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Tonight, the stars of the new Steve Jobs film. | 0:00:02 | 0:00:03 | |
Thanks to Steve Jobs, it's amazing what technology can do now. | 0:00:03 | 0:00:06 | |
I mean, look at this. Michael, ask it something. | 0:00:06 | 0:00:08 | |
Do we have a great show tonight? | 0:00:10 | 0:00:12 | |
-KATE WINSLET AS SIRI: -We have great guests. | 0:00:12 | 0:00:15 | |
Especially that Michael Fassbender. He's gorgeous. | 0:00:15 | 0:00:18 | |
Yeah! I know what you mean! | 0:00:18 | 0:00:20 | |
And what about the host, Graham Norton? | 0:00:20 | 0:00:23 | |
I'm sorry, I don't know what a Graham Norton is. | 0:00:24 | 0:00:29 | |
You know, the chat show host? | 0:00:29 | 0:00:31 | |
Would you like me to search for "old men with beards"? | 0:00:31 | 0:00:35 | |
Stupid phone! Let's start the show! | 0:00:37 | 0:00:39 | |
Oh! Hello! And welcome. | 0:00:56 | 0:01:00 | |
Good evening, everybody. Oh! Stop it, stop it, stop it. | 0:01:00 | 0:01:03 | |
Good evening, and welcome. | 0:01:03 | 0:01:06 | |
Great line-up for you tonight. | 0:01:06 | 0:01:07 | |
And hey, there's bound to be some computer talk. | 0:01:07 | 0:01:10 | |
The modern computer has so many uses. | 0:01:10 | 0:01:13 | |
We use it for knowledge, news, banking. | 0:01:13 | 0:01:15 | |
Mainly, though, we use it for looking at pictures like this. | 0:01:15 | 0:01:18 | |
It's true. You won't believe what happened next! | 0:01:21 | 0:01:23 | |
Steve Jobs, what a genius. | 0:01:25 | 0:01:27 | |
Here he is launching Apple's revolutionary new phone. | 0:01:27 | 0:01:30 | |
Yeah! You could make calls and e-mails | 0:01:30 | 0:01:33 | |
and carry it all around in the palm of your hand. | 0:01:33 | 0:01:35 | |
Of course, we had our own Steve Jobs in this country. | 0:01:35 | 0:01:38 | |
No. I'm fired! | 0:01:38 | 0:01:41 | |
Hey, let's get some guests on. | 0:01:41 | 0:01:43 | |
Later, we'll have music from pop superstar Ellie Goulding. Yeah! | 0:01:43 | 0:01:47 | |
But first, this man exploded onto the music scene | 0:01:47 | 0:01:51 | |
with his debut album Get Rich Or Die Tryin'. | 0:01:51 | 0:01:53 | |
One of the biggest-selling hip-hop artists of all time, | 0:01:53 | 0:01:56 | |
now he's back with his new single, 9 Shots. | 0:01:56 | 0:01:59 | |
It's 50 Cent! | 0:01:59 | 0:02:00 | |
CHEERING | 0:02:00 | 0:02:03 | |
Hello! Hi! | 0:02:03 | 0:02:04 | |
Very good to see you again. | 0:02:06 | 0:02:08 | |
Everyone loves this lady. She's made us laugh and cry | 0:02:10 | 0:02:13 | |
playing characters from Mrs Overall to Mo Mowlam. | 0:02:13 | 0:02:16 | |
Now starring in the movie, Brooklyn, please welcome Julie Walters! | 0:02:16 | 0:02:20 | |
Yay! | 0:02:21 | 0:02:23 | |
Yay! | 0:02:23 | 0:02:25 | |
-Nice to see you. Hello, darling. -And you, my love. | 0:02:26 | 0:02:29 | |
Come and sit down. With my friend! | 0:02:29 | 0:02:32 | |
He's one of Hollywood's hottest properties. | 0:02:32 | 0:02:35 | |
After a string of stand-out performances in Shame, | 0:02:35 | 0:02:38 | |
Inglorious Basterds, X-Men and Oscar-nominated in 12 Years A Slave. | 0:02:38 | 0:02:42 | |
Now starring as Steve Jobs, it's Michael Fassbender. | 0:02:42 | 0:02:46 | |
Yeah! | 0:02:47 | 0:02:50 | |
Hello! | 0:02:50 | 0:02:51 | |
-How are you? -Good to meet you. | 0:02:51 | 0:02:53 | |
Good to meet you. Have a seat. | 0:02:53 | 0:02:56 | |
And starring with Michael in Steve Jobs, | 0:02:56 | 0:02:58 | |
this lady shot to fame in Titanic 18 years ago | 0:02:58 | 0:03:01 | |
and has gone on to win three Golden Globes, a Grammy, | 0:03:01 | 0:03:04 | |
an Emmy and an Oscar. She's one of our greatest Hollywood exports | 0:03:04 | 0:03:07 | |
and one of my favourite actresses, it's Kate Winslet! | 0:03:07 | 0:03:11 | |
CHEERING | 0:03:11 | 0:03:12 | |
Hello! Whoo! | 0:03:12 | 0:03:14 | |
How are you?! Mwah! How are you, are you all right? | 0:03:14 | 0:03:18 | |
How lovely to see you. | 0:03:18 | 0:03:19 | |
Yeah! All of them now, all meeting and greeting. | 0:03:22 | 0:03:26 | |
-It's just a... -Yeah. | 0:03:26 | 0:03:29 | |
..excuse to kiss a bunch of people! I love it! | 0:03:29 | 0:03:32 | |
There you go. | 0:03:32 | 0:03:33 | |
Now, did somebody die and I didn't get a memo? | 0:03:33 | 0:03:36 | |
LAUGHTER | 0:03:36 | 0:03:39 | |
I feel rude! | 0:03:39 | 0:03:41 | |
Disrespectful. I've gone crazy. | 0:03:41 | 0:03:44 | |
-Are you all right there, Julie? -Yes, why do you ask? | 0:03:44 | 0:03:47 | |
-Well, because I know you like Michael. -I beg your pardon?! | 0:03:47 | 0:03:50 | |
-You are a fan of Michael's, aren't you? -I think Michael is a very nice person. -Yes! | 0:03:50 | 0:03:54 | |
And have you met 50 Cent before? | 0:03:54 | 0:03:57 | |
Yes, of course, I'm a huge fan! | 0:03:57 | 0:03:58 | |
OK, OK, OK, if I could force you, Julie, | 0:03:58 | 0:04:01 | |
if I could force you, Julie, what would you say | 0:04:01 | 0:04:04 | |
is your favourite 50 Cent record of all time? | 0:04:04 | 0:04:07 | |
OK, well, loved the first album, Get Rich... | 0:04:07 | 0:04:10 | |
-Yeah? Get Rich Or Die Tryin'. -Good! | 0:04:10 | 0:04:13 | |
-Absolutely loved Massacre. -Yeah, we all did. | 0:04:13 | 0:04:16 | |
But my favourite is In Da Club. | 0:04:16 | 0:04:18 | |
-Oh, yes. -Yeah? Yeah. Go, Shorty! | 0:04:18 | 0:04:21 | |
She knows it, she knows it! | 0:04:21 | 0:04:24 | |
-I've got to do a bit of rapping. -He thought she didn't know! | 0:04:25 | 0:04:28 | |
He doesn't know, does he? So it's "Go, Shorty, it's your birthday! | 0:04:28 | 0:04:31 | |
We're gonna party like it's your birthday! | 0:04:31 | 0:04:34 | |
Yeah, very good! | 0:04:34 | 0:04:36 | |
APPLAUSE | 0:04:36 | 0:04:39 | |
-See? You didn't know, did you? -I didn't know you knew it! -Now, see?! | 0:04:39 | 0:04:44 | |
Now, in all that excitement, Julie, your poppy has fallen off. | 0:04:44 | 0:04:48 | |
Good god! | 0:04:48 | 0:04:49 | |
And the Daily Mail will go apeshit if you're on here without a poppy. | 0:04:49 | 0:04:53 | |
Michael Fassbender was standing on it. | 0:04:53 | 0:04:55 | |
Michael, you trashed my poppy! | 0:04:55 | 0:04:57 | |
Yeah, yeah, it's back on, we're good. We're good, we're good. | 0:04:59 | 0:05:02 | |
Now, talking of birthdays, ladies and gentlemen, | 0:05:02 | 0:05:04 | |
talking of birthdays, Kate Winslet, you had a, not a big birthday, | 0:05:04 | 0:05:08 | |
but a milestone birthday. | 0:05:08 | 0:05:09 | |
I am 40. | 0:05:09 | 0:05:11 | |
-AUDIENCE: -Ooh! | 0:05:11 | 0:05:12 | |
APPLAUSE | 0:05:12 | 0:05:14 | |
No, you would never believe it to look at me! | 0:05:14 | 0:05:16 | |
-You really wouldn't! -Oh, yes, you would! | 0:05:16 | 0:05:19 | |
You say you don't look it, 40, but you don't, | 0:05:19 | 0:05:22 | |
because you're on the cover of Esquire magazine. | 0:05:22 | 0:05:24 | |
No, look at this. | 0:05:24 | 0:05:26 | |
Oh, my God! Ooh! | 0:05:26 | 0:05:29 | |
-Now, I do actually, Michael, I do look quite nice, don't I? -Very nice indeed! | 0:05:29 | 0:05:33 | |
-No, you look amazing. -Thank you very much. | 0:05:33 | 0:05:35 | |
A good photographer works wonders, bit of hair and make-up. | 0:05:35 | 0:05:38 | |
But talking of turning 40, rather confusingly, 50 turned 40. | 0:05:38 | 0:05:43 | |
Yeah, yeah. | 0:05:43 | 0:05:45 | |
You're looking very well, 50. | 0:05:45 | 0:05:46 | |
No showing my pictures now! No, no, no! | 0:05:46 | 0:05:50 | |
No, you decided, turn 40, you thought, | 0:05:50 | 0:05:52 | |
turn 40, I'm going to do a magazine cover. | 0:05:52 | 0:05:54 | |
-Yeah, yeah, see I wasn't going to be fat at 40. -No. | 0:05:54 | 0:05:57 | |
I didn't want to do that. I'd just finished shooting the Southpaw film | 0:05:57 | 0:06:01 | |
with Jake Gyllenhaal and Forest Whittaker. | 0:06:01 | 0:06:04 | |
And I was, like, cuddly, for that one. | 0:06:04 | 0:06:06 | |
LAUGHTER | 0:06:06 | 0:06:07 | |
I was nice and soft. I was playing a promoter while they were playing professional fighters | 0:06:07 | 0:06:12 | |
so it didn't make sense for me to be all ripped up. | 0:06:12 | 0:06:14 | |
I gave myself the excuse to go get in shape after. | 0:06:14 | 0:06:17 | |
And the magazine you chose to appear on was... | 0:06:17 | 0:06:20 | |
CHEERING AND GASPING | 0:06:20 | 0:06:22 | |
-Wow! -Check THAT out! | 0:06:22 | 0:06:24 | |
What can you do? | 0:06:26 | 0:06:27 | |
There are so many 40-year-olds watching this, going... | 0:06:27 | 0:06:31 | |
It's over! We're done. | 0:06:31 | 0:06:33 | |
Now, Michael Fassbender, did you have a big birthday recently? | 0:06:35 | 0:06:38 | |
-Well, recently in April. Er...April 2nd. -OK! | 0:06:38 | 0:06:43 | |
Because we found this picture online. | 0:06:43 | 0:06:45 | |
Honest to God, we didn't make this picture. | 0:06:45 | 0:06:47 | |
-OK. -I think we googled "Michael Fassbender" and "birthday" | 0:06:47 | 0:06:51 | |
and I swear to God, this is the picture that came up. | 0:06:51 | 0:06:54 | |
That was last April, I think! | 0:06:56 | 0:06:58 | |
Happy days! | 0:06:59 | 0:07:01 | |
That was a good one! | 0:07:01 | 0:07:03 | |
Adorable. | 0:07:03 | 0:07:04 | |
Now, Michael and Kate are here to talk about the biopic, Steve Jobs. | 0:07:04 | 0:07:08 | |
Now, it opens next Friday 13th, directed by Danny Boyle. | 0:07:08 | 0:07:11 | |
Obviously, Michael, you play Steve Jobs. | 0:07:11 | 0:07:13 | |
Now, when we look at you, we do not think | 0:07:13 | 0:07:16 | |
"Oh, my God, he looks just like Steve Jobs." | 0:07:16 | 0:07:19 | |
So were you nervous about going into this? | 0:07:19 | 0:07:21 | |
Well, you know, I said to Danny, are you sure? | 0:07:21 | 0:07:25 | |
Because, you know, exactly that. | 0:07:27 | 0:07:29 | |
I said I don't look anything like the man. | 0:07:29 | 0:07:31 | |
And he said, you know... | 0:07:31 | 0:07:33 | |
Yes, you know. | 0:07:33 | 0:07:34 | |
You really don't! | 0:07:34 | 0:07:36 | |
That wasn't a planned thing, cos | 0:07:36 | 0:07:38 | |
Danny was like, "I want you to get the essence of the man." | 0:07:38 | 0:07:41 | |
I am not interested in lookalikes and, you know, the audience | 0:07:41 | 0:07:44 | |
will deal with that in the first five minutes. | 0:07:44 | 0:07:46 | |
And I think they do. Audiences are smart enough. | 0:07:46 | 0:07:49 | |
And he said, well, OK, we're not going down that route. | 0:07:49 | 0:07:51 | |
By the time we got to the third act, I was talking to Danny. | 0:07:51 | 0:07:54 | |
I said, "I think we should roll out the rollneck | 0:07:54 | 0:07:59 | |
"and the jeans and give the audience something in the third act." | 0:07:59 | 0:08:02 | |
We got the glasses and that all happened kind of organically. | 0:08:02 | 0:08:06 | |
And Kate, who do you play? | 0:08:06 | 0:08:08 | |
I play, so, I, by the way, I just have to say | 0:08:08 | 0:08:10 | |
the film is really fantastic and Michael is really fantastic in it. | 0:08:10 | 0:08:13 | |
Moving on swiftly. I know you hate me doing that. But I have to say. | 0:08:13 | 0:08:17 | |
I played a woman named Joanna Hoffman. | 0:08:17 | 0:08:20 | |
I look absolutely nothing like her at all. | 0:08:20 | 0:08:23 | |
This is the reveal. | 0:08:23 | 0:08:25 | |
LAUGHTER | 0:08:25 | 0:08:26 | |
That's her now, that's closer to her now. | 0:08:26 | 0:08:29 | |
Um, she was the head of marketing for Macintosh. | 0:08:29 | 0:08:33 | |
And she stayed in Steve's life as a friend for a very long time | 0:08:33 | 0:08:37 | |
and in the film she is like his right-hand woman and his work-wife. | 0:08:37 | 0:08:40 | |
She's a hot-headed Polish-Armenian woman. | 0:08:40 | 0:08:43 | |
She arrived complete with accent for the read-through on the first day. | 0:08:43 | 0:08:46 | |
That is annoying. | 0:08:46 | 0:08:48 | |
And it was annoying! Oh, shit(!) | 0:08:48 | 0:08:51 | |
What can we do?! | 0:08:51 | 0:08:53 | |
We were beside ourselves with fear. | 0:08:53 | 0:08:55 | |
With biopics, often you have a lot of licence | 0:08:55 | 0:08:59 | |
but this is such recent history, | 0:08:59 | 0:09:01 | |
everyone's got an opinion on what happened, the man. | 0:09:01 | 0:09:06 | |
How do you think he fares? | 0:09:06 | 0:09:07 | |
Do you think it's fair? Is he let off easy, do you think it's harsh? | 0:09:07 | 0:09:11 | |
Well, it's kind of hard for me to say because even like, | 0:09:11 | 0:09:14 | |
when I was reading the script, and Danny was saying, | 0:09:14 | 0:09:18 | |
"he's being quite difficult here." | 0:09:18 | 0:09:21 | |
You know, he's not that likeable. | 0:09:21 | 0:09:23 | |
I just saw somebody who was literally trying to move mountains. | 0:09:23 | 0:09:27 | |
He had a vision from the mid-'70s, | 0:09:27 | 0:09:31 | |
that, you know, we are experiencing now, you know, 35 years later. | 0:09:31 | 0:09:36 | |
And plus, and so trying to drag everybody along to his vision | 0:09:36 | 0:09:40 | |
I think required an awful amount of focus, determination and drive. | 0:09:40 | 0:09:44 | |
And I think perhaps there was a little bit of lack of patience on his part? | 0:09:44 | 0:09:48 | |
Putting it maybe mildly! | 0:09:48 | 0:09:51 | |
But it took an extraordinary amount of energy to get there. | 0:09:51 | 0:09:55 | |
And I think he demanded the very best from people. | 0:09:55 | 0:09:58 | |
Listen, we have a clip. This is your character, Kate, | 0:09:58 | 0:10:01 | |
confronting Steve Jobs not as an inventor or innovator, but as a dad. | 0:10:01 | 0:10:06 | |
Don't you think you are having a bizarre overreaction, | 0:10:06 | 0:10:09 | |
to a 19-year-old girl allowing her mother to list her own house? | 0:10:09 | 0:10:13 | |
She could have tried. | 0:10:13 | 0:10:14 | |
Is she supposed to stop her mother? That particular mother... | 0:10:14 | 0:10:18 | |
She did persuade her to sell the house and she did it to spite me! | 0:10:18 | 0:10:21 | |
I don't care if she put a pipe bomb in the water heater! | 0:10:21 | 0:10:24 | |
You're going to fix it, now! | 0:10:24 | 0:10:27 | |
She has been acting weird for months. | 0:10:27 | 0:10:29 | |
She's turned on me. | 0:10:29 | 0:10:30 | |
-Fix it! -What the...?! | 0:10:30 | 0:10:32 | |
-Fix it, Steve. -Take it easy! | 0:10:32 | 0:10:34 | |
Fix it or I quit. How about that? I quit and you never see me again, how about that? | 0:10:34 | 0:10:38 | |
Ooh! | 0:10:38 | 0:10:39 | |
APPLAUSE | 0:10:39 | 0:10:40 | |
Because obviously you can't meet Steve Jobs | 0:10:44 | 0:10:46 | |
but you met the real Joanna. | 0:10:46 | 0:10:48 | |
I did, yeah. And actually, that was quite helpful, I think. | 0:10:48 | 0:10:51 | |
She is an amazing woman. She's like, "Oh, I lost my Apple bonds. I don't know where they are." | 0:10:51 | 0:10:55 | |
-Yeah! -All these shares for Apple. And she was SO not bothered by it. | 0:10:55 | 0:10:59 | |
I'd be crying in the corner! | 0:10:59 | 0:11:01 | |
She said, she was so funny. "I misplaced them." | 0:11:01 | 0:11:04 | |
"Steve would come to my apartment and he said, | 0:11:04 | 0:11:06 | |
"You know, Joanna, I have to clean this place. It's such a tip. | 0:11:06 | 0:11:09 | |
"And he cleaned it and then I lost my bonds." | 0:11:09 | 0:11:12 | |
So she thinks maybe Steve actually threw them away... | 0:11:12 | 0:11:17 | |
..a rubbish bag and threw them away by accident. | 0:11:17 | 0:11:19 | |
-Totally not bothered! -"I don't know where they are!" | 0:11:19 | 0:11:21 | |
And her accent is very specific to her. | 0:11:21 | 0:11:25 | |
Yeah, it drove me absolutely mad. It drove me bonkers, to be honest. | 0:11:25 | 0:11:30 | |
Because now, accents, is it true, 50 Cent, you can do a London accent? | 0:11:30 | 0:11:35 | |
I think I can do a little something. | 0:11:36 | 0:11:39 | |
But it's a different thing, bruv. | 0:11:39 | 0:11:42 | |
Oh, that's very good! | 0:11:42 | 0:11:44 | |
-That was it, right there. -Very good. | 0:11:45 | 0:11:48 | |
That was very good. But Julie, you're good at the accents. | 0:11:48 | 0:11:50 | |
What ones are hard? Which ones do you struggle with? | 0:11:50 | 0:11:53 | |
Geordie, I think is a hard one, for me. | 0:11:53 | 0:11:55 | |
Liverpool was very hard when I first did it. | 0:11:55 | 0:11:57 | |
Because I'm from Birmingham and people get them mixed up anyway. | 0:11:57 | 0:12:00 | |
Because there is kind of similarity | 0:12:00 | 0:12:02 | |
but not really, once you learn Liverpool, it's not. | 0:12:02 | 0:12:05 | |
50, you can do your Geordie because you're going to Newcastle tomorrow. | 0:12:05 | 0:12:09 | |
Yeah, but I'm not gonna do that one. | 0:12:09 | 0:12:11 | |
Fair enough! | 0:12:11 | 0:12:13 | |
I am going as 50 Cent! | 0:12:14 | 0:12:16 | |
Yeah, they won't be doing that. | 0:12:18 | 0:12:20 | |
But Michael, in X-Men, you're not doing an accent but you are, | 0:12:20 | 0:12:23 | |
this next movie, is this the movie | 0:12:23 | 0:12:25 | |
when you kind of turn into Ian McKellen? | 0:12:25 | 0:12:27 | |
Well... Not, really! | 0:12:27 | 0:12:30 | |
It's strange. | 0:12:30 | 0:12:31 | |
For the first one I used my own accent. | 0:12:31 | 0:12:34 | |
And then for the second one I did Ian McKellen's accent. | 0:12:34 | 0:12:37 | |
So for this one it's kind of a hybrid between the two! | 0:12:37 | 0:12:41 | |
A little confused, actually. Um, yeah. | 0:12:41 | 0:12:44 | |
But do you have to talk to yourself in this one? | 0:12:44 | 0:12:46 | |
How do you mean? | 0:12:46 | 0:12:47 | |
You have to talk to Ian McKellen? | 0:12:47 | 0:12:49 | |
Oh, no, no, I don't talk to him, in this. | 0:12:49 | 0:12:52 | |
As in, like, to prepare? | 0:12:52 | 0:12:53 | |
-Or in the actual film? -In the film! | 0:12:53 | 0:12:56 | |
It is time travelling crap! I don't know. | 0:12:56 | 0:12:59 | |
That was the last one. | 0:12:59 | 0:13:00 | |
Yeah, you met in the last one! | 0:13:00 | 0:13:02 | |
Cos he's not in this one. | 0:13:02 | 0:13:04 | |
Oh, that's not a spoiler, is it? Er...! | 0:13:04 | 0:13:06 | |
I don't think he's in it, anyway. | 0:13:06 | 0:13:08 | |
Am I sure he's not?! | 0:13:08 | 0:13:10 | |
Are YOU in it?! | 0:13:11 | 0:13:12 | |
I did. For the last one, I listened to, you know, various tapes. | 0:13:12 | 0:13:17 | |
Can you do a bit? | 0:13:17 | 0:13:19 | |
I'll give it a little go. | 0:13:19 | 0:13:21 | |
"Three days as the crow flies." | 0:13:21 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:24 | |
And Kate Winslet, of course, you are doing your Australian accent. | 0:13:33 | 0:13:36 | |
Oh, yes, I'm in another film! | 0:13:36 | 0:13:38 | |
-Yes, you're in another film! The Dressmaker. -Yes. | 0:13:38 | 0:13:41 | |
And so what is this one about, The Dressmaker? | 0:13:41 | 0:13:43 | |
OK, The Dressmaker is based on a book, | 0:13:43 | 0:13:45 | |
it's a dark comedy set in the '50s in a small town in Australia. | 0:13:45 | 0:13:50 | |
And I play a woman, Tilly Dunnage, who has been ostracised by the town | 0:13:50 | 0:13:54 | |
at the age of ten, wrongfully accused of being responsible | 0:13:54 | 0:13:57 | |
for the murder of a fellow schoolmate | 0:13:57 | 0:13:59 | |
and the opening scene of the film, she gets off the bus | 0:13:59 | 0:14:02 | |
and says, "I'm back, you bastards." | 0:14:02 | 0:14:03 | |
And the whole story is about revenge and also the rediscovery | 0:14:03 | 0:14:06 | |
of a fragmented mother-daughter relationship. | 0:14:06 | 0:14:09 | |
The mother played by Judy Davis as a senile old bat. She's fantastic. | 0:14:09 | 0:14:12 | |
So it's a dark comedy. With Liam Hemsworth, as well. | 0:14:12 | 0:14:16 | |
All right, well, actually we've got a clip and this is you and Judy and Liam, all together. | 0:14:16 | 0:14:20 | |
She tells them, if they want it done properly, | 0:14:21 | 0:14:23 | |
they've got to strip and be measured, because | 0:14:23 | 0:14:25 | |
it's a work of art made special for them and no-one else. | 0:14:25 | 0:14:28 | |
You see, Tilly, I do listen. | 0:14:28 | 0:14:29 | |
She tells them that they are all different, | 0:14:30 | 0:14:32 | |
even though they're all the same. | 0:14:32 | 0:14:34 | |
Too fat, too skinny. "You'll be a sight for sore eyes." | 0:14:34 | 0:14:38 | |
Anyway, lo and behold, our genius here does makes them look different! | 0:14:38 | 0:14:44 | |
Less like themselves and more like they want to be, don't you? | 0:14:44 | 0:14:47 | |
You just called me Tilly. | 0:14:47 | 0:14:49 | |
When? | 0:14:49 | 0:14:51 | |
Just then. | 0:14:51 | 0:14:52 | |
I never. | 0:14:52 | 0:14:53 | |
Yes, you did. And this morning, twice. | 0:14:53 | 0:14:56 | |
Ah, lies. Liar! | 0:14:56 | 0:14:58 | |
Sounds like this is the most important piece of clothing I'll ever own! | 0:14:58 | 0:15:01 | |
LAUGHTER | 0:15:02 | 0:15:04 | |
You sold so many tickets right there. | 0:15:08 | 0:15:10 | |
Struggling, struggling to keep a straight face during that scene. | 0:15:12 | 0:15:15 | |
I've got to tell you - poor Liam, bless him. | 0:15:15 | 0:15:17 | |
For 12 hours straight, we kept making him take his clothes off! | 0:15:17 | 0:15:21 | |
We didn't mean to or anything(!) | 0:15:22 | 0:15:25 | |
It was an accident. | 0:15:25 | 0:15:26 | |
Yeah! Well, we kept making mistakes and had to keep going again! | 0:15:26 | 0:15:29 | |
Terrible! But Judy and I had a hard time keeping a straight face. | 0:15:29 | 0:15:33 | |
I don't know why. | 0:15:33 | 0:15:34 | |
The whole concept of that scene is just so silly and funny. | 0:15:34 | 0:15:37 | |
But, yes, lovely Liam. He's a very sweet guy. | 0:15:37 | 0:15:40 | |
That is very upstaging! | 0:15:40 | 0:15:43 | |
B-doing! | 0:15:43 | 0:15:44 | |
My teenage daughter was FURIOUS that I got to be | 0:15:44 | 0:15:48 | |
in the same space as him in that moment. | 0:15:48 | 0:15:50 | |
She was like, "Oh, oh, oh, oh". | 0:15:50 | 0:15:53 | |
It was just a series of sounds that she made. | 0:15:53 | 0:15:56 | |
People will really want to know now. | 0:15:56 | 0:15:58 | |
That is The Dressmaker, out November 20th, all right, everybody? | 0:15:58 | 0:16:00 | |
Yes, see it then. | 0:16:00 | 0:16:02 | |
But now ladies and gentlemen, | 0:16:02 | 0:16:04 | |
50 Cent, the MUSICIAN, has returned to us. | 0:16:04 | 0:16:07 | |
You are back, yes, you are! | 0:16:07 | 0:16:09 | |
APPLAUSE | 0:16:09 | 0:16:11 | |
Now, we're going to see, we'll see a clip of the video | 0:16:14 | 0:16:17 | |
for 9 Shots, the new single, in a minute, | 0:16:17 | 0:16:19 | |
but it goes back to an early terrible experience in your life. | 0:16:19 | 0:16:22 | |
If your guys aren't familiar with this story of what happened, | 0:16:22 | 0:16:25 | |
it's amazing, go! | 0:16:25 | 0:16:26 | |
Well... | 0:16:26 | 0:16:28 | |
No pressure or anything! | 0:16:28 | 0:16:30 | |
I got you know, shot, nine times, but it was one time | 0:16:30 | 0:16:34 | |
and I just didn't see the person coming, or I would have avoided it. | 0:16:34 | 0:16:38 | |
Yes, you would! | 0:16:38 | 0:16:41 | |
You know, this happened and I was trying to write a song, | 0:16:41 | 0:16:44 | |
conceptually, that would define more of who I am, so I wrote | 0:16:44 | 0:16:49 | |
9 Shots and just picked nine painful moments | 0:16:49 | 0:16:52 | |
that I experienced in my life and used the shot as a metaphor. | 0:16:52 | 0:16:56 | |
Where were you shot, where? | 0:16:56 | 0:16:58 | |
In front of my grandmother's house. | 0:16:58 | 0:16:59 | |
But where on your body?! | 0:16:59 | 0:17:02 | |
That's like being in the doctor's office, isn't it?! | 0:17:07 | 0:17:10 | |
I got, most of 'em in the legs, | 0:17:10 | 0:17:12 | |
I got hit in the hand, I got hit in the face. | 0:17:12 | 0:17:15 | |
So, like, a fragment, a portion of it is in my tongue | 0:17:15 | 0:17:18 | |
so it kind of changed the way I speak a little bit. | 0:17:18 | 0:17:21 | |
And your rapping as well? | 0:17:21 | 0:17:22 | |
-Is it still in your tongue? -Can you see it? | 0:17:22 | 0:17:24 | |
Yes, it's great for oral sex! | 0:17:24 | 0:17:26 | |
-Oh, right, I didn't know that! -You connect! | 0:17:29 | 0:17:32 | |
Make sure you keep that bit in the show! | 0:17:32 | 0:17:34 | |
Yeah! Let me just make a note of that, er...! | 0:17:34 | 0:17:37 | |
I'm a better man now! | 0:17:37 | 0:17:40 | |
-Is it like a lump, can you see it? -Yeah! | 0:17:40 | 0:17:43 | |
Let's have a feel, 50, may I? | 0:17:43 | 0:17:45 | |
LAUGHTER | 0:17:45 | 0:17:46 | |
I've washed my hands. | 0:17:49 | 0:17:50 | |
Oh, Sexy, you gonna put your finger in my mouth?! | 0:17:50 | 0:17:52 | |
Oh, no, stop it! | 0:17:52 | 0:17:54 | |
-AUDIENCE: -Oooh! | 0:17:54 | 0:17:56 | |
I'd better not, darling. | 0:17:58 | 0:17:59 | |
Just have a look, see if you can find it. | 0:17:59 | 0:18:02 | |
I need a napkin. | 0:18:02 | 0:18:04 | |
-I need a napkin. -Has anybody got a tissue? | 0:18:04 | 0:18:06 | |
A clean one! | 0:18:06 | 0:18:07 | |
These ladies, these ladies. Thank you. | 0:18:07 | 0:18:09 | |
Oh, look, they're still hermetically sealed, thank you very much! | 0:18:09 | 0:18:13 | |
There they go, lovely. | 0:18:13 | 0:18:14 | |
Wow, how did you prepare? Did someone tell you to come with this?! | 0:18:14 | 0:18:19 | |
How did that happen? What's the odds of that, | 0:18:19 | 0:18:21 | |
-you just sitting in the front row with this? -Yeah! | 0:18:21 | 0:18:25 | |
Who does this kind of stuff, right? | 0:18:25 | 0:18:27 | |
It only happens on this programme, honestly. | 0:18:27 | 0:18:30 | |
Yeah, I can feel it. | 0:18:33 | 0:18:34 | |
APPLAUSE | 0:18:37 | 0:18:39 | |
She's going to sell those on eBay! | 0:18:45 | 0:18:47 | |
Very good, yeah, eBay! Tonight. | 0:18:47 | 0:18:49 | |
Yeah. | 0:18:49 | 0:18:51 | |
Wait till tomorrow night after the show, they'll be worth a lot, yeah! | 0:18:51 | 0:18:55 | |
Hey, we've got a bit of the music video. | 0:18:55 | 0:18:58 | |
This is you performing 9 Shots. | 0:18:58 | 0:19:00 | |
-HE RAPS: -First shot, bullet wound in my back | 0:19:00 | 0:19:02 | |
I'm ... up, look at my sneakers, I'm ... | 0:19:02 | 0:19:06 | |
Now I'm on my own, Mommy gone | 0:19:06 | 0:19:07 | |
Sam said, "You a young boy, why your clothes look so old?" | 0:19:07 | 0:19:11 | |
"You don't need fish, little ..., you need a pole | 0:19:11 | 0:19:13 | |
You don't need no new kicks, you need a O | 0:19:13 | 0:19:16 | |
Chop that, bag it, get right back at it | 0:19:16 | 0:19:19 | |
That touched me, it hit me in my heart | 0:19:19 | 0:19:22 | |
I'm a hustler, homie, you was giving me my start | 0:19:22 | 0:19:24 | |
I am what I am, Sabrina's only baby | 0:19:24 | 0:19:26 | |
Practising in the mirror, pulling out my .380, man... | 0:19:26 | 0:19:30 | |
APPLAUSE | 0:19:30 | 0:19:32 | |
9 Shots is available now. | 0:19:36 | 0:19:39 | |
Julie, as a fan, where would you rate that in 50's oeuvre? | 0:19:39 | 0:19:43 | |
Ooh, I'd say right...which, the tongue or the...? | 0:19:43 | 0:19:46 | |
The music! | 0:19:46 | 0:19:48 | |
Wait until I tell my husband about that! | 0:19:49 | 0:19:52 | |
Go and shoot him in the mouth! | 0:19:52 | 0:19:54 | |
-It's good for oral sex! -Exactly. | 0:19:58 | 0:20:00 | |
Yeah, he'll understand, won't he? | 0:20:00 | 0:20:01 | |
It's right up there. It's right up there. | 0:20:01 | 0:20:04 | |
Now, the music. | 0:20:04 | 0:20:05 | |
Is it hard to get back to the music because you seem to be | 0:20:05 | 0:20:08 | |
doing so much acting now? I've seen you in quite a few movies. | 0:20:08 | 0:20:11 | |
Well, I actually use my characters now. | 0:20:11 | 0:20:14 | |
Like, recurring characters. | 0:20:14 | 0:20:16 | |
I play a reoccurring character on my show, Power, | 0:20:16 | 0:20:18 | |
the largest original series on the network. | 0:20:18 | 0:20:22 | |
And you were in that and you were executive producer as well? | 0:20:22 | 0:20:25 | |
Yeah, I actually developed it from scratch. Yeah. | 0:20:25 | 0:20:29 | |
Well done, you! Hmmm! Yeah! | 0:20:29 | 0:20:33 | |
APPLAUSE | 0:20:33 | 0:20:35 | |
Now, you haven't worked with the mighty Meryl Streep, | 0:20:36 | 0:20:39 | |
but you've met her, you've spent time with her? | 0:20:39 | 0:20:42 | |
Yeah, yeah, we were in the same place to watch the basketball game. | 0:20:42 | 0:20:47 | |
Oh, the basketball game? Oh, yeah. | 0:20:47 | 0:20:49 | |
It wasn't her first, well, it was her first live basketball game. | 0:20:49 | 0:20:52 | |
It was interesting because I had a bit of normalcy, | 0:20:52 | 0:20:57 | |
it was like a punch of normalcy, | 0:20:57 | 0:20:59 | |
cos I sat next to her and her influence was so strong, | 0:20:59 | 0:21:01 | |
that it was like, OK, I'm regular today! | 0:21:01 | 0:21:04 | |
"Wow, this is great, like, nobody cares I'm here now!" | 0:21:06 | 0:21:09 | |
Now, somebody got a picture of the two of you. There you are. | 0:21:10 | 0:21:14 | |
That's great! | 0:21:14 | 0:21:15 | |
You know what is interesting? | 0:21:15 | 0:21:17 | |
Every picture I saw of that day didn't have the other side of Meryl. | 0:21:17 | 0:21:19 | |
Her husband was sitting on the other side of her. | 0:21:19 | 0:21:22 | |
It was like, every photographer got the memo, | 0:21:22 | 0:21:24 | |
"Don't you take this motherfucking picture!" | 0:21:24 | 0:21:26 | |
LAUGHTER | 0:21:26 | 0:21:28 | |
You look like you're feeling the cold there, 50! | 0:21:31 | 0:21:35 | |
I'm in New York City, I'm wearing a Jets hat. It's freezing outside. | 0:21:35 | 0:21:38 | |
I'm trying to do the... | 0:21:38 | 0:21:40 | |
I'm not a big Jets fan but I have to, | 0:21:40 | 0:21:42 | |
from New York City, you have to wear it. | 0:21:42 | 0:21:44 | |
And of course, going from acting into music is one thing, | 0:21:44 | 0:21:46 | |
but then, Michael, music was your first love? | 0:21:46 | 0:21:50 | |
-Was it not? -Yep, yep. But, er... | 0:21:50 | 0:21:53 | |
Were you in a band? | 0:21:55 | 0:21:56 | |
You couldn't really classify it as a band, there was only two of us. | 0:21:56 | 0:22:00 | |
So, you know, his name was Michael, too, so, er,... | 0:22:00 | 0:22:04 | |
-Michael and Michael? -That's right, yeah. | 0:22:04 | 0:22:06 | |
Did you have a name? | 0:22:06 | 0:22:08 | |
We didn't, actually. We never got round to getting a name. | 0:22:08 | 0:22:11 | |
I think Sargasso Sea was something that I was... | 0:22:11 | 0:22:15 | |
LAUGHTER | 0:22:15 | 0:22:17 | |
"Live music, Sunday night, Sargasso Sea!" | 0:22:17 | 0:22:19 | |
I remember looking through the atlas! | 0:22:19 | 0:22:22 | |
It was a heavy metal band so Sargasso Sea was quite apt. | 0:22:22 | 0:22:27 | |
Er, yeah, we didn't... | 0:22:27 | 0:22:29 | |
-Heavy metal?! -Yeah. | 0:22:29 | 0:22:31 | |
That's just so unlike you. | 0:22:31 | 0:22:33 | |
In the future, Michael, play like the heavy metal stars. | 0:22:33 | 0:22:36 | |
I've been trying, I've been putting it out there for a while! | 0:22:36 | 0:22:40 | |
Did you do gigs? | 0:22:40 | 0:22:42 | |
We did one gig, in Dingle. | 0:22:42 | 0:22:44 | |
Sorry, it wasn't Dingle! It wasn't Dingle, sorry, | 0:22:44 | 0:22:47 | |
tell a lie, it wasn't Dingle. It was Killorglin. | 0:22:47 | 0:22:49 | |
Oh, yes! They love heavy metal there! Yeah! | 0:22:49 | 0:22:53 | |
It was a pub, too. It was supposed to be busking with electric guitars. | 0:22:53 | 0:22:58 | |
And it's always raining in Ireland so that kind of didn't really work! | 0:22:58 | 0:23:02 | |
So we convinced the pub to let us come in at lunchtime | 0:23:02 | 0:23:06 | |
and play heavy metal! | 0:23:06 | 0:23:08 | |
LAUGHTER | 0:23:08 | 0:23:09 | |
Yes, they were sort of like, "can you just turn it down a bit?" | 0:23:10 | 0:23:14 | |
"Turn it down another little bit." | 0:23:16 | 0:23:17 | |
So eventually we were just playing unplugged. | 0:23:17 | 0:23:20 | |
-APPLAUSE -It didn't go down that well... | 0:23:20 | 0:23:23 | |
At one o'clock in the afternoon. | 0:23:23 | 0:23:25 | |
Julie Walters brings us a beautiful film, Brooklyn, | 0:23:28 | 0:23:31 | |
based on the Colm Toibin novel. | 0:23:31 | 0:23:34 | |
Now, you'd read the novel before it was a film or...? | 0:23:34 | 0:23:37 | |
Yeah. I loved the novel. Yes, it was fantastic when it came in | 0:23:37 | 0:23:40 | |
and the character that I play was the one I really remember. | 0:23:40 | 0:23:42 | |
Obviously I remember the central character but she's a young girl | 0:23:42 | 0:23:45 | |
but I really remembered Mrs Kehoe | 0:23:45 | 0:23:47 | |
because she reminded me of all my mother's friends, you know, | 0:23:47 | 0:23:51 | |
sort of a mixture of them. | 0:23:51 | 0:23:52 | |
It was gorgeous, it was the '50s, so yes. | 0:23:52 | 0:23:55 | |
So you're Mrs Kehoe. | 0:23:55 | 0:23:56 | |
Yes. I'm Mrs Kehoe. | 0:23:56 | 0:23:57 | |
-Key-oh. -Yes. | 0:23:57 | 0:23:59 | |
K-E-O-G-H? | 0:23:59 | 0:24:01 | |
No. K-E-H-OE. So I suppose it probably is Mrs Key-hoe. | 0:24:01 | 0:24:05 | |
But I thought that sounded a bit rude. | 0:24:05 | 0:24:08 | |
That's what I thought! | 0:24:11 | 0:24:13 | |
-So I stuck to Key-oh. -Key-oh. -Yeah. | 0:24:13 | 0:24:15 | |
How does Mrs Kehoe fit into the story? | 0:24:15 | 0:24:18 | |
Well, the story is about a girl who leaves Ireland. | 0:24:18 | 0:24:21 | |
Saoirse Ronan, who's fabulous. She's so good. | 0:24:21 | 0:24:24 | |
Saoirse Ronan, she is amazing. | 0:24:24 | 0:24:27 | |
She made me feel I should go to drama school, really. | 0:24:27 | 0:24:31 | |
She was just so focused and confident and self... just brilliant | 0:24:31 | 0:24:35 | |
and a lovely person. Anyway... | 0:24:35 | 0:24:37 | |
She plays this young girl who leaves Ireland for a better life, | 0:24:37 | 0:24:40 | |
basically, in New York, in Brooklyn | 0:24:40 | 0:24:43 | |
and it's all arranged by the parish priest in Brooklyn, who is played | 0:24:43 | 0:24:48 | |
by Jim Broadbent, brilliantly. | 0:24:48 | 0:24:50 | |
And she moves into this boarding house and I'm the... | 0:24:51 | 0:24:54 | |
with all these other single Catholic Irish girls | 0:24:54 | 0:24:57 | |
and a couple of American girls. | 0:24:57 | 0:24:59 | |
And the woman who presides over it is this very, very attractive, | 0:24:59 | 0:25:02 | |
sexually charismatic woman. | 0:25:02 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:06 | |
Is played by me! | 0:25:08 | 0:25:10 | |
CHEERING AND APPLAUSE | 0:25:13 | 0:25:15 | |
They're with you! | 0:25:15 | 0:25:16 | |
-You haven't got a - what do you call it? A clip? -We do! | 0:25:18 | 0:25:22 | |
So Brooklyn, it's out tonight | 0:25:22 | 0:25:25 | |
and this is the very sexually alluring Mrs Kehoe... | 0:25:25 | 0:25:28 | |
-I look terrible in it. -You look lovely. -Stop it! | 0:25:29 | 0:25:33 | |
You are wearing a very nice cardigan. | 0:25:33 | 0:25:35 | |
The cardies were great. Just look at the cardie. | 0:25:35 | 0:25:37 | |
This is Julie looking after her girls. | 0:25:37 | 0:25:40 | |
What is the matter with you girls, now? | 0:25:46 | 0:25:48 | |
Nothing is the matter with us, Mrs Kehoe. | 0:25:48 | 0:25:50 | |
Is this because Eilis has found herself a young man? | 0:25:50 | 0:25:53 | |
Eilis has a young man? We didn't know. She won't say anything. | 0:25:53 | 0:25:57 | |
Why should she? To you awful gossip-mongers? | 0:25:57 | 0:26:00 | |
GIGGLES | 0:26:00 | 0:26:01 | |
Anyway, I met him on Saturday night | 0:26:01 | 0:26:03 | |
when he called for Eilis and he is a gentleman. | 0:26:03 | 0:26:06 | |
Will you tell us what you know about him, Mrs Kehoe? | 0:26:06 | 0:26:08 | |
-We know he's quite nice looking. -I didn't like his shoes much. | 0:26:08 | 0:26:12 | |
What on earth is wrong with his shoes? | 0:26:12 | 0:26:14 | |
They were a funny colour. | 0:26:14 | 0:26:17 | |
I tell you this much - I'm going to ask Barbara Flood | 0:26:17 | 0:26:19 | |
to preach a sermon on the dangers of giddiness. | 0:26:19 | 0:26:22 | |
I see now that giddiness is the eighth deadly sin. | 0:26:22 | 0:26:25 | |
A giddy girl is every bit as evil as a slothful man | 0:26:25 | 0:26:29 | |
and the noise she makes is a lot worse. | 0:26:29 | 0:26:32 | |
Enough! | 0:26:32 | 0:26:34 | |
APPLAUSE | 0:26:38 | 0:26:40 | |
-It's a lovely film. It's beautiful. -Thank you. | 0:26:46 | 0:26:48 | |
-Now, you've been on a few times, Julie. -Have I? | 0:26:48 | 0:26:51 | |
-Here. -Oh, yes. | 0:26:51 | 0:26:52 | |
I don't think we've ever mentioned Educating Rita. | 0:26:55 | 0:26:58 | |
CHEERING AND APPLAUSE | 0:26:58 | 0:27:01 | |
How many years ago? 36, 37 years ago. | 0:27:03 | 0:27:06 | |
-Is it really, wow? -Yes. | 0:27:06 | 0:27:08 | |
-Because you were originally in Educating Rita on stage. -Yes. | 0:27:08 | 0:27:11 | |
-And it was a big success. -Yes. | 0:27:11 | 0:27:13 | |
And the movie, you weren't supposed to do that. | 0:27:13 | 0:27:16 | |
-Or that wasn't going to happen. -No, it wasn't. | 0:27:16 | 0:27:19 | |
Well, Lewis Gilbert, who directed the film eventually, | 0:27:19 | 0:27:22 | |
came to see the play and then rang me | 0:27:22 | 0:27:24 | |
and said that he wanted to make the film, | 0:27:24 | 0:27:27 | |
and he wanted to use me | 0:27:27 | 0:27:28 | |
but he wasn't sure that he was going to be able to | 0:27:28 | 0:27:32 | |
because knew nobody knew who I was. | 0:27:32 | 0:27:33 | |
He would need a star to get the money | 0:27:33 | 0:27:36 | |
and all of this and he was going to America to try and raise some money. | 0:27:36 | 0:27:39 | |
But when he went to America, they wanted Dolly Parton. | 0:27:39 | 0:27:43 | |
LAUGHTER | 0:27:43 | 0:27:44 | |
Yes, exactly. | 0:27:46 | 0:27:47 | |
It would have been a very different film. | 0:27:48 | 0:27:51 | |
Yes, two reasons why I couldn't compete. | 0:27:51 | 0:27:53 | |
-Is that really true, Julie? -Yes, it's true. | 0:27:53 | 0:27:56 | |
Paul Newman and Dolly Parton, they wanted. It would have been fabulous | 0:27:56 | 0:28:00 | |
but it was Liverpudlian, you know. | 0:28:00 | 0:28:02 | |
Anyway, Lewis was wonderful and he just said no, we're not going to go | 0:28:02 | 0:28:05 | |
down that road. And he came back and he rang me up | 0:28:05 | 0:28:07 | |
and he said we've got Michael so we can have you. | 0:28:07 | 0:28:10 | |
We've got a star so we can have you. | 0:28:10 | 0:28:12 | |
And you didn't get the Oscar but you | 0:28:13 | 0:28:15 | |
-did get a BAFTA, didn't you? -Yes, I did. | 0:28:15 | 0:28:18 | |
-You were very excited to win the BAFTA. -Stop it. | 0:28:18 | 0:28:20 | |
I know what you're going to go on about. | 0:28:21 | 0:28:23 | |
I had had a drop taken that night. | 0:28:23 | 0:28:25 | |
That's all. I didn't expect to win. | 0:28:27 | 0:28:30 | |
In those days, the BAFTA awards - | 0:28:30 | 0:28:31 | |
this is a very long time ago, before you people - | 0:28:31 | 0:28:34 | |
we used to have dinner before... how much of a mistake is that? | 0:28:34 | 0:28:38 | |
That's a disaster, isn't it? That's a big no-no, especially in England. | 0:28:38 | 0:28:42 | |
I mean, people were absolutely plastered. Well, not everybody. | 0:28:42 | 0:28:46 | |
I was. It was the first one I'd been to and they just filled your glass. | 0:28:46 | 0:28:49 | |
I was terribly nervous anyway, in case I might have to go up, you know | 0:28:49 | 0:28:53 | |
and all of this. It was deadly when I went up. | 0:28:53 | 0:28:57 | |
I thought I was being really very funny and obviously I wasn't. | 0:28:57 | 0:29:01 | |
I was really pissed. | 0:29:01 | 0:29:02 | |
I don't know. | 0:29:03 | 0:29:05 | |
We have a picture of that night. | 0:29:05 | 0:29:07 | |
You haven't! | 0:29:07 | 0:29:10 | |
You really can't tell, I don't think. | 0:29:10 | 0:29:12 | |
Stop it! | 0:29:12 | 0:29:13 | |
APPLAUSE | 0:29:13 | 0:29:16 | |
Oh, my God! | 0:29:16 | 0:29:21 | |
Oh, I have never seen that before. | 0:29:21 | 0:29:24 | |
Stop, take it off the screen! | 0:29:24 | 0:29:26 | |
-I have never seen it. -Take it away. | 0:29:26 | 0:29:29 | |
I ended up under the table with a very famous actor | 0:29:29 | 0:29:31 | |
and I can't remember who it was. | 0:29:31 | 0:29:33 | |
LAUGHTER | 0:29:33 | 0:29:35 | |
Like only actors can, we were putting the world to rights. | 0:29:35 | 0:29:38 | |
Well - I don't know why SHE won! I don't know why HE won! | 0:29:38 | 0:29:41 | |
And I missed meeting Princess Anne. She's never spoken to me since! | 0:29:41 | 0:29:44 | |
Kate Winslet, when you talk about your Oscar, I like it because | 0:29:47 | 0:29:50 | |
no false modesty, you wanted to win it and you loved winning it. | 0:29:50 | 0:29:53 | |
It was just a brilliant thing. | 0:29:53 | 0:29:55 | |
I am still thrilled even now. | 0:29:55 | 0:29:57 | |
It was about seven years ago! | 0:29:57 | 0:29:59 | |
It was the most extraordinary moment. I had, er... | 0:29:59 | 0:30:03 | |
You had been nominated a bunch of times. | 0:30:03 | 0:30:05 | |
You see, the thing is... You get really good at losing, | 0:30:05 | 0:30:08 | |
when you get nominated more than a couple of times. | 0:30:08 | 0:30:11 | |
Weren't you nominated twice that same year? | 0:30:11 | 0:30:13 | |
-No, I had been... -Two categories. | 0:30:13 | 0:30:16 | |
Don't make me say it. | 0:30:16 | 0:30:17 | |
Sorry. I've said it for you. | 0:30:17 | 0:30:20 | |
You were up in two categories that year? | 0:30:20 | 0:30:24 | |
I had two films come out at the same time, which is not uncommon. | 0:30:24 | 0:30:28 | |
It just so happened both of those films were getting this | 0:30:29 | 0:30:32 | |
type of attention. | 0:30:32 | 0:30:34 | |
I went to the Golden Globes that year and I had been nominated | 0:30:34 | 0:30:37 | |
in two different categories and won them both. | 0:30:37 | 0:30:39 | |
Which was quite fabulous, actually. | 0:30:39 | 0:30:41 | |
Sorry, everybody else. | 0:30:43 | 0:30:45 | |
It does look greedy. | 0:30:46 | 0:30:47 | |
-Oh, I know. -She's just showing off. | 0:30:47 | 0:30:50 | |
LAUGHTER | 0:30:50 | 0:30:52 | |
-I am completely showing off. 100%. -Quite right, I say to you. | 0:30:52 | 0:30:56 | |
And then when I did win, it was a really fantastic moment, | 0:30:56 | 0:31:00 | |
I've got to say. | 0:31:00 | 0:31:02 | |
It was, you know, it was a personal fist pumping moment, | 0:31:02 | 0:31:05 | |
the biggest one of my whole life. | 0:31:05 | 0:31:06 | |
But you're really generous with the Oscar, aren't you? | 0:31:06 | 0:31:09 | |
Well, one tries! | 0:31:09 | 0:31:10 | |
You know, the thing is, first of all, it's very heavy. | 0:31:10 | 0:31:14 | |
I just need to say that. It weighs about six or seven pounds. | 0:31:14 | 0:31:17 | |
It's really surprisingly heavy. | 0:31:17 | 0:31:20 | |
And everyone wants to have a hold, | 0:31:20 | 0:31:23 | |
of course, and stand up and go "I'd like to thank..." | 0:31:23 | 0:31:26 | |
LAUGHTER | 0:31:26 | 0:31:28 | |
"My primary school teachers and my mum and dad..." | 0:31:28 | 0:31:30 | |
and so, the best place really for Oscar is actually the loo | 0:31:30 | 0:31:34 | |
because then when everyone goes in for a wee or a poo, they can really | 0:31:34 | 0:31:37 | |
take their time in front of the mirror with Oscar | 0:31:37 | 0:31:40 | |
and you can always tell because they flush and then there's about | 0:31:40 | 0:31:43 | |
another five minutes... | 0:31:43 | 0:31:45 | |
"You're playing with Oscar!" And then they come out... | 0:31:46 | 0:31:49 | |
CLEARS THROAT | 0:31:49 | 0:31:52 | |
How was Oscar? They go, "Oh, my God! He's so heavy!" | 0:31:52 | 0:31:55 | |
But, yes, it's a lot of fun watching people. | 0:31:55 | 0:31:58 | |
-It's the time test. Too long for a pee, too short for a poo. -Yes. | 0:31:58 | 0:32:00 | |
You know they're in there with the Oscar. | 0:32:00 | 0:32:03 | |
LAUGHTER | 0:32:03 | 0:32:04 | |
Because you went through the whole Oscar thing, Michael. | 0:32:04 | 0:32:08 | |
Did you go with a speech in your pocket? | 0:32:08 | 0:32:11 | |
No, I didn't. I don't know why. I never really prepare speeches. | 0:32:11 | 0:32:16 | |
I probably should, looking back on some of the ones that I've made. | 0:32:16 | 0:32:20 | |
Especially a best man's speech that I did one time which was awful. | 0:32:20 | 0:32:24 | |
-I just really kind of went blank. -Oh, no. | 0:32:24 | 0:32:27 | |
Yes, it was. It's OK. They're divorced now. | 0:32:27 | 0:32:29 | |
LAUGHTER | 0:32:29 | 0:32:30 | |
You didn't waste your time. | 0:32:31 | 0:32:34 | |
-You're not joking, are you? -No, I'm not. | 0:32:34 | 0:32:39 | |
-But, yes, no. I never prepare, no. -Have you been to the Oscars, 50? | 0:32:39 | 0:32:43 | |
Once. I was like, in the back. | 0:32:43 | 0:32:45 | |
-Were you near the bar? -I just wanted to feel the energy. | 0:32:47 | 0:32:51 | |
You know, when they're taking selfies and stuff like that. | 0:32:51 | 0:32:55 | |
Waving at Meryl. We've met! | 0:32:55 | 0:32:57 | |
Putting on your green hat. It's me! | 0:32:59 | 0:33:01 | |
Right. It's time for our musical performance. | 0:33:04 | 0:33:07 | |
The winner of the Best Female Artist at the Brits last year. | 0:33:07 | 0:33:10 | |
The first two albums went platinum and now she's back for the third. | 0:33:10 | 0:33:13 | |
Performing her current single, On My Mind, please welcome Ellie Goulding. | 0:33:13 | 0:33:18 | |
# Oh-oh | 0:33:23 | 0:33:24 | |
# Oh-oh oh oh-oh | 0:33:27 | 0:33:30 | |
# It... | 0:33:31 | 0:33:33 | |
# It's a little blurry how the whole thing started | 0:33:33 | 0:33:36 | |
# I don't even really know what you intended | 0:33:36 | 0:33:39 | |
# Thought that you were cute and you could make me jealous | 0:33:39 | 0:33:42 | |
# Poured it down, so I poured it down | 0:33:42 | 0:33:45 | |
# Next thing that I know, I'm in a hotel with you | 0:33:45 | 0:33:48 | |
# You were talking deep, like it was mad love to you | 0:33:48 | 0:33:52 | |
# You wanted my heart but I just liked your tattoos | 0:33:52 | 0:33:55 | |
# Poured it down, so I poured it down | 0:33:55 | 0:33:57 | |
# And now I don't understand it | 0:33:57 | 0:34:00 | |
# You don't mess with love, you mess with the truth | 0:34:00 | 0:34:03 | |
# And I know I shouldn't say it | 0:34:03 | 0:34:07 | |
# But my heart don't understand why I got you on my mind | 0:34:07 | 0:34:10 | |
# Why I got you on my mind | 0:34:12 | 0:34:14 | |
# Why I got you on my mind | 0:34:15 | 0:34:17 | |
# Why I got you on... | 0:34:18 | 0:34:20 | |
# My heart don't understand why I got you on my mind | 0:34:20 | 0:34:23 | |
# Why I got you on my mind | 0:34:24 | 0:34:26 | |
# Why I got you on my mind | 0:34:27 | 0:34:29 | |
# Why I got you on my... | 0:34:31 | 0:34:32 | |
# Ah-ah ah-ah ah-ah ah-ah ah-ah | 0:34:32 | 0:34:35 | |
# Now, I always hear, I always hear them talking | 0:34:35 | 0:34:38 | |
# Talking 'bout a girl, 'bout a girl with my name | 0:34:38 | 0:34:41 | |
# Saying that I hurt you, but I still don't get it | 0:34:41 | 0:34:44 | |
# You didn't love me No, not really | 0:34:44 | 0:34:47 | |
# But wait! | 0:34:47 | 0:34:48 | |
# I could've really liked you | 0:34:48 | 0:34:51 | |
# I bet, I bet that's why I keep on thinking 'bout you | 0:34:51 | 0:34:53 | |
-# It's a shame -It's a shame | 0:34:53 | 0:34:55 | |
# You said I was good, so I poured it down | 0:34:55 | 0:34:58 | |
# So I poured it down | 0:34:58 | 0:34:59 | |
# And now I don't understand it | 0:34:59 | 0:35:02 | |
# You don't mess with love, you mess with the truth | 0:35:02 | 0:35:05 | |
# And I know I shouldn't say it | 0:35:05 | 0:35:09 | |
# But my heart don't understand why I got you on my mind | 0:35:09 | 0:35:13 | |
# Why I got you on my mind | 0:35:14 | 0:35:16 | |
# Why I got you on my mind | 0:35:17 | 0:35:18 | |
# Why I got you on my mind | 0:35:20 | 0:35:23 | |
# Why I got you on my... | 0:35:23 | 0:35:25 | |
-# You think you know somebody -Why I got you on my mind | 0:35:25 | 0:35:28 | |
-# You think you know somebody -Why I got you on my mind | 0:35:28 | 0:35:31 | |
-# You think you know somebody -Why I got you on my mind | 0:35:31 | 0:35:34 | |
# Mind | 0:35:34 | 0:35:37 | |
# You got yourself | 0:35:37 | 0:35:40 | |
# In a dangerous zone | 0:35:40 | 0:35:43 | |
# Cos we both got the fear | 0:35:43 | 0:35:46 | |
# Fear of being alone | 0:35:46 | 0:35:49 | |
# And I still don't understand it | 0:35:49 | 0:35:52 | |
# You don't mess with love, you mess with the truth | 0:35:52 | 0:35:55 | |
# And my heart don't understand it, understand it | 0:35:55 | 0:35:59 | |
# Understand it | 0:35:59 | 0:36:02 | |
# Oh, no, no, no, no, no | 0:36:02 | 0:36:05 | |
-# Why I got you on my mind -You think you know somebody | 0:36:06 | 0:36:10 | |
-# Why I got you on my mind -You think you know somebody | 0:36:10 | 0:36:13 | |
-# Why I got you on my mind -You think you know somebody | 0:36:13 | 0:36:16 | |
# Why I got you on... | 0:36:16 | 0:36:17 | |
# My heart don't understand why I got you on my mind | 0:36:17 | 0:36:22 | |
# Oh, oh, oh | 0:36:22 | 0:36:23 | |
# Oh, oh, yeah, yeah | 0:36:23 | 0:36:26 | |
-# You think you know somebody -Why I got you on my mind | 0:36:26 | 0:36:29 | |
# And my heart don't understand why I got you on my mind | 0:36:29 | 0:36:33 | |
# You think you know somebody | 0:36:33 | 0:36:34 | |
-# Why I got you on my mind -You think you know somebody | 0:36:34 | 0:36:37 | |
-# Why I got you on my mind -You think you know somebody | 0:36:37 | 0:36:42 | |
# I-I-I-I | 0:36:42 | 0:36:45 | |
# Oh, yeah. # | 0:36:45 | 0:36:47 | |
CHEERING AND APPLAUSE | 0:36:47 | 0:36:50 | |
Ellie Goulding, everybody! | 0:36:51 | 0:36:53 | |
Come over and join us, do. | 0:36:53 | 0:36:56 | |
Ellie Goulding! | 0:36:57 | 0:36:59 | |
-Oh, that's gorgeous. How are you? Come and join everybody. -Thank you. | 0:36:59 | 0:37:02 | |
You sit yourself down there beside 50 | 0:37:02 | 0:37:05 | |
with Julie, Michael, Kate. They're all here. The gang's all in. Lovely. | 0:37:05 | 0:37:11 | |
Lovely. | 0:37:11 | 0:37:12 | |
Now, congratulations, that looked and sounded marvellous. | 0:37:12 | 0:37:16 | |
And that's the single, On My Mind, and that's from Delirium, | 0:37:16 | 0:37:20 | |
the album, which is available now! | 0:37:20 | 0:37:21 | |
-Yes, it's out. -The video for that song is pretty epic. | 0:37:21 | 0:37:27 | |
-They went to town on the video. -Yeah. | 0:37:27 | 0:37:29 | |
-So, you were in Vegas? -Yep. -But did they shut Vegas for you? | 0:37:29 | 0:37:34 | |
Er, we got to ride horses through an old casino. | 0:37:34 | 0:37:38 | |
Actually, it's still running, you can still gamble there. | 0:37:38 | 0:37:43 | |
But it was all very surreal and bizarre, | 0:37:43 | 0:37:45 | |
especially the horse-riding bit. | 0:37:45 | 0:37:47 | |
-We've got a picture of you. This is you on the Strip. -Oh, wow! | 0:37:47 | 0:37:50 | |
-And you go quite fast! -Erm, yeah, we had to. We did have to. | 0:37:50 | 0:37:54 | |
I mean, I've ridden horses before, so it wasn't that scary, | 0:37:54 | 0:37:57 | |
but they were a little bit scared, I think, | 0:37:57 | 0:37:59 | |
so they did poo a lot. | 0:37:59 | 0:38:01 | |
-Inside the casino? -Inside, yeah. | 0:38:03 | 0:38:06 | |
And did you have to go, like, down steps and things on a horse? | 0:38:06 | 0:38:10 | |
Yeah, we pretty much had to do everything. I do all my own stunts. | 0:38:10 | 0:38:13 | |
That's difficult! | 0:38:13 | 0:38:15 | |
Yeah, it was hard, | 0:38:15 | 0:38:16 | |
but I wanted to make something sort of Thelma & Louise, quite epic. | 0:38:16 | 0:38:20 | |
-It was different. -Yeah, different. | 0:38:20 | 0:38:21 | |
I definitely wouldnt've went down steps on a horse. | 0:38:21 | 0:38:24 | |
-Do you spend a lot of time in Vegas, 50? -Yeah, I'm out there a lot. | 0:38:24 | 0:38:27 | |
But to go down the steps on a horse... | 0:38:27 | 0:38:29 | |
My horse needs another horse in front of it to follow. | 0:38:29 | 0:38:32 | |
Yeah, yeah, yeah. | 0:38:32 | 0:38:34 | |
-And somebody else on top of it. -Right. | 0:38:34 | 0:38:37 | |
To make sure we not doing nothing, | 0:38:37 | 0:38:38 | |
I'm not signalling for it to do anything crazy. | 0:38:38 | 0:38:41 | |
No, because, Michael Fassbender, was it on Jane Eyre you had a horse? | 0:38:43 | 0:38:49 | |
You had a very badly behaved horse | 0:38:49 | 0:38:52 | |
-on Jane Eyre. -Prince. Yeah. -Prince was the horse. -Yeah, yeah. | 0:38:52 | 0:38:55 | |
So, what would happen? | 0:38:55 | 0:38:57 | |
Well, he used to get quite aroused whenever I got on his back. | 0:38:57 | 0:39:02 | |
-Did he? -Yeah, he did, yeah. | 0:39:05 | 0:39:08 | |
I could understand that! | 0:39:08 | 0:39:11 | |
CHEERING AND APPLAUSE | 0:39:11 | 0:39:13 | |
Dan, the horse handler, had to get on it and sort of, y'know, | 0:39:17 | 0:39:20 | |
canter him or give him a little trot so he'd sort of slap off his... | 0:39:20 | 0:39:23 | |
his... | 0:39:23 | 0:39:25 | |
retract it back in and then it was good to go. | 0:39:25 | 0:39:29 | |
-Until you got on again. -Until I got on again, and then... -"Cut!" | 0:39:29 | 0:39:33 | |
-You can't have that in your lovely Jane Eyre film! -Yeah, yeah. | 0:39:35 | 0:39:39 | |
"Jane!" | 0:39:39 | 0:39:40 | |
Now, of course, Ellie, a lot of people discovered you through | 0:39:42 | 0:39:45 | |
-the Christmas ad, the John Lewis ad. -Yeah. -Your Song. -Yeah. | 0:39:45 | 0:39:49 | |
That was a kind of a big deal for you. | 0:39:49 | 0:39:52 | |
I mean, that did introduce you to a whole different level. | 0:39:52 | 0:39:54 | |
-JULIE: -It was lovely. -Oh, thank you! | 0:39:54 | 0:39:56 | |
Yeah, I'd released songs of a more electronic orientation, | 0:39:56 | 0:40:01 | |
and then, when I did that song, it was just my voice and a piano. | 0:40:01 | 0:40:05 | |
And I did it with Ben Lovett from Mumford & Sons, | 0:40:05 | 0:40:08 | |
and he directed me, and, yeah, it was like people had heard me | 0:40:08 | 0:40:11 | |
for the very first time when that advert came out. | 0:40:11 | 0:40:14 | |
Yeah. Because this Christmas, | 0:40:14 | 0:40:16 | |
someone on the couch will be featuring heavily in a Christmas ad. | 0:40:16 | 0:40:20 | |
Yes! Kate Winslet looked at me, like, "Am I in a Christmas ad?" | 0:40:21 | 0:40:24 | |
"Wait, I'm sure I didn't..." | 0:40:27 | 0:40:29 | |
-That's what they're all thinking! -"Did I do M&S this year? | 0:40:29 | 0:40:32 | |
"I can't remember." | 0:40:32 | 0:40:33 | |
-No, but so posh, you're in the Burberry ad. -I'm in the Burberry! | 0:40:35 | 0:40:38 | |
-Yes. -You did have to jump up and down on a trampoline, though. | 0:40:38 | 0:40:40 | |
Oh, it was heaven. | 0:40:40 | 0:40:42 | |
-It was heaven! -I can't jump on trampolines any more. | 0:40:42 | 0:40:44 | |
-I wet myself. -Well, you do. | 0:40:44 | 0:40:47 | |
You do. You absolutely do. I thought it was my age. | 0:40:47 | 0:40:50 | |
-Cos you're laughing? -No! | 0:40:50 | 0:40:51 | |
When you've had a few children, you know, it's just what happens. | 0:40:51 | 0:40:55 | |
-You haven't had children, have you? -I still wet myself. | 0:40:55 | 0:40:57 | |
-Do you? -Yes. -Just generally speaking. | 0:40:57 | 0:41:01 | |
Two sneezes, I'm fine. Three.. | 0:41:03 | 0:41:07 | |
it's game over. Game over. | 0:41:07 | 0:41:09 | |
-Is it a nice feeling? -No! | 0:41:09 | 0:41:12 | |
It's bloody awful, and especially if you're wearing a skirt. | 0:41:12 | 0:41:15 | |
Yes, but also, in borrowed Burberry clothes, you don't want to... | 0:41:15 | 0:41:18 | |
You don't want to make... I was terribly embarrassed the first time. | 0:41:18 | 0:41:22 | |
I said, "I'm sorry! I'm sorry!" And it was terribly ungainly, | 0:41:22 | 0:41:25 | |
because you're on a trampoline trying to get off it, you know? | 0:41:25 | 0:41:28 | |
But I loved it. It makes you so high! | 0:41:28 | 0:41:30 | |
I was high as a kite! I could have gone on! | 0:41:30 | 0:41:32 | |
At my great age, I could have gone on for hours doing it. | 0:41:32 | 0:41:36 | |
APPLAUSE | 0:41:36 | 0:41:40 | |
Well, er, Ellie, good luck with the album and the tour. | 0:41:41 | 0:41:45 | |
Ellie Goulding, everybody. Thank you very much. | 0:41:45 | 0:41:47 | |
CHEERING AND APPLAUSE | 0:41:47 | 0:41:49 | |
Very quickly before we go, | 0:41:51 | 0:41:53 | |
we've just got time for a quick visit to the big red chair. Who's there? | 0:41:53 | 0:41:57 | |
-Hello, sir. -Hi. -Hi. What's your name? -I'm Spence. -Spence? -Yeah. -Lovely. | 0:41:57 | 0:42:01 | |
-And where are you from, Spence? -I'm from Devon. | 0:42:01 | 0:42:03 | |
-Devon. -Yeah. -All right. Do you live in Devon or here? | 0:42:03 | 0:42:06 | |
No, I live in, er, Kentish Town at the moment. | 0:42:06 | 0:42:08 | |
OK. You had to think about that. Must be hard getting a cab. | 0:42:08 | 0:42:13 | |
And, er, what do you do, Devon? No, you're not Devon. Who are you? | 0:42:13 | 0:42:17 | |
-Spence. -Spence! | 0:42:17 | 0:42:18 | |
APPLAUSE | 0:42:18 | 0:42:20 | |
-Spence. What do you do, Spence? -I'm a student. -A student of...? | 0:42:20 | 0:42:23 | |
-Clinical molecular endocrinology. -He-llo! | 0:42:23 | 0:42:27 | |
Finally! Finally a student of | 0:42:27 | 0:42:29 | |
clinical molecular something or other. | 0:42:29 | 0:42:31 | |
-Off you go, Spence. -OK. | 0:42:33 | 0:42:35 | |
So, erm, I've got three older brothers, and back in the day, | 0:42:35 | 0:42:39 | |
-we found out Titanic was coming out. -Oh! | 0:42:39 | 0:42:43 | |
We were all very excited, the four of us, that Kate Winslet, | 0:42:43 | 0:42:47 | |
-you know, sort of... -Yes, we understand. Keep going. | 0:42:47 | 0:42:51 | |
-Oh, God! -We may flip you. Keep going. | 0:42:51 | 0:42:54 | |
We convinced my mum to take us in the car to the cinema. | 0:42:54 | 0:42:58 | |
And we watched for an hour and a half of Titanic, | 0:42:58 | 0:43:02 | |
and as it came up to the scene, | 0:43:02 | 0:43:05 | |
my mum sort of covered my eyes like this. All my brothers got to see. | 0:43:05 | 0:43:09 | |
And I was so angry I walked out and sort of got grounded... | 0:43:09 | 0:43:12 | |
How very dare you walk out of a film I am in! | 0:43:16 | 0:43:20 | |
APPLAUSE | 0:43:20 | 0:43:22 | |
-Definitely not invited, that one. -All right. That is it for tonight. | 0:43:24 | 0:43:28 | |
Please say thank you to my lovely guests. | 0:43:28 | 0:43:29 | |
Ellie Goulding! CHEERING AND APPLAUSE | 0:43:29 | 0:43:32 | |
50 Cent! CHEERING AND APPLAUSE | 0:43:32 | 0:43:35 | |
Julie Walters! CHEERING AND APPLAUSE | 0:43:35 | 0:43:38 | |
Michael Fassbender! CHEERING AND APPLAUSE | 0:43:38 | 0:43:41 | |
And Kate Winslet! CHEERING AND APPLAUSE | 0:43:41 | 0:43:44 | |
We're not here next week. It's Children in Need. | 0:43:44 | 0:43:48 | |
But do join me in two weeks' time, with comeback kings Duran Duran, | 0:43:48 | 0:43:51 | |
comedian David Walliams, Doctor Who Peter Capaldi and the one | 0:43:51 | 0:43:54 | |
and only Mr Tom Hanks! | 0:43:54 | 0:43:56 | |
I'll see you then. Good night, everybody, bye-bye! | 0:43:56 | 0:43:58 | |
CHEERING AND APPLAUSE | 0:43:58 | 0:44:00 |