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Why, Mr Jackson - what a splendid show we have tonight. | :00:00. | :00:00. | |
A renowned actress of period drama, a popular dance band | :00:07. | :00:08. | |
There are too many famous as people on this show tonight. | :00:09. | :00:21. | |
Hollywood legend, Samuel L Jackson is here. | :00:22. | :01:00. | |
The Star of Atonement and Pirates of the Caribbean, the beautiful | :01:01. | :01:09. | |
And we?ve got music from the fantastic Kasabian! | :01:10. | :01:20. | |
And Formula One fans, we were hoping to have Jenson Button | :01:21. | :01:26. | |
Sadly, he's literally just told us he can't make it | :01:27. | :01:38. | |
but I will talk to him on the phone and find out what's wrong. | :01:39. | :01:42. | |
You know, it's Formula 1. I'm edging it's a glamorous story. Sipping | :01:43. | :01:57. | |
champagne. It'll be something good. Formula 1, it is a glamorous sport. | :01:58. | :02:02. | |
The hunky drivers? The gorgeous pit girls? And the sexy man in charge | :02:03. | :02:05. | |
It's welcome back to Samuel L Jackson. | :02:06. | :02:24. | |
He's been in so many big films, like Star Wars. | :02:25. | :02:27. | |
He needs to be careful with that, he?ll have someone?s eye out. | :02:28. | :02:30. | |
That?s Samuel playing the role of superhero Nick Fury. | :02:31. | :02:37. | |
It?s a great look but there?s something missing. | :02:38. | :02:44. | |
And lovely Keira Knightley - of course her big breakthrough was | :02:45. | :02:46. | |
Thanks to that film, women?s football got record crowds. | :02:47. | :02:58. | |
Of course, the World Cup started this week in Brazil. | :02:59. | :03:04. | |
The locals have all got World Cup Fever - isn't that malaria? | :03:05. | :03:07. | |
What was making that catchy samba beat? | :03:08. | :03:15. | |
"Keep hammering, the match starts in five minutes!" | :03:16. | :03:22. | |
But here's a nice little link between Keira and Samuel. | :03:23. | :03:31. | |
One of Keira?s earliest roles was also in Star Wars. | :03:32. | :03:33. | |
She played the lookalike decoy of Princess Padme. | :03:34. | :03:35. | |
I hear in the new Star Wars movie lots of the characters are | :03:36. | :03:38. | |
And his decoy? Here?s Jar Jar Binks? And | :03:39. | :03:44. | |
And his decoy? | :03:45. | :03:45. | |
Plus some more of your stories in the red chair. | :03:46. | :03:56. | |
Later we?ll be having music from Kasabian. | :03:57. | :03:59. | |
But first, be still my beating heart. | :04:00. | :04:01. | |
Wow! You look beautiful. Hello, my darling. Nice to see you. | :04:02. | :04:16. | |
And he's an L of a guest - it's Samuel L. Jackson! | :04:17. | :04:24. | |
Hello, Sir. You are very welcome. Sit down. Are you both well? | :04:25. | :04:41. | |
Remember, you are chatting for three. This is my first time being | :04:42. | :04:48. | |
on collision with no socks. It is kind of odd. It is quite risque. | :04:49. | :04:54. | |
I've thought it was a fashion statement. I have got no socks | :04:55. | :05:00. | |
either. Annually showed my pants there. You have at least got pants. | :05:01. | :05:05. | |
Listen, we are very sorry that Jenson Button is not here. Are you | :05:06. | :05:14. | |
fans of Formula 1? Not really, no? I am in. My uncle got me a cap from | :05:15. | :05:21. | |
Honda and he got Jenson Button to sign it. That was a pretty lame | :05:22. | :05:28. | |
Christmas. I was quite impressed. I'm guessing you're not a fan. I've | :05:29. | :05:34. | |
played golf with Lewis Hamilton. Is he at the back? Because I have a lot | :05:35. | :05:41. | |
of Formula 1 questions I could ask. Other than that, I don't know | :05:42. | :05:45. | |
anything about it. Let's find out what happened to Jenson Button. | :05:46. | :06:00. | |
07, seven, seven... Five... OK, this is it. I wonder who I will actually | :06:01. | :06:11. | |
talk to? Anybody getting back? -- getting that. Hello? Is that Jenson | :06:12. | :06:24. | |
Button? It is Jenson Button. This is Graham Norton and a very | :06:25. | :06:28. | |
disappointed audience. You cannot believe how devastated I am in to | :06:29. | :06:33. | |
not appear on the show. We want the excuse and it better be good. Well, | :06:34. | :06:42. | |
I was out on my push-bike and this be came along and stung me. On the | :06:43. | :06:51. | |
bridge of my nose. Obviously, it is a big shock, initially, massive | :06:52. | :06:57. | |
pain. And suddenly I got a massive headache, and I'd feel sick and I | :06:58. | :07:02. | |
look like a balloon. I am not buying that. Is that actually Jenson | :07:03. | :07:08. | |
Button? You were attacked by a hive, you need to pick it up! A single | :07:09. | :07:16. | |
bee? I am not buying the story. I want to see his face! Listen, | :07:17. | :07:24. | |
Jensen, I know you have got the Austrian Grand Prix later in the | :07:25. | :07:27. | |
month, will you be OK for that? I hope so. That is the crazy thing, | :07:28. | :07:34. | |
I'd drive at 220 miles an hour and get taken out by a bee and a wasp. | :07:35. | :07:39. | |
Yes, it is unbelievable. Seriously, we hope you feel better and thank | :07:40. | :07:44. | |
you for calling. Good luck with the Grand Prix. I know know something | :07:45. | :07:50. | |
about them. Change that Kelowna! -- command. | :07:51. | :07:57. | |
Actually, we are lucky that anybody's here because you have been | :07:58. | :08:05. | |
in lots of action pictures, so you must have had dramatic injuries. No. | :08:06. | :08:10. | |
None? No. I have never had a dramatic injury. I have actually | :08:11. | :08:17. | |
been completely fine doing sword fighting and stuff but then added a | :08:18. | :08:21. | |
film in November were I had to run from a chair to a door and I got up | :08:22. | :08:24. | |
from the chair and took two steps and ripped my quad muscle. It was | :08:25. | :08:31. | |
one of those where we had been joking... You're what muscle? Court. | :08:32. | :08:37. | |
The British accent got me for a second. -- chords. I've entered not | :08:38. | :08:48. | |
walk for about a month. So that was it. Apart from that, have been fine. | :08:49. | :08:54. | |
What about you? You had a really bad one. I have been injured a few times | :08:55. | :08:58. | |
but last October I was shooting a film in Germany and they got thrown | :08:59. | :09:07. | |
from a freezer about 15 feet from a 12 foot height onto my shoulder and | :09:08. | :09:12. | |
ended up with that. That is my collarbone. Oh, my! NEC that? -- can | :09:13. | :09:25. | |
you see that. That is broken. It is all the ligaments that hold your | :09:26. | :09:29. | |
shoulder down, they have snapped. So my collarbone is up now. But I still | :09:30. | :09:33. | |
have full function. Does it hurt? No, it's awesome. Jenson Button, if | :09:34. | :09:43. | |
you are watching, that is an injury. That's right, JB! Now we have lots | :09:44. | :09:52. | |
to talk about. We have film, fashion, music, but we begin with | :09:53. | :09:56. | |
fashion and Samuel and, you have been a huge -- because Samuel L | :09:57. | :10:03. | |
Jackson, you have been on a huge fashion campaign. Yes, trying to get | :10:04. | :10:10. | |
men to talk about cancer, basically, finding out how to get themselves | :10:11. | :10:14. | |
checked and speaking to each other about pain. Women talk about it, I'd | :10:15. | :10:19. | |
got up this morning and I've found a lump... They talk about it. They do. | :10:20. | :10:23. | |
And they say, how was your Pap smear, all that stuff, but guys | :10:24. | :10:28. | |
don't. We will talk about a sports injury but not about a nagging pain. | :10:29. | :10:31. | |
Guys think that we'll me get prostate cancer but guys get breast | :10:32. | :10:38. | |
cancer, guys get... More men dummy from stomach cancer than anything in | :10:39. | :10:43. | |
this country. It is a big thing. We're trying to get men to be more | :10:44. | :10:46. | |
aware of things and go and get checked for this, that and the other | :10:47. | :10:51. | |
that might be cancer related. Hopefully, they will start to do | :10:52. | :10:57. | |
that. We're having a big fashion ball on Sunday, kicking off men's | :10:58. | :11:01. | |
fashion week. And the slogan we've got, do I have its? The slogan is | :11:02. | :11:05. | |
love the glove. Can you tell what this is about? Some people! Why | :11:06. | :11:17. | |
would I love the glove? Because that is the most fearful part of getting | :11:18. | :11:20. | |
checked for cancer for most guys. Guys feel invaded. We were talking | :11:21. | :11:26. | |
about this and stupidly, I should know, but can you check it yourself? | :11:27. | :11:34. | |
No. OK. Unless you know what you are feeling for? If you check it every | :11:35. | :11:40. | |
day and then you noticed a difference... Then it is not a | :11:41. | :11:44. | |
checkup. That's something else, that's a habit. Well, listen, to | :11:45. | :11:51. | |
give us more information you have brought along a clip from one of | :11:52. | :11:53. | |
your promotional films. We asked 212 men to volunteer for a | :11:54. | :12:01. | |
prostate exam. These are the only ones that said yes. | :12:02. | :12:28. | |
There is no need to be scared of one little finger. | :12:29. | :12:59. | |
Love the glove. That is all real? Yes. Those guys actually agreed to | :13:00. | :13:11. | |
be taped while they were getting a prostate exam. Those were honest | :13:12. | :13:19. | |
reactions. The fashion show, it is all men's fashion. Because you are | :13:20. | :13:23. | |
sitting beside a fashion icon, Keira Knightley. Is it true, you all dress | :13:24. | :13:28. | |
up, but you are not that interested in clothes? Irony like getting | :13:29. | :13:33. | |
dressed up every now and again but I am a real scruff. You do a lot of | :13:34. | :13:38. | |
work with Chanel, you do their adverts. Is this Chanel? Don't ask | :13:39. | :13:44. | |
me, because I do not know who made this. It is lovely. That is the | :13:45. | :13:49. | |
sound of a gunshot as a designer kills themselves. This was my big | :13:50. | :13:54. | |
break! It is a lovely thing, so whoever did make it, it is lovely. | :13:55. | :14:00. | |
Look, maybe we can see if a label. Nothing, absolutely nothing. Not one | :14:01. | :14:07. | |
label. That was our first mistake. One of the last red carpets you were | :14:08. | :14:12. | |
on it was a Chanel dress which is amazing looking. You look like a | :14:13. | :14:16. | |
Christmas cracker. That has been pulled, and the prize was your feet. | :14:17. | :14:22. | |
Yes, it was a corset, so it is not an optical illusion. It is like you | :14:23. | :14:31. | |
are made of Lego. The mistake I made was going out to lunch in it | :14:32. | :14:34. | |
afterwards, and we went to an Italian restaurant and I heard | :14:35. | :14:38. | |
Bolognese because why wouldn't you? Suddenly you realise, normally in | :14:39. | :14:41. | |
clothes your tell me might get bigger if you meet Bolognese but you | :14:42. | :14:45. | |
cannot do it in a corset. It just stays up here. So the belching that | :14:46. | :14:49. | |
was happening afterwards was absolutely disgusting. You would | :14:50. | :14:53. | |
think I would know that, having done so many period films, but I did not. | :14:54. | :15:04. | |
You've had a lot of looks over the years. Perhaps none older than this. | :15:05. | :15:09. | |
What is going on there? I was hosting the BET awards one year and | :15:10. | :15:15. | |
channelling Nicky Minage doing bees in the trap. I started with my back | :15:16. | :15:23. | |
to the camera so it's just the hair and the lyrics, you know | :15:24. | :15:26. | |
# Bees in the trap # Bees in the trap # | :15:27. | :15:34. | |
I turned around and everybody had a good laugh. This is a more recent | :15:35. | :15:38. | |
one, the story behind this is fabulous. You're wearing this | :15:39. | :15:47. | |
T-shirt. Oh, that T-shirt. Yeah, I was doing press for Captain America | :15:48. | :15:53. | |
and I was in Atlanta in a studio alone. I was doing press all | :15:54. | :15:56. | |
morning, you know, the remote things that you don't see the people, just | :15:57. | :16:00. | |
me and a camera in a studio. This guy came on, Sam Ruben, from LA, and | :16:01. | :16:06. | |
the Super Bowl had been that past Sunday. He asked me about the | :16:07. | :16:11. | |
commercial that I was in. Dienjoy the commercial I was in that Sunday. | :16:12. | :16:17. | |
I wasn't in a commercial. The only commercial I remembered was Lawrence | :16:18. | :16:23. | |
Fishburn doing a car commercial dressed up. So I just happened to | :16:24. | :16:30. | |
say, well, I'm not Lawrence Fishburn and I'm not in a commercial and I'm | :16:31. | :16:34. | |
not the black guy in this commercial or the black guy in that other | :16:35. | :16:38. | |
commercial. And you should know who you're interviewing. I had a good | :16:39. | :16:41. | |
time and everybody said I was aye rate and I embarrassed him. I got a | :16:42. | :16:45. | |
lot of calls from people in Hollywood who really hate him and | :16:46. | :16:49. | |
said, "That was so great. So great! I can't believe you did that." You | :16:50. | :16:54. | |
could be forgiven for losing your temper, because it's been going on a | :16:55. | :16:57. | |
long time. Fish and I have been going through this for, like you | :16:58. | :17:01. | |
said, a very long time. He and I have been standing together when | :17:02. | :17:04. | |
people came up to him and start to talking to him about Pulp Fiction. I | :17:05. | :17:09. | |
just stood there and... LAUGHTER | :17:10. | :17:16. | |
Like this. At the end, you know, he signed my name and it was great. We | :17:17. | :17:20. | |
both just look at each other and kind of go... But the Pulp Fiction | :17:21. | :17:26. | |
thing, it's 20 years ago this year, isn't it? Yes. That part written for | :17:27. | :17:31. | |
you, but even at the audition... Yeah even at the audition, it was | :17:32. | :17:35. | |
down to me and another actor, one of the producers came in and they were | :17:36. | :17:39. | |
about to introduce him to me, he said, "I love your work Mr | :17:40. | :17:47. | |
Fishburn." OK, fine. I went in angry. Got the job. I also had the | :17:48. | :17:53. | |
privilege of firing that produce frer another movie like four years | :17:54. | :17:58. | |
later. Lovely. That's a good feeling. That was kind of good. | :17:59. | :18:05. | |
Weirdly, Keira, there's the Natalie Portman thing, you started as a look | :18:06. | :18:13. | |
alike. Yeah. You were mistaken for really odd Natalie Po people. Rtman | :18:14. | :18:18. | |
I get a lot. She must get chased a lot because it's happened about five | :18:19. | :18:22. | |
times where somebody has been like "Natalie. Natalie." I'll always sign | :18:23. | :18:27. | |
and have a picture as Natalie Portman. I get Kate Winslett a lot. | :18:28. | :18:34. | |
But the surprising one is Britney Spears. That is very surprising. It | :18:35. | :18:39. | |
is. I quite like the idea that I could kind of do all that, which I | :18:40. | :18:43. | |
can't do, but you know, and so I've been Britney spears about three Do | :18:44. | :18:47. | |
you times. Sign for her? Yeah, and have a picture, absolutely. Wow. Not | :18:48. | :18:52. | |
when it's me. If somebody says me, I go a bit like oh, no, this is really | :18:53. | :18:57. | |
embarrassing. Every time Britney comes up, definitely. Sometimes you | :18:58. | :19:03. | |
can't win. I've been every black actor in the world. The funniest one | :19:04. | :19:11. | |
my wife and I were in Scotland. The driver was taking us back to the | :19:12. | :19:14. | |
airport. "This is so great. I now have the whole set." My wife was | :19:15. | :19:22. | |
like, "Set of what? He said, "I've driven Mr Freeman, I've driven Mr | :19:23. | :19:26. | |
Washington and now you." What is the whole set of? | :19:27. | :19:34. | |
APPLAUSE Going back to Pulp FORCEDYELLOW no. | :19:35. | :19:41. | |
Fiction for a second, when they reformat these films, you swear a | :19:42. | :19:46. | |
lot in films. Me? Even I've noticed. Really? When they have to reformat | :19:47. | :19:53. | |
these films, is it really you insist on doing it yourself? I'm usually | :19:54. | :19:58. | |
there, because they always go, well, you know, we have TV and the movie | :19:59. | :20:02. | |
is on TV and they asked you to dot aeroplane version and it's always | :20:03. | :20:07. | |
something. -- do the aeroplane version, and it's always something. | :20:08. | :20:10. | |
Most of the times it's me. I'm Do you there. Get to choose the | :20:11. | :20:14. | |
replacement words? Sure. You always try to do something as stupid as | :20:15. | :20:19. | |
possible because you want the audience, well the audience already | :20:20. | :20:23. | |
knows what the word was. They want something that fits. Yeah. It always | :20:24. | :20:29. | |
ends up, if it's a tame version, you will say something like Marilyn | :20:30. | :20:40. | |
Farmer. Maryland Farmer. Or you say monkey fighter. Or I say things like | :20:41. | :20:47. | |
money feelers. You make up something that's horrid, that doesn't fit. We | :20:48. | :20:51. | |
have a clip from Snakes on a Planement Yes. Let's see if you can | :20:52. | :20:56. | |
tell what the words were originally. Enough is enough. I have had it with | :20:57. | :21:03. | |
these monkey fighting snakes on this Monday to Friday plane. | :21:04. | :21:11. | |
APPLAUSE So stupid. But the swearing thing, | :21:12. | :21:17. | |
because I read somewhere, talking in an interview, at home you don't | :21:18. | :21:22. | |
censor yourself. No, I never have. As a dad, you're quite uncensored | :21:23. | :21:27. | |
with your daughter. I was. Well she's 32 now. When she was a child, | :21:28. | :21:35. | |
we spent ape lot of time together. She talked like I talked to her | :21:36. | :21:41. | |
friends. Or to other people. I remember we were at a wedding once, | :21:42. | :21:47. | |
and my daughter was, I guess she was maybe one, almost two, and this lady | :21:48. | :21:52. | |
held her and she said, baby, do you want something to eat? What is that | :21:53. | :22:06. | |
hit? -- shit? Huh? That shit looks fucked up. Whose baby is that? That | :22:07. | :22:12. | |
was the beginning of, you know, OK we can't talk to this child. There | :22:13. | :22:17. | |
must have been that in-between time, when she wasn't a child and before | :22:18. | :22:22. | |
she was 32, still living at home and like boys... By the time she started | :22:23. | :22:27. | |
dating, yeah, but she knew who I was. They didn't. They had an idea. | :22:28. | :22:30. | |
They must have been freaked out when they came and found you. They'd seen | :22:31. | :22:34. | |
the poofies and all this other stuff. When they came over, I was | :22:35. | :22:40. | |
not open and like, "Hi, young man, so nice to meet you." We were | :22:41. | :22:45. | |
talking about this through the week, how intimidating to see you. Do you | :22:46. | :22:50. | |
remember the Ezekial speech from Pulp Fiction. Could you do that for | :22:51. | :22:56. | |
us? Imagine, you're about 17 or 18, coming around to the Jackson | :22:57. | :23:02. | |
residence to pick up lovely Zoe. You get Samuel L Jackson doing this. The | :23:03. | :23:09. | |
path of the richous man is beset on all sides by the inequities of the | :23:10. | :23:13. | |
selfish and tyranny of evil men. Blessed is he who in the name of | :23:14. | :23:16. | |
charity and goodwill shepherds the weak through the valley of darkness | :23:17. | :23:20. | |
for he is truly his brother's keeper and the finder of lost children. And | :23:21. | :23:29. | |
I will strike down upon thee with great vengeance and furious anger | :23:30. | :23:34. | |
those who attempt to poison and destroy my brothers and you will | :23:35. | :23:41. | |
know I am the Lord when I lay my vengeance upon you. | :23:42. | :23:42. | |
CHEERING AND APPLAUSE So smooth. Wow. That was quite | :23:43. | :24:04. | |
frightening sitting next to him. That was like a privilege. Yeah, it | :24:05. | :24:09. | |
was. That was good. My friendly speech, you know. I have a couple of | :24:10. | :24:12. | |
friends that called me and asked me to do that on their answering | :24:13. | :24:19. | |
machines. I'm glad Jenson wasn't here. He probably would have wet | :24:20. | :24:29. | |
himself. JB! Ouch. Ouch. His owie from a bee. I get stung by bees four | :24:30. | :24:37. | |
times a year on the golf course. I keep playing. We must be kind. Now, | :24:38. | :24:46. | |
listen, Keira, your new movie, we see a whole new side to Kiera | :24:47. | :24:53. | |
Knightley, Keira sings. Yeah. Take it away. A little burst of | :24:54. | :25:03. | |
something, now. Couldn't imagine anything worse. Go on. You do it. | :25:04. | :25:09. | |
He's done his party trick. No, no don't worry. I won't make you sing. | :25:10. | :25:14. | |
The movie is called Begin Again, opens on July 11. You do Yeah, I | :25:15. | :25:24. | |
sing. Do. But you're good at it. That was amazing, "You're good at | :25:25. | :25:29. | |
it!" Like it is a surprise. You seem to hate singing. I actually don't | :25:30. | :25:33. | |
like singing. I mean I do, if I'm not my own in a shower. But I don't | :25:34. | :25:37. | |
like singing in front of people. Which I didn't realise until I said | :25:38. | :25:42. | |
yes to the femme and -- film and suddenly found myself singing in | :25:43. | :25:46. | |
front of people. Not karaoke? No, hate it! When you go on those | :25:47. | :25:53. | |
junkets to Japan, don't they take you to a karaoke place. No, they | :25:54. | :25:59. | |
didn't. What do you sing? I have a karaoke song. What's your karaoke | :26:00. | :26:12. | |
song? That good, huh? Let's just kiss and say goodbye, yeah. Nice. | :26:13. | :26:20. | |
Any how, back to you singing. Does Mark sing in this? No, he plays the | :26:21. | :26:27. | |
guitar. He produces it, in the We should film. Explain a bit more. | :26:28. | :26:32. | |
It's Nobody understand nonsense. S. So, it's you... I'm a singer-song | :26:33. | :26:38. | |
writer and I sing. Is that enough? Your boyfriend is a big rock Yes and | :26:39. | :26:42. | |
star. He dumps me. That's not giving much away. Then I'm suddenly left in | :26:43. | :26:47. | |
New York not really knowing what to do. I bump into this alcoholic | :26:48. | :26:51. | |
played by Mark and we decide to produce an album together. We have a | :26:52. | :26:55. | |
clip. This is yourself and Mark and he's pipping the idea of the album | :26:56. | :26:59. | |
you're going to record. You don't need a demo, let's record an album. | :27:00. | :27:03. | |
Every song in a different location, all over New York city. We do it | :27:04. | :27:07. | |
through the summer. It becomes a tribute to this beautiful, goddamn | :27:08. | :27:12. | |
crazy fractured mess of a city, New York. OK, under the breath on the | :27:13. | :27:17. | |
lower east side Empire State Building. Central Park. Chinatown. | :27:18. | :27:22. | |
Cathedral St John divine. The subway. What happens if it starts | :27:23. | :27:26. | |
raining. Whatever happens, we record it. If we get arrested? Keep | :27:27. | :27:30. | |
rolling, it will be beautiful. APPLAUSE | :27:31. | :27:39. | |
It's not the same as your life, there are paralegals, in that you | :27:40. | :27:44. | |
are married to a rock Yeah, he'll star. Be very happy to hear himself | :27:45. | :27:49. | |
called a rock star. Yes, I am. I'm married to a rock star. It's It is | :27:50. | :27:53. | |
different. Different. But he did actually teach me how to play, well, | :27:54. | :27:56. | |
he tried to teach me how to play the guitar for this film, which nearly | :27:57. | :28:01. | |
ended in divorce and murder. I've never been more angry. It's like | :28:02. | :28:06. | |
nobody should ever do it, if you're married to someone don't get the | :28:07. | :28:09. | |
other to play a musical instrument. I can't really play the guitar. He | :28:10. | :28:13. | |
does it very There was well. One bit, where I thought, oh, Keira must | :28:14. | :28:16. | |
have done that. It's where you're watching him play and all the girls | :28:17. | :28:24. | |
are in the front going, "Yay-him." You must have had that experience? | :28:25. | :28:28. | |
Yeah, I have watched from the stage. Only with them it's more beefy dudes | :28:29. | :28:32. | |
than girls. There are occasions where it's like, yeah, there will be | :28:33. | :28:35. | |
a lot of girls around and they get very excited. They never got thrown | :28:36. | :28:39. | |
- I always think bands should have knickers thrown at them. I've never | :28:40. | :28:43. | |
seen knickers thrown at them. I've seen a bra thrown at them, which was | :28:44. | :28:48. | |
quite big. Never So not knickers. A threat? No, clearly he's not into | :28:49. | :28:56. | |
that! I might start going along with knickers so they can experience | :28:57. | :29:00. | |
that. I'll throw them. You want to get the party started. Yeah. | :29:01. | :29:06. | |
Supportive wife. Exact ly. Very, Klaxons, their album's out Monday, | :29:07. | :29:11. | |
by the way. Now very supportive, right? Very good. What would you | :29:12. | :29:15. | |
worse for you, having to sing in fronts of a large audience or do | :29:16. | :29:23. | |
your sex faces? Right now? I'm not asking you to do them now? I'm so | :29:24. | :29:28. | |
pleased. Which would be worse? Dangerous Methods you had to do a | :29:29. | :29:34. | |
lot of sex faces? Yeah, a lot of weird sex faces, that's not a weird | :29:35. | :29:37. | |
sex face, but she's a weird character. That's not it. No! | :29:38. | :29:49. | |
Like that movie. I had to go on Skype with David Cronenberg saw that | :29:50. | :30:02. | |
he could see what my planned weird sex faces were. It's awful on every | :30:03. | :30:11. | |
level because I've never met him before. To say, nice to meet you and | :30:12. | :30:16. | |
then get, so, what are your sex faces, which I'd just been | :30:17. | :30:20. | |
practising in the mirror. They were meant to be horrible sex faces. They | :30:21. | :30:30. | |
were. But Skype froze. So my meeting with this big director who I think | :30:31. | :30:32. | |
is amazing was suddenly just this kind of... Sexless. But it was | :30:33. | :30:42. | |
great. -- sex face. You seem to have... Are you saying I have bad | :30:43. | :30:48. | |
sex faces? I am not saying that. Do you mean bad sex faces or bad sex | :30:49. | :30:54. | |
faces? They are two very different things. Very different. At sex face | :30:55. | :30:55. | |
is just... -- bad sex face. Uncomfortable moments with | :30:56. | :31:17. | |
directors. Joe Wright in Atonement, again, making sweet love, and he is | :31:18. | :31:22. | |
directing you, shouting instructions. I don't know, there is | :31:23. | :31:27. | |
a scene and I'm having sex up against a book shelf, as you do, | :31:28. | :31:31. | |
with the lovely James McAvoy, who is lovely. It is always awkward because | :31:32. | :31:36. | |
he is a friend. Suddenly, this voice just goes, Keira, rank him off! -- | :31:37. | :31:54. | |
wank. OK, no problem. That is what they don't know when they're sitting | :31:55. | :31:57. | |
there watching it. Look at that, 15 guys standing around and a guy with | :31:58. | :32:06. | |
a Sam which, like... -- sandwich. Faster! It's tough for us, too, | :32:07. | :32:16. | |
because you go in and you say, OK, where can touch you? Where can I'm | :32:17. | :32:20. | |
not touching? Want to apologise now for getting excited. Or I want to | :32:21. | :32:26. | |
apologise now for not getting excited. Because you don't know. | :32:27. | :32:30. | |
Actors can get upset either way. I'm not your type? | :32:31. | :32:38. | |
Right, before this week?s stories in the big red chair, it?s time | :32:39. | :32:44. | |
This band will be one of the headline acts | :32:45. | :32:47. | |
at this year?s Glastonbury and their new album is set to top the charts. | :32:48. | :32:51. | |
Performing their new single 'Eez-Eh', it is - Kasabian! | :32:52. | :33:12. | |
# I'm just trying to put the world to right | :33:13. | :33:21. | |
# And I got the feeling that I'm gonna keep you up all | :33:22. | :33:27. | |
# Gonna keep you up all # Gonna keep you up all night | :33:28. | :33:38. | |
# The wrong men have the power # It's turning my milk sour | :33:39. | :33:58. | |
# Turning my milk sour # Turning my milk sour | :33:59. | :34:00. | |
# I ain't easy # And I make you mad | :34:01. | :34:05. | |
to rights # And if you want to, I'll take you | :34:06. | :34:10. | |
out # Cause I got the feeling that I'm | :34:11. | :34:14. | |
gonna keep you up all night # I ain't easy | :34:15. | :34:22. | |
trying to set the world alight # You got problems, well so have I | :34:23. | :34:28. | |
# And I got the feeling that I'm gonna keep you up all | :34:29. | :34:32. | |
# Gonna keep you up all # Gonna keep you up all night | :34:33. | :34:50. | |
# Everyday is brutal # Now we're being watched by Google | :34:51. | :35:08. | |
# Being watched by Google # Being watched by Google | :35:09. | :35:15. | |
# Least I ain't sleazy # I'm just trying to put the world | :35:16. | :35:20. | |
to rights # And if you want to, I'll take you | :35:21. | :35:23. | |
out # Cause I got the feeling that I'm | :35:24. | :35:25. | |
gonna keep you up all night # I ain't easy | :35:26. | :35:30. | |
# But I ain't that bad # No rhyme or reason, I'm just | :35:31. | :35:33. | |
trying to set the world alight # You got problems, well so have I | :35:34. | :35:37. | |
# And I got the feeling that I'm gonna keep you up all | :35:38. | :35:44. | |
# Gonna keep you up all # Gonna keep you up all night. # | :35:45. | :36:41. | |
How good was that? Kasabian, everybody. Come on over. So rock 'n' | :36:42. | :37:03. | |
roll. Wonderful. Nice to see it. -- nice to see you. Do you know | :37:04. | :37:09. | |
everybody? Bonding, bonding, kissing, it's all lovely. She was | :37:10. | :37:15. | |
coveting your pants, I want you to know that. Was enjoying the pink | :37:16. | :37:21. | |
stripe. It is usually quite but they changed it to paint for Graham. A | :37:22. | :37:29. | |
nice gay joke. 4813 is the name of the new album. Explain it. We were | :37:30. | :37:35. | |
not trying to be clever or anything. It was just the sum of its parts. It | :37:36. | :37:40. | |
seemed perfect. Ridiculously, we came up with that before we had | :37:41. | :37:46. | |
finished the wreckage. So it was mad months of figuring out, changing | :37:47. | :37:52. | |
song lengths... You thought it was going to be the running time? Was it | :37:53. | :37:59. | |
a sweepstake? We fell in love with the number so everything at fit with | :38:00. | :38:04. | |
it. That everything had to fit with it. It informed of the wreckage. It | :38:05. | :38:07. | |
could not have been longer? Not by a second. 4814 did not sound as good. | :38:08. | :38:18. | |
Like the idea. Could you not just have called at 4813 and made it 50 | :38:19. | :38:22. | |
minutes? Two, dated to even going to. It could've been a mystery and | :38:23. | :38:27. | |
no one would have known. You have to time it. Too late now. Tom, I think | :38:28. | :38:36. | |
you might be freaking out now. Because I'm next to Mace Windu? | :38:37. | :38:40. | |
Yet... Really? You are Mace Windu. Thank you. He has a collection. | :38:41. | :38:50. | |
Life-savers. Many? I have sex. Yours, your De's, Darth Vader's, | :38:51. | :38:55. | |
Luke skywalker's. I've got the other one. I do a virgin? -- argue a | :38:56. | :39:07. | |
virgin? That was the light sabre he could not remember. Unbelievable. | :39:08. | :39:14. | |
Well, good luck with the album, and thank you for the | :39:15. | :39:17. | |
I love that song. I am not your demographic. You do not want a | :39:18. | :39:25. | |
50-year-old man going, great song. You're thinking, Jesus, we're | :39:26. | :39:30. | |
finished! Norton likes it, what is it all about?! Let's find out who is | :39:31. | :39:44. | |
on the red chair. My name is Amanda. Where are you from? New York City. | :39:45. | :39:51. | |
One person likes you. Or a seal has escaped. Do you live here? I am | :39:52. | :39:59. | |
cabin crew for a US airline. So off you go with your story. Any years | :40:00. | :40:05. | |
ago, boarding an aircraft going to a Caribbean island, and women comes on | :40:06. | :40:10. | |
with her baby in a stroller and told her to fold the stroller up and the | :40:11. | :40:14. | |
stroller in the closet. And about five minutes later, a little man | :40:15. | :40:18. | |
comes up and me and starts pulling on my shirt and saying, Miss, there | :40:19. | :40:26. | |
is a baby in the closet. And there went over and she actually closed | :40:27. | :40:32. | |
the stroller around the baby and hung the child. It had these big | :40:33. | :40:39. | |
beautiful brown eyes, looking up at me. Amanda, you can what! That was a | :40:40. | :40:49. | |
good story. When she said she worked for an airline, I thought, one of | :40:50. | :40:56. | |
you will have been on the plane. It was in snakes. Next person. Hello. | :40:57. | :41:01. | |
Look at you, grabbing onto that share. Careful! -- grabbing onto | :41:02. | :41:08. | |
that chair. What is your name? Collett. Where are you from? New | :41:09. | :41:15. | |
Zealand. Wait, New Zealand stories are often very good and even not, | :41:16. | :41:23. | |
the accent is hilarious. Do you live here or there are? I live here. I am | :41:24. | :41:28. | |
in teacher. What subject do you teach? I am a PET chair. Unusual. -- | :41:29. | :41:39. | |
PE teacher. Being a PE teacher, I find it inappropriate to wear a | :41:40. | :41:42. | |
thong to work. One night each, eyewear normal undies but when our | :41:43. | :41:47. | |
work-out, eyewear a thong because with kites, you do not want to get a | :41:48. | :41:56. | |
11... No, no. That story was every shade of wrong. A PE teacher is | :41:57. | :42:03. | |
considering wearing thongs to work? Should we attempt one more. One | :42:04. | :42:12. | |
more, OK. I was not actually asking you but thanks. Thank you for your | :42:13. | :42:18. | |
interest. Hello. You seem excited to be here. What is your name? | :42:19. | :42:27. | |
Catherine. I am in from Middlesex. What do you do? I am in uni. It is a | :42:28. | :42:33. | |
real place. Are you from Middlesex? Kind of. What are you studying at | :42:34. | :42:39. | |
university? Fine art. Lovely. That is exciting. Stop it, you are in a | :42:40. | :42:51. | |
frenzy. Come down. Tell your story. My mum used to be in the police and | :42:52. | :42:55. | |
her and her friends got a call out because these neighbours had not | :42:56. | :42:58. | |
seen this little old lady for a while and were getting worried. My | :42:59. | :43:01. | |
mum and her friend went over and broke in, thinking the worst. They | :43:02. | :43:06. | |
went upstairs and they saw this wardrobe had fallen over and these | :43:07. | :43:08. | |
little legs sticking out underneath it and they were like, she's dead. | :43:09. | :43:16. | |
Her nightie had written up, and my mums friend goes, look at the Bush | :43:17. | :43:21. | |
on that. And a voice from under the wardrobe goes, never mind my Bush, | :43:22. | :43:28. | |
get me out from underneath here! OK, she walks. Well done. | :43:29. | :43:35. | |
If you?d like to join us on the show and have a go | :43:36. | :43:38. | |
in the red chair, you can contact us via our website at this address. | :43:39. | :43:42. | |
Thank you to my guests, Kasabian, Keira Knightley and Samuel Jackson. | :43:43. | :43:46. | |
Join me next week with music from rock queen Chrissie Hynde, | :43:47. | :43:49. | |
comedian John Bishop, the man behind Mrs Brown, Brendan O'Carroll, | :43:50. | :43:52. | |
'Miami Vice' legend Don Johnson and pop princess Cheryl Cole. | :43:53. | :43:56. | |
I saw you before and I thought you were so beautiful. | :43:57. | :44:32. | |
I wish that love could come into my life. | :44:33. | :44:35. |