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# The hills are alive | 0:00:04 | 0:00:07 | |
# With the sound of music... # | 0:00:07 | 0:00:11 | |
She's here, ladies and gentlemen. There's nothing like this day. | 0:00:11 | 0:00:15 | |
Let's start the show! | 0:00:15 | 0:00:18 | |
CHEERING AND APPLAUSE | 0:00:18 | 0:00:21 | |
This programme contains some strong language | 0:00:21 | 0:00:27 | |
CHEERING | 0:00:34 | 0:00:38 | |
Oh! Oh! | 0:00:38 | 0:00:40 | |
Oh, they sing, they cheer. They do it all. | 0:00:40 | 0:00:44 | |
They do it all! | 0:00:44 | 0:00:46 | |
Hello, everybody, and welcome. | 0:00:46 | 0:00:48 | |
There is only one word to describe tonight's show, | 0:00:49 | 0:00:51 | |
supercalifragilisticexpialidocious. | 0:00:51 | 0:00:53 | |
Did I say it? I think I said it. I said it. I said it! | 0:00:53 | 0:00:57 | |
Yes, Mary Poppins herself, Dame Julie Andrews, is on our show. | 0:00:57 | 0:01:00 | |
-CHEERING -I know! | 0:01:00 | 0:01:04 | |
Oscar-nominated star of The Wolf of Wall Street | 0:01:04 | 0:01:07 | |
Jonah Hill is here. | 0:01:07 | 0:01:09 | |
CHEERING | 0:01:09 | 0:01:12 | |
And his co-star in 22 Jump Street, Channing Tatum, is on the show! | 0:01:12 | 0:01:16 | |
-CHEERING -I know! I know! I know! | 0:01:16 | 0:01:21 | |
Plus we've got music and chat from the uber-cool | 0:01:21 | 0:01:24 | |
producer and musician, Pharrell Williams. | 0:01:24 | 0:01:26 | |
-CHEERING -Oh, you can scream! | 0:01:26 | 0:01:29 | |
Oh, you can scream! | 0:01:29 | 0:01:32 | |
Now, that is Pharrell. | 0:01:32 | 0:01:34 | |
More often he is seen with his trademark hat, of course. | 0:01:34 | 0:01:37 | |
By the way, if you do want to emulate Pharrell | 0:01:37 | 0:01:40 | |
and get a hat like that, be careful. | 0:01:40 | 0:01:43 | |
Cos apparently they come in a lot of different sizes. | 0:01:43 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:48 | |
The dangers of internet shopping! | 0:01:48 | 0:01:50 | |
I'm going to be asking Channing Tatum | 0:01:51 | 0:01:53 | |
about his varied film roles. | 0:01:53 | 0:01:55 | |
And, you know, his willingness to appear topless | 0:01:55 | 0:01:57 | |
but only if the role demands it. | 0:01:57 | 0:01:59 | |
You know, for instance, like a scene on a beach, obviously. | 0:01:59 | 0:02:02 | |
-CHEERING -Maybe playing the part of a boxer. | 0:02:02 | 0:02:05 | |
Or just nipping down to the shops for a loaf of bread. | 0:02:05 | 0:02:08 | |
-We could keep doing this all night, couldn't we?! -Please do! | 0:02:11 | 0:02:15 | |
Channing and Jonah are back together as undercover cops | 0:02:15 | 0:02:18 | |
for 22 Jump Street. Now, look at them there. | 0:02:18 | 0:02:21 | |
You've got to be careful just firing your guns in the air like that. | 0:02:21 | 0:02:24 | |
You never know what you're going to hit, do you? | 0:02:24 | 0:02:26 | |
LAUGHTER | 0:02:26 | 0:02:29 | |
Oh, yeah, I will be talking to Julie all about the iconic Mary Poppins. | 0:02:29 | 0:02:33 | |
There she is with Dick Van Dyke. | 0:02:33 | 0:02:36 | |
Actually, are we even allowed to say "Dick Van Dyke" on the BBC any more? | 0:02:36 | 0:02:40 | |
Let's call him "Van", OK?! | 0:02:40 | 0:02:41 | |
We're safe, we're safe! | 0:02:44 | 0:02:46 | |
He played Mary's best friend Bert, the chimney sweep. | 0:02:46 | 0:02:48 | |
It was a purely platonic relationship, although | 0:02:48 | 0:02:50 | |
there is evidence that Bert did once try it on during a power cut. | 0:02:50 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:57 | |
Of course, I'll be talking to Julie about The Sound of Music. | 0:02:58 | 0:03:02 | |
-CHEERING -I know! | 0:03:02 | 0:03:04 | |
Nowadays, if she wanted to play the role | 0:03:04 | 0:03:07 | |
of a female singer in Austria, | 0:03:07 | 0:03:09 | |
she'd have to look like this. | 0:03:09 | 0:03:10 | |
LAUGHTER AND APPLAUSE | 0:03:10 | 0:03:13 | |
That's all to come, plus some more of your stories | 0:03:13 | 0:03:15 | |
in the big red chair. So let's get some guests on. | 0:03:15 | 0:03:18 | |
Later, we'll be joined by Pharrell Williams. | 0:03:18 | 0:03:20 | |
-CHEERING -But first, | 0:03:20 | 0:03:22 | |
he's going to be one of my favourite things, | 0:03:22 | 0:03:24 | |
-it's Channing Tatum. -CHEERING | 0:03:24 | 0:03:27 | |
Channing Tatum, everybody. | 0:03:31 | 0:03:34 | |
The Hill's alive with the sound of chat - it's Jonah Hill! | 0:03:34 | 0:03:37 | |
CHEERING | 0:03:37 | 0:03:40 | |
-So lovely to see you. -Nice to see you. | 0:03:40 | 0:03:43 | |
Have a seat. | 0:03:43 | 0:03:45 | |
And I'd climb every mountain to get her on the show, | 0:03:45 | 0:03:47 | |
-it's Dame Julie Andrews. -CHEERING | 0:03:47 | 0:03:50 | |
-Hello, lovely lady. -Good to see you. | 0:03:54 | 0:03:56 | |
-So nice to see you. -Thank you. -Come and join the boys. | 0:03:56 | 0:04:00 | |
-Sit down! -Hello. -Lovely. | 0:04:00 | 0:04:03 | |
Hello, everyone. CHEERING | 0:04:03 | 0:04:08 | |
Everyone's suited and booted. It's good, I like it. | 0:04:08 | 0:04:11 | |
Dame Julie and I want to announce that we're engaged, officially. | 0:04:11 | 0:04:15 | |
-Was there a lot of bonding backstage? -Yes, we... | 0:04:15 | 0:04:18 | |
About five seconds' worth, right?! | 0:04:18 | 0:04:19 | |
Yes, I just wanted to come to England | 0:04:19 | 0:04:21 | |
and on your television programme to announce our love. | 0:04:21 | 0:04:25 | |
-Now obviously you're familiar with the guys. -Yeah, are you kidding? | 0:04:25 | 0:04:28 | |
Of course I am. | 0:04:28 | 0:04:30 | |
-And we've been very familiar. Haven't we, Jonah? -Yes, yes. | 0:04:30 | 0:04:33 | |
-Wow, Channing, what's... -I got nothing. -Are you losing it? | 0:04:34 | 0:04:38 | |
Yeah, I'm chopped liver, here. I don't know! | 0:04:38 | 0:04:40 | |
It's early in the evening. | 0:04:40 | 0:04:42 | |
By the shank of the evening, we'll be... | 0:04:42 | 0:04:44 | |
-There's lots of Julie to go around. -Oh, yeah. | 0:04:44 | 0:04:48 | |
OK. That is my future wife, so...! | 0:04:49 | 0:04:51 | |
LAUGHTER AND APPLAUSE | 0:04:51 | 0:04:54 | |
A joke's a joke but, you know... | 0:04:54 | 0:04:56 | |
But the thing is, | 0:04:58 | 0:04:59 | |
cos I was talking about the movies you've done, | 0:04:59 | 0:05:02 | |
-you kind of embody these, kind of, icons for us. -Well, yes... | 0:05:02 | 0:05:06 | |
Thank you. You know... | 0:05:06 | 0:05:07 | |
That's my boy! That's my boy! | 0:05:09 | 0:05:11 | |
-Oh, that's great. -Sorry! | 0:05:11 | 0:05:13 | |
-It's fine. -No, where were you... | 0:05:13 | 0:05:15 | |
Were you in Switzerland when you bumped into the tourists? | 0:05:15 | 0:05:19 | |
Yes! Oh, this is a true story. | 0:05:19 | 0:05:21 | |
I was about to come to the London Palladium | 0:05:21 | 0:05:25 | |
and do an act for about a week or so. | 0:05:25 | 0:05:28 | |
And I needed to really get in shape. | 0:05:28 | 0:05:30 | |
So I used to go around the hills and down | 0:05:30 | 0:05:33 | |
and around the hills and down, | 0:05:33 | 0:05:35 | |
in the mountains and so on. | 0:05:35 | 0:05:36 | |
And I... Just to get the legs strong. | 0:05:36 | 0:05:39 | |
And then one day, I thought, | 0:05:39 | 0:05:40 | |
"Well, this is ridiculous. There's not a soul around." | 0:05:40 | 0:05:43 | |
So, honest to God, this is a true story, | 0:05:43 | 0:05:46 | |
I was doing # The hills are alive... # | 0:05:46 | 0:05:48 | |
And a whole bunch of Japanese tourists came over the hill, | 0:05:48 | 0:05:51 | |
with cameras and everything. | 0:05:51 | 0:05:55 | |
Honestly, you should have seen their faces! | 0:05:55 | 0:05:57 | |
And my heart went right down! | 0:05:57 | 0:06:00 | |
They must have thought, "This is good." | 0:06:00 | 0:06:01 | |
Well, they thought I did it every day, I'm sure. | 0:06:01 | 0:06:04 | |
-And I never did, you know! -Talking of meeting the public, | 0:06:04 | 0:06:06 | |
the last time you guys were together, | 0:06:06 | 0:06:09 | |
doing your promotional tour for 21 Jump Street, | 0:06:09 | 0:06:11 | |
is it fair to say that got a bit out of control? | 0:06:11 | 0:06:13 | |
-Possibly. -Yeah. | 0:06:15 | 0:06:17 | |
-Probably. -Is it out? -I would call it a legendary press tour. | 0:06:17 | 0:06:20 | |
-The first one, yes. -No, no, | 0:06:20 | 0:06:22 | |
-I'm talking about the one you've just... -No, not yet. | 0:06:22 | 0:06:24 | |
-That's not out yet? -We're selling it now. | 0:06:24 | 0:06:26 | |
But when's it coming? | 0:06:26 | 0:06:28 | |
-When's it due? -June... -6th. -..6th. -OK. -June 6th. | 0:06:28 | 0:06:31 | |
-You'll be at the premiere with me. -Oh, yes, I will. | 0:06:31 | 0:06:34 | |
So they put you on a plane and just let you loose, it sounds like. | 0:06:38 | 0:06:42 | |
Cos was the fountain in Australia, Channing? | 0:06:42 | 0:06:45 | |
Yes, that's actually... Yeah. | 0:06:45 | 0:06:46 | |
-Absolutely. I ended up in a fountain. -How come?! | 0:06:46 | 0:06:50 | |
I need to hear about this! | 0:06:50 | 0:06:51 | |
If we're going to be getting married. I mean... | 0:06:51 | 0:06:54 | |
-You need to know about my friends. -Yes, your friends and what went on. | 0:06:54 | 0:06:58 | |
We were just walking home. | 0:06:58 | 0:07:00 | |
The fountain seemed like a good idea at the time. | 0:07:00 | 0:07:04 | |
-Other people ended up jumping in. So I didn't feel as awkward. -Yeah. | 0:07:04 | 0:07:07 | |
-You started the revolution. -And was it in Miami...? | 0:07:07 | 0:07:10 | |
It was raining, so everyone was wet already. | 0:07:10 | 0:07:12 | |
Was it in Miami you lost your trousers, Jonah? | 0:07:12 | 0:07:15 | |
I would say I lost them by choice. | 0:07:15 | 0:07:17 | |
-That was a... -You threw them away?! | 0:07:17 | 0:07:20 | |
-We were in Miami and we went out... -This was way before. | 0:07:20 | 0:07:22 | |
-Way before! -Yes, well...! | 0:07:22 | 0:07:25 | |
You know what, I had to get it out of my system | 0:07:25 | 0:07:27 | |
before I found the one! | 0:07:27 | 0:07:29 | |
I was going to say, "What about the other night?" | 0:07:29 | 0:07:31 | |
No, well... | 0:07:31 | 0:07:33 | |
-He has a problem keeping it in his pants. -Listen, | 0:07:33 | 0:07:35 | |
let's talk about it off television! | 0:07:35 | 0:07:36 | |
So we were in Miami. We went out dancing | 0:07:38 | 0:07:40 | |
and then we went swimming in the ocean at four in the morning. | 0:07:40 | 0:07:43 | |
-Of course. -And I just stayed... | 0:07:43 | 0:07:46 | |
We got back in the car and I stayed in my boxers | 0:07:46 | 0:07:48 | |
and then we went to go to a diner. | 0:07:48 | 0:07:52 | |
And I didn't want to put on my pants | 0:07:52 | 0:07:54 | |
and Channing insisted that I put on pants. | 0:07:54 | 0:07:56 | |
And I didn't feel it was necessary | 0:07:56 | 0:07:58 | |
since Miami's the weirdest place on the planet. | 0:07:58 | 0:08:01 | |
-Do you guys know about this place? -Nobody wears pants. | 0:08:01 | 0:08:04 | |
Literally, a guy will get out of a white Lamborghini | 0:08:04 | 0:08:06 | |
-wearing a white thong, just to go and buy milk. -LAUGHTER | 0:08:06 | 0:08:10 | |
Crazy face plastic surgery. Like, it's the weirdest place ever. | 0:08:10 | 0:08:13 | |
And Chan put my pants on me by force. | 0:08:13 | 0:08:17 | |
-I had shoes and socks on. -There's a lot of weird stuff going on here. | 0:08:18 | 0:08:21 | |
I'm trying to get clued in, here. | 0:08:21 | 0:08:23 | |
It was such a complicated evening, sweetheart, I don't want to... | 0:08:23 | 0:08:26 | |
We can't live in the past. We have to just go forward. | 0:08:26 | 0:08:29 | |
He was young. | 0:08:29 | 0:08:31 | |
But now, I don't know if your tour will be quite the same, | 0:08:31 | 0:08:35 | |
-Dame Julie. Cos you are touring. -I WILL be going on tour. | 0:08:35 | 0:08:39 | |
Now, it kicks off in Birmingham tomorrow and then... | 0:08:39 | 0:08:42 | |
CHEERING No, not tomorrow! | 0:08:42 | 0:08:44 | |
-Oh, it is tomorrow! -It is. | 0:08:44 | 0:08:46 | |
My God, sorry, jet lag. | 0:08:46 | 0:08:48 | |
Friday at 10:30. | 0:08:48 | 0:08:49 | |
It kicks off in Birmingham tomorrow, then Liverpool, | 0:08:51 | 0:08:54 | |
-two nights in London and then ends in Bournemouth. -That's right. | 0:08:54 | 0:08:58 | |
-Quite short. -Very short, yeah. | 0:08:58 | 0:09:00 | |
But long enough, you know! | 0:09:00 | 0:09:02 | |
-You'll have enjoyed it enough. -A lot of zipping up and down. -Yes. | 0:09:02 | 0:09:05 | |
It's really just chatting about everything I've done. | 0:09:05 | 0:09:08 | |
Lots of film clips, lots of outtakes. Silly stuff. | 0:09:08 | 0:09:12 | |
Some of it's very funny. | 0:09:12 | 0:09:14 | |
And it's a good night. | 0:09:14 | 0:09:15 | |
And the second half is all questions and answers. | 0:09:15 | 0:09:17 | |
And it's a great year for you to be doing this | 0:09:17 | 0:09:19 | |
cos it is 50 years this year since the Oscar for Mary Poppins. | 0:09:19 | 0:09:22 | |
That's right. And next year, 50 for Sound Of Music, too. | 0:09:22 | 0:09:27 | |
I mean, there's a lot of 50s in my life all of a sudden, | 0:09:27 | 0:09:29 | |
which I could do without! | 0:09:29 | 0:09:31 | |
The weird thing is that Mary Poppins | 0:09:32 | 0:09:34 | |
is such an important film for everyone... | 0:09:34 | 0:09:36 | |
I shouldn't be saying that in front of you | 0:09:36 | 0:09:38 | |
cos you're such a young boy and you don't know that, do you? | 0:09:38 | 0:09:41 | |
Yes. | 0:09:41 | 0:09:43 | |
Age is just a number. You know, I just figure it that way. | 0:09:43 | 0:09:47 | |
-I want this to be true. -Yeah. | 0:09:47 | 0:09:48 | |
This is a very serious night for all of us. | 0:09:50 | 0:09:53 | |
-Will you be best man, Channing? -I absolutely will. Thank you. | 0:09:53 | 0:09:56 | |
-"Mom, I'm marrying Julie Andrews." -Mary Poppins. | 0:09:56 | 0:09:59 | |
Mary Poppins! | 0:09:59 | 0:10:02 | |
What was the character in Wolf Of Wall Street you played? | 0:10:03 | 0:10:05 | |
-Donnie. -Donnie marries Mary, yes. -Yes, exactly! | 0:10:05 | 0:10:09 | |
-Donnie and Mary, there's a sequel there. -Yes. | 0:10:09 | 0:10:11 | |
But that film, Mary Poppins, is so sweet and lovely | 0:10:13 | 0:10:16 | |
-and yet it was kind of dangerous to make. -Yes. | 0:10:16 | 0:10:19 | |
-Which sounds ridiculous. -Well, yes. I mean, there were a lot of stunts. | 0:10:19 | 0:10:22 | |
A lot of flying stunts | 0:10:22 | 0:10:24 | |
which they saved mostly towards the end of the film, | 0:10:24 | 0:10:27 | |
because by that time most of the film was in the can | 0:10:27 | 0:10:29 | |
and presumably if an accident happened it was safe, you know. | 0:10:29 | 0:10:33 | |
So... | 0:10:33 | 0:10:35 | |
Yeah, it's true, though. | 0:10:35 | 0:10:37 | |
They saved everything until the last two or three days, | 0:10:37 | 0:10:40 | |
the really high-flying stuff. | 0:10:40 | 0:10:42 | |
And I was hanging around much higher than this studio, | 0:10:42 | 0:10:46 | |
I can tell you, on wires. | 0:10:46 | 0:10:48 | |
You know, in an excruciating harness. | 0:10:48 | 0:10:52 | |
And it was my last day | 0:10:52 | 0:10:55 | |
and there were wires going along the back of the studio, | 0:10:55 | 0:10:58 | |
down to balancing equipment and sandbags and things. | 0:10:58 | 0:11:01 | |
But I felt myself, while I was hanging around up there | 0:11:01 | 0:11:03 | |
waiting for the shot to be set up, | 0:11:03 | 0:11:06 | |
I felt myself drop by about a foot, maybe six inches. | 0:11:06 | 0:11:09 | |
-And I thought, "Oh, my God, my luck is running out." -"This is it!" | 0:11:09 | 0:11:12 | |
"This is it." So I called down to the floor manager and I said, | 0:11:12 | 0:11:16 | |
"Excuse me, I just felt the wire give, just a little bit. | 0:11:16 | 0:11:20 | |
"And when I come down, could you just be sure | 0:11:20 | 0:11:23 | |
"that you really let me down easy?" | 0:11:23 | 0:11:25 | |
And I heard the word go back along the length of the studio. | 0:11:25 | 0:11:29 | |
"Joe, when she comes down, let her down easy, Joe. | 0:11:29 | 0:11:32 | |
"Let her down really easy." | 0:11:32 | 0:11:34 | |
At which point I dropped like a tonne of bricks... | 0:11:34 | 0:11:36 | |
to the stage. | 0:11:36 | 0:11:38 | |
And there was this awed silence | 0:11:38 | 0:11:41 | |
and I let fly with a few Anglo-Saxon four letter words | 0:11:41 | 0:11:44 | |
that Disney had certainly never heard before! | 0:11:44 | 0:11:46 | |
And then Joe's voice from way at the back of the studio yelled, | 0:11:48 | 0:11:52 | |
"Is she down yet?!" | 0:11:52 | 0:11:53 | |
I never saw him again, poor fellow. | 0:11:55 | 0:11:58 | |
I bet you didn't. | 0:11:58 | 0:12:00 | |
No, cos we've all grown-up watching this movie. | 0:12:00 | 0:12:02 | |
-Now, Channing, you're a newish dad. -Yes. | 0:12:02 | 0:12:04 | |
-You've got a baby too young to watch Mary Poppins. -Way too young. | 0:12:04 | 0:12:07 | |
-A one-year-old, just going to be at the end of this month. -Oh, wow! | 0:12:07 | 0:12:11 | |
But, now, I read you really like this being a dad thing. | 0:12:11 | 0:12:14 | |
-I really do. -You've taken to it. -Yeah, | 0:12:14 | 0:12:16 | |
it's a new task and challenge and it's fun. | 0:12:16 | 0:12:20 | |
But the first year, you're just sort of an assistant really. | 0:12:20 | 0:12:23 | |
You're just like, "Bottle? Bottle, OK. | 0:12:23 | 0:12:25 | |
"All right, got to get the bottle." | 0:12:25 | 0:12:26 | |
And it's really just all about the mother and the baby. | 0:12:26 | 0:12:29 | |
And we have a beautiful, beautiful little girl. | 0:12:29 | 0:12:31 | |
-AUDIENCE OOHS -People like that! | 0:12:31 | 0:12:35 | |
Ovaries are popping all over the studio! | 0:12:35 | 0:12:38 | |
"I'm ovulating now!" | 0:12:40 | 0:12:41 | |
"Let's leave! Quick!" | 0:12:43 | 0:12:45 | |
We should have a baby! | 0:12:45 | 0:12:46 | |
LAUGHTER AND APPLAUSE | 0:12:48 | 0:12:52 | |
-That would be nice. -I assume we will. -Yes. -Yes, we will. | 0:12:52 | 0:12:55 | |
Let's just stop talking about it and... | 0:12:55 | 0:12:57 | |
Get on with it, yeah. | 0:12:57 | 0:12:59 | |
-After the honeymoon, though, OK? -Yes, yes. | 0:12:59 | 0:13:01 | |
-Whatever you want. -Yeah. | 0:13:01 | 0:13:03 | |
LAUGHTER | 0:13:03 | 0:13:05 | |
But is it true you can still say it backwards? | 0:13:05 | 0:13:07 | |
-Supercalifragi... -Yes! Do you want to hear it? -If you can. | 0:13:07 | 0:13:10 | |
If I can! What do you mean, if I can?! | 0:13:10 | 0:13:13 | |
-Said Mary Poppins, snippily. -Come on! | 0:13:13 | 0:13:15 | |
Dociousaliexpilisticfragicalirupes. | 0:13:15 | 0:13:18 | |
CHEERING I'll remember that when you're ill. | 0:13:18 | 0:13:22 | |
Yes, please. Please! | 0:13:22 | 0:13:24 | |
Cos, Jonah, what was that... | 0:13:26 | 0:13:28 | |
I'm probably thick, but I've never understood the thing | 0:13:28 | 0:13:32 | |
that Morgan Freeman said to you, that... | 0:13:32 | 0:13:36 | |
Oh, so when I was... This was about ten years ago. | 0:13:36 | 0:13:39 | |
I did a film with Morgan Freeman. It was a really small film. | 0:13:39 | 0:13:42 | |
And the first ten pages, or ten minutes, of the film | 0:13:42 | 0:13:46 | |
are us two just driving together in a car | 0:13:46 | 0:13:49 | |
and talking. | 0:13:49 | 0:13:50 | |
And it took three days to shoot. | 0:13:50 | 0:13:52 | |
And he didn't talk to me the entire time. | 0:13:52 | 0:13:55 | |
Like, in between takes, right? | 0:13:55 | 0:13:57 | |
Cos he had so much dialogue, right? | 0:13:57 | 0:14:00 | |
-OK. -So in between we wouldn't really chat | 0:14:00 | 0:14:02 | |
but we were in the car together for three days. | 0:14:02 | 0:14:04 | |
And then at the end of the third day, | 0:14:04 | 0:14:07 | |
he just turns to me and he goes, | 0:14:07 | 0:14:09 | |
"Jonah, Jonah, Bo-bonah, Bonana-fana, Fo-fonah, | 0:14:09 | 0:14:13 | |
"Mee-my, Mo-monah... | 0:14:13 | 0:14:15 | |
"Jonah!" | 0:14:15 | 0:14:17 | |
-That's it? -That's it. | 0:14:17 | 0:14:19 | |
And then it was, like, super uncomfortable. | 0:14:19 | 0:14:21 | |
I didn't know what to say back. | 0:14:21 | 0:14:24 | |
It was one of the more weird moments of my life. | 0:14:24 | 0:14:27 | |
And I just didn't know what to say so I just said, | 0:14:27 | 0:14:29 | |
-"Thank you." -LAUGHTER | 0:14:29 | 0:14:32 | |
And then he was quiet again and he said, | 0:14:32 | 0:14:35 | |
"Do me." | 0:14:35 | 0:14:37 | |
I said, "What?" | 0:14:37 | 0:14:38 | |
He was like, "Do my name." | 0:14:38 | 0:14:42 | |
And I was like, "Do your name?" | 0:14:42 | 0:14:44 | |
And he's like, "Yeah, do my name." | 0:14:44 | 0:14:46 | |
And I was like, | 0:14:46 | 0:14:47 | |
"Morgan, Morgan, Bo-borgan, Bonana-fana, Fo-forgan, | 0:14:47 | 0:14:51 | |
"Mee-my Mo-Morgan... | 0:14:51 | 0:14:53 | |
"Morgan!" | 0:14:53 | 0:14:54 | |
And he went, "All right." | 0:14:55 | 0:14:57 | |
-And then we never spoke again. -LAUGHTER | 0:14:57 | 0:15:00 | |
-That's funny. -I've seen him since | 0:15:03 | 0:15:05 | |
and he told me he was messing with me. | 0:15:05 | 0:15:08 | |
He was messing with me, which was hilarious. | 0:15:08 | 0:15:10 | |
-You know, it's hysterical. -He's playing a long game, though. | 0:15:10 | 0:15:13 | |
-Yeah. -This amusing three-day joke. -Three days, though! | 0:15:13 | 0:15:17 | |
So, listen, Julie, I don't know | 0:15:17 | 0:15:19 | |
if you've got a night off on your tour but if you do, | 0:15:19 | 0:15:21 | |
you could do worse than going to see 22 Jump Street. | 0:15:21 | 0:15:25 | |
Yes, I want to! | 0:15:25 | 0:15:26 | |
It is out on June 6th, correct. | 0:15:27 | 0:15:30 | |
And it's the sequel to, obviously, 21 Jump Street. | 0:15:30 | 0:15:33 | |
-So you're back together this time. -Yes. -Now, I've seen it. | 0:15:33 | 0:15:37 | |
-It's really funny. It is a very funny film. -Thank you. | 0:15:37 | 0:15:40 | |
So tell the people what happens this time. | 0:15:40 | 0:15:43 | |
So, basically, in the first one, we are cops, | 0:15:43 | 0:15:46 | |
Channing and I are partners, | 0:15:46 | 0:15:47 | |
and we go undercover in a high school. | 0:15:47 | 0:15:49 | |
And this time, we go undercover at a university. | 0:15:49 | 0:15:53 | |
Pretty clever, right?! | 0:15:53 | 0:15:55 | |
So... | 0:15:55 | 0:15:57 | |
So, the first one, we really take the piss out of ourselves | 0:15:57 | 0:16:00 | |
because we're saying that it's the most unoriginal thing ever | 0:16:00 | 0:16:03 | |
-to turn a TV show into a movie. -Yeah. -Right? | 0:16:03 | 0:16:05 | |
The movies are very self-aware. | 0:16:05 | 0:16:07 | |
And in this one, we're really taking the piss out of ourselves | 0:16:07 | 0:16:10 | |
for making a sequel. | 0:16:10 | 0:16:11 | |
And that "second missions" are always just worse | 0:16:11 | 0:16:14 | |
and more expensive than first missions. | 0:16:14 | 0:16:17 | |
And you can never recapture that magic. | 0:16:17 | 0:16:19 | |
So we kind of make fun of ourselves throughout the film | 0:16:19 | 0:16:21 | |
and it's just really funny, a lot of action | 0:16:21 | 0:16:25 | |
and just a popcorn summer movie | 0:16:25 | 0:16:26 | |
that you go and just laugh and have a good time. | 0:16:26 | 0:16:29 | |
Now, watching it, physically, Channing and Jonah, | 0:16:29 | 0:16:33 | |
I would say you are quite different as actors. | 0:16:33 | 0:16:36 | |
-LAUGHTER -Is that fair? -Yeah. | 0:16:36 | 0:16:38 | |
-They look different, too. -They do look different, Julie. | 0:16:38 | 0:16:42 | |
LAUGHTER | 0:16:42 | 0:16:45 | |
OK, there's one sequence where you're both doing things | 0:16:45 | 0:16:49 | |
and Channing, you're very good at the things. | 0:16:49 | 0:16:52 | |
-And you are good at the things, aren't you? -I'm OK, yeah. -He is. | 0:16:52 | 0:16:55 | |
Depending on what the things are you're talking about. | 0:16:55 | 0:16:58 | |
That's not very specific on the things. | 0:16:58 | 0:17:00 | |
-Well, I don't want to spoil the film. -All right. | 0:17:00 | 0:17:02 | |
-You know, the jumping and the... -Yeah. -All the stunts. | 0:17:02 | 0:17:05 | |
-You like all of that. -I'm pretty good at jumping. -Yeah. | 0:17:05 | 0:17:09 | |
He can actually fly! | 0:17:09 | 0:17:10 | |
-You too?! -Like Mary... | 0:17:12 | 0:17:14 | |
CHEERING | 0:17:14 | 0:17:17 | |
Well done! | 0:17:17 | 0:17:19 | |
Maybe I should sit in the middle! | 0:17:20 | 0:17:22 | |
-Come on over, we might... -No. | 0:17:24 | 0:17:27 | |
But seriously, guys, no. | 0:17:27 | 0:17:29 | |
Stay away from her. | 0:17:32 | 0:17:33 | |
So you like the running around and things. | 0:17:35 | 0:17:38 | |
And Jonah, I'm sensing you don't. | 0:17:38 | 0:17:40 | |
It's not that I don't like it, I just... | 0:17:40 | 0:17:43 | |
Whenever it is possible for Gianni, my stunt person, to do it, | 0:17:43 | 0:17:47 | |
I allow him to do it. | 0:17:47 | 0:17:49 | |
-Very big of you. -He gets such joy out of it. | 0:17:50 | 0:17:53 | |
I wouldn't want to take away that joy from him. | 0:17:53 | 0:17:56 | |
-Are there girls in your movies? -Yeah. -Oh... -Guess who gets the girl? | 0:17:56 | 0:17:59 | |
-Don't be jealous. -Oh! | 0:17:59 | 0:18:01 | |
-This guy. -Oh, oh, I see. | 0:18:03 | 0:18:07 | |
-OK. -It's just acting, honey. | 0:18:07 | 0:18:09 | |
-But... -It's not real life. | 0:18:10 | 0:18:11 | |
You would think that Channing, doing all the stunts, | 0:18:11 | 0:18:14 | |
that's how you would get hurt. | 0:18:14 | 0:18:15 | |
He's really good friends with the directors | 0:18:15 | 0:18:17 | |
so he gets the girl, | 0:18:17 | 0:18:18 | |
he doesn't have to do the hard stunts. | 0:18:18 | 0:18:20 | |
Also, I wrote the movie, so that really helps! | 0:18:20 | 0:18:23 | |
-CHEERING -If you write the movies, you get the girl, | 0:18:23 | 0:18:26 | |
you don't do any of the stunts. | 0:18:26 | 0:18:28 | |
You just kind of chill out, be funny and relax a little bit. | 0:18:28 | 0:18:31 | |
But Channing, your worst injury wasn't a jumping thing, | 0:18:31 | 0:18:34 | |
-it was water. -Yeah. | 0:18:34 | 0:18:36 | |
-Not on this movie, but, yes. -So it sounds vile. | 0:18:36 | 0:18:39 | |
It's terrible. I was actually in Scotland... | 0:18:39 | 0:18:43 | |
-That isn't the story! -LAUGHTER | 0:18:43 | 0:18:46 | |
But I was in a hypothermic river | 0:18:46 | 0:18:47 | |
and wearing a wet suit underneath the costume. | 0:18:47 | 0:18:49 | |
And they were pouring warm water down your... | 0:18:49 | 0:18:52 | |
down your wet suit all day to keep your core warm. | 0:18:52 | 0:18:55 | |
And we had finished the day and everyone was tired | 0:18:55 | 0:18:57 | |
and here comes the guy with the bottle to warm you up. | 0:18:57 | 0:19:00 | |
And what had happened was | 0:19:00 | 0:19:01 | |
he had forgotten to get down to the river | 0:19:01 | 0:19:03 | |
and fill up the bottle that had kettle water in it, | 0:19:03 | 0:19:05 | |
like boiling water, with river water. | 0:19:05 | 0:19:08 | |
And they poured it down my wet suit and... | 0:19:08 | 0:19:10 | |
It healed fine, though! | 0:19:10 | 0:19:12 | |
-Yeah, but what happened? -It... | 0:19:13 | 0:19:17 | |
It burned all the skin on my pee-pee off. | 0:19:17 | 0:19:19 | |
-Yeah. -You knew! -Yeah! -It's perfect, now, good! | 0:19:21 | 0:19:24 | |
It's really strange. | 0:19:24 | 0:19:26 | |
It's pretty resilient down there. You'd expect... | 0:19:26 | 0:19:28 | |
It's probably nicer cos there's new skin now. | 0:19:28 | 0:19:30 | |
-Yeah, it's so great! -Oh, it looks beautiful. | 0:19:30 | 0:19:33 | |
-It looks beautiful. -Excuse me! -Sorry. -A1! | 0:19:33 | 0:19:36 | |
It's like there never was an accident. | 0:19:37 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:42 | |
Listen, listen, let's distract ourselves. | 0:19:42 | 0:19:44 | |
We've got a clip from the movie. | 0:19:44 | 0:19:46 | |
This is from near the beginning of the movie, | 0:19:46 | 0:19:49 | |
when you're trying a bit of undercover role-playing. | 0:19:49 | 0:19:51 | |
-That's all I need to say. -All you need to know. -Yeah. | 0:19:51 | 0:19:53 | |
-Yeah, that's good. -Role-playing! | 0:19:53 | 0:19:55 | |
HE SPEAKS SPANISH | 0:19:55 | 0:19:57 | |
We're trying to see that product. Yo, Sleepy. What's up, homey? | 0:19:57 | 0:20:00 | |
-You know my cousin, Sadboy. -I think you got the wrong guy, homes. | 0:20:00 | 0:20:04 | |
Everyone say in the bar, "Sleepy, he like the Mexican Wolverine." | 0:20:04 | 0:20:07 | |
-And my partner here, he want to see that product. -Why ain't he talking? | 0:20:07 | 0:20:11 | |
My name's Jeff. | 0:20:13 | 0:20:15 | |
LAUGHTER DROWNS SPEECH | 0:20:15 | 0:20:17 | |
Hey, tell them about that crazy adventure you guys had. | 0:20:17 | 0:20:21 | |
Go into incredibly descriptive details of the stories we all know. | 0:20:21 | 0:20:25 | |
Oh, yes! Well, there was Dora and Diego | 0:20:25 | 0:20:30 | |
-and Swiper. -Swiper? | 0:20:30 | 0:20:32 | |
And who was that you choked out, man? He had it coming. Who was that? | 0:20:32 | 0:20:36 | |
-Boots? -No, man, start over from the top. That's a made-up name! | 0:20:36 | 0:20:42 | |
CHEERING AND APPLAUSE | 0:20:42 | 0:20:44 | |
-Was it hard to keep a straight face? -Always. -Yeah. -Always, always. | 0:20:45 | 0:20:49 | |
It is a really funny film. | 0:20:49 | 0:20:51 | |
It is that weird thing, | 0:20:51 | 0:20:53 | |
cos particularly sequels for comedies, people do worry about them. | 0:20:53 | 0:20:57 | |
-They always suck! -Not always. | 0:20:57 | 0:20:59 | |
-Pretty much all the time. -Yeah, but this is really good. | 0:20:59 | 0:21:01 | |
Anchorman 2 was good and this... | 0:21:01 | 0:21:03 | |
Oh, yeah. No, there's lots of good ones but usually they suck. | 0:21:03 | 0:21:07 | |
Yeah, they do. | 0:21:07 | 0:21:08 | |
Now, talking of sequels, much excitement, Channing Tatum. | 0:21:08 | 0:21:11 | |
Magic Mike 2. | 0:21:11 | 0:21:13 | |
CHEERING AND APPLAUSE | 0:21:13 | 0:21:16 | |
Er, so...is there anything... Can you tell us anything about it? | 0:21:18 | 0:21:21 | |
Er, it's going to be a road trip. | 0:21:21 | 0:21:23 | |
And it... It's probably going to be more of the movie | 0:21:23 | 0:21:26 | |
that you expected on the first one. | 0:21:26 | 0:21:28 | |
It's a little more bigger and funnier and crazy. | 0:21:28 | 0:21:32 | |
Just a good time on this one, I think. Er... | 0:21:32 | 0:21:35 | |
That's all I really want to say on that one. | 0:21:35 | 0:21:37 | |
OK. And do you kind of dread it, cos you have to get ready to do that movie? | 0:21:37 | 0:21:42 | |
It is, yes, for sure. It's not a fun process, | 0:21:42 | 0:21:44 | |
not eating anything good for about three months straight and, er, yeah. | 0:21:44 | 0:21:48 | |
And what I love about it... | 0:21:48 | 0:21:50 | |
Cos a lot of actors, if they had, you know, if they'd done stripping, | 0:21:50 | 0:21:53 | |
that would have been their "secret past", but you own it. | 0:21:53 | 0:21:56 | |
You've made a big, successful thing. Presumably, people told you, "Don't do this." | 0:21:56 | 0:22:00 | |
-WHOOPING -Calm down, calm down. | 0:22:00 | 0:22:02 | |
Yeah, it was... It was one of the things that I was fine with. | 0:22:02 | 0:22:06 | |
I mean, I was 18, 19 years old and it was a crazy time in my life | 0:22:06 | 0:22:10 | |
and I've got a chance to live crazy things and somehow survive them, | 0:22:10 | 0:22:13 | |
so it was... I wasn't really afraid of it coming out. | 0:22:13 | 0:22:17 | |
And look who's laughing now! | 0:22:17 | 0:22:19 | |
-It's turned into a really successful franchise. -Yeah, it was nice. | 0:22:19 | 0:22:23 | |
This amazes me, so... | 0:22:23 | 0:22:24 | |
In this country, when people are stripping, | 0:22:24 | 0:22:27 | |
there's very basic jobs that strippers do. | 0:22:27 | 0:22:29 | |
-Like, they're firemen, soldiers... -Ours, too, for the most part. | 0:22:29 | 0:22:32 | |
-But you chose bizarre things to be. -OK, well... | 0:22:32 | 0:22:37 | |
The first ones weren't chosen for me. | 0:22:37 | 0:22:39 | |
They were more like hazing things. I think I know what you're talking about. | 0:22:39 | 0:22:42 | |
-Because was your very first one a boy scout? -Yes. | 0:22:42 | 0:22:45 | |
Now, you think that's bad. This is the song he would strip to. | 0:22:46 | 0:22:50 | |
# Hello, mother | 0:22:50 | 0:22:53 | |
# Hello, father | 0:22:53 | 0:22:55 | |
# Here I am at | 0:22:55 | 0:22:57 | |
# Camp Granada | 0:22:57 | 0:22:59 | |
# Camp is very... # | 0:22:59 | 0:23:01 | |
Then it stops and it's like... And you rip your shirt off. | 0:23:01 | 0:23:05 | |
That's fantastic. | 0:23:05 | 0:23:06 | |
The worst part about that story is, | 0:23:06 | 0:23:08 | |
my sister came the very first night that I ever... | 0:23:08 | 0:23:11 | |
She tried to shame me out of not doing it, I think, | 0:23:11 | 0:23:14 | |
and that was mortifying. | 0:23:14 | 0:23:15 | |
So she knew you were going to be...? | 0:23:15 | 0:23:17 | |
Yeah, her friends all basically brought her | 0:23:17 | 0:23:19 | |
and tried to shame me out of doing it but I followed through. | 0:23:19 | 0:23:23 | |
-In a good way? -In a... I don't actually know if it was a good way. | 0:23:24 | 0:23:28 | |
It was probably pretty bad. It was terrible, actually. | 0:23:28 | 0:23:31 | |
-You WERE nervous! -Yeah. | 0:23:31 | 0:23:33 | |
And it was cold. Very cold. | 0:23:33 | 0:23:35 | |
APPLAUSE | 0:23:35 | 0:23:38 | |
Talking about doing shocking things, of course, you, Dame Julie, | 0:23:38 | 0:23:43 | |
in your husband's movie SOB... | 0:23:43 | 0:23:45 | |
-Yeah. -..you went topless. -Husband?! | 0:23:45 | 0:23:47 | |
What, husband?! | 0:23:47 | 0:23:49 | |
We've all been around the block, Jonah. | 0:23:50 | 0:23:53 | |
-Is this Blake Edwards? -Yes! -Well, what a legend. | 0:23:53 | 0:23:55 | |
-You guys were married to each other? -Yeah, are you kidding? -Oh, my gosh! | 0:23:55 | 0:23:59 | |
Didn't you Google the other guests? | 0:23:59 | 0:24:00 | |
No, I didn't! I mean, she's such a legend and he's such a legend, | 0:24:00 | 0:24:04 | |
-what a legendary combination. -That's right. | 0:24:04 | 0:24:06 | |
-I'm married to that lovely guy for 42 years. -Wow! -Honestly, Jonah. | 0:24:06 | 0:24:09 | |
Such a legendary couple! | 0:24:09 | 0:24:11 | |
That'd be the only person I'd be fine with being married to you except for me! | 0:24:11 | 0:24:16 | |
My friend wrote a book on him, Sammy Wasson. You know that name? | 0:24:16 | 0:24:18 | |
-Yes, I know Sammy. -He wrote a book on Blake. -Oh, God! -Can you guys go away for a minute? So... | 0:24:18 | 0:24:23 | |
-No, yeah, that's crazy. -Yeah. | 0:24:23 | 0:24:25 | |
I think maybe most of the audience know, | 0:24:25 | 0:24:27 | |
he did all the great Pink Panther movies. | 0:24:27 | 0:24:30 | |
-He did Breakfast At Tiffany's and The Great Race and... -Such a legend. | 0:24:30 | 0:24:34 | |
And 10 and those kind of movies. | 0:24:34 | 0:24:37 | |
But, no, I had to go topless for him but it was very legitimate. | 0:24:37 | 0:24:42 | |
And I had... It took ten years to get... | 0:24:42 | 0:24:44 | |
-Super-legitimate. -No, no. | 0:24:44 | 0:24:47 | |
-It was legitimately in the script, is what I'm saying. -OK, OK! | 0:24:47 | 0:24:50 | |
No, yes, very legitimate, believe me! | 0:24:50 | 0:24:52 | |
Beautiful movie. Beautiful movie. | 0:24:52 | 0:24:54 | |
-Channing's seen it ten times. -No, you haven't, have you? | 0:24:54 | 0:24:58 | |
LAUGHTER | 0:24:58 | 0:25:00 | |
He's too young! He's too young. You'd love it. It's all about... | 0:25:00 | 0:25:03 | |
-It's a real take-off on Hollywood. It's a very funny movie. -SOB? | 0:25:03 | 0:25:07 | |
-SOB is, yeah. -Cool. -Have you not seen it, either? -No, sorry. -My God! | 0:25:07 | 0:25:12 | |
Well, we'll play it on our wedding night! | 0:25:12 | 0:25:14 | |
-You'll love it. You really will. -I'm looking forward to seeing it. | 0:25:16 | 0:25:19 | |
I really am! | 0:25:21 | 0:25:23 | |
But were there people in Hollywood telling you, | 0:25:23 | 0:25:25 | |
-"Don't do this - you're Julie Andrews"? -No, no, no. | 0:25:25 | 0:25:27 | |
I mean, I'd done an awful lot by then and I had... As I say, | 0:25:27 | 0:25:31 | |
it took ten years to get the movie made, | 0:25:31 | 0:25:33 | |
so I had ten years to think about it and it was in the script | 0:25:33 | 0:25:36 | |
and quite, as I say, legitimate. | 0:25:36 | 0:25:38 | |
And it just can be cold in the studio. Didn't you find that? | 0:25:38 | 0:25:43 | |
-And it's a lot worse when it's cold for us than... -Yes! Yeah. | 0:25:43 | 0:25:48 | |
-Chills help ladies, don't they? -No! I don't think so. -Really? | 0:25:48 | 0:25:53 | |
I mean, goose bumps don't look particularly good on camera. | 0:25:53 | 0:25:57 | |
-I guess not but... -This is so awesome! | 0:25:57 | 0:25:59 | |
-This is the funniest conversation I've ever been in! -I can't believe I'm having this conversation! | 0:25:59 | 0:26:04 | |
-It'll be your turn one day. -Well, in Wolf Of Wall Street, I had a... | 0:26:04 | 0:26:08 | |
-Yes, you did, you did. -But that wasn't your own. | 0:26:08 | 0:26:11 | |
-No, it was not, it was not. -It was someone else's? | 0:26:11 | 0:26:13 | |
It was someone else's, yeah. | 0:26:13 | 0:26:15 | |
That would be amazing! | 0:26:17 | 0:26:19 | |
No, it was a prosthetic. | 0:26:19 | 0:26:21 | |
It was your stunt double - you gave him the work. Make him happy. | 0:26:21 | 0:26:24 | |
You know what's weird about Wolf Of Wall Street? | 0:26:24 | 0:26:27 | |
All the really out-there stuff that happened - the nudity, the drugs, the language - | 0:26:27 | 0:26:31 | |
but the scene that really upset people was you and the fish. | 0:26:31 | 0:26:34 | |
Oh, yeah. I ate a goldfish. | 0:26:36 | 0:26:38 | |
Yeah, so the real-life person that one of the characters is | 0:26:38 | 0:26:41 | |
based on ate a co-worker's goldfish and fired him in this | 0:26:41 | 0:26:45 | |
really horrific, brutal scene, cos he's really degrading this guy. | 0:26:45 | 0:26:48 | |
-And we... -And the goldfish! -And the goldfish, exactly. | 0:26:48 | 0:26:52 | |
And so Martin Scorsese asked me if I... | 0:26:52 | 0:26:55 | |
what I wanted to do, how we wanted to do it. | 0:26:55 | 0:26:57 | |
And I said, "Well, the guy ate a goldfish, so I'll do it." | 0:26:57 | 0:27:00 | |
I try to do everything for real and I was like, "I'll eat the goldfish." | 0:27:00 | 0:27:03 | |
And he came back to me and said, "PETA won't allow..." | 0:27:03 | 0:27:06 | |
Do you know what PETA is? Like, an animal-protection organisation. | 0:27:06 | 0:27:09 | |
"They won't allow you to eat a goldfish." | 0:27:09 | 0:27:12 | |
And I said, | 0:27:12 | 0:27:14 | |
"That's weird." And so, er... | 0:27:14 | 0:27:16 | |
He's like, "You can keep it in your mouth for three seconds at a time | 0:27:18 | 0:27:21 | |
"and then have to spit it back into water." | 0:27:21 | 0:27:24 | |
And so we show up on the day and there's... | 0:27:24 | 0:27:27 | |
I'm not kidding, there's four goldfish wranglers - | 0:27:27 | 0:27:31 | |
-minders of the goldfish. -Aw! | 0:27:31 | 0:27:33 | |
The goldfish has four assistants from PETA there. | 0:27:33 | 0:27:37 | |
Which is four more than I had. | 0:27:37 | 0:27:39 | |
And, er... | 0:27:39 | 0:27:41 | |
I put the goldfish in my mouth for the first take | 0:27:41 | 0:27:44 | |
and it immediately goes to the bathroom in my mouth. | 0:27:44 | 0:27:47 | |
Oh! | 0:27:47 | 0:27:48 | |
Yeah. And so, er, basically, I hate goldfish and, er... | 0:27:48 | 0:27:53 | |
..I'll never work with one again. | 0:27:55 | 0:27:58 | |
Even if it's tasteful and meant to be in the script. | 0:27:58 | 0:28:01 | |
-I've worked with cockroaches. -Oh, wow! | 0:28:01 | 0:28:04 | |
I wondered what you were going to say there, Dame Julie. Wow! | 0:28:04 | 0:28:08 | |
It is all coming out tonight! | 0:28:08 | 0:28:10 | |
It's your mind, Graham. Your mind. | 0:28:10 | 0:28:14 | |
When we edit the show, that's what you'll say. | 0:28:14 | 0:28:16 | |
Ooh! I never thought about that. | 0:28:16 | 0:28:18 | |
APPLAUSE | 0:28:18 | 0:28:20 | |
Right, listen, we must get on. It is time to meet our singing guest. | 0:28:20 | 0:28:23 | |
He is the man behind the biggest-selling singles of the last two years. | 0:28:23 | 0:28:26 | |
Ladies and gentlemen, it's Pharell Williams! | 0:28:26 | 0:28:29 | |
MUSIC: "Happy" by Pharell Williams | 0:28:29 | 0:28:31 | |
CHEERING AND APPLAUSE | 0:28:32 | 0:28:35 | |
Hi! Sit down. | 0:28:36 | 0:28:39 | |
-Hello. How are you, Pharell? -I'm good. So nice to meet you. | 0:28:41 | 0:28:45 | |
-What's up, bro? Good to see you. -How's it going, man? What's up? | 0:28:45 | 0:28:49 | |
Boy! Look at that bling. My God, that's great! | 0:28:49 | 0:28:51 | |
CHEERING | 0:28:51 | 0:28:54 | |
-Look at all this. Isn't it beautiful? -Yeah! | 0:28:54 | 0:28:57 | |
And, of course, actually, Pharell and Julie, | 0:28:57 | 0:29:00 | |
-you're both part of the Despicable Me family. -Yes! -Yes. | 0:29:00 | 0:29:03 | |
We never met, though, did we, on the film? | 0:29:03 | 0:29:06 | |
No, but I was honoured to know that I was working on the same project as you. | 0:29:06 | 0:29:09 | |
-Thank you, thank you. -Whoa, what is going on?! | 0:29:09 | 0:29:12 | |
Hey, man, so she's kinda taken! | 0:29:12 | 0:29:15 | |
By me and Blake Edwards. | 0:29:18 | 0:29:19 | |
Now, listen, you are going to sing for us. | 0:29:20 | 0:29:22 | |
-You're singing your new single, Marilyn Monroe. -Yes, sir. | 0:29:22 | 0:29:25 | |
-And that's off the new album Girl - both out now. -Yes, sir. | 0:29:25 | 0:29:28 | |
Now, this album - it's sort of your... Is it your ode to women? | 0:29:28 | 0:29:33 | |
It's your love letter to women? | 0:29:33 | 0:29:35 | |
Yeah, it's like an open love letter to women | 0:29:35 | 0:29:38 | |
because they've been so amazing to me over the past 20 years. | 0:29:38 | 0:29:42 | |
They've been so supportive. They've never left my side and I just... | 0:29:42 | 0:29:45 | |
You know, when given the opportunity to make an album, | 0:29:45 | 0:29:48 | |
I just felt like, you know what? I know who I want to speak to. | 0:29:48 | 0:29:51 | |
I want to speak to that very special demographic that have been | 0:29:51 | 0:29:54 | |
holding me up for so long. | 0:29:54 | 0:29:56 | |
Mm. OK. | 0:29:56 | 0:29:58 | |
-So...Girl. -Yeah. | 0:29:58 | 0:30:00 | |
CHEERING AND APPLAUSE | 0:30:00 | 0:30:03 | |
And now half the audience is clapping! | 0:30:03 | 0:30:05 | |
But reading your biog, you seem like you are a fan of the older lady. | 0:30:05 | 0:30:09 | |
SHE CLEARS THROAT | 0:30:09 | 0:30:12 | |
This is such bullshit! This is such bullshit! | 0:30:12 | 0:30:14 | |
I'm not a singer - I can't compete with this. | 0:30:14 | 0:30:17 | |
Now that you put it that way...! | 0:30:18 | 0:30:20 | |
But you know what? | 0:30:20 | 0:30:22 | |
That's where I learned most of my, you know, real lessons from. | 0:30:22 | 0:30:26 | |
You know, I learned how to treat women based off of the older women | 0:30:26 | 0:30:30 | |
that I hung out with and they were so gracious | 0:30:30 | 0:30:34 | |
-and so generous and they taught me so many things! -Oh! | 0:30:34 | 0:30:38 | |
-Hey! -Hey, hey, hey! | 0:30:39 | 0:30:41 | |
But the thing is, though, you're not intimidated by women, | 0:30:41 | 0:30:45 | |
cos I read a thing where you... | 0:30:45 | 0:30:46 | |
-When you were working with Madonna on Hard Candy... -Boy! | 0:30:46 | 0:30:50 | |
You stood up to Madonna and that's... | 0:30:50 | 0:30:52 | |
-She's sat there - she is not easy. -But you know what? | 0:30:52 | 0:30:55 | |
To her credit, she likes that. She likes that. | 0:30:55 | 0:30:58 | |
She doesn't really like, like, a super-softy, you know? | 0:30:58 | 0:31:02 | |
And I'm not, like, you know, Hulk Hogan either. | 0:31:02 | 0:31:05 | |
But, you know, at the same time, like, | 0:31:05 | 0:31:07 | |
I was just very stern in my position and in terms of producing | 0:31:07 | 0:31:11 | |
and giving her advice, because that's what she hired me to do. | 0:31:11 | 0:31:14 | |
-So that was fine. -Did she like it ALL the time? | 0:31:14 | 0:31:17 | |
She liked it. | 0:31:18 | 0:31:19 | |
But you know what? I liked it too. And it is... | 0:31:21 | 0:31:24 | |
It is a pleasure to work with, er, you know, an icon, | 0:31:24 | 0:31:29 | |
someone that I looked up to when I was young, | 0:31:29 | 0:31:32 | |
that I thought was hot then and, like, got a chance to work with her. | 0:31:32 | 0:31:36 | |
That was amazing. | 0:31:36 | 0:31:37 | |
Or like sitting here with her, | 0:31:37 | 0:31:39 | |
like, someone with such incredible, rich, regal musical history, | 0:31:39 | 0:31:44 | |
and I'm able to sit here - you know, The Sound Of Music... | 0:31:44 | 0:31:47 | |
Well, you've made a bit of your own! | 0:31:47 | 0:31:49 | |
And you really have, cos every record on the radio seems to be, | 0:31:51 | 0:31:54 | |
"Oh, it's featuring Pharell, produced by Pharell." | 0:31:54 | 0:31:57 | |
How do you physically find the time to do all this? | 0:31:57 | 0:32:01 | |
No social life. | 0:32:01 | 0:32:02 | |
Really? Just, that's it? Just work all the time? | 0:32:02 | 0:32:05 | |
Yeah, I mean, work and family and that's just, you know... That's... | 0:32:05 | 0:32:09 | |
-Really, at this point of my life... You know, I'm 41, so that's, like, the most important thing to me. -Aw! | 0:32:09 | 0:32:14 | |
A little old for you, don't you think? | 0:32:17 | 0:32:19 | |
-Doesn't seem appropriate. What do I know? -That's hilarious! | 0:32:23 | 0:32:27 | |
-Stop hating, Jonah! -No, no, no! | 0:32:27 | 0:32:29 | |
-You're hating right now! -You're a genius. | 0:32:29 | 0:32:32 | |
-I'm just saying... -I'm not that! | 0:32:32 | 0:32:34 | |
You are, but, you know, | 0:32:34 | 0:32:37 | |
stay the fuck away from my girlfriend. That's all I'm saying! | 0:32:37 | 0:32:40 | |
CHEERING AND APPLAUSE | 0:32:40 | 0:32:43 | |
You're too much! | 0:32:45 | 0:32:46 | |
So, you're going to sing for us but quickly, we must mention your tour | 0:32:48 | 0:32:51 | |
starts on the 9th of September in Manchester, then you go all over Europe | 0:32:51 | 0:32:54 | |
-and end up in London on the 9th of October. -Yes, sir. -Wow! | 0:32:54 | 0:32:57 | |
And you're about to give us a taste of what those nice people can experience on tour. | 0:32:57 | 0:33:01 | |
I'm going to do my best. | 0:33:01 | 0:33:03 | |
Well, I've seen your rehearsal - it looks amazing. | 0:33:03 | 0:33:05 | |
-So if you'd like to go and get ready... -OK, I'll shuffle off. | 0:33:05 | 0:33:09 | |
-Will you come back? -You'll come back, you'll come back. | 0:33:09 | 0:33:11 | |
-We'll see you in a bit. -CHEERING AND APPLAUSE | 0:33:11 | 0:33:14 | |
Very shortly we'll have this week's stories in the big red chair | 0:33:18 | 0:33:21 | |
but first, singing his new single, Marilyn Monroe, | 0:33:21 | 0:33:24 | |
it is Pharell Williams. | 0:33:24 | 0:33:25 | |
CHEERING AND APPLAUSE | 0:33:25 | 0:33:28 | |
Dance with me. | 0:33:31 | 0:33:33 | |
Uh! | 0:33:33 | 0:33:35 | |
# Oh, oh | 0:33:35 | 0:33:37 | |
# Yeah | 0:33:37 | 0:33:39 | |
# Yeah | 0:33:44 | 0:33:45 | |
# This one goes out | 0:33:49 | 0:33:51 | |
# To all the lovers | 0:33:51 | 0:33:53 | |
# What can we do? | 0:33:53 | 0:33:55 | |
# We're helpless romantics | 0:33:55 | 0:33:57 | |
# We cannot help | 0:33:57 | 0:33:59 | |
# Who we're attracted to | 0:33:59 | 0:34:01 | |
# So let's all dance | 0:34:01 | 0:34:03 | |
# And elevate each other | 0:34:03 | 0:34:04 | |
-# Dear diary -Oh, dear diary | 0:34:04 | 0:34:06 | |
-# It's happening again -Happening again | 0:34:06 | 0:34:08 | |
-# This energy -Oh, the energy | 0:34:08 | 0:34:10 | |
-# Like I'm 'bout to win -I'm 'bout to win | 0:34:10 | 0:34:13 | |
-# Just close my eyes -I close my eyes | 0:34:13 | 0:34:15 | |
-# And visions appear -Visions appear | 0:34:15 | 0:34:17 | |
-# She's everything I want -Everything that I want | 0:34:17 | 0:34:19 | |
# And it's crystal clear | 0:34:19 | 0:34:20 | |
-# Not even -Marilyn Monroe | 0:34:20 | 0:34:23 | |
# Marilyn Monroe | 0:34:23 | 0:34:24 | |
# Cleopatra, please | 0:34:24 | 0:34:27 | |
# 'Patra, please | 0:34:27 | 0:34:28 | |
# Not even Joan of Arc | 0:34:28 | 0:34:31 | |
# Joan of Arc | 0:34:31 | 0:34:33 | |
# That don't mean nothing to me | 0:34:33 | 0:34:35 | |
# I just want a different girl | 0:34:35 | 0:34:38 | |
# Girl, girl | 0:34:38 | 0:34:40 | |
# Girl, girl | 0:34:40 | 0:34:41 | |
# Girl, girl | 0:34:41 | 0:34:43 | |
# But can't another good boy keep it this thorough? | 0:34:43 | 0:34:45 | |
# Why | 0:34:45 | 0:34:47 | |
# Why do I have to lie? | 0:34:47 | 0:34:50 | |
# Pretend, make believe or hide | 0:34:51 | 0:34:55 | |
# When I love what I've described | 0:34:55 | 0:34:59 | |
# But then again, I don't need no adjectives for this girl | 0:34:59 | 0:35:02 | |
-# Dear diary -Oh, dear diary | 0:35:02 | 0:35:04 | |
-# It's happening again -Happening again | 0:35:04 | 0:35:06 | |
-# This energy -Oh, man, energy | 0:35:06 | 0:35:08 | |
-# Like I'm 'bout to win -I'm 'bout to win | 0:35:08 | 0:35:10 | |
-# Just close my eyes -I close my eyes | 0:35:10 | 0:35:12 | |
-# And visions appear -Visions appear | 0:35:12 | 0:35:14 | |
-# She's everything I want -Everything that I want | 0:35:14 | 0:35:16 | |
# And it's crystal clear | 0:35:16 | 0:35:18 | |
# Not even | 0:35:18 | 0:35:19 | |
# Marilyn Monroe | 0:35:19 | 0:35:20 | |
# Marilyn Monroe | 0:35:20 | 0:35:22 | |
# Cleopatra, please | 0:35:22 | 0:35:24 | |
# 'Patra, please | 0:35:24 | 0:35:26 | |
# Not even Joan of Arc | 0:35:26 | 0:35:28 | |
# Joan of Arc | 0:35:28 | 0:35:30 | |
# That don't mean nothing to me | 0:35:30 | 0:35:33 | |
# I just want a different girl | 0:35:33 | 0:35:35 | |
# Girl, girl | 0:35:35 | 0:35:37 | |
# Girl, girl | 0:35:37 | 0:35:38 | |
-# Girl, girl... # -I want some girls to come up here and dance with me on stage. | 0:35:38 | 0:35:42 | |
CHEERING AND APPLAUSE | 0:35:42 | 0:35:44 | |
# Oh, girl | 0:35:44 | 0:35:45 | |
# Girl, girl | 0:35:45 | 0:35:47 | |
# Girl, girl | 0:35:47 | 0:35:49 | |
# But can't another good boy keep it this thorough... # | 0:35:49 | 0:35:52 | |
Put your hands up in the air if you want to come and dance with me down here. | 0:35:52 | 0:35:55 | |
CHEERING Come on. | 0:35:55 | 0:35:57 | |
We're going to have our own little party. Here we go. | 0:36:04 | 0:36:06 | |
Here we go. | 0:36:06 | 0:36:08 | |
-# Dear diary -Oh, dear diary | 0:36:08 | 0:36:09 | |
-# It's happening again -Happening again | 0:36:09 | 0:36:12 | |
-# This energy -Oh, that energy | 0:36:12 | 0:36:13 | |
-# Like I'm 'bout to win -I'm 'bout to win | 0:36:13 | 0:36:16 | |
-# Just close my eyes -I close my eyes | 0:36:16 | 0:36:18 | |
-# And visions appear -Visions appear... # | 0:36:18 | 0:36:21 | |
I love different girls! Here we go! | 0:36:21 | 0:36:23 | |
# Not even Marilyn Monroe | 0:36:23 | 0:36:26 | |
# Marilyn Monroe | 0:36:26 | 0:36:27 | |
# Cleopatra, please | 0:36:27 | 0:36:30 | |
# 'Patra, please | 0:36:30 | 0:36:32 | |
# Not even Joan of Arc | 0:36:32 | 0:36:34 | |
# Girl, Joan of Arc | 0:36:34 | 0:36:35 | |
# That don't mean nothing to me | 0:36:35 | 0:36:38 | |
# I just want a different girl | 0:36:38 | 0:36:41 | |
# Hey! | 0:36:42 | 0:36:43 | |
# Yeah | 0:36:50 | 0:36:51 | |
# I just want a different girl. # | 0:36:55 | 0:36:57 | |
CHEERING AND APPLAUSE | 0:36:57 | 0:37:00 | |
Pharell Williams, everybody! | 0:37:07 | 0:37:09 | |
Let's go and rescue him. | 0:37:09 | 0:37:11 | |
-Good job! -Thank you very much. -Pharell Williams, everybody! | 0:37:14 | 0:37:18 | |
CHEERING | 0:37:18 | 0:37:20 | |
That was... | 0:37:22 | 0:37:23 | |
-Great. -Thank you. -That was quite the stage invasion! | 0:37:23 | 0:37:27 | |
Those ladies - they didn't need asking twice. They were like drones. | 0:37:27 | 0:37:30 | |
"Pharell!" | 0:37:30 | 0:37:33 | |
-Lovely ladies behind you, too. -Well, yeah, they are... -Bravo! | 0:37:34 | 0:37:38 | |
CHEERING AND APPLAUSE | 0:37:38 | 0:37:40 | |
It's a proper show. Like it. Like it. | 0:37:40 | 0:37:43 | |
They're the girl dancers. | 0:37:43 | 0:37:45 | |
We call 'em bays, and the singers that are there, | 0:37:45 | 0:37:49 | |
we don't call them background singers because they're just | 0:37:49 | 0:37:51 | |
as bright as we all are, so they're my singers, not background singers. | 0:37:51 | 0:37:55 | |
CHEERING AND APPLAUSE | 0:37:55 | 0:37:58 | |
Right, before we go tonight, | 0:37:58 | 0:38:00 | |
just time for a story or two in the red chair. | 0:38:00 | 0:38:02 | |
-So, who's up first? Who's there? Hello. -Hi! | 0:38:02 | 0:38:05 | |
Now, look, relax. This could go really well. | 0:38:05 | 0:38:07 | |
-It could go really well. What's your name? -Phoebe. -Veebee? | 0:38:07 | 0:38:11 | |
-Phoebe, like Phoebe from Friends. -Oh, yes, yes, OK, very good. | 0:38:11 | 0:38:15 | |
And are you wearing... one short, one trouser? | 0:38:15 | 0:38:17 | |
No... | 0:38:19 | 0:38:20 | |
-Oh, oh,... -It's fashion. | 0:38:20 | 0:38:22 | |
Oh, is it a split in your... | 0:38:22 | 0:38:24 | |
-Yeah, it's a little rip. -Oh, I see. | 0:38:24 | 0:38:26 | |
Oh, look, they're pulling out to show us. Oh, yes, lovely. | 0:38:26 | 0:38:29 | |
-JONAH: -Nice knee! -Yeah! -Thanks. | 0:38:29 | 0:38:31 | |
It looks like a small bald man is down there. | 0:38:31 | 0:38:34 | |
-So, er...what do you do, Phoebe? -I work in property management. | 0:38:37 | 0:38:41 | |
-In property management? -Yeah. | 0:38:41 | 0:38:43 | |
-But this is obviously dress-down Thursday. -Yeah. -Yeah. | 0:38:43 | 0:38:45 | |
-Friday! -LAUGHTER | 0:38:45 | 0:38:48 | |
-CHEERING AND APPLAUSE -Hmm... | 0:38:48 | 0:38:50 | |
Off you go with your story. | 0:38:55 | 0:38:56 | |
Me and my boyfriend went home for the weekend - my home - | 0:38:56 | 0:38:59 | |
and my parents are quite, sort of, | 0:38:59 | 0:39:01 | |
"Don't be in the same room together alone. You can't share a room." | 0:39:01 | 0:39:04 | |
Parents went out for lunch, weren't supposed to get back till later, so, | 0:39:04 | 0:39:08 | |
obviously, we went to my room and... | 0:39:08 | 0:39:10 | |
started, you know, doing stuff and it was getting going | 0:39:10 | 0:39:13 | |
when I heard the door slam, heard Mum back, screamed, jumped up, | 0:39:13 | 0:39:17 | |
panicking, couldn't find any of my clothes - I only had a towel. | 0:39:17 | 0:39:20 | |
Wrapped it round me, tried to go outside until I heard this pop and I was like... | 0:39:20 | 0:39:24 | |
Turned round and my boyfriend was spread-eagle, | 0:39:24 | 0:39:26 | |
completely naked on the floor, dislocated his shoulder. | 0:39:26 | 0:39:29 | |
I was screaming, I was crying. He was sweating. | 0:39:29 | 0:39:31 | |
I was like, "I have to get my mum." He was like, "No, don't get your mum!" | 0:39:31 | 0:39:34 | |
I was like, "I have to, I have to," cos she's a physiotherapist. | 0:39:34 | 0:39:37 | |
LAUGHTER | 0:39:37 | 0:39:39 | |
Went and got her. She came in, put boxers on him, | 0:39:39 | 0:39:43 | |
popped his shoulder back in and we drove to hospital. | 0:39:43 | 0:39:46 | |
It was really awkward. LAUGHTER | 0:39:46 | 0:39:48 | |
-It needed an ending. It needed an ending! -Oh! Not cool, man. | 0:39:48 | 0:39:53 | |
-It was good - it needed an ending. -That was a good story. | 0:39:53 | 0:39:55 | |
-"And then we drove to hospital." -It was an awesome story. | 0:39:55 | 0:39:58 | |
That's a great story. | 0:39:58 | 0:40:00 | |
But what the hell were they doing? | 0:40:00 | 0:40:02 | |
He was sweating, he dislocated his shoulder... It was... | 0:40:02 | 0:40:07 | |
Yeah, it was all going on during that lunchtime. | 0:40:07 | 0:40:09 | |
Do we have someone else? | 0:40:09 | 0:40:11 | |
-Oh, we do. Hello. -Hi. -Hi, what's your name? | 0:40:11 | 0:40:13 | |
-It's Karim. -And where are you from? -He's definitely going. | 0:40:13 | 0:40:16 | |
-South of France. -South of France! You... | 0:40:16 | 0:40:19 | |
Do you know him, Channing? | 0:40:19 | 0:40:20 | |
No, no, I'm just imagining where this is going to go. | 0:40:20 | 0:40:23 | |
-And what do you do, Karim? -I'm a catering manager. -Oh, right. | 0:40:24 | 0:40:27 | |
-In London or in the South of France? -In London now. -Oh, in London now. | 0:40:27 | 0:40:30 | |
-Oh, yeah. For, like, a big organisation? -Not for... | 0:40:30 | 0:40:34 | |
-Can I mention it? -Yes, please do. -It's SMMT. | 0:40:34 | 0:40:36 | |
-HE GASPS -Not SFMT?! | 0:40:36 | 0:40:39 | |
They're great. | 0:40:40 | 0:40:42 | |
-OK. Off you go with your story. -Right. I'm... | 0:40:43 | 0:40:48 | |
I used to be quite a good runner before, | 0:40:48 | 0:40:50 | |
-so I did a 10K quite a few years ago. -Yeah. | 0:40:50 | 0:40:53 | |
-And I was leading the race. -Oh, wow! Very good. -Very good. | 0:40:53 | 0:40:58 | |
And I felt something on my leg. I wasn't quite sure. | 0:40:58 | 0:41:01 | |
I thought it was the string of my shorts, so I carried on running. | 0:41:01 | 0:41:04 | |
A lot of people were cheering and cheering and cheering. | 0:41:04 | 0:41:06 | |
And I felt great. Unfortunately, I was second at the finish. | 0:41:06 | 0:41:09 | |
I crossed the line, everybody was cheering and everything. | 0:41:09 | 0:41:12 | |
And then my friend came and said, "Look down your pants." | 0:41:12 | 0:41:16 | |
And, actually, my wee-wee was hanging. | 0:41:16 | 0:41:19 | |
LAUGHTER | 0:41:19 | 0:41:21 | |
That's quite a good story. | 0:41:21 | 0:41:22 | |
I'm just going to call out one thing. | 0:41:22 | 0:41:24 | |
-Oh, Karim, wait... -Before... You decide after this. | 0:41:24 | 0:41:28 | |
A string is a little thin. | 0:41:28 | 0:41:31 | |
You thought it was a string? I thought... | 0:41:32 | 0:41:36 | |
You make your decision. It's your show. | 0:41:36 | 0:41:38 | |
Should Karim walk or flip? | 0:41:39 | 0:41:42 | |
-AUDIENCE SHOUT OUT -Let him go, let him go. | 0:41:42 | 0:41:45 | |
You can walk, you can walk away. Very good. | 0:41:45 | 0:41:48 | |
He doesn't look like it would be string. It looks like... | 0:41:50 | 0:41:53 | |
you know, there's a lot to Karim. | 0:41:53 | 0:41:55 | |
I was so fascinated with the story - I wasn't thinking about that. | 0:41:56 | 0:42:00 | |
Do we have one more? One more. OK, this is the last one. | 0:42:02 | 0:42:05 | |
-Hello. -Hi! | 0:42:05 | 0:42:06 | |
-How you doing? -What's your name? -Sarah Jane. | 0:42:06 | 0:42:09 | |
-And what you do, Sarah Jane? -I'm a nurse. -Oh, lovely. In London? | 0:42:09 | 0:42:13 | |
YES! Yeah. | 0:42:13 | 0:42:15 | |
I work everywhere. | 0:42:16 | 0:42:17 | |
"London! I am, yes! I'm a nurse in London. It's great!" | 0:42:17 | 0:42:21 | |
Have you stolen drugs? | 0:42:23 | 0:42:25 | |
You seem high as a kite. | 0:42:28 | 0:42:30 | |
-All right. -Nerves! -All right, Sarah Jane. Off you go with your story. | 0:42:32 | 0:42:37 | |
All right, so when I was a student, I was working in a colonoscopy day-unit procedure place. | 0:42:37 | 0:42:41 | |
I'll stop you one second. | 0:42:41 | 0:42:43 | |
-I apologise in advance to Dame Julie Andrews. -Yeah. | 0:42:43 | 0:42:47 | |
This story is not going to end well. Off you go, Sarah Jane. | 0:42:47 | 0:42:51 | |
All right, so I had a little old lady in her 80s come in. She was so cute! | 0:42:51 | 0:42:55 | |
We gave her some medication and we started the procedure. | 0:42:55 | 0:42:59 | |
And anyway, they started inserting the tube and she started... | 0:42:59 | 0:43:02 | |
She turned around, flailed her hands. She's like, "Now, stop it, Daniel! | 0:43:02 | 0:43:06 | |
"I've told you, you're not allowed to put it there!" LAUGHTER | 0:43:06 | 0:43:10 | |
That is a great story! | 0:43:10 | 0:43:11 | |
-You can walk, Sarah Jane. -Thank you. -You can walk! | 0:43:15 | 0:43:19 | |
Well done, everyone. If you'd like to join us on the show | 0:43:20 | 0:43:23 | |
and have a go at the red chair, you can. | 0:43:23 | 0:43:25 | |
Just contact us via our website at this very address... | 0:43:25 | 0:43:28 | |
Thank you so much to my guests tonight. | 0:43:28 | 0:43:30 | |
-Pharell Williams, everybody! -CHEERING AND APPLAUSE | 0:43:30 | 0:43:34 | |
-Mr Channing Tatum! -CHEERING AND APPLAUSE | 0:43:34 | 0:43:37 | |
-Jonah Hill! -CHEERING AND APPLAUSE | 0:43:37 | 0:43:40 | |
-And Dame Julie Andrews! -CHEERING AND APPLAUSE | 0:43:40 | 0:43:44 | |
Join me next week with a packed sofa. | 0:43:45 | 0:43:47 | |
Musical guests Coldplay, | 0:43:47 | 0:43:49 | |
British star Emily Blunt, | 0:43:49 | 0:43:50 | |
Family Guy creator Seth McFarlane, Oscar winner Charlize Theron | 0:43:50 | 0:43:53 | |
and Hollywood superstar Tom Cruise all here. I'll see you then. Good night, everybody. Bye-bye. | 0:43:53 | 0:43:58 | |
CHEERING AND APPLAUSE | 0:43:58 | 0:44:00 |