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And the nominees for tonight's show are, | 0:00:02 | 0:00:04 | |
Oscar-nominated star of Dallas Buyers Club, | 0:00:04 | 0:00:06 | |
four-times Oscar-nominated actress, nine-times Grammy Award winner, | 0:00:06 | 0:00:10 | |
the star of BAFTA award-winning Jonathan Creek, the winner is... | 0:00:10 | 0:00:14 | |
Do you want to do it? You do it, you do it, you do it. | 0:00:14 | 0:00:16 | |
-Say it. -Which bit? -Just that! | 0:00:18 | 0:00:20 | |
-All of them! -Yes, all of them! Let's start the show! | 0:00:23 | 0:00:26 | |
CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Oh! Oh! Oh! | 0:00:42 | 0:00:45 | |
Hello! | 0:00:45 | 0:00:47 | |
Hello, hello, hello! | 0:00:47 | 0:00:49 | |
Hi, hi, hi, hi, hi, hi, hi, hi, hi! | 0:00:49 | 0:00:53 | |
Hey! Welcome, all! Welcome, all! | 0:00:53 | 0:00:57 | |
I am... All right, all right. | 0:00:57 | 0:00:59 | |
..really looking forward to tonight's show. | 0:01:02 | 0:01:04 | |
Star of the hit new film, | 0:01:04 | 0:01:06 | |
Dallas Buyers Club, Matthew McConaughey is on the show. | 0:01:06 | 0:01:10 | |
-CHEERING AND APPLAUSE -Yes, he is. | 0:01:10 | 0:01:12 | |
Top Hollywood actress Julianne Moore is here! | 0:01:12 | 0:01:16 | |
CHEERING AND APPLAUSE | 0:01:16 | 0:01:18 | |
Hilarious comic Alan Davies is on the show. | 0:01:18 | 0:01:21 | |
CHEERING AND APPLAUSE | 0:01:21 | 0:01:24 | |
And pop singer-turned-country music star Sheryl Crowe is here. | 0:01:24 | 0:01:29 | |
-CHEERING AND APPLAUSE -I know! | 0:01:29 | 0:01:31 | |
That's a good line up, isn't it? That's good. | 0:01:31 | 0:01:34 | |
Good night to come, yeah. | 0:01:34 | 0:01:36 | |
Yes, Sheryl Crowe is now officially a country singer, yeah. | 0:01:36 | 0:01:39 | |
She had to move to Nashville and wait for her dog to die but she's done it. | 0:01:39 | 0:01:43 | |
She has. | 0:01:43 | 0:01:44 | |
Great to have Alan Davies back on the show. | 0:01:44 | 0:01:47 | |
I love watching QI. It's such a good show. | 0:01:47 | 0:01:50 | |
It's such an informative show as well. | 0:01:50 | 0:01:53 | |
Mind you, you know, you can learn so many astonishing things watching TV. | 0:01:53 | 0:01:57 | |
You know, this week, I watched Celebrity Big Brother | 0:01:57 | 0:01:59 | |
and I found out Jim Davidson's popular. | 0:01:59 | 0:02:02 | |
-I did. -LAUGHTER | 0:02:02 | 0:02:04 | |
Unbelievable. Who knew? Who knew that? Yeah. | 0:02:04 | 0:02:08 | |
Julianne Moore, Julianne Moore is here. | 0:02:08 | 0:02:10 | |
Star of so many great films. In Game Change, of course, | 0:02:10 | 0:02:13 | |
she played gaff-prone presidential hopeful Sarah Palin. She did. | 0:02:13 | 0:02:17 | |
Now, listen, we don't know if the real Sarah Palin | 0:02:17 | 0:02:20 | |
liked the film or not. | 0:02:20 | 0:02:22 | |
Here she is at the premiere. | 0:02:22 | 0:02:24 | |
LAUGHTER | 0:02:24 | 0:02:26 | |
I'd say on the fence, wouldn't you? On the fence, yeah. | 0:02:26 | 0:02:29 | |
Julianne is about to star with Liam Neeson in the airplane drama | 0:02:29 | 0:02:32 | |
Non-Stop. | 0:02:32 | 0:02:33 | |
Yes. Now, here's Liam in action. | 0:02:33 | 0:02:36 | |
Right, now, you do wonder, what's got him so scared here to pull his gun? | 0:02:36 | 0:02:40 | |
LAUGHTER | 0:02:40 | 0:02:42 | |
APPLAUSE | 0:02:42 | 0:02:45 | |
That is terrifying. | 0:02:45 | 0:02:47 | |
I can't wait to chat to Matthew McConaughey. | 0:02:47 | 0:02:49 | |
Matthew's first big film was the coming-of-age comedy | 0:02:49 | 0:02:52 | |
Dazed And Confused. | 0:02:52 | 0:02:54 | |
Not the only celebrity who's been dazed and confused in a car. | 0:02:54 | 0:02:58 | |
AUDIENCE: BOO! | 0:02:59 | 0:03:02 | |
I know, Justin. Little Justin. | 0:03:02 | 0:03:03 | |
Arrested in America for drink-driving. | 0:03:03 | 0:03:05 | |
How can he get done for drink-driving? | 0:03:05 | 0:03:08 | |
He isn't even old enough to drink! | 0:03:08 | 0:03:10 | |
Or drive! | 0:03:10 | 0:03:12 | |
LAUGHTER | 0:03:12 | 0:03:14 | |
Now, Justin quite rightly spent the night in prison, | 0:03:14 | 0:03:16 | |
but the good news is he shared a cell with some Beliebers. Yeah. | 0:03:16 | 0:03:20 | |
LAUGHTER AND APPLAUSE | 0:03:20 | 0:03:23 | |
Baby, baby, yeah! | 0:03:23 | 0:03:25 | |
Let's get some guests on! | 0:03:25 | 0:03:28 | |
Later we'll be having music from Sheryl Crowe! | 0:03:28 | 0:03:31 | |
CHEERING AND APPLAUSE | 0:03:31 | 0:03:33 | |
But first, he's more than quite interesting, it's Alan Davies! | 0:03:33 | 0:03:36 | |
CHEERING AND APPLAUSE | 0:03:36 | 0:03:38 | |
Hello, sir. Lovely to see you. Oh! Sit yourself down. | 0:03:38 | 0:03:43 | |
She's the high-flying Julianne Moore! | 0:03:43 | 0:03:47 | |
CHEERING AND APPLAUSE | 0:03:47 | 0:03:50 | |
-Hi! Oh, so lovely to see you. -You too! | 0:03:50 | 0:03:52 | |
Come in, come in, sit down. Julianne Moore everybody! | 0:03:52 | 0:03:56 | |
And what's that noise? It's Oscar buzz, it's Matthew McConaughey! | 0:03:56 | 0:04:01 | |
CHEERING AND APPLAUSE | 0:04:01 | 0:04:04 | |
Wow! Hello, sir. Lovely to meet you. | 0:04:05 | 0:04:07 | |
Oh, God, so nice. Come in, come in, come in. | 0:04:07 | 0:04:10 | |
Oh! | 0:04:13 | 0:04:15 | |
Quite the couch, I think you'll agree. | 0:04:15 | 0:04:17 | |
-It's lovely to see Alan again. -Hello. | 0:04:17 | 0:04:19 | |
And Julianne, Matthew, never been here before, lovely to see you. | 0:04:19 | 0:04:22 | |
-Thank you for having us. -Thank you very much for coming here. | 0:04:22 | 0:04:25 | |
And what an exciting time to be meeting you, Matthew, | 0:04:25 | 0:04:27 | |
cos, my God, you're having the ride of your life right now. | 0:04:27 | 0:04:30 | |
What an amazing, amazing time in the life of an actor. | 0:04:30 | 0:04:32 | |
Obviously you're nominated for the Oscar but you haven't lost any so far, have you? | 0:04:32 | 0:04:36 | |
Haven't LOST any? I think there's some I haven't won. | 0:04:36 | 0:04:40 | |
-Oh, no there aren't. -I think there's quite a few. | 0:04:40 | 0:04:43 | |
No! You've won them all. | 0:04:43 | 0:04:44 | |
-I think Jared Leto, I think he's got 30 for 30. -Oh, my goodness. | 0:04:44 | 0:04:47 | |
-I don't know, I've got a few. -Wait a minute, there are 30 award shows? | 0:04:47 | 0:04:50 | |
-No. -Not award shows, he's won 30 awards, I found that out today. | 0:04:50 | 0:04:54 | |
I know I haven't won 30, so there's definitely some out there I didn't. | 0:04:54 | 0:04:57 | |
They weren't the good ones. No-one wants to win them. | 0:04:57 | 0:05:00 | |
But it is very exciting. | 0:05:00 | 0:05:02 | |
Presumably, this is the lovely time where you're the nominee. | 0:05:02 | 0:05:06 | |
-Time for celebration. -Yeah. -This is the dessert. | 0:05:06 | 0:05:10 | |
You know, we go do the work, it's not why we do it but, boy, | 0:05:10 | 0:05:12 | |
when you do something and a year and a half later it's floating like this | 0:05:12 | 0:05:15 | |
and vital and people are going, "You know what? | 0:05:15 | 0:05:17 | |
"We think that was some excellent work." That feels good. | 0:05:17 | 0:05:20 | |
And what's nice is they give you a long time to enjoy it. | 0:05:20 | 0:05:22 | |
It's over a month, isn't it? | 0:05:22 | 0:05:24 | |
It's like the Super Bowl in American football. | 0:05:24 | 0:05:26 | |
You have the whole season, then once you have the final teams, | 0:05:26 | 0:05:28 | |
you give them a month between so... Then everyone can start some | 0:05:28 | 0:05:31 | |
rhetoric and start different stories up and have the anticipation build. | 0:05:31 | 0:05:35 | |
Cos God love Julianne Moore now, | 0:05:35 | 0:05:37 | |
you've enjoyed the nomination period a lot. | 0:05:37 | 0:05:39 | |
-Yeah, yeah. -Is it four times now? | 0:05:39 | 0:05:42 | |
Yeah, four nominations. | 0:05:42 | 0:05:44 | |
-Academy award nominations, yeah. -That seems mean. -Well, yeah. | 0:05:44 | 0:05:48 | |
No, well, when you say zero for four... Is that...? | 0:05:48 | 0:05:52 | |
-Or, like four over four? -Four for four for getting in. | 0:05:52 | 0:05:55 | |
-That's pretty outstanding. -Yeah, it's OK. -Yeah, let's focus on that. | 0:05:55 | 0:05:58 | |
LAUGHTER | 0:05:58 | 0:05:59 | |
No, the really mean year was you were nominated for two in one year. | 0:05:59 | 0:06:03 | |
I know. You know, my daughter felt so bad for me | 0:06:03 | 0:06:05 | |
one year that she made me some awards. She made me a BAFTA. | 0:06:05 | 0:06:08 | |
LAUGHTER | 0:06:08 | 0:06:10 | |
That is this kind of sparkly orange thing that looked like a fan, | 0:06:10 | 0:06:13 | |
-I don't know why. -Are you sure that isn't the real BAFTA? | 0:06:13 | 0:06:16 | |
I know, it might be. | 0:06:16 | 0:06:17 | |
And she made me a Golden Globe. It was small and yellow. | 0:06:17 | 0:06:21 | |
-AUDIENCE: Awww! -I know, right? | 0:06:21 | 0:06:23 | |
When you were off to the Golden Globes, | 0:06:23 | 0:06:25 | |
was it your son wasn't that encouraging? | 0:06:25 | 0:06:27 | |
No, my son said - we were explaining to him what Papa is going out | 0:06:27 | 0:06:30 | |
to do, going to an award show and for this show we did, Dallas Buyers. | 0:06:30 | 0:06:33 | |
Remember New Orleans and Papa was skinny? "Yeah, I remember that." | 0:06:33 | 0:06:37 | |
We're going there tonight. | 0:06:37 | 0:06:38 | |
And my daughter was like, "Papa, I think you're going to win." | 0:06:38 | 0:06:40 | |
My son was like - at five - he says, "Real proud of you Papa, erm, | 0:06:40 | 0:06:44 | |
"but you're going to lose." | 0:06:44 | 0:06:46 | |
LAUGHTER | 0:06:46 | 0:06:48 | |
"I know it, you're going to lose." But I came home and touche'd him. | 0:06:48 | 0:06:51 | |
Woke him up in the middle of the night and, "Do you see this?" | 0:06:51 | 0:06:56 | |
-Cos, Alan, how old's your daughter now? -She's four now. | 0:06:56 | 0:06:59 | |
So is she kind of aware of what you do for a living? | 0:06:59 | 0:07:02 | |
She's not really... I mean, we don't let her see much telly | 0:07:02 | 0:07:04 | |
-apart from Peppa Pig - obviously, that's obligatory. -Yes! | 0:07:04 | 0:07:08 | |
So, people do sometimes say, "Hello". | 0:07:08 | 0:07:10 | |
I play this character called Jonathan Creek | 0:07:10 | 0:07:13 | |
so people quite often say, "Jonathan!" Across the street. | 0:07:13 | 0:07:16 | |
She did ask me who Jonathan Creek is. | 0:07:16 | 0:07:18 | |
She did say to me, "Daddy?" I said, "Yeah?" "Who is Jonathan Creek?" | 0:07:18 | 0:07:22 | |
What did you say? | 0:07:22 | 0:07:23 | |
I said, "He's an arsehole." | 0:07:23 | 0:07:25 | |
LAUGHTER | 0:07:25 | 0:07:27 | |
I said, "He built the house!" | 0:07:29 | 0:07:31 | |
Good old Jonathan! | 0:07:34 | 0:07:35 | |
But, listen, you're nominated and, God, you should be. | 0:07:36 | 0:07:39 | |
We must celebrate your work in Dallas Buyers Club. | 0:07:39 | 0:07:41 | |
You are just terrific in it. And it's a true story | 0:07:41 | 0:07:45 | |
and it's taken how many years to get to the screen? | 0:07:45 | 0:07:48 | |
-20 years. -20 years! -Oh, my gosh! -Yeah. | 0:07:48 | 0:07:50 | |
Because your character, Ron Woodroof, | 0:07:50 | 0:07:52 | |
he was alive when they started developing it. | 0:07:52 | 0:07:54 | |
He was alive when he went down and the writer went down and | 0:07:54 | 0:07:57 | |
interviewed him. So in 1986, and '92, I believe, he moved on. | 0:07:57 | 0:08:01 | |
So he was interviewed, he then passed away, | 0:08:01 | 0:08:03 | |
and they tried to get this made for 16 years unsuccessfully. | 0:08:03 | 0:08:06 | |
It got very close quite a few times, | 0:08:06 | 0:08:08 | |
so people believed in it but nobody wanted to finance it. | 0:08:08 | 0:08:11 | |
But even with YOU attached, it still took four, five years. | 0:08:11 | 0:08:14 | |
Even with me attached. I said I wanted to do it and people were like, "That sounds great." | 0:08:14 | 0:08:18 | |
"But..." | 0:08:18 | 0:08:20 | |
I look forward to seeing it. | 0:08:20 | 0:08:22 | |
Great, let me know when you find the change to make that thing. So... | 0:08:22 | 0:08:24 | |
it really took the right amount, the right people coming together | 0:08:24 | 0:08:27 | |
and it was the beginning of the year - January - and I said, "We're going to make it this Fall." | 0:08:27 | 0:08:31 | |
And the people around me said, "Again, great. | 0:08:31 | 0:08:34 | |
"You know, people have said that before." But we didn't flinch. | 0:08:34 | 0:08:37 | |
We never left the door open, when they go, "It's not going to happen, | 0:08:37 | 0:08:40 | |
"I think we need to push it to spring." I was like, no, no, no. | 0:08:40 | 0:08:42 | |
Especially I was 40 pounds down, I was like, "No, | 0:08:42 | 0:08:45 | |
"we're not pushing it to spring." | 0:08:45 | 0:08:47 | |
And I suppose it's an extraordinary story because he's | 0:08:47 | 0:08:51 | |
the hero of the film and what he does is amazing, | 0:08:51 | 0:08:55 | |
but he's not that sympathetic as a character. | 0:08:55 | 0:08:57 | |
No, I don't think he's sympathetic. He's empathetic, though. | 0:08:57 | 0:09:00 | |
You know, I think that's part of the story, you see who he is - | 0:09:00 | 0:09:03 | |
and you may be horrified by what he says and how he thinks, | 0:09:03 | 0:09:07 | |
but you know he's a real man and I know people in life like that. | 0:09:07 | 0:09:10 | |
I may not agree with their personal politics but if they are who they are, I go, | 0:09:10 | 0:09:13 | |
"Pfft, well, you are who you are." | 0:09:13 | 0:09:15 | |
And I think that's where we can empathise with who he is. | 0:09:15 | 0:09:18 | |
We haven't really explained what he did, so the Dallas Buyers Club | 0:09:18 | 0:09:22 | |
is where he was getting medication, from Mexico primarily. | 0:09:22 | 0:09:25 | |
He was smuggling in... He was given 30 days to live. | 0:09:25 | 0:09:28 | |
All they gave AIDS patients at that time and HIV patients was AZT. | 0:09:28 | 0:09:31 | |
The quality of life on AZT was poor. | 0:09:31 | 0:09:33 | |
He decides to take matters into his own hands. | 0:09:33 | 0:09:35 | |
He goes out of the country, Israel, Austria, Mexico, | 0:09:35 | 0:09:39 | |
smuggles these unapproved drugs into America and sells them | 0:09:39 | 0:09:42 | |
as a black market drug dealer out of a motel room. | 0:09:42 | 0:09:44 | |
And he was making some good money | 0:09:44 | 0:09:45 | |
and he was keeping a lot of people alive living longer. | 0:09:45 | 0:09:48 | |
The FDA in America didn't appreciate that, came down and closed him | 0:09:48 | 0:09:51 | |
down three times, I think, but he found loopholes. | 0:09:51 | 0:09:54 | |
He did a very clever thing. | 0:09:54 | 0:09:55 | |
You couldn't sell the unauthorised drugs in America. | 0:09:55 | 0:09:58 | |
So, what he opened up the Dallas Buyers Club, | 0:09:58 | 0:10:00 | |
sold the memberships for 400 a month | 0:10:00 | 0:10:02 | |
and gave the meds for free. | 0:10:02 | 0:10:04 | |
So he was a clever little pirate. | 0:10:04 | 0:10:06 | |
Well, here he is being clever | 0:10:06 | 0:10:09 | |
but sort of being caught out trying to get some drugs into the country. | 0:10:09 | 0:10:12 | |
Walker, Dorsett, Blount, Newsome... | 0:10:12 | 0:10:16 | |
..Jeffcote. | 0:10:17 | 0:10:19 | |
-These are patients? -Yes, sir. | 0:10:20 | 0:10:23 | |
They're also the names of players in the Dallas Cowboys. | 0:10:31 | 0:10:34 | |
You know... | 0:10:36 | 0:10:37 | |
..that's a hell of coincidence, isn't it? | 0:10:39 | 0:10:42 | |
-Isn't this a little ridiculous? -Well, you said it. | 0:10:42 | 0:10:45 | |
Can you prove these are patients? | 0:10:45 | 0:10:48 | |
Can you prove they're not? | 0:10:48 | 0:10:49 | |
APPLAUSE | 0:10:49 | 0:10:53 | |
The movie opens here on 7th February. | 0:10:55 | 0:10:58 | |
Now, an awful lot has been made of the weight loss. | 0:10:58 | 0:11:01 | |
For English people, I think you lost something like | 0:11:01 | 0:11:04 | |
-three and a half stone, is what we would say. -47 pounds - what would that be? | 0:11:04 | 0:11:07 | |
-Three and a half stone. -There we go. Three and a half tonne. | 0:11:07 | 0:11:10 | |
-Three and a half stone. -It sounds... | 0:11:10 | 0:11:12 | |
Three and a half stone sounds heavy, doesn't it? Pounds, meh. | 0:11:12 | 0:11:17 | |
Three and a half STONE. | 0:11:17 | 0:11:18 | |
Does it kind of frustrate you in a way that that's got | 0:11:18 | 0:11:21 | |
so much attention? Were you like, "Still acting over here!"? | 0:11:21 | 0:11:25 | |
I understood that before the film came out, that's your headline. | 0:11:25 | 0:11:29 | |
-That photo that came out of me in the airport, erm, was the... -Wow. | 0:11:29 | 0:11:34 | |
.."Oh, that's how we get people to click on this site." I got that. | 0:11:34 | 0:11:37 | |
-Yeah. -Erm, I'm happy to say and happy that the reaction's been | 0:11:37 | 0:11:40 | |
that once people saw the film, yes, the weight loss was something but I mean, you see... | 0:11:40 | 0:11:44 | |
you know, who this guy was and it wasn't... | 0:11:44 | 0:11:47 | |
-It quickly became something more than "the Matthew McConaughey got skinny" film. -Yes. | 0:11:47 | 0:11:51 | |
If you see the film, it's obvious in about 30 seconds that that's not the film you're in. | 0:11:51 | 0:11:55 | |
-But you needed to do it. -This was not an affectation, | 0:11:55 | 0:11:59 | |
this was not an eccentric idea I had | 0:11:59 | 0:12:01 | |
-about, "I think it'd be really cool if I lost a lot of weight." -Yeah. -You know? | 0:12:01 | 0:12:04 | |
This was one of those ones where you go, "It's my responsibility to do this to best portray this man. | 0:12:04 | 0:12:08 | |
"If I do not, I will be embarrassed and you're also not going to buy the movie." | 0:12:08 | 0:12:13 | |
But your family and friends, they must have been worried for you. | 0:12:13 | 0:12:17 | |
Yeah, I mean the people that know me, know me well. | 0:12:17 | 0:12:20 | |
There were some people that got a little bit worried but I said I've got it, it was under control. | 0:12:20 | 0:12:25 | |
I met with a nutritionist, did it as healthily as possible | 0:12:25 | 0:12:27 | |
and my family was around me daily, it was so gradual they didn't notice it. | 0:12:27 | 0:12:31 | |
My daughter one day said, "Papa, why is your neck like a giraffe?" | 0:12:31 | 0:12:34 | |
LAUGHTER | 0:12:34 | 0:12:36 | |
Other than that... | 0:12:36 | 0:12:38 | |
What were you eating?! Honestly. | 0:12:38 | 0:12:40 | |
-5oz of fish, a couple of vegetables twice a day. -Uh-huh. | 0:12:40 | 0:12:43 | |
Some pudding in the morning and as much red wine as I liked at night. | 0:12:43 | 0:12:46 | |
But it was small amounts and I gave myself four months to do it. | 0:12:46 | 0:12:49 | |
So I clocked of three and a half pounds a month and it just worked like clockwork. | 0:12:49 | 0:12:53 | |
Now, Julianne, you kind of had the opposite problem | 0:12:53 | 0:12:55 | |
because both times you were pregnant, you were in movies. | 0:12:55 | 0:12:58 | |
Yeah, just getting bigger and bigger by the day. Yeah, exactly. | 0:12:58 | 0:13:01 | |
And you're trying to hide that. | 0:13:01 | 0:13:02 | |
That's a horrible thing too, when you're... | 0:13:02 | 0:13:04 | |
In Big Lebowski I was pregnant and didn't tell anybody and had to fly. | 0:13:04 | 0:13:08 | |
You know, fly naked throwing paint and then come down at a... | 0:13:08 | 0:13:11 | |
You know, and was nauseous the entire time | 0:13:11 | 0:13:13 | |
and then I was as pregnant again when I played the old woman in The Hours, | 0:13:13 | 0:13:16 | |
so I was an 80-year-old pregnant woman. | 0:13:16 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:20 | |
Really inconvenient. Really, really, really inconvenient. | 0:13:20 | 0:13:24 | |
So I wore a raincoat the whole time and kind of hunched over. | 0:13:24 | 0:13:27 | |
-Did wardrobe know? -Oh, yes, by then of course they did. | 0:13:27 | 0:13:30 | |
But if you can imagine all my old-age make-up, my wig and everything | 0:13:30 | 0:13:34 | |
and then you look down and I was, like, seven months pregnant. | 0:13:34 | 0:13:37 | |
What happened to Grandma? | 0:13:38 | 0:13:40 | |
-Cos, Alan, didn't you have a weird weight thing? -I did, I did. | 0:13:42 | 0:13:45 | |
I got asked to go for an audition for a part and I turned up | 0:13:45 | 0:13:50 | |
and I met a guy in this kind of ante room outside who I knew, who's huge. | 0:13:50 | 0:13:55 | |
He's a really big actor. Said, "Hi," and hello, | 0:13:55 | 0:13:58 | |
and then another guy came in who I half knew and who's also enormous, | 0:13:58 | 0:14:01 | |
and I looked round and everyone was enormous. | 0:14:01 | 0:14:05 | |
Quite cramped in the room. | 0:14:05 | 0:14:07 | |
There were some snacks - they'd all gone. | 0:14:07 | 0:14:10 | |
I said, "What part are you here for?" And I can't remember what it was now, Roger or something and I said, | 0:14:11 | 0:14:16 | |
"I'm here for Roger as well." | 0:14:16 | 0:14:17 | |
Then I went in and there were three people and they looked up and down and up again, | 0:14:17 | 0:14:21 | |
and said, "Have you lost some weight?" | 0:14:21 | 0:14:23 | |
And I said, "No, I've always been this...shape." | 0:14:23 | 0:14:26 | |
"Oh, OK. Well, you may as well read it anyway." I said, "Really? | 0:14:28 | 0:14:31 | |
"Do you want me to read it or eat it? Shall I just eat it?" | 0:14:31 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:35 | |
Now, I remember... I remember think it was '96. | 0:14:37 | 0:14:41 | |
-Vanity Fair coming out with you on the cover... -Yeah. | 0:14:41 | 0:14:44 | |
-..where it was just before A Time To Kill. -Yeah. | 0:14:44 | 0:14:48 | |
CROWD WHISTLES | 0:14:48 | 0:14:50 | |
And I think, was that the first time ever someone who wasn't a big star | 0:14:50 | 0:14:54 | |
had been on the cover of Vanity Fair? | 0:14:54 | 0:14:56 | |
Someone told me that, I don't know. | 0:14:56 | 0:14:58 | |
As a reader, I was like, "Who the hell's that?!" | 0:14:58 | 0:15:00 | |
Cos you always knew who it was. | 0:15:00 | 0:15:02 | |
No, it was sort of, I'd been in films and you | 0:15:02 | 0:15:04 | |
brought up one of them earlier - Dazed And Confused - but that | 0:15:04 | 0:15:07 | |
was the first time that over a weekend | 0:15:07 | 0:15:10 | |
my life changed pretty quickly. | 0:15:10 | 0:15:12 | |
Erm, I remember being... | 0:15:12 | 0:15:14 | |
I went to the supermarket, figured I'll get my groceries on this Friday | 0:15:14 | 0:15:19 | |
before, and I looked down and I was like, "Hey. | 0:15:19 | 0:15:21 | |
-"How you doing, McConaughey?" -LAUGHTER | 0:15:21 | 0:15:24 | |
And I remember going, "This is weird but I'm buying two of each." | 0:15:24 | 0:15:28 | |
And put them up there and she ran them through and I was like, | 0:15:28 | 0:15:31 | |
"Hey, look at that cover. You know that guy? Yeah, OK, that's me right there." | 0:15:31 | 0:15:35 | |
-And because it was so instant, your mom didn't adjust immediately. -No. | 0:15:37 | 0:15:43 | |
No, moms never do. | 0:15:44 | 0:15:46 | |
They're so sincere and good intentions | 0:15:46 | 0:15:48 | |
but you just don't understand it, do you, Mom? | 0:15:48 | 0:15:51 | |
It was the, erm... | 0:15:51 | 0:15:53 | |
You know, people started to get interested in my life | 0:15:53 | 0:15:56 | |
and my history as happens over a weekend. | 0:15:56 | 0:15:59 | |
So, all of a sudden, my mom shows up in these newspapers, | 0:15:59 | 0:16:02 | |
saying these things. I'm like, "Mom, keep that to... That's between us. That's between the family." | 0:16:02 | 0:16:07 | |
"OK, OK." I was like, "Trust me, there's people going to be coming to you | 0:16:07 | 0:16:10 | |
"wanting to know things about my life but keep what should be private ours." "OK, OK, OK." | 0:16:10 | 0:16:14 | |
All of a sudden, the next Thursday night I'm looking at Hard Copy. | 0:16:14 | 0:16:16 | |
It's a show in America that comes on and there's my mom giving | 0:16:16 | 0:16:20 | |
an escort through my bedroom. | 0:16:20 | 0:16:22 | |
-LAUGHTER -"And this is where... | 0:16:22 | 0:16:25 | |
"This is where we caught him first sleeping with so-and-so. Have look at this." | 0:16:25 | 0:16:29 | |
And I call her and she goes, "Oh, I didn't know you'd see it." | 0:16:29 | 0:16:32 | |
I go, "Mom..." | 0:16:34 | 0:16:35 | |
Cos, Julianne, in my head I see you, you're a movie star, I know who you are. | 0:16:35 | 0:16:39 | |
But you were talking somewhere and saying that people, when they meet you, | 0:16:39 | 0:16:42 | |
you're often not what they expect. | 0:16:42 | 0:16:44 | |
Well, what happens - and I think this happens to a lot of actresses - | 0:16:44 | 0:16:47 | |
people think they're saying something really nice. | 0:16:47 | 0:16:50 | |
They say, "Oh, my goodness! You're so little!" | 0:16:50 | 0:16:53 | |
And you're like, "Little, like...?" | 0:16:53 | 0:16:55 | |
"Little. Like, I thought you were bigger. | 0:16:55 | 0:16:57 | |
"I thought you were really big but you're little." | 0:16:57 | 0:16:59 | |
So you're like, "Oh, OK." Or they go, "You're prettier than I thought." | 0:16:59 | 0:17:03 | |
-LAUGHTER -You don't know what to say so you're like, "Thank you... | 0:17:03 | 0:17:07 | |
"I think. Thank you." | 0:17:07 | 0:17:10 | |
Yeah. So that's one of the things that happens. | 0:17:10 | 0:17:13 | |
And, Alan, you had a thing in a park that was the opposite of being recognised. | 0:17:13 | 0:17:17 | |
Yeah, well, some people say, "Are you that guy off that thing?" | 0:17:17 | 0:17:20 | |
-You get that? -Oh, yeah. | 0:17:20 | 0:17:22 | |
And they say, "Are you on television?" And you say, "Yeah, sometimes I'm on television." | 0:17:22 | 0:17:25 | |
And they go, "No, you're not." LAUGHTER | 0:17:25 | 0:17:28 | |
I have to go, "Yeah, I am, I'm on a show." | 0:17:28 | 0:17:30 | |
"No, you're not. What show you on?" "I do a show called QI." | 0:17:30 | 0:17:33 | |
"No, you don't." | 0:17:33 | 0:17:34 | |
This woman was saying this to me and she had her kid with her who | 0:17:34 | 0:17:38 | |
was about ten and he suddenly goes, "Why are you lying?" | 0:17:38 | 0:17:40 | |
LAUGHTER | 0:17:40 | 0:17:42 | |
"I'm not lying." "Yeah, you are, you're lying. What you lying for? What you lying for?!" | 0:17:42 | 0:17:46 | |
He looks at his mum, smiling, like, "We've got him on the run now." | 0:17:46 | 0:17:50 | |
And she goes to me, "Dream another dream." | 0:17:50 | 0:17:53 | |
LAUGHTER AND APPLAUSE | 0:17:53 | 0:17:56 | |
And now, Matthew, it's fair to say since the whole Vanity Fair | 0:18:01 | 0:18:04 | |
thing and that incident, you've worked consistently. | 0:18:04 | 0:18:06 | |
But it seemed in the last few years... I love the way Hollywood comes up with names for things. | 0:18:06 | 0:18:11 | |
The... What's it called? The McConaissance. | 0:18:11 | 0:18:13 | |
McConaissance, I heard that. | 0:18:13 | 0:18:15 | |
The rebirth of Matthew McConaughey. Was that a thing in your head? | 0:18:15 | 0:18:19 | |
-Were you trying to have a McConaissance? -Nah. | 0:18:19 | 0:18:22 | |
All I knew is when I first heard a reporter say that, I said, | 0:18:23 | 0:18:25 | |
"What did you call that?" "McConaissance." I was like, "Well, it sounds good." | 0:18:25 | 0:18:29 | |
No, I was... | 0:18:29 | 0:18:31 | |
Look, I was re-calibrating my relationship with my career for sure | 0:18:31 | 0:18:34 | |
and that meant taking some time off from doing the things I was doing. | 0:18:34 | 0:18:38 | |
And the way I look at it, I don't look at it as any kind of rebirth for me. | 0:18:38 | 0:18:41 | |
I didn't have a coming-to-God-moment epiphany. | 0:18:41 | 0:18:43 | |
I just said I want to do some different things and show a different part of myself and... | 0:18:43 | 0:18:48 | |
Different chapter, same book is the way I've looked at it. | 0:18:48 | 0:18:51 | |
Cos on the paper, you would not think that Magic Mike would be | 0:18:51 | 0:18:57 | |
a stepping stone to being an Oscar nominee, you know? | 0:18:57 | 0:19:01 | |
Cos it doesn't sound like that sort of film, but it was. | 0:19:01 | 0:19:04 | |
I mean, you were amazing. | 0:19:04 | 0:19:06 | |
And is it true that the strip at the end was you? | 0:19:06 | 0:19:08 | |
No-one asked you... Obviously someone allowed you to do it. | 0:19:08 | 0:19:11 | |
-No, they... -He insisted. | 0:19:11 | 0:19:14 | |
I would've done if I looked like that. | 0:19:14 | 0:19:16 | |
"Do you need me nude at all?" | 0:19:16 | 0:19:18 | |
Well, I remember that phone call | 0:19:19 | 0:19:21 | |
when Steven Soderbergh was talking to me about the part and | 0:19:21 | 0:19:24 | |
I was already on one knee laughing at this world and this pitch. | 0:19:24 | 0:19:26 | |
And he goes, "You know, it's not in the script right now but I... | 0:19:26 | 0:19:29 | |
"Dallas, we think he really should have his own dance at the end, I think it'd be a good idea." | 0:19:29 | 0:19:34 | |
And immediately in this ear, my head's going, "No, no, no," | 0:19:34 | 0:19:36 | |
and in this ear was like, "Are you kidding me? | 0:19:36 | 0:19:39 | |
"You have to if you get a chance. If you don't, you'll regret not ever doing that," and so, yeah. | 0:19:39 | 0:19:43 | |
As soon as I found the song, which was Calling Dr Love | 0:19:43 | 0:19:46 | |
and got that cleared, I was like, | 0:19:46 | 0:19:48 | |
-"Let's go have some fun, man." -And is it true, | 0:19:48 | 0:19:50 | |
the thing about you road-testing kind of the posing pouch? | 0:19:50 | 0:19:53 | |
The posing pouch? | 0:19:53 | 0:19:55 | |
Isn't that... Isn't that what they're called? | 0:19:58 | 0:20:00 | |
"The posing pouch"! | 0:20:00 | 0:20:02 | |
You don't call them that in America. Those little things | 0:20:02 | 0:20:04 | |
that you just about get things in with a string round the back. | 0:20:04 | 0:20:07 | |
The slightest move and everything's out. | 0:20:07 | 0:20:10 | |
I read something where you walked around to make sure that it wasn't falling out of... | 0:20:10 | 0:20:14 | |
No, what I did do, which a lot of us did, | 0:20:14 | 0:20:18 | |
is you put one of those on, and all of a sudden you find... | 0:20:18 | 0:20:21 | |
your body kind of gets a little inverted. | 0:20:21 | 0:20:23 | |
-LAUGHTER -I had to really loosen up, | 0:20:23 | 0:20:25 | |
cos this was a guy who lives in this thing | 0:20:25 | 0:20:27 | |
and has to feel really loose and...with it. | 0:20:27 | 0:20:29 | |
So I remember going, and I wasn't the only one that did this. | 0:20:29 | 0:20:32 | |
I have to walk out there amongst the crew | 0:20:32 | 0:20:34 | |
and have small-time, normal conversations like, | 0:20:34 | 0:20:37 | |
-"So how you doing?" -LAUGHTER | 0:20:37 | 0:20:39 | |
"What'd you have for lunch?" | 0:20:39 | 0:20:41 | |
"Hey, did you see the game this weekend?" | 0:20:41 | 0:20:43 | |
I'd try to have some small talk in this thong without flinching, | 0:20:43 | 0:20:47 | |
and it was hard because.. | 0:20:47 | 0:20:49 | |
LAUGHTER | 0:20:49 | 0:20:51 | |
-I wasn't but it wa... -LAUGHTER | 0:20:51 | 0:20:53 | |
You said it now. You said it. | 0:20:53 | 0:20:56 | |
Yes! | 0:20:56 | 0:20:58 | |
It was! Thank you for that. | 0:20:58 | 0:21:01 | |
LAUGHTER | 0:21:01 | 0:21:02 | |
Teed me up for that one! Well done! | 0:21:02 | 0:21:04 | |
The trouble is, you see, that your genitals | 0:21:04 | 0:21:07 | |
aren't sensitive enough to a change in temperature, | 0:21:07 | 0:21:09 | |
so if something does slip out, | 0:21:09 | 0:21:12 | |
it needs to immediately feel cold, so you're aware. | 0:21:12 | 0:21:15 | |
But I remember being on holiday with friends and... | 0:21:15 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:20 | |
And one of my friends was talking to someone in a bar, | 0:21:20 | 0:21:22 | |
-and he was sitting like this in shorts. -Oh, please! Oh, no! | 0:21:22 | 0:21:26 | |
And we knew that one of them had popped out, | 0:21:26 | 0:21:29 | |
and he didn't know, because he didn't feel anything, | 0:21:29 | 0:21:31 | |
and that's a design fault or a fault of evolution. | 0:21:31 | 0:21:34 | |
LAUGHTER | 0:21:34 | 0:21:35 | |
But now, talking of sex symbols and heart-throbs, | 0:21:35 | 0:21:38 | |
Alan Davies down the end there, you topped a list last year. | 0:21:38 | 0:21:43 | |
-Do you know the list you topped? -He wasn't on it, I know that! | 0:21:43 | 0:21:46 | |
No, he wasn't, no, no. | 0:21:46 | 0:21:47 | |
Alan was top of it. Not a mention of you, no! | 0:21:47 | 0:21:51 | |
No, it was Marie Claire. | 0:21:51 | 0:21:52 | |
They put together a list of men you shouldn't fancy but do. | 0:21:52 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:58 | |
That's excellent! I love it! | 0:21:58 | 0:22:01 | |
In brackets, "Because you might catch something." | 0:22:05 | 0:22:07 | |
LAUGHTER | 0:22:07 | 0:22:09 | |
You know the person I feel sorry for? | 0:22:09 | 0:22:11 | |
Other people on the list were people like Snoop Dogg but... | 0:22:11 | 0:22:14 | |
You won't know who this is, but Declan Donnelly was on the list. | 0:22:14 | 0:22:19 | |
But Ant wasn't even on the list. | 0:22:19 | 0:22:21 | |
AUDIENCE: Aw! | 0:22:21 | 0:22:23 | |
That's got to hurt. They're a double act, Ant and Dec. | 0:22:23 | 0:22:26 | |
Ant and Dec! I know who they are, yeah. | 0:22:26 | 0:22:29 | |
-Oh, they left him out? -Yeah, so Dec's a weird crush. | 0:22:29 | 0:22:31 | |
-Ant isn't even that. -LAUGHTER | 0:22:31 | 0:22:34 | |
Oh, dear. | 0:22:34 | 0:22:36 | |
We must just celebrate your work in romcoms, | 0:22:36 | 0:22:39 | |
cos they're such a hard thing to get right, | 0:22:39 | 0:22:42 | |
and you were in a lot of really good ones. | 0:22:42 | 0:22:44 | |
-Thank you. -But the thing that you are a master at | 0:22:44 | 0:22:48 | |
is the romcom lean. | 0:22:48 | 0:22:50 | |
-Lean, yes! -Yeah, no, seriously! -Oh, with the... | 0:22:50 | 0:22:54 | |
No, he's talking about the poster. | 0:22:54 | 0:22:58 | |
-Here's the classic. -OK, I think this is where it started. | 0:22:58 | 0:23:00 | |
-Is that where it started? -Watch where the leans go from here. | 0:23:00 | 0:23:03 | |
Yeah, so the nice lean here, then there's a variation on a lean. | 0:23:03 | 0:23:08 | |
-OK. -With Jennifer Garner, your co-star in Dallas Buyers Club. | 0:23:08 | 0:23:13 | |
Now, we come from the first one, How To Lose A Guy, | 0:23:13 | 0:23:15 | |
also cos it makes 125 million, people start to go, | 0:23:15 | 0:23:18 | |
"Hey, the lean on the poster, that's the way to go. | 0:23:18 | 0:23:21 | |
"The last time you leaned, we did this amount of money," | 0:23:21 | 0:23:25 | |
so then we come back and do Ghosts, there was another lean, a big lean. | 0:23:25 | 0:23:28 | |
I'm not a trained actor - I feel you overleaned. | 0:23:28 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:33 | |
APPLAUSE | 0:23:35 | 0:23:38 | |
Yeah, I was really getting arrogant with the leaning at this point. | 0:23:38 | 0:23:43 | |
It's very lucky she was there, actually. | 0:23:43 | 0:23:46 | |
You could've really hurt yourself. "Whoa!" | 0:23:46 | 0:23:49 | |
Even at your Dallas Buyers Club weight, | 0:23:49 | 0:23:51 | |
-you would've flattened her. -LAUGHTER | 0:23:51 | 0:23:53 | |
Very good, we'll move on. | 0:23:53 | 0:23:54 | |
We must also just mention Wolf Of Wall Street, | 0:23:54 | 0:23:57 | |
-which you are a genius in. -Thank you. -A lot of people... | 0:23:57 | 0:24:00 | |
APPLAUSE | 0:24:00 | 0:24:02 | |
A lot of people have seen that movie. It's done really well here. | 0:24:02 | 0:24:06 | |
Again, it's one of those things | 0:24:06 | 0:24:08 | |
that a lot of that character apparently wasn't on the page, | 0:24:08 | 0:24:10 | |
it was stuff that you came up with. | 0:24:10 | 0:24:13 | |
Yeah, now, look, Terence Winter, the writer, | 0:24:13 | 0:24:15 | |
when a writer writes a scene and gives dialogue to a character, | 0:24:15 | 0:24:18 | |
and it starts off with... "They're in a five-star restaurant, | 0:24:18 | 0:24:22 | |
"he pulls out a bump of coke, takes it, | 0:24:22 | 0:24:24 | |
"orders martinis until they drop, then says, 'Uh... | 0:24:24 | 0:24:28 | |
'Hey, young man, how many times a week do you jack off? | 0:24:28 | 0:24:31 | |
'Great, and also let me tell you this, | 0:24:31 | 0:24:33 | |
'the secret of this business is hookers and cocaine.'" | 0:24:33 | 0:24:35 | |
Talk about the roof being taken off? I was like, "Well, who's this guy?" | 0:24:35 | 0:24:40 | |
The vernacular became... The imagination ran. | 0:24:40 | 0:24:43 | |
What is the thing you're doing? The banging and the humming. | 0:24:43 | 0:24:46 | |
-Yeah, what's that? -What is that? Is it a meditation technique or...? | 0:24:46 | 0:24:49 | |
-That's something I do before... -He's learned how. | 0:24:49 | 0:24:53 | |
Hmm-hmm-hmm! I've been doing it ever since! | 0:24:53 | 0:24:56 | |
You already look more successful. | 0:24:56 | 0:24:59 | |
That's something I'll do before scenes to relax myself, | 0:24:59 | 0:25:04 | |
to get my voice to drop. | 0:25:04 | 0:25:05 | |
And I've been doing it for a while, | 0:25:05 | 0:25:08 | |
just something I do to relax myself, get out of my head. | 0:25:08 | 0:25:11 | |
And I was doing it before the scene, | 0:25:11 | 0:25:13 | |
and then I'd start the scene, we do five takes, | 0:25:13 | 0:25:15 | |
I am happy, Martin's happy, about to move on. | 0:25:15 | 0:25:17 | |
Before we moved on, Leonardo raised his hand, | 0:25:17 | 0:25:19 | |
he goes, "Hey, hang on a second, what's that thing you were doing?" | 0:25:19 | 0:25:22 | |
And I told him, and he goes, "What if you put that in the scene?" | 0:25:22 | 0:25:25 | |
I was like, "Yeah, great." | 0:25:25 | 0:25:27 | |
So the next scene, I started it off, then gave him my spiel, | 0:25:27 | 0:25:31 | |
I didn't know if it was going to come back and it hit me in head. | 0:25:31 | 0:25:33 | |
"Now get him on the same rhythm, | 0:25:33 | 0:25:35 | |
"because now he understands, pass the torch." | 0:25:35 | 0:25:38 | |
# Uh-huh-huh... # And then started it off. | 0:25:38 | 0:25:41 | |
-And did you do it before you came out here? -No. | 0:25:41 | 0:25:44 | |
On the way down the hallway, | 0:25:44 | 0:25:45 | |
I was sure humming and making noises. | 0:25:45 | 0:25:47 | |
I wasn't beating my chest but I was finding a rhythm. | 0:25:47 | 0:25:50 | |
Will you be doing it in the limo on the way to the Oscars? | 0:25:50 | 0:25:53 | |
-Probably. -LAUGHTER | 0:25:53 | 0:25:55 | |
I like to think of you doing it in the... | 0:25:55 | 0:25:57 | |
I'll find some rhythm, it's different every... | 0:25:57 | 0:25:59 | |
Look at him, he's obsessed. | 0:25:59 | 0:26:01 | |
And now cocaine. | 0:26:02 | 0:26:04 | |
LAUGHTER | 0:26:04 | 0:26:07 | |
-Cocaine for you? Cocaine for you? -Absolutely! | 0:26:07 | 0:26:09 | |
Now... Julianne Moore, Julianne Moore, | 0:26:09 | 0:26:13 | |
your movie couldn't be more different, in a way, | 0:26:13 | 0:26:16 | |
-to Dallas Buyers Club. -No, I know! -It's Non-Stop. | 0:26:16 | 0:26:20 | |
It's a proper big Hollywood, | 0:26:20 | 0:26:22 | |
seat-of-your-pants thrill-ride movie. | 0:26:22 | 0:26:25 | |
It's very old-fashioned, it reminded of movies I loved as a kid, | 0:26:25 | 0:26:28 | |
like Towering Inferno and Poseidon Adventure, | 0:26:28 | 0:26:31 | |
where you follow a group of people into a situation | 0:26:31 | 0:26:33 | |
and something's going to happen, | 0:26:33 | 0:26:34 | |
you don't know what or how they're going to react | 0:26:34 | 0:26:37 | |
or who the bad guy is or... you know, yeah. | 0:26:37 | 0:26:39 | |
But I sit next to Liam Neeson, which is always a good idea. | 0:26:39 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:44 | |
"Where's MY seat? Oh... Oh, hi!" | 0:26:44 | 0:26:47 | |
Him you should fancy, and it's absolutely right to do that. | 0:26:47 | 0:26:50 | |
That's right, yeah! | 0:26:50 | 0:26:52 | |
If you're going to be in an action movie, | 0:26:52 | 0:26:54 | |
-who do you want to sit next to? -Yeah, who's going to save the day? | 0:26:54 | 0:26:56 | |
Who's going to save the day? The guy on the poster. | 0:26:56 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:01 | |
You know, this is weird. | 0:27:01 | 0:27:03 | |
It reminded me of Murder On The Orient Express. | 0:27:03 | 0:27:05 | |
Exactly, the different characters, you don't know who they are. | 0:27:05 | 0:27:08 | |
My character's extremely mysterious, and it's a bit of a whodunnit. | 0:27:08 | 0:27:12 | |
Liam Neeson plays a US Air Marshal, we're allowed to say that. | 0:27:12 | 0:27:15 | |
Yeah, yeah, you can, yeah. | 0:27:15 | 0:27:17 | |
And, now, Liam, he's obviously a very iconic actor. | 0:27:17 | 0:27:20 | |
What was the story with your daughter and Liam? | 0:27:20 | 0:27:23 | |
Oh, yeah, you know, we text, we Skype, we text a lot, | 0:27:23 | 0:27:26 | |
cos she's 11 and a half, so she loves to do that. | 0:27:26 | 0:27:28 | |
And she was like, "Mommy, what'd you do today?" | 0:27:28 | 0:27:30 | |
I said, "I spent the day with Liam," she was like, "My gosh, how fun!" | 0:27:30 | 0:27:34 | |
I said, "Yeah, I have a picture, want me to send you a picture?" | 0:27:34 | 0:27:37 | |
She looks at it, she texts back, "Who's that?!" | 0:27:37 | 0:27:40 | |
-LAUGHTER -I said, "That's Liam." | 0:27:40 | 0:27:42 | |
She goes, "No, Liam Hemsworth!" | 0:27:42 | 0:27:44 | |
LAUGHTER | 0:27:44 | 0:27:46 | |
I said, "That's Liam Neeson," she's like, "Who's Liam Neeson?!" | 0:27:46 | 0:27:49 | |
LAUGHTER | 0:27:49 | 0:27:51 | |
Listen, we've got a clip, this is you and Liam in action. | 0:27:51 | 0:27:55 | |
I don't think it needs more setting up than that. | 0:27:55 | 0:27:58 | |
-We're on the plane, there you go. -You're on the plane...nonstop. | 0:27:58 | 0:28:01 | |
-Oh, nonstop! -Nonstop! | 0:28:01 | 0:28:03 | |
Roll it. | 0:28:05 | 0:28:07 | |
I've been wondering. | 0:28:07 | 0:28:09 | |
-Why the window seat? -What? | 0:28:11 | 0:28:13 | |
-What? Why the window seat? -Why did you sit next to me? | 0:28:13 | 0:28:17 | |
-What? -I found a hole in the first-class toilet. | 0:28:17 | 0:28:20 | |
Clear shot to the captain. | 0:28:20 | 0:28:22 | |
The guy who died had one of these embedded in his skin. | 0:28:22 | 0:28:24 | |
Ever seen one before? | 0:28:26 | 0:28:27 | |
No. | 0:28:27 | 0:28:28 | |
The toilets were locked ten minutes before the captain died. | 0:28:28 | 0:28:32 | |
Five minutes before that, I saw a woman enter. | 0:28:32 | 0:28:34 | |
She's 70 years old. She said you went in after her. | 0:28:34 | 0:28:38 | |
And she doesn't have Alzheimer's... if you're wondering. | 0:28:38 | 0:28:41 | |
Are you asking me if I saw someone else go in | 0:28:43 | 0:28:46 | |
or if I killed the captain? | 0:28:46 | 0:28:48 | |
-APPLAUSE -Ooh! | 0:28:48 | 0:28:51 | |
-Who done it? -I know! | 0:28:53 | 0:28:56 | |
See, NOW you want to see the movie! | 0:28:56 | 0:29:00 | |
But you can't see it till the 28th February. | 0:29:00 | 0:29:03 | |
-What?! -I know. -I know, set your alarms. | 0:29:03 | 0:29:07 | |
-That's right! -Yeah. | 0:29:07 | 0:29:08 | |
And, for us, when you go to see it - us, not you, us. | 0:29:08 | 0:29:13 | |
It's a British airline. | 0:29:13 | 0:29:15 | |
-That's right, Aqualantic, we're flying. -Yeah! -Uh-huh. | 0:29:15 | 0:29:20 | |
Because it's a British airline, lots of familiar faces. | 0:29:20 | 0:29:24 | |
How the mighty fall - poor old Lady Mary is now an air hostess. | 0:29:24 | 0:29:28 | |
-Oh, I know! Can you imagine? -I know! Michelle Dockery. | 0:29:28 | 0:29:32 | |
I guess something went terribly wrong with the inheritance. | 0:29:32 | 0:29:35 | |
-She looks great in her uniform. -She does look very good. | 0:29:35 | 0:29:38 | |
I spent most of the time trying to figure out | 0:29:38 | 0:29:40 | |
-what was happening on Downton Abbey. -Cos you're a proper fan. | 0:29:40 | 0:29:42 | |
I'd be like, "Oh, my God. (Michelle, sit over here!)" | 0:29:42 | 0:29:45 | |
I'm like, "So what's he like in real life? Do you like him? | 0:29:45 | 0:29:48 | |
"Is she funny? Is she nice? Is she mean?" | 0:29:48 | 0:29:50 | |
And then I started trying to figure out the plot. | 0:29:50 | 0:29:53 | |
We're behind in the United States, so we were in season two, | 0:29:53 | 0:29:56 | |
and I'd say, "Well, what about this guy?" | 0:29:56 | 0:29:58 | |
And I started thinking about Dan Stevens, | 0:29:58 | 0:30:00 | |
and I noticed that Dan Stevens | 0:30:00 | 0:30:02 | |
was spending a lot of time in New York City. | 0:30:02 | 0:30:05 | |
-Oh, yeah. -So I said, "Come here, Michelle. I was just thinking... | 0:30:05 | 0:30:08 | |
"I think he dies." And she went... | 0:30:08 | 0:30:10 | |
SHE GASPS | 0:30:10 | 0:30:12 | |
And she turned beet red. She's like, "No! No!" | 0:30:13 | 0:30:17 | |
I said, "I won't tell anybody. I'm not going to give it away. | 0:30:17 | 0:30:20 | |
"And you never said ANYTHING. Not a word." | 0:30:20 | 0:30:23 | |
But don't me anything about season three - I haven't seen it yet. | 0:30:23 | 0:30:26 | |
-Don't tell me. -OK. Some pigs go thirsty. -Yeah! | 0:30:26 | 0:30:28 | |
Actually, you are such a big Downton... This is amazing! | 0:30:30 | 0:30:33 | |
..such a big Downton Abbey fan, you've become a British citizen? | 0:30:33 | 0:30:36 | |
Yeah. Well, yeah, exactly. I thought, "I've got to go..." Yeah. | 0:30:36 | 0:30:40 | |
-You really have, though, haven't you? -No, I have, I have. | 0:30:40 | 0:30:43 | |
My mother was from Scotland | 0:30:43 | 0:30:45 | |
-so I decided to become a British citizen, yeah. -Can you just do it? | 0:30:45 | 0:30:48 | |
Well, no, you know, you have to take all those tests and stuff, about the Queen. | 0:30:48 | 0:30:52 | |
-Did you do the test? -No, no, there were no tests. Just kidding. | 0:30:52 | 0:30:55 | |
LAUGHTER | 0:30:55 | 0:30:58 | |
But there ARE tests! | 0:30:58 | 0:31:00 | |
-There ARE tests! -I didn't have... Life In The United Kingdom! | 0:31:04 | 0:31:08 | |
-Oh, I love that. -That's a thin book! | 0:31:08 | 0:31:10 | |
Look at that! | 0:31:10 | 0:31:11 | |
"Er, it's Oscar nominee Julianne Moore here." | 0:31:11 | 0:31:15 | |
"Hi, could I possibly..." | 0:31:15 | 0:31:17 | |
What did you do? | 0:31:17 | 0:31:18 | |
So, I wanted to do it and I was in Los Angeles | 0:31:18 | 0:31:22 | |
and you have your swearing-in ceremony. | 0:31:22 | 0:31:24 | |
It was very, very quiet in the office | 0:31:24 | 0:31:26 | |
because that was the day that William and Kate were visiting Los Angeles. | 0:31:26 | 0:31:30 | |
So I went with my sister and our kids and I was sworn in. | 0:31:30 | 0:31:33 | |
They were very nice. There was nobody there. | 0:31:33 | 0:31:35 | |
Once they said, "Congratulations, you're a British citizen," | 0:31:35 | 0:31:38 | |
they said, "Now you can come to the garden party." | 0:31:38 | 0:31:41 | |
There was a garden party for William and Kate that day | 0:31:41 | 0:31:44 | |
and I couldn't come before, when I was just an American, | 0:31:44 | 0:31:47 | |
but once I was British I had an invitation. | 0:31:47 | 0:31:50 | |
-Talk about fast-tracked! -I know, right? | 0:31:50 | 0:31:54 | |
APPLAUSE | 0:31:54 | 0:31:55 | |
-We've lived here all our lives. -And you didn't get invited! | 0:31:55 | 0:31:59 | |
A grudging round of applause and then, "Oh, well done." | 0:31:59 | 0:32:02 | |
All right, all right. | 0:32:04 | 0:32:05 | |
William and Kate, free drinks. Yeah, well done(!) | 0:32:05 | 0:32:08 | |
-Paying our taxes all those years. -I know, I know! | 0:32:08 | 0:32:12 | |
But this is a genuine thing. Now, some of the questions... | 0:32:12 | 0:32:16 | |
Like, it's odd. I mean, depending on where you're from, | 0:32:16 | 0:32:20 | |
some of these questions are quite hard. | 0:32:20 | 0:32:23 | |
-So, question 13 here. -Uh-oh. You'll know them. | 0:32:23 | 0:32:25 | |
"What must police officers do? | 0:32:25 | 0:32:28 | |
"Be rude and abusive. | 0:32:28 | 0:32:31 | |
"Obey the law. | 0:32:31 | 0:32:33 | |
"Make a false statement. | 0:32:33 | 0:32:34 | |
"Be politically neutral." | 0:32:35 | 0:32:37 | |
I mean, that's a head-scratcher, isn't it? | 0:32:37 | 0:32:41 | |
On what occasion? In what context? | 0:32:41 | 0:32:44 | |
They didn't mention that. | 0:32:44 | 0:32:46 | |
Apparently it's "obey the law." That's the right answer. | 0:32:46 | 0:32:50 | |
You could get this in your exam... | 0:32:50 | 0:32:52 | |
"What are the titles of two novels by Charles Dickens? | 0:32:52 | 0:32:55 | |
"A - Harry Potter." | 0:32:55 | 0:32:57 | |
LAUGHTER | 0:32:57 | 0:32:59 | |
Welcome, all! | 0:33:02 | 0:33:04 | |
Very good. Now... | 0:33:05 | 0:33:07 | |
For fans of adventure sports, it's a very great time | 0:33:09 | 0:33:12 | |
because the Winter Olympics are upon us. | 0:33:12 | 0:33:14 | |
And this year, the BBC have a slightly unusual face of the Olympics. | 0:33:14 | 0:33:19 | |
I give you Alan Davies. | 0:33:19 | 0:33:20 | |
Cos you are presenting a programme about the Winter Olympics. | 0:33:20 | 0:33:24 | |
We're doing an entertainment show about the Winter Olympics | 0:33:24 | 0:33:27 | |
on Friday nights throughout the... It's three weeks. | 0:33:27 | 0:33:30 | |
So, yeah, I mean, don't ask me about how to do any of the sports - | 0:33:30 | 0:33:34 | |
they're far too dangerous. | 0:33:34 | 0:33:36 | |
Well, it's a light-hearted show. | 0:33:36 | 0:33:38 | |
It's called Apres-Ski. It's very exciting, I'm sure, but people do... | 0:33:38 | 0:33:42 | |
-A lot of people break legs and things. -People hurt themselves. | 0:33:42 | 0:33:45 | |
These are all events where, if you get to 40, | 0:33:45 | 0:33:47 | |
you really would think, "... that!" | 0:33:47 | 0:33:50 | |
And, yeah, we're doing that. | 0:33:50 | 0:33:52 | |
I've been skiing, I think, twice in my life | 0:33:52 | 0:33:54 | |
and one of them was in Milton Keynes. | 0:33:54 | 0:33:56 | |
And it's obviously a more political Olympics because of Putin. | 0:33:59 | 0:34:02 | |
Yes, there is that side of it. I don't think we... | 0:34:02 | 0:34:05 | |
-I don't think he's coming on our show. -No? Really? | 0:34:05 | 0:34:09 | |
It's funny - we've got a bid in, as well. We're really hoping. | 0:34:09 | 0:34:13 | |
-That would be a hell of a sofa! -Can you imagine? | 0:34:13 | 0:34:16 | |
I have to say, if they don't want gays in the Olympics, | 0:34:16 | 0:34:18 | |
they should really change some of their signage. That's all I have to say. | 0:34:18 | 0:34:22 | |
APPLAUSE | 0:34:24 | 0:34:27 | |
Now, the other big excitement is - we mentioned... | 0:34:32 | 0:34:35 | |
Jonathan Creek, back. | 0:34:35 | 0:34:36 | |
Jonathan Creek's back. A new series of Jonathan Creek. | 0:34:36 | 0:34:38 | |
CHEERING AND APPLAUSE Thank you. | 0:34:38 | 0:34:40 | |
Yeah, we did the first series in 1996. | 0:34:43 | 0:34:45 | |
And I was all set up for a Vanity Fair cover and it... | 0:34:45 | 0:34:49 | |
It coincided with the first day of shooting. | 0:34:51 | 0:34:53 | |
And they've got... You've got fans - I didn't know they were called this - called Creek Geeks. | 0:34:57 | 0:35:01 | |
I think they call themselves Creek Geeks, to be honest with you. | 0:35:01 | 0:35:04 | |
And people dress up as you now. You tweeted a picture of someone at a party. | 0:35:04 | 0:35:07 | |
It is alarming but it's true. | 0:35:07 | 0:35:10 | |
This is someone dressed as Jonathan Creek. | 0:35:10 | 0:35:12 | |
He's the one on the left. | 0:35:14 | 0:35:16 | |
He does look like he just showed up at the party and went, | 0:35:19 | 0:35:22 | |
"Oh, is it fancy dress? | 0:35:22 | 0:35:23 | |
"Er, I've come as... Jonathan Creek." The other guy - | 0:35:24 | 0:35:28 | |
I kind of think he went all out on the padding above the waist. | 0:35:28 | 0:35:32 | |
I really feel he should have... | 0:35:32 | 0:35:35 | |
LAUGHTER | 0:35:35 | 0:35:36 | |
-He needed one of those - what do you call 'em? -A posing pouch! | 0:35:37 | 0:35:40 | |
Yes, that's what he needed. | 0:35:40 | 0:35:42 | |
The other thing is, you're back on tour. Little Victories is the tour. | 0:35:42 | 0:35:45 | |
Yeah, my new stand-up show, starting in March in Australia, and then... | 0:35:45 | 0:35:49 | |
-Do you like that poster? -Are you upside down? | 0:35:49 | 0:35:53 | |
I had to go to Tibet for four years to learn to levitate. | 0:35:53 | 0:35:56 | |
-I jumped in the air and they took the picture. -Oh, is that all? | 0:35:58 | 0:36:01 | |
It's camera work. So you start in Australia? | 0:36:01 | 0:36:04 | |
Start in Australia in March and I'm doing dates in the UK in April | 0:36:04 | 0:36:06 | |
and more in the autumn, but we start quite soon. | 0:36:06 | 0:36:08 | |
-And what are the little victories? -The small moments in life when something goes right. | 0:36:08 | 0:36:13 | |
I'll give you an example. My little girl, when she was about 18 months old, | 0:36:13 | 0:36:16 | |
was sleeping on top of me | 0:36:16 | 0:36:18 | |
and I heard the noise that she makes in her throat when she's going to throw up. | 0:36:18 | 0:36:23 | |
So I knew she was going to throw up and I avoided it and it hit the pillow. That's a little victory. | 0:36:23 | 0:36:28 | |
LAUGHTER AND APPLAUSE | 0:36:28 | 0:36:31 | |
Now... | 0:36:31 | 0:36:33 | |
it's time for some music. This woman has sold 35 million records. | 0:36:33 | 0:36:39 | |
She's won nine Grammys. She's back with a new album, Feels Like Home. | 0:36:39 | 0:36:43 | |
Performing her new single Easy, it is Sheryl Crow, everybody. | 0:36:43 | 0:36:46 | |
CHEERING AND APPLAUSE | 0:36:46 | 0:36:49 | |
# We said this summer we'd go down to Cancun | 0:37:01 | 0:37:05 | |
# But no money makes that kinda hard to do | 0:37:06 | 0:37:11 | |
# Forget the beach - I'd rather be here with you | 0:37:12 | 0:37:16 | |
# Playing croquet OK, maybe that's not true | 0:37:16 | 0:37:22 | |
# But you make it easy, easy | 0:37:22 | 0:37:26 | |
# Easy to get away | 0:37:26 | 0:37:29 | |
# Sit in the sun and drink beer all day | 0:37:29 | 0:37:33 | |
# You make it easy, easy | 0:37:33 | 0:37:37 | |
# Easier, anyway | 0:37:37 | 0:37:40 | |
# Hey, who needs Mexico? | 0:37:40 | 0:37:43 | |
# Baby, let's stay home | 0:37:43 | 0:37:47 | |
# We'll put on bug spray and we'll lose our clothes | 0:37:52 | 0:37:56 | |
# Put out the lawn chairs and turn on the hose | 0:37:57 | 0:38:01 | |
# We'll play Jack Johnson He's the new Don Ho | 0:38:03 | 0:38:07 | |
# And we'll go surfing, surfing | 0:38:07 | 0:38:10 | |
# Surf the radio | 0:38:10 | 0:38:13 | |
# Cos you make it easy, easy | 0:38:13 | 0:38:17 | |
# Easy to get away | 0:38:17 | 0:38:19 | |
# Sit in the sun and drink beer all day | 0:38:19 | 0:38:24 | |
# You make it easy, easy | 0:38:24 | 0:38:28 | |
# Easier, anyway | 0:38:28 | 0:38:30 | |
# Hey, who needs Mexico? | 0:38:30 | 0:38:34 | |
# Oh, hey, who needs Mexico? | 0:38:36 | 0:38:40 | |
# Baby, let's stay home | 0:38:40 | 0:38:44 | |
# Drink margaritas and take in the sunset | 0:38:54 | 0:38:58 | |
# Later on, we'll slip up to our king-size bed | 0:38:59 | 0:39:03 | |
# And make love | 0:39:03 | 0:39:07 | |
# Love, sweet love | 0:39:07 | 0:39:10 | |
# Cos it's easy, easy | 0:39:10 | 0:39:12 | |
# Oh, yes, it's easy, easy | 0:39:14 | 0:39:19 | |
# You make it easy, easy | 0:39:20 | 0:39:24 | |
# Easy to get away | 0:39:24 | 0:39:27 | |
# Sit in the sun and sip tequila all day | 0:39:27 | 0:39:32 | |
# You know it's easy, easy | 0:39:32 | 0:39:35 | |
# Easier, anyway | 0:39:35 | 0:39:38 | |
# Hey, who needs Mexico? | 0:39:38 | 0:39:42 | |
# Tell me now | 0:39:42 | 0:39:44 | |
# Who needs Mexico? | 0:39:44 | 0:39:47 | |
# Baby, let's stay home | 0:39:47 | 0:39:53 | |
# Baby, let's stay home | 0:39:53 | 0:39:57 | |
# Let's do it, baby | 0:40:00 | 0:40:02 | |
# Whoa-oh | 0:40:03 | 0:40:05 | |
# Let's get away, baby. # | 0:40:05 | 0:40:08 | |
CHEERING AND APPLAUSE | 0:40:14 | 0:40:17 | |
Sheryl Crow, everybody! Beautiful! | 0:40:22 | 0:40:26 | |
-Oh! Hello, lovely lady. -Hello. -Hi! | 0:40:26 | 0:40:29 | |
-How are you? -So nice to see you. -Good to see you. -Sheryl Crow! | 0:40:29 | 0:40:33 | |
Come and join these guys. That's Alan there. | 0:40:34 | 0:40:37 | |
-Hey, Alan. -Lovely to meet you. | 0:40:37 | 0:40:39 | |
Julianne. That's Matthew. Very good. | 0:40:39 | 0:40:44 | |
-Funny catching each other again. -I know, I know. | 0:40:45 | 0:40:48 | |
-You guys know each other? -Yeah, we do. | 0:40:48 | 0:40:50 | |
-I actually saw Dallas Buyers Club. -Isn't it great? | 0:40:50 | 0:40:53 | |
And I texted Matthew. | 0:40:53 | 0:40:55 | |
I said, "I don't know if this is your number any more..." | 0:40:55 | 0:40:57 | |
I just cannot believe it. I don't know if you all have seen it yet. You HAVE to go see this movie. | 0:40:57 | 0:41:01 | |
Killed me! I mean, it just killed me! | 0:41:01 | 0:41:03 | |
-Now, Matthew... -Yes? | 0:41:03 | 0:41:05 | |
(Talk about how great her new album is!) | 0:41:05 | 0:41:07 | |
-How great her new album is? -When he got my new album, he texted ME! | 0:41:07 | 0:41:11 | |
The single's called Easy. The album's Feels Like Home. | 0:41:13 | 0:41:16 | |
-Now, is it your first full country album? -Yeah. | 0:41:16 | 0:41:19 | |
-And is this a one-off or is this the new... -This is it. | 0:41:19 | 0:41:23 | |
-This is totally it. -It's country for ever? -Actually, you know what? | 0:41:23 | 0:41:26 | |
-I feel like I've been doing country for ever. -It's a subtle shift. | 0:41:26 | 0:41:29 | |
-It's not... -A subtle shit?! | 0:41:29 | 0:41:32 | |
-A very subtle shit! -Yeah, you can hardly smell it. | 0:41:32 | 0:41:35 | |
You can hardly smell it. It's... | 0:41:35 | 0:41:37 | |
No, a subtle SHIFT. | 0:41:38 | 0:41:41 | |
Shift. Don't look for trouble where there's none! | 0:41:41 | 0:41:44 | |
-Well, we like it. -Oh, I'm glad. Thank you. -It's really lovely. Thank you very much. | 0:41:47 | 0:41:51 | |
So, listen, we're nearly out of time but we do have time for a story or two in the red chair before we go. | 0:41:51 | 0:41:56 | |
CHEERING AND APPLAUSE | 0:41:56 | 0:41:58 | |
OK. So, who's up first? | 0:41:58 | 0:42:00 | |
-Hello. -Hello! | 0:42:00 | 0:42:02 | |
-You look lost in thought there. -Yeah. -Yeah. | 0:42:02 | 0:42:06 | |
-What's your name? -Afrosa. | 0:42:06 | 0:42:07 | |
-Afrosa - lovely. And where do you live? -I live in Essex. -Oh, lovely. | 0:42:07 | 0:42:11 | |
CHEERING | 0:42:11 | 0:42:13 | |
Oh, look. Sheryl Crow applauded it, yeah. | 0:42:13 | 0:42:15 | |
Sheryl Crow's all over it. And what do you do in Essex? | 0:42:15 | 0:42:17 | |
-I am a physiotherapist. -She IS a physiotherapist. | 0:42:17 | 0:42:21 | |
That sounded great. "Tonight, Matthew, I AM a physiotherapist." | 0:42:21 | 0:42:26 | |
OK, off you go with your story. | 0:42:28 | 0:42:30 | |
So, I was in school and we had a church service | 0:42:30 | 0:42:32 | |
and part of the church service was that we had to light about 35 candles | 0:42:32 | 0:42:36 | |
and the reverend asked me, cos I was a prefect at the time. | 0:42:36 | 0:42:40 | |
And I went to go light the candles but I must've been given a faulty taper, | 0:42:40 | 0:42:45 | |
because it clearly wasn't lighting the tea lights, | 0:42:45 | 0:42:47 | |
and the taper just started lighting itself and the flame just got even bigger and bigger. | 0:42:47 | 0:42:53 | |
And I tried to shake the taper like a sparkler to make it go away | 0:42:53 | 0:42:56 | |
but it just made the flames even bigger. | 0:42:56 | 0:42:58 | |
So in a panic, I dropped the taper on the floor. | 0:42:58 | 0:43:01 | |
-And I should have mentioned that as a prefect, you have to wear, like, a Harry Potter gown-type thing. -Oh! | 0:43:01 | 0:43:06 | |
And as I dropped the taper, my gown caught on fire. | 0:43:06 | 0:43:09 | |
I had to disrobe in front of the whole school and Jesus and God... | 0:43:10 | 0:43:14 | |
LAUGHTER | 0:43:14 | 0:43:16 | |
-..and run behind the altar. -Good story! | 0:43:16 | 0:43:18 | |
We'll let her walk. Yeah! That was a good story. | 0:43:18 | 0:43:22 | |
Well done, everyone. If you'd like to join us on the show | 0:43:22 | 0:43:25 | |
and have a go in the red chair, you can. | 0:43:25 | 0:43:27 | |
Contact us via our website at this address. | 0:43:27 | 0:43:29 | |
That's your lot. Thank you so much to my guests. | 0:43:29 | 0:43:31 | |
-Sheryl Crow, everybody! -CHEERING AND APPLAUSE | 0:43:31 | 0:43:34 | |
-Alan Davies! -CHEERING AND APPLAUSE | 0:43:34 | 0:43:37 | |
-Julianne Moore! -CHEERING AND APPLAUSE | 0:43:37 | 0:43:39 | |
-And Matthew McConaughey! -CHEERING AND APPLAUSE | 0:43:39 | 0:43:42 | |
I'll see you next week. Good night, everybody. Bye-bye! | 0:43:42 | 0:43:45 |