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Hey, everyone. It is New Year's Eve! Yeah! | 0:00:02 | 0:00:05 | |
And we are counting down to the show. Here we go, everybody. | 0:00:05 | 0:00:08 | |
-Ten, nine, eight, seven, six, fiv... -Whoa, whoa, whoa! Hold up! Hold up! | 0:00:08 | 0:00:14 | |
It's Will Ferrell, everybody! CHEERING | 0:00:14 | 0:00:17 | |
Hold up, please. Erm... | 0:00:17 | 0:00:20 | |
Thank you, thank you. | 0:00:20 | 0:00:22 | |
Uh, I'm sorry, I'm sorry, everyone, there's been a terrible incident, | 0:00:22 | 0:00:28 | |
a gigantic magical flying wine truck has collided with the studio | 0:00:28 | 0:00:32 | |
-and there are hundreds of bottles of Sauvignon blanc everywhere. -What? | 0:00:32 | 0:00:35 | |
-I kid you not! -LAUGHTER | 0:00:35 | 0:00:38 | |
What an idiot. | 0:00:38 | 0:00:41 | |
Come on, people. Five, four, three, two, one... | 0:00:41 | 0:00:47 | |
Let's start the show! | 0:00:47 | 0:00:50 | |
CHEERING | 0:00:50 | 0:00:52 | |
This programme contains some strong language. | 0:00:54 | 0:00:58 | |
LAUGHTER | 0:01:12 | 0:01:14 | |
-POOR ENGLISH/IRISH ACCENT: -Good evening, one, and good evening, all. | 0:01:17 | 0:01:20 | |
Welcome to the show, I'm Graham Norton. | 0:01:20 | 0:01:23 | |
CHEERING AND APPLAUSE | 0:01:23 | 0:01:26 | |
We have a fantastic show for you tonight, some amazing guests, | 0:01:28 | 0:01:32 | |
including a handsome young man | 0:01:32 | 0:01:33 | |
who's making quite the name for himself, that's Will Ferrell! | 0:01:33 | 0:01:38 | |
CHEERING AND APPLAUSE | 0:01:38 | 0:01:40 | |
Wow, that guy... that guy is ripped! Really ripped! | 0:01:44 | 0:01:49 | |
There was no wine. | 0:01:49 | 0:01:51 | |
That is not your beard and that is not your body. | 0:01:51 | 0:01:54 | |
-Go away. -This wasn't any...? -Wait, wait. -I saw a wine truck... | 0:01:54 | 0:01:57 | |
Wait! Will Ferrell, everybody! | 0:01:57 | 0:02:00 | |
CHEERING | 0:02:00 | 0:02:03 | |
He'll be back. He'll be back later. | 0:02:03 | 0:02:06 | |
He will. Will Ferrell, oh! | 0:02:06 | 0:02:08 | |
So, it's New Year's Eve! Everyone have a good Christmas? | 0:02:08 | 0:02:12 | |
AUDIENCE: Yes! | 0:02:12 | 0:02:14 | |
Did you? | 0:02:14 | 0:02:16 | |
LAUGHTER | 0:02:16 | 0:02:19 | |
Really? | 0:02:19 | 0:02:21 | |
You don't look well! | 0:02:21 | 0:02:23 | |
We've got a great show for you to enjoy tonight, | 0:02:25 | 0:02:28 | |
wherever you're celebrating. | 0:02:28 | 0:02:30 | |
Whether it's on the beach, on the ski slopes, | 0:02:30 | 0:02:35 | |
or on your own local high street. | 0:02:35 | 0:02:38 | |
That's me. | 0:02:38 | 0:02:39 | |
It really is a magical time of the year, isn't it? | 0:02:39 | 0:02:42 | |
And, ladies and gentlemen, we are bidding farewell to 2015 | 0:02:42 | 0:02:45 | |
with a great line-up of guests. Not just Will Ferrell, | 0:02:45 | 0:02:48 | |
he'll also be joined by his Daddy's Home co-star, | 0:02:48 | 0:02:50 | |
Mark Wahlberg, everyone. | 0:02:50 | 0:02:53 | |
Yes! CHEERING AND APPLAUSE | 0:02:53 | 0:02:55 | |
They'll be here later. | 0:02:56 | 0:02:58 | |
And we'll have a performance of one of this year's bestselling hits, | 0:02:58 | 0:03:01 | |
from Years And Years, they're here. | 0:03:01 | 0:03:03 | |
CHEERING AND APPLAUSE Adorable! | 0:03:03 | 0:03:05 | |
But first, this man has had a phenomenal year, | 0:03:06 | 0:03:10 | |
winning the Bafta, Golden Globe, and Oscar | 0:03:10 | 0:03:13 | |
for his portrayal of Stephen Hawking in The Theory of Everything, | 0:03:13 | 0:03:16 | |
now he's tipped for further glory playing the first person | 0:03:16 | 0:03:19 | |
to undergo gender reassignment in The Danish Girl, | 0:03:19 | 0:03:21 | |
welcome back Eddie Redmayne, everybody! | 0:03:21 | 0:03:25 | |
Yay! CHEERING AND APPLAUSE | 0:03:25 | 0:03:27 | |
This way, this way. Hey! | 0:03:27 | 0:03:29 | |
-Happy New Year! -How are you? -I am really well. | 0:03:29 | 0:03:32 | |
Lovely to see you. Have a seat. | 0:03:32 | 0:03:34 | |
And joining Eddie, it's the Oscar-winning actress | 0:03:34 | 0:03:38 | |
who wowed us in The Hunger Games, X-Men, and Silver Linings Playbook, | 0:03:38 | 0:03:41 | |
now she's Golden Globe nominated again for her role | 0:03:41 | 0:03:44 | |
in the rags to riches movie, Joy, | 0:03:44 | 0:03:46 | |
please welcome, for the first-time to the show, | 0:03:46 | 0:03:48 | |
the wonderful Jennifer Lawrence! | 0:03:48 | 0:03:51 | |
CHEERING AND APPLAUSE Yay! | 0:03:51 | 0:03:54 | |
-Always wanted you! -You'd only to ask! -Aw! | 0:03:54 | 0:03:57 | |
-Well, you're here! -Thank you. -Sit down! Sit down! | 0:03:57 | 0:04:01 | |
Oh! | 0:04:01 | 0:04:02 | |
I'm leaving my lipstick there, cos I think we're going | 0:04:04 | 0:04:07 | |
-to be here for a while, right? -I love that, emergency lipstick. | 0:04:07 | 0:04:10 | |
-I did, yeah, I should hide it from the camera. -Yeah! | 0:04:10 | 0:04:13 | |
And, if you guys don't know, this is where babies come from. | 0:04:13 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:19 | |
-Look, showbiz babies. -I'm so happy I picked this dress! | 0:04:19 | 0:04:22 | |
It's a nice, sparkly... | 0:04:22 | 0:04:24 | |
-I'm just going to get drunk and then I won't care. -Yeah! | 0:04:24 | 0:04:27 | |
It's New Year's Eve! CHEERING | 0:04:27 | 0:04:30 | |
-Don't forget that. -I don't know. I really hate New Year's Eve. | 0:04:33 | 0:04:36 | |
-I've never had a good New Year's Eve. -Always a disappointment. | 0:04:36 | 0:04:38 | |
Always disappointing, everybody's always chasing a good time... | 0:04:38 | 0:04:41 | |
Jennifer, Jennifer, on message, this is New Year's Eve. | 0:04:41 | 0:04:44 | |
-Oh, right. -People are watching this! -I'm on The Graham Norton Show. | 0:04:44 | 0:04:47 | |
You're depressing them now, they're thinking... | 0:04:47 | 0:04:49 | |
-Do people think this is how I am spending New Year's Eve?! -No, that's my point! | 0:04:49 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:54 | |
-That's so sad! -I know... -I'm working! | 0:04:54 | 0:04:57 | |
-They're thinking, "No wonder she hates it!" -Yeah! | 0:04:57 | 0:05:01 | |
-No, no! So, in real life, you're doing nothing? -Hmm... | 0:05:01 | 0:05:04 | |
I don't know. I'm going to, like, plan on doing nothing, | 0:05:04 | 0:05:07 | |
and then, if something lands in my lap... | 0:05:07 | 0:05:09 | |
I don't know, I always end up, like, disappointed. | 0:05:09 | 0:05:11 | |
-Drunk, but disappointed. -That's my life! | 0:05:11 | 0:05:14 | |
SHE LAUGHS | 0:05:14 | 0:05:15 | |
That's the title of my memoir! | 0:05:15 | 0:05:18 | |
Damn, I should've got that title! | 0:05:18 | 0:05:20 | |
-Eddie, what are you doing? -I am... Do you know what? | 0:05:20 | 0:05:22 | |
My wife and I, we're renting this place in the countryside, | 0:05:22 | 0:05:25 | |
-and we were hoping it was going to... -I would love to! -Come! | 0:05:25 | 0:05:29 | |
Unfortunately, I don't think there are any carpets or anything. | 0:05:29 | 0:05:34 | |
-But we're stubbornly... -Why does Jennifer need carpets? | 0:05:34 | 0:05:37 | |
She doesn't, just bring a sleeping bag, | 0:05:37 | 0:05:38 | |
join us around the fire, that's the plan, I think. | 0:05:38 | 0:05:41 | |
I think he means that I'll only go if there's a red carpet! | 0:05:41 | 0:05:45 | |
Yeah, there's no red carpet! Sorry! How will you get in? | 0:05:45 | 0:05:49 | |
Where do I step? | 0:05:49 | 0:05:51 | |
Just in the car, "How does this happen?" | 0:05:52 | 0:05:55 | |
Well, listen, Jennifer is returning to our screens | 0:05:55 | 0:05:58 | |
in the latest comedy drama directed by David O Russell. | 0:05:58 | 0:06:02 | |
It opens tomorrow, it's called Joy. | 0:06:02 | 0:06:05 | |
You play Joy, so tell us about Joy. | 0:06:05 | 0:06:08 | |
Joy is the story of Joy Mangano, | 0:06:08 | 0:06:11 | |
also inspired by other women who inspired David, | 0:06:11 | 0:06:14 | |
and she is a mother of two working at Eastern Airlines, | 0:06:14 | 0:06:18 | |
she gets this brilliant idea for this mop, | 0:06:18 | 0:06:21 | |
and it's about her journey to sort of make it happen, | 0:06:21 | 0:06:25 | |
and then the story of success afterwards. | 0:06:25 | 0:06:28 | |
I have now had far too much whisky to promote this movie! | 0:06:28 | 0:06:30 | |
No, but what's great about it, because it is a true story, | 0:06:30 | 0:06:33 | |
-that you think you know where it's going, the plot... -Yeah. | 0:06:33 | 0:06:36 | |
..and then it's just like, "What just happened?" | 0:06:36 | 0:06:39 | |
-It is a mad story. -Yeah, thank God that's not what I said! | 0:06:39 | 0:06:43 | |
I mean, you think you know what's going on and then it's like, "Mrgh!" | 0:06:43 | 0:06:47 | |
And then, it's like, "Yeah!" | 0:06:47 | 0:06:48 | |
That's how I feel like talking about it now, | 0:06:48 | 0:06:50 | |
cos you're totally right. Yes. There are a lot of ups and downs, | 0:06:50 | 0:06:53 | |
and some beautiful and scary, ugly sides of success. | 0:06:53 | 0:06:57 | |
-Yeah! -What's it like working with Robert De Niro? -Oh, it's so fun. | 0:06:57 | 0:07:01 | |
-Is it kind of fun working with pals? -Have you ever had repeated...? | 0:07:01 | 0:07:04 | |
-No, never, no-one wants me back! -Yeah, once bitten! -Ah... | 0:07:04 | 0:07:08 | |
All right, let's watch a clip, this is a clip from Joy. | 0:07:08 | 0:07:13 | |
-You watch it, I'm going to change. -LAUGHTER | 0:07:13 | 0:07:16 | |
-OK, sorry, play the clip. -You look lovely. You look great. | 0:07:16 | 0:07:19 | |
This is you and Bradley Cooper, | 0:07:19 | 0:07:20 | |
and you fighting for your place on QVC. | 0:07:20 | 0:07:23 | |
You said to me that David Selznick, the son of immigrants, | 0:07:23 | 0:07:26 | |
married Jennifer Jones, an all-American girl from Oklahoma, | 0:07:26 | 0:07:29 | |
because, in America, all races and classes | 0:07:29 | 0:07:33 | |
can meet and make whatever opportunities they can. | 0:07:33 | 0:07:36 | |
And that is what you feel | 0:07:36 | 0:07:38 | |
when you reach into people's homes with what you sell. | 0:07:38 | 0:07:41 | |
You said that. | 0:07:45 | 0:07:47 | |
CHEERING | 0:07:47 | 0:07:49 | |
"Yay, me! I'm amazing!" | 0:07:53 | 0:07:56 | |
I should have cymbals! | 0:07:56 | 0:07:59 | |
-"I'm fantastic!" -God, I'm useless! | 0:07:59 | 0:08:01 | |
-You're so good, and so good in this. -Thank you. | 0:08:01 | 0:08:04 | |
And, of course, the third time you've worked with David O Russell. | 0:08:04 | 0:08:07 | |
-Yeah. -And it sounds like, when he's directing you, | 0:08:07 | 0:08:10 | |
he doesn't really have a filter. | 0:08:10 | 0:08:12 | |
Did he ever have a filter? | 0:08:12 | 0:08:13 | |
-He certainly doesn't have a filter any more. -Erm, no. | 0:08:13 | 0:08:16 | |
He doesn't have a filter with anything, but he's just pure cinema, | 0:08:16 | 0:08:19 | |
he's just pure... I think it's really lovely. | 0:08:19 | 0:08:22 | |
Cos I grew up doing sports. | 0:08:22 | 0:08:23 | |
So whenever directors try to get emotional, | 0:08:23 | 0:08:27 | |
"I think the character would be, at this point..." | 0:08:27 | 0:08:30 | |
I'm like, "What does that mean?" | 0:08:30 | 0:08:32 | |
Like, David's just like, "That sucks!" | 0:08:32 | 0:08:34 | |
You know, that makes sense to me. | 0:08:34 | 0:08:36 | |
"OK, got it. I'll do it better this time." | 0:08:36 | 0:08:39 | |
-He doesn't really say that to you, does he? -Of course! | 0:08:39 | 0:08:42 | |
He was breathing behind me | 0:08:42 | 0:08:43 | |
when we were doing the diner scene on Silver Linings, | 0:08:43 | 0:08:46 | |
he's behind the booth, laying there, | 0:08:46 | 0:08:48 | |
and he has a monitor, and he goes like, "Grrr!" | 0:08:48 | 0:08:51 | |
And I can hear his breathing, and I'm like, "He doesn't like this!" | 0:08:51 | 0:08:54 | |
And then he'll go, "Oh, it's bullshit, it's just bullshit." | 0:08:54 | 0:08:58 | |
And I would just be like, "What do you want?" | 0:08:58 | 0:09:00 | |
And he'd be like, "Just do it without bullshit." | 0:09:00 | 0:09:03 | |
And then, eventually, I learned that meant lower my voice a little bit. | 0:09:03 | 0:09:06 | |
And so now, we just always work together, | 0:09:08 | 0:09:10 | |
-cos he knows bullshit equals lower voice. -Yeah. -Shorthand. | 0:09:10 | 0:09:14 | |
Eddie's one of those... You like the chatting about it, don't you? | 0:09:14 | 0:09:17 | |
I need to be mollycoddled and told I'm great | 0:09:17 | 0:09:19 | |
-in order for me to do anything! -No, you do not! -I promise I do. | 0:09:19 | 0:09:22 | |
-I like... -I'll never forget that head smack, | 0:09:22 | 0:09:25 | |
from - what's it called? - Theory Of Everything. | 0:09:25 | 0:09:27 | |
No, but this, when we did this interview together, like, | 0:09:27 | 0:09:30 | |
Jen, who's done more stunts and sort of action, brilliant set pieces, | 0:09:30 | 0:09:34 | |
we were trying to talk about Theory Of Everything, | 0:09:34 | 0:09:36 | |
and she kept going back to the head smack... | 0:09:36 | 0:09:38 | |
-I'm sorry. -..when I hit my head. She was like, "Tell me how you did it!" | 0:09:38 | 0:09:41 | |
I know, you literally won an Academy Award for this performance, | 0:09:41 | 0:09:45 | |
and I haven't said one thing to you about anything artistic | 0:09:45 | 0:09:47 | |
about the movie. I'm like, "How did you do that head smack, bro?" | 0:09:47 | 0:09:51 | |
In the interview, trying to create some really complicated way | 0:09:51 | 0:09:54 | |
in which I did it, whereas actually they just sort of | 0:09:54 | 0:09:56 | |
put a foam bit on the floor | 0:09:56 | 0:09:58 | |
and they just tied my hands and made me do that... | 0:09:58 | 0:10:00 | |
Oh! Even whacking your head on foam without holding your... | 0:10:00 | 0:10:04 | |
-That's scary! -So brave! | 0:10:04 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:08 | |
-Cheers! -Well done, you. Well done, you. | 0:10:10 | 0:10:13 | |
Now, I don't want to jinx anything, but Eddie Redmayne | 0:10:13 | 0:10:16 | |
was here last New Year's Eve. | 0:10:16 | 0:10:18 | |
As he left the building, I said, "Good luck with the Oscars." | 0:10:18 | 0:10:23 | |
Only won an Oscar! He won an Oscar, ladies and gentlemen! | 0:10:23 | 0:10:25 | |
CHEERING AND APPLAUSE | 0:10:25 | 0:10:28 | |
-Thanks for that, Graham. -Yeah! -Very generous. | 0:10:28 | 0:10:31 | |
I was, right before he ran out, when you were introducing him, | 0:10:31 | 0:10:34 | |
I realised, we had been like talking and catching up, | 0:10:34 | 0:10:36 | |
and then you're like, "..Academy Award winner..." | 0:10:36 | 0:10:38 | |
I was like, "Oh, my God, I totally forgot! Congratulations!" | 0:10:38 | 0:10:41 | |
Never talked to you after that. | 0:10:41 | 0:10:43 | |
-And again... -Not on purpose! -Not on purpose! | 0:10:43 | 0:10:46 | |
And again, it's weird, cos you don't want to talk about these things, | 0:10:46 | 0:10:49 | |
but, you'd a bad one, was it the night you won your Oscar? | 0:10:49 | 0:10:52 | |
The night I won... | 0:10:52 | 0:10:53 | |
-I don't want to talk about that night, I had a whole meltdown. -OK! | 0:10:53 | 0:10:57 | |
That sounds riveting, I want to talk about that! | 0:10:57 | 0:11:00 | |
It was a series of things, it was like a birth control confusion, | 0:11:00 | 0:11:03 | |
so I was like hormonal, I fell on my face, | 0:11:03 | 0:11:05 | |
I forgot to thank the director, | 0:11:05 | 0:11:06 | |
so I was just like, "What does it all mean? Nothing!" | 0:11:06 | 0:11:08 | |
I just came home crying... | 0:11:11 | 0:11:13 | |
And then, my friend, like, ordered the wrong pizza, | 0:11:13 | 0:11:15 | |
it wasn't thin crust, it was thick crust, I was just like... | 0:11:15 | 0:11:17 | |
SHE SOBS | 0:11:17 | 0:11:20 | |
I imagine very different scenes in the Redmayne household. | 0:11:20 | 0:11:23 | |
-Slightly different. -Oh, really? | 0:11:23 | 0:11:25 | |
Well, basically, I have a plethora of brothers, | 0:11:25 | 0:11:28 | |
and their sort of favourite thing is to sort of come... | 0:11:28 | 0:11:32 | |
I did this film a couple of years ago called Savage Grace, | 0:11:32 | 0:11:34 | |
with Julianne Moore. | 0:11:34 | 0:11:36 | |
-Keep going, quickly. -What's disastrous? | 0:11:36 | 0:11:39 | |
-What? -No, no, you left them at "come". -Come! | 0:11:39 | 0:11:41 | |
-LAUGHTER -Oh, God! -What did he say? What? | 0:11:41 | 0:11:44 | |
It's going to get worse, so I did this film a couple of years ago, | 0:11:44 | 0:11:47 | |
called Savage Grace, and it was one of my early, | 0:11:47 | 0:11:49 | |
one of the first jobs, I was so proud of it, | 0:11:49 | 0:11:52 | |
it was with Julianne Moore, it involved incest, | 0:11:52 | 0:11:54 | |
I played her son, and she sleeps with him, | 0:11:54 | 0:11:56 | |
to sort of try and change his sexuality, anyway... | 0:11:56 | 0:11:58 | |
-LAUGHTER -..I was so pleased | 0:11:58 | 0:11:59 | |
to have got a job, I was so proud of it, | 0:11:59 | 0:12:02 | |
and they came to the London Film Festival premiere, | 0:12:02 | 0:12:04 | |
and it was only as I was sitting down, surrounded by my family, | 0:12:04 | 0:12:07 | |
with all my brothers, sitting next to my Dad, | 0:12:07 | 0:12:10 | |
basically looking like this, as I was about to do a love scene | 0:12:10 | 0:12:12 | |
with my mother in the film, just to see what his reaction would be. | 0:12:12 | 0:12:15 | |
Basically, that's always their thing, | 0:12:15 | 0:12:17 | |
see who can get closest to Dad, | 0:12:17 | 0:12:19 | |
-in order to watch what his perilous reaction is going to be. -Oh, yeah! | 0:12:19 | 0:12:22 | |
-Ooh! -I had to kick my brother out from award season for a little bit, | 0:12:22 | 0:12:26 | |
cos he tried to arm wrestle Matthew McConaughey. | 0:12:26 | 0:12:30 | |
He was, like, not into it, it was Winter's Bone, | 0:12:30 | 0:12:33 | |
nobody knew who I was, so he was... | 0:12:33 | 0:12:35 | |
-So there was that. -He took down McConaughey? | 0:12:35 | 0:12:37 | |
And my mum is your... How is your mum during premieres? | 0:12:37 | 0:12:40 | |
-She's pretty good, actually. -She's normal? | 0:12:40 | 0:12:42 | |
But only because I always say to her... | 0:12:42 | 0:12:44 | |
I remember we had this amazing experience at the Tony Awards, | 0:12:44 | 0:12:47 | |
when she came as my date, and I said... | 0:12:47 | 0:12:48 | |
-That's cute. -.."Mum, what happens is they come up on cameras, | 0:12:48 | 0:12:51 | |
"and they look at your face, so when I don't win, you have got to look... | 0:12:51 | 0:12:54 | |
-"You know, you can't get, 'Grr!' you know, really angry." -Yeah! | 0:12:54 | 0:12:57 | |
And my mum... I love my mum, she is quite competitive. | 0:12:57 | 0:13:00 | |
Anyway, this moment happened, and I was nominated for a prize, | 0:13:00 | 0:13:04 | |
and them, I was lucky enough to win, and I was so elated, but my mum, | 0:13:04 | 0:13:08 | |
I'd given such a grilling to, she's just sort of sat there. | 0:13:08 | 0:13:11 | |
-LAUGHTER -"I'm not allowed to react!" | 0:13:11 | 0:13:14 | |
-I'm like, "I've won!" -That's so funny. | 0:13:14 | 0:13:17 | |
The whole family, the whole family I'm sure, | 0:13:17 | 0:13:19 | |
will be very proud of your new film, The Danish Girl. | 0:13:19 | 0:13:22 | |
It also opens tomorrow, | 0:13:22 | 0:13:23 | |
and it's had a lot of press. | 0:13:23 | 0:13:25 | |
And it is an extraordinary story, | 0:13:25 | 0:13:27 | |
and more extraordinary, because it is mostly true, all true, or...? | 0:13:27 | 0:13:31 | |
Yes, it is based on Lili and Gerda's life, | 0:13:31 | 0:13:36 | |
this couple who lived in 1920s, in Copenhagen, | 0:13:36 | 0:13:39 | |
and, um, Lili was one of the first people to transition, | 0:13:39 | 0:13:42 | |
to undergo gender confirmation surgery in the 1930s. | 0:13:42 | 0:13:45 | |
And it's really about this... It's a really passionate love story | 0:13:45 | 0:13:48 | |
about these two, kind of, extraordinary people. | 0:13:48 | 0:13:51 | |
And this film, they've been trying to get it made for years... | 0:13:51 | 0:13:55 | |
-It's been a long road, Graham! -Yeah! And what's odd is that, | 0:13:55 | 0:13:58 | |
now that it finally comes blinking into the light... | 0:13:58 | 0:14:02 | |
-Mm-hm. -..it's hit this moment when these issues | 0:14:02 | 0:14:04 | |
-are more high profile than ever before. -Yeah. | 0:14:04 | 0:14:06 | |
-But that is just coincidence? -It is. It's been 15 years in the making. | 0:14:06 | 0:14:09 | |
And I was making Les Miserables about four, five years ago, | 0:14:09 | 0:14:13 | |
and Tom Hooper, the director, he gave me the script, | 0:14:13 | 0:14:16 | |
and he didn't say anything about it. | 0:14:16 | 0:14:18 | |
He gave me this surreptitious brown envelope and he said, | 0:14:18 | 0:14:21 | |
"Have a read of this." and I was completely sucker punched by it. | 0:14:21 | 0:14:25 | |
I found such a beautiful story. | 0:14:25 | 0:14:26 | |
And I said, "Where can I sign up? He was like, "No, no. | 0:14:26 | 0:14:30 | |
"This film's probably not going to happen for a while." | 0:14:30 | 0:14:32 | |
And, as you say, it's come out at this time, | 0:14:32 | 0:14:35 | |
and there's such a shift in the past year, of trans issues | 0:14:35 | 0:14:38 | |
coming to the mainstream, but kind of what was staggering for me | 0:14:38 | 0:14:42 | |
was their story happened almost 100 years ago, | 0:14:42 | 0:14:44 | |
and it's sort of astounding how little progress there's been, | 0:14:44 | 0:14:47 | |
only in the past couple of years there really has been some change. | 0:14:47 | 0:14:49 | |
And one of those weird things for you, as an actor, that, suddenly, | 0:14:49 | 0:14:52 | |
you have to become a kind of spokesperson, | 0:14:52 | 0:14:55 | |
-or you're kind of representing, in a way. -Well, it's... | 0:14:55 | 0:14:57 | |
I mean, it's incredibly, um... | 0:14:57 | 0:15:00 | |
For me, it's wonderful, because the story is so beautiful, | 0:15:00 | 0:15:03 | |
and the people I met, preparing to play the part, | 0:15:03 | 0:15:06 | |
people from the trans community, who were incredibly generous, | 0:15:06 | 0:15:09 | |
and so, the whole thing has been a privilege, really, | 0:15:09 | 0:15:14 | |
and getting to - not in any way talk for the community - because... | 0:15:14 | 0:15:18 | |
-but really to try and be an ally. Learn to be an ally. -Yeah! | 0:15:18 | 0:15:20 | |
All right, we've got a clip from The Danish Girl. | 0:15:20 | 0:15:23 | |
This is you and your wife, who we must also mention, | 0:15:23 | 0:15:25 | |
-cos she's fabulous! -She's wonderful. -Alicia Vikander. | 0:15:25 | 0:15:29 | |
And this is the morning after Lili's first public appearance. | 0:15:29 | 0:15:33 | |
Exactly what happened between you | 0:15:33 | 0:15:35 | |
-and Sandahl last night? -Nothing. It was nothing. | 0:15:35 | 0:15:38 | |
-Did he know it was you? -It wasn't as simple as that. | 0:15:38 | 0:15:42 | |
I watched him kiss you, Einar, so could you please make an effort? | 0:15:42 | 0:15:45 | |
He may have known who I was, but I wasn't always m-me. | 0:15:49 | 0:15:52 | |
There was a moment when I was just Lili | 0:15:53 | 0:15:56 | |
and I think that he could see that. | 0:15:56 | 0:15:58 | |
-Do you see? -But Lili doesn't exist. | 0:15:59 | 0:16:01 | |
-We made her up. -I know. -We were playing a game. -I know we were. | 0:16:05 | 0:16:09 | |
But then... | 0:16:11 | 0:16:13 | |
..something changed. | 0:16:15 | 0:16:16 | |
CHEERING | 0:16:16 | 0:16:20 | |
Wow. | 0:16:23 | 0:16:24 | |
As I've already said, that comes out tomorrow as well. | 0:16:27 | 0:16:30 | |
Now, the thing is, | 0:16:30 | 0:16:32 | |
because it's so unusual to have two such young Oscar winners... | 0:16:32 | 0:16:36 | |
-This normally happens... -That's why we're friends! -Yeah! | 0:16:36 | 0:16:39 | |
You're part of an elite club. But the other thing you share | 0:16:39 | 0:16:42 | |
is quite short-lived careers in modelling. | 0:16:42 | 0:16:45 | |
-I thought you said just "shortest careers"! -I know! | 0:16:45 | 0:16:48 | |
-Wow! -I was like... "Oooh! Oh." | 0:16:48 | 0:16:51 | |
-Happy New Year(!) -Yeah! -So, because you... | 0:16:51 | 0:16:56 | |
What was your big break? | 0:16:56 | 0:16:57 | |
-Was it Vogue? Esquire? -Where are we going with this? | 0:16:57 | 0:17:00 | |
-I think all of the above! -Talk about modelling. Talk about it! | 0:17:00 | 0:17:03 | |
-Or was it, in fact...? -Want me to talk about my modelling? | 0:17:03 | 0:17:06 | |
-I think HE'S about to talk about my modelling! -Oh, my God! | 0:17:06 | 0:17:09 | |
-Do you have pictures? -Yes, because, he did... | 0:17:09 | 0:17:11 | |
Look at these. Like, it's hard to make a jumper sexy. | 0:17:11 | 0:17:14 | |
-True that. -LAUGHTER | 0:17:14 | 0:17:16 | |
But I think he has managed it. | 0:17:16 | 0:17:19 | |
CHEERING AND APPLAUSE | 0:17:20 | 0:17:23 | |
Has wool... Has wool ever looked hotter? | 0:17:23 | 0:17:27 | |
-I mean, seriously... -Here's the thing, your sweater his eyeballs. | 0:17:27 | 0:17:31 | |
LAUGHTER | 0:17:31 | 0:17:33 | |
God, that was a high point... | 0:17:33 | 0:17:35 | |
-Oh, my God! -..but I think you can actually still buy that, | 0:17:35 | 0:17:38 | |
and the point of that is you can learn to knit it yourself. | 0:17:38 | 0:17:41 | |
-Oh! -So you guys can take one of those home and knit it yourself. | 0:17:41 | 0:17:45 | |
So I can buy the sweater, | 0:17:45 | 0:17:46 | |
-and then I have to do it myself as well? -Yeah! | 0:17:46 | 0:17:48 | |
Actually, there's a classic thing in here. | 0:17:48 | 0:17:50 | |
So you know when you want something for Christmas | 0:17:50 | 0:17:53 | |
and say to your mum or granny, "I'd really like a trendy sweat top, | 0:17:53 | 0:17:56 | |
"I'd like a really nice, trendy, zippy-up top"? | 0:17:56 | 0:17:59 | |
And then they knit it for you. | 0:17:59 | 0:18:01 | |
LAUGHTER | 0:18:01 | 0:18:03 | |
-"NO!" -Yeah, that's the Christmas nightmare! -It is, isn't it? -Yeah. | 0:18:04 | 0:18:08 | |
But you still do some modelling, don't you? | 0:18:08 | 0:18:10 | |
-Sporadically and very unsuccessfully. -Stop it! | 0:18:10 | 0:18:13 | |
-You do big brands! -I don't know any of this! | 0:18:13 | 0:18:15 | |
I did a campaign for Burberry, which was very amazing. | 0:18:15 | 0:18:19 | |
I did it a few years ago and Mario Testino shot it. | 0:18:19 | 0:18:23 | |
-Oh! -And I remember... It was when I was just starting out | 0:18:23 | 0:18:26 | |
and, in this photograph, there was sort of a model, | 0:18:26 | 0:18:30 | |
and me, an actor, wannabe actor, and a musician. | 0:18:30 | 0:18:35 | |
And Mario Testino, who I'd never worked with, | 0:18:35 | 0:18:37 | |
who is one of the most extraordinary, brilliant people, | 0:18:37 | 0:18:39 | |
but, in that moment, he was almost like a parody of himself. | 0:18:39 | 0:18:42 | |
So, we had to run and jump for the photograph. | 0:18:42 | 0:18:45 | |
And he goes, he's literally got the camera there, and he goes... | 0:18:45 | 0:18:47 | |
-MOCK ITALIAN ACCENT: -"OK, so, darling, | 0:18:47 | 0:18:49 | |
"you supermodel, you rock star, Eddie, you movie star, | 0:18:49 | 0:18:52 | |
"I'm Mario Testino, and one, two, three...go!" | 0:18:52 | 0:18:55 | |
LAUGHTER | 0:18:55 | 0:18:57 | |
And I leapt into the air... I leapt into the air | 0:18:57 | 0:19:00 | |
and these two, sort of, pros, and me, at the end, going... | 0:19:00 | 0:19:03 | |
But he gets the photos, because they're so natural ones | 0:19:04 | 0:19:08 | |
of sort of shock and minor despair and wonder, | 0:19:08 | 0:19:10 | |
-I think, at the same time. -Cos you... | 0:19:10 | 0:19:13 | |
-You don't have my pictures... -I don't! -..and I'll tell you why. | 0:19:13 | 0:19:16 | |
Yes, tell us why, because really, | 0:19:16 | 0:19:18 | |
-an amazing job to get. -I was an Abercrombie model. -Get in. | 0:19:18 | 0:19:21 | |
-Abercrombie and Fitch, ladies and gentlemen! -Don't make your hoots! | 0:19:21 | 0:19:24 | |
-Wait till the end of the story! -Pre-emptive hoots! | 0:19:24 | 0:19:27 | |
So my pictures never came out, I did like the whole campaign, | 0:19:27 | 0:19:29 | |
and the pictures never came out, and I didn't know why, | 0:19:29 | 0:19:32 | |
and my agent wrote and asked why, | 0:19:32 | 0:19:34 | |
and they literally only responded with the photos. | 0:19:34 | 0:19:37 | |
LAUGHTER | 0:19:37 | 0:19:39 | |
Because they, like, their whole idea was, like, "We want real people." | 0:19:39 | 0:19:43 | |
So they, like, got... | 0:19:43 | 0:19:45 | |
I don't know, we were on a beach, and they threw us a football | 0:19:45 | 0:19:48 | |
and they were like, "Play football!" | 0:19:48 | 0:19:49 | |
And all the other models were playing football, | 0:19:49 | 0:19:52 | |
like, in the pretty way. You know, like... Not me! | 0:19:52 | 0:19:55 | |
I was... All of the photos, I've got a red face, covered in sweat, | 0:19:55 | 0:19:59 | |
my nostrils are flared, I'm like, "Aargh!"... | 0:19:59 | 0:20:02 | |
..in the back of a picture. | 0:20:03 | 0:20:04 | |
At one point, a girl yelled, "Get her away from me!" | 0:20:04 | 0:20:07 | |
LAUGHTER AND APPLAUSE | 0:20:07 | 0:20:10 | |
So... | 0:20:10 | 0:20:12 | |
I'm desperate to see those photos. | 0:20:12 | 0:20:13 | |
You won't see them in a store, that's for sure. | 0:20:13 | 0:20:16 | |
Good luck. Good luck to both of you and really I wish you all the best | 0:20:16 | 0:20:21 | |
with both these movies and with 2016. | 0:20:21 | 0:20:23 | |
Ladies and gentlemen, Eddie Redmayne and Jennifer Lawrence. | 0:20:23 | 0:20:26 | |
CHEERING | 0:20:26 | 0:20:29 | |
Yay. | 0:20:29 | 0:20:30 | |
CHEERING DROWNS OUT SPEECH | 0:20:30 | 0:20:32 | |
And so... And so to my next Hogmanay guest. | 0:20:32 | 0:20:36 | |
Will Ferrell has made us laughed with films like Elf, Old School, | 0:20:36 | 0:20:40 | |
Talladega Nights and his star turn as legendary anchorman Ron Burgundy, | 0:20:40 | 0:20:43 | |
while Mark Wahlberg is a multi-talented actor/producer | 0:20:43 | 0:20:47 | |
who has given us drama in The Fighter, | 0:20:47 | 0:20:49 | |
action in The Departed and comedy in Ted and The Other Guys. | 0:20:49 | 0:20:53 | |
Now they're back together in the hilarious new movie, Daddy's Home. | 0:20:53 | 0:20:57 | |
Here's Will as the stepfather | 0:20:57 | 0:20:59 | |
trying to impress the kids in front of real dad Mark. | 0:20:59 | 0:21:02 | |
One lucky fan is going to get | 0:21:02 | 0:21:05 | |
a chance to shoot from half-court to win a family vacation | 0:21:05 | 0:21:09 | |
-to Disney World! -CHEERING | 0:21:09 | 0:21:14 | |
That's right, and our lucky fan is sitting in section 113, | 0:21:14 | 0:21:20 | |
row six, seat one. | 0:21:20 | 0:21:23 | |
Where is he? Let's see it! Where is he? | 0:21:23 | 0:21:25 | |
It's me. It's me. I win. I win. | 0:21:25 | 0:21:29 | |
I'm going to Disneyland. I'm going to make it right. | 0:21:29 | 0:21:33 | |
Yay! | 0:21:33 | 0:21:34 | |
All right, sir, what's your name? | 0:21:34 | 0:21:37 | |
First off, I love my kids. | 0:21:37 | 0:21:39 | |
-He loves his kids! Let's give it up! -CHEERING | 0:21:39 | 0:21:42 | |
This one is for Dylan and Megan and Sarah and Dylan. | 0:21:43 | 0:21:46 | |
Nothing but net. | 0:21:46 | 0:21:48 | |
All right, he's going for it, nothing but net. | 0:21:48 | 0:21:51 | |
SHE SCREAMS, CROWD GROANS | 0:21:55 | 0:21:57 | |
Please welcome Will Ferrell and Mark Wahlberg. | 0:21:57 | 0:22:02 | |
CHEERING | 0:22:02 | 0:22:03 | |
Nice to see you. Hello. | 0:22:09 | 0:22:12 | |
Sit down. Sit down. Hey! | 0:22:13 | 0:22:16 | |
-Oh, naughty, yes. -Naughty. | 0:22:16 | 0:22:19 | |
-Oh! Yes! Yes! -Yes! -I know! -Yes! | 0:22:19 | 0:22:25 | |
CHEERING | 0:22:25 | 0:22:26 | |
It's a little later. It's a little later, | 0:22:28 | 0:22:30 | |
-so we thought we might roll out some real drinks... -Great. -..because, | 0:22:30 | 0:22:33 | |
Will Ferrell, you have a bar in New York dedicated to you. | 0:22:33 | 0:22:37 | |
-Apparently, I do, yes. -Have you been? -I haven't been. | 0:22:37 | 0:22:40 | |
-That seems almost rude. -A little. -They don't want him to come. | 0:22:40 | 0:22:44 | |
It's a Will Ferrell-themed bar, but they don't want Will Ferrell. | 0:22:44 | 0:22:48 | |
-It's called Stay Classy, right? -Yes. Stay Classy New York. | 0:22:48 | 0:22:50 | |
-Is that what it's called? -Stay Classy New York. Yeah, it is. | 0:22:50 | 0:22:53 | |
-We've got a selection of cocktails. -I've been. -You've been? -Yes. | 0:22:53 | 0:22:56 | |
-Have you really been? -I was invited, yeah. | 0:22:56 | 0:22:58 | |
-LAUGHTER -I haven't been invited yet. | 0:22:58 | 0:23:01 | |
I can offer you... There's a cocktail called Great Odin's Raven. | 0:23:01 | 0:23:05 | |
-There's Smelly Pirate Hooker. -Mm-hm. -There's a Whale's Vagina. | 0:23:05 | 0:23:10 | |
Or, my favourite, I Piss Excellence. | 0:23:11 | 0:23:14 | |
-Er, fancy any of those? -Well, I've got to go for a Whale's Vagina. | 0:23:14 | 0:23:18 | |
-A Whale's Vagina is... That's the Whale's Vagina. OK. -OK. | 0:23:18 | 0:23:22 | |
-That's a Smelly Pirate Hooker, that one. -Yeah, give me the Pirate. | 0:23:22 | 0:23:25 | |
OK, have a Pirate Hooker. And I'll have Piss Excellence. | 0:23:25 | 0:23:28 | |
How is your Whale's Vagina? | 0:23:28 | 0:23:30 | |
From what I remember, that's exactly what... | 0:23:33 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:38 | |
..it should taste like, yeah! | 0:23:38 | 0:23:41 | |
-Cheers. -Oh, it's very potent. Yeah. | 0:23:41 | 0:23:43 | |
-And Happy New Year's. -Happy New Year! | 0:23:43 | 0:23:45 | |
Happy New Year, everyone. Happy New Year. | 0:23:45 | 0:23:47 | |
So now, of course, Christmas has gone. | 0:23:47 | 0:23:49 | |
How was Christmas, Mark Wahlberg? | 0:23:49 | 0:23:51 | |
-Christmas was wonderful. -Yeah? -Yeah. -What was your best present? | 0:23:51 | 0:23:55 | |
-I didn't get anything. -No, Mark! | 0:23:55 | 0:23:58 | |
I didn't get anything. And I didn't give the kids anything. | 0:23:58 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:03 | |
I figured why bother? | 0:24:03 | 0:24:05 | |
-Yeah, tough love. -Exactly. | 0:24:05 | 0:24:07 | |
Didn't we just do this last year? I mean, come on. | 0:24:07 | 0:24:10 | |
-They're not going to remember anyway. -Do something original. -Yeah. | 0:24:10 | 0:24:13 | |
-Christmas for you must be amazing, cos you're Elf. -I, er... | 0:24:13 | 0:24:17 | |
Yes, I'm Elf. | 0:24:17 | 0:24:18 | |
But that's too scary for my children. They don't... | 0:24:19 | 0:24:22 | |
It's not too scary for mine. How do I get Elf to show up to my house? | 0:24:22 | 0:24:25 | |
-So I can be cool. -50,000 euros. | 0:24:25 | 0:24:28 | |
That's not a problem. Do you have the tights on under the suit? | 0:24:29 | 0:24:33 | |
I have the tights on right now, yes. | 0:24:33 | 0:24:35 | |
I've been wearing them since Christmas Day. | 0:24:35 | 0:24:38 | |
-It's Christmas... -Yeah, yeah. | 0:24:38 | 0:24:40 | |
As I say, the two of you bring us a festive treat in Daddy's Home, | 0:24:40 | 0:24:45 | |
and it's in cinemas everywhere now. | 0:24:45 | 0:24:48 | |
And it's a very kind of modern family comedy in that | 0:24:48 | 0:24:50 | |
it's about a stepfather coming face-to-face with the biological dad. | 0:24:50 | 0:24:56 | |
Yeah, it's kind of, I mean, the story of kind of the blended family | 0:24:56 | 0:25:01 | |
that we're coming across more and more and, yeah, | 0:25:01 | 0:25:04 | |
I'm the stepfather to your kids | 0:25:04 | 0:25:06 | |
and I pride myself on being the world's greatest dad. | 0:25:06 | 0:25:10 | |
I cry a little too much, I'm very emotionally available... | 0:25:10 | 0:25:14 | |
..which is sickening. | 0:25:15 | 0:25:17 | |
-And, er, then, Dusty comes into the picture. -Who is... -A real man's man. | 0:25:17 | 0:25:22 | |
-Yes. -Yeah! -And as I say, it's really, really funny. | 0:25:22 | 0:25:26 | |
Lots of big laugh out loud moments, | 0:25:26 | 0:25:28 | |
-like the moment in the clip we just saw. -Right. -And... | 0:25:28 | 0:25:31 | |
Which people thought was real. When we were filming it. | 0:25:31 | 0:25:34 | |
We shot it in a national basketball game | 0:25:34 | 0:25:36 | |
and we only had six minutes, so they basically said, "At half-time, | 0:25:36 | 0:25:39 | |
"stay in your seats, because you can be in a scene of a movie," | 0:25:39 | 0:25:42 | |
but they didn't tell them what we were doing | 0:25:42 | 0:25:44 | |
and then, all of a sudden, Will stumbles onto the court | 0:25:44 | 0:25:46 | |
pretending to be drunk and hits the cheerleader. | 0:25:46 | 0:25:49 | |
I had at least five or six Whale's Vaginas going in. | 0:25:49 | 0:25:52 | |
LAUGHTER | 0:25:52 | 0:25:53 | |
And it just went viral. People were going crazy all over the internet. | 0:25:53 | 0:25:56 | |
People thought I had wandered into a live NBA basketball game | 0:25:56 | 0:26:00 | |
and had taken the liberty to peg a cheerleader in the head, | 0:26:00 | 0:26:04 | |
and that I should be severely reprimanded, | 0:26:04 | 0:26:07 | |
which I couldn't argue with, but... | 0:26:07 | 0:26:09 | |
But also, it's just as well you are good at sports, | 0:26:09 | 0:26:12 | |
because, you know, it'd have taken me | 0:26:12 | 0:26:14 | |
forever to try and hit that cheerleader in the face. | 0:26:14 | 0:26:16 | |
He hit that poor girl about five times in a row. | 0:26:16 | 0:26:18 | |
I said, "I think we got it on the first take," he was like, | 0:26:18 | 0:26:22 | |
"Oh, no, no, no. I need another" | 0:26:22 | 0:26:23 | |
"I don't think she wants to do it again." | 0:26:23 | 0:26:25 | |
-"I just need one more." -She did. She told me she did, OK? Relax. | 0:26:25 | 0:26:30 | |
Listen, you're both dads yourself and, Mark, | 0:26:30 | 0:26:32 | |
we've talked about your parenting style. | 0:26:32 | 0:26:34 | |
-You're firm, but fair in the Wahlberg household. -Yes. | 0:26:34 | 0:26:37 | |
-But you are very involved. You're very hands-on. -Mm-hm. | 0:26:37 | 0:26:40 | |
-You go to all their sporting games, if you can. -Oh, absolutely. | 0:26:40 | 0:26:43 | |
Yeah. But they're not liking me at the games any more. | 0:26:43 | 0:26:45 | |
I get a little too crazy. I get a little too passionate. | 0:26:45 | 0:26:48 | |
-I know, because they've taken pictures of you. -Oh, God! | 0:26:48 | 0:26:51 | |
There's another picture. You're really going for it in this next one. | 0:26:51 | 0:26:54 | |
Look at that. Rargh! You do kind of think, | 0:26:54 | 0:26:56 | |
-you must know... -Is that you coaching? -I'm on the sidelines. | 0:26:56 | 0:26:59 | |
-Oh, you're on the sidelines. -I'm just with other parents. -OK. | 0:26:59 | 0:27:01 | |
My wife, always... She'll take... | 0:27:01 | 0:27:03 | |
Cos I bring these chairs, she takes a chair and sits down the other end. | 0:27:03 | 0:27:07 | |
Acts like she doesn't know me. | 0:27:07 | 0:27:09 | |
But EVERYONE knows you. Don't you think you should just tone it down? | 0:27:09 | 0:27:12 | |
-I can't help it. -I've been there. | 0:27:12 | 0:27:14 | |
He just played in the championship game and I couldn't even eat. | 0:27:14 | 0:27:18 | |
I mean, my stomach was in butterflies. He's nine. | 0:27:18 | 0:27:21 | |
My stomach was in butterflies and, oh, God, it was crazy. | 0:27:21 | 0:27:24 | |
I lost my voice for about a week, screaming, yelling. | 0:27:24 | 0:27:27 | |
-Did they win? -No. -Ooh! | 0:27:27 | 0:27:30 | |
So I had to beat him. | 0:27:30 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
I had money on that freaking game. | 0:27:34 | 0:27:37 | |
So did I. | 0:27:38 | 0:27:40 | |
A little red button thing like, "Is Mark joking?" | 0:27:40 | 0:27:44 | |
-Will, you coach. -I coach. I've experienced the same thing. | 0:27:44 | 0:27:47 | |
-You forget... -He'd be the worst coach! -Why? | 0:27:47 | 0:27:51 | |
Because they could be down 20, | 0:27:51 | 0:27:53 | |
"Don't worry, guys, you're doing really good. You know what? | 0:27:53 | 0:27:57 | |
"There are a lot of positive things happening. Why are you crying? | 0:27:57 | 0:28:00 | |
-"It's OK." -"You learn more from defeat than winning." | 0:28:00 | 0:28:04 | |
LAUGHTER | 0:28:04 | 0:28:05 | |
Have you ever said that out loud, Will? | 0:28:05 | 0:28:07 | |
-Sadly, that's exactly my strategy. -Oh, my God! -Yeah. | 0:28:07 | 0:28:11 | |
But I did have a moment where I was screaming at my oldest son, | 0:28:11 | 0:28:14 | |
who was ten years old at the time, and I was like, | 0:28:14 | 0:28:18 | |
"Magnus! MAGNUS! MAGNUS!" | 0:28:18 | 0:28:21 | |
And he stops in the middle of the game and he's like, "What?" | 0:28:21 | 0:28:25 | |
And I realised I had lost my mind and I just said, "Never mind. | 0:28:25 | 0:28:30 | |
"Just try to get closer to the ball..." | 0:28:30 | 0:28:34 | |
But it's hard. It's hard to not get wrapped up in the excitement. | 0:28:34 | 0:28:38 | |
It must be hard, because everyone must recognise you at a game. | 0:28:38 | 0:28:40 | |
Usually. Usually. | 0:28:40 | 0:28:42 | |
I was growing my moustache out for Anchorman 2 and coaching | 0:28:42 | 0:28:47 | |
on the sideline and the opposing coach was like, "You look familiar." | 0:28:47 | 0:28:52 | |
And I go, "Yeah." | 0:28:52 | 0:28:54 | |
"Are you that actor?" I'm like, "I think so." | 0:28:56 | 0:28:58 | |
He said, "Is that moustache real?" | 0:29:00 | 0:29:02 | |
I said, "Yes, why would I be wearing a fake moustache... | 0:29:02 | 0:29:05 | |
"..at a kids' soccer game?" | 0:29:07 | 0:29:10 | |
-It's happened. -"Honey, hold on, I've got to put my fake moustache on | 0:29:10 | 0:29:14 | |
"so that I'm unrecognisable." | 0:29:14 | 0:29:16 | |
And this is your second movie together, so you obviously get on. | 0:29:18 | 0:29:22 | |
-Yeah. Swimmingly. -Good. Happy to hear it. | 0:29:22 | 0:29:26 | |
But you have offended co-stars, Will Ferrell. Was it Harrison Ford? | 0:29:26 | 0:29:30 | |
-What happened with him? -On, yeah, this was not good. | 0:29:30 | 0:29:33 | |
You worked with Harrison Ford? | 0:29:33 | 0:29:36 | |
He shot on the first day of Anchorman 2 | 0:29:36 | 0:29:39 | |
and we were all very nervous to work with him. That's him, by the way. | 0:29:39 | 0:29:43 | |
-Audiovisual aid. -Yeah. -That's him. | 0:29:43 | 0:29:45 | |
And he came into the trailer and, you know, it's Harrison Ford, right? | 0:29:45 | 0:29:52 | |
And I'm very diligent, as is Mark, when we're filming. | 0:29:52 | 0:29:56 | |
Go to bed early, don't usually go out to dinner, and he... | 0:29:56 | 0:30:00 | |
As he's getting his make-up off, he's like, "Dinner?" | 0:30:00 | 0:30:04 | |
And I'm like, "No, I'm good, I have something in my trailer." | 0:30:04 | 0:30:07 | |
And then he leaves | 0:30:07 | 0:30:09 | |
and I realise I just turned down Harrison Ford for dinner. | 0:30:09 | 0:30:12 | |
Um... | 0:30:12 | 0:30:13 | |
That's the end of the story. | 0:30:13 | 0:30:15 | |
LAUGHTER | 0:30:15 | 0:30:16 | |
It's kind of worse than that, isn't it? | 0:30:16 | 0:30:18 | |
-It's not like you were saying you had other plans. -Not at all. | 0:30:18 | 0:30:21 | |
-You just said, "I'm going to eat something..." -I'm going to eat... | 0:30:21 | 0:30:24 | |
a bad Styrofoam case full of food provided to me by catering. | 0:30:24 | 0:30:28 | |
I'm not going to choose to have dinner with you, | 0:30:28 | 0:30:31 | |
Harrison Ford, where you can regale me in stories. | 0:30:31 | 0:30:35 | |
I'm choosing my boiled chicken. | 0:30:35 | 0:30:38 | |
-Yeah. -Have you seen him again? | 0:30:38 | 0:30:41 | |
I haven't. I've tried to find him. | 0:30:41 | 0:30:43 | |
-I have. -Have you had dinner with him? -Yes. -What has he said? | 0:30:43 | 0:30:47 | |
He told me to tell you to go fuck yourself. | 0:30:47 | 0:30:51 | |
LAUGHTER | 0:30:51 | 0:30:53 | |
I highly doubt that. | 0:30:53 | 0:30:54 | |
And that you are a pompous, arrogant piece of shit. | 0:30:54 | 0:30:57 | |
I love that Mark Wahlberg is saying this, | 0:30:57 | 0:31:00 | |
and I look down and my next question is, "Mark Wahlberg, | 0:31:00 | 0:31:03 | |
"you had an extraordinary gig a few months ago." | 0:31:03 | 0:31:05 | |
-Oh, with the Pope? -Yeah! | 0:31:05 | 0:31:07 | |
LAUGHTER | 0:31:07 | 0:31:09 | |
You hosted the Pope. | 0:31:09 | 0:31:11 | |
-Yes, I did. -Did the Pope recognise you? -Er, no. | 0:31:13 | 0:31:17 | |
He hasn't watched television since the mid-80s. | 0:31:17 | 0:31:20 | |
Except he does love The Graham Norton Show | 0:31:20 | 0:31:23 | |
and he's going to be appalled at your language. | 0:31:23 | 0:31:26 | |
I already apologised for my language in the movies that I've done. | 0:31:27 | 0:31:30 | |
I didn't know if he was a movie fan or not, and I was hugging this | 0:31:30 | 0:31:34 | |
young boy who has an amazing voice, I mean, really a gift from God, | 0:31:34 | 0:31:37 | |
and, all of a sudden, he comes out and goes, | 0:31:37 | 0:31:40 | |
"I really loved you in Ted." This kid's, like, 10-11 years old. | 0:31:40 | 0:31:43 | |
I said, "That's inappropriate for you to watch that." | 0:31:43 | 0:31:46 | |
And then I had to apologise and explain myself. | 0:31:46 | 0:31:48 | |
And did you hang out in any sense? | 0:31:48 | 0:31:50 | |
Er, no, we had a brief encounter, I was able to say hello | 0:31:50 | 0:31:54 | |
and we exchanged some pleasantries and that was pretty much it. | 0:31:54 | 0:31:58 | |
I've never... I mean, I've met presidents. I've never seen | 0:31:58 | 0:32:01 | |
so many people from all walks of life. | 0:32:01 | 0:32:04 | |
Two million people were at this event to come to see, | 0:32:04 | 0:32:07 | |
-just to get a glimpse of this man. -Wow. -And he was on the move. | 0:32:07 | 0:32:10 | |
Originally, he was going to leave | 0:32:10 | 0:32:13 | |
and they started basically cutting bits of the show as we were going. | 0:32:13 | 0:32:17 | |
I'm hosting the show, so they're telling me, | 0:32:17 | 0:32:19 | |
"Well, this is going and that's going." But then, er... | 0:32:19 | 0:32:23 | |
Er, what is his name, that wonderful singer? | 0:32:23 | 0:32:26 | |
-Um... -Tony Bennett? -No. -Josh Groban? | 0:32:26 | 0:32:30 | |
-No. -Placido Domingo. | 0:32:30 | 0:32:32 | |
Harry from One Direction. | 0:32:32 | 0:32:33 | |
-You're making it harder to remember. -OK. | 0:32:35 | 0:32:38 | |
-Sorry. -What kind of music? | 0:32:38 | 0:32:41 | |
Opera. He's a wonderful gentleman. He has a problem with his eyes. | 0:32:41 | 0:32:46 | |
-WOMAN: -Andrea Bocelli. -Andrea Bocelli. -Bocelli. -Yes. | 0:32:46 | 0:32:49 | |
A problem with his eyes! LAUGHTER | 0:32:49 | 0:32:51 | |
I think he's blind, Mark. | 0:32:51 | 0:32:53 | |
LAUGHTER | 0:32:53 | 0:32:54 | |
APPLAUSE | 0:32:54 | 0:32:56 | |
INDISTINCT | 0:32:56 | 0:32:58 | |
"Kept bumping into things! I-I... He's a problem!" | 0:32:58 | 0:33:01 | |
So, anyway, then the Pope decided to stay and then... | 0:33:01 | 0:33:06 | |
and then Bocelli kept going and singing more and more songs! | 0:33:06 | 0:33:09 | |
And then , they had a moment together. | 0:33:09 | 0:33:11 | |
Cos he couldn't see the signal to stop. | 0:33:11 | 0:33:14 | |
LAUGHTER | 0:33:14 | 0:33:16 | |
-That's what the lady was doing! -She was like... -I thought she was... | 0:33:16 | 0:33:20 | |
-"We're good!" -I thought she was... -"The Pope left." | 0:33:20 | 0:33:24 | |
LAUGHTER | 0:33:24 | 0:33:26 | |
APPLAUSE | 0:33:26 | 0:33:28 | |
Right! It's time for music and we're delighted to welcome back | 0:33:30 | 0:33:33 | |
a young band for whom 2015 has been an amazing year. | 0:33:33 | 0:33:37 | |
Here performing one of their biggest hits, Shine, | 0:33:37 | 0:33:39 | |
please welcome Years & Years. | 0:33:39 | 0:33:42 | |
CHEERING | 0:33:42 | 0:33:43 | |
# I remember us alone | 0:33:54 | 0:33:56 | |
# Waiting for the light to go | 0:33:56 | 0:33:58 | |
# Don't you feel that hunger? | 0:33:58 | 0:34:00 | |
# I've got so many secrets to show | 0:34:00 | 0:34:03 | |
# When I saw you on that stage | 0:34:03 | 0:34:05 | |
# I shiver with the look you gave | 0:34:05 | 0:34:07 | |
# Don't you hear that rhythm? | 0:34:07 | 0:34:08 | |
# Can you show me how we can escape? | 0:34:08 | 0:34:12 | |
# Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh | 0:34:12 | 0:34:16 | |
# And I was biting my tongue | 0:34:16 | 0:34:18 | |
# And I was trying to hide | 0:34:18 | 0:34:21 | |
# Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh | 0:34:21 | 0:34:25 | |
# And I'll forget what I've done | 0:34:25 | 0:34:27 | |
# And I will be redefined | 0:34:27 | 0:34:29 | |
# Cos it's shaking the sky and I'm following lightning | 0:34:29 | 0:34:35 | |
# I'll recover if you keep me alive | 0:34:35 | 0:34:39 | |
# Don't leave me behind | 0:34:39 | 0:34:41 | |
# Can you see me? I'm shining | 0:34:41 | 0:34:44 | |
# And it's you that I've been waiting to find | 0:34:44 | 0:34:47 | |
# I'm holding it all tonight | 0:34:47 | 0:34:49 | |
# I'm folding it all tonight | 0:34:49 | 0:34:51 | |
# You know that you make it shine | 0:34:51 | 0:34:53 | |
# It's you that I've been waiting to find | 0:34:53 | 0:34:56 | |
# I'm holding it all tonight | 0:34:56 | 0:34:58 | |
# I'm folding it all tonight | 0:34:58 | 0:35:00 | |
# You know that you make it shine | 0:35:00 | 0:35:02 | |
# It's you that I've been waiting to find | 0:35:02 | 0:35:05 | |
# Now that we can hear that sound | 0:35:05 | 0:35:07 | |
# Now that you can hold me down | 0:35:07 | 0:35:09 | |
# You can pull me under | 0:35:09 | 0:35:11 | |
# You can raze everything to the ground | 0:35:11 | 0:35:14 | |
# Everything I can arrange | 0:35:14 | 0:35:16 | |
# And every part of me you change | 0:35:16 | 0:35:18 | |
# Just hold me together | 0:35:18 | 0:35:19 | |
# Tell me that you'll always want me to stay | 0:35:19 | 0:35:23 | |
# Ooh-ooh-ooh-ooh Ooh-ooh-ooh-ooh | 0:35:23 | 0:35:27 | |
# And I was biting my tongue | 0:35:27 | 0:35:29 | |
# And I was trying to hide | 0:35:29 | 0:35:32 | |
-# Ooh-ooh-ooh-ooh -No, no, no, no | 0:35:32 | 0:35:34 | |
# Ooh-ooh-ooh-ooh | 0:35:34 | 0:35:36 | |
# And I'll forget what I've done | 0:35:36 | 0:35:39 | |
# And I will be redefined | 0:35:39 | 0:35:41 | |
# Cos it's shaking the sky and I'm following lightning | 0:35:41 | 0:35:46 | |
# I'll recover if you keep me alive | 0:35:46 | 0:35:50 | |
# Don't leave me behind | 0:35:50 | 0:35:52 | |
# Can you see me? I'm shining | 0:35:52 | 0:35:55 | |
# And it's you that I've been waiting to find | 0:35:55 | 0:35:58 | |
# I wanna be the one you steal | 0:35:58 | 0:36:00 | |
# I wanna be the one you shield | 0:36:00 | 0:36:03 | |
# I wanna be the one that your love That your love can heal | 0:36:03 | 0:36:07 | |
# I wanna be the one you steal | 0:36:07 | 0:36:09 | |
# I wanna be the one you shield | 0:36:09 | 0:36:11 | |
# I wanna be the one that your love That your love... | 0:36:11 | 0:36:16 | |
# Cos it's shaking the sky and I'm following lightning | 0:36:16 | 0:36:22 | |
# I'll recover if you keep me alive | 0:36:22 | 0:36:25 | |
# Don't leave me behind | 0:36:25 | 0:36:27 | |
# Can you see me? I'm shining | 0:36:27 | 0:36:31 | |
# And it's you that I've been waiting to find | 0:36:31 | 0:36:34 | |
-# I'm holding it all tonight -Tonight! | 0:36:34 | 0:36:36 | |
-# I'm folding it all tonight -Tonight! | 0:36:36 | 0:36:39 | |
# You know that you make it shine | 0:36:39 | 0:36:40 | |
# It's you that I've been waiting to find | 0:36:40 | 0:36:43 | |
-# I'm holding it all tonight -Tonight! | 0:36:43 | 0:36:45 | |
-# I'm folding it all tonight -Tonight, yeah! | 0:36:45 | 0:36:49 | |
# It's you that I've been waiting to find | 0:36:49 | 0:36:52 | |
# Ah-ah-oh! # | 0:36:52 | 0:36:55 | |
CHEERING AND APPLAUSE | 0:36:58 | 0:37:01 | |
Thank you. | 0:37:01 | 0:37:02 | |
Years & Years! Well done, guys. | 0:37:02 | 0:37:05 | |
Come over and join us do. Aw! Come on, guys. | 0:37:05 | 0:37:08 | |
Come on, do. Well done. Well done. Well done. Well done. Well done. | 0:37:08 | 0:37:15 | |
Have a seat. There you go. | 0:37:15 | 0:37:19 | |
Years & Years, it's Mark Wahlberg and Will Ferrell. | 0:37:19 | 0:37:22 | |
ALL EXCHANGE GREETINGS | 0:37:22 | 0:37:27 | |
Sit down. Well done. Happy New Year. | 0:37:27 | 0:37:29 | |
-Are you good? -Hi. Yeah. -"Yeah, yeah!" -Oh, sorry. Oh, my gosh. | 0:37:29 | 0:37:33 | |
-LAUGHTER Aw! -I'm quite emotional. | 0:37:33 | 0:37:38 | |
I was going to ask you what was... | 0:37:39 | 0:37:41 | |
I was going to ask you what were your highlights of 2015, | 0:37:41 | 0:37:44 | |
but this is probably it. | 0:37:44 | 0:37:46 | |
Still got his hand on my back, by the way. | 0:37:46 | 0:37:49 | |
-Just to let you all know. -It's just comfort. -Aw. | 0:37:49 | 0:37:53 | |
But it has been an amazing year, cos this time last year people didn't... | 0:37:53 | 0:37:56 | |
-Well, I didn't know who Years & Years were. -Cheers. | 0:37:56 | 0:37:59 | |
-You don't know who we are, though. -Oh... No. | 0:37:59 | 0:38:02 | |
-LAUGHTER -That's OK. | 0:38:02 | 0:38:04 | |
-I was singing that song on the way over! -I do now. -Yeah. -I'm all in. | 0:38:04 | 0:38:07 | |
LAUGHTER | 0:38:07 | 0:38:09 | |
-So, apart from this, apart from this, what are you doing tonight? -Um... | 0:38:12 | 0:38:17 | |
Oh, yeah, cos it's New Year. | 0:38:17 | 0:38:19 | |
-A Whale's vagina. -Whale's vaginas. -What does it taste like? | 0:38:19 | 0:38:24 | |
- Whale's vagina. - He wouldn't know. | 0:38:24 | 0:38:27 | |
LAUGHTER GRAHAM: And you would? | 0:38:27 | 0:38:29 | |
APPLAUSE | 0:38:29 | 0:38:31 | |
Oh, right, that's a "gay thing". | 0:38:36 | 0:38:37 | |
"Yeah, why would he know what a whale's vagina tastes like?" | 0:38:39 | 0:38:42 | |
"Not like me! Herman Melville over here." | 0:38:44 | 0:38:47 | |
OK, listen, midnight is fast approaching, | 0:38:50 | 0:38:53 | |
so let's have a final visit of the year to our Big Red Chair. | 0:38:53 | 0:38:58 | |
-So who's here? Oh, hello. -Hello. -You're on the television. -I know! | 0:38:58 | 0:39:03 | |
-Happy New Year. -Happy New Year. -What's your name? -My name's Alex. | 0:39:03 | 0:39:07 | |
-Alex. Lovely. Are you from Scotland? -Yes, I am. -Home of Hogmanay. | 0:39:07 | 0:39:10 | |
-And what do you do? -I'm an engagement manager for a student union. | 0:39:10 | 0:39:14 | |
She's not dressed right for the red chair. | 0:39:14 | 0:39:17 | |
What do you want her to wear? | 0:39:17 | 0:39:19 | |
Looks like that skirt's going to go flying over her head. | 0:39:19 | 0:39:22 | |
Well, we may find out in a minute, Mark. | 0:39:22 | 0:39:24 | |
Waiting patiently. | 0:39:24 | 0:39:26 | |
You keep your eyes on the prize. | 0:39:26 | 0:39:28 | |
LAUGHTER | 0:39:28 | 0:39:30 | |
Everywhere. Everywhere. | 0:39:33 | 0:39:35 | |
OK, do you have a New Year's resolution? | 0:39:40 | 0:39:43 | |
-Yes. It's to not be so vain. -Not be so vain. -Yes. Hmm! -OK, off you go. | 0:39:43 | 0:39:48 | |
OK, so, a couple of years ago when I was at university, | 0:39:48 | 0:39:51 | |
my friend Catherine and I were cycling to netball practice, so... | 0:39:51 | 0:39:55 | |
LAUGHTER | 0:39:55 | 0:39:56 | |
There she goes. | 0:39:56 | 0:39:58 | |
You saw nothing. You saw nothing. | 0:39:58 | 0:40:00 | |
We really didn't. | 0:40:01 | 0:40:03 | |
We didn't! We didn't! OK, who's up next? | 0:40:03 | 0:40:05 | |
-Hello! -Hello. | 0:40:05 | 0:40:07 | |
-What's your name? -I'm James. -James. All right. | 0:40:07 | 0:40:09 | |
-And where are you from, James? -I'm from London. -OK, lovely. | 0:40:09 | 0:40:13 | |
And what's your New Year's resolution? | 0:40:13 | 0:40:15 | |
So, my New Year's resolution next year is going to be | 0:40:15 | 0:40:18 | |
never to get in a helicopter with Ed Miliband. | 0:40:18 | 0:40:21 | |
Good resolution! | 0:40:21 | 0:40:24 | |
We could probably all make that resolution, sure. | 0:40:24 | 0:40:27 | |
And probably keep it. | 0:40:27 | 0:40:29 | |
Ed Miliband! | 0:40:29 | 0:40:31 | |
LAUGHTER | 0:40:31 | 0:40:32 | |
If Ed Miliband turns on the TV now, he'll be so amazed. | 0:40:34 | 0:40:38 | |
"They remember me!" | 0:40:38 | 0:40:41 | |
His New Year's resolution will be not to get in one with me. | 0:40:41 | 0:40:44 | |
Oh, OK, so what happened? Sorry, yes. | 0:40:44 | 0:40:46 | |
So I used to be an Army officer and, when I was a captain, I used | 0:40:46 | 0:40:49 | |
to be the aide to the commander of British forces in Afghanistan. | 0:40:49 | 0:40:53 | |
Oh, yeah, OK. | 0:40:53 | 0:40:54 | |
Ed came out to visit, I was managing his visit, | 0:40:54 | 0:40:57 | |
and I'd called in a helicopter to take us to the next serial, | 0:40:57 | 0:41:02 | |
but then, I realised that, the day before, I'd had Afghan food | 0:41:02 | 0:41:05 | |
and I had a bit of a gurgle in my stomach, | 0:41:05 | 0:41:09 | |
and I ran towards the portaloos that were the one side, | 0:41:09 | 0:41:13 | |
just the other side of the helicopter landing site | 0:41:13 | 0:41:15 | |
but I didn't make it, and I ended up being covered in | 0:41:15 | 0:41:19 | |
what you can imagine you'd get from eating too much Afghan dairy. | 0:41:19 | 0:41:24 | |
Anyway, I heard the helicopter come in to land... | 0:41:24 | 0:41:27 | |
So, just one second. He shat himself. He shat himself. | 0:41:27 | 0:41:32 | |
-We're clear. -Where's Ed Miliband in this story? | 0:41:32 | 0:41:34 | |
-I heard the helicopter coming in to land. -Ed Miliband's there. | 0:41:34 | 0:41:37 | |
You missed that bit. Ed Miliband was visiting, he's visiting him, | 0:41:37 | 0:41:39 | |
he's now shat himself and a helicopter's landing. | 0:41:39 | 0:41:42 | |
-He has or Ed Miliband? -He shat himself. | 0:41:42 | 0:41:45 | |
Ed Miliband, dry as a bone, good as gold. | 0:41:45 | 0:41:48 | |
-For now. -I'm with it. -Yeah. | 0:41:48 | 0:41:52 | |
So Ed's at the H&S with all the party, the press, | 0:41:52 | 0:41:54 | |
everything like that. I have to run, covered in my own shit, | 0:41:54 | 0:41:58 | |
all the way to the helicopter, run onto the helicopter | 0:41:58 | 0:42:01 | |
and I get on and I go right to the back. | 0:42:01 | 0:42:03 | |
But who comes and sits next to me but Ed? | 0:42:03 | 0:42:06 | |
And, as you know, if anyone has shit themselves, | 0:42:06 | 0:42:09 | |
once you've started, once that's gone, you can't stop it again. | 0:42:09 | 0:42:12 | |
LAUGHTER | 0:42:12 | 0:42:14 | |
So he's sat there next to me, he knows, | 0:42:14 | 0:42:17 | |
and it comes flowing out again as the helicopter lifts off. | 0:42:17 | 0:42:20 | |
In the grooves of the Chinook, it's going up and down. | 0:42:20 | 0:42:23 | |
There's only one person that knows it's me. | 0:42:23 | 0:42:25 | |
There's the girl that's the door gunner, the RAF door gunner, | 0:42:25 | 0:42:28 | |
she's just got her eyes burning into me, | 0:42:28 | 0:42:31 | |
just knowing exactly what's happened. | 0:42:31 | 0:42:33 | |
The helicopter has to be downed for cleaning for two hours, | 0:42:33 | 0:42:37 | |
taking it off-line. And the best bit is that, | 0:42:37 | 0:42:40 | |
when Ed was flying back from Kabul to London, | 0:42:40 | 0:42:44 | |
the plane that he was flying on had to get diverted to Muscat because | 0:42:44 | 0:42:47 | |
he came down with the same sickness and he was stuck there for 24 hours. | 0:42:47 | 0:42:50 | |
Oh! | 0:42:50 | 0:42:52 | |
That is a very good story. You've got a question? Stay there. | 0:42:52 | 0:42:55 | |
You were going to walk, but we need a quick question. | 0:42:55 | 0:42:59 | |
What's the name of the restaurant and are they open on New Year's Day? | 0:42:59 | 0:43:03 | |
-Great goat! -You can walk. -Thanks. | 0:43:03 | 0:43:06 | |
CHEERING | 0:43:06 | 0:43:09 | |
That was compelling. | 0:43:09 | 0:43:10 | |
That was compelling. Well done, everyone in the Big Red Chair. | 0:43:10 | 0:43:14 | |
And if you would like to join us on the show, | 0:43:14 | 0:43:16 | |
and have a go in that chair, you can! | 0:43:16 | 0:43:18 | |
Contact us via our website at this very address. | 0:43:18 | 0:43:21 | |
That is it for tonight and indeed for this year. | 0:43:21 | 0:43:25 | |
Thank you to all my guests tonight - | 0:43:25 | 0:43:26 | |
Jennifer Lawrence and Eddie Redmayne... | 0:43:26 | 0:43:28 | |
CHEERING AND APPLAUSE | 0:43:28 | 0:43:30 | |
..Years & Years... CHEERING AND APPLAUSE | 0:43:30 | 0:43:32 | |
..Mark Wahlberg... CHEERING AND APPLAUSE | 0:43:32 | 0:43:35 | |
..and Mr Will Ferrell! CHEERING AND APPLAUSE | 0:43:35 | 0:43:38 | |
We'll be back on Friday, the 8th of January with musical guest James Bay, | 0:43:40 | 0:43:44 | |
comedienne Tracey Ullman and the magnificent Ralph Fiennes. | 0:43:44 | 0:43:47 | |
Until then, have a very happy New Year. | 0:43:47 | 0:43:49 | |
Good night, everybody, bye-bye! | 0:43:49 | 0:43:51 |