16:21 | 0:16:23 | |
But story-wise it was required to do it, | 0:16:23 | 0:16:25 | |
but we hadn't discussed what was happening. | 0:16:25 | 0:16:27 | |
I found myself nervously going up to him and saying, | 0:16:27 | 0:16:30 | |
you know, "Would you mind getting your shirt off for this?" | 0:16:30 | 0:16:34 | |
-IN AUSTRALIAN ACCENT: -"Mate, I've been in the gym | 0:16:34 | 0:16:36 | |
"for nine ...ing months to do this. I'm taking my shirt off!" | 0:16:36 | 0:16:39 | |
LAUGHTER AND APPLAUSE | 0:16:39 | 0:16:42 | |
Actually, the funniest thing was all the guys. | 0:16:43 | 0:16:46 | |
The women were just sort of dreamed up when he came on. | 0:16:46 | 0:16:49 | |
But it was all the guys, you know, holding cameras | 0:16:49 | 0:16:52 | |
-and sound equipment going... -HE MOUTHS | 0:16:52 | 0:16:54 | |
Impressive. | 0:16:58 | 0:17:00 | |
Sorry to be the spanner in the works | 0:17:00 | 0:17:02 | |
but I would say that's a bit too buff. | 0:17:02 | 0:17:05 | |
There is a fine line between buff and looking like... | 0:17:05 | 0:17:08 | |
He's playing Thor! | 0:17:08 | 0:17:10 | |
He's a fictional god! | 0:17:10 | 0:17:12 | |
He's a fictional god. He was buff but he wasn't lactating. | 0:17:12 | 0:17:16 | |
He looks like he's just had a baby. | 0:17:17 | 0:17:19 | |
I would say that to his face. It just so happens he's not here. | 0:17:19 | 0:17:23 | |
Do you know what I mean? They can be too big. | 0:17:23 | 0:17:25 | |
Your breasts, as a man, can be too big. | 0:17:25 | 0:17:27 | |
I think you could get into that shape. It would suit you very well. | 0:17:27 | 0:17:30 | |
-I'd like to see it. -APPLAUSE | 0:17:30 | 0:17:33 | |
What do you mean you'd like to see me get into that shape? | 0:17:40 | 0:17:42 | |
What's that supposed to mean? | 0:17:42 | 0:17:44 | |
I would say I'm about 70% there. LAUGHTER | 0:17:44 | 0:17:47 | |
The six-pack was exciting. I do not believe that was all paint. | 0:17:47 | 0:17:51 | |
I'm about the same weight, | 0:17:51 | 0:17:53 | |
I just haven't turned it into the shape | 0:17:53 | 0:17:56 | |
of that lactating, bearded lady. LAUGHTER | 0:17:56 | 0:18:00 | |
It's distributed differently. | 0:18:00 | 0:18:03 | |
Now, the thing is, you look at lovely Keira Knightley and think, | 0:18:03 | 0:18:06 | |
"What a great advantage, being an actress, | 0:18:06 | 0:18:09 | |
"if you are as lovely as you are." | 0:18:09 | 0:18:11 | |
But sometimes it puts directors off. | 0:18:11 | 0:18:13 | |
They don't want someone who is so stunning. | 0:18:13 | 0:18:15 | |
-You mean Joe Wright, don't you? -Yes. -Yeah. | 0:18:15 | 0:18:18 | |
Joe Wright, who I've worked with three times on Pride And Prejudice | 0:18:18 | 0:18:21 | |
and Atonement and Anna Karenina, | 0:18:21 | 0:18:24 | |
didn't originally want me for Pride And Prejudice | 0:18:24 | 0:18:26 | |
because he said I was too pretty. | 0:18:26 | 0:18:29 | |
And then he met me and said, "Oh, no, you're fine." | 0:18:29 | 0:18:32 | |
LAUGHTER AND APPLAUSE | 0:18:32 | 0:18:35 | |
Little charmer. | 0:18:39 | 0:18:41 | |
-Did he phrase it nicer than that? -No, he didn't. | 0:18:41 | 0:18:46 | |
-When you walked through the door, did he just scream? -Yeah. | 0:18:46 | 0:18:50 | |
-I got the part, so it's all right. -He gives, he takes. -Exactly. | 0:18:50 | 0:18:55 | |
Same thing happened to me. Apparently I was too buff for Thor. | 0:18:55 | 0:18:58 | |
APPLAUSE | 0:18:58 | 0:19:02 | |
Keira Knightley, Oscar-nominated for Pride And Prejudice, | 0:19:05 | 0:19:09 | |
-congratulations. -CHEERING | 0:19:09 | 0:19:11 | |
Is it true on that film - this is an odd thing to talk to someone about - | 0:19:12 | 0:19:16 | |
that he banned pouting? | 0:19:16 | 0:19:18 | |
-Yeah. -Now, but do you know you pout? | 0:19:18 | 0:19:22 | |
-Well, er...yeah. -Did you know about it? | 0:19:22 | 0:19:25 | |
-I didn't see it. -I've got it out now. It's stopped, hasn't it? | 0:19:25 | 0:19:30 | |
-There's no pout to ban, as for as I'm concerned. -There you go. | 0:19:30 | 0:19:34 | |
I never liked... I didn't like my smile. | 0:19:34 | 0:19:36 | |
Lots of people had said I had a crap smile. | 0:19:36 | 0:19:39 | |
So any time I had a picture taken I always did a bit like that. | 0:19:39 | 0:19:42 | |
Then suddenly, there would be a film camera and I thought, | 0:19:42 | 0:19:45 | |
"Oh, just keep it like that." It's really good for an actress(!) | 0:19:45 | 0:19:48 | |
Joe was like, "No, you're not allowed to. | 0:19:48 | 0:19:51 | |
"You've got to stop the pout." | 0:19:51 | 0:19:53 | |
Then we started doing Chanel adverts and all of a sudden he was like, | 0:19:53 | 0:19:56 | |
"You know that pout I banned? | 0:19:56 | 0:19:58 | |
"Can we have it back as much as possible." | 0:19:58 | 0:20:01 | |
Yeah, OK. So, yeah. I tried to get it out. | 0:20:01 | 0:20:03 | |
There is one shot in the film that was done by the second unit director | 0:20:03 | 0:20:07 | |
in Pride And Prejudice where the pout is there, | 0:20:07 | 0:20:09 | |
and every time he watched it, he was like, "You've got one pout." | 0:20:09 | 0:20:12 | |
I want to see the pout now. | 0:20:13 | 0:20:16 | |
-No, it's a bit... -Oh, it's good. -It's a big pout. | 0:20:16 | 0:20:21 | |
It's good, because it's a very female thing. | 0:20:21 | 0:20:24 | |
-Men, I don't think men can pout in the same way. -I think you can pout. | 0:20:24 | 0:20:27 | |
-I've got huge lips. -You've got a good lip to pout. | 0:20:27 | 0:20:29 | |
-You are a permanent pouter. -I think it's there naturally. See. | 0:20:29 | 0:20:34 | |
-I love that. I love that. -That's like a Marilyn Monroe pout! | 0:20:34 | 0:20:37 | |
APPLAUSE | 0:20:37 | 0:20:41 | |
It looks like you are about to advertise Churchill's car insurance! | 0:20:42 | 0:20:46 | |
AS CHURCHILL: Oh, yes! | 0:20:48 | 0:20:50 | |
-Can you pout? -Can I pout? -Try? Ooh! | 0:20:50 | 0:20:54 | |
Ken, I think you are at a disadvantage | 0:20:55 | 0:20:58 | |
-in the pouting department. -You can't ask a man with no lips to pout. | 0:20:58 | 0:21:01 | |
I suffer from no top lip. | 0:21:01 | 0:21:03 | |
You have less of a top... | 0:21:03 | 0:21:05 | |
-No bottom lip, either. -No lips! You are an alien! | 0:21:05 | 0:21:09 | |
LAUGHTER | 0:21:09 | 0:21:11 | |
It's a lipless world for me, but it's a happy one. | 0:21:11 | 0:21:15 | |
Try. Try. Try. | 0:21:15 | 0:21:17 | |
Aw! Aw! Bless! | 0:21:17 | 0:21:20 | |
APPLAUSE | 0:21:20 | 0:21:22 | |
Beautiful. | 0:21:22 | 0:21:24 | |
Beautiful. | 0:21:25 | 0:21:27 | |
-It was fully formed. -You are so kind. | 0:21:28 | 0:21:31 | |
-Ladies and gentlemen, Lee Mack is going back on tour. -I am, yes. | 0:21:31 | 0:21:34 | |
CHEERING | 0:21:34 | 0:21:36 | |
-Now they are whooping. -Now you don't care about muscles. | 0:21:36 | 0:21:41 | |
-Hit The Road Mack. -It had to happen, that name. | 0:21:41 | 0:21:44 | |
I like the name. | 0:21:44 | 0:21:46 | |
I'm slightly ashamed of my own name of my own tour, to be honest. | 0:21:46 | 0:21:50 | |
I said, "Can I call it Lee Mack Goes On Tour?" | 0:21:50 | 0:21:52 | |
My management said, "You are the dullest person we've ever had." | 0:21:52 | 0:21:55 | |
-What was the last tour called? -Lee Mack's On tour. | 0:21:55 | 0:21:58 | |
LAUGHTER | 0:21:58 | 0:22:00 | |
Before that it was Lee Mack Tells Jokes On Tour. | 0:22:00 | 0:22:03 | |
Before that it was Lee Mack's Cancelled, He's Been Ill. | 0:22:03 | 0:22:06 | |
-This time I've went for the catchy little... -Hit The Road Mack. | 0:22:06 | 0:22:10 | |
It's asking for a heckle. | 0:22:10 | 0:22:13 | |
They want me to say, "Don't you come back no more, no more." | 0:22:13 | 0:22:16 | |
You've given them a few ideas. | 0:22:16 | 0:22:18 | |
Why did I say that on national television? | 0:22:18 | 0:22:21 | |
As if the bottles in the face weren't enough. | 0:22:21 | 0:22:23 | |
Presumably this time you will not make | 0:22:23 | 0:22:25 | |
-the mistake you made on the last tour regarding food? -No. | 0:22:25 | 0:22:30 | |
I did a 130-date tour and on the first night the tour manager said, | 0:22:30 | 0:22:35 | |
"What do you want to eat before the show?" | 0:22:35 | 0:22:37 | |
And I said, "Whatever." | 0:22:37 | 0:22:39 | |
He said, "They've got spaghetti bolognese at the theatre." | 0:22:39 | 0:22:42 | |
So I said, "All right, I'll have spaghetti bolognese." | 0:22:42 | 0:22:45 | |
The gig went well and I thought, | 0:22:45 | 0:22:47 | |
"It can't be the jokes, must have been the spaghetti bolognese." | 0:22:47 | 0:22:51 | |
The next time he said, "What do you want to eat?" I went, | 0:22:51 | 0:22:54 | |
"The whole spaghetti bolognese thing worked out. I'll have that again." | 0:22:54 | 0:22:57 | |
130 nights later... LAUGHTER | 0:22:58 | 0:23:01 | |
I'd had spaghetti bolognese every night for 130 nights | 0:23:01 | 0:23:04 | |
and I hadn't had Parmesan cheese, | 0:23:04 | 0:23:06 | |
which I like on the top of my spag bol, on the first night, | 0:23:06 | 0:23:08 | |
because I didn't want to risk it. | 0:23:08 | 0:23:11 | |
So I had a less nice version of spag bol, that I like. | 0:23:11 | 0:23:14 | |
-For 130 nights? -I'm very OCD like that. | 0:23:14 | 0:23:17 | |
If he'd have come in on the first night, | 0:23:17 | 0:23:19 | |
stuck his cock in a bap I'd have ate it. | 0:23:19 | 0:23:21 | |
I swear to God, I'd have done that every night. | 0:23:21 | 0:23:25 | |
If only he'd have known! | 0:23:25 | 0:23:27 | |
I wouldn't have had to buy him an iPad at the end. | 0:23:27 | 0:23:31 | |
No Parmesan with that, either. | 0:23:31 | 0:23:34 | |
As actors, you must know that thing | 0:23:35 | 0:23:38 | |
where if it works you constantly wonder why it did? | 0:23:38 | 0:23:41 | |
-Yes. -I've never gone for spaghetti bolognese, though. | 0:23:41 | 0:23:44 | |
-Do you avoid walking under ladders? -No, that sort of stuff I don't. | 0:23:44 | 0:23:47 | |
But I would do that weird thing with the... | 0:23:47 | 0:23:49 | |
Like if I had a Scotch egg and then if the show went well, | 0:23:49 | 0:23:52 | |
I would have another Scotch egg. | 0:23:52 | 0:23:54 | |
-You've always sat in that seat, I've noticed. -I've noticed that. | 0:23:54 | 0:23:57 | |
-Yeah. Always! -You've never sat there. -I often don't sit there. | 0:23:57 | 0:24:00 | |
If you sat there, this show would be terrible. | 0:24:00 | 0:24:02 | |
Your left side is awful! | 0:24:02 | 0:24:05 | |
It's not, Graham. | 0:24:05 | 0:24:07 | |
Do the pout, do the pout, do the pout! | 0:24:07 | 0:24:10 | |
CHEERING AND APPLAUSE | 0:24:10 | 0:24:12 | |
Now the other thing is Lee has a show which sounds | 0:24:15 | 0:24:18 | |
like a really interesting premise for a show. | 0:24:18 | 0:24:20 | |
It starts on 7th February, it's on Sky One | 0:24:20 | 0:24:22 | |
-and it's called Duck Quacks Don't Echo. -Yes. | 0:24:22 | 0:24:25 | |
Why is it called that? | 0:24:25 | 0:24:27 | |
It's all about facts and they have to be, to some degree, true. | 0:24:27 | 0:24:31 | |
Apparently, I didn't know this until I did the show, | 0:24:31 | 0:24:34 | |
there is a well-held belief that duck quacks don't echo | 0:24:34 | 0:24:37 | |
so that was a good name for the show, they thought. | 0:24:37 | 0:24:39 | |
It turns out it's complete bollocks, but too late. We'd done the press. | 0:24:39 | 0:24:43 | |
Don't give too much away but what sort of facts? | 0:24:43 | 0:24:46 | |
I thought you were going to ask me that | 0:24:46 | 0:24:48 | |
and I've got no memory so I've got a list. | 0:24:48 | 0:24:50 | |
These are the things that we did on the show. | 0:24:50 | 0:24:53 | |
"Don't forget to wash your pants." That's my wife! No... | 0:24:53 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:24:59 | |
Things like, "A shrimp is fitter than the average human." | 0:24:59 | 0:25:03 | |
I must point out, when I say fitter, I don't mean better looking. | 0:25:03 | 0:25:07 | |
LAUGHTER That's lobsters. I'd give them one. | 0:25:07 | 0:25:10 | |
This is a good one, we've proved. We do it all scientifically. | 0:25:10 | 0:25:14 | |
Touching someone's upper arm | 0:25:14 | 0:25:16 | |
means you're more likely to get what you want. | 0:25:16 | 0:25:19 | |
This has been scientifically proven. | 0:25:19 | 0:25:21 | |
So if you were in a bar, Keira, and you hadn't met me before. | 0:25:21 | 0:25:25 | |
-Yeah. -And I was to say, er... LAUGHTER | 0:25:25 | 0:25:28 | |
You are giving me the look now, to be honest, | 0:25:28 | 0:25:30 | |
you've been giving me most of the night. | 0:25:30 | 0:25:33 | |
LAUGHTER | 0:25:33 | 0:25:35 | |
"How come a member of the audience has been given such a good seat?" | 0:25:35 | 0:25:39 | |
It's like you're going to be inoculated! | 0:25:42 | 0:25:45 | |
-"Go on. Go on!" -Look away! | 0:25:45 | 0:25:47 | |
To be honest with you, you're safe with me as long as you're really, | 0:25:47 | 0:25:50 | |
really pretty, but you'll be fine! | 0:25:50 | 0:25:52 | |
LAUGHTER | 0:25:52 | 0:25:54 | |
Please don't edit that first bit out! | 0:25:54 | 0:25:56 | |
If I was to say to you, "Hi, I saw you sat there | 0:25:57 | 0:26:00 | |
"and I wondered if you would like to come for a drink with me next door." | 0:26:00 | 0:26:03 | |
You would probably say no. What would you say? | 0:26:03 | 0:26:06 | |
-I would say definitely, right now. -Fantastic. | 0:26:06 | 0:26:09 | |
My theory is when I touch your arm, it will get even better. | 0:26:09 | 0:26:13 | |
I'm looking forward to this answer. | 0:26:13 | 0:26:15 | |
If I said, "Hi, would you like to come for a drink?" | 0:26:15 | 0:26:18 | |
CHEERING AND APPLAUSE | 0:26:18 | 0:26:20 | |
-Incredible! -It worked! | 0:26:22 | 0:26:24 | |
Phew-ee! | 0:26:24 | 0:26:26 | |
Can I just say...last time I was on this show, | 0:26:28 | 0:26:32 | |
Gwyneth Paltrow touched my bollocks and now this! | 0:26:32 | 0:26:36 | |
-Wow! -It's incredible. -It's a lucky couch for you. | 0:26:36 | 0:26:39 | |
We've got a clip and this clip, | 0:26:39 | 0:26:42 | |
because you remember back in the day they used to have the ads with glue? | 0:26:42 | 0:26:46 | |
You know, and they'd glue people to boards and fly a helicopter | 0:26:46 | 0:26:50 | |
and all that sort of thing, that's what you are testing here, isn't it? | 0:26:50 | 0:26:53 | |
-With Mel C? -Yes. -This was terrifying. | 0:26:53 | 0:26:55 | |
Show the clip and I'll tell you the terrifying story. | 0:26:55 | 0:26:58 | |
Swivel us around. We've obviously got to face the other way | 0:26:58 | 0:27:01 | |
because when we're upside down, we'll be facing... | 0:27:01 | 0:27:03 | |
What's that squeaking noise? Is that my bum? | 0:27:03 | 0:27:06 | |
Hello. This feels really dangerous. LAUGHTER | 0:27:10 | 0:27:15 | |
Oh, I've got to get a proper job, I'm 45! | 0:27:16 | 0:27:19 | |
OK, I'm scared now. | 0:27:20 | 0:27:22 | |
We are going to plummet to the ground into a big mound of flesh. | 0:27:22 | 0:27:26 | |
-If we go together, two would become one. That's what you'd want. -Yes... | 0:27:26 | 0:27:30 | |
APPLAUSE | 0:27:30 | 0:27:32 | |
-Here we go. -We'll be OK. | 0:27:34 | 0:27:37 | |
-Oh, hello, that wasn't at all nerve-racking. -Oh, my God. | 0:27:37 | 0:27:42 | |
-Holy shit! -What the... | 0:27:42 | 0:27:46 | |
CHEERING AND APPLAUSE | 0:27:46 | 0:27:51 | |
Wow. That's impressive. | 0:27:53 | 0:27:56 | |
You know what, I'll tell you why that was terrifying, | 0:27:56 | 0:27:59 | |
because it was a fact that we proved that superglue will really stick you. | 0:27:59 | 0:28:02 | |
What they hadn't tested was that no-one had bothered testing... | 0:28:02 | 0:28:06 | |
Yes, the sole will stick with superglue | 0:28:06 | 0:28:10 | |
but no-one tested whether the sole will support the shoe. | 0:28:10 | 0:28:14 | |
As we are up there, we started hearing a... | 0:28:14 | 0:28:15 | |
HE MIMICS RIPPED STITCHING | 0:28:15 | 0:28:17 | |
The stitching started going in my shoe. | 0:28:17 | 0:28:19 | |
-But wait, you had a crash helmet on and Mel C didn't. -That's true. | 0:28:19 | 0:28:22 | |
The way I looked at it, the Spice Girls are finished now, who cares? | 0:28:22 | 0:28:27 | |
-LAUGHTER AND APPLAUSE -Charming! | 0:28:27 | 0:28:30 | |
Ladies and gentlemen, time to meet my next guest. | 0:28:30 | 0:28:33 | |
Even I know this man is quite simply a footballing legend. | 0:28:33 | 0:28:37 | |
Ladies and gentlemen, please welcome Thierry Henry. | 0:28:37 | 0:28:40 | |
CHEERING AND APPLAUSE | 0:28:40 | 0:28:43 | |
Hello, sir. Very nice to meet you. Welcome to the show. | 0:28:46 | 0:28:50 | |
Kenneth Branagh. | 0:28:50 | 0:28:52 | |
Keira Knightley. | 0:28:52 | 0:28:53 | |
Lee Mack. | 0:28:53 | 0:28:56 | |
-Can I kiss you? -Kiss me. | 0:28:56 | 0:28:59 | |
-CHEERING AND APPLAUSE -Beautiful! | 0:28:59 | 0:29:02 | |
-Lucky tonight! -Sit down. | 0:29:02 | 0:29:03 | |
-AUDIENCE MEMBER: -I love you, Thierry! | 0:29:03 | 0:29:06 | |
CHEERING | 0:29:06 | 0:29:07 | |
Thank God people love you because er...yeah... | 0:29:07 | 0:29:10 | |
It's been rough so far. | 0:29:10 | 0:29:13 | |
Tottenham Hotspur! | 0:29:13 | 0:29:15 | |
-I know. -That's OK. | 0:29:15 | 0:29:16 | |
BOTH TALK AT ONCE | 0:29:16 | 0:29:18 | |
Bienvenue, Thierry, a notre spectacle. | 0:29:18 | 0:29:21 | |
Merci. | 0:29:21 | 0:29:23 | |
-Shall we carry on in French? -No. | 0:29:23 | 0:29:26 | |
-Very nice to have you here. You live in New York now? -Yes, I do. | 0:29:28 | 0:29:33 | |
-And do they know who you are there? -Sort of. | 0:29:33 | 0:29:37 | |
I mean, do they get the va-va-voom thing, the Renault Clio thing? | 0:29:39 | 0:29:43 | |
Actually, it's kind of weird. | 0:29:43 | 0:29:46 | |
The nice thing in New York is, whoever you are, | 0:29:46 | 0:29:48 | |
you can be yourself, go out, do your own stuff. | 0:29:48 | 0:29:52 | |
-It's kind of cool. -You get the anonymity which must be nice? | 0:29:52 | 0:29:55 | |
-Yes, it is. -But here, or even in Barcelona, | 0:29:55 | 0:30:00 | |
you are in two countries that are passionate about football, | 0:30:00 | 0:30:02 | |
-they love it? -Yes. | 0:30:02 | 0:30:04 | |
You must miss that, being able to sit in a bar | 0:30:04 | 0:30:07 | |
and talk to someone who, you know, has an opinion? | 0:30:07 | 0:30:09 | |
No. Absolutely not. Sometimes I don't want to know their opinion. | 0:30:09 | 0:30:14 | |
Sometimes it is better. No, it's true, you know. | 0:30:14 | 0:30:17 | |
I had the opportunity to play in Barcelona. | 0:30:17 | 0:30:19 | |
It was a great time and, | 0:30:19 | 0:30:21 | |
as you guys know, also at Arsenal, which was great. | 0:30:21 | 0:30:25 | |
I enjoy not being the guy on the front or the back page, | 0:30:25 | 0:30:29 | |
as we can say here. | 0:30:29 | 0:30:31 | |
That's enjoyable sometimes to not be recognised. | 0:30:31 | 0:30:34 | |
Of course, there is another great footballer on the sofa. | 0:30:34 | 0:30:37 | |
-Did you see Keira Knightley in Bend It Like Beckham? -I actually did. | 0:30:37 | 0:30:42 | |
CHEERING AND APPLAUSE | 0:30:42 | 0:30:44 | |
I was much better than he ever was. | 0:30:47 | 0:30:49 | |
You did go to proper football... football boot camp, kind of thing? | 0:30:49 | 0:30:53 | |
Yes, yes, football, football. Yes. Football boot camp, yes. | 0:30:53 | 0:30:56 | |
-Did you have to train? -I did. | 0:30:56 | 0:30:58 | |
Actually, I played it when I was at school. | 0:30:58 | 0:31:02 | |
I could have been a contender, I would have played for West Ham. | 0:31:02 | 0:31:05 | |
-Oh, you would? -I think you still could! | 0:31:05 | 0:31:08 | |
-LAUGHTER -There you are kicking a ball there. | 0:31:08 | 0:31:11 | |
Keira's a ballsy girl cos a little bird tells me | 0:31:11 | 0:31:15 | |
that you want to challenge Thierry to a keepy-up competition? | 0:31:15 | 0:31:20 | |
-No, I don't! -No? -Do you know, even when I played. | 0:31:20 | 0:31:23 | |
-That's what I was told! -No, I don't. | 0:31:23 | 0:31:27 | |
AUDIENCE: Whoo! APPLAUSE | 0:31:27 | 0:31:31 | |
-This is like some sort of nightmare. -I'm being horrible. -Horrible! | 0:31:34 | 0:31:39 | |
Thierry is like, "Yeah, I could do this!" | 0:31:39 | 0:31:41 | |
Thierry's so competitive, he's thinking, | 0:31:41 | 0:31:44 | |
-"Yeah, I'm going to win!" -That's exactly me, actually. | 0:31:44 | 0:31:48 | |
Straight in there. | 0:31:48 | 0:31:50 | |
Listen, what everyone wants to know, particularly the Arsenal fans who, | 0:31:50 | 0:31:54 | |
I think you love them as much as they love you. | 0:31:54 | 0:31:56 | |
You've talked about Arsenal, about how they are your friends | 0:31:56 | 0:31:59 | |
and family and you have a real connection with the club. | 0:31:59 | 0:32:01 | |
It is for me, yes. | 0:32:01 | 0:32:04 | |
The fans would love if you came back and managed. | 0:32:04 | 0:32:07 | |
Is that on the cards at all? Oh, don't look surprised. | 0:32:07 | 0:32:09 | |
Don't even try! You're sitting next to an actor! | 0:32:09 | 0:32:14 | |
-I can't act to save my life. -"Oh? Manager?" | 0:32:16 | 0:32:22 | |
No, the thing is, I have so much respect for Arsene | 0:32:22 | 0:32:24 | |
so if it does happen eventually, one day, | 0:32:24 | 0:32:27 | |
it's going to have to be after him. | 0:32:27 | 0:32:30 | |
Because he's done such a great job and I have big respect for him. | 0:32:30 | 0:32:32 | |
That's why sometimes when people mention manager, | 0:32:32 | 0:32:35 | |
I don't actually want to talk about it right now | 0:32:35 | 0:32:37 | |
because Arsene is doing a great job, so hopefully maybe after him, yes. | 0:32:37 | 0:32:41 | |
Let's go from the other side, then. | 0:32:41 | 0:32:43 | |
You love Arsenal, the fans love you, it's all going great. | 0:32:43 | 0:32:46 | |
-Why did you leave? Why did you go? -Thank you for that! | 0:32:46 | 0:32:50 | |
LAUGHTER Well... | 0:32:52 | 0:32:55 | |
It seemed odd, you know, "I love it, I love it, I love it... Bye!" | 0:32:55 | 0:32:59 | |
LAUGHTER That's a good point. | 0:32:59 | 0:33:01 | |
When I left at the time, I wanted to be in a competitive team. | 0:33:01 | 0:33:05 | |
The way the club was going wasn't the way I was seeing it. | 0:33:07 | 0:33:13 | |
I cried when I left. | 0:33:13 | 0:33:15 | |
It was pretty hard. AUDIENCE: Aw! | 0:33:15 | 0:33:17 | |
I did, I did. It was not an easy thing to do, leaving Arsenal. | 0:33:19 | 0:33:24 | |
Sorry, I love football so much that I need to take this opportunity. | 0:33:24 | 0:33:27 | |
When you left you felt the team wasn't going where you wanted to go, | 0:33:27 | 0:33:30 | |
which particular signings did you think weren't good enough? | 0:33:30 | 0:33:33 | |
LAUGHTER | 0:33:33 | 0:33:36 | |
There must have been some signings. Is that why you left? | 0:33:36 | 0:33:39 | |
Is this what you like about living in New York? | 0:33:39 | 0:33:42 | |
Exactly. That's the type of opinion I don't have to deal with. | 0:33:43 | 0:33:47 | |
Mainly for me, because Arsene is kind of a mentor for me. | 0:33:47 | 0:33:52 | |
Father figure. Not knowing if he was or wasn't going to sign for me | 0:33:52 | 0:33:57 | |
was difficult to know if I was going to stay or not. | 0:33:57 | 0:34:00 | |
That's mainly for me the main point of why I left Arsenal. | 0:34:00 | 0:34:03 | |
That's a good answer but which of the signings didn't you think...? | 0:34:03 | 0:34:07 | |
LAUGHTER | 0:34:07 | 0:34:08 | |
He's not going back to that. So, here's the thing... | 0:34:08 | 0:34:11 | |
Was it Bendtner? | 0:34:11 | 0:34:12 | |
LAUGHTER | 0:34:12 | 0:34:13 | |
I'm just asking, I was just wondering if it was Bendtner, | 0:34:13 | 0:34:16 | |
it might not have been. | 0:34:16 | 0:34:17 | |
Was it Bendtner who wasn't good enough to take you to the | 0:34:17 | 0:34:19 | |
Champions League? | 0:34:19 | 0:34:21 | |
I mean it could be anyone, it could be anyone. Was it Bendtner? | 0:34:22 | 0:34:25 | |
LAUGHTER | 0:34:25 | 0:34:27 | |
It could've been, just wondering. | 0:34:27 | 0:34:28 | |
Just ignore him, pretend it's not happening. | 0:34:28 | 0:34:30 | |
You're with the New York Red Bulls now | 0:34:32 | 0:34:34 | |
and this photograph of you, this is unbelievable. | 0:34:34 | 0:34:38 | |
Obviously, we know you were the greatest goalscorer ever | 0:34:38 | 0:34:40 | |
at Arsenal but this was you celebrating your 400th career goal. | 0:34:40 | 0:34:46 | |
Now... | 0:34:46 | 0:34:47 | |
LAUGHTER | 0:34:47 | 0:34:50 | |
Are you just a bit knackered? What's...? | 0:34:50 | 0:34:54 | |
I'll tell you how it all started. | 0:34:54 | 0:34:57 | |
I actually did the same celebration the game before | 0:34:57 | 0:35:00 | |
and we were playing in Houston. | 0:35:00 | 0:35:01 | |
I don't know if you guys have ever been to Houston in the summer? | 0:35:01 | 0:35:05 | |
Oh, it's hot and humid. | 0:35:05 | 0:35:07 | |
So, I stopped by the post because I was actually tired. | 0:35:07 | 0:35:10 | |
LAUGHTER | 0:35:10 | 0:35:12 | |
Can I just ask a question about that photo? | 0:35:12 | 0:35:15 | |
Are you knackered and what have you just done to that goalkeeper? | 0:35:15 | 0:35:18 | |
But also, this guy looks quite tired as well. | 0:35:20 | 0:35:22 | |
-Actually... -It's exhausting playing in America. | 0:35:26 | 0:35:29 | |
It's a slower game in America. | 0:35:29 | 0:35:31 | |
It is and, actually, that's the beginning of the game. | 0:35:31 | 0:35:34 | |
So this photograph kind of caught on and it's been | 0:35:36 | 0:35:39 | |
-taken on as a kind of internet meme. -Meme. | 0:35:39 | 0:35:42 | |
-FRENCH ACCENT: -De meme. | 0:35:42 | 0:35:44 | |
De meme. | 0:35:44 | 0:35:45 | |
De meme. | 0:35:45 | 0:35:47 | |
Sur le internet. | 0:35:47 | 0:35:48 | |
LAUGHTER | 0:35:48 | 0:35:50 | |
So, we have some cute examples. | 0:35:50 | 0:35:53 | |
This is you supporting the Leaning Tower of Pisa. | 0:35:53 | 0:35:57 | |
This next one, I wish this had been in the film. | 0:35:59 | 0:36:03 | |
LAUGHTER | 0:36:03 | 0:36:04 | |
-Have you seen these? -I have, yeah. | 0:36:07 | 0:36:09 | |
I love how it looks like the people in the audience | 0:36:09 | 0:36:11 | |
really are looking at you holding her up. | 0:36:11 | 0:36:13 | |
And then, finally, this is so zeitgeist-y | 0:36:13 | 0:36:16 | |
and up-to-the-minute, it's Thierry and Miley. | 0:36:16 | 0:36:19 | |
LAUGHTER | 0:36:20 | 0:36:22 | |
It's music time. | 0:36:28 | 0:36:29 | |
This lady burst onto the music scene with her debut album | 0:36:29 | 0:36:32 | |
On A Mission and now she's back and tipped for great things in 2014. | 0:36:32 | 0:36:36 | |
Performing her new single, Crying For No Reason, it is Katy B! | 0:36:36 | 0:36:40 | |
CHEERING AND APPLAUSE | 0:36:40 | 0:36:43 | |
# I push all my problems to the back of my mind | 0:36:53 | 0:36:57 | |
# Then they surface in my dreams they come alive | 0:36:57 | 0:37:02 | |
# I sweep all my issues to somewhere I can't find | 0:37:02 | 0:37:06 | |
# In hope that I'll forget but there's just so many times | 0:37:06 | 0:37:10 | |
# Why can't I be strong and just confront all my fears? | 0:37:10 | 0:37:14 | |
# When the fear is hurting you by being sincere | 0:37:14 | 0:37:19 | |
# But how many more days can I run? How many years? | 0:37:19 | 0:37:23 | |
# Emotions flooding and now it's all seeming so clear | 0:37:23 | 0:37:27 | |
# Crying for no reason feel the tears roll down | 0:37:27 | 0:37:32 | |
# I felt strong but am I breaking now? | 0:37:32 | 0:37:36 | |
# Crying for no reason cos I buried it deep | 0:37:36 | 0:37:40 | |
# I made promises I could not keep | 0:37:40 | 0:37:44 | |
# Cos I never faced all the pain I caused | 0:37:44 | 0:37:49 | |
# Now the pain is hitting me full force | 0:37:49 | 0:37:54 | |
# I push all my problems to the back of my brain | 0:37:57 | 0:38:01 | |
# A darkness deep inside where I just can't find my way | 0:38:01 | 0:38:06 | |
# How can I walk with a smile? Get on with my day | 0:38:06 | 0:38:10 | |
# When I deceived myself pretending it's all OK | 0:38:10 | 0:38:14 | |
# I tried my best to hold it all together, I know | 0:38:14 | 0:38:18 | |
# The strings have worn away and now I'm all exposed | 0:38:18 | 0:38:23 | |
# I try to hide it all away on top of the shelf | 0:38:23 | 0:38:27 | |
# I can lie to everyone but not to myself | 0:38:27 | 0:38:31 | |
# Crying for no reason feel the tears roll down | 0:38:31 | 0:38:36 | |
# I felt strong but am I breaking down? | 0:38:36 | 0:38:40 | |
# Crying for no reason cos I buried it deep | 0:38:40 | 0:38:44 | |
# I made promises I could not keep | 0:38:44 | 0:38:48 | |
# Cos I never faced all the pain I caused | 0:38:48 | 0:38:53 | |
# Now the pain is hitting me full force | 0:38:53 | 0:38:57 | |
# Forgive me now | 0:39:01 | 0:39:03 | |
# Cos I said that I'll be there for you, care for you | 0:39:03 | 0:39:08 | |
# I let you down, I walked away | 0:39:08 | 0:39:12 | |
# Cos there were things I couldn't say to you, | 0:39:12 | 0:39:15 | |
# Say to you | 0:39:15 | 0:39:16 | |
# I'm breaking now | 0:39:16 | 0:39:18 | |
# I burned some bridges down | 0:39:18 | 0:39:20 | |
# There must be some way out | 0:39:20 | 0:39:22 | |
# The voices speak so loud | 0:39:22 | 0:39:24 | |
# Will you forgive me now? | 0:39:24 | 0:39:27 | |
# I burned some bridges down | 0:39:27 | 0:39:29 | |
# There must be some way out | 0:39:29 | 0:39:31 | |
# The voices speak so loud | 0:39:31 | 0:39:33 | |
# Will you forgive me now? | 0:39:33 | 0:39:36 | |
# Crying for no reason feel the tears roll down | 0:39:36 | 0:39:40 | |
# I felt strong but am I breaking now? | 0:39:40 | 0:39:44 | |
# Crying for no reason cos I buried it deep | 0:39:44 | 0:39:49 | |
# I made promises I could not keep | 0:39:49 | 0:39:53 | |
# And I never faced all the pain I caused | 0:39:53 | 0:39:57 | |
# Now the pain is hitting me full force. # | 0:39:57 | 0:40:03 | |
CHEERING AND APPLAUSE | 0:40:15 | 0:40:18 | |
Thank you. | 0:40:20 | 0:40:22 | |
Katy B, everybody! Come on over here. Beautiful job! | 0:40:22 | 0:40:27 | |
-Oh. You sit there beside Lee. -How are you? -I'm good. | 0:40:27 | 0:40:34 | |
Keira, Ken, Thierry. | 0:40:34 | 0:40:38 | |
-Very nice. Yes! Very nice. -Thank you so much. | 0:40:40 | 0:40:45 | |
And that's from the new album Little Red, which is | 0:40:45 | 0:40:48 | |
-out on the 10th February. -Yeah. -Now, I'm really sorry, Thierry. | 0:40:48 | 0:40:52 | |
I've brought someone else to the couch and guess what? | 0:40:52 | 0:40:54 | |
They don't support Arsenal either. | 0:40:54 | 0:40:56 | |
Who do you support? | 0:40:56 | 0:40:57 | |
Crystal Palace! | 0:40:57 | 0:40:58 | |
CROWD MEMBER BOOS LAUGHTER | 0:40:58 | 0:41:00 | |
Wow! | 0:41:00 | 0:41:02 | |
Can I just say Blackburn Rovers did better than that. | 0:41:02 | 0:41:07 | |
My whole family does support Arsenal, though. Literally, today, | 0:41:07 | 0:41:11 | |
-they're texting me, "Get his autograph!" -Ah, that's interesting. | 0:41:11 | 0:41:14 | |
How did they feel when Bendtner was signed? | 0:41:14 | 0:41:16 | |
LAUGHTER | 0:41:16 | 0:41:18 | |
Before we go tonight, | 0:41:21 | 0:41:23 | |
there's time for a story or two in the red chair so who's up first? | 0:41:23 | 0:41:27 | |
Oh! | 0:41:27 | 0:41:28 | |
-Oh. -Oh. -Oh. | 0:41:28 | 0:41:30 | |
You're not going to speak? | 0:41:30 | 0:41:32 | |
It's like one of those things. OK, off you go. | 0:41:32 | 0:41:35 | |
LAUGHTER | 0:41:41 | 0:41:43 | |
-You didn't know him, did you? -Yeah, he was my husband but it's fine. | 0:41:52 | 0:41:56 | |
It would've been so bad if it was. | 0:41:56 | 0:41:57 | |
We all want to know what was on those cards. | 0:41:57 | 0:42:00 | |
All I know is, in French, do you have the word tosser? | 0:42:00 | 0:42:03 | |
LAUGHTER | 0:42:03 | 0:42:06 | |
You could use it now. | 0:42:07 | 0:42:10 | |
Shall we have one more? One more? This is the one. | 0:42:10 | 0:42:12 | |
-Hello, sir. -Hello. -Hi, what's your name? -Joe. -Joe, OK. | 0:42:12 | 0:42:16 | |
-And where do you live, Joe? -In London. | 0:42:19 | 0:42:21 | |
In London, how exciting for you. And what do you do, Joe? | 0:42:21 | 0:42:25 | |
I'm a cameraman. | 0:42:25 | 0:42:26 | |
Excellent, it fills you with joy, I can see. | 0:42:26 | 0:42:28 | |
LAUGHTER | 0:42:28 | 0:42:30 | |
This is going to be a FUNNY story. | 0:42:34 | 0:42:36 | |
OK, so, off you go, Joe. | 0:42:36 | 0:42:38 | |
So, I was on my first day of work experience at my mum's work | 0:42:38 | 0:42:41 | |
and I went to the toilet and I did a number two and I got up | 0:42:41 | 0:42:45 | |
and turned round and looked at the toilet and written on it was, | 0:42:45 | 0:42:48 | |
"Nothing heavier than toilet paper." | 0:42:48 | 0:42:51 | |
Obviously, this meant women's products, | 0:42:51 | 0:42:52 | |
don't flush them down the toilet, but I thought it meant poo. | 0:42:52 | 0:42:55 | |
-So, I took the bag out of the bin... -LAUGHTER | 0:42:55 | 0:43:00 | |
This is an excellent story! | 0:43:00 | 0:43:02 | |
I basically pooper-scooped my own poo out of the toilet, | 0:43:02 | 0:43:07 | |
I tied a knot in it and I just walked through, | 0:43:07 | 0:43:10 | |
it was an optician's practice so I walked through the practice | 0:43:10 | 0:43:13 | |
-and put it in the bin outside in the road. -He can walk! You can walk. | 0:43:13 | 0:43:17 | |
How about Joe?! Very good. That was a good story. | 0:43:17 | 0:43:22 | |
Well done, everybody. If you'd like to join us | 0:43:24 | 0:43:26 | |
and have a go at the red chair, you can. | 0:43:26 | 0:43:29 | |
Just contact us via our website at this very address. | 0:43:29 | 0:43:31 | |
Ladies and gentlemen, that's your lot. | 0:43:31 | 0:43:33 | |
Thank you so much to my guests, Katy B. | 0:43:33 | 0:43:36 | |
-Lee Mack. -Thank you. | 0:43:36 | 0:43:38 | |
Keira Knightley. | 0:43:38 | 0:43:40 | |
Sir Kenneth Branagh | 0:43:40 | 0:43:42 | |
and Thierry Henry. | 0:43:42 | 0:43:45 | |
Join me next week with musical guest Sheryl Crow, | 0:43:46 | 0:43:48 | |
comedian Alan Davies, | 0:43:48 | 0:43:50 | |
Hollywood actress Julianne Moore | 0:43:50 | 0:43:51 | |
and Golden Globe-winning actor Matthew McConaughey. | 0:43:51 | 0:43:54 | |
I'll see you then. Good night, everybody. Bye-bye! | 0:43:54 | 0:43:56 | |
CHEERING AND APPLAUSE | 0:43:56 | 0:43:59 |