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On the show tonight, an action hero, who is always running in films. | 0:00:02 | 0:00:05 | |
I love the way he runs - just like this. I've watched it a lot. | 0:00:05 | 0:00:07 | |
So I'm kind of an expert at doing it now. | 0:00:07 | 0:00:09 | |
The... | 0:00:09 | 0:00:11 | |
AUDIENCE CHEERS AND APPLAUDS | 0:00:11 | 0:00:18 | |
Let's start the show! | 0:00:18 | 0:00:20 | |
APPLAUSE AND CHEERING | 0:00:26 | 0:00:30 | |
Oh! Oh! Still running! | 0:00:36 | 0:00:37 | |
Still running! Still running! | 0:00:37 | 0:00:39 | |
Hello! Good evening! Welcome! | 0:00:39 | 0:00:41 | |
This is a good one, right? You picked a good one tonight. | 0:00:41 | 0:00:45 | |
The biggest film star in the world, Sir Tom Cruise, is here!! | 0:00:45 | 0:00:49 | |
-RAPTUROUS APPLAUSE AND CHEERING -Proof! Proof! | 0:00:49 | 0:00:52 | |
Not making it up! | 0:00:52 | 0:00:54 | |
From The Devil Wears Prada and The Adjustment Bureau - | 0:00:54 | 0:00:57 | |
Emily Blunt is on the show! | 0:00:57 | 0:00:59 | |
APPLAUSE AND CHEERING | 0:00:59 | 0:01:02 | |
Star of Ted and the creator of Family Guy, | 0:01:02 | 0:01:05 | |
Seth MacFarlane is here! | 0:01:05 | 0:01:07 | |
-APPLAUSE AND CHEERING -I know! | 0:01:07 | 0:01:09 | |
Oscar-winning actress Charlize Theron - | 0:01:09 | 0:01:13 | |
she's here! | 0:01:13 | 0:01:14 | |
-APPLAUSE AND CHEERING -And... | 0:01:14 | 0:01:17 | |
And...! | 0:01:17 | 0:01:19 | |
What's funny is, I'm actually really exhausted. | 0:01:19 | 0:01:22 | |
-CHUCKLING -And...! And...! | 0:01:22 | 0:01:25 | |
No - we've got music as well. | 0:01:25 | 0:01:27 | |
Chart-topping megastars... | 0:01:27 | 0:01:29 | |
Coldplay! | 0:01:29 | 0:01:30 | |
-APPLAUSE AND CHEERING -Coldplay! | 0:01:30 | 0:01:33 | |
That's... | 0:01:33 | 0:01:36 | |
That's a lot! | 0:01:36 | 0:01:38 | |
-That is a lot. Now... -APPLAUSE AND CHEERING CONTINUES | 0:01:38 | 0:01:41 | |
Seth... Seth and Charlize, | 0:01:41 | 0:01:44 | |
they're here to talk about their new movie, | 0:01:44 | 0:01:46 | |
A Million Ways To Die In The West. | 0:01:46 | 0:01:49 | |
And you know, there WERE a million ways for cowboys to die. | 0:01:49 | 0:01:53 | |
You know, gunfights, stampedes... | 0:01:53 | 0:01:55 | |
Of course you could simply die of embarrassment. | 0:01:55 | 0:01:58 | |
LAUGHTER | 0:01:58 | 0:02:02 | |
It's the socks that wreck that, isn't it? The socks... | 0:02:02 | 0:02:04 | |
Also, I've got to chat to Seth about Family Guy. | 0:02:04 | 0:02:08 | |
-WHOOPING -Lots of Family Guy... Yeah. | 0:02:08 | 0:02:12 | |
APPLAUSE | 0:02:12 | 0:02:13 | |
That's obviously Peter Griffin, with his super-intelligent dog Brian. | 0:02:13 | 0:02:17 | |
You know, would you ever get a dog in real life | 0:02:17 | 0:02:19 | |
that was smarter than its owner? | 0:02:19 | 0:02:22 | |
-LAUGHTER -Er...! | 0:02:22 | 0:02:24 | |
-The... -APPLAUSE | 0:02:24 | 0:02:27 | |
Fetch the ball! Good Wayne, good Wayne, good Wayne! | 0:02:27 | 0:02:30 | |
Now, Tom Cruise, Emily Blunt - they're both appearing | 0:02:30 | 0:02:34 | |
in the new sci-fi thriller Edge Of Tomorrow. | 0:02:34 | 0:02:36 | |
And the film is set in the near-future, in a London | 0:02:36 | 0:02:39 | |
that has been taken over by aliens, | 0:02:39 | 0:02:41 | |
and only one man is fighting back. | 0:02:41 | 0:02:44 | |
-Er... -LAUGHTER | 0:02:44 | 0:02:48 | |
It's an earthquake! | 0:02:48 | 0:02:50 | |
I've got to ask Tom about Top Gun, | 0:02:50 | 0:02:52 | |
and all the amazing flying sequences. | 0:02:52 | 0:02:54 | |
And very exciting, ladies and gentlemen, | 0:02:54 | 0:02:56 | |
there is talk of a sequel, | 0:02:56 | 0:02:57 | |
although I DO hear it's going to be slightly lower budget. | 0:02:57 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
Still good! That's all coming up later! | 0:03:02 | 0:03:04 | |
Plus - more of your stories in the Big Red Chair. | 0:03:04 | 0:03:06 | |
So, let's get our first two guests on! | 0:03:06 | 0:03:08 | |
-APPLAUSE AND CHEERING -It's time for the chop - | 0:03:08 | 0:03:11 | |
it's Emily Blunt! | 0:03:11 | 0:03:13 | |
APPLAUSE AND CHEERING | 0:03:13 | 0:03:16 | |
I'm thinking, "She's here! I saw her! She's here! | 0:03:18 | 0:03:20 | |
-"I know she's here!" -Hi. | 0:03:20 | 0:03:23 | |
And I've achieved Mission Impossible. I've got him back! | 0:03:23 | 0:03:25 | |
It IS Mr Tom Cruise! | 0:03:25 | 0:03:28 | |
MISSION: IMPOSSIBLE THEME PLAYS | 0:03:28 | 0:03:32 | |
Hello, sir. Aw! | 0:03:32 | 0:03:34 | |
Sit down! Tom Cruise, everybody! | 0:03:34 | 0:03:37 | |
WHISTLING AND APPLAUSE | 0:03:40 | 0:03:43 | |
Emily Blunt! | 0:03:43 | 0:03:45 | |
-Welcome one, welcome all. -Thank you. | 0:03:45 | 0:03:47 | |
-Thank you. -Very nice to see you. -Nice to see you! | 0:03:47 | 0:03:50 | |
-Emily, welcome back. -Thank you! | 0:03:50 | 0:03:52 | |
-I think you're third time. -Third time. -And it's still... | 0:03:52 | 0:03:55 | |
Still, like, "Oh, my God, it's Tom Cruise..." | 0:03:55 | 0:03:57 | |
In the movie, Edge Of Tomorrow, did you ever get over that, Emily? | 0:03:57 | 0:04:00 | |
-Did you ever get to the point...? -I said it to him every day - | 0:04:00 | 0:04:02 | |
"Oh, my God, it's you!" | 0:04:02 | 0:04:04 | |
It just... The illusion wears off. | 0:04:04 | 0:04:07 | |
And I was doing my running there. And you ARE famous for your running. | 0:04:07 | 0:04:11 | |
But the director of Edge Of Tomorrow was saying that you don't just run | 0:04:11 | 0:04:14 | |
on-camera - also, off-camera, | 0:04:14 | 0:04:17 | |
-you like running. -Yeah - I like to run. | 0:04:17 | 0:04:20 | |
-I like to... -But weren't you getting everyone to run? | 0:04:20 | 0:04:23 | |
Yeah, we had to get back to one, | 0:04:23 | 0:04:25 | |
because we had so many set-ups that day, | 0:04:25 | 0:04:27 | |
so I was racing the guys back to the opening mark, | 0:04:27 | 0:04:30 | |
just to keep pace on it. You know, movies - you've got | 0:04:30 | 0:04:33 | |
-to get a lot of shots during the day, so... -These poor extras. | 0:04:33 | 0:04:36 | |
-You know that day. -They were over it by the end of the day. | 0:04:36 | 0:04:38 | |
"Oh, Tom Cruise wants to race again..." | 0:04:38 | 0:04:41 | |
-Yeah - "You win!" -Yeah! | 0:04:41 | 0:04:42 | |
LAUGHTER | 0:04:42 | 0:04:45 | |
-Was there a prize or anything? -No, just... | 0:04:45 | 0:04:48 | |
Just, let's go, let's go, let's go. | 0:04:48 | 0:04:50 | |
I'd be a very bad extra. I'd be the one - "I'm not running..." | 0:04:50 | 0:04:53 | |
But talking to people that you've worked with, you always... | 0:04:53 | 0:04:56 | |
You are known as this, kind of - the positive force on set. | 0:04:56 | 0:04:58 | |
You know, the kind of, "Yeah, we can do this!" | 0:04:58 | 0:05:01 | |
Is it true that Emily Blunt did break your spirit? | 0:05:01 | 0:05:04 | |
-LAUGHTER -It was a particularly hard day, | 0:05:04 | 0:05:07 | |
-I will say, it was a very hard day. -No. | 0:05:07 | 0:05:09 | |
It was... We were in the drop ship. No, she didn't break my spirit. | 0:05:09 | 0:05:12 | |
-But there was that moment when... -You were... Basically, we were | 0:05:12 | 0:05:15 | |
in this drop ship. I don't know if you guys have seen the trailer. | 0:05:15 | 0:05:18 | |
We were being dropped out of this ship in our exosuits, | 0:05:18 | 0:05:21 | |
and it was a tiny set - they'd made the set really small, | 0:05:21 | 0:05:23 | |
it was kind of like as big as a sardine can, and we're all in there. | 0:05:23 | 0:05:26 | |
It's SO hot in there, there's no air in there, the camera crew | 0:05:26 | 0:05:28 | |
are bumping into us, and we're hanging in the exosuits | 0:05:28 | 0:05:31 | |
and harnesses, so the entire weight of you and your suit | 0:05:31 | 0:05:34 | |
is like on your groin - and we were miserable! | 0:05:34 | 0:05:37 | |
People were just like hanging like this, just waiting | 0:05:37 | 0:05:40 | |
for action, and... | 0:05:40 | 0:05:41 | |
And Tom - erm, that insatiable positivity, | 0:05:41 | 0:05:45 | |
I can just see it just starting to unravel. | 0:05:45 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:50 | |
He was pouring with sweat, I remember looking at him, and he was, | 0:05:50 | 0:05:53 | |
"Guys - please... Please roll. | 0:05:53 | 0:05:55 | |
"Please roll." And I just looked at him, and I just went, | 0:05:55 | 0:05:58 | |
"(Ooh, this sucks...)" Like that. | 0:05:58 | 0:06:01 | |
And he looked at me, and he goes... | 0:06:01 | 0:06:03 | |
"It's a challenge." | 0:06:05 | 0:06:06 | |
LAUGHTER | 0:06:06 | 0:06:09 | |
-And I went... -Because you know what - | 0:06:12 | 0:06:14 | |
if I start complaining, | 0:06:14 | 0:06:16 | |
-it's on. If I start going down, it's on. -Yeah. And I went, "Tom - | 0:06:16 | 0:06:20 | |
"it sucks!" | 0:06:20 | 0:06:22 | |
"OK, fine." | 0:06:22 | 0:06:23 | |
I got on OK, fine. | 0:06:23 | 0:06:25 | |
Let's go, let's get the shot. | 0:06:25 | 0:06:27 | |
But do you ever...? Putting yourself out there, | 0:06:27 | 0:06:30 | |
you started ridiculously young... How young were you | 0:06:30 | 0:06:33 | |
when you started doing stunts? | 0:06:33 | 0:06:35 | |
Well, I used to do crazy things, like, I would, you know... | 0:06:35 | 0:06:38 | |
My poor mother. I was, I don't know, four or five years old, | 0:06:38 | 0:06:41 | |
I'd climb to the top of trees | 0:06:41 | 0:06:42 | |
and kind of hang off as the wind is going, | 0:06:42 | 0:06:44 | |
and then, I remember years later, I saw, you know, | 0:06:44 | 0:06:47 | |
-Evel Knievel, you know, jumping off the canyon... -Mmm. | 0:06:47 | 0:06:50 | |
..and... So, I... There was this very steep hill | 0:06:50 | 0:06:53 | |
in one of the neighbourhoods we were living in, and I kind of took | 0:06:53 | 0:06:56 | |
boards from this neighbourhood, kind of, I don't know, construction site, | 0:06:56 | 0:07:00 | |
you know, and lined up all these cans. | 0:07:00 | 0:07:03 | |
My sisters... By this time, I'd been to the hospital a few times, | 0:07:03 | 0:07:06 | |
broken some bones, and they were like, "Don't do this, you'll get | 0:07:06 | 0:07:09 | |
"in trouble, we don't want to have to take you to hospital again." | 0:07:09 | 0:07:12 | |
I was, "No, no, it's going to work." | 0:07:12 | 0:07:13 | |
I was about eight years old at this point. | 0:07:13 | 0:07:15 | |
And so I took my bike to the top of the hill, | 0:07:15 | 0:07:17 | |
and I started halfway down, I realised when I got halfway down, | 0:07:17 | 0:07:20 | |
it was one of those chains... You know, the wh... | 0:07:20 | 0:07:23 | |
the pedals start going, and it doesn't slow, | 0:07:23 | 0:07:25 | |
-so it's going really fast. -Yeah. -And I couldn't stop - | 0:07:25 | 0:07:27 | |
it was too late to bail. | 0:07:27 | 0:07:30 | |
And I had my sister and her friends were down there, | 0:07:30 | 0:07:32 | |
and some kids around the neighbourhood! | 0:07:32 | 0:07:34 | |
"Oh, this..." Like halfway through, you're going, | 0:07:34 | 0:07:36 | |
"Maybe this wasn't such a good idea?" | 0:07:36 | 0:07:38 | |
You're approaching the thing, going, "This really wasn't a good idea, | 0:07:38 | 0:07:41 | |
"but I'm committed." And I thought, "I'm going to go so far and so high." | 0:07:41 | 0:07:45 | |
So I went up this beam thing and ended up... | 0:07:45 | 0:07:47 | |
Of course the board split. | 0:07:47 | 0:07:48 | |
-The board split and I... -You were trying to do a jump? | 0:07:48 | 0:07:51 | |
Yeah. Over the... The board was like this, and stacked up trash cans, | 0:07:51 | 0:07:54 | |
-almost to like half a storey. -Right. | 0:07:54 | 0:07:56 | |
And I went through it and I ended up just...just pile-driving | 0:07:56 | 0:07:59 | |
through the trash cans. I mean, just... | 0:07:59 | 0:08:01 | |
-It was violent, I was laying on the other side. Of course... -Amazing. | 0:08:01 | 0:08:03 | |
..there's blood everywhere, I'm just laying there, I remember my sisters | 0:08:03 | 0:08:07 | |
standing over me, no sympathy. It's not like, "Oh, my God, Tom!" | 0:08:07 | 0:08:10 | |
They just looked at me and said, "We told you!" | 0:08:10 | 0:08:12 | |
"You are in so much trouble right now!" | 0:08:12 | 0:08:15 | |
-Do your mum. "Tom, Tom..." -"Tom, Tom..." | 0:08:15 | 0:08:18 | |
-"Please, honey..." -"Honey, please..." | 0:08:18 | 0:08:20 | |
"Please!" | 0:08:20 | 0:08:22 | |
"Honey..." She would make me chocolate cake. | 0:08:22 | 0:08:25 | |
"Honey, please, I got some chocolate cake down here." | 0:08:25 | 0:08:27 | |
-"Don't jump off the building!" -"Don't jump off that building, | 0:08:27 | 0:08:30 | |
-"sweetheart, please!" -But your life... | 0:08:30 | 0:08:32 | |
your life must drive your mother insane. I... | 0:08:32 | 0:08:35 | |
She was very, er, patient. | 0:08:35 | 0:08:37 | |
I took my mother skydiving, I surprised her. | 0:08:37 | 0:08:40 | |
-Did she like that? -She loved it. Actually, when we were in Dubai, | 0:08:40 | 0:08:42 | |
I said, "Where's my mother?" | 0:08:42 | 0:08:46 | |
-"Oh, she went skydiving - again." -Wow! | 0:08:46 | 0:08:48 | |
Because I saw... This picture - I haven't seen this picture before. | 0:08:48 | 0:08:51 | |
So, in Mission: Impossible 4, this is, isn't it? | 0:08:51 | 0:08:54 | |
-Oh, yeah. -In Dubai, the famous bit - you running around the... | 0:08:54 | 0:08:58 | |
-the very high building. -Yeah, yeah, yeah. | 0:08:58 | 0:09:00 | |
But I hadn't seen this picture before. This is just you, | 0:09:00 | 0:09:02 | |
-no harness, randomly... -AUDIENCE GROANS | 0:09:02 | 0:09:05 | |
..no shoes. I don't quite understand the no-shoe... | 0:09:05 | 0:09:07 | |
I guess it's not going to hurt your feet, but... | 0:09:07 | 0:09:10 | |
To give some perspective, that's you at the top of the tower. | 0:09:12 | 0:09:15 | |
Here is the tower. | 0:09:15 | 0:09:17 | |
GASPS | 0:09:17 | 0:09:18 | |
-What is it, a kilometre high? -Something like that. | 0:09:18 | 0:09:21 | |
And this is how you got the picture. | 0:09:21 | 0:09:23 | |
So, there's a helicopter up there. | 0:09:23 | 0:09:26 | |
But you sitting on that thing... | 0:09:26 | 0:09:29 | |
Now, that's not brave, that's something else. | 0:09:29 | 0:09:32 | |
-LAUGHTER -That's just... What IS...? | 0:09:32 | 0:09:34 | |
Are you feeling fear, sitting on top of that thing? | 0:09:34 | 0:09:37 | |
I-I wasn't. You know, | 0:09:38 | 0:09:40 | |
it's just... When you have that opportunity - we got up | 0:09:40 | 0:09:42 | |
early in the morning. I had to shoot all day, so me and the stunt team | 0:09:42 | 0:09:45 | |
were like, "Let's see if they'll let us get all the way to the top, | 0:09:45 | 0:09:48 | |
"and we can get some photos, and then..." | 0:09:48 | 0:09:50 | |
-Maybe die! -Yeah, maybe...! | 0:09:50 | 0:09:52 | |
It is so high. You know, they say, | 0:09:53 | 0:09:55 | |
don't worry, before you hit the ground, you'll pass out. | 0:09:55 | 0:09:57 | |
You know. | 0:09:57 | 0:09:58 | |
That's not true - I don't think that's really true. | 0:09:58 | 0:10:01 | |
I think, especially that's it's so high, if you pass out, | 0:10:01 | 0:10:04 | |
you'll come back. Like, "I'm still falling! Oh, my God!" | 0:10:04 | 0:10:07 | |
-Do you know what I mean?! -"No!!!" | 0:10:07 | 0:10:10 | |
We just kind of did it, we thought it would be fun, just to... | 0:10:11 | 0:10:14 | |
I don't know. It was... | 0:10:14 | 0:10:16 | |
-It's the tallest building in the world, you just... -No, I get it. | 0:10:16 | 0:10:19 | |
-Yeah. -Er...! | 0:10:19 | 0:10:20 | |
I could look at it and go, "That is tall, yeah!" | 0:10:20 | 0:10:24 | |
And as you get older, does it affect your approach to things like that? | 0:10:24 | 0:10:28 | |
Do you feel more kind of vulnerable, or no? | 0:10:28 | 0:10:31 | |
I mean, I didn't feel like I WOULD fall. | 0:10:33 | 0:10:35 | |
-I wasn't thinking of falling that day. -No. I... Yes, yeah. | 0:10:35 | 0:10:38 | |
I didn't feel... I don't feel invulnerable, | 0:10:38 | 0:10:40 | |
but I didn't feel necessarily vulnerable, that's... | 0:10:40 | 0:10:43 | |
-Because Mission: Impossible 5, that is definitely happening now? -Yeah. | 0:10:43 | 0:10:46 | |
-Yeah, we're working on it right now. -I know. | 0:10:46 | 0:10:48 | |
APPLAUSE Shoot it here in London. | 0:10:48 | 0:10:51 | |
People want to see that. Is that a...? | 0:10:51 | 0:10:53 | |
-Oh, you are going to shoot it in London? -Yeah. | 0:10:53 | 0:10:55 | |
Yeah, it'll be a lot of fun. GRAHAM GASPS | 0:10:55 | 0:10:56 | |
-Oh, the traffic! -Yeah, I love making... | 0:10:56 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:11:00 | |
-I look forward to seeing it! -Yeah! | 0:11:00 | 0:11:02 | |
Edge Of Tomorrow, there's an amazing scene with Trafalgar Square. | 0:11:02 | 0:11:05 | |
When you watch it, you think, "Oh, that's so good." | 0:11:05 | 0:11:07 | |
-But I remember that day. -Do you? | 0:11:07 | 0:11:09 | |
Yeah! Like, screwed up our lives for a whole day! | 0:11:09 | 0:11:12 | |
So, listen, this movie, Edge Of Tomorrow, | 0:11:13 | 0:11:15 | |
it opens tonight, and it is TER-RIFIC. | 0:11:15 | 0:11:19 | |
-Such a great movie, it really is. -Thank you. -Thank you. | 0:11:19 | 0:11:21 | |
Just the pace of the thing, there's none of those... | 0:11:21 | 0:11:23 | |
You know, the 15 minutes where you kind of think... | 0:11:23 | 0:11:26 | |
-Go get popcorn. -It's boom! | 0:11:26 | 0:11:27 | |
-It is incredible. -Thank you. -It's got a great premise. | 0:11:27 | 0:11:30 | |
-Tom, tell us the premise of the movie. -Good luck! -I know! | 0:11:30 | 0:11:32 | |
Essentially, a whole world is being attacked by aliens, | 0:11:34 | 0:11:37 | |
but, er, I play a PR guy, Cage, | 0:11:37 | 0:11:39 | |
who's...an unlikely hero, | 0:11:39 | 0:11:42 | |
pretty much a coward, and... | 0:11:42 | 0:11:44 | |
doesn't ever have to go to the front. | 0:11:44 | 0:11:46 | |
And I'm told, part of my assignment is, | 0:11:46 | 0:11:49 | |
I have to go the front to cover the soldiers there. | 0:11:49 | 0:11:51 | |
And I try to get out of it, | 0:11:51 | 0:11:53 | |
and blackmail the general, so he sends me to the front. | 0:11:53 | 0:11:56 | |
And where I meet Emily Blunt's character is... | 0:11:56 | 0:11:59 | |
Essentially, she is the warrior, she is... | 0:11:59 | 0:12:02 | |
-She's known as the full metal bitch... -Yeah. | 0:12:02 | 0:12:04 | |
-..which is kind of... -Ooh-oo-ooh! -LAUGHTER | 0:12:04 | 0:12:07 | |
But through this horrific day, he ends up | 0:12:09 | 0:12:11 | |
realising that the way the aliens are winning the war is | 0:12:11 | 0:12:14 | |
that they can predict the future. | 0:12:14 | 0:12:16 | |
And so, my character inherits that when he dies. | 0:12:16 | 0:12:21 | |
And he ends up waking up 24 hours beforehand, | 0:12:21 | 0:12:25 | |
-and... -He has this ability to reset the day, | 0:12:25 | 0:12:28 | |
so in doing so, he's able to kind of change strategies | 0:12:28 | 0:12:32 | |
and figure out new ways of winning the war. | 0:12:32 | 0:12:34 | |
So he's a very valuable weapon. | 0:12:34 | 0:12:36 | |
We've got a clip, and this is a full action clip, | 0:12:36 | 0:12:40 | |
and it's the scene on the battlefield where Emily's character | 0:12:40 | 0:12:43 | |
-starts to twig... -Oh, yeah. -..what's going on. | 0:12:43 | 0:12:46 | |
Ugh! | 0:12:52 | 0:12:53 | |
I'm trying to save you. | 0:12:53 | 0:12:56 | |
We're getting slaughtered. You need to get us off this beach! | 0:12:56 | 0:12:59 | |
We have to go. This drop ship is about to explode. | 0:13:04 | 0:13:07 | |
We have to go now. | 0:13:07 | 0:13:09 | |
Wait! | 0:13:09 | 0:13:10 | |
MACHINE GUN RATTLES, CREATURE GROWLS | 0:13:12 | 0:13:15 | |
Come on! | 0:13:15 | 0:13:16 | |
Come on! | 0:13:27 | 0:13:28 | |
Now, come on! | 0:13:31 | 0:13:33 | |
This ship is going to explode! | 0:13:33 | 0:13:35 | |
What are you doing? | 0:13:35 | 0:13:37 | |
Find me when you wake up. | 0:13:37 | 0:13:39 | |
-What? -Come find me when you wake up. | 0:13:39 | 0:13:42 | |
Agh! | 0:13:43 | 0:13:45 | |
On your feet, maggot! | 0:13:45 | 0:13:47 | |
-APPLAUSE -Awesome! | 0:13:48 | 0:13:51 | |
It's... | 0:13:51 | 0:13:53 | |
It really is this epic adventure, and you're seeing that | 0:13:56 | 0:13:58 | |
I'm trying to save her to basically save myself, | 0:13:58 | 0:14:01 | |
and then I realise that she also... | 0:14:01 | 0:14:03 | |
-Had the power at one point, and no longer has it. -Yeah, so, | 0:14:03 | 0:14:06 | |
it's got wonderful characters and tension in the piece. | 0:14:06 | 0:14:10 | |
-And then you have to die over and over again. -Yes. | 0:14:10 | 0:14:12 | |
So, how hard is that for an actor, to kind of like...? | 0:14:12 | 0:14:15 | |
It was a lot of fun. We were trying to figure out how many ways... | 0:14:15 | 0:14:18 | |
-It becomes... It's very funny, how many... -What's the most violent | 0:14:18 | 0:14:21 | |
-way to kill him? -..different ways we could die. I was like, | 0:14:21 | 0:14:23 | |
I said to the stunt guys, "This has got to be violent. | 0:14:23 | 0:14:26 | |
"This is Wile E Coyote." You know? "This is Bugs Bunny." | 0:14:26 | 0:14:28 | |
It's like, "Throw me up against the wall, spin me around..." | 0:14:28 | 0:14:31 | |
Her character essentially trains me, | 0:14:31 | 0:14:34 | |
because she realises that the only way to win the battle | 0:14:34 | 0:14:37 | |
-is through him. -Mm-hmm. | 0:14:37 | 0:14:39 | |
So she ends up at times being quite ruthless with me when I | 0:14:39 | 0:14:42 | |
don't perform correctly, and she... | 0:14:42 | 0:14:45 | |
-I shoot him. -Yeah, she's shooting me. | 0:14:45 | 0:14:47 | |
-She's shooting me in the head. -But a lot of the deaths are funny. -Yes. | 0:14:47 | 0:14:50 | |
-They're so... -Very, yeah. -Yeah! | 0:14:50 | 0:14:51 | |
For you, because obviously, if you're run over by a truck, | 0:14:51 | 0:14:55 | |
-you make a different sound than if somebody... -Yeah, I know. | 0:14:55 | 0:14:57 | |
-..pushes you... -Exactly. I'm glad you recognised that. | 0:14:57 | 0:15:00 | |
-We worked for a year... -Oh, yeah! -LAUGHTER | 0:15:00 | 0:15:02 | |
We kept working on the different screams. | 0:15:02 | 0:15:05 | |
It had to be a little bit like that kind of sound that | 0:15:05 | 0:15:07 | |
you just don't want to hear yourself scream that way? | 0:15:07 | 0:15:10 | |
-You know - did I really scream like that? -Yeah! | 0:15:10 | 0:15:13 | |
And Emily Blunt, in this movie, you... | 0:15:13 | 0:15:16 | |
-I mean, you look lovely. -Oh, thanks. | 0:15:16 | 0:15:18 | |
-But in this... -APPLAUSE AND WHOOPING | 0:15:18 | 0:15:22 | |
..you're... But you've got guns - it's a bit like... | 0:15:22 | 0:15:25 | |
-Yeah. -You're in amazing condition. -Thank you. | 0:15:25 | 0:15:27 | |
-She's a badass in this film. -She really is! Yeah! | 0:15:27 | 0:15:29 | |
-I know. -And doing the stunts, Emily, | 0:15:29 | 0:15:31 | |
-you had to wear... We saw those suits. -Yeah. | 0:15:31 | 0:15:33 | |
Now, I don't know what they're made out of, but even if they're | 0:15:33 | 0:15:36 | |
-made out of balsa wood, it's a lot of balsa wood! -Yeah, yeah. | 0:15:36 | 0:15:38 | |
-Mine weighed about 85lb. -Wow! | 0:15:38 | 0:15:41 | |
The first time I put it on, it was a very interesting day. | 0:15:41 | 0:15:44 | |
Tom I think was aware that it was my first fitting in the exosuit... | 0:15:44 | 0:15:48 | |
-I know, I was there. -He knew that... -I'd spent months prepping it, | 0:15:48 | 0:15:50 | |
-and working - it was the first day. -..knew that I'd be overwhelmed. | 0:15:50 | 0:15:53 | |
He came over after I'd put it on - I was trying to hold it together. | 0:15:53 | 0:15:56 | |
I'm not really like a crier, but he came up and he was like, | 0:15:56 | 0:15:58 | |
"How are you doing? Are you OK?" And I went, | 0:15:58 | 0:16:01 | |
"Yeah. Yeah, I'm OK..." And he went, | 0:16:01 | 0:16:03 | |
"Are you sure? Cos it's hard, right? It's heavy." | 0:16:03 | 0:16:05 | |
And I went, "Yeah, it's just like..." | 0:16:05 | 0:16:07 | |
"This is really heavy!" | 0:16:07 | 0:16:09 | |
LAUGHTER | 0:16:09 | 0:16:11 | |
"It's like a lot heavier than I... | 0:16:11 | 0:16:12 | |
"thought it was going to be!" | 0:16:12 | 0:16:14 | |
And he was...! | 0:16:14 | 0:16:17 | |
-He told me to stop being a wuss. -This is before we started! | 0:16:17 | 0:16:20 | |
It was the best thing - just to make me laugh. | 0:16:20 | 0:16:22 | |
Cos I was like, "If he hugs me right now, it's over. | 0:16:22 | 0:16:24 | |
"It's going to be like, sprinkler system." | 0:16:24 | 0:16:26 | |
And in some scenes - and you can't tell - | 0:16:26 | 0:16:29 | |
but in some scenes, you are pregnant. | 0:16:29 | 0:16:31 | |
Well, n-n-n... Yes. | 0:16:31 | 0:16:34 | |
We did some additional photography... | 0:16:34 | 0:16:36 | |
-At the end. -Yeah, we did some pick-ups... -..and I was pregnant. | 0:16:36 | 0:16:39 | |
-..when she was pregnant. -It was still early, so I wasn't | 0:16:39 | 0:16:41 | |
really telling anyone. So, Tom was confused, as to why | 0:16:41 | 0:16:44 | |
I wasn't engaging in all the stunts. Cos I was kind of game for it | 0:16:44 | 0:16:46 | |
when we did the original shoot. And eventually I went, | 0:16:46 | 0:16:49 | |
"Because I'm growing a human." | 0:16:49 | 0:16:51 | |
And he was like... | 0:16:51 | 0:16:53 | |
And he was SO cute about it, and then protected me. | 0:16:53 | 0:16:55 | |
He was helping me down stairs, he was almost overboard, you know! | 0:16:55 | 0:16:58 | |
-She was like, "Tom, easy!" -"Tom, I'm fine. I can do stairs!" | 0:16:58 | 0:17:00 | |
-LAUGHTER -Well, you grew the little human, | 0:17:00 | 0:17:03 | |
-and little human popped out... -Yes. -We've got a picture of Hazel. | 0:17:03 | 0:17:06 | |
ALL: Aw! | 0:17:06 | 0:17:08 | |
That... As a mother, that must be so nice, | 0:17:08 | 0:17:10 | |
to have 600 people go, "Aw!" | 0:17:10 | 0:17:12 | |
It is very nice, yes. | 0:17:12 | 0:17:14 | |
-Because I'd do that, -but, yeah. She's beautiful. | 0:17:14 | 0:17:16 | |
-She's really cute. -She was laughing today, it was amazing. | 0:17:16 | 0:17:19 | |
-And the nurse that was complimentary when she popped out? -Yes. | 0:17:19 | 0:17:21 | |
We were in the recovery room, and we had this amazing nurse who came in, | 0:17:21 | 0:17:25 | |
and she looked at Hazel, and she goes, | 0:17:25 | 0:17:27 | |
"Damn, your baby is so cute!" | 0:17:27 | 0:17:31 | |
And I went, "Oh, really?" She went, | 0:17:32 | 0:17:34 | |
"She is gorgeous!" And I went, | 0:17:34 | 0:17:36 | |
"Mabel, I think you say that to all the mothers." And she went, | 0:17:36 | 0:17:38 | |
-SOUTHERN US ACCENT: -"No, I don't." | 0:17:38 | 0:17:40 | |
She said, "When I know a baby ugly, I say, | 0:17:40 | 0:17:43 | |
"'You had a baby!'" | 0:17:43 | 0:17:45 | |
LAUGHTER | 0:17:45 | 0:17:47 | |
That's it! | 0:17:47 | 0:17:49 | |
APPLAUSE | 0:17:49 | 0:17:51 | |
-Listen, good luck. -Thank you. -Thank you. -You'll love this movie. | 0:17:51 | 0:17:54 | |
Edge Of Tomorrow - it's at cinemas everywhere. | 0:17:54 | 0:17:57 | |
We're going from a film where Tom Cruise | 0:17:58 | 0:18:00 | |
finds hundreds of ways to die on to our next movie tonight - | 0:18:00 | 0:18:03 | |
A Million Ways To Die In The West. | 0:18:03 | 0:18:05 | |
Please welcome the stars - Seth MacFarlane and Charlize Theron. | 0:18:05 | 0:18:09 | |
Oh, here they are! | 0:18:09 | 0:18:12 | |
CHEERING AND APPLAUSE | 0:18:12 | 0:18:15 | |
This is the most welcome I've ever felt anywhere. | 0:18:38 | 0:18:42 | |
-Really? -You sure know how to treat a guy. -Oh, yes. | 0:18:42 | 0:18:46 | |
-Charlize, welcome back. -Thank you. -Lovely to have you back. -Thanks. | 0:18:46 | 0:18:49 | |
Seth, have you ever done a British talk show before? | 0:18:49 | 0:18:52 | |
I have not. Not a late-night show, no. | 0:18:52 | 0:18:55 | |
I did the Breakfast Show and I got in trouble for saying "piss." | 0:18:55 | 0:18:58 | |
Oh, really? You can't say "piss" on the Breakfast Show? | 0:18:58 | 0:19:01 | |
They stopped the show. I went, "What the hell did I do?" | 0:19:01 | 0:19:03 | |
-Apparently you can say anything on this show. -Don't encourage him. | 0:19:03 | 0:19:07 | |
Is there another one coming? | 0:19:09 | 0:19:11 | |
-Are you on the crack? -Are you on the crack? | 0:19:11 | 0:19:14 | |
It's mighty. | 0:19:15 | 0:19:17 | |
There will be some of Coldplay stuck along the end there in a bit. | 0:19:18 | 0:19:22 | |
From Family Guy to Ted, now, you haven't just written it, | 0:19:22 | 0:19:26 | |
you star in your own movie. | 0:19:26 | 0:19:29 | |
-Yeah. -It's a big leap. -We'll see how that goes. | 0:19:29 | 0:19:32 | |
It's gone well. | 0:19:32 | 0:19:33 | |
This is so weird, it is like Brian wearing a man suit. | 0:19:35 | 0:19:38 | |
This is a huge crowd. | 0:19:42 | 0:19:44 | |
You go to The Tonight Show in the States | 0:19:44 | 0:19:45 | |
and there's like five people in the audience. | 0:19:45 | 0:19:48 | |
That's only when you're there, darling. | 0:19:48 | 0:19:50 | |
Whoa! | 0:19:54 | 0:19:56 | |
This movie, it opens tonight. It is really funny. | 0:19:59 | 0:20:03 | |
It's a big, broad, raucous comedy. | 0:20:03 | 0:20:05 | |
If you like Seth MacFarlane jokes, it's full of Seth MacFarlane jokes. | 0:20:05 | 0:20:09 | |
But there's a plot as well?! | 0:20:09 | 0:20:13 | |
-Charlize, why don't you do the plot? -Oh, great! -Seth, you do the plot. | 0:20:13 | 0:20:17 | |
-I don't do it justice. -Go for it. -Oh, God. | 0:20:20 | 0:20:22 | |
It's about this girl... | 0:20:22 | 0:20:24 | |
And what does she do? | 0:20:27 | 0:20:30 | |
I don't know. | 0:20:30 | 0:20:32 | |
Look, it's a western, it looks like a real western but it's shot | 0:20:32 | 0:20:37 | |
through a lens of people speaking in modern tongue, right? | 0:20:37 | 0:20:42 | |
It's like Woody Allen in the Wild Wild West, I guess. | 0:20:42 | 0:20:45 | |
Basically Schindler's List meets The Waterboy. | 0:20:45 | 0:20:48 | |
OK, whatever. So I did a shit job. | 0:20:48 | 0:20:50 | |
The queues are forming now. | 0:20:51 | 0:20:53 | |
I really sold that one really well. It's really funny... | 0:20:55 | 0:20:58 | |
and I'm naked. | 0:20:58 | 0:21:00 | |
CHEERING AND APPLAUSE | 0:21:00 | 0:21:02 | |
Take one for the team. | 0:21:02 | 0:21:04 | |
Very good comeback. | 0:21:06 | 0:21:08 | |
And I'm not, so that's another thing. | 0:21:08 | 0:21:11 | |
I feel I didn't do it justice though. | 0:21:11 | 0:21:13 | |
Can you please pitch the movie a little better? | 0:21:13 | 0:21:16 | |
It's about a nerdy sheep farmer in the old west who meets this | 0:21:16 | 0:21:21 | |
mysterious woman who helps him win back his girlfriend who dumped him. | 0:21:21 | 0:21:26 | |
I don't want to give away too much, but that's the gist of it. | 0:21:26 | 0:21:29 | |
We've got a clip. | 0:21:29 | 0:21:31 | |
This is the two of you trying to make Seth's ex... | 0:21:31 | 0:21:34 | |
Cos it starts with you losing your girlfriend. | 0:21:34 | 0:21:36 | |
-Correct. -That's not too much plot to give away, is it? | 0:21:36 | 0:21:39 | |
-You gave us the clip. -You just ruined the whole movie. | 0:21:39 | 0:21:42 | |
You gave us the clip! | 0:21:42 | 0:21:43 | |
They said you were really timid and we were all going to have to | 0:21:43 | 0:21:47 | |
help pull you out of your shell, but that's not the case at all. | 0:21:47 | 0:21:49 | |
I'm drunk! | 0:21:51 | 0:21:52 | |
Two of you trying to make Seth's ex jealous. Go. | 0:21:56 | 0:22:01 | |
That's them! That's them! | 0:22:01 | 0:22:04 | |
Quick, pretend you just said something funny. | 0:22:04 | 0:22:06 | |
-LAUGHS: -Oh, my God, you are so hilarious. Where do you come up...? | 0:22:06 | 0:22:09 | |
-No, you pretend I said something funny. -Stop. | 0:22:09 | 0:22:12 | |
-Stop. Just introduce me. -How can I...? | 0:22:12 | 0:22:15 | |
-Oh, hi! -Hey. | 0:22:15 | 0:22:18 | |
Foy and Louise, right? | 0:22:18 | 0:22:20 | |
-Mm-hm. -That's right. | 0:22:20 | 0:22:22 | |
-Uh, this is Anna. She's... -I'm his girlfriend. | 0:22:22 | 0:22:25 | |
She's my girlfriend. | 0:22:25 | 0:22:27 | |
-She's the new GF. Big time. -A lot of sexual activity. -All the time. | 0:22:27 | 0:22:32 | |
I live inside her. | 0:22:32 | 0:22:35 | |
So if you want to send her a letter you gotta address it - | 0:22:35 | 0:22:37 | |
care of her vagina. | 0:22:37 | 0:22:40 | |
Yup. | 0:22:40 | 0:22:41 | |
You're making a film, there's a lot of things that can go wrong, | 0:22:48 | 0:22:52 | |
I think you gave yourself... | 0:22:52 | 0:22:53 | |
I mean, working with that many sheep, were they showbiz sheep? | 0:22:53 | 0:22:57 | |
We're just trying to win the New Zealand box office. | 0:22:57 | 0:23:01 | |
In Hollywood, can you get trained sheep? | 0:23:03 | 0:23:06 | |
You can't really train sheep, they do whatever the hell they want | 0:23:06 | 0:23:09 | |
and you just point the camera and hope that they fall into place. | 0:23:09 | 0:23:12 | |
They did train them a little, four of them, they tried. | 0:23:12 | 0:23:15 | |
The found the four smartest ones | 0:23:15 | 0:23:17 | |
and they tried to do a little training with them. A little. | 0:23:17 | 0:23:20 | |
But it's like Brando in his later years, you get what you get. | 0:23:20 | 0:23:27 | |
I imagine, Charlize, you were very comfortable around the sheep? | 0:23:27 | 0:23:31 | |
What is that supposed to mean? | 0:23:31 | 0:23:32 | |
-Weren't you raised by goats or something? -Start with that. | 0:23:33 | 0:23:37 | |
They don't know that. | 0:23:37 | 0:23:39 | |
I thought you might make the leap and go, | 0:23:39 | 0:23:41 | |
"Yes, I'm very good with goats." | 0:23:41 | 0:23:45 | |
I was raised on a farm, so we had cattle. | 0:23:45 | 0:23:49 | |
I'm not timid around these kind of animals. | 0:23:49 | 0:23:53 | |
There were human beings tending to her, she wasn't... | 0:23:53 | 0:23:57 | |
sucking at the teat of some... | 0:23:57 | 0:24:00 | |
Well, you don't know that. | 0:24:00 | 0:24:02 | |
It was an after school snack. | 0:24:02 | 0:24:04 | |
Isn't it true you do an incredible goat noise? | 0:24:07 | 0:24:11 | |
Well, I don't know if it's incredible, but I... | 0:24:11 | 0:24:14 | |
CLEARS THROAT | 0:24:14 | 0:24:15 | |
That's good! | 0:24:20 | 0:24:21 | |
That's a South African goat. | 0:24:25 | 0:24:27 | |
I've lost all my hearing in this ear. | 0:24:29 | 0:24:32 | |
The other thing, you're directing yourself, Seth, in the movie, | 0:24:34 | 0:24:38 | |
is this your first screen kiss? | 0:24:38 | 0:24:42 | |
In the talking pictures, yeah. | 0:24:42 | 0:24:44 | |
Did you kiss like you thought you kissed? | 0:24:46 | 0:24:49 | |
That is true. I was OK with it. | 0:24:49 | 0:24:52 | |
I was a little afraid that I would look a little goldfish-y | 0:24:52 | 0:24:55 | |
when I saw that. | 0:24:55 | 0:24:57 | |
No, it was OK. It was all right. She's fantastic. | 0:24:57 | 0:25:00 | |
Whoa. It was all right? | 0:25:00 | 0:25:03 | |
It was just all right, really? | 0:25:03 | 0:25:05 | |
Look, I felt like 100. It was great. | 0:25:05 | 0:25:08 | |
Cos it is that weird thing of doing something for the first time | 0:25:09 | 0:25:12 | |
and it's crazy. | 0:25:12 | 0:25:13 | |
-Tom, 41 movies now? -Something like that. | 0:25:13 | 0:25:17 | |
But there was a day when it was your first day on set | 0:25:17 | 0:25:19 | |
and you didn't know what you were doing. | 0:25:19 | 0:25:22 | |
-That was Taps, your first movie? -Yeah. I remember being on Taps and... | 0:25:22 | 0:25:25 | |
FEMALE FANS CHEER | 0:25:25 | 0:25:27 | |
..Harold Becker yelling out, "Hey, Cruise, there!" I said, "Yes, sir." | 0:25:27 | 0:25:34 | |
"You see the camera?" I said, "Well, no, sir." He goes, | 0:25:34 | 0:25:37 | |
"If you don't see the camera you're not going to be in the picture. | 0:25:37 | 0:25:41 | |
"Move to your right." | 0:25:41 | 0:25:44 | |
"Thank you, sir." | 0:25:44 | 0:25:46 | |
Was it The Outsiders where you decided to give your character a trait? | 0:25:46 | 0:25:49 | |
Yeah, part of the thing was that we were all eating chocolate cake | 0:25:49 | 0:25:52 | |
and I thought, "In this scene I'm going to eat a lot of chocolate cake." | 0:25:52 | 0:25:56 | |
We ended up 80 takes later, I'm having to eat chocolate cake. | 0:25:56 | 0:26:01 | |
You know when you're a young actor you think, | 0:26:01 | 0:26:03 | |
"This is really cool." It was a bad idea. | 0:26:03 | 0:26:05 | |
Yes, I've learnt that just recently. | 0:26:05 | 0:26:07 | |
You've got to go through it. You've got to live through it. | 0:26:07 | 0:26:10 | |
It was like, "Something weird is happening to my body. | 0:26:10 | 0:26:13 | |
"I'm about to go unconscious." | 0:26:13 | 0:26:14 | |
It was past vomiting, do you know what I mean? | 0:26:14 | 0:26:16 | |
You gain 20lb from one scene. | 0:26:16 | 0:26:18 | |
When you were directing yourself, Seth, | 0:26:18 | 0:26:20 | |
how hard was it as an actor not to do voices? | 0:26:20 | 0:26:24 | |
Cos that is kind of your life. | 0:26:24 | 0:26:26 | |
Yeah. It was less of a leap that I feared it would be. | 0:26:26 | 0:26:33 | |
Doing Family Guy, I had gotten into the habit of | 0:26:34 | 0:26:37 | |
being able to record a line and go into the booth and listen to it | 0:26:37 | 0:26:41 | |
and switch off my brain and feel like I'm listening to somebody else. | 0:26:41 | 0:26:45 | |
And that did kick in pretty early on into the process | 0:26:45 | 0:26:49 | |
where I was able to run into video village and look at the footage | 0:26:49 | 0:26:54 | |
-and see if I was doing it right. -How many voices do you do? | 0:26:54 | 0:26:58 | |
Sorry, I didn't mean to take over your interview, but I'm curious. | 0:26:58 | 0:27:01 | |
How many can you do? | 0:27:01 | 0:27:03 | |
You know, just enough to avoid being myself. | 0:27:03 | 0:27:05 | |
In Family Guy, the characters you do, you do...? | 0:27:08 | 0:27:12 | |
Peter, Brian, Stewie, Quagmire and then a smattering of others. | 0:27:12 | 0:27:18 | |
Are they all based on people? | 0:27:18 | 0:27:21 | |
They come from various places. | 0:27:21 | 0:27:23 | |
Peter, I knew a thousand Peter Griffins growing up in New England. | 0:27:23 | 0:27:27 | |
Guys who would not think before they spoke. Like... | 0:27:27 | 0:27:30 | |
-PETER GRIFFIN VOICE: -..no self-editing mechanism. | 0:27:30 | 0:27:32 | |
It's coming out with no gateway. | 0:27:32 | 0:27:34 | |
And Stewie is based on your own Rex Harrison. | 0:27:37 | 0:27:41 | |
-Who I was a big fan of. -Wow. | 0:27:41 | 0:27:42 | |
And where's Quagmire from? That can't be a person. | 0:27:46 | 0:27:49 | |
Quagmire... | 0:27:49 | 0:27:50 | |
LAUGHTER | 0:27:50 | 0:27:52 | |
If it is, he's not happy. | 0:27:54 | 0:27:56 | |
No, he's a bad egg. | 0:27:57 | 0:27:58 | |
When I was a kid my father used to buy me | 0:28:00 | 0:28:03 | |
old radio dramas from the '40s and '50s. | 0:28:03 | 0:28:07 | |
So I would listen to these things and the commercials were intact | 0:28:07 | 0:28:10 | |
and you hear these old commercials. Like... | 0:28:10 | 0:28:12 | |
Autolite brand spark plugs. The only spark plugs for you. | 0:28:12 | 0:28:15 | |
Everyone had this high pitched voice, | 0:28:15 | 0:28:17 | |
which I guess the mics were more sensitive to the mid-range voice | 0:28:17 | 0:28:20 | |
at that time, and they all sounded like Quagmire. | 0:28:20 | 0:28:23 | |
And so that stuck with me and when I was coming up with | 0:28:23 | 0:28:26 | |
a voice for him, he began as an impression of a 1950s ad man. | 0:28:26 | 0:28:31 | |
And when you're doing... | 0:28:31 | 0:28:33 | |
Cos those characters are in scenes together, do you do one line | 0:28:33 | 0:28:37 | |
after the other or do you do all one and then go back to the other? | 0:28:37 | 0:28:39 | |
When I table read, yeah, I have to jump back and forth. | 0:28:39 | 0:28:42 | |
-PETER GRIFFIN: -Hey, what's going on. -STEWIE GRIFFIN: -Hello, fat man. -PETER: -Oh, Stewie, how are you? | 0:28:42 | 0:28:46 | |
-It's a back and forth... -LAUGHTER | 0:28:46 | 0:28:49 | |
It's good, right? That is good. | 0:28:49 | 0:28:51 | |
But then sometimes you do them separately? | 0:28:58 | 0:29:00 | |
When I record the shows I do it one line at a time. | 0:29:00 | 0:29:05 | |
But that's not really because of the voices, | 0:29:05 | 0:29:08 | |
it's just cos you have to be naked, completely naked for Brian. | 0:29:08 | 0:29:11 | |
Completely nude. | 0:29:11 | 0:29:14 | |
Completely emotionally and physically nude. | 0:29:14 | 0:29:17 | |
Can you do the... | 0:29:17 | 0:29:18 | |
-MUMBLES: -..thing? -The what? | 0:29:18 | 0:29:19 | |
HE MUMBLES | 0:29:19 | 0:29:20 | |
I feel like, "Dance, monkey." | 0:29:21 | 0:29:23 | |
With a big stick and go, "Do the..." | 0:29:23 | 0:29:26 | |
-STEWIE GRIFFIN: -I'm a barking seal, aren't I, Graham Norton? | 0:29:26 | 0:29:29 | |
-STEWIE: -You know, you're an Irishman. | 0:29:31 | 0:29:33 | |
You think these people accept you as one of their own, but they don't. | 0:29:33 | 0:29:36 | |
They don't accept you at all. | 0:29:36 | 0:29:37 | |
Brian, would you like some coolhwip?" | 0:29:37 | 0:29:39 | |
-BRIAN: -What? -Why are you saying it like that? | 0:29:39 | 0:29:42 | |
-STEWIE: -I'm saying coolhwip. | 0:29:42 | 0:29:44 | |
-BRIAN: -You're saying "coolhwip". -STEWIE: -Yes, I'm saying "coolhwip." | 0:29:44 | 0:29:47 | |
-BRIAN: -You're putting a lot of emphasis on the H. | 0:29:47 | 0:29:49 | |
-STEWIE: -Coolhwip. I'm saying coolhwip. | 0:29:49 | 0:29:51 | |
-BRIAN: -Say cool. -STEWIE: -Cool. -BRIAN: -Say whip. -STEWIE: -Hwip. | 0:29:51 | 0:29:54 | |
It's all recycled vaudeville humour, that's all. | 0:30:01 | 0:30:04 | |
As good as that is, not the only person on the couch who does voices. | 0:30:04 | 0:30:09 | |
-Because we've heard Charlize's South African goat. -Thank you. | 0:30:09 | 0:30:13 | |
-It was very good. -It was excellent. | 0:30:13 | 0:30:16 | |
Oh, thanks, Tom Cruise. | 0:30:16 | 0:30:18 | |
-Thank you. -I'm sampling it. It's going to be my ringtone from now on. | 0:30:18 | 0:30:23 | |
Emily Blunt, I heard you earlier, you do a TC, don't you? | 0:30:24 | 0:30:28 | |
You do do a TC! | 0:30:28 | 0:30:30 | |
Not after Seth. I mean, come on. | 0:30:30 | 0:30:33 | |
-TOM CRUISE IMPRESSION: -Charlize, your goat noise. It was amazing. | 0:30:33 | 0:30:36 | |
Do one line of Tom. | 0:30:37 | 0:30:39 | |
What line shall I do? | 0:30:39 | 0:30:41 | |
-I don't know. IMPRESSION: -I feel the need, the need for speed. | 0:30:41 | 0:30:45 | |
-That's good. You're good at it. -Do me. -No. | 0:30:45 | 0:30:49 | |
HIGH PITCHED ENGLISH ACCENT: Tom. | 0:30:58 | 0:31:01 | |
I do Donald Duck. | 0:31:05 | 0:31:07 | |
-You do Donald Duck. -Yeah. -Do it. OK, now it's your turn. | 0:31:07 | 0:31:11 | |
HE COUGHS | 0:31:12 | 0:31:15 | |
HE SNEEZES | 0:31:15 | 0:31:17 | |
That's great. | 0:31:21 | 0:31:22 | |
That's adorable. That's going to be my text message alert. | 0:31:25 | 0:31:29 | |
Very good. | 0:31:29 | 0:31:31 | |
My last bit of getting a stick and poking Seth... | 0:31:32 | 0:31:36 | |
I don't know what that means. | 0:31:36 | 0:31:37 | |
..is Liam Neeson is in the film, | 0:31:39 | 0:31:42 | |
did you ever do your version of the Taken phone call for him? | 0:31:42 | 0:31:46 | |
Do it. | 0:31:48 | 0:31:49 | |
Our version was Kermit the Frog doing Taken. | 0:31:51 | 0:31:55 | |
I'm not going to be able to remember the speech. | 0:31:55 | 0:31:58 | |
-KERMIT IMPRESSION: -I don't have any money. | 0:31:58 | 0:32:00 | |
But what I do have... | 0:32:10 | 0:32:12 | |
..are a very specific set of skills. | 0:32:13 | 0:32:15 | |
Skills that make me a nightmare for somebody like you. | 0:32:18 | 0:32:22 | |
If you don't let the girl go I will track you down. | 0:32:23 | 0:32:27 | |
I will find you and I will kill you. | 0:32:27 | 0:32:30 | |
That's outstanding. | 0:32:35 | 0:32:38 | |
It's time for our musical guests tonight. | 0:32:38 | 0:32:41 | |
Shortly we'll have this week's stories in the big Red Chair. | 0:32:41 | 0:32:43 | |
But first, performing their new single A Sky Full Of Stars, | 0:32:43 | 0:32:47 | |
it is the one and only Coldplay. | 0:32:47 | 0:32:48 | |
# Cos you're a sky, cos you're a sky full of stars | 0:32:58 | 0:33:04 | |
# I'm gonna give you my heart | 0:33:06 | 0:33:10 | |
# Cos you're a sky, cos you're a sky full of stars | 0:33:13 | 0:33:19 | |
# And cos you light up my path | 0:33:21 | 0:33:25 | |
# I don't care, go on and tear me apart | 0:33:29 | 0:33:34 | |
# I don't care if you do, ooh | 0:33:36 | 0:33:44 | |
# Cos in a sky, cos in a sky full of stars | 0:33:44 | 0:33:50 | |
# I think I saw you | 0:33:50 | 0:33:56 | |
# Cos you're a sky, cos you're a sky full of stars | 0:34:22 | 0:34:28 | |
# I wanna die in your arms | 0:34:31 | 0:34:34 | |
# Cos you get lighter the more it gets dark | 0:34:38 | 0:34:44 | |
# I'm gonna give you my heart | 0:34:46 | 0:34:50 | |
# I don't care, go on and tear me apart | 0:34:53 | 0:34:59 | |
# I don't care if you do, ooh | 0:35:01 | 0:35:09 | |
# Cos in a sky, cos in a sky full of stars | 0:35:09 | 0:35:15 | |
# I think I saw you | 0:35:15 | 0:35:18 | |
# I think I saw you | 0:35:22 | 0:35:26 | |
# I think I saw you | 0:35:45 | 0:35:47 | |
# You're a sky, you're a sky full of stars | 0:36:02 | 0:36:08 | |
# Such a heavenly view | 0:36:08 | 0:36:11 | |
# You're such a heavenly view | 0:36:15 | 0:36:19 | |
# Yeah, yeah, yeah. # | 0:36:21 | 0:36:25 | |
Thank you, everybody. | 0:36:41 | 0:36:42 | |
CHEERING AND APPLAUSE | 0:36:42 | 0:36:45 | |
Thank you so much. | 0:36:45 | 0:36:46 | |
Coldplay, everybody! | 0:36:50 | 0:36:52 | |
Come on over, boys. | 0:36:52 | 0:36:54 | |
Thank you very much. Congratulations. | 0:37:01 | 0:37:03 | |
Come on and meet the gang. | 0:37:03 | 0:37:05 | |
Is there room? Yes, everybody can just about fit. | 0:37:20 | 0:37:23 | |
-Congratulations on that. Beautiful. -Thank you so much. | 0:37:23 | 0:37:26 | |
And that is a new single of the new album, | 0:37:26 | 0:37:29 | |
which is out now and doing incredibly well. | 0:37:29 | 0:37:31 | |
It's number one in 70-something countries? | 0:37:31 | 0:37:34 | |
-I'll tell you where it's not number one. -Where? | 0:37:34 | 0:37:37 | |
Our manager just gave me it. | 0:37:37 | 0:37:39 | |
Cambodia, Mongolia, the Bahamas and Burkina Faso. | 0:37:40 | 0:37:45 | |
What's wrong with them?! | 0:37:45 | 0:37:46 | |
And it's number three in Tajikistan. | 0:37:48 | 0:37:50 | |
I wonder who's number one there? | 0:37:51 | 0:37:53 | |
Jonny, I just think you... To be Jonny Buckland in Coldplay, | 0:37:55 | 0:38:01 | |
-that must be a great job. -It is. It's all right. | 0:38:01 | 0:38:06 | |
Chris, how did it happen? | 0:38:06 | 0:38:07 | |
Chris, he gets all the headache of being really famous | 0:38:07 | 0:38:11 | |
and the other three of you, it's lovely. | 0:38:11 | 0:38:13 | |
I know. I was hoping to be out of shot in this. | 0:38:13 | 0:38:16 | |
Are you now dragging them into shot, Chris? | 0:38:16 | 0:38:20 | |
I'll be honest with you, I did have to convince Jonny to come | 0:38:20 | 0:38:23 | |
and sit over here. | 0:38:23 | 0:38:24 | |
Do you get recognised at all? | 0:38:24 | 0:38:26 | |
Actually, I did this morning. But my first reaction is aggression. | 0:38:26 | 0:38:30 | |
Like, "How do you know my name?!" | 0:38:30 | 0:38:32 | |
"It's him you want." | 0:38:34 | 0:38:36 | |
First time we ever were at the Grammys, I wasn't there, | 0:38:37 | 0:38:41 | |
and Jonny and Will had won a Grammy and they were backstage doing | 0:38:41 | 0:38:46 | |
the press and stuff and this lady came over and said... | 0:38:46 | 0:38:49 | |
"Are you guys doing the catering? | 0:38:49 | 0:38:51 | |
"These sandwiches are very good. Can we get some more? | 0:38:53 | 0:38:56 | |
"I want to do a photo with the caterers." | 0:38:56 | 0:38:58 | |
Ghost Stories out now, presumably you are going to do... | 0:38:59 | 0:39:02 | |
I know you've done some small gigs, are you going to do a big tour? | 0:39:02 | 0:39:05 | |
BOTH: No. | 0:39:05 | 0:39:06 | |
OK. | 0:39:08 | 0:39:09 | |
That's an exclusive, right here. | 0:39:11 | 0:39:13 | |
And you can't buy tickets now. | 0:39:15 | 0:39:17 | |
Yeah, that will be in the press release. | 0:39:20 | 0:39:23 | |
We're doing an extensive promo campaign in Burkina Faso. | 0:39:23 | 0:39:26 | |
You need to. They've forgotten you. | 0:39:27 | 0:39:30 | |
Good luck with the album | 0:39:30 | 0:39:31 | |
and thank you very much for that beautiful performance tonight. | 0:39:31 | 0:39:34 | |
-Thank you for being here. I mean... -Seriously, it's my job. | 0:39:34 | 0:39:38 | |
They're literally paying me to sit here. | 0:39:38 | 0:39:41 | |
Before we go, just time for a story or two in the Red Chair. | 0:39:42 | 0:39:46 | |
Did you do this last time, Tom? No, you didn't, you were a gentleman. | 0:39:46 | 0:39:49 | |
-No, I didn't. -You should do it. It's great. -Oh, come on. | 0:39:49 | 0:39:54 | |
Come on, Tom. | 0:39:54 | 0:39:55 | |
-You know you want to do it. -Fine. I do want to do it. | 0:39:55 | 0:39:58 | |
Tom will sit on top of that building but he won't do this. | 0:40:01 | 0:40:05 | |
Who's up first? | 0:40:05 | 0:40:07 | |
-John from London. -Hello, John. | 0:40:07 | 0:40:09 | |
-What do you do, John? -I'm a plumber. | 0:40:09 | 0:40:12 | |
-Are you wearing shorts, John? -Yeah, it's hot Friday. | 0:40:12 | 0:40:15 | |
I like it. | 0:40:20 | 0:40:22 | |
-All Fridays are hot. -He can predict the weather. | 0:40:22 | 0:40:25 | |
Plumber and meteorologist. I do both. | 0:40:26 | 0:40:29 | |
Off you go with your story, John. | 0:40:29 | 0:40:31 | |
I got called out to a job in Chelsea for blocked drains. | 0:40:31 | 0:40:33 | |
Me and my partner was there. | 0:40:33 | 0:40:35 | |
We've gone there, we've done the blockage. | 0:40:35 | 0:40:37 | |
Oh, don't say blockage. | 0:40:37 | 0:40:40 | |
Oh! | 0:40:40 | 0:40:41 | |
Hey, good on the chair. That was impressive. | 0:40:42 | 0:40:46 | |
Just launched him. I bet you loved it. | 0:40:46 | 0:40:49 | |
I loved, "Don't say blockage." | 0:40:49 | 0:40:52 | |
You've changed, Emily Blunt, you've changed. | 0:40:53 | 0:40:56 | |
Who's up next? | 0:40:56 | 0:40:57 | |
-Hello. -Hi, I'm Nicole. | 0:40:57 | 0:40:59 | |
Where are you from, Nicole? | 0:40:59 | 0:41:01 | |
Lancaster, Pennsylvania, but I live in Dublin, Ireland. | 0:41:01 | 0:41:04 | |
What do you do there? | 0:41:04 | 0:41:06 | |
I'm a production coordinator. | 0:41:06 | 0:41:07 | |
Nicole actually works for us. | 0:41:07 | 0:41:09 | |
Oh, be nice. Seth, works for Coldplay. | 0:41:09 | 0:41:12 | |
I'm always nice to Coldplay. | 0:41:12 | 0:41:14 | |
-Do you know this story? -No. | 0:41:16 | 0:41:19 | |
Are you the story? | 0:41:19 | 0:41:20 | |
OK. Off you go with your story. | 0:41:24 | 0:41:26 | |
So my new Irish boyfriend was coming to visit me | 0:41:26 | 0:41:28 | |
in Canada just three weeks after meeting him. | 0:41:28 | 0:41:31 | |
We were all loved up and decided to take a bubble bath together | 0:41:31 | 0:41:34 | |
and we're drinking champagne. | 0:41:34 | 0:41:36 | |
And I felt a little burp come on and so I went to burp | 0:41:36 | 0:41:40 | |
but instead I projectile vomited. | 0:41:40 | 0:41:43 | |
Wow. I like her. | 0:41:43 | 0:41:45 | |
Hang on. | 0:41:45 | 0:41:46 | |
The really sweet part was that he wore glasses at the time | 0:41:47 | 0:41:50 | |
and he was more worried about me like, "Oh, my God, babe, are you OK?" | 0:41:50 | 0:41:55 | |
And we've been happily married for two years now. | 0:41:56 | 0:41:59 | |
-She can walk. -Yeah, go on. | 0:41:59 | 0:42:01 | |
She's going to fit into Ireland so well. | 0:42:04 | 0:42:07 | |
Who's next? Hello. | 0:42:07 | 0:42:09 | |
-Hello, Graham. How are you, mate? -Hey, nice prep school uniform. | 0:42:09 | 0:42:12 | |
One more. We'll have one more. | 0:42:22 | 0:42:25 | |
Here we go. | 0:42:25 | 0:42:27 | |
This isn't going to end well. | 0:42:29 | 0:42:31 | |
These guys are going to jump us when we're out of here. | 0:42:35 | 0:42:38 | |
-What's your name? -My name's Ben, I'm from New Zealand. | 0:42:38 | 0:42:41 | |
-CHEERING -Oh, they're loving you. | 0:42:41 | 0:42:43 | |
Yeah, we heard about Seth MacFarlane's movie of the sheep, | 0:42:43 | 0:42:46 | |
so we came here to see it. | 0:42:46 | 0:42:47 | |
-He's so onside here now. -Let him talk. | 0:42:49 | 0:42:52 | |
Ben, start your story. | 0:42:52 | 0:42:54 | |
A couple of years ago my grandad had an eye infection and asked me | 0:42:54 | 0:42:56 | |
to put eye drops into his eye. | 0:42:56 | 0:42:58 | |
So I grabbed them from the top of the fridge, | 0:42:58 | 0:43:00 | |
put about six or seven drops in. | 0:43:00 | 0:43:02 | |
Looked down, realised they weren't eye drops, it was super glue. | 0:43:02 | 0:43:05 | |
It took about six hours for them to surgically separate his eyelids. | 0:43:07 | 0:43:12 | |
He sleeps now with one eye open. No. Nah, he's good. | 0:43:12 | 0:43:17 | |
That is a good story, but he should be punished. | 0:43:17 | 0:43:19 | |
-How slow does this...? If I went... -No, it just goes. | 0:43:19 | 0:43:23 | |
Well done. | 0:43:25 | 0:43:27 | |
If you'd like to join us on the show, you can. | 0:43:29 | 0:43:31 | |
Contact us via our website at this very address. | 0:43:31 | 0:43:34 | |
Thank you to my guests tonight - Coldplay. | 0:43:34 | 0:43:36 | |
Seth MacFarlane. | 0:43:39 | 0:43:41 | |
Charlize Theron. | 0:43:41 | 0:43:42 | |
Emily Blunt. | 0:43:44 | 0:43:45 | |
And Mr Tom Cruise. | 0:43:45 | 0:43:47 | |
CHEERING AND APPLAUSE | 0:43:47 | 0:43:49 | |
Join me next week when my guests include singer Ed Sheeran. | 0:43:49 | 0:43:53 | |
Actor Michael Sheen and Avengers star Mark Ruffalo. | 0:43:53 | 0:43:55 | |
I'll see you then. Good night. Bye. | 0:43:55 | 0:43:58 |