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On the show tonight - a Hollywood actress, an action man, | 0:00:02 | 0:00:04 | |
a top comedian and the most famous bearded lady in the whole world. | 0:00:04 | 0:00:09 | |
No, Dawn. | 0:00:09 | 0:00:10 | |
Let's start the show! | 0:00:10 | 0:00:12 | |
Hello, good evening. Welcome, everybody. | 0:00:34 | 0:00:36 | |
This is exciting. On the show tonight, | 0:00:40 | 0:00:44 | |
from Interview With A Vampire and Spider-Man, Kirsten Dunst is here! | 0:00:44 | 0:00:49 | |
CHEERING | 0:00:49 | 0:00:52 | |
Alpha male and survival expert Bear Grylls is on the show. | 0:00:52 | 0:00:56 | |
CHEERING | 0:00:56 | 0:00:57 | |
Yes, I know, something for the ladies. | 0:00:57 | 0:00:59 | |
Comedy goddess Dawn French is joining us. | 0:00:59 | 0:01:02 | |
CHEERING | 0:01:02 | 0:01:05 | |
Hot new singer Sam Smith is on the show. | 0:01:05 | 0:01:08 | |
CHEERING | 0:01:08 | 0:01:10 | |
And I am thrilled to say, fresh from Eurovision glory, | 0:01:10 | 0:01:14 | |
Conchita Wurst will be here! | 0:01:14 | 0:01:16 | |
CHEERING | 0:01:16 | 0:01:18 | |
There's Conchita. | 0:01:22 | 0:01:24 | |
Beautifully feminine, but with a masculine undertone. | 0:01:24 | 0:01:27 | |
It's setting a whole new Eurovision trend. | 0:01:27 | 0:01:30 | |
Here's Ireland's entry for next year. | 0:01:30 | 0:01:32 | |
People are going, "Yeah, that's a good idea." | 0:01:35 | 0:01:38 | |
Obviously, Conchita's performance was controversial. | 0:01:38 | 0:01:41 | |
The Russian Orthodox church have condemned a man in a beard performing in a dress. | 0:01:41 | 0:01:46 | |
Here are the Russian Orthodox church. | 0:01:46 | 0:01:48 | |
Pot, kettle, much? Since Eurovision, | 0:01:52 | 0:01:54 | |
Conchita's bearded look has been taking the world by storm. | 0:01:54 | 0:01:58 | |
The internet is full of celebrities paying homage. Here's Cheryl Cole. | 0:01:58 | 0:02:02 | |
Her Majesty. | 0:02:04 | 0:02:05 | |
And even her great grandson. | 0:02:07 | 0:02:09 | |
AUDIENCE AWW | 0:02:09 | 0:02:11 | |
Look, he's got his father's hair. | 0:02:11 | 0:02:14 | |
I wondered where it had gone. | 0:02:14 | 0:02:16 | |
Kirsten Dunst has starred in so many great movies | 0:02:20 | 0:02:24 | |
like Bring It On where she starred as a cheerleader. | 0:02:24 | 0:02:28 | |
Cheerleaders are often unfairly portrayed as dumb blondes. | 0:02:28 | 0:02:31 | |
Here's one in action... | 0:02:31 | 0:02:32 | |
It's not just for women, some men become cheerleaders too. | 0:02:37 | 0:02:42 | |
You do think, "Why would any bloke want to be a cheerleader?" | 0:02:42 | 0:02:45 | |
Hello! | 0:02:48 | 0:02:50 | |
I'll be talking to Kirsten about her infamous | 0:02:52 | 0:02:55 | |
upside down kiss in Spider-Man. Do you remember that? | 0:02:55 | 0:02:58 | |
I wonder what he's thinking, "I hope she goes up on me." | 0:02:58 | 0:03:01 | |
It's clever, isn't it? It's clever, that. | 0:03:04 | 0:03:06 | |
That's all coming up, plus some more of your stories in the big red chair. | 0:03:06 | 0:03:10 | |
So, let's get some guests on. | 0:03:10 | 0:03:11 | |
Later we'll be chatting to Eurovision winner Conchita Wurst | 0:03:11 | 0:03:14 | |
and we'll have music from Sam Smith. | 0:03:14 | 0:03:15 | |
But first, time to grill a bear, it's Bear Grylls! | 0:03:15 | 0:03:19 | |
CHEERING AND APPLAUSE | 0:03:19 | 0:03:20 | |
Hello, sir, very nice to see you. | 0:03:20 | 0:03:24 | |
Have a seat, have a seat. | 0:03:24 | 0:03:25 | |
Let's have some French kissing, it's Dawn French! | 0:03:27 | 0:03:30 | |
Hello. | 0:03:34 | 0:03:35 | |
Lovely to see you. Have a seat. | 0:03:36 | 0:03:38 | |
And it's time to Bring It On, it's Kirsten Dunst! | 0:03:39 | 0:03:42 | |
CHEERING AND APPLAUSE CONTINUE | 0:03:42 | 0:03:44 | |
Lovely to see you. Sit down. | 0:03:49 | 0:03:51 | |
Hello, all. You all well? | 0:03:54 | 0:03:57 | |
Were you doing chitty chat out the back, there? | 0:03:57 | 0:03:59 | |
Yes, trying to catch up. | 0:03:59 | 0:04:01 | |
This is my new best friend, this is my new boyfriend. | 0:04:01 | 0:04:04 | |
-Have you bumped into Conchita Wurst? -I haven't seen her yet. -Not yet. | 0:04:07 | 0:04:12 | |
Bear is looking so blank. I'm guessing you didn't see Eurovision? | 0:04:12 | 0:04:16 | |
I was up a Utah mountain last week, so I slightly feel I missed out. | 0:04:16 | 0:04:20 | |
Honestly, you did. We will show you a clip later. | 0:04:20 | 0:04:23 | |
-Ms French, did you watch it? -I watched it from beginning to end. | 0:04:23 | 0:04:27 | |
-Excellent. -I like to try to eat food from the countries | 0:04:27 | 0:04:30 | |
as you go through the night. | 0:04:30 | 0:04:33 | |
-So you had a nice bratwurst? -Oh, yes. | 0:04:35 | 0:04:37 | |
Loads of cabbage this time. And no Maltesers for Malta. | 0:04:37 | 0:04:42 | |
I used to look forward to that... I ate them anyway. | 0:04:42 | 0:04:45 | |
-What a worthy winner. -It was a lovely moment, it was a really popular win. | 0:04:47 | 0:04:51 | |
And of course, Kirsten, you have European roots. | 0:04:51 | 0:04:56 | |
-My dad is from Germany. -Do you speak German? -Nein. | 0:04:56 | 0:05:00 | |
-SHE SPEAKS GERMAN -Kid's German. And curse words too. | 0:05:00 | 0:05:06 | |
-Is that why it is called a Kinder Surprise? -It's a kid's surprise. | 0:05:06 | 0:05:10 | |
I never knew that. I must write it down in case I forget. | 0:05:10 | 0:05:12 | |
-What's this creepy chocolate with little kids on it? -Kinder Surprise. | 0:05:12 | 0:05:17 | |
The best thing about German is that father is... | 0:05:20 | 0:05:23 | |
MISPRONOUNCED: farta. That's great, isn't it? | 0:05:23 | 0:05:26 | |
I do have a farta. | 0:05:26 | 0:05:28 | |
Yeah, my farta's at home. | 0:05:29 | 0:05:32 | |
Kirsten's mum, I'm sure she's a lovely lady, | 0:05:32 | 0:05:34 | |
-but when she was an air hostess... -For Lufthansa. | 0:05:34 | 0:05:38 | |
..you didn't want to mess with her, get on her wrong side? | 0:05:38 | 0:05:41 | |
Well, yeah. Twice she sent people's luggage to different places. | 0:05:41 | 0:05:45 | |
In the morning, if they were being jerks, like men, being mean in | 0:05:46 | 0:05:51 | |
the morning, she was like, "Right, your bag is going to India." | 0:05:51 | 0:05:56 | |
Good for her. I like the sound of her. | 0:05:56 | 0:05:59 | |
I love the power of people in those jobs. | 0:05:59 | 0:06:02 | |
They are like, "Oh, are you getting married in Thailand?" | 0:06:02 | 0:06:07 | |
-"Not now." -Exactly. She did that twice. | 0:06:07 | 0:06:12 | |
Bear, you have been everywhere, it's lovely to have you here, | 0:06:14 | 0:06:17 | |
but it is kind of nice to have you at all. | 0:06:17 | 0:06:20 | |
All of your stories, all of them, they are, | 0:06:20 | 0:06:25 | |
"And if I had been there a minute later or a minute earlier, | 0:06:25 | 0:06:28 | |
"or two inches to the left, my head would be cut off." | 0:06:28 | 0:06:32 | |
-I mean, near death experiences, you've a lot of them. -The truth is, | 0:06:32 | 0:06:36 | |
people always have this expectation that if I have a scar... | 0:06:36 | 0:06:40 | |
I mean, I had to do a thing last year where I was doing a commercial in America. | 0:06:40 | 0:06:45 | |
I had to take my shirt off and this female director saw I had this scar straight across here. | 0:06:45 | 0:06:49 | |
She went, "Gosh, was it a crocodile?" And I thought... | 0:06:49 | 0:06:53 | |
The truth was, I was taking a pizza out of the oven without a shirt on. | 0:06:53 | 0:06:59 | |
It went... I went, "Ah!" | 0:06:59 | 0:07:01 | |
And I had one of those moments, "Do I tell her? | 0:07:01 | 0:07:04 | |
"She's going to be so disappointed." | 0:07:04 | 0:07:06 | |
I can see myself going from hero to zero in about five seconds. | 0:07:06 | 0:07:10 | |
It's not always like that. Home can be dangerous as well. | 0:07:10 | 0:07:14 | |
What's extraordinary about you is, we won't pry, | 0:07:14 | 0:07:16 | |
the luck, the luck of the man. | 0:07:16 | 0:07:19 | |
At one stage, you were bitten by loads of bees, | 0:07:19 | 0:07:22 | |
stung by lots of bees. | 0:07:22 | 0:07:24 | |
Yes, that was an occasion I ended up looking like the elephant man. | 0:07:24 | 0:07:29 | |
Can I just say, no, you didn't. Right, this is the luck of the man. | 0:07:29 | 0:07:33 | |
-See nice Bear there? -Yeah. | 0:07:33 | 0:07:35 | |
Gets stung all over by bees. It turned him into Keanu Reeves. | 0:07:35 | 0:07:38 | |
I'm surprised you're alive, you're like a cat. | 0:07:44 | 0:07:47 | |
But when it comes to endurance, Kirsten Dunst, | 0:07:49 | 0:07:52 | |
what you went through filming your new movie, | 0:07:52 | 0:07:55 | |
The Two Faces Of January, in Greece, | 0:07:55 | 0:07:57 | |
if I had known the horrors you endured, | 0:07:57 | 0:07:59 | |
I probably couldn't have enjoyed the film. | 0:07:59 | 0:08:01 | |
Tell us, you were filming in Greece | 0:08:01 | 0:08:03 | |
and it was the height of the economic crash. | 0:08:03 | 0:08:06 | |
Yes, but we also had a lovely time. | 0:08:06 | 0:08:08 | |
We were swimming, it was beautiful weather and stuff. | 0:08:08 | 0:08:10 | |
There was problems at the hotel, but I mean, | 0:08:10 | 0:08:13 | |
we were working most of the time. | 0:08:13 | 0:08:14 | |
Is it true, you were staying at a hotel | 0:08:14 | 0:08:16 | |
and there was no room service at all? | 0:08:16 | 0:08:18 | |
Oh, my God! Are you OK now? | 0:08:23 | 0:08:25 | |
I'm OK, thanks, Dawn. I made it through. | 0:08:25 | 0:08:29 | |
Thank God there was a fruit basket. | 0:08:29 | 0:08:31 | |
What is so lovely is, you are filming in Greece, | 0:08:34 | 0:08:37 | |
you can't get room service, but you still thought of others, didn't you? | 0:08:37 | 0:08:41 | |
-Oh, yeah. Cos I fed a lot of cats whilst I was there. -No. -Oh. | 0:08:41 | 0:08:45 | |
If you don't like cats, look away now. | 0:08:45 | 0:08:49 | |
This is Kirsten. Is this just some random street? | 0:08:49 | 0:08:52 | |
It's in an alleyway and I found a chair and just I propped myself, | 0:08:52 | 0:08:56 | |
and I bought a bunch of cat food. It was kind of weird. | 0:08:56 | 0:08:59 | |
Listen, I still have a boyfriend, so... | 0:09:02 | 0:09:06 | |
-I haven't turned into the cat lady. -I hope that's not your future. | 0:09:06 | 0:09:11 | |
This new movie, The Two Faces Of January, it's out tonight, | 0:09:13 | 0:09:16 | |
and I didn't know what to expect. | 0:09:16 | 0:09:18 | |
It's great. It's a proper old-fashioned thriller. | 0:09:18 | 0:09:22 | |
People who are into Hitchcock movies, it does have that flavour. | 0:09:22 | 0:09:26 | |
Yeah, it does. | 0:09:26 | 0:09:27 | |
It feels like a film noir kind of film even though it's in colour... | 0:09:27 | 0:09:31 | |
I don't want to see it now. | 0:09:31 | 0:09:33 | |
It does have an old-fashioned, classy, Hitchcock feel to it. | 0:09:35 | 0:09:39 | |
How much can you tell us about the plot? | 0:09:39 | 0:09:42 | |
It's a suspenseful drama set in the '60s | 0:09:42 | 0:09:46 | |
and I play a rich con artist's wife. | 0:09:46 | 0:09:49 | |
And we get involved with this other guy who we meet up in Greece. | 0:09:49 | 0:09:52 | |
When we go on the lam, he starts to helps us. | 0:09:52 | 0:09:54 | |
-This other man, Rydal, who is played by Oscar Isaac. -Very interesting. | 0:09:54 | 0:10:00 | |
You brought a clip. | 0:10:00 | 0:10:03 | |
Being myself. I edited this clip for you all! | 0:10:03 | 0:10:07 | |
It's a bit of a flirty, sexy moment with me and Oscar. | 0:10:09 | 0:10:13 | |
It's after my husband has been a monster. | 0:10:13 | 0:10:15 | |
-Viggo Mortensen's the husband? -Yeah. | 0:10:15 | 0:10:18 | |
-Oscar Isaac is...? -Is the young lad helping us. -Here it is. | 0:10:18 | 0:10:21 | |
You're no smaller than us. | 0:10:23 | 0:10:25 | |
Well, there's only one of me. | 0:10:25 | 0:10:26 | |
Anything interesting happening in | 0:10:27 | 0:10:29 | |
-the outside world? -Um, soccer. | 0:10:29 | 0:10:32 | |
Where's Chester? | 0:10:32 | 0:10:34 | |
Oh, he was up all night, he's taking a sleeping pill. | 0:10:34 | 0:10:37 | |
You keep a diary? | 0:10:41 | 0:10:43 | |
Yeah, it's just notes for my work. | 0:10:43 | 0:10:45 | |
Anything about me and Chester? | 0:10:45 | 0:10:47 | |
Maybe there's a line or two. | 0:10:48 | 0:10:50 | |
You coming with me? | 0:11:02 | 0:11:03 | |
For a walk. | 0:11:07 | 0:11:09 | |
Sure, yeah. I'll come with you. | 0:11:10 | 0:11:12 | |
Good. | 0:11:15 | 0:11:16 | |
That's Oscar Isaac. He is so hot right now. | 0:11:26 | 0:11:28 | |
Yeah, he just got cast in the new Star Wars movie. | 0:11:28 | 0:11:31 | |
Rumour reaches me that someone else on the couch might be in the new Star Wars film. | 0:11:31 | 0:11:36 | |
-Me?! No. -Why were you wearing the Star Wars dress? | 0:11:36 | 0:11:38 | |
Well, my girlfriends who do the clothing line called Rodarte are obsessed with Star Wars. | 0:11:38 | 0:11:42 | |
-So, yes, I did wear a Death Star dress. -That's how rumours start. | 0:11:42 | 0:11:46 | |
Hey, man, I'd love to be in the new Star Wars. | 0:11:46 | 0:11:48 | |
Dawn, you have basically auditioned for most roles in Star Wars. | 0:11:50 | 0:11:55 | |
-This is you with Jennifer. -Yes, yes! | 0:11:56 | 0:11:59 | |
-You've forgotten about this. -I had completely forgotten about that. | 0:12:02 | 0:12:05 | |
You didn't just do that, you also wore... | 0:12:05 | 0:12:07 | |
-Is it Princess Amidaladala? -Yes! -There you are. -That's me. | 0:12:07 | 0:12:12 | |
Jennifer is wearing a very good chest wig, it's not her own hair. | 0:12:14 | 0:12:18 | |
The two of you take to make-up so well. | 0:12:19 | 0:12:22 | |
You can do anything. You just look like them. | 0:12:22 | 0:12:24 | |
Although, we did do a lot of prosthetics over the years. | 0:12:24 | 0:12:28 | |
It was back, 20 years ago, | 0:12:28 | 0:12:31 | |
when you put prosthetics on, they were put on with medical glue. | 0:12:31 | 0:12:34 | |
So to get it off took nearly a day. And that's why... | 0:12:34 | 0:12:38 | |
I'm actually only 17, but I look like this. That glue ravaged your face. | 0:12:38 | 0:12:45 | |
It's weird that it's become so famous, | 0:12:45 | 0:12:49 | |
-the upside-down Spider-Man kiss. -Yeah. | 0:12:49 | 0:12:52 | |
You don't know, but I remember Sam Raimi giving me a book of kisses. | 0:12:52 | 0:12:57 | |
It was a little coffee table book. | 0:12:57 | 0:12:59 | |
Like, a little cute book of movie kisses. | 0:12:59 | 0:13:01 | |
He said, "Let's try and make this one as epic as these kisses." | 0:13:01 | 0:13:05 | |
So I thought, "Oh, that's a nice idea. Yeah, right." | 0:13:05 | 0:13:10 | |
I mean, "We'll see." | 0:13:10 | 0:13:12 | |
But I never expected it to be one of those things. | 0:13:12 | 0:13:15 | |
You never know when you are making something. | 0:13:15 | 0:13:17 | |
But it really has become iconic. We wondered how hard it was to do. | 0:13:17 | 0:13:22 | |
-Cos obviously it's not straightforward. -Uh-oh. | 0:13:22 | 0:13:24 | |
Don't worry, we're not going to do it. | 0:13:24 | 0:13:28 | |
Dawn, while we've been chatting, | 0:13:28 | 0:13:30 | |
mostly what you have been doing is not kissing Bear Grylls. | 0:13:30 | 0:13:33 | |
Yes, that's true. But I have been wishing I could. | 0:13:33 | 0:13:36 | |
-You need me to direct you guys? -Yeah, maybe. | 0:13:36 | 0:13:39 | |
-Bear, you're OK to hang upside down? -To hang upside down? | 0:13:39 | 0:13:43 | |
But it was raining, so we gotta pour this over your head. | 0:13:43 | 0:13:45 | |
Part of the reason it was difficult | 0:13:48 | 0:13:49 | |
was because the water was going into his nose. | 0:13:49 | 0:13:52 | |
I'm very excited about this bit! | 0:13:52 | 0:13:55 | |
-Not going to work. -It will be so fun. | 0:13:59 | 0:14:01 | |
-Fun for you. -We're really going to recreate this though, aren't we? | 0:14:01 | 0:14:05 | |
-We don't have a suit for him. There is a trapeze. -Oh. | 0:14:05 | 0:14:09 | |
-Are you sure you can do this? Yes? -I'll give it a go. | 0:14:12 | 0:14:17 | |
-That looks really high, can you do it? -I can get up there. -Good luck. | 0:14:20 | 0:14:25 | |
Jacket off! Jacket off! | 0:14:25 | 0:14:27 | |
CHEERING | 0:14:27 | 0:14:29 | |
He is serious. | 0:14:29 | 0:14:31 | |
-What did he do then? -He tucked his shirt in. | 0:14:34 | 0:14:37 | |
Oh, look at him go. He's like a monkey. | 0:14:37 | 0:14:39 | |
You can go and sit at the end. | 0:14:41 | 0:14:43 | |
CHEERING AND APPLAUSE | 0:14:45 | 0:14:47 | |
Oh, Bear! | 0:14:51 | 0:14:53 | |
Bear! What is that? | 0:14:53 | 0:14:56 | |
It's going up his nose! | 0:14:59 | 0:15:02 | |
Oh, Bear! That's repulsive. | 0:15:02 | 0:15:05 | |
-Spit it out. -What is that? | 0:15:05 | 0:15:07 | |
AUDIENCE SCREAMS | 0:15:10 | 0:15:11 | |
I'm so sorry, I left that in from earlier. | 0:15:11 | 0:15:13 | |
I like to travel with food on the go. I'm ready for my smacker. | 0:15:13 | 0:15:18 | |
Hang on, let me just clean that up. | 0:15:18 | 0:15:19 | |
Here we go. | 0:15:22 | 0:15:23 | |
-Hold on. There's one more in there, hold on. -No, there isn't. | 0:15:23 | 0:15:27 | |
Suddenly it doesn't feel so much fun. | 0:15:27 | 0:15:29 | |
Oh, Spider-Man. You're so...hot. | 0:15:30 | 0:15:35 | |
CHEERING | 0:15:41 | 0:15:43 | |
Beautiful. Well done. | 0:15:43 | 0:15:44 | |
Nice job, Dawn. | 0:15:44 | 0:15:46 | |
-That looks sore. Are you OK? -Yeah. Traumatised. -Nice job, Bear. | 0:15:48 | 0:15:55 | |
What was really dangerous about that, | 0:15:56 | 0:15:58 | |
you know all the dangerous things Bear's done, | 0:15:58 | 0:16:01 | |
I have just given Bear so many diseases. | 0:16:01 | 0:16:03 | |
We live dangerously on this show. | 0:16:07 | 0:16:10 | |
Now, Dawn French, I happen to know, has been alive for 30 million minutes, is that correct? | 0:16:10 | 0:16:15 | |
-That's right. -Isn't that cool? | 0:16:15 | 0:16:16 | |
We know this because it's the title of your new tour, | 0:16:16 | 0:16:19 | |
but it's also kind of true. | 0:16:19 | 0:16:21 | |
-It is true, give or take a few million. -Minutes. | 0:16:21 | 0:16:25 | |
I'm 56 and that's about 30 million minutes, yes. | 0:16:25 | 0:16:28 | |
This tour, it runs from June 5, now going to the end of November. | 0:16:28 | 0:16:33 | |
If people want specific dates and theatres, | 0:16:33 | 0:16:35 | |
all the details are online. | 0:16:35 | 0:16:37 | |
-You're adding new dates all the time. -They are online on a website. | 0:16:37 | 0:16:41 | |
I don't do technology, you know I don't do this, | 0:16:41 | 0:16:43 | |
but there is a website, Dawn French on tour.com or something. | 0:16:43 | 0:16:48 | |
I don't know what a website is. That's where it is. Don't look, | 0:16:48 | 0:16:52 | |
-is that what you said? -You don't e-mail? | 0:16:52 | 0:16:56 | |
No, I don't Twitter, I don't Facebook or anything. | 0:16:56 | 0:17:00 | |
I have seen this website. Somebody has shown it to me. | 0:17:00 | 0:17:03 | |
-People do it for you. -Kind of, I don't engage that way. | 0:17:03 | 0:17:06 | |
I don't have anything to say on there. Is that right? | 0:17:06 | 0:17:09 | |
-Usually comedians are the best at Twitter, though. -Are they? -Yeah. | 0:17:09 | 0:17:13 | |
-Doesn't it take up your whole life? -I'm not good at that stuff. | 0:17:13 | 0:17:17 | |
-I feel like you'd be really good. -Do you? Yeah, maybe I will get into it. | 0:17:17 | 0:17:21 | |
-I'd follow you. -I want to get into it | 0:17:21 | 0:17:23 | |
-just as everybody else is getting out. -Wait! I'm here. | 0:17:23 | 0:17:28 | |
I had lunch too, here's some pictures of my food. | 0:17:28 | 0:17:32 | |
This tour, I thought Kirsten's film was top secret, | 0:17:33 | 0:17:37 | |
but this tour is shrouded in more mystery than that. | 0:17:37 | 0:17:42 | |
-It's starting quite soon. -It is starting soon. | 0:17:42 | 0:17:45 | |
Actually, as we've just said that, | 0:17:45 | 0:17:47 | |
I've eaten a bit of your sofa here with my bottom, | 0:17:47 | 0:17:50 | |
with the fear of the fact that it is in a couple of weeks' time. | 0:17:50 | 0:17:55 | |
-It's not just pure stand-up, there's a proper posh director. -Yes. | 0:17:56 | 0:18:01 | |
It's not really stand-up at all. | 0:18:01 | 0:18:03 | |
-And yes, I'm working with Michael Grandage... -Who's serious. | 0:18:03 | 0:18:07 | |
Yeah, absolutely. It's got some theatre chops, this show. | 0:18:07 | 0:18:10 | |
I've written it. It's very autobiographical. | 0:18:10 | 0:18:13 | |
It's basically me telling stories about things that have happened in my life | 0:18:13 | 0:18:17 | |
and asking questions about the things I'm not sure about yet. | 0:18:17 | 0:18:21 | |
It's me basically exploring what it is to be a person, if you like, | 0:18:21 | 0:18:25 | |
and how flawed we all are and all the things I've got wrong basically. | 0:18:25 | 0:18:29 | |
Ladies and gentleman, | 0:18:29 | 0:18:31 | |
since we last met Dawn French on this programme, married. | 0:18:31 | 0:18:34 | |
-Yes. -Ding dong. | 0:18:34 | 0:18:36 | |
APPLAUSE | 0:18:36 | 0:18:37 | |
We just had our first wedding anniversary actually. | 0:18:40 | 0:18:42 | |
-Really? -Yeah, a couple of weeks ago. -Congratulations. -Thank you. | 0:18:42 | 0:18:45 | |
The proposal, was that a down on one knee proposal? | 0:18:45 | 0:18:48 | |
No, it was on a gondola in Venice. | 0:18:48 | 0:18:53 | |
-I know that sounds cliche... -No, those moments go with the cliche. | 0:18:53 | 0:18:57 | |
What I would say is what he did do is he engaged | 0:18:57 | 0:19:02 | |
the gondolier in a big conversation about the sewage system of Venice. | 0:19:02 | 0:19:06 | |
I thought, "We paid quite a lot of money for this," | 0:19:08 | 0:19:10 | |
I didn't know that was what was going to come, "40 minutes in, | 0:19:10 | 0:19:13 | |
"we're still talking about shit. | 0:19:13 | 0:19:15 | |
"Would you look at me now. Available for kissing." | 0:19:17 | 0:19:20 | |
And suddenly he said it. I thought, "Huh, what? | 0:19:23 | 0:19:26 | |
"We were just in the sewage system and now this?!" | 0:19:26 | 0:19:29 | |
Yeah, it was in a gondola. | 0:19:29 | 0:19:31 | |
-Bear, when you proposed to your wife, had you planned that? -Vaguely. | 0:19:31 | 0:19:38 | |
I proposed skinny dipping off a beach in Spain, | 0:19:38 | 0:19:43 | |
but it was a freezing cold Monday morning in winter in Spain | 0:19:43 | 0:19:46 | |
and we'd be skinny dipping and I thought, this is it. | 0:19:46 | 0:19:50 | |
For a man, that's the moment. | 0:19:50 | 0:19:52 | |
Girls get nervous for the wedding, for men, | 0:19:52 | 0:19:54 | |
the big thing is actually when you propose. | 0:19:54 | 0:19:57 | |
From then on, you're done. Do you know what I mean? The scary thing... | 0:19:57 | 0:20:00 | |
Wow. | 0:20:00 | 0:20:01 | |
Bit too much honesty there, Bear. | 0:20:03 | 0:20:04 | |
-Reel it in! -You are so not done there. | 0:20:04 | 0:20:08 | |
-So not done. -Done emotionally. This is a big thing. | 0:20:08 | 0:20:11 | |
So, I was pretty nervous. | 0:20:11 | 0:20:13 | |
I was kneeling on the beach. | 0:20:13 | 0:20:15 | |
I came out of the waves, big old Atlantic rolling behind. | 0:20:15 | 0:20:18 | |
I thought, "This is it." Ring in hand... | 0:20:18 | 0:20:20 | |
I thought, "Ah..." | 0:20:20 | 0:20:22 | |
Then a huge wave went crash! | 0:20:22 | 0:20:24 | |
And just took me like tumbleweed out on the beach. | 0:20:24 | 0:20:28 | |
I was pulling sand out of everywhere. | 0:20:28 | 0:20:29 | |
-Did you still have the ring? -I was thinking that. | 0:20:29 | 0:20:32 | |
I gave it a second go. | 0:20:32 | 0:20:34 | |
I think, by this stage, she was saying, | 0:20:34 | 0:20:36 | |
"What are you doing? Why do you keep kneeling?" | 0:20:36 | 0:20:38 | |
So, you were naked on the beach, freezing? | 0:20:38 | 0:20:41 | |
-Freezing. -I'm sure she was like, "Um..." -I had to give a pre stretch. | 0:20:41 | 0:20:45 | |
Best foot forward, and all of that, Graham. | 0:20:47 | 0:20:50 | |
Maybe she had a similar experience to me with, you know, the worm. | 0:20:50 | 0:20:53 | |
It was winter, it was very cold. | 0:20:57 | 0:21:00 | |
She's a brave lady. | 0:21:00 | 0:21:01 | |
I'd be like, "You go. I'll be here with my blanket." | 0:21:01 | 0:21:04 | |
In the end, I think she felt sorry for me. | 0:21:04 | 0:21:07 | |
The question that story begs, I feel, | 0:21:07 | 0:21:09 | |
is "Where was the ring?" | 0:21:09 | 0:21:12 | |
You're right. | 0:21:12 | 0:21:14 | |
I had it firmly in my hand. | 0:21:14 | 0:21:17 | |
Even the whole time, when you were swimming? | 0:21:17 | 0:21:20 | |
-Prepared. -What does that mean? | 0:21:20 | 0:21:23 | |
-I know! -What are you getting at? | 0:21:23 | 0:21:25 | |
You'd really love me to say I had it secreted between my butt cheeks. | 0:21:25 | 0:21:29 | |
I don't know! Is that where it was? | 0:21:29 | 0:21:31 | |
-Yes. -Oh! | 0:21:31 | 0:21:33 | |
No! No! In my hand! | 0:21:33 | 0:21:35 | |
-Oh, dear. -How romantic(!) | 0:21:36 | 0:21:38 | |
That is lovely. | 0:21:38 | 0:21:40 | |
"Will you marry me?!" | 0:21:40 | 0:21:43 | |
"It's warm." | 0:21:46 | 0:21:48 | |
"I offer you my ring." | 0:21:49 | 0:21:51 | |
Sorry. | 0:21:56 | 0:21:57 | |
I'm actually quite upset. | 0:21:59 | 0:22:00 | |
-It's spoiling what was quite a romantic... -Is it? | 0:22:00 | 0:22:03 | |
Oh, God, I'm so sorry. | 0:22:03 | 0:22:05 | |
I've suddenly become crude. | 0:22:05 | 0:22:07 | |
I'm laughing so hard my cheeks are numb. | 0:22:07 | 0:22:10 | |
Kirsten is a bit shocked. | 0:22:10 | 0:22:11 | |
-We've shocked Kirsten. -It's very different in America. | 0:22:11 | 0:22:14 | |
-AMERICAN ACCENT: -Isn't it, though? | 0:22:16 | 0:22:18 | |
Now, Bear Grylls, new show called The Island with Bear Grylls, | 0:22:18 | 0:22:21 | |
Monday nights on Channel 4. | 0:22:21 | 0:22:23 | |
It's 13 men surviving on an island. | 0:22:23 | 0:22:26 | |
It is. | 0:22:26 | 0:22:27 | |
It's an experiment of what's modern man really made of? | 0:22:27 | 0:22:30 | |
If you take everything that we take for granted away from us, | 0:22:30 | 0:22:33 | |
like mobiles and computers, | 0:22:33 | 0:22:35 | |
and put people back on an island with nothing, | 0:22:35 | 0:22:38 | |
no camera teams even, what happens? | 0:22:38 | 0:22:41 | |
Are we still... Have we still got that resourcefulness | 0:22:41 | 0:22:44 | |
and that ability to look after ourselves | 0:22:44 | 0:22:46 | |
or have we lost generations of those skills in one generation? | 0:22:46 | 0:22:50 | |
We've got a taste. This is a taste of next Monday's episode, | 0:22:50 | 0:22:54 | |
which is episode three. | 0:22:54 | 0:22:55 | |
I want to find out what happens if you strip man of all the luxuries | 0:22:55 | 0:22:59 | |
and the conveniences of modern living | 0:22:59 | 0:23:01 | |
and then force them to fight for their very existence. | 0:23:01 | 0:23:05 | |
Brian, do you see everyone working here? | 0:23:05 | 0:23:07 | |
You've been walking around in a dream this morning and not doing any work. | 0:23:07 | 0:23:11 | |
I'm trying my hardest, I really am. | 0:23:11 | 0:23:13 | |
I'm really sorry, buddy. | 0:23:13 | 0:23:15 | |
-Don't be like that. -But we're carrying you. | 0:23:15 | 0:23:17 | |
-I know you are. -It's driving me bonkers. | 0:23:17 | 0:23:20 | |
I can't do it, Dan. I've got to go. | 0:23:25 | 0:23:27 | |
I need to get off the island. I've got no use. | 0:23:27 | 0:23:29 | |
Everyone is carrying me. I'm taking up water, I'm taking up food. | 0:23:29 | 0:23:32 | |
Let me just go. | 0:23:32 | 0:23:34 | |
Wow. | 0:23:34 | 0:23:35 | |
The thing is, you see... | 0:23:35 | 0:23:37 | |
You see what people are made of | 0:23:39 | 0:23:40 | |
when you put them in that sort of environment. | 0:23:40 | 0:23:43 | |
I think lots of people talk a good story - "I'll be a great survivor" - | 0:23:43 | 0:23:46 | |
and we watch films and we're used to the blueprint of a hero. | 0:23:46 | 0:23:48 | |
But actually, when you're stripped of everything, | 0:23:48 | 0:23:51 | |
heroes are made by how they act in the big moments, | 0:23:51 | 0:23:53 | |
when it's really... When you're starving. | 0:23:53 | 0:23:55 | |
These guys hadn't eaten for six days at one point. | 0:23:55 | 0:23:58 | |
Truth is, I came away with an incredible respect | 0:23:58 | 0:24:01 | |
for what a lot of these guys went through there. | 0:24:01 | 0:24:03 | |
There's been a lot of stuff in the papers about, | 0:24:03 | 0:24:06 | |
"Oh, you know, why have you just done men?" | 0:24:06 | 0:24:08 | |
But is it because women are too bright to apply to do this show? | 0:24:08 | 0:24:12 | |
Probably. | 0:24:13 | 0:24:15 | |
Why would you...?! It's like... | 0:24:16 | 0:24:19 | |
Actually, you say that, | 0:24:19 | 0:24:20 | |
something like 70% of the applicants... | 0:24:20 | 0:24:22 | |
We had tens of thousands of people apply, | 0:24:22 | 0:24:24 | |
which is the shocking thing in the first place, | 0:24:24 | 0:24:26 | |
but the majority of them were women. | 0:24:26 | 0:24:29 | |
It's funny, even though we said this was for men, | 0:24:29 | 0:24:31 | |
I think women want to also, just as much as men. | 0:24:31 | 0:24:34 | |
A - they want adventure. | 0:24:34 | 0:24:36 | |
B - people want to test themselves, | 0:24:36 | 0:24:38 | |
when they're really away from all of this. | 0:24:38 | 0:24:41 | |
How do you do? | 0:24:41 | 0:24:43 | |
So I'd love to do an all-women's one. | 0:24:43 | 0:24:45 | |
It would be amazing to see whether there's no drama, | 0:24:45 | 0:24:48 | |
whether they just quietly get on, they can multitask. | 0:24:48 | 0:24:50 | |
-I think it might be... -I imagine they will. | 0:24:50 | 0:24:53 | |
Surely most interesting would be the women and men together. | 0:24:53 | 0:24:57 | |
-Then it becomes love on an island. -Then you've got sex. | 0:24:57 | 0:24:59 | |
It was funny with the sex. | 0:24:59 | 0:25:01 | |
You think you put a bunch of men on the island... | 0:25:01 | 0:25:04 | |
It was a lot of bravado, | 0:25:04 | 0:25:05 | |
and a lot of talk initially about masturbating and all of this... | 0:25:05 | 0:25:10 | |
And then lots of crying. | 0:25:10 | 0:25:13 | |
What happens is once you get really hungry, tired, | 0:25:13 | 0:25:17 | |
thirsty and you feel your life is on the line more, | 0:25:17 | 0:25:21 | |
your body prioritises and an erection is... | 0:25:21 | 0:25:24 | |
That's a... That's... What do you call it? | 0:25:24 | 0:25:27 | |
-I don't know, what do you call it? -Exactly. -What? What?! | 0:25:27 | 0:25:30 | |
-It's a wasteful use of vital energy. -Wow. | 0:25:30 | 0:25:34 | |
Right, like athletes don't do that. | 0:25:34 | 0:25:36 | |
So, their sex drives just plummeted, cos your body... | 0:25:36 | 0:25:38 | |
You need food and water | 0:25:38 | 0:25:40 | |
and I don't need an erection any more. | 0:25:40 | 0:25:42 | |
Did they get paid to be on the show? | 0:25:42 | 0:25:44 | |
They did get paid. | 0:25:44 | 0:25:46 | |
They got paid the equivalent of the salary they were missing at home. | 0:25:46 | 0:25:49 | |
All of them wanted to be there to test themselves, ultimately. | 0:25:49 | 0:25:53 | |
Now, listen, | 0:25:53 | 0:25:54 | |
no-one is going to accuse you of being sexist with your book | 0:25:54 | 0:25:58 | |
called Train For It. It's out on 5th June, I believe. | 0:25:58 | 0:26:00 | |
Basically, you've got Bear... | 0:26:00 | 0:26:02 | |
Look at that cover! If you don't mind me saying. | 0:26:02 | 0:26:04 | |
-I know! -It's slightly embarrassing to see that. | 0:26:04 | 0:26:06 | |
-I slightly wince, if I'm honest. -Why? | 0:26:06 | 0:26:09 | |
You must have noticed the photographer in front of you. | 0:26:09 | 0:26:12 | |
All the push-ups you did just before it, were you aware of those? | 0:26:12 | 0:26:17 | |
And what's slightly depressing, | 0:26:17 | 0:26:20 | |
we would assume that someone like you | 0:26:20 | 0:26:24 | |
who is constantly climbing, jumping and swinging off things | 0:26:24 | 0:26:27 | |
and not eating very much would be fit, | 0:26:27 | 0:26:30 | |
and yet, you're still having to lift bloody kettle things. | 0:26:30 | 0:26:34 | |
The truth is I need to be fit for my job. | 0:26:34 | 0:26:37 | |
You can't just rely on just doing it to be able to be fit. | 0:26:37 | 0:26:40 | |
You need to train for it. | 0:26:40 | 0:26:42 | |
That's a lot of... It's about explosive power | 0:26:42 | 0:26:45 | |
and dynamic functional movement. | 0:26:45 | 0:26:47 | |
For me, it really helps when I'm climbing, | 0:26:47 | 0:26:49 | |
or shimmying up vines... | 0:26:49 | 0:26:51 | |
And good for dance moves, as well. | 0:26:51 | 0:26:53 | |
-And good for dance moves. -YMCA right there. | 0:26:53 | 0:26:56 | |
This, ladies and gentleman... | 0:26:56 | 0:26:58 | |
Seriously, this is bloody impressive. | 0:26:58 | 0:27:01 | |
Look at that. | 0:27:01 | 0:27:03 | |
Yes! | 0:27:03 | 0:27:04 | |
-That's a yoga thing, isn't it? -I could get you doing that. | 0:27:04 | 0:27:07 | |
-You could do that. -That's actually not that hard. | 0:27:07 | 0:27:10 | |
You rest on your elbows, right? I'm not going to do it in this dress. | 0:27:10 | 0:27:12 | |
-If I had jeans on, I would do it. -I'll get Graham to do it. | 0:27:12 | 0:27:16 | |
I will be amazed if I can do this. | 0:27:19 | 0:27:21 | |
-Just have a sip of your wine. -Put your hands down. | 0:27:21 | 0:27:24 | |
I can't even do that. | 0:27:24 | 0:27:26 | |
Knees on the outside of your elbows. | 0:27:26 | 0:27:29 | |
Take your jacket off. OK, maybe not. | 0:27:29 | 0:27:31 | |
Then we're leaning forward. | 0:27:31 | 0:27:34 | |
Then we put our weight on our hands. | 0:27:35 | 0:27:37 | |
-You're doing it! -Yes! | 0:27:37 | 0:27:39 | |
Wow. | 0:27:42 | 0:27:44 | |
I don't need this. I've done it. | 0:27:46 | 0:27:50 | |
Frankly, look at that front cover... | 0:27:50 | 0:27:52 | |
-That's me. -That is impressive. | 0:27:52 | 0:27:54 | |
Much more impressive than of all of that, | 0:27:54 | 0:27:56 | |
cos that is Bear hanging a massive weight | 0:27:56 | 0:27:59 | |
on his needless, pointless erection. | 0:27:59 | 0:28:01 | |
That's a wasteful expenditure of energy. | 0:28:05 | 0:28:08 | |
Bear, do you know what you are? | 0:28:08 | 0:28:11 | |
You're unstoppable. Yeah. | 0:28:11 | 0:28:13 | |
Just like my next guest. | 0:28:15 | 0:28:17 | |
Yes, she captured the hearts of a continent | 0:28:17 | 0:28:19 | |
when she won the Eurovision Song Contest last weekend. | 0:28:19 | 0:28:22 | |
Here's a reminder of how she did it. | 0:28:22 | 0:28:24 | |
# Rise like a Phoenix | 0:28:24 | 0:28:27 | |
# Out of the ashes | 0:28:27 | 0:28:30 | |
# Seeking love and vengeance | 0:28:30 | 0:28:33 | |
# Retribution, you were one | 0:28:33 | 0:28:37 | |
# Once I'm transformed | 0:28:37 | 0:28:40 | |
# Once I'm reborn | 0:28:40 | 0:28:43 | |
# You know I will rise like a Phoenix | 0:28:43 | 0:28:47 | |
# But you're my home. # | 0:28:49 | 0:28:54 | |
Ladies and gentlemen, please welcome Conchita Wurst! | 0:28:56 | 0:28:59 | |
Oh, hello! | 0:29:05 | 0:29:07 | |
Come and sit down. That's Kirsten... | 0:29:09 | 0:29:11 | |
Dawn... | 0:29:11 | 0:29:13 | |
Bear... | 0:29:13 | 0:29:14 | |
Oh! Conchita Wurst, everybody! | 0:29:14 | 0:29:17 | |
Thank you. | 0:29:19 | 0:29:20 | |
-So, this is it? -Yeah. -This is the proper trophy? | 0:29:20 | 0:29:23 | |
I've only ever seen it from a distance. | 0:29:23 | 0:29:25 | |
-Wow. Is it one you get to keep? -Yes, I do. | 0:29:25 | 0:29:28 | |
I know it's a bit embarrassing, but I carry it along all the way. | 0:29:28 | 0:29:32 | |
-Was that in your hand luggage today? -Yes. | 0:29:32 | 0:29:35 | |
-Is it glass or plastic? -Glass. | 0:29:35 | 0:29:38 | |
-You don't want to drop that. -No. | 0:29:38 | 0:29:40 | |
-Congratulations, Conchita. -Thank you. | 0:29:40 | 0:29:42 | |
Such a popular win on the night. | 0:29:42 | 0:29:44 | |
-Everyone was so happy. -I cried the whole time. | 0:29:44 | 0:29:47 | |
I don't blame you. I was crying. We were all crying. | 0:29:47 | 0:29:49 | |
All the commentators were in the hall after going... | 0:29:49 | 0:29:52 | |
-CRYING: -"Oh, it was so good, it was so good." | 0:29:52 | 0:29:54 | |
Everyone has been tweeting about you. | 0:29:54 | 0:29:56 | |
-Cher was tweeting about you. -Yes. -That's so cool. -Yes, it is. | 0:29:56 | 0:30:00 | |
I was like, "Are you serious? You mean like Cher, Cher?" | 0:30:00 | 0:30:06 | |
You're the rightful heir to the Cher throne, I think. | 0:30:06 | 0:30:10 | |
-Oh. -Yeah. | 0:30:10 | 0:30:11 | |
You know, actually, I was very excited about this tweet | 0:30:11 | 0:30:17 | |
because she gave me two advice. | 0:30:17 | 0:30:19 | |
She said, "Darling..." | 0:30:19 | 0:30:21 | |
Well, she didn't write darling, but in my mind, she said it. | 0:30:21 | 0:30:23 | |
APPLAUSE | 0:30:28 | 0:30:31 | |
She tweeted, "Darling, you deserve a lovelier name and a better wig." | 0:30:33 | 0:30:39 | |
-Oh, my God. -My hairstylist was quite pissed. | 0:30:40 | 0:30:43 | |
-Well you chose Conchita, right? -Yes. | 0:30:43 | 0:30:45 | |
Yeah, so that's... | 0:30:45 | 0:30:46 | |
Because I thought my hair was quite nice. | 0:30:46 | 0:30:49 | |
-It looks beautiful. -Thank you. | 0:30:49 | 0:30:51 | |
Mind you, if anyone knows wigs, it's Cher. | 0:30:51 | 0:30:53 | |
-You have to listen to her wig advice. -I know, I know. | 0:30:53 | 0:30:56 | |
She's all over that wig thing. | 0:30:56 | 0:30:58 | |
Apparently, some flowers were waiting for you | 0:30:58 | 0:31:01 | |
-in the dressing room. -Yes... | 0:31:01 | 0:31:02 | |
-Tell the people who sent you flowers. -Well, I got flowers | 0:31:02 | 0:31:05 | |
in my dressing room, and the card said, | 0:31:05 | 0:31:06 | |
"We love you, Elton and David." | 0:31:06 | 0:31:10 | |
-Oh, my God! -Yes. | 0:31:10 | 0:31:12 | |
He didn't get any flowers! | 0:31:12 | 0:31:13 | |
Listen, let's talk about the beard because, to my mind, | 0:31:17 | 0:31:20 | |
in this country, there's a legacy | 0:31:20 | 0:31:22 | |
of mainstream entertainers, from Danny LaRue, Dame Edna, Lily Savage, | 0:31:22 | 0:31:28 | |
but even here in Britain, people are a bit, | 0:31:28 | 0:31:31 | |
if not freaked out, | 0:31:31 | 0:31:33 | |
they are kind of confused by the beard. | 0:31:33 | 0:31:35 | |
Why do you think the beard is such a big deal? | 0:31:35 | 0:31:37 | |
Actually, I don't really... Well, I know it is something | 0:31:37 | 0:31:41 | |
that you don't see every day, | 0:31:41 | 0:31:43 | |
but I created this bearded lady to show everybody... | 0:31:43 | 0:31:46 | |
It is so cheesy, but you've just got one life, | 0:31:46 | 0:31:49 | |
and you better make it fabulous. | 0:31:49 | 0:31:50 | |
That is just my own truth. | 0:31:50 | 0:31:52 | |
I feel this stage persona, | 0:31:52 | 0:31:54 | |
and I felt more comfortable on stage. | 0:31:54 | 0:31:58 | |
Besides that, I am a member of the gay community, | 0:31:58 | 0:32:02 | |
and our stories are similar, | 0:32:02 | 0:32:03 | |
and being a teenager in this small village | 0:32:03 | 0:32:06 | |
wasn't the most fun thing on earth. | 0:32:06 | 0:32:08 | |
So, over the years, I tried to fit in, | 0:32:08 | 0:32:11 | |
and I changed myself in every way you can imagine. | 0:32:11 | 0:32:14 | |
I just wanted to be part of the game. | 0:32:14 | 0:32:16 | |
Then I realised, "Well, I create the game." | 0:32:16 | 0:32:20 | |
-Yeah. Absolutely. -DAWN: -Yeah. | 0:32:20 | 0:32:23 | |
Can I just say, the wonderful thing about watching you there, | 0:32:26 | 0:32:30 | |
and, as you say, you don't see this every day, | 0:32:30 | 0:32:34 | |
but A - it's amazingly glamorous, | 0:32:34 | 0:32:36 | |
and B - you completely inhabit your skin so beautifully. | 0:32:36 | 0:32:39 | |
And I think you raise so many questions, | 0:32:39 | 0:32:42 | |
but you're also all of the answers. | 0:32:42 | 0:32:44 | |
That is what is so great about you. There is no doubt. | 0:32:44 | 0:32:47 | |
So, Conchita Wurst, you are all over the papers, all over the internet, | 0:32:50 | 0:32:55 | |
so what is your plan now? | 0:32:55 | 0:32:57 | |
-Have you made a plan yet? -No. -Tick tock, make a plan. | 0:32:57 | 0:33:02 | |
I know! You know, our society is so fast, | 0:33:02 | 0:33:06 | |
and everything is so quick. | 0:33:06 | 0:33:09 | |
I want to try and sit back | 0:33:09 | 0:33:14 | |
and look and watch and choose wisely. | 0:33:14 | 0:33:17 | |
Do you have material for an album already? | 0:33:17 | 0:33:20 | |
Was that all there, or will you have to write new songs? | 0:33:20 | 0:33:22 | |
Oh, I have to make new stuff, | 0:33:22 | 0:33:24 | |
because, yeah, there are some songs, | 0:33:24 | 0:33:28 | |
but my goal is a Grammy, | 0:33:28 | 0:33:31 | |
so these songs better be good. | 0:33:31 | 0:33:33 | |
Yeah. You should ask Sia... | 0:33:33 | 0:33:34 | |
-Sia writes good songs. -Yeah, I know. | 0:33:34 | 0:33:37 | |
I think America... | 0:33:37 | 0:33:39 | |
America is already... | 0:33:39 | 0:33:41 | |
It's weird, because America doesn't really pay attention to Eurovision, | 0:33:41 | 0:33:44 | |
but America has gone mad for you. | 0:33:44 | 0:33:46 | |
So, if I was you, I'd just go to Heathrow and go there. | 0:33:46 | 0:33:48 | |
I'm sure Elton will write you a song. | 0:33:48 | 0:33:51 | |
-Yes! -I mean, come on. | 0:33:51 | 0:33:53 | |
-I'll ask him. -Yeah, you should. | 0:33:53 | 0:33:54 | |
Or you could represent the UK at Eurovision next year. | 0:33:54 | 0:33:57 | |
-DAWN: -Yeah! Yes, please. | 0:33:57 | 0:33:59 | |
Can you go back? | 0:33:59 | 0:34:01 | |
Yeah, you can. | 0:34:02 | 0:34:04 | |
Listen, Conchita, we are so happy that you have entered our lives, | 0:34:04 | 0:34:08 | |
-and good luck for the future. -Thank you so much. | 0:34:08 | 0:34:11 | |
It's music time now. | 0:34:11 | 0:34:13 | |
This young man... Well, what an amazing year he's had. | 0:34:13 | 0:34:15 | |
He's won both the Critics Choice BRIT Award | 0:34:15 | 0:34:17 | |
and the BBC Sound of 2014 Award. | 0:34:17 | 0:34:19 | |
He's since gone on to top the charts, | 0:34:19 | 0:34:21 | |
and here he is with his current single Stay With Me. | 0:34:21 | 0:34:24 | |
Please welcome Sam Smith! | 0:34:24 | 0:34:26 | |
MUSIC: "Stay With Me" by Sam Smith | 0:34:35 | 0:34:38 | |
# I guess it's true, I'm not good at a one night stand | 0:34:41 | 0:34:45 | |
# But I still need love cos I'm just a man | 0:34:47 | 0:34:50 | |
# These nights never seem to go to plan | 0:34:53 | 0:34:56 | |
# I don't want you to leave | 0:34:58 | 0:35:00 | |
# Will you hold my hand? | 0:35:00 | 0:35:02 | |
# Oh, won't you stay with me? | 0:35:02 | 0:35:06 | |
# Cos you're all I need | 0:35:08 | 0:35:12 | |
# This ain't love, it's clear to see | 0:35:14 | 0:35:19 | |
# But, darling, stay with me | 0:35:19 | 0:35:23 | |
# Why am I so emotional? | 0:35:27 | 0:35:29 | |
# No, it's not a good look | 0:35:32 | 0:35:33 | |
# Gain some self control | 0:35:33 | 0:35:35 | |
# Deep down, I know this never works | 0:35:37 | 0:35:42 | |
# But you can lay with me so it doesn't hurt | 0:35:42 | 0:35:47 | |
# Oh, won't you stay with me? | 0:35:47 | 0:35:53 | |
# Cos you're all I need | 0:35:53 | 0:35:57 | |
# This ain't love, it's clear to see | 0:35:58 | 0:36:04 | |
# But, darling, stay with me | 0:36:04 | 0:36:08 | |
# Oh! | 0:36:09 | 0:36:14 | |
# Oh, no... | 0:36:16 | 0:36:21 | |
# Oh! | 0:36:21 | 0:36:25 | |
# No, no | 0:36:27 | 0:36:31 | |
# Oh, won't you stay with me? | 0:36:31 | 0:36:36 | |
# Cos you're all I need | 0:36:37 | 0:36:41 | |
# This ain't love, it's clear to see | 0:36:43 | 0:36:47 | |
# But, darling, stay with me | 0:36:49 | 0:36:54 | |
# Oh, won't you stay with me? | 0:36:54 | 0:36:58 | |
# Cos you're all I need | 0:37:00 | 0:37:06 | |
# This ain't love, it's clear to see | 0:37:06 | 0:37:11 | |
# But, darling, stay with me | 0:37:11 | 0:37:15 | |
# But, darling, stay with me | 0:37:17 | 0:37:22 | |
# But, darling, stay... | 0:37:23 | 0:37:30 | |
# With me. # | 0:37:32 | 0:37:35 | |
Sam Smith, everybody! How amazing. | 0:37:42 | 0:37:45 | |
That was beautiful. | 0:37:45 | 0:37:47 | |
Really, seriously. Really brilliant job. Sam Smith! | 0:37:47 | 0:37:50 | |
-Bear... -Hello. | 0:37:50 | 0:37:53 | |
-This is Dawn.... Kirsten... -Nice to meet you. | 0:37:53 | 0:37:56 | |
Beautiful, so good. | 0:37:56 | 0:37:58 | |
-I've loved your song ever since I saw you on SNL. -Thank you. | 0:37:58 | 0:38:01 | |
Conchita, Sam, Conchita. | 0:38:01 | 0:38:04 | |
Hello! How are you? | 0:38:04 | 0:38:06 | |
He's in there. He is in the mix. | 0:38:06 | 0:38:08 | |
-There is your whiskey. -Yes! -It's like a dog treat to reward him. | 0:38:08 | 0:38:13 | |
He was like, "I want a whiskey after I sing." | 0:38:13 | 0:38:15 | |
Listen, congratulations. Huge congratulations. | 0:38:15 | 0:38:19 | |
That is from the new album which isn't even out yet. 26th May. | 0:38:19 | 0:38:23 | |
And that single is out on Sunday. | 0:38:23 | 0:38:26 | |
Because you would not think that you could write | 0:38:26 | 0:38:29 | |
a romantic song about a one night stand, | 0:38:29 | 0:38:32 | |
but it's beautiful. | 0:38:32 | 0:38:33 | |
It's not really romantic, it's more depressing. | 0:38:33 | 0:38:37 | |
That's what I see as romantic. | 0:38:37 | 0:38:41 | |
It's true. I try to see the beauty | 0:38:42 | 0:38:45 | |
in something that is pretty disgusting, sometimes. | 0:38:45 | 0:38:48 | |
You could always make them a nice breakfast. | 0:38:48 | 0:38:51 | |
Try to cheer it up a bit. Toast, anyone? | 0:38:51 | 0:38:54 | |
Here is the weird thing. | 0:38:55 | 0:38:57 | |
I'm sure, to you, it doesn't feel like it has happened fast, | 0:38:57 | 0:39:00 | |
but the album isn't even out yet, | 0:39:00 | 0:39:02 | |
and you've already been to America, done the big shows. | 0:39:02 | 0:39:06 | |
I saw Sam on SNL. I bought his song immediately. | 0:39:06 | 0:39:10 | |
-Thank you. -I've been listening to it a lot. It makes me want to cry. | 0:39:10 | 0:39:15 | |
My girlfriend first saw you on SNL and said, | 0:39:15 | 0:39:17 | |
"You have to watch SNL now", because I always watch it later. | 0:39:17 | 0:39:20 | |
She said, "This guy has an amazing voice. You have to watch it." | 0:39:20 | 0:39:23 | |
-So, congratulations. You deserve it. -Amazing. Thank you. | 0:39:23 | 0:39:26 | |
That was the scariest night of my life, SNL. | 0:39:26 | 0:39:29 | |
-I bet. -You did it so well. -Thank you very much. | 0:39:29 | 0:39:33 | |
You know what you should do next? | 0:39:33 | 0:39:35 | |
Eurovision. | 0:39:35 | 0:39:37 | |
I'm down. | 0:39:37 | 0:39:38 | |
You are a young man, a young man. | 0:39:40 | 0:39:42 | |
Do Eurovision. | 0:39:42 | 0:39:44 | |
Right, before we go tonight, | 0:39:44 | 0:39:46 | |
story time in the Red Chair. | 0:39:46 | 0:39:48 | |
-Who's there? Hello! -Hello! | 0:39:48 | 0:39:51 | |
LAUGHTER | 0:39:52 | 0:39:53 | |
-What's your name? -My name is John. | 0:39:53 | 0:39:56 | |
Where you from? America? | 0:39:56 | 0:39:58 | |
I am from America, but I live just outside London now | 0:39:58 | 0:40:00 | |
-in a little village called Claygate. -Oh, I love it! What do you do? | 0:40:00 | 0:40:04 | |
I am a youth pastor in the Church of England. | 0:40:04 | 0:40:06 | |
Oh, right. OK. He's proper. | 0:40:06 | 0:40:08 | |
Off you go, John. | 0:40:08 | 0:40:10 | |
So, when I was 11 years old, | 0:40:10 | 0:40:12 | |
I was sitting in maths class, bored out of my mind, | 0:40:12 | 0:40:14 | |
and I decided to see how much spit I could save up in my mouth | 0:40:14 | 0:40:17 | |
in the course of the class. | 0:40:17 | 0:40:19 | |
I'll just stop you there. I like John enormously. | 0:40:19 | 0:40:22 | |
That is the sort of thing you did in school, didn't you? | 0:40:23 | 0:40:26 | |
"I'll see how much spit I can get in my mouth." | 0:40:26 | 0:40:29 | |
I love it. | 0:40:29 | 0:40:30 | |
I stopped swallowing, and I realised... | 0:40:30 | 0:40:33 | |
I didn't take long, about five minutes in, | 0:40:33 | 0:40:36 | |
my cheeks were bulging. | 0:40:36 | 0:40:37 | |
I thought, "I have an enormous amount of spit in my mouth", | 0:40:37 | 0:40:41 | |
and I was just sitting in class, and I thought, | 0:40:41 | 0:40:45 | |
"This is too disgusting to swallow." | 0:40:45 | 0:40:47 | |
I was overwhelmed by it. | 0:40:47 | 0:40:49 | |
Out of nowhere, this powerful sneeze comes on. | 0:40:49 | 0:40:52 | |
Spit coming way out of my mouth, hits the person next to me, | 0:40:54 | 0:40:57 | |
all over the floor, and the teacher stops teaching, | 0:40:57 | 0:41:00 | |
says, "John, that is nasty!" | 0:41:00 | 0:41:02 | |
I have to get a mop bucket, I'm mopping up my own spit. | 0:41:02 | 0:41:04 | |
And looking out, there's just a classroom of girls | 0:41:04 | 0:41:07 | |
with this disgusted look on their face. | 0:41:07 | 0:41:10 | |
That was it. | 0:41:10 | 0:41:12 | |
-You can walk. -Yeah. | 0:41:15 | 0:41:16 | |
To be frank, I'm not sure there was much of a choice. | 0:41:20 | 0:41:23 | |
-Just saying. -Sorry. I'm like, "Don't make him!" | 0:41:27 | 0:41:30 | |
-It is a funny story. -It was. | 0:41:31 | 0:41:33 | |
It had no end. I feel he should work on an ending to the story | 0:41:33 | 0:41:36 | |
and it could do him for the rest of his life. | 0:41:36 | 0:41:39 | |
That's his story. One more. | 0:41:39 | 0:41:41 | |
-Hello? -Hi. I'm Josh. -Where are you from? -Brixton. | 0:41:41 | 0:41:46 | |
-What do you do? -I'm a tree surgeon. | 0:41:46 | 0:41:49 | |
Tree surgeon, everyone. | 0:41:49 | 0:41:51 | |
You can never find one when you need one, but here he is. | 0:41:51 | 0:41:54 | |
You will get work out of this. | 0:41:54 | 0:41:57 | |
Good with wood. | 0:41:57 | 0:41:58 | |
Yes! | 0:41:58 | 0:42:00 | |
That can be on the side of his van. | 0:42:00 | 0:42:03 | |
You must have to travel to be a tree surgeon. | 0:42:03 | 0:42:06 | |
There are trees in London... | 0:42:06 | 0:42:08 | |
I've seen them. | 0:42:08 | 0:42:10 | |
There are trees in London, Conchita. | 0:42:14 | 0:42:16 | |
Josh is your man if you need any surgery on a tree. | 0:42:18 | 0:42:21 | |
OK, John. Off you go with your story. Josh. Whatever your name is. | 0:42:21 | 0:42:24 | |
When I was a forester, I was living in Devon, | 0:42:24 | 0:42:27 | |
and we were cutting trees down and they were | 0:42:27 | 0:42:31 | |
falling and there was this one that didn't quite fall down, | 0:42:31 | 0:42:34 | |
and we forgot about it and carried on, | 0:42:34 | 0:42:36 | |
and we said, "Right, let's have some lunch." | 0:42:36 | 0:42:39 | |
We sat down, eating lunch, chatting away, | 0:42:39 | 0:42:42 | |
and suddenly everybody gets up and starts running past me. | 0:42:42 | 0:42:45 | |
I'm like, "What's happening?" | 0:42:45 | 0:42:47 | |
Suddenly, I turn round, and this tree is coming down on top of me | 0:42:47 | 0:42:51 | |
and I moved out the way and rolled, | 0:42:51 | 0:42:53 | |
and literally by inches, it landed by the side of me, | 0:42:53 | 0:42:56 | |
and I lost my lunch. | 0:42:56 | 0:42:59 | |
It had the makings of a good story but it wasn't enough. | 0:43:06 | 0:43:09 | |
Bear was liking it, though. | 0:43:09 | 0:43:11 | |
It was a near death incident. By that much. | 0:43:11 | 0:43:15 | |
-If it was two inches to the right... -And he lost his lunch. | 0:43:15 | 0:43:19 | |
Well done, everyone. | 0:43:19 | 0:43:21 | |
If you'd like to join us on the show and have a go in the Red Chair, | 0:43:21 | 0:43:24 | |
you can contact us via our website at this address... | 0:43:24 | 0:43:27 | |
Thank you to my guests tonight. | 0:43:27 | 0:43:29 | |
Sam Smith, everybody! | 0:43:29 | 0:43:32 | |
Bear Grylls! | 0:43:32 | 0:43:34 | |
Dawn French! | 0:43:34 | 0:43:37 | |
Kirsten Dunst! | 0:43:37 | 0:43:40 | |
And the one and only Conchita Wurst! | 0:43:40 | 0:43:43 | |
Join me next week with Hollywood stars Jonah Hill | 0:43:44 | 0:43:47 | |
and Channing Tatum, musical maestro Pharrell Williams, | 0:43:47 | 0:43:49 | |
and, in a rare appearance, the one and only Dame Julie Andrews. | 0:43:49 | 0:43:54 | |
I'll see you then! Goodnight! Goodbye! | 0:43:54 | 0:43:56 |