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IRISH ACCENT: Hello, hello, hello, hello, hello,! | 0:00:02 | 0:00:04 | |
It's Graham Norton here. We have a fantastic show for you tonight. | 0:00:04 | 0:00:08 | |
We've got stars packed to the gills. That's what it says here anyway... | 0:00:08 | 0:00:13 | |
APPLAUSE | 0:00:13 | 0:00:15 | |
Anyway... | 0:00:15 | 0:00:17 | |
On tonight's show, I will be mainly drinking wine, | 0:00:17 | 0:00:22 | |
bouncing on the sofa and making noises like this. | 0:00:22 | 0:00:25 | |
Eughhhhhhh! | 0:00:25 | 0:00:28 | |
And rushing into the audience like this. Wahhhh" | 0:00:28 | 0:00:31 | |
APPLAUSE So, let's start the show! | 0:00:31 | 0:00:34 | |
Hello! Hello! Hello! Hello! | 0:00:46 | 0:00:51 | |
Hello! Hello! Thank you very much. Hello! Hello, everybody! Hello. | 0:00:51 | 0:00:58 | |
Oh, I've never heard an audience like it, absolutely marvellous. | 0:00:58 | 0:01:01 | |
Welcome all, something for everyone on the sofa tonight. | 0:01:01 | 0:01:04 | |
We have the Incredible Hulk himself, Mark Ruffalo is here, | 0:01:04 | 0:01:08 | |
ladies and gentlemen. | 0:01:08 | 0:01:09 | |
CHEERING | 0:01:09 | 0:01:11 | |
Actress, presenter and judge, Amanda Holden is on the show. Yes, she is. | 0:01:11 | 0:01:18 | |
Tony Blair, Brian Clough and David Frost are all rolled into one, | 0:01:18 | 0:01:22 | |
Mr Michael Sheen is here. Yes. | 0:01:22 | 0:01:27 | |
Plus we've got music from the brilliant Ed Sheeran, everybody. | 0:01:27 | 0:01:32 | |
I know, Ed Sheeran, there! | 0:01:32 | 0:01:34 | |
Over there, playing the guitar and everything. | 0:01:34 | 0:01:38 | |
Very good. Now, of course, | 0:01:38 | 0:01:40 | |
I'll be chatting to Mark Ruffalo about playing the Incredible Hulk. | 0:01:40 | 0:01:44 | |
Now, the Hulk is just one of many Marvel superheroes. | 0:01:44 | 0:01:48 | |
There's Captain America, the Thing and perhaps my favourite, | 0:01:48 | 0:01:52 | |
the Silver Surfer. Yeah. | 0:01:52 | 0:01:55 | |
"Dear Nigerian prince, here are my bank details..." | 0:01:55 | 0:02:01 | |
There's a woman in the audience going, "Really? I sent them." | 0:02:01 | 0:02:05 | |
Now, Amanda Holden, she always looks fantastic, she really does. | 0:02:05 | 0:02:09 | |
But, apparently recently she considered a breast enhancement. | 0:02:09 | 0:02:12 | |
Yeah. The thing is, what size to go for. | 0:02:12 | 0:02:16 | |
Maybe? | 0:02:16 | 0:02:18 | |
Not sure... | 0:02:18 | 0:02:20 | |
Bingo! | 0:02:20 | 0:02:22 | |
I'll be talking to Amanda about | 0:02:23 | 0:02:25 | |
the latest series of Britain's Got Talent. | 0:02:25 | 0:02:28 | |
Now, my favourite has to be the 79-year-old dancer Paddy | 0:02:28 | 0:02:32 | |
and her partner, Nico. Love them. | 0:02:32 | 0:02:35 | |
And I tell you, they're in here somewhere. Where are they now? | 0:02:35 | 0:02:38 | |
There they are! Look at Paddy and Nico! | 0:02:38 | 0:02:42 | |
Now, it's lovely to see Paddy, | 0:02:42 | 0:02:45 | |
it's lovely to see Paddy because there was a big scare | 0:02:45 | 0:02:49 | |
when she suffered from cracked ribs. | 0:02:49 | 0:02:52 | |
How does that happen just through dancing? | 0:02:52 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:57 | |
Like that. | 0:02:57 | 0:02:59 | |
Paddy, honest to God, I haven't seen anything like that | 0:02:59 | 0:03:02 | |
since I watched that Panorama documentary on care homes. | 0:03:02 | 0:03:06 | |
-I mean that's... -LAUGHTER | 0:03:06 | 0:03:08 | |
It's shocking. Are you all right now, Paddy? | 0:03:08 | 0:03:11 | |
I'm better. I'm not completely right but I am a lot better. | 0:03:11 | 0:03:15 | |
I love it, "Not completely right!" | 0:03:15 | 0:03:17 | |
Not sure you were completely right before! | 0:03:17 | 0:03:20 | |
Listen, good luck. Good luck, Paddy. Very good. | 0:03:20 | 0:03:23 | |
I'll be chatting to Michael Sheen | 0:03:26 | 0:03:28 | |
about the all-star charity football match, Soccer Aid. | 0:03:28 | 0:03:32 | |
Honestly, I think it's fair to say that | 0:03:32 | 0:03:35 | |
I am as excited about Soccer Aid as I am about the World Cup. | 0:03:35 | 0:03:39 | |
LAUGHTER | 0:03:39 | 0:03:41 | |
No, no, really I am. It should be spectacular. | 0:03:41 | 0:03:44 | |
You know, all the hi tech stadiums... | 0:03:44 | 0:03:47 | |
LAUGHTER | 0:03:47 | 0:03:49 | |
Sexy fans in bikinis... | 0:03:49 | 0:03:51 | |
LAUGHTER | 0:03:51 | 0:03:52 | |
And excited youngsters in the crowd. | 0:03:52 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:57 | |
The England team, we feel for them. | 0:03:57 | 0:04:00 | |
There are going to be playing in 90 degree heat | 0:04:00 | 0:04:03 | |
and experts predict they'll lose up to five litres in sweat. | 0:04:03 | 0:04:08 | |
I know! | 0:04:08 | 0:04:09 | |
This is what Steven Gerrard will look like before the game. | 0:04:09 | 0:04:13 | |
And here he is afterwards. | 0:04:13 | 0:04:15 | |
LAUGHTER | 0:04:15 | 0:04:16 | |
OK, let's get some guests on. | 0:04:16 | 0:04:19 | |
Later we'll be having music from Ed Sheeran. | 0:04:19 | 0:04:22 | |
But first, he always gives a blinding performance, | 0:04:22 | 0:04:25 | |
it's Mr Michael Sheen. | 0:04:25 | 0:04:28 | |
Hello, sir. You've come to me! You've come to me! Have a seat. | 0:04:28 | 0:04:32 | |
-Thank you. Thank you very much. -Let's have a seat. Michael Sheen! | 0:04:32 | 0:04:36 | |
We've got talent - it's Amanda Holden! | 0:04:36 | 0:04:40 | |
Wow! How pretty do you look? | 0:04:40 | 0:04:42 | |
Hello. Sit yourself down. | 0:04:42 | 0:04:46 | |
And you'll even like him when he's angry, it's Mark Ruffalo. | 0:04:46 | 0:04:51 | |
Hello, sir. Have a seat. Have a seat. Have a seat. | 0:04:51 | 0:04:56 | |
Oh, what a lovely welcome. I've never known an audience like them. | 0:05:00 | 0:05:04 | |
LAUGHTER | 0:05:04 | 0:05:06 | |
They're fabulous. Now, welcome all. | 0:05:06 | 0:05:09 | |
Now, I have to say, you look at my couch | 0:05:09 | 0:05:12 | |
and you don't immediately think "sporty", | 0:05:12 | 0:05:14 | |
but I'm here to tell you... No, seriously! | 0:05:14 | 0:05:17 | |
-How dare you! -Dare you! | 0:05:17 | 0:05:19 | |
I said "immediately!" | 0:05:19 | 0:05:21 | |
This has got a nice bounce to it. | 0:05:21 | 0:05:23 | |
So, Mark Ruffalo, before you were an actor, | 0:05:23 | 0:05:28 | |
you were a professional wrestler or going to be a professional wrestler? | 0:05:28 | 0:05:31 | |
-No, I was... -Or were you just in porn? | 0:05:31 | 0:05:34 | |
LAUGHTER | 0:05:34 | 0:05:36 | |
Yeah, "wrestling." "Wrestling." | 0:05:36 | 0:05:39 | |
Oh, "sport!" | 0:05:39 | 0:05:41 | |
I was a high school wrestler. | 0:05:41 | 0:05:43 | |
I love the reason you stopped doing it - | 0:05:43 | 0:05:45 | |
because you were very good at it, weren't you? | 0:05:45 | 0:05:47 | |
-I was pretty good, yeah. -But you stopped because...? | 0:05:47 | 0:05:51 | |
Well, I saw the drama department and they were wrestling | 0:05:51 | 0:05:54 | |
but there was like, they were just laying in a heap of people | 0:05:54 | 0:05:58 | |
-and there was... -Orgies, we did that at drama school. | 0:05:58 | 0:06:01 | |
.. many more girls than guys. | 0:06:01 | 0:06:03 | |
And I was like, "That's like wrestling, except you don't get hurt | 0:06:03 | 0:06:08 | |
"and you don't have to cut 20lbs every season." | 0:06:08 | 0:06:11 | |
-That's good. -And it was soft. | 0:06:11 | 0:06:13 | |
And listen, talking of sport, Amanda Holden, you were a champion gymnast? | 0:06:13 | 0:06:19 | |
-Gymnastics. -Was it the Commonwealth Games you did? | 0:06:19 | 0:06:22 | |
-No, darling, nothing big like that. -Olympic trials? | 0:06:22 | 0:06:25 | |
-No, but I did for Hampshire. -Well, you can see my confusion. | 0:06:25 | 0:06:30 | |
-That's pretty big. -You can see my confusion. | 0:06:30 | 0:06:33 | |
-Hampshire and the Commonwealth Games... -Oh, come on. | 0:06:33 | 0:06:36 | |
-Olympics, hello? -Hampshire is part of the Commonwealth. | 0:06:36 | 0:06:39 | |
-They can't deny it. -It's part of it. | 0:06:39 | 0:06:41 | |
I know it's tried to leave several times. | 0:06:41 | 0:06:44 | |
No, we've got a picture of Amanda as a childhood gymnast. | 0:06:44 | 0:06:46 | |
This is incredibly impressive. | 0:06:46 | 0:06:48 | |
Is that both feet off the ground? | 0:06:48 | 0:06:50 | |
-Both feet off the ground! -Both feet. -Which one? | 0:06:50 | 0:06:53 | |
-Look at the hair - it's tragic! -No, you look adorable. | 0:06:53 | 0:06:57 | |
Can you still do stuff? Can you do a somersault? | 0:06:57 | 0:07:00 | |
-I can do the splits and things. -Well, you can't do the splits. | 0:07:00 | 0:07:03 | |
-I can do headstands and I can do... -Could you do a headstand? | 0:07:03 | 0:07:06 | |
-I'll do a headstand. -Are you seriously going to do a headstand? | 0:07:06 | 0:07:09 | |
CHEERING | 0:07:09 | 0:07:11 | |
-What do you need? What do you need? -I just need you to be on girl watch. | 0:07:11 | 0:07:16 | |
-OK. -I know that's not like you, Graham. | 0:07:16 | 0:07:18 | |
LAUGHTER | 0:07:18 | 0:07:21 | |
If you could just keep an eye on my girls, | 0:07:21 | 0:07:23 | |
because I didn't agree to get them out. | 0:07:23 | 0:07:25 | |
-They've got their own management. -Do you need a cushion or anything? | 0:07:25 | 0:07:28 | |
-A flat surface, baby. -That's all you need? -That's all you need. | 0:07:28 | 0:07:31 | |
-OK, where should I be? -I could do with a cushion. | 0:07:31 | 0:07:33 | |
LAUGHTER | 0:07:33 | 0:07:36 | |
Just wait there exactly like that and someone will bring a cushion. | 0:07:40 | 0:07:44 | |
I feel like we should hurry this along. OK, so I'll just stand here. | 0:07:44 | 0:07:49 | |
My make-up artist is going to kill me for messing up my hair. | 0:07:49 | 0:07:52 | |
I can't believe you're doing this. | 0:07:52 | 0:07:54 | |
CHEERING | 0:07:54 | 0:07:56 | |
Oh! Oh! Oh! Oh! | 0:07:56 | 0:07:58 | |
Wow! Wow! Wow! | 0:07:58 | 0:08:02 | |
You can come down now. You can come down now. | 0:08:04 | 0:08:08 | |
Are you staying there forever? | 0:08:08 | 0:08:10 | |
I'll come down. | 0:08:10 | 0:08:11 | |
CHEERS AND APPLAUSE | 0:08:11 | 0:08:14 | |
Wow! Wow! | 0:08:14 | 0:08:16 | |
-That's incredible! -I should fill in. | 0:08:16 | 0:08:19 | |
Shouldn't I? | 0:08:19 | 0:08:21 | |
-Sorry. -That was amazing! | 0:08:21 | 0:08:24 | |
-That is amazing! -If I have another gin and tonic, I'll do the splits. | 0:08:24 | 0:08:28 | |
I am wearing underwear, I'll just check. Yes, I am. | 0:08:28 | 0:08:31 | |
Gin and tonic for the lady. | 0:08:31 | 0:08:33 | |
Bravo! | 0:08:33 | 0:08:35 | |
-That's incredible! -All I can say is thank you. | 0:08:35 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:40 | |
APPLAUSE | 0:08:40 | 0:08:41 | |
Now, so, we've had the wrestling, we've had the gymnastics, | 0:08:41 | 0:08:45 | |
-but Michael Sheen... -I can't follow that! No, no! | 0:08:45 | 0:08:48 | |
No, because... You genuinely were going to be... | 0:08:48 | 0:08:52 | |
-You were scouted to be a professional footballer. -I was. | 0:08:52 | 0:08:55 | |
But when I was 12. I was very young. | 0:08:55 | 0:08:57 | |
-That's when they scout them, isn't it? -Still counts. | 0:08:57 | 0:08:59 | |
Yes, you're have... It's no good when you're 45, like I am now. | 0:08:59 | 0:09:02 | |
-I wouldn't make it very far. -But why didn't it happen? | 0:09:02 | 0:09:05 | |
It would have meant going to live in London when I was 12, | 0:09:05 | 0:09:08 | |
-and that's a bit young. -I don't know. Bedsit, it's all right. | 0:09:08 | 0:09:11 | |
Oyster card... | 0:09:11 | 0:09:13 | |
LAUGHTER | 0:09:13 | 0:09:15 | |
-You wanted to live in London. -I did want to. I didn't know that... | 0:09:15 | 0:09:19 | |
-I was on holiday in Pontins. -Of course. -With my family, | 0:09:19 | 0:09:22 | |
and one of the scouts for Arsenal at the time was | 0:09:22 | 0:09:25 | |
also on holiday in Pontins | 0:09:25 | 0:09:27 | |
and they're always organising things for the kids to do | 0:09:27 | 0:09:30 | |
and so they organised a football match and I took part in it. | 0:09:30 | 0:09:33 | |
Unbeknownst to me, the guy who was the scout for Arsenal, | 0:09:33 | 0:09:36 | |
-who was also Tony Adams' dad... -Mmm! -And Tony Adams was there. | 0:09:36 | 0:09:39 | |
He was only 15, I think, at the time. | 0:09:39 | 0:09:41 | |
And he sort of spotted me | 0:09:41 | 0:09:43 | |
and he decided to set up a match for me to take part in and then he went | 0:09:43 | 0:09:47 | |
up to my dad at the end, not me, and said, | 0:09:47 | 0:09:49 | |
"We'd like to offer him a place on the youth team." | 0:09:49 | 0:09:52 | |
And my dad said, "No." | 0:09:52 | 0:09:54 | |
I mean, that sounds cruel. And it was. | 0:09:54 | 0:09:58 | |
LAUGHTER | 0:09:58 | 0:09:59 | |
And then we got home from the holiday and I remember my mum | 0:09:59 | 0:10:02 | |
and dad had some friends round and they were in the living room | 0:10:02 | 0:10:05 | |
and they were talking and I was in the kitchen or something | 0:10:05 | 0:10:08 | |
and I overheard them talking. I heard my dad tell the story. | 0:10:08 | 0:10:12 | |
And to hear that I'd been offered the place, I was so excited, | 0:10:12 | 0:10:15 | |
but also to know that I hadn't... I couldn't do it. | 0:10:15 | 0:10:17 | |
-I was crestfallen. -Awful! | 0:10:17 | 0:10:19 | |
AUDIENCE: Aw! | 0:10:19 | 0:10:21 | |
-That was your first rejection. -My first... Well, if only! If only! LAUGHTER | 0:10:21 | 0:10:24 | |
That is... As a kid, you'd have been desperate to do that. | 0:10:24 | 0:10:27 | |
You would have been devastated! | 0:10:27 | 0:10:29 | |
-I think you're being very good about it. -I have been. | 0:10:29 | 0:10:32 | |
My dad's been dead now for some time. | 0:10:32 | 0:10:34 | |
LAUGHTER He hasn't. | 0:10:34 | 0:10:36 | |
He'll be on the phone now, "Michael! What are you saying?" | 0:10:36 | 0:10:40 | |
LAUGHTER | 0:10:40 | 0:10:41 | |
But he was... | 0:10:41 | 0:10:43 | |
My career would have been over a long time ago, instead of...tonight. | 0:10:43 | 0:10:47 | |
LAUGHTER | 0:10:47 | 0:10:49 | |
-You could have been loaded! Loaded! -I AM loaded! | 0:10:49 | 0:10:53 | |
So here's the thing. We can actually see you being brilliant at football. | 0:10:53 | 0:10:58 | |
Soccer Aid, this Sunday, on ITV, raising money for UNICEF. | 0:10:58 | 0:11:01 | |
And, Michael Sheen... | 0:11:01 | 0:11:03 | |
Look, he's even got a Kevin Keegan perm especially for it, look. | 0:11:03 | 0:11:06 | |
-LAUGHTER -It does look a bit perm-esque. | 0:11:06 | 0:11:09 | |
But you are the captain of the Rest Of The World. | 0:11:09 | 0:11:11 | |
Yeah, it's England versus the Rest Of The World. | 0:11:11 | 0:11:13 | |
Robbie Williams is captain of England | 0:11:13 | 0:11:15 | |
-and I'm captain of the Rest Of The World, which is a lot! -It is. | 0:11:15 | 0:11:19 | |
-LAUGHTER -I feel like you should win. | 0:11:19 | 0:11:22 | |
Well, yeah. Although... | 0:11:22 | 0:11:24 | |
The England team are always very strong, very strong, | 0:11:24 | 0:11:27 | |
they're always very good. | 0:11:27 | 0:11:28 | |
They all play together. They know each other very well. | 0:11:28 | 0:11:31 | |
Whereas my team are made up of people from | 0:11:31 | 0:11:33 | |
all over the world, don't know each other very well. | 0:11:33 | 0:11:36 | |
But there's a very strong Celtic bent to my team. | 0:11:36 | 0:11:40 | |
-AUDIENCE MEMBER: -Yay! -Thank you. There's... | 0:11:40 | 0:11:43 | |
LAUGHTER Thank you very much. | 0:11:43 | 0:11:44 | |
I don't know if that's about the Celtic-ness or the bent-ness! | 0:11:44 | 0:11:48 | |
-LAUGHTER Knowing the show... -They're excited about it. | 0:11:48 | 0:11:51 | |
Either way, they're excited. | 0:11:51 | 0:11:53 | |
But on my team, we've got people like James McAvoy, Gordon Ramsay... | 0:11:53 | 0:11:56 | |
-CHEERING -Wow! -Yes. Nicky Byrne from Westlife. -Wow! | 0:11:56 | 0:12:00 | |
YELP FROM AUDIENCE Thank you. | 0:12:00 | 0:12:02 | |
Patrick Kielty. All kinds of people. And then ex-pros. | 0:12:02 | 0:12:05 | |
We call them the Legends, like Alessandro Del Piero and... | 0:12:05 | 0:12:09 | |
WHOOPING AND APPLAUSE Jaap Stam and Clarence Seedorf. | 0:12:09 | 0:12:12 | |
-Amazing players. -That just sounds like a Countdown Conundrum to me. | 0:12:12 | 0:12:15 | |
LAUGHTER But we play at Old Trafford. | 0:12:15 | 0:12:18 | |
The match is next Sunday at eight o'clock | 0:12:18 | 0:12:21 | |
and it's in front of like 70,000 people. It doesn't matter... | 0:12:21 | 0:12:24 | |
Two years ago, Will Ferrell played on the team | 0:12:24 | 0:12:26 | |
and Mike Myers and people like that. | 0:12:26 | 0:12:28 | |
It doesn't matter how many millions your films have gone out to, | 0:12:28 | 0:12:31 | |
you're never in front of 70,000 people. | 0:12:31 | 0:12:33 | |
There's no feeling like it, walking out to that. | 0:12:33 | 0:12:36 | |
But it's all to raise money for UNICEF and it's a great occasion. | 0:12:36 | 0:12:39 | |
And what are the rules? How many Legends can you have? | 0:12:39 | 0:12:42 | |
You have four Legends in the team at any one time. But also, | 0:12:42 | 0:12:46 | |
the managers are proper professional managers. | 0:12:46 | 0:12:49 | |
So this year, our manager is Jose Mourinho. | 0:12:49 | 0:12:51 | |
I think I need to go down and do a headstand. | 0:12:51 | 0:12:54 | |
-Yeah, do it. -Immediately, for Jose. | 0:12:54 | 0:12:56 | |
I met him for the first time last night and I said, | 0:12:56 | 0:12:58 | |
"Thank you so much for doing this. It's amazing. | 0:12:58 | 0:13:01 | |
"Everyone's very excited about you doing this." | 0:13:01 | 0:13:04 | |
He said, "I only live around the corner, I had nothing else to do." | 0:13:04 | 0:13:08 | |
LAUGHTER AND APPLAUSE | 0:13:08 | 0:13:10 | |
Absolutely true. | 0:13:10 | 0:13:12 | |
Nice. Nice. | 0:13:12 | 0:13:14 | |
Now, we're particularly excited. | 0:13:14 | 0:13:16 | |
Mark Ruffalo, you found the time to be here. You are a busy creature. | 0:13:16 | 0:13:20 | |
-Are you filming The Avengers right now? -That's right. | 0:13:20 | 0:13:23 | |
-Not "right now", obviously. Unless this is in it! -A couple of hours ago. | 0:13:23 | 0:13:26 | |
-LAUGHTER -Are you filming it here? -Yeah, we're shooting at Shepperton. | 0:13:26 | 0:13:30 | |
Oh, right. OK. So are you back in your funny latex suit? | 0:13:30 | 0:13:34 | |
Yes. | 0:13:34 | 0:13:35 | |
-My man-cancelling suit. There it is. -LAUGHTER | 0:13:35 | 0:13:39 | |
WOLF WHISTLE Ooh, they're loving it! | 0:13:39 | 0:13:41 | |
LAUGHTER | 0:13:41 | 0:13:42 | |
No, cos there's a green one that people wear that looks worse | 0:13:42 | 0:13:45 | |
than that. That looks OK. | 0:13:45 | 0:13:47 | |
-..Yeah. -Is that because we're not seeing all of it? | 0:13:47 | 0:13:50 | |
No, you're not seeing all of it! It's man-cancelling, I call it. | 0:13:50 | 0:13:54 | |
It makes you look big where you want to look small | 0:13:54 | 0:13:58 | |
and makes you look small where you wished you looked big. | 0:13:58 | 0:14:01 | |
-LAUGHTER -It's a man-jammer! | 0:14:01 | 0:14:03 | |
-That sounds disgusting. -Sorry. | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:07 | |
The weird thing is, you would think, to play the Incredible Hulk, | 0:14:07 | 0:14:11 | |
-you'd have to bulk up, but they made you lose weight. -Yes, they said... | 0:14:11 | 0:14:16 | |
I was ready to get a trainer and nutritionist, | 0:14:16 | 0:14:19 | |
like all my fellow Avengers, and put on a lot of weight. | 0:14:19 | 0:14:23 | |
They said, "No, no. That's not what we have in mind for you. | 0:14:23 | 0:14:26 | |
"We want you to look as small and frail as possible, | 0:14:26 | 0:14:29 | |
so when you bulk up into the Hulk, we actually notice the difference." | 0:14:29 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:35 | |
The Hulk is pretty big. | 0:14:35 | 0:14:36 | |
And he's green. | 0:14:36 | 0:14:38 | |
-Yeah! -Hard not to notice! -How big WERE you? | 0:14:38 | 0:14:41 | |
-Boom-boom! -LAUGHTER | 0:14:41 | 0:14:43 | |
-Not that big. -Not that big. | 0:14:43 | 0:14:45 | |
-But you found it quite easy to lose the weight? -No! | 0:14:45 | 0:14:49 | |
-LAUGHTER -Is it easy losing weight? Ever? -AUDIENCE: No! | 0:14:49 | 0:14:53 | |
Michael Sheen, how much did you lose | 0:14:53 | 0:14:55 | |
when you were playing Kenneth Williams? | 0:14:55 | 0:14:56 | |
When I was getting ready | 0:14:56 | 0:14:58 | |
-to play Kenneth Williams, I lost 10lbs in a week. -Ooh! | 0:14:58 | 0:15:01 | |
And I don't recommend this, but on the cabbage soup diet. | 0:15:01 | 0:15:05 | |
Because the flatulence... | 0:15:05 | 0:15:07 | |
LAUGHTER ..is something awful! | 0:15:07 | 0:15:09 | |
I used to ride around on a scooter | 0:15:09 | 0:15:11 | |
at the time round London and I'd be practising... | 0:15:11 | 0:15:14 | |
-Were you powered by your flatulence? -LAUGHTER | 0:15:14 | 0:15:17 | |
I'd have the helmet on and I'd be practising the voice and I'd be in | 0:15:17 | 0:15:20 | |
character as I was riding round cos no-one could hear me, | 0:15:20 | 0:15:23 | |
I had my helmet on, and I'd be like, (AS KENNETH WILLIAMS): "Oh, yes... Mmm..." | 0:15:23 | 0:15:27 | |
And then I'd be farting terrible. | 0:15:27 | 0:15:29 | |
And the smell would be n my helmet. "Ooh!" | 0:15:29 | 0:15:32 | |
LAUGHTER | 0:15:32 | 0:15:34 | |
-Terrible! -Were you wearing a turtleneck? | 0:15:34 | 0:15:37 | |
LAUGHTER Cos you have to wear, like, warm clothes | 0:15:37 | 0:15:40 | |
and it comes up through the jacket. LAUGHTER | 0:15:40 | 0:15:42 | |
"Moo-argh!" LAUGHTER AND APPLAUSE | 0:15:42 | 0:15:46 | |
Now, in the Avengers movie, the Incredible Hulk, | 0:15:49 | 0:15:52 | |
people loved you as the Incredible Hulk, | 0:15:52 | 0:15:54 | |
you were kind of one of the big hits of that thing. | 0:15:54 | 0:15:57 | |
But when it was announced, people not | 0:15:57 | 0:16:00 | |
-so keen on Mark Ruffalo being the Incredible Hulk. -Not so much. | 0:16:00 | 0:16:03 | |
We can talk about this now, can't we? | 0:16:03 | 0:16:05 | |
At the time, I'm sure it wasn't very nice. | 0:16:05 | 0:16:07 | |
I think... I went to Comic Con and it was a big deal. Top secret. | 0:16:07 | 0:16:13 | |
They came and picked me up at my house. | 0:16:13 | 0:16:16 | |
I got a call from my agent the night before, saying, "Listen, look | 0:16:16 | 0:16:20 | |
"out your window at 5am, if there's a car there, you've got the part." | 0:16:20 | 0:16:26 | |
-If there's not, just go back to bed. -AMANDA GASPS | 0:16:26 | 0:16:29 | |
-Are you kidding me? -No, it was like down to the wire. -That is SO LA! | 0:16:29 | 0:16:33 | |
The last minute. And the car was there. | 0:16:33 | 0:16:35 | |
CHEERS | 0:16:35 | 0:16:38 | |
APPLAUSE | 0:16:38 | 0:16:41 | |
So they fly me, private jet, fly to | 0:16:41 | 0:16:44 | |
San Diego and all the Avengers come | 0:16:44 | 0:16:48 | |
out and they're going to introduce the new cast member, right? | 0:16:48 | 0:16:53 | |
And Robert Downey, my dear friend, introduces me as, | 0:16:53 | 0:16:57 | |
"And now, reprising the role of the Hulk..." | 0:16:57 | 0:17:01 | |
Now, "reprising", of course, means the guy who did it before! | 0:17:03 | 0:17:07 | |
-LAUGHTER -So they were waiting for Ed Norton. | 0:17:07 | 0:17:10 | |
And they went, "Ye-e-e-es!" And he went, "Mark Ruffalo!" | 0:17:10 | 0:17:14 | |
And they went, "Ye-e-e... What?!" | 0:17:14 | 0:17:17 | |
LAUGHTER | 0:17:17 | 0:17:19 | |
And it didn't go so well after that. | 0:17:21 | 0:17:22 | |
Are you sure he didn't live in the same building as you | 0:17:22 | 0:17:25 | |
and the car was actually for him? | 0:17:25 | 0:17:28 | |
I think that's probably it. | 0:17:28 | 0:17:31 | |
What a mistake! | 0:17:31 | 0:17:33 | |
Just a neighbour leaving for work. | 0:17:33 | 0:17:36 | |
LAUGHTER | 0:17:36 | 0:17:37 | |
For me? | 0:17:37 | 0:17:38 | |
-I can't get over... That's mad. -They're very particular... | 0:17:38 | 0:17:43 | |
But that is so cruel. | 0:17:43 | 0:17:44 | |
Amanda, you went to LA to do a kind of big bunch of auditions. | 0:17:44 | 0:17:48 | |
Oh, God, yes. | 0:17:48 | 0:17:50 | |
-High profile ones. -Big... Really exciting ones. | 0:17:50 | 0:17:53 | |
And ones with Quentin Tarantino and... | 0:17:53 | 0:17:57 | |
I think I was quite close to Anchorman. Really weird things. | 0:17:57 | 0:18:00 | |
But I always remember the funniest thing that my English-American | 0:18:00 | 0:18:03 | |
agent said. (UPWARD INTONATION): She's one of those people that talks like that? But she's British? | 0:18:03 | 0:18:08 | |
-LAUGHTER -And she said, "Darling, it went really well today." | 0:18:08 | 0:18:12 | |
And I was like, "Ooh!" She said, "The part...is 70% not yours." | 0:18:12 | 0:18:17 | |
-LAUGHTER -That's how they speak out there. | 0:18:17 | 0:18:20 | |
-Right? Don't they? -Yeah. -There's no yeses and no noes. | 0:18:20 | 0:18:23 | |
So I was like, "Well, that's 30%, like... That's crap. | 0:18:23 | 0:18:27 | |
"I clearly haven't got the job." | 0:18:27 | 0:18:28 | |
-You always get told, "You're in the mix." Like a bag of Haribo! -Yes! | 0:18:28 | 0:18:32 | |
-LAUGHTER You're in the mix! -Michael Sheen, you've never let | 0:18:32 | 0:18:36 | |
yourself down, have you, in an audition? | 0:18:36 | 0:18:38 | |
Many a time have I let myself down! | 0:18:38 | 0:18:40 | |
-At an audition? -Oh, at an audition? | 0:18:40 | 0:18:42 | |
Well, quite early on I had a big break where I got to go | 0:18:42 | 0:18:45 | |
and have an audition with the head of Paramount casting. | 0:18:45 | 0:18:48 | |
So the whole Paramount Studio, the head of casting. | 0:18:48 | 0:18:51 | |
-Wow! -And at the time, this was many years ago, | 0:18:51 | 0:18:53 | |
my daughter was only little then, and she'd had a bit of a stomach bug. | 0:18:53 | 0:18:57 | |
Her mother had a bit of a stomach bug as well. But I was fine. I was fine! | 0:18:57 | 0:19:00 | |
So I drove down to Paramount Studio, I'm sitting there in the waiting | 0:19:00 | 0:19:03 | |
room and thinking, "Ooh, I feel I might let myself down here." | 0:19:03 | 0:19:08 | |
And I went in. "In you come, Michael." And this is my big break. | 0:19:08 | 0:19:11 | |
And as she's talking to me, I'm thinking, in my head, | 0:19:11 | 0:19:14 | |
"I'm going to throw up any second." | 0:19:14 | 0:19:16 | |
I said, "I'm going to have to stop you there because I'm going to vomit." | 0:19:16 | 0:19:20 | |
And at that moment, I projectile vomited all over her office. | 0:19:20 | 0:19:24 | |
I'm running out of her office, into the waiting room, | 0:19:24 | 0:19:27 | |
vomiting over everyone. Into the bathroom, all over the bathroom. | 0:19:27 | 0:19:32 | |
And I'm cleaning up my own vomit on my knees. And that was my big break. | 0:19:32 | 0:19:36 | |
LAUGHTER AND APPLAUSE | 0:19:36 | 0:19:39 | |
Mark Ruffalo, your new movie couldn't be more different | 0:19:46 | 0:19:50 | |
from the Avengers, it's a really beautiful, indie musical, drama... | 0:19:50 | 0:19:54 | |
-Comedy drama? -Yeah, sure. | 0:19:54 | 0:19:56 | |
-Romance? -There's romance in it. Yeah, it's beautiful. | 0:19:56 | 0:19:59 | |
It's called Begin Again. It's out on the 11th of July. | 0:19:59 | 0:20:03 | |
It's yourself and Keira Knightley. So what can you tell us about it? | 0:20:03 | 0:20:07 | |
Well, it's these people struggling with their lives, | 0:20:07 | 0:20:10 | |
she's just kind of broke up with her boyfriend and he's estranged from | 0:20:10 | 0:20:15 | |
his wife and he's struggling...maybe a little bit of an alcohol problem. | 0:20:15 | 0:20:21 | |
Mm-hm. | 0:20:21 | 0:20:22 | |
-And... -LAUGHTER | 0:20:22 | 0:20:25 | |
-And he... -LAUGHTER | 0:20:25 | 0:20:29 | |
And he's kind of a music producer who is out on the skids | 0:20:29 | 0:20:35 | |
a little bit, the end of his career. | 0:20:35 | 0:20:37 | |
-It's made by John Carney, who made Once. -That's right. | 0:20:37 | 0:20:41 | |
It's not a sequel, but it's kind of... It could be. | 0:20:41 | 0:20:44 | |
It could be that same story but told in a slightly different way. | 0:20:44 | 0:20:48 | |
It's two people who are trying to come together. | 0:20:48 | 0:20:52 | |
You play a music producer | 0:20:52 | 0:20:54 | |
and you have this idea of making an album in the streets of New York. | 0:20:54 | 0:20:57 | |
We've got a clip. | 0:20:57 | 0:20:59 | |
This is you dealing with some of the difficulties of trying to | 0:20:59 | 0:21:02 | |
-make an album on the streets of New York. -Not easy. | 0:21:02 | 0:21:05 | |
Let me see this for a second. Hey. | 0:21:05 | 0:21:07 | |
Hey, listen, I'm shooting a song down here | 0:21:07 | 0:21:09 | |
-and I need you guys to be quiet for five minutes. -No. | 0:21:09 | 0:21:11 | |
-I'll pay you. -How much? -A buck. A buck each. | 0:21:11 | 0:21:13 | |
-Hey, you're funny, five dollars! -Five bucks for all of you guys. | 0:21:13 | 0:21:17 | |
-OK, two bucks? Two bucks each! -No! | 0:21:17 | 0:21:20 | |
All right, five bucks each. | 0:21:20 | 0:21:22 | |
Give us five bucks and five lollipops one for each of us. | 0:21:22 | 0:21:26 | |
And a box of cigarettes and lighters. | 0:21:26 | 0:21:28 | |
I'll give you one cigarette for each of you to smoke | 0:21:28 | 0:21:31 | |
and you share it, I'll give you a pack of matches. All right? | 0:21:31 | 0:21:34 | |
LAUGHTER AND APPLAUSE | 0:21:34 | 0:21:37 | |
-That was my son. -Sorry? -That was my son. -Which one? | 0:21:37 | 0:21:40 | |
The one who asked for the box of cigarettes. That's my son. | 0:21:40 | 0:21:44 | |
-Oh, there he is, the one at the back? -Yes. | 0:21:44 | 0:21:46 | |
-Aw! -Oh, cute! That's lovely. Was he paid? He was paid? | 0:21:46 | 0:21:49 | |
-Did you really give him a fag? -LAUGHTER | 0:21:49 | 0:21:53 | |
A fag, a cigarette. LAUGHTER | 0:21:53 | 0:21:56 | |
-Were some of those kids you found, or were they...? -Basically. | 0:21:56 | 0:22:00 | |
We were just sort of making it up as we went along and they were | 0:22:00 | 0:22:03 | |
out there, playing in the street, so we just brought them in. | 0:22:03 | 0:22:06 | |
Cos the way it's shot, it's kind of shot like... It is guerrilla style. | 0:22:06 | 0:22:10 | |
Is that what it was like? | 0:22:10 | 0:22:12 | |
Trying to shoot in New York is a little unruly. | 0:22:12 | 0:22:16 | |
And so yes, you can never really | 0:22:16 | 0:22:20 | |
ever stop a street or keep | 0:22:20 | 0:22:23 | |
people from walking into the shot or... | 0:22:23 | 0:22:27 | |
So, it's a little bit guerrilla style. | 0:22:27 | 0:22:30 | |
In terms of meeting the madness of the public, in that way, | 0:22:30 | 0:22:34 | |
-presumably when you do those big audition shows, Amanda... -Yes. | 0:22:34 | 0:22:37 | |
-..you have a team of security just keeping you away from them. -Well... | 0:22:37 | 0:22:40 | |
-Keeping ME away from them? -Yes. -LAUGHTER | 0:22:40 | 0:22:44 | |
We do now. | 0:22:44 | 0:22:45 | |
We never used to have any kind of security or bag checks or anything. | 0:22:45 | 0:22:49 | |
Simon just used to have this big man that we used to call Shrek, | 0:22:49 | 0:22:51 | |
cos he did look a bit like Shrek, but it was like a joke. | 0:22:51 | 0:22:54 | |
We used to say to Simon, "If anyone hurts you, that man can't run." | 0:22:54 | 0:22:59 | |
That's nothing. Nothing's happening. | 0:22:59 | 0:23:01 | |
And then, of course, there were all the eggs and things last year. | 0:23:01 | 0:23:04 | |
We were bombarded by eggs. But by a mad violinist. | 0:23:04 | 0:23:08 | |
She was in the orchestra and she suddenly threw eggs at him | 0:23:08 | 0:23:12 | |
and I got out of the way, obviously, cos I was thinking, | 0:23:12 | 0:23:14 | |
"My dress, my dress!" I was well out of the way. | 0:23:14 | 0:23:17 | |
And, er, he said, "I want to know the protest. What's the protest?" | 0:23:17 | 0:23:21 | |
That's all he could think about. But since then, security's been upped. | 0:23:21 | 0:23:24 | |
By the way, Simon, you know, the baby - has that genuinely changed him? | 0:23:24 | 0:23:29 | |
Yeah. I mean, I know you don't want to hear that. | 0:23:29 | 0:23:31 | |
-No, I'm just wondering. -He is... I think he's... | 0:23:31 | 0:23:35 | |
I think he always knew what love was but I don't know | 0:23:35 | 0:23:38 | |
if he ever felt it properly and I think now... | 0:23:38 | 0:23:41 | |
I think now he's got Lauren and Eric, I think that it. | 0:23:41 | 0:23:45 | |
He seems really content and very relaxed. | 0:23:45 | 0:23:48 | |
And his face - and I've said this before - his face has changed, | 0:23:48 | 0:23:51 | |
and no, it's not through plastic surgery or filler or anything else. | 0:23:51 | 0:23:54 | |
He's just...content, how you look when you're a father. | 0:23:54 | 0:23:57 | |
Look - content. | 0:23:57 | 0:23:59 | |
-Total contentment. -Content. -And happy. | 0:24:00 | 0:24:02 | |
I have a 15-year-old daughter. Total contentment! | 0:24:02 | 0:24:05 | |
-So chilled! -Not a care in the world! -So re-laxed! | 0:24:08 | 0:24:13 | |
No slamming doors in your house. | 0:24:13 | 0:24:15 | |
-No, nothing. -Now, here's the thing. | 0:24:15 | 0:24:18 | |
Britain's Got Talent final is tomorrow. Nico and Paddy up there. | 0:24:18 | 0:24:22 | |
-Yay! -Wherever they are. They're waving! They were... | 0:24:22 | 0:24:25 | |
Are you familiar with Amanda's golden buzzer? | 0:24:25 | 0:24:27 | |
-We haven't got that far. -No? -Not yet. | 0:24:29 | 0:24:32 | |
You don't know the show at all, I'm guessing. | 0:24:32 | 0:24:34 | |
-I don't know it very well, no. -Do you mean "at all"? -At all. | 0:24:34 | 0:24:37 | |
And Michael, have you been out of the country filming? | 0:24:37 | 0:24:41 | |
I've been away for a VERY long time. | 0:24:41 | 0:24:43 | |
-Have you seen any of it? -Of course. | 0:24:43 | 0:24:45 | |
Oh, good. Good, good, good. They'll win, right? They'll win? | 0:24:45 | 0:24:48 | |
-Well, I hope they'll win. -They will. | 0:24:48 | 0:24:50 | |
Obviously, I'm shamelessly promoting them | 0:24:50 | 0:24:53 | |
because I want the great British public to get behind them. | 0:24:53 | 0:24:56 | |
I just think they'd be... | 0:24:56 | 0:24:57 | |
I mean, we have got an extraordinary line-up. | 0:24:57 | 0:24:59 | |
Extraordinary. But I think they'd be amazing winners for our show | 0:24:59 | 0:25:03 | |
and I think the Royal Variety and the Queen would love them. | 0:25:03 | 0:25:06 | |
Look at that! | 0:25:06 | 0:25:08 | |
CHEERING AND APPLAUSE | 0:25:08 | 0:25:11 | |
Look at that! | 0:25:11 | 0:25:13 | |
I went to hospital after doing something like that. | 0:25:14 | 0:25:17 | |
Talking about the Royal Variety, | 0:25:17 | 0:25:19 | |
I think she might show up the Queen. Makes the Queen look lazy. | 0:25:19 | 0:25:22 | |
She stands for hours, I know. That was impressive till we saw Paddy. | 0:25:25 | 0:25:29 | |
-Yes! -Now we think, "Come on, Queen, up the game." | 0:25:29 | 0:25:32 | |
She would be stiff competition for Her Majesty. | 0:25:32 | 0:25:35 | |
One more rib and she's a cert, though. | 0:25:35 | 0:25:37 | |
Well, listen, it's on tomorrow night, seven o'clock, on ITV1. | 0:25:38 | 0:25:43 | |
-So to celebrate and to help you practice, a little bit... -Yes? | 0:25:43 | 0:25:47 | |
-..we do have some extraordinary talent here this evening. -Do we? | 0:25:47 | 0:25:50 | |
Yes, because... Michael, you do a thing... | 0:25:50 | 0:25:54 | |
Do you need a microphone for this? | 0:25:54 | 0:25:55 | |
-I don't. -You can just do this? -Yes. | 0:25:55 | 0:25:58 | |
-OK. -I went to RADA - I can project. | 0:25:58 | 0:26:00 | |
It's all from here, darling. | 0:26:00 | 0:26:02 | |
OK, so do you need to tell us what you're going to do? | 0:26:02 | 0:26:04 | |
Yes, I do because it's not very impressive. So if I tell you... | 0:26:04 | 0:26:07 | |
Can we start from the beginning? | 0:26:07 | 0:26:09 | |
-Yeah, I'll tell you before it. So it's... -So what's your dream? | 0:26:09 | 0:26:11 | |
Do you have anything wrong with you? | 0:26:13 | 0:26:15 | |
My dream is to be on a couch next to you. | 0:26:15 | 0:26:17 | |
-Aw! It's come true. -He's good. | 0:26:17 | 0:26:20 | |
-He's really good. -OK, so what are you going to do? | 0:26:20 | 0:26:22 | |
I discovered at the age of...17 - | 0:26:22 | 0:26:26 | |
don't ask me how - that I could... | 0:26:26 | 0:26:29 | |
This was before anyone did, like, beatboxing. | 0:26:29 | 0:26:32 | |
I don't know if anyone's familiar with the term "beatboxing". | 0:26:32 | 0:26:34 | |
But this is what some of the kids do, apparently. | 0:26:34 | 0:26:37 | |
But I didn't know about beatboxing at the time. | 0:26:37 | 0:26:39 | |
But I discovered that I could do the tune, the theme tune to Dallas. | 0:26:39 | 0:26:42 | |
-AMANDA GASPS -I'm ageing myself here. -I used to love Dallas! | 0:26:42 | 0:26:46 | |
The theme tune to Dallas... | 0:26:46 | 0:26:48 | |
And I could do the percussion bit of it and the theme at the same time. | 0:26:48 | 0:26:53 | |
-This is SO exciting! -Are you ready for this? | 0:26:53 | 0:26:56 | |
-The build-up has been extraordinary. -I know! | 0:26:56 | 0:26:58 | |
There is a real excitement in the room. | 0:26:58 | 0:27:01 | |
-There's a lot of anticipation. -OK. -OK, OK. -OK, here we go. | 0:27:01 | 0:27:05 | |
HE BEATBOXES AND HUMS "DALLAS" THEME | 0:27:07 | 0:27:10 | |
-Wow! -CHEERING AND APPLAUSE | 0:27:17 | 0:27:20 | |
That was very good. | 0:27:20 | 0:27:21 | |
-I'm going to give you the golden buzzer. -The golden pineapple! | 0:27:23 | 0:27:27 | |
-The golden pineapple. -He's going through. | 0:27:27 | 0:27:30 | |
You're SO through to the next round. | 0:27:30 | 0:27:32 | |
I'm hoping that tomorrow morning, there's a car outside. | 0:27:32 | 0:27:35 | |
Now, that is, Michael, but, you know what? Mark Ruffalo... | 0:27:37 | 0:27:40 | |
Mark Ruffalo... I think with a fair wind behind him, he might... | 0:27:40 | 0:27:44 | |
I thought HE was the one with the fair wind behind him. | 0:27:44 | 0:27:48 | |
No, his isn't a FAIR wind. His is a foul wind. | 0:27:49 | 0:27:52 | |
So this is a skill you learned as a child. | 0:27:53 | 0:27:56 | |
-Er, yeah, 12. -12? | 0:27:56 | 0:27:59 | |
-Same time he was... -Is this allowed to be on television? -Yes, it is. -OK. | 0:27:59 | 0:28:03 | |
-So, er, we've... -I'm sorry. And you've hurt your arm and everything. | 0:28:03 | 0:28:07 | |
-Yeah, but this is circus skills. -Yes. | 0:28:07 | 0:28:10 | |
I know that sounds really lame but this is good. | 0:28:10 | 0:28:13 | |
Circus skills - people go, "Ugh". But this is good, this is good. | 0:28:13 | 0:28:16 | |
-I don't know. -Well, we've got the unicycle for you. It's a unicycle. | 0:28:16 | 0:28:20 | |
-OK, so come over here. Come over here. -This is good! | 0:28:20 | 0:28:22 | |
-I haven't done this in a long time, Graham. -OK. So now, do you... | 0:28:22 | 0:28:27 | |
I was only joking when I said I was going to try this. | 0:28:27 | 0:28:30 | |
I saw this this afternoon. | 0:28:30 | 0:28:32 | |
What I love about this unicycle is, it's got reflectors on the... | 0:28:32 | 0:28:35 | |
Like you're going to go down the street, like you're going to work. | 0:28:35 | 0:28:39 | |
The other incredible thing about it is, it has just one wheel. | 0:28:39 | 0:28:42 | |
-You weren't expecting THAT! -No. -So, is there a back and front to this? | 0:28:44 | 0:28:48 | |
Er... | 0:28:48 | 0:28:49 | |
-No. -No, OK. -OK. -OK. | 0:28:53 | 0:28:57 | |
It's been... | 0:28:57 | 0:28:58 | |
-I think it's been almost 25 years since I've done this. -OK. -Here we go. | 0:28:58 | 0:29:03 | |
CHEERING AND APPLAUSE | 0:29:03 | 0:29:06 | |
MUSIC: "Entrance Of The Gladiators" by Julius Fucik | 0:29:06 | 0:29:09 | |
Wow! That is amazing! | 0:29:13 | 0:29:17 | |
-Now, here's a thing... -CHEERING AND APPLAUSE | 0:29:19 | 0:29:23 | |
Wait! There's more. | 0:29:23 | 0:29:24 | |
We do have this other unicycle. | 0:29:27 | 0:29:30 | |
Is there any way we could... | 0:29:31 | 0:29:33 | |
Could you try that? Could you try that? Go on! | 0:29:33 | 0:29:35 | |
CHEERING | 0:29:35 | 0:29:38 | |
Do you want a crash mat or anything? | 0:29:38 | 0:29:40 | |
-Do you want a crash mat or anything? -No. -Are you sure? | 0:29:40 | 0:29:44 | |
Graham, you need to kneel down so he can climb on top of you. | 0:29:44 | 0:29:47 | |
-Do you have a cushion? -Where's that cushion? | 0:29:47 | 0:29:50 | |
Shall I just get on all fours again, and you can use me? | 0:29:50 | 0:29:53 | |
-Sorry, that came out wrong. -Can you do this? -Yep. | 0:29:53 | 0:29:56 | |
MARK GROANS | 0:29:56 | 0:29:58 | |
Whoa! | 0:29:59 | 0:30:00 | |
-Whoa, whoa, whoa! -OK, yeah we go. All right. | 0:30:00 | 0:30:03 | |
-OK. -OK. -OK. -OK. -Let us know. | 0:30:03 | 0:30:06 | |
OK. OK. Yeah? OK? | 0:30:09 | 0:30:12 | |
-All right, ready? -I don't know - are you? | 0:30:12 | 0:30:15 | |
Unhand me! | 0:30:17 | 0:30:18 | |
Whoa! Whoa, whoa, whoa! | 0:30:20 | 0:30:23 | |
Oh, my God! Oh, my God, I can't look! | 0:30:23 | 0:30:25 | |
Oh! Wow! | 0:30:25 | 0:30:27 | |
CHEERING AND APPLAUSE | 0:30:29 | 0:30:31 | |
Are you OK? Amazing! Amazing! | 0:30:31 | 0:30:34 | |
-Is your willy all right? -Yeah, yeah. -That's incredible! | 0:30:41 | 0:30:46 | |
HIGH PITCHED: I'm fine! | 0:30:46 | 0:30:49 | |
-Honestly... -I can't believe that. -I know. | 0:30:49 | 0:30:51 | |
Actors are supposed to be useless. Look at these people! | 0:30:51 | 0:30:54 | |
-What? -Look at them! -You're an actor! | 0:30:54 | 0:30:56 | |
And I'm useless. That's what I'm saying. | 0:30:56 | 0:31:00 | |
Headstands, the... Whatever that was. | 0:31:00 | 0:31:02 | |
-I was going to say, back to mine! -While it was a beatbox-ette. | 0:31:03 | 0:31:07 | |
-It was good, though. -It was very good. -That... That's amazing. | 0:31:07 | 0:31:10 | |
-I wanted to be a clown. -Aw! | 0:31:10 | 0:31:14 | |
# Bring out the clowns... # | 0:31:14 | 0:31:16 | |
And me and my friends would stand on the side of... | 0:31:16 | 0:31:20 | |
We'd get in our clown face and we'd stand on the side of a parade | 0:31:20 | 0:31:24 | |
and then we would kind of jump into the parade | 0:31:24 | 0:31:28 | |
and hijack and pretend like we belonged there. | 0:31:28 | 0:31:31 | |
-That's desperate, man. -It is! | 0:31:34 | 0:31:37 | |
You can tell you grew up in America, where they have parades. | 0:31:37 | 0:31:41 | |
As a child, you'd be stood by the side of the road for a long time in England. | 0:31:41 | 0:31:44 | |
-Waiting. -You'd get arrested! | 0:31:46 | 0:31:48 | |
-I HAVE been arrested. -"He looks really glam." | 0:31:48 | 0:31:52 | |
Can I just say, we have to all go and see Mark's movie now. | 0:31:52 | 0:31:55 | |
-We owe him! -CHEERING AND APPLAUSE | 0:31:55 | 0:31:59 | |
Listen, it's time for our musical guest tonight. | 0:31:59 | 0:32:02 | |
We have loved this man for a while but now he has gone global | 0:32:02 | 0:32:05 | |
and the word is, this is going to be his year. | 0:32:05 | 0:32:08 | |
Performing his new single Sing, it is Ed Sheeran! | 0:32:08 | 0:32:11 | |
CHEERING AND APPLAUSE | 0:32:11 | 0:32:14 | |
# It's late in the evening | 0:32:15 | 0:32:17 | |
# Glass on the side | 0:32:17 | 0:32:19 | |
# I've been sat with you | 0:32:19 | 0:32:21 | |
# For most of the night | 0:32:21 | 0:32:24 | |
# Ignoring everybody here | 0:32:24 | 0:32:25 | |
# We wish they would disappear | 0:32:25 | 0:32:28 | |
# So maybe we could get down now | 0:32:28 | 0:32:31 | |
# I don't wanna know | 0:32:32 | 0:32:35 | |
# If you're getting ahead of the programme | 0:32:35 | 0:32:37 | |
# I want you to be mine, lady | 0:32:37 | 0:32:40 | |
# To hold your body close | 0:32:40 | 0:32:43 | |
# Take another step into the no man's land | 0:32:43 | 0:32:45 | |
# For the longest time, lady | 0:32:45 | 0:32:48 | |
# I need you, darling | 0:32:48 | 0:32:50 | |
# Come on, set the tone | 0:32:50 | 0:32:52 | |
# If you feel you're falling | 0:32:52 | 0:32:54 | |
# Won't you let me know? | 0:32:54 | 0:32:56 | |
# Oh, oh, ooh | 0:32:56 | 0:32:57 | |
# Oh, oh, ooh | 0:32:59 | 0:33:01 | |
# If you love me, come on, get involved | 0:33:05 | 0:33:08 | |
# Feel it rushing through you from your head to toe | 0:33:08 | 0:33:12 | |
# Oh, oh, ooh | 0:33:12 | 0:33:13 | |
# Oh, oh, ooh | 0:33:15 | 0:33:17 | |
# Sing! | 0:33:19 | 0:33:21 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:33:21 | 0:33:24 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:33:24 | 0:33:28 | |
# Louder! | 0:33:28 | 0:33:29 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:33:29 | 0:33:32 | |
# Sing! | 0:33:32 | 0:33:33 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:33:33 | 0:33:36 | |
HE RAPS: This love is ablaze | 0:33:36 | 0:33:37 | |
I saw flames from the side of the stage | 0:33:37 | 0:33:38 | |
And the fire brigade comes in a couple of days | 0:33:38 | 0:33:40 | |
Until then, we've got nothing to say and nothing to know | 0:33:40 | 0:33:42 | |
But something to drink and maybe something to smoke | 0:33:42 | 0:33:45 | |
Let it go until our roles have changed | 0:33:45 | 0:33:46 | |
Singing We Found Love in a local rave | 0:33:46 | 0:33:48 | |
No, I don't really know what I'm supposed to say | 0:33:48 | 0:33:50 | |
But I can just figure it out and hope and pray | 0:33:50 | 0:33:52 | |
I told her my name and said, "It's nice to meet you" | 0:33:52 | 0:33:54 | |
Then she handed me a bottle of water filled with tequila | 0:33:54 | 0:33:56 | |
I already know she's a keeper | 0:33:56 | 0:33:58 | |
Just from this one small act of kindness, I'm in | 0:33:58 | 0:34:01 | |
Deep if anybody finds out | 0:34:01 | 0:34:02 | |
I'm meant to drive home but I've drunk all of it now, not | 0:34:02 | 0:34:04 | |
Sobering up, we just sit on the couch | 0:34:04 | 0:34:06 | |
One thing led to another, now she's kissing my mouth | 0:34:06 | 0:34:08 | |
# I need you, darling | 0:34:08 | 0:34:10 | |
# Come on, set the tone | 0:34:10 | 0:34:12 | |
# If you feel you're falling, won't you let me know? | 0:34:12 | 0:34:16 | |
# Oh, oh, ooh | 0:34:16 | 0:34:17 | |
# Oh, oh, ooh | 0:34:20 | 0:34:21 | |
# If you love me, come on, get involved | 0:34:24 | 0:34:28 | |
# Feel it rushing through you from your head to toe | 0:34:28 | 0:34:32 | |
# Oh, oh, ooh | 0:34:32 | 0:34:33 | |
# Oh, oh, ooh | 0:34:36 | 0:34:37 | |
# Sing | 0:34:40 | 0:34:41 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:34:41 | 0:34:43 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:34:45 | 0:34:48 | |
# Louder | 0:34:48 | 0:34:49 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:34:49 | 0:34:52 | |
# Sing | 0:34:52 | 0:34:53 | |
# Oh-oh-oh, oh-oh-oh-oh-oh Oh-oh-oh-oh-oh | 0:34:53 | 0:34:56 | |
# Can you feel it? | 0:34:56 | 0:34:57 | |
# All the guys in here don't even wanna dance | 0:34:57 | 0:35:00 | |
# Can you feel it? | 0:35:00 | 0:35:01 | |
# All that I can hear is music from the back | 0:35:01 | 0:35:04 | |
# Can you feel it? | 0:35:04 | 0:35:05 | |
# Found you hiding here so won't you take my hand, darling? | 0:35:05 | 0:35:08 | |
# Before the beat kicks in again | 0:35:08 | 0:35:11 | |
# Can you feel it? | 0:35:12 | 0:35:13 | |
# Whoo-ooh, oh-oh | 0:35:15 | 0:35:17 | |
# No, no | 0:35:17 | 0:35:19 | |
# Can you feel it? | 0:35:19 | 0:35:21 | |
# Whoo, ooh-ooh, oh | 0:35:23 | 0:35:25 | |
# Oh, no, no, oh | 0:35:25 | 0:35:28 | |
# Sing | 0:35:28 | 0:35:29 | |
# I need you, darling | 0:35:29 | 0:35:30 | |
# Come on, set the tone | 0:35:30 | 0:35:32 | |
# If you feel you're falling | 0:35:32 | 0:35:34 | |
# Won't you let me know? | 0:35:34 | 0:35:36 | |
# Oh, oh, ooh | 0:35:36 | 0:35:38 | |
# Oh, oh, ooh | 0:35:39 | 0:35:41 | |
# Sing | 0:35:44 | 0:35:45 | |
# If you love me, come on, get involved | 0:35:45 | 0:35:48 | |
# Feel it rushing through you from your head to toe | 0:35:48 | 0:35:52 | |
# Oh, oh, ooh | 0:35:52 | 0:35:53 | |
# Oh, oh, ooh | 0:35:55 | 0:35:57 | |
# Sing! # | 0:36:00 | 0:36:01 | |
CHEERING AND APPLAUSE | 0:36:01 | 0:36:03 | |
Whoo! | 0:36:03 | 0:36:05 | |
Ed Sheeran, everybody! Beautiful! | 0:36:07 | 0:36:10 | |
Come on over, Ed. | 0:36:10 | 0:36:12 | |
Brilliant job, sir. Very, very good. Ed Sheeran! Have a seat there. | 0:36:12 | 0:36:17 | |
That's Michael, Amanda, Mark. | 0:36:17 | 0:36:20 | |
How you doing? Hey, how are you? | 0:36:20 | 0:36:22 | |
How are you? Good. | 0:36:22 | 0:36:24 | |
There you go. You can sit on the end. All shove up. | 0:36:24 | 0:36:27 | |
Shove up, shove up, shove up. There you go. | 0:36:27 | 0:36:29 | |
Yeah, you have a pineapple. That's yours. That's yours to keep. | 0:36:29 | 0:36:33 | |
-Well done, Ed Sheeran. You get a pineapple! -It's like a Grammy. | 0:36:33 | 0:36:36 | |
Listen, that's obviously the single, which is... | 0:36:36 | 0:36:38 | |
That's got to be number one on Sunday, hasn't it? | 0:36:38 | 0:36:40 | |
-It's looking positive. Yeah, it's looking positive. -Yeah, let's say it's number one. | 0:36:40 | 0:36:44 | |
-I've never had a UK number one before. -You're kidding? Really?! | 0:36:44 | 0:36:47 | |
What's been keeping you? For God's sake, Ed! | 0:36:47 | 0:36:50 | |
Yeah, it's... It's a cool thing. | 0:36:50 | 0:36:52 | |
-I've never experienced this before, so it's... -Wow! | 0:36:52 | 0:36:54 | |
Listen, congratulations. It deserves to be cos, God, it's catchy! | 0:36:54 | 0:36:58 | |
-And the new album Multiply, isn't it? -It's not X, it's Multiply. | 0:36:58 | 0:37:02 | |
Well, Chris Brown has an album called X | 0:37:02 | 0:37:04 | |
-and you don't really want to annoy him. -No! | 0:37:04 | 0:37:07 | |
-APPLAUSE -Yeah, don't do that. | 0:37:07 | 0:37:11 | |
So Multiply is out on the 23rd of June but it's Multiply | 0:37:12 | 0:37:17 | |
-because the last one was Plus. -Yeah, yeah. I've got a wild imagination. | 0:37:17 | 0:37:21 | |
-Were you good at maths when you were little? -No, I actually... | 0:37:21 | 0:37:23 | |
I got asked this in an interview the other day. | 0:37:23 | 0:37:26 | |
We had to cut it out of the interview cos someone said, "What's 9 x 9?" And I said, "99". | 0:37:26 | 0:37:30 | |
Does that answer your question, Amanda? | 0:37:31 | 0:37:34 | |
Thankfully, we cut that out of the TV interview. | 0:37:34 | 0:37:37 | |
-I'm sure it'll probably go in this one. -Yeah, probably. | 0:37:37 | 0:37:39 | |
So, listen, in the... I don't know if you've seen the video for Sing. | 0:37:39 | 0:37:43 | |
It's a really cool video. But Ed, in the video, is this. | 0:37:43 | 0:37:48 | |
Is a puppet Ed, which... | 0:37:48 | 0:37:50 | |
-Like, look at that! -It looks like an Avenue Q. | 0:37:50 | 0:37:54 | |
Yeah, it is really... This is Jim Henson or something. It's very posh. | 0:37:54 | 0:37:58 | |
It cost more than the last videos for the whole album last time, | 0:37:58 | 0:38:02 | |
and so that's why we kept it because we're going to use it for more stuff | 0:38:02 | 0:38:05 | |
-because we have to make our money's worth. -Look at that. | 0:38:05 | 0:38:08 | |
-It does look... -Is this where you're going to do your talent now? -Yeah. | 0:38:08 | 0:38:11 | |
Yeah, Amanda! | 0:38:11 | 0:38:12 | |
Excuse I. | 0:38:18 | 0:38:19 | |
Oh, dear. | 0:38:21 | 0:38:22 | |
But listen, you deserve all your success and good luck for Sunday | 0:38:22 | 0:38:25 | |
and good luck with the album when it comes out. Ed Sheeran, everybody. | 0:38:25 | 0:38:28 | |
-Right... -CHEERING AND APPLAUSE | 0:38:28 | 0:38:31 | |
Before we go tonight, just time for a story or two in the red chair. | 0:38:31 | 0:38:34 | |
So, who do we have? Hello. You seem adorable. What's your name? | 0:38:34 | 0:38:38 | |
-I'm Jenna. -And what do you do, Jenna? | 0:38:38 | 0:38:41 | |
I work with young people around drugs and alcohol. | 0:38:41 | 0:38:44 | |
-OK, I'm guessing helping them, rather than... -Yes. | 0:38:44 | 0:38:48 | |
-Sometimes! -Yeah. "I am so fun!" | 0:38:48 | 0:38:51 | |
Right. Right, Jenna, off you go with your story. | 0:38:57 | 0:39:00 | |
OK, so, being a drugs and alcohol worker, I was out one evening. | 0:39:00 | 0:39:05 | |
-I was extremely drunk... -Wait a minute! | 0:39:05 | 0:39:09 | |
I was with friends in a cab and, er, I was dying to go to the toilet. | 0:39:13 | 0:39:18 | |
And being one o'clock in the morning, there was nowhere open, | 0:39:18 | 0:39:22 | |
so I had to get the cab to stop in the middle of a very busy road. | 0:39:22 | 0:39:26 | |
Luckily at one o'clock, it wasn't that busy. | 0:39:26 | 0:39:28 | |
I saw a phone box which I thought would be the ideal place | 0:39:28 | 0:39:31 | |
-for a lady to pee. -She's the one! | 0:39:31 | 0:39:34 | |
So I went into the phone box. | 0:39:34 | 0:39:36 | |
Trousers down, ready to go, | 0:39:36 | 0:39:39 | |
leant against what I thought was the stable bit of the phone box, | 0:39:39 | 0:39:44 | |
when it wasn't. It was the door. | 0:39:44 | 0:39:47 | |
I was also in heels, which I don't normally wear, | 0:39:47 | 0:39:50 | |
so as I went down to pee, I leant and fell out the back | 0:39:50 | 0:39:54 | |
and did this kind of motion. | 0:39:54 | 0:39:57 | |
But because of the heels, I couldn't get up and I had to call | 0:39:58 | 0:40:02 | |
all my friends out of the cab for them to come and help me. | 0:40:02 | 0:40:05 | |
-I haven't been back to that road again. -I quite like that story. | 0:40:05 | 0:40:08 | |
That was sweet. You can walk. | 0:40:08 | 0:40:10 | |
Yeah. That was sweet. It was sweet. It was grubby but not too grubby. | 0:40:13 | 0:40:17 | |
-It was nice. -But can you... Can you hold it in in that situation? | 0:40:17 | 0:40:21 | |
-When you fall over, do you just lose control? -No, I think she wet herself. | 0:40:21 | 0:40:24 | |
I think she looked like a garden sprinkler as she... | 0:40:24 | 0:40:28 | |
As she rocked on the ground. | 0:40:28 | 0:40:31 | |
"Oh, it's late for that irrigation to be working. | 0:40:31 | 0:40:34 | |
"Oh, no, it's my friend Jenna." | 0:40:34 | 0:40:36 | |
-Let's have someone else. Oh, hello. -Hello. | 0:40:36 | 0:40:39 | |
-Hi! What your name, sir? -My name is Richard. | 0:40:39 | 0:40:42 | |
Richard. And what do you do, Richard? | 0:40:42 | 0:40:44 | |
I'm an obstetrician and gynaecologist. | 0:40:44 | 0:40:47 | |
CHEERING | 0:40:47 | 0:40:48 | |
LAUGHTER | 0:40:50 | 0:40:51 | |
I think we've had enough of that on the show. | 0:40:51 | 0:40:54 | |
-We've had way too much. -Amanda, you've saved us from ourselves. | 0:40:54 | 0:40:59 | |
Exactly! | 0:40:59 | 0:41:00 | |
I am intrigued, though. | 0:41:04 | 0:41:06 | |
-Let him get a couple of minutes into it... -We'll see. We'll see. | 0:41:07 | 0:41:11 | |
-Let's have one more. Hi. Hello! -Hello. -Oh, now, you seem nervous. | 0:41:11 | 0:41:16 | |
-Very. -Oh, don't be. The worst thing that can happen is the chair flips back. | 0:41:16 | 0:41:19 | |
That's the worst thing that can happen. I say that now... | 0:41:19 | 0:41:23 | |
-What's your name? -Melanie. -Melanie. | 0:41:23 | 0:41:25 | |
All right, Melanie. And what you do? | 0:41:25 | 0:41:27 | |
-I am a Meals On Wheels delivery driver. -Oh, wow! Whereabouts? | 0:41:27 | 0:41:31 | |
-Hemel Hampstead. -In Hemel Hempstead. | 0:41:31 | 0:41:33 | |
So people watching in Hemel Hempstead will go, | 0:41:33 | 0:41:35 | |
"Oh, my God, there's that woman who brings the cold dinners. There she is." | 0:41:35 | 0:41:40 | |
Melanie's laughing cos yeah, they are. | 0:41:41 | 0:41:45 | |
"I park up for hours." | 0:41:45 | 0:41:47 | |
-All right, Melanie. Off you go with your story. -OK, well, | 0:41:48 | 0:41:52 | |
I've always had rubbish hair - it's always been really fine and weak - | 0:41:52 | 0:41:55 | |
-and I tried every lotion and potion to make it better. -Yes. | 0:41:55 | 0:42:00 | |
And many years ago I was working in London with my boyfriend | 0:42:00 | 0:42:04 | |
and I'd read an article in Cosmopolitan about this revolutionary new treatment | 0:42:04 | 0:42:09 | |
of sperm on your hair to add protein and body and everything to your hair. | 0:42:09 | 0:42:15 | |
So I went and found my boyfriend and said, | 0:42:15 | 0:42:18 | |
"Look, I've got to have this treatment and you've got to give me the sperm," | 0:42:18 | 0:42:22 | |
because it was £50 if you had the treatment there at TONI&GUY, | 0:42:22 | 0:42:26 | |
but it was £20 if you took your own. | 0:42:26 | 0:42:28 | |
No, wait, wait, wait. TONI&GUY provided sperm?! | 0:42:28 | 0:42:33 | |
Is this Toni's or Guy's? | 0:42:35 | 0:42:38 | |
I didn't want Toni or Guy's. I wanted my boyfriend's. | 0:42:38 | 0:42:42 | |
And it was £20 if I took my own and £50 if I paid. | 0:42:42 | 0:42:47 | |
What, for corkage?! | 0:42:47 | 0:42:48 | |
Why is it £20 if you bring your own? This is a great story. | 0:42:50 | 0:42:54 | |
Anyway, on you go. | 0:42:54 | 0:42:56 | |
Anyway, so I rushed and found my boyfriend and I said, | 0:42:56 | 0:42:58 | |
"Please, I've got to have this done - it's cheaper and I don't want other men's sperm on my head," | 0:42:58 | 0:43:03 | |
so he said that was OK, so I went straight to the phone, called | 0:43:03 | 0:43:06 | |
the number and said, "Please can you book me in as soon as possible"? | 0:43:06 | 0:43:09 | |
And the guy said, "Have you checked the date on the article?" | 0:43:09 | 0:43:14 | |
And it was the 1st of April. | 0:43:14 | 0:43:16 | |
Aw! | 0:43:16 | 0:43:17 | |
Shall we let her walk? Yeah, we'll let you walk. You've given us time. | 0:43:19 | 0:43:23 | |
You can walk. You can walk. Very good. Well done, everybody. | 0:43:23 | 0:43:27 | |
If you'd like to join us on the show and have a go on the red chair, | 0:43:27 | 0:43:30 | |
you can. Contact us via our website at this address. | 0:43:30 | 0:43:33 | |
Thank you to all my guests tonight. Ed Sheeran. | 0:43:33 | 0:43:35 | |
CHEERING AND APPLAUSE | 0:43:35 | 0:43:38 | |
-Michael Sheen. -CHEERING AND APPLAUSE | 0:43:38 | 0:43:40 | |
-Amanda Holden. -CHEERING AND APPLAUSE | 0:43:40 | 0:43:43 | |
-And Mark Ruffalo. -CHEERING AND APPLAUSE | 0:43:43 | 0:43:46 | |
Join me next week with music from Kasabian, | 0:43:46 | 0:43:50 | |
British Formula One ace Jenson Button, | 0:43:50 | 0:43:52 | |
Oscar-nominated actress Keira Knightley and the Hollywood star Samuel L Jackson. | 0:43:52 | 0:43:56 | |
-I'll see you then. Good night, everybody, bye-bye. -CHEERING AND APPLAUSE | 0:43:56 | 0:44:00 |