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This programme contains some strong language. My musical guest tonight | :00:00. | :00:11. | |
has had so many classics like... I remember when rock was young. Or? | :00:12. | :00:18. | |
I'm still standing, yeah, yeah, yeah. And the classic... Nants | :00:19. | :00:26. | |
ingonyama bagithi Baba! Let's start the show! | :00:27. | :00:44. | |
Oh! Oh! Good evening... CHEERING We are taping it. Welcome | :00:45. | :00:57. | |
all, welcome all. Can you tell who it is yet? Welcome another great | :00:58. | :01:02. | |
line-up for you tonight, the rocket man tonight, Sir Elton John is here! | :01:03. | :01:11. | |
CHEERING Yes! Acting royalty, Dame Judi Dench is on the show! | :01:12. | :01:18. | |
CHEERING Yeah! The brilliant comedian John Bishop will be joining | :01:19. | :01:23. | |
us. CHEERING And no, you haven't | :01:24. | :01:27. | |
switched on to BBC Two by mistake, Jeremy Paxman is on this show! | :01:28. | :01:37. | |
CHEERING Yes! I know! So, we've got a Knight and a Bishop. Almost enough | :01:38. | :01:42. | |
for a game of celebrity chess. All we need is a Queen. But we don't. | :01:43. | :01:52. | |
Elton is well known for his extravagant lifestyle, spending a | :01:53. | :01:56. | |
fortune on flowers. He has them all over the stage. Even a cactus on his | :01:57. | :02:05. | |
piano stool. That hurt. Elton won an Oscar for his song The Circle of | :02:06. | :02:10. | |
Life, not quite that version, he The Lion King, and the stage version, | :02:11. | :02:19. | |
fantastic, human act rs conveying Zazu the hornbill, Simba the lion | :02:20. | :02:24. | |
and, of course, Elton the duck! The costumes are stunning. Here he is in | :02:25. | :02:29. | |
another bird-inspired outfit. You look at that and you think, where | :02:30. | :02:34. | |
the hell did Elton get those feathers? Let's get some guests on! | :02:35. | :02:42. | |
CHEERING Later we'll be talking to Jeremy Paxman. But first it is John | :02:43. | :02:49. | |
Bishop! CHEERING | :02:50. | :02:58. | |
Hello Sir. You've got a tan. She's totally Dench, it is Dame Judi | :02:59. | :03:01. | |
Dench! CHEERING Lovely lady. Oh, God, we | :03:02. | :03:10. | |
nearly lost you. Sit down quickly. And for one night only, it is Sir | :03:11. | :03:17. | |
Elton John! CHEERING AND APPLAUSE | :03:18. | :03:23. | |
# Rocket man... # Have a seat. | :03:24. | :03:36. | |
CHEERING you picked a good night. How are you | :03:37. | :03:44. | |
all? Are you well? Very good. Very shiny, very show business. The last | :03:45. | :03:49. | |
time I saw you was at your white tie and tiara ball, and you were quite | :03:50. | :03:55. | |
poorly but didn't know it He a burst appendix. Were you using the doctor | :03:56. | :04:02. | |
from Downton? How can you miss a burst appendix? I don't know, but I | :04:03. | :04:08. | |
did nine shows and summer shows with a burst appendix. You are alright | :04:09. | :04:12. | |
now? Yes, but it was huge when it came out. I'm very lucky to be here. | :04:13. | :04:17. | |
And those parties are amazing. I've seen you at one of those Dame Judi | :04:18. | :04:23. | |
Dench. Yes. I had a ball. If you don't know, the white tie and tiara | :04:24. | :04:28. | |
parties that Elton throws every year to raise money for the Elton John | :04:29. | :04:33. | |
Aids Foundation. Anyone who is anyone is there. It is show business | :04:34. | :04:40. | |
wall to wall. LAUGHTER | :04:41. | :04:51. | |
I had a darts match. Judi, do you still go clubbing, do you still cut | :04:52. | :04:56. | |
a rub? I have never ever been to a club in my life. Judi Dench, you lie | :04:57. | :05:08. | |
like a rug. Do I? I bumped into you in Heaven. Oh yes you did! | :05:09. | :05:16. | |
CHEERING Absolutely true. Fag hag. They took | :05:17. | :05:25. | |
us in through the back door. Wouldn't they? ! | :05:26. | :05:34. | |
LAUGHTER Story of her life. That is the only time. Is that | :05:35. | :05:38. | |
really the only time? Yes. Did you not have a nice night? You looked | :05:39. | :05:42. | |
like you were having fun. Yes, I think I did. I'm gay and I've never | :05:43. | :05:49. | |
been to Heaven. Why were you there, gore God sake. That's a good | :05:50. | :05:57. | |
question too! And the answer is, you were there to see Cher. What? The | :05:58. | :06:08. | |
singer Cher? That's right! APPLAUSE Judi, later on... Don't ask | :06:09. | :06:12. | |
me any more questions. I will come to you later. Don't worry, I've got | :06:13. | :06:20. | |
all the answers. Now, I'm very excited, Sir Elton John, you are | :06:21. | :06:24. | |
performing for us tonight or are you teasing us with that piano? You are | :06:25. | :06:30. | |
going to be singing is Voyeur? Yes. And look at us old school, big | :06:31. | :06:33. | |
fabulous vinyl. It comes in Does, yes. This is the new album The | :06:34. | :06:41. | |
Diving Board and Voyeur is the second sing? After Home Again. This | :06:42. | :06:46. | |
is out now. It is a stunning album and everyone is saying it. It is the | :06:47. | :06:53. | |
best piano album since Winifred Attwell I think. High praise indeed. | :06:54. | :06:58. | |
This is your 31st studio album? Something like that. What's great is | :06:59. | :07:03. | |
listening to these songs, it is you and Bernie Taupin at the top of your | :07:04. | :07:09. | |
game. It's the most piano-orientated album I've made. I don't see the | :07:10. | :07:13. | |
point of making a record if you don't try to make better. I've been | :07:14. | :07:18. | |
making records since 1969. This one is one of my favourites. Because I | :07:19. | :07:23. | |
think we've come a step further. I'm singing better, I'm playing better. | :07:24. | :07:27. | |
It is a very relaxed album, so I'm very happy with it. I'm sure Judi | :07:28. | :07:32. | |
would say she goes into every part hoping to make a better performance | :07:33. | :07:37. | |
than the last one. There is no point carrying on otherwise. The record | :07:38. | :07:44. | |
company, who are here tonight, assholes! | :07:45. | :07:48. | |
CHEERING I don't mean, that they are a very | :07:49. | :07:53. | |
good record company. It shows when you are a proper star can call his | :07:54. | :08:02. | |
record company an castle. They want to make cover albums and Motown | :08:03. | :08:08. | |
albums but that's so silly. I leave that to Rod Stewart and people like | :08:09. | :08:11. | |
that. LAUGHTER Did I say that? Having said | :08:12. | :08:16. | |
that, his album is doing much better than mine. Assholees! You've | :08:17. | :08:25. | |
announced a tour. You are back on the road again. Where? Aren't you | :08:26. | :08:31. | |
touring in America? In America, not over here. Obviously you are | :08:32. | :08:37. | |
constantly on tour and performing but you are now a dad of two. | :08:38. | :08:43. | |
Congratulations to you. Thank you. CHEERING So now do, they come with | :08:44. | :08:48. | |
you? They come everywhere that I go. The thing is with kids up to four, | :08:49. | :08:52. | |
they are very portable and then they go to school. But at the moment | :08:53. | :08:57. | |
Zachary is three on Christmas Day and Elijah is one in January. | :08:58. | :09:01. | |
Zachary's been to Australia twice before he was two. He just walks out | :09:02. | :09:06. | |
of the hotel and goes, "The Opera House." They are like sponges. He's | :09:07. | :09:10. | |
been the China, Hong Kong, all over the place. They love it and they | :09:11. | :09:15. | |
travel. I love having them with me. Is this true about bath time | :09:16. | :09:20. | |
backstage? They come to the show backstage and we do tubby time at 6. | :09:21. | :09:26. | |
30, ever since they were born and have a story from daddy and Papa. | :09:27. | :09:30. | |
That's the ritual and they go back to hotel. And you go on stage. | :09:31. | :09:35. | |
Covered in bubbles. When Zachary does go to school next year, what's | :09:36. | :09:39. | |
going to happen? I'm going to take him on the first day of school and | :09:40. | :09:42. | |
I'm going to pick him up and make sure I'm around for when he goes to | :09:43. | :09:46. | |
school. It is very important. When you have children it is all about | :09:47. | :09:50. | |
them now, not about me, so my touring schedules and whole life | :09:51. | :09:53. | |
will change. It has to, it is about my children. I'm 66 now and I don't | :09:54. | :10:00. | |
have to tour... Really? Yes. Bingo right! It is about them. My life, | :10:01. | :10:05. | |
having the children has changed the way I think, changed my life | :10:06. | :10:09. | |
completely. I've never felt love like I have ever felt. There is not | :10:10. | :10:16. | |
a word in the dictionary that can describe the way you love your | :10:17. | :10:20. | |
children. It is impossible to describe how much you love your | :10:21. | :10:24. | |
children. Wow! That's lovely. APPLAUSE We hear a lot of stories, | :10:25. | :10:29. | |
you do like shopping, it is true. It is rumoured, yes. I like shopping. | :10:30. | :10:36. | |
Yes. I went to Melbourne. I think I got some sunglasses and some shoes. | :10:37. | :10:41. | |
What did you buy in Melbourne? I didn't buy anything. I flew in from | :10:42. | :10:45. | |
Sydney and flew back. You bought a tram. I did! Years ago. I thought | :10:46. | :10:51. | |
you meant the last visit. Keep up! I bought a tram in Melbourne, because | :10:52. | :10:55. | |
they were selling all the old beautiful trams to San Francisco. I | :10:56. | :10:59. | |
thought, I would have one of those. I paid 15,000 Australian dollars, | :11:00. | :11:05. | |
and it cost me 250,000 dollars to gets it to England. It was a | :11:06. | :11:09. | |
nightmare. Due still have it? Indeed. Where is it? In the garden, | :11:10. | :11:15. | |
of course! And the cheeky huggers who sent it over put the number on | :11:16. | :11:22. | |
it and it said 69. Beside you there, Dame Judi Dench, I've got the whole | :11:23. | :11:31. | |
anecdote here, I can give it to you. LAUGHTER I know exactly what you are | :11:32. | :11:37. | |
going to say. She's on it! Tell us. Quite a while ago, is it embroidery? | :11:38. | :11:43. | |
I used to do a lot of embroidery and make cushions. David Hare once said | :11:44. | :11:48. | |
to me, could you make me a cushion? Which has something very rude all | :11:49. | :11:54. | |
the way around it. A member of my family can come and stay and see the | :11:55. | :11:59. | |
cushion and never see the words. So I. Was it all the way around? A very | :12:00. | :12:12. | |
intricate design. I've done a lot. It said, "Fuck' em." Independent all | :12:13. | :12:20. | |
the way around. -- on it, all the way around. John, you must be | :12:21. | :12:25. | |
minting it now. You are doing the big Arena tours and the money is | :12:26. | :12:28. | |
cashing in. The kids are leaving the house. What's the most extravagant | :12:29. | :12:34. | |
thing you've bought so far? I bought an auction, a superlamb banana, | :12:35. | :12:42. | |
which is a... You haven't got one. Bingo! I've outshoped Elton. A | :12:43. | :12:53. | |
banana? A superlamb banana. John Bishop, you don't see the sort of | :12:54. | :12:58. | |
man who would buy that. No. What happened, when Liverpool was the | :12:59. | :13:02. | |
European capital of culture they had a raft of these around the city. | :13:03. | :13:07. | |
They went into a charity auction. I was at the charity auction. Because | :13:08. | :13:10. | |
at the time we were living in Manchester I wanted a piece of | :13:11. | :13:15. | |
Liverpool in our garden, so I bought a superlamb banana, and he to ensure | :13:16. | :13:20. | |
it. I had to phone the call centre in India and say I want to ensure a | :13:21. | :13:26. | |
superlamb banana. She said, what's one of them? I said it is like a | :13:27. | :13:33. | |
lamb with a banana and listen, whatever is in your head, that's | :13:34. | :13:39. | |
what it is. How much but pay for that? Seven grand I think. It is a | :13:40. | :13:45. | |
bar gain. Is it in the garden? Next to his tram! | :13:46. | :13:56. | |
APPLAUSE Now, very exciting week because not only has Sir Elton got a | :13:57. | :14:02. | |
fabulous new album, Dame Judi Dench has a really fantastic new film. It | :14:03. | :14:07. | |
is so good, I've seen it. You must be thrilled with this. The thing... | :14:08. | :14:14. | |
No? Well, I am. The thing I'm most thrilled about is because it is | :14:15. | :14:18. | |
about somebody who is alive, a very, very remarkable person, who we met. | :14:19. | :14:24. | |
The thing is that she's very pleased. That's actually the thing | :14:25. | :14:28. | |
I'm most pleased about, because when you are making a film about somebody | :14:29. | :14:32. | |
who is actually alive and present and near you and living and | :14:33. | :14:36. | |
breathing and other people know them and they have this remarkable story, | :14:37. | :14:41. | |
you have a huge responsibility to be very, very truthful and honest about | :14:42. | :14:47. | |
the story. She liked it. That was fine for me. The lady is called | :14:48. | :14:53. | |
Philomena and the movie is called Philomena. It opens in cinemas | :14:54. | :14:59. | |
tonight. It is a heart-breaking story, based in the Magdalene | :15:00. | :15:06. | |
laundries, the con investments She was pregnant, was taken in by the | :15:07. | :15:11. | |
nuns and had a son and the nuns sold the baby and she couldn't trace him. | :15:12. | :15:15. | |
I shouldn't tell you story. I won't tell you whole story. Already you | :15:16. | :15:21. | |
know that's a good film. I think Steve Coogan and Jeff Pope did a | :15:22. | :15:25. | |
brilliant job at making it very, very funny and then, oh, it is very | :15:26. | :15:32. | |
boo-who. The facts of the story, yes. We've got a clip of Philomena. | :15:33. | :15:35. | |
This is yourself and Steve Coogan when the search has taken you to | :15:36. | :15:43. | |
America. Martin? They've got omelettes over there. Pancakes, and | :15:44. | :15:49. | |
waffles. Anything. Career, bacon and sausage. Anything you want. I saw. | :15:50. | :15:54. | |
Breakfast is included isn't it? It is too early for me, my stomach | :15:55. | :15:59. | |
hasn't woken up yet. I'm having a ham and Swiss cheese omelette. Will | :16:00. | :16:04. | |
I get you one? No. What about blueberries. Coffee? No, thank you. | :16:05. | :16:13. | |
We have two buffets, hot and cold. I know, she just told me. We have | :16:14. | :16:18. | |
fresh pancakes. Thank you, we are trying to have a private | :16:19. | :16:23. | |
conversation. My apologies Sir. No need to be rude. She's a very nice | :16:24. | :16:29. | |
person. I'm sure she is one in a million or one in 100,000. What do | :16:30. | :16:33. | |
you mean? You said it to 10,000 people. It is just maths. You should | :16:34. | :16:39. | |
be mice to the people on the way up, you might meet them on the way down. | :16:40. | :16:42. | |
You of all people should understand that. | :16:43. | :16:45. | |
APPLAUSE The accent, very good accent. People | :16:46. | :16:50. | |
don't know, you have quite strong connections to Ireland. I had an | :16:51. | :16:55. | |
Irish mother and my father went to Ireland when he was three. All my | :16:56. | :17:02. | |
relations are there. When you were filming there were they crawling out | :17:03. | :17:08. | |
of the woodwork and say, yeah, I knew your mother. We filmed in | :17:09. | :17:17. | |
Rostrevor. We did a bit of getting in and out of a car. The man said, | :17:18. | :17:24. | |
you've a cousin here. You have, he's come to see you. They all turned up | :17:25. | :17:31. | |
that evening. I'm sorry I didn't go to other places in family. I have an | :17:32. | :17:35. | |
enormous family. In terms of accents, but always sing in your | :17:36. | :17:42. | |
American soul voice, did you ever try singing in English your own... | :17:43. | :17:52. | |
LAUGHTER lock off! CHEERING | :17:53. | :18:04. | |
I am a rocket man - it doesn't work Graham. I take your point. I have to | :18:05. | :18:17. | |
keep going. John Bishop, a Liverpool accent. Were you eight when you | :18:18. | :18:22. | |
figured out you had an accent? When I was ate I was in hospital. I fell | :18:23. | :18:27. | |
off a fence and I bruised my kidneys. I was taken to hospital | :18:28. | :18:31. | |
near Crewe. I didn't realise I was funny but all the nurses used to | :18:32. | :18:36. | |
come in in the morning and make me say the word chicken. They said do | :18:37. | :18:42. | |
you want your cornflakes with "chickken"? It is just one of those | :18:43. | :18:47. | |
words with a Scouse accents. People are laughing, all I said is | :18:48. | :18:52. | |
"chickken". I thought, that's good, so I tried to then develop a whole | :18:53. | :18:59. | |
career based around "chickken". To be honest it ended when I was | :19:00. | :19:03. | |
8-and-a-half. There isn't anything about John Bishop I don't know. | :19:04. | :19:13. | |
John's written a book. How Did All? This Happen? It is a very sweet | :19:14. | :19:19. | |
story about your first kiss. My first kiss. I think I was about 12 | :19:20. | :19:24. | |
or 13. It is different now, because as you will find with your kids, | :19:25. | :19:29. | |
teenage kids are exposed to stuff we weren't exposed to. The naughty | :19:30. | :19:33. | |
things we looked at was the underwear page in the catalogue. | :19:34. | :19:38. | |
This girl Jane I was going out with said, I've got a birthday present | :19:39. | :19:43. | |
for you. She went to give me a kiss and she French kissed me, which is a | :19:44. | :19:47. | |
lovely thing when you know what to expect. But when somebody sticks | :19:48. | :19:52. | |
their tongue down your mouth when you are not ready, I said, "What you | :19:53. | :20:02. | |
doing, you dirty cow! W!." APPLAUSE You are sitting here now | :20:03. | :20:07. | |
and enormous success, next year you are doing another big Arena tours, | :20:08. | :20:12. | |
Supersonic, all over the country. But look at him now, ladies and | :20:13. | :20:17. | |
gentlemen, the host of this year's Royal Variety Show. | :20:18. | :20:23. | |
APPLAUSE Yes! I've got to tell you about that. When we were growing up | :20:24. | :20:28. | |
that was the big show on telly, the build-up to the year. When they | :20:29. | :20:32. | |
phoned me and said, do you want to be the host of the royal variety? I | :20:33. | :20:37. | |
said, it would be a lovely thing for my mum and dad. I said, I've been | :20:38. | :20:43. | |
asked to do the Royal Variety Show, do you want to come? My dad said, | :20:44. | :20:52. | |
it's in London isn't it? Wasn't it in Manchester last year? This year | :20:53. | :20:56. | |
it is at the Palladium. Who are you getting? Prince Charles, are you | :20:57. | :21:00. | |
getting... Prince Charles is going to be there. Because you are friends | :21:01. | :21:07. | |
with royalty. Friends in a... Look at you, here you are with lovely | :21:08. | :21:12. | |
Kate. Is she pregnant in that picture? Listen, I don't want this | :21:13. | :21:18. | |
to change into Jeremy Kyle. Don't bring her on and have a DNA test. | :21:19. | :21:26. | |
Let's move on. I was doing a thing for Comic Relief and Kate is | :21:27. | :21:31. | |
involved with a fantastic charity that gets children to talk over | :21:32. | :21:34. | |
their problems. We were at a school in Manchester and they were planting | :21:35. | :21:39. | |
a tree. The Royals must be planting of -- must be sick of planting | :21:40. | :21:44. | |
trees. They had me stood next to me. She is seven months pregnant and she | :21:45. | :21:49. | |
is shovelling. I said, this is a set-up. I look like the laziest man | :21:50. | :21:55. | |
in the world. LAUGHTER Judi, is it true, I've | :21:56. | :21:59. | |
never asked you this before, the story about you and Ian McCel no-one | :22:00. | :22:05. | |
Buckingham Palace? It is true. It is true. A big party for Shakespeare's, | :22:06. | :22:13. | |
one of his birthdays. A big one. Yes, and we -ly remember this story? | :22:14. | :22:22. | |
I hope so. I can't help you with this one. I just know something | :22:23. | :22:28. | |
happened. Yes, um... Make it up. I think, I can't remember what we were | :22:29. | :22:34. | |
doing but I remember we... What were we doing the two of us? We went into | :22:35. | :22:39. | |
a room, beside the room where we were to change and things. And we | :22:40. | :22:45. | |
were feeling around in the dark. What were you doing? What were we | :22:46. | :22:51. | |
doing? He's away in America, sow can't ask him. Playing sardines? I | :22:52. | :22:58. | |
don't know. Anyway, he suddenly felt something. He said, "Good grief, | :22:59. | :23:04. | |
this is a very high chair." He looked at the back and there was a | :23:05. | :23:08. | |
great big back. I think we were sitting on a throne. What we were | :23:09. | :23:16. | |
doing there, I can't remember. Is security in Buckingham Palace must | :23:17. | :23:21. | |
be terrible. Everyone who's been there says, "And then we snuck into | :23:22. | :23:25. | |
another room and we spilled some plates." Famously you were close to | :23:26. | :23:29. | |
princess dinena. Even before, that I think you play Prince Andrew's 21st? | :23:30. | :23:40. | |
Yes. At Windsor Castle. That was a very nervy experience, because Ray | :23:41. | :23:48. | |
Cooper my percussion player played and the chairs were gold and they | :23:49. | :23:52. | |
filled up. I came down and changed. I was in a ballroom with a band. | :23:53. | :24:00. | |
Diana Spencer, she wasn't Prince Charles' wife then. She said, do you | :24:01. | :24:05. | |
want to dance? I couldn't dance anyway and we did a f August, x | :24:06. | :24:12. | |
Charleston. Princess Anne said, shall we go to the disco? It was the | :24:13. | :24:18. | |
quietest disco. I was born in a council house, this is very surreal, | :24:19. | :24:22. | |
and the Queen came in and said, "Can we join you?" I was wanting to say, | :24:23. | :24:36. | |
"No, lock off." They segued into Bill Hayley rock around the clock. | :24:37. | :24:39. | |
The Queen is going like... And it was one of the most, to that point, | :24:40. | :24:44. | |
surreal moments of my life. After being born in a council house in | :24:45. | :24:49. | |
Pinner, you think, and remembering rock around the clock, the odds of | :24:50. | :24:55. | |
you dancing with the Queen at Windsor Castle are very, very long | :24:56. | :25:00. | |
at that point. APPLAUSE OK. It is time to bring on | :25:01. | :25:05. | |
my final guest. I'm guessing Newsnight has just finished, because | :25:06. | :25:09. | |
the grand inquisitor himself is here, please welcome Jeremy Paxman! | :25:10. | :25:17. | |
CHEERING Shove done one. Hello Sir. How are you? Very nice to see you. | :25:18. | :25:25. | |
Have you met everyone? I melt Elton just before-hand. I have met Judi | :25:26. | :25:32. | |
before. We did a carol service together. You've got a terribly good | :25:33. | :25:40. | |
memory. We haven't noticed! Jeremy Paxman, even I know this is a stupid | :25:41. | :25:44. | |
question, but we've got to talk about it. I've made a living out of | :25:45. | :25:48. | |
stupid questions. The beard. You must have known it was going to | :25:49. | :25:53. | |
cause a fuss. No, actually I was rather stupid. I didn't. We've been | :25:54. | :25:57. | |
on holiday in the summer and I came back. The flight had been delayed 24 | :25:58. | :26:01. | |
hours and I had to go into the office the next day. I was standing | :26:02. | :26:05. | |
in front of the mirror about to shave, and I thought, no, why should | :26:06. | :26:11. | |
I? I kept it. I had reckoned without the silly season. There was nothing | :26:12. | :26:16. | |
else to write about apart from Simon Cowell's baby and fracking. It was a | :26:17. | :26:23. | |
no-brainer. I like the idea of you, becausen an insight into you looking | :26:24. | :26:28. | |
into the mirror and going, looking good, Paxman. I wasn't. I was | :26:29. | :26:33. | |
thinking, how do you take a beard off? You have got to cut it first. | :26:34. | :26:38. | |
That's not good. No. It is awful. You are not here tonight as an | :26:39. | :26:42. | |
interviewer or a presenter but as an author. You have a new book out, | :26:43. | :26:49. | |
Jeremy Paxman, Great Britain's Great War. The worry is that you think it | :26:50. | :26:53. | |
is going to be dry, pure history. But you do have a personal | :26:54. | :26:58. | |
connection to the First World War. Yeah, my great-uncle Charlie was one | :26:59. | :27:03. | |
of those many thousand thousands of men who signed up in late 1914. I | :27:04. | :27:10. | |
grew up with this photograph on the wall. This photo showed him and | :27:11. | :27:17. | |
seven other young men, arms around each other, standing on a newly tar | :27:18. | :27:24. | |
ed road. Within about five months of the photograph being taken, he was | :27:25. | :27:28. | |
dead. He was dead at Gallipoli, which was an operation in 1915 to | :27:29. | :27:33. | |
try to relieve pressure on the Western Front. I just started | :27:34. | :27:37. | |
thinking then, this is a very big event, the 100th anniversary, which | :27:38. | :27:43. | |
is coming up next year, that has now slipped from family memory to | :27:44. | :27:48. | |
history. We are obviously going to have to think next year about what | :27:49. | :27:54. | |
we do to commemorate this event, but I thought, I suddenly realised I | :27:55. | :27:59. | |
didn't really know. I was seeing it through the prejudice really of the | :28:00. | :28:06. | |
1960s. 1960s, over what a lovely war and then blacked aer in the 1980s. | :28:07. | :28:11. | |
The famous scene where right towards the end General medical chit -- | :28:12. | :28:22. | |
Melchett says to Blackadder going over the top, "I'll will right | :28:23. | :28:29. | |
behind." And Blackadder mutters, "Yes, about 35 miles behind." It | :28:30. | :28:35. | |
reflects the view of the First World War that all the generals were | :28:36. | :28:40. | |
behind the line, and they were, for good reasons, and that the people | :28:41. | :28:44. | |
were slaughtered by the generals, which is not true. What general sets | :28:45. | :28:49. | |
out to lose a battle? I thought it was time to re-examine it. In | :28:50. | :28:54. | |
history 1 years is a short time but in personal memory it is a long | :28:55. | :28:58. | |
space of time. I know the BBC are doing a lot. You are doing a series? | :28:59. | :29:02. | |
A television series goes with it next year. But I helicoptered | :29:03. | :29:06. | |
critical of comments that David Cameron made about the -- but I | :29:07. | :29:12. | |
heard that you were critical of comments that David Cameron made? | :29:13. | :29:17. | |
When he was told millions of pounds would be spent marking this | :29:18. | :29:22. | |
anniversary, he compared it with the celebrations for the Diamond | :29:23. | :29:26. | |
Jubilee, and people get the idea that this is going to be celebrated. | :29:27. | :29:33. | |
Only a complete idiot would think this is going this calamity is going | :29:34. | :29:39. | |
to be celebrated. Millions of people were wounded mentally and | :29:40. | :29:43. | |
physically. No-one would celebrate that. It was Cameron's clumsy use of | :29:44. | :29:49. | |
language. They don't represent normal people. You shouldn't be a | :29:50. | :29:54. | |
politician until you've had at least one job. | :29:55. | :30:02. | |
APPLAUSE I their that prejudice. I think you should have done something | :30:03. | :30:06. | |
in the world before you put yourself in a position where you are making | :30:07. | :30:09. | |
judgments that affect the lives of all of us. I do think that. I had to | :30:10. | :30:15. | |
interview Russell Brand the other day. He was banging on about how | :30:16. | :30:19. | |
people are really disenchanted with politics. I think he's right. I | :30:20. | :30:23. | |
disagree with him about all sorts of things but I think he is absolutely | :30:24. | :30:28. | |
right. People are completely fed up with posturing politicians. And they | :30:29. | :30:31. | |
realise that the public are way ahead of politicians. They realise | :30:32. | :30:37. | |
we have loads of really difficult intractable problems. These people | :30:38. | :30:41. | |
come along and make us promises saying that they can definitely | :30:42. | :30:45. | |
solve them themselves, there is only two ways of looking at this, their | :30:46. | :30:49. | |
way, and their opponent is wrong, and they are going to solve this | :30:50. | :30:56. | |
thing. It's rubbish. CHEERING People are wise. They | :30:57. | :31:00. | |
understand how difficult it is. Can I just ask. Go on. I've always | :31:01. | :31:05. | |
wanted to ask you this. When you are interviewing a politician, is there | :31:06. | :31:10. | |
any point where you want to say, God you're a dickhead, shut up. When we | :31:11. | :31:15. | |
are at home, we are thinking, we've heard this before. It does flash | :31:16. | :31:21. | |
through your mind casually, yes! Elton and Judi, you must have been | :31:22. | :31:26. | |
interviewed a gazillion times. What are the things that people ask you | :31:27. | :31:31. | |
and you think, oh, God. Everything you've asked me tonight. | :31:32. | :31:45. | |
LAUGHTER They were odd questions. We must celebrate your fabulous work on | :31:46. | :31:52. | |
University Challenge. You are the longest serving is question master. | :31:53. | :31:58. | |
That's a very old photo. I had brown hair in those days. And now you've | :31:59. | :32:03. | |
got a beard. Nice of you to mention it - again! You grew it! | :32:04. | :32:12. | |
APPLAUSE I've got some questions, University | :32:13. | :32:19. | |
Challenge questions. If you sit in that chair. I'll sit here. | :32:20. | :32:33. | |
CHEERING What is wonderful is that I watch it regularly, because I love | :32:34. | :32:37. | |
it so much. What I long to bet on each week is the drinker. There is | :32:38. | :32:41. | |
always somebody who is very, very clever and the moment they say this | :32:42. | :32:46. | |
unbelievably clever answer, they go... | :32:47. | :32:56. | |
CHEERING Completely by chance, there are four of you sitting on the sofa, | :32:57. | :33:01. | |
and so you can settle down and be asked. Has anyone got a scarf? Or a | :33:02. | :33:13. | |
Teddy bear. Want to be the trendy one. I've got The Lion King | :33:14. | :33:22. | |
somewhere. You'll get it back. A mascot. | :33:23. | :33:28. | |
You can't do anything without a mascot. I want to be the mysterious | :33:29. | :33:34. | |
one who writes poetry and never gets laid. | :33:35. | :33:38. | |
APPLAUSE Fingers on buzzers. Who on the sofa | :33:39. | :33:47. | |
tonight suffers from scoleciphobia? Various poll Technics, Bishop. | :33:48. | :33:51. | |
Probably everyone. Due know what it is? No. Scotsphobia? No. It is you. | :33:52. | :34:02. | |
Why is it me? Because I can't remember anything? | :34:03. | :34:07. | |
APPLAUSE It is a fear of worms, Judi. I don't even like to say the | :34:08. | :34:17. | |
word. Worms, worms, worms, worms. You are frightened of worms? One | :34:18. | :34:24. | |
jumped inside my sandal when I was a little girl in wet weather... | :34:25. | :34:29. | |
Jumped? Yes. Are you sure it was a worm? | :34:30. | :34:33. | |
LAUGHTER And you've been scared of worms ever since? You can just walk | :34:34. | :34:39. | |
away from them, you know. They are very quick, the worms in her garden. | :34:40. | :34:43. | |
Next question. Who on the sofa tonight keeps two elephants in ne'er | :34:44. | :34:50. | |
back garden? School of hard no, John. Me? Yes. There are two stone | :34:51. | :34:59. | |
ones, not real ones. That's hilarious. It is probably John isn't | :35:00. | :35:12. | |
it? If he's got a banana... I love it you have so much in common. You | :35:13. | :35:19. | |
have got real ones? No, I've got the ones that were around London | :35:20. | :35:24. | |
auctioned for the Asian elephants. I've got a yellow one with white | :35:25. | :35:29. | |
dots and a bright yellow one that sits down. When you drive into our | :35:30. | :35:34. | |
drive there's a big yellow elephant looking at you. It is were than a | :35:35. | :35:40. | |
guard dog. The auction. It is a soft touch. He'll buy anything. | :35:41. | :35:47. | |
I came home with a tramp. A final question. Who on the sofa once got | :35:48. | :35:52. | |
their foreskin caught in a zip and was rescued by their grandmother? | :35:53. | :35:58. | |
Snore school of speech and drama - Dench. It It was then the biggest it | :35:59. | :36:05. | |
has ever been. It swelled with up to the most anonymous size and she had | :36:06. | :36:12. | |
to get it in a bowl of hot water. She is the only person I trusted to | :36:13. | :36:18. | |
do it. Since then it's been a huge disappointment. | :36:19. | :36:23. | |
APPLAUSE Well done! Thank you very much Jeremy. It is | :36:24. | :36:28. | |
music time. Sir Elton, if you want to go to the piano. | :36:29. | :36:32. | |
CHEERING AND APPLAUSE In a moment we'll have some stories | :36:33. | :36:38. | |
in the famous red chair but first performing Voyeur, it is Sir Elton | :36:39. | :36:41. | |
John! # Looking, looking back | :36:42. | :37:06. | |
# I'm trying to imagine this and that | :37:07. | :37:14. | |
# The mathematics making up the minds | :37:15. | :37:19. | |
# It is a prediction from the media to lines | :37:20. | :37:24. | |
# Watching, I'm watching you # A voyeur from a different point of | :37:25. | :37:28. | |
view # The solitary art that I've been | :37:29. | :37:35. | |
looking through # Committed to connecting me always | :37:36. | :37:41. | |
-- the old ways to the new # I see things from a curtain | :37:42. | :37:45. | |
blowing up against the rain # Through a crack in the door that | :37:46. | :37:49. | |
heals with pain # And through every gap that gives | :37:50. | :37:55. | |
away some secret in the dark # I come away with something to keep | :37:56. | :38:01. | |
you in my heart # | :38:02. | :38:20. | |
I'm searching and setting out to prove without a shadow of a doubt | :38:21. | :38:31. | |
# The age-old camera diction that's hovering about | :38:32. | :38:38. | |
# A whisper in the dark # | :38:39. | :38:45. | |
I'm wait ng, I'm wait g for # Tell-tail footsteps on the bedroom | :38:46. | :38:49. | |
floor # Broken-hearted lover simply | :38:50. | :38:58. | |
looking for # Release me from this dirty little | :38:59. | :39:01. | |
war # And I see things from the ceiling | :39:02. | :39:06. | |
of a hotel # From the satellite bouncing off | :39:07. | :39:11. | |
the Moon # And from every telescope | :39:12. | :39:16. | |
# Something is in the dark, I come away with something to keep you in | :39:17. | :39:20. | |
my heart # | :39:21. | :39:26. | |
to see things from the highest vantage point | :39:27. | :39:31. | |
# Through a hawk eye on the wind # And forever secret rendezvous | :39:32. | :39:37. | |
# Where illicit lovers park # I come away with something to keep | :39:38. | :39:49. | |
you in my heart # | :39:50. | :40:14. | |
CHEERING AND APPLAUSE Sir Elton John! Come back and join | :40:15. | :40:26. | |
us, Sir. Absolutely beautiful. Thank you so | :40:27. | :40:30. | |
much. Have a seat there with Jeremy. There | :40:31. | :40:40. | |
you go. Perfect. CHEERING | :40:41. | :40:47. | |
You make it look so easy. You've just been here chatting away and you | :40:48. | :40:52. | |
wander over there and do that. It is what I do darling. Just time for a | :40:53. | :40:57. | |
story in the red chair. Who be there. Hello? Hello. What's your | :40:58. | :41:03. | |
name? Amy. OK! LAUGHTER Where are you fro Amy? I'm | :41:04. | :41:08. | |
from really close to where Mr Bishop is from, but I live in London. OK. | :41:09. | :41:15. | |
What's your story, my dear. It is about my adoration for Elton John. | :41:16. | :41:20. | |
When Amy used to go by the name of Mrs John, because I loved him so | :41:21. | :41:27. | |
much. Raise your game a bit, girl. She's young. Off you go with your | :41:28. | :41:32. | |
story. When I was about nine we got tickets to see Sir Elton in concert | :41:33. | :41:38. | |
at Hammersmith Apollo. We were in the concert, 25 metres close to the | :41:39. | :41:43. | |
front, and Sir Elton said, "And this song is dedicated to David." I | :41:44. | :41:49. | |
looked at my mum and said, "Mummy, he's gay." And with that Sir Elton | :41:50. | :41:56. | |
said, "Yes, darling, I'm gay." And I cried so much, we had to leave. | :41:57. | :41:59. | |
LAUGHTER That's a very good story. You can | :42:00. | :42:07. | |
walk. I did not see where that story was | :42:08. | :42:12. | |
going. That was rather sweet wasn't it? What a way to come out, on | :42:13. | :42:16. | |
national television. I didn't know you were gay. | :42:17. | :42:27. | |
LAUGHTER You got a banana lamb! Who is sup next? Hello. Hi. What's your | :42:28. | :42:34. | |
name? Lucy. Does your story involve the things you're hold? Yes, it | :42:35. | :42:39. | |
does. I thought maybe they were some worry beads or something. | :42:40. | :42:42. | |
LAUGHTER Off Gow with your story, Lewisy. When I was little, my good | :42:43. | :42:49. | |
friend of my grandparents knitted me this hat. My... Sorry, "Good" | :42:50. | :42:57. | |
friends? LAUGHTER My parents told me that the | :42:58. | :43:02. | |
person who knighted it -- knitted it nitted the it while she was | :43:03. | :43:07. | |
performing in the National Theatre and in her dressing radio. I have | :43:08. | :43:13. | |
never met her but she is one of your guests. But Norman Smith that? Has | :43:14. | :43:24. | |
it got, "Lock them." All the way around? Well done everyone. If you | :43:25. | :43:29. | |
would like to have a good in the big red chair, you can. Contact us via | :43:30. | :43:36. | |
our website. Thank you so much to my guests tonight: Mr John Bishop! Dame | :43:37. | :43:46. | |
Judi Dench! Jeremy Paxman! CHEERING And Sir Elton John! | :43:47. | :43:53. | |
CHEERING Join me next week with comedian Greg Davies, Dot Cotton | :43:54. | :43:56. | |
herself, June Brown, Brit actor Jude Law, and the pop sensation that is | :43:57. | :44:00. | |
Lady Gaga. I'll see you then - goodnight! | :44:01. | :44:06. |