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FORREST GUMP THEME TUNE | 0:00:02 | 0:00:04 | |
My mammy always said, "Chat shows are like a box of chocolates. | 0:00:14 | 0:00:19 | |
"You never know what guests you're going to get." | 0:00:19 | 0:00:23 | |
LAUGHTER | 0:00:23 | 0:00:24 | |
WHISPERING | 0:00:24 | 0:00:25 | |
Yes! I know it's Tom Hanks! Let's start the show! | 0:00:25 | 0:00:28 | |
CHEERING AND APPLAUSE | 0:00:28 | 0:00:31 | |
Oh! | 0:00:43 | 0:00:45 | |
Oh! | 0:00:45 | 0:00:46 | |
Oh! | 0:00:46 | 0:00:47 | |
Too kind! Too kind. Hello! | 0:00:47 | 0:00:50 | |
Hello, hello, hello. Welcome one, welcome all. | 0:00:50 | 0:00:54 | |
Yes, exciting news, Tom Hanks is on our show. Yes, he is. | 0:00:56 | 0:00:59 | |
CHEERING | 0:00:59 | 0:01:01 | |
He's going to be telling us about his great new thriller, Bridge Of Spies, | 0:01:03 | 0:01:07 | |
where he plays a lawyer representing a Russian spy. | 0:01:07 | 0:01:11 | |
To get him to talk, the Americans want to pump him full of drugs. | 0:01:11 | 0:01:15 | |
You wonder, what would a Russian pumped full of drugs look like? | 0:01:15 | 0:01:19 | |
LAUGHTER | 0:01:19 | 0:01:21 | |
I vin again! Hey, let's meet our guests. | 0:01:21 | 0:01:24 | |
APPLAUSE | 0:01:24 | 0:01:25 | |
Later we'll have music from comeback kings, Duran Duran. | 0:01:25 | 0:01:27 | |
CHEERING But first, | 0:01:27 | 0:01:30 | |
he redefined sketch comedy with Little Britain | 0:01:30 | 0:01:32 | |
and has now become one of the country's most successful authors, | 0:01:32 | 0:01:35 | |
selling over eight million books. | 0:01:35 | 0:01:37 | |
It's the one and only David Walliams! | 0:01:37 | 0:01:40 | |
CHEERING AND APPLAUSE Oh! | 0:01:40 | 0:01:41 | |
APPLAUSE DROWNS SPEECH | 0:01:44 | 0:01:46 | |
Thank you. | 0:01:46 | 0:01:48 | |
Thank you. Thank you. | 0:01:48 | 0:01:50 | |
He went from foul-mouthed Malcolm Tucker | 0:01:50 | 0:01:52 | |
in The Thick Of It to the quick-witted Time Lord in Doctor Who | 0:01:52 | 0:01:55 | |
and along the way, he's also picked up an Oscar. | 0:01:55 | 0:01:58 | |
Great Scot, it's Peter Capaldi! | 0:01:58 | 0:02:00 | |
APPLAUSE Yes! | 0:02:00 | 0:02:02 | |
Hello, sir. Lovely to see you. | 0:02:03 | 0:02:06 | |
DRUMROLL And, he's the star of Big, Saving Private Ryan, Toy Story, | 0:02:08 | 0:02:12 | |
Castaway, Forrest Gump, | 0:02:12 | 0:02:13 | |
now starring in new Spielberg thriller, Bridge Of Spies - | 0:02:13 | 0:02:15 | |
please welcome the double Oscar-winning superstar that is... | 0:02:15 | 0:02:19 | |
Tom Hanks, everybody! | 0:02:19 | 0:02:20 | |
CHEERING AND APPLAUSE | 0:02:20 | 0:02:22 | |
-Get these guys a drumroll... -APPLAUSE DROWNS SPEECH | 0:02:24 | 0:02:27 | |
APPLAUSE CONTINUES | 0:02:27 | 0:02:29 | |
-Enjoy the drumroll. -Should've had the drumroll. | 0:02:31 | 0:02:34 | |
It's not right. It's not right. | 0:02:34 | 0:02:37 | |
-If you shuffle up a little bit there. -OK. -There you go. | 0:02:37 | 0:02:40 | |
No, the drum roll's very rare, Mr Hanks. | 0:02:40 | 0:02:42 | |
You have a chimpanzee back there, | 0:02:42 | 0:02:44 | |
who's been trained to bang out a timpani. | 0:02:44 | 0:02:46 | |
It's not right - everybody should get a drumroll. | 0:02:46 | 0:02:49 | |
From now on, from now on. The look is quite startling. | 0:02:49 | 0:02:52 | |
Thank you, I'm trying to look like your chin. | 0:02:52 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:56 | |
Somebody asked - two people. | 0:02:58 | 0:02:59 | |
I was at a restaurant and one person stopped by and said, | 0:02:59 | 0:03:02 | |
"Mr Hanks, have you coloured your hair for a role?" | 0:03:02 | 0:03:06 | |
I said, "Yes, I have." | 0:03:06 | 0:03:07 | |
Another lady stopped by and said, | 0:03:07 | 0:03:09 | |
"Mr Hanks, have you STOPPED colouring your hair... | 0:03:09 | 0:03:12 | |
-LAUGHTER -"..for a role?" | 0:03:12 | 0:03:14 | |
-I said, "Get her out!" -LAUGHTER | 0:03:14 | 0:03:17 | |
-But you're... -I'm currently playing the... | 0:03:17 | 0:03:20 | |
Sully Sullenberger, who landed the American Airways | 0:03:20 | 0:03:24 | |
-passenger liner in the Hudson River a few years ago. -Wow. | 0:03:24 | 0:03:27 | |
-So, I'm making that movie right now... -Already, we want to see it. | 0:03:27 | 0:03:30 | |
-APPLAUSE -Thank you. | 0:03:30 | 0:03:32 | |
Er... | 0:03:33 | 0:03:34 | |
Now, we have Doctor Who | 0:03:34 | 0:03:35 | |
and David Walliams, very famous all over the world. But Peter Capaldi, | 0:03:35 | 0:03:39 | |
-you're coming to the end of your second season of Doctor Who. -Ah-ha. | 0:03:39 | 0:03:42 | |
-How are you coping with that sort of fame? -Well, it's lovely. | 0:03:42 | 0:03:46 | |
-It's sort of... -Is it really lovely? | 0:03:46 | 0:03:48 | |
LAUGHTER | 0:03:48 | 0:03:49 | |
Yes, it is. | 0:03:49 | 0:03:51 | |
Because, er, you can see how, you know, the Doctor's a magical figure. | 0:03:51 | 0:03:57 | |
He sort of, he exists more powerfully in the imagination | 0:03:57 | 0:04:00 | |
than he does on the screen. | 0:04:00 | 0:04:02 | |
So when they actually SEE you, | 0:04:02 | 0:04:05 | |
in the street... | 0:04:05 | 0:04:07 | |
kids, you know, they throw their arms around you. | 0:04:07 | 0:04:09 | |
They are just so pleased to see this character. | 0:04:09 | 0:04:12 | |
-It's delightful. -Presumably, everybody wants a picture with you? | 0:04:12 | 0:04:15 | |
Yes. Well, largely, yeah... | 0:04:15 | 0:04:18 | |
The whole selfie culture, I quite like selfies. | 0:04:18 | 0:04:21 | |
I quite like it. | 0:04:21 | 0:04:23 | |
But sometimes there's always someone on the fringes | 0:04:23 | 0:04:25 | |
that you can see has the phone | 0:04:25 | 0:04:27 | |
and sort of, you think, they want a selfie, don't they? | 0:04:27 | 0:04:30 | |
Maybe I should ask them. | 0:04:30 | 0:04:32 | |
Unfortunately sometimes you do ask them and they say, no. | 0:04:32 | 0:04:36 | |
LAUGHTER | 0:04:36 | 0:04:38 | |
It just makes you feel like crap, doesn't it? | 0:04:38 | 0:04:41 | |
Doesn't it? But I bet it's never happened to you. | 0:04:41 | 0:04:44 | |
David Walliams, when you meet the fans, | 0:04:44 | 0:04:47 | |
at Q&As and things like that, | 0:04:47 | 0:04:49 | |
-presumably they are quite random as an audience? -Yes. | 0:04:49 | 0:04:52 | |
I went to a school in Manchester. | 0:04:52 | 0:04:54 | |
One child said.... I said, "Ask anything you want." | 0:04:54 | 0:04:57 | |
"If you were at the airport and your phone got stolen, | 0:04:57 | 0:05:00 | |
-"what would you do?" -LAUGHTER | 0:05:00 | 0:05:03 | |
Can we keep the questions about the book? | 0:05:03 | 0:05:05 | |
I had a lady come up to me at, um, | 0:05:05 | 0:05:09 | |
-Lakeside Thurrock shopping centre. Have you ever been there, Tom? -I... | 0:05:09 | 0:05:13 | |
-tomorrow? -Yeah. -LAUGHTER | 0:05:13 | 0:05:15 | |
-Do they have a book store? -We'll make a day of it. | 0:05:15 | 0:05:18 | |
This lady came up, this elderly lady, and said, | 0:05:18 | 0:05:21 | |
"We've got something in common." | 0:05:21 | 0:05:23 | |
I was doing a book signing. I said, "Oh, right. What's that?" | 0:05:23 | 0:05:25 | |
She said, "We've both swum the Channel" | 0:05:25 | 0:05:27 | |
I said, "Wow. Congratulations, amazing." | 0:05:27 | 0:05:30 | |
"Thank you very much. How did you find it? It was cold." | 0:05:30 | 0:05:32 | |
"No, I didn't do mine in the sea, I did mine in the swimming pool." | 0:05:32 | 0:05:36 | |
LAUGHTER | 0:05:36 | 0:05:37 | |
I went, "Oh, right. | 0:05:37 | 0:05:38 | |
"You swam the length of the Channel, 20 miles, | 0:05:38 | 0:05:41 | |
"you did over a day in a swimming pool." | 0:05:41 | 0:05:43 | |
"No, I did it over a series of weeks." | 0:05:43 | 0:05:46 | |
LAUGHTER | 0:05:46 | 0:05:47 | |
-Well, we've both been swimming. -LAUGHTER | 0:05:47 | 0:05:50 | |
APPLAUSE | 0:05:53 | 0:05:55 | |
Now, Tom, lots of your fans in the audience - must be fans everywhere. | 0:05:58 | 0:06:02 | |
But is it always the same? | 0:06:02 | 0:06:03 | |
What do people mostly ask you, mostly say to you | 0:06:03 | 0:06:06 | |
-and shout out to you when they see you? -Oh, er... | 0:06:06 | 0:06:10 | |
They used to yell, "Houston, we have a problem", | 0:06:10 | 0:06:13 | |
they used to yell that. They yell, "Run, Forrest, run." | 0:06:13 | 0:06:16 | |
That's a biggie. Now they just... they just yell... | 0:06:16 | 0:06:19 | |
-"Wilson!" -APPLAUSE | 0:06:21 | 0:06:25 | |
They yell a lot of Wilsons everywhere. | 0:06:25 | 0:06:27 | |
And is it the same... is it the same everywhere? | 0:06:28 | 0:06:31 | |
-If you're in, you know... -Yes, yes. | 0:06:31 | 0:06:34 | |
Evidently, Wilson is a universal language word | 0:06:34 | 0:06:38 | |
that they don't bother dubbing into any other language. | 0:06:38 | 0:06:41 | |
So, it's in Hindi, it's in Japanese, China, "Wilson!" | 0:06:41 | 0:06:47 | |
Pretty much all around the world. | 0:06:47 | 0:06:48 | |
I didn't realise till you were coming this time, | 0:06:48 | 0:06:50 | |
in Forrest Gump, | 0:06:50 | 0:06:52 | |
the famous voice that you use as Forrest, | 0:06:52 | 0:06:54 | |
it came from a specific person. | 0:06:54 | 0:06:56 | |
Young Michael Connor Humphreys, who played the young Forrest Gump, | 0:06:56 | 0:06:59 | |
we were trying to... | 0:06:59 | 0:07:00 | |
Bob Zemeckis came to me, said, "We got a problem on this!" | 0:07:00 | 0:07:04 | |
There's Michael right there, Sally and Michael. | 0:07:04 | 0:07:06 | |
-Ah. -He was a very young man. | 0:07:06 | 0:07:08 | |
He's now a veteran - he served in Afghanistan. | 0:07:08 | 0:07:10 | |
Bob said, "We got a problem here! | 0:07:10 | 0:07:12 | |
"You got to teach this kid how to talk the way you want to talk." | 0:07:12 | 0:07:15 | |
I thought, why don't I just talk the way he talks right now? | 0:07:15 | 0:07:19 | |
So we started hanging out with him. | 0:07:19 | 0:07:21 | |
He was from Mississippi, deep in Mississippi. | 0:07:21 | 0:07:24 | |
He had this hard G at the end of his... | 0:07:24 | 0:07:28 | |
It wasn't thinking, it was thin-kinga. | 0:07:28 | 0:07:31 | |
It wasn't making, it was may-kinga. | 0:07:31 | 0:07:35 | |
So, what does your father do, Michael? | 0:07:35 | 0:07:37 | |
"My daddy makes ger-ease." That's what he said. | 0:07:37 | 0:07:42 | |
He said...I don't understand this, | 0:07:42 | 0:07:44 | |
is grease something you make? "Yees." | 0:07:44 | 0:07:46 | |
He says, "What do you do with grease?" | 0:07:46 | 0:07:48 | |
"Well, grease goes into all different sorts of pro-ducts." | 0:07:48 | 0:07:52 | |
LAUGHTER | 0:07:52 | 0:07:53 | |
"What products?" | 0:07:53 | 0:07:55 | |
"Oh, grease goes into lip-sticks." | 0:07:55 | 0:07:58 | |
LAUGHTER | 0:07:58 | 0:08:00 | |
I was like, well I'm not...this is it, this is it. | 0:08:00 | 0:08:04 | |
Somewhere I have cassettes, | 0:08:04 | 0:08:06 | |
hours and hours of me just making chitchat with a very young Michael. | 0:08:06 | 0:08:10 | |
-But he doesn't talk like that any more? -No, no. It was just... | 0:08:10 | 0:08:13 | |
He was seven, eight years old, he was a young man, | 0:08:13 | 0:08:16 | |
and that was the vernacular that we spoke and it was priceless. | 0:08:16 | 0:08:19 | |
That's adorable and of course, a huge success for you. | 0:08:19 | 0:08:22 | |
And the year you won your, that was your second Oscar, wasn't it, Forrest Gump? | 0:08:22 | 0:08:26 | |
-Well, yes... -Yes, it was, if I must mention it. | 0:08:26 | 0:08:28 | |
-Er... -Let me put it this way, it was my last one. | 0:08:28 | 0:08:31 | |
LAUGHTER | 0:08:31 | 0:08:33 | |
-How about that? -But it was in 1995 | 0:08:33 | 0:08:35 | |
and that was a very special year | 0:08:35 | 0:08:37 | |
-for the man sitting beside you, Peter Capaldi. -This is what I understand. | 0:08:37 | 0:08:40 | |
-Because that was the year YOU won an Oscar. -We were there together. | 0:08:40 | 0:08:43 | |
I won an Oscar, yes, for a little, a short film. | 0:08:43 | 0:08:45 | |
I didn't even know that they gave Oscars for short films. | 0:08:45 | 0:08:48 | |
But I'd made this little short film, | 0:08:48 | 0:08:49 | |
because I was interested in film-making. | 0:08:49 | 0:08:51 | |
And the next thing I knew I was being telephoned | 0:08:51 | 0:08:54 | |
and being told that you're nominated for an Oscar. | 0:08:54 | 0:08:56 | |
We didn't even have any money, we didn't know how to get over there, | 0:08:56 | 0:08:59 | |
we managed to cobble together enough money to get over there | 0:08:59 | 0:09:02 | |
and we found ourselves at the Oscars, with yourself... | 0:09:02 | 0:09:05 | |
-How about that? -..and lots of other film stars | 0:09:05 | 0:09:08 | |
and they called my name. | 0:09:08 | 0:09:10 | |
And I got up on the stage, I looked down, | 0:09:10 | 0:09:12 | |
it was a huge auditorium, like this. | 0:09:12 | 0:09:14 | |
It looked to me as if it was full of, you know, | 0:09:14 | 0:09:17 | |
an Arnold Schwarzenegger lookalike... | 0:09:17 | 0:09:20 | |
a Steve Martin lookalike, a Tom Hanks lookalike, | 0:09:20 | 0:09:22 | |
except it was the real thing. | 0:09:22 | 0:09:24 | |
It was, sort of, orgasmic. | 0:09:24 | 0:09:26 | |
I don't know how it was for you! For me... | 0:09:26 | 0:09:28 | |
-LAUGHTER -..it was orgasmic. | 0:09:28 | 0:09:31 | |
-But I knew it... -It was my last orgasm... | 0:09:33 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:38 | |
But I knew as well it wouldn't last, | 0:09:38 | 0:09:40 | |
because, obviously, when you've just made a little short film, | 0:09:40 | 0:09:43 | |
it doesn't have quite the same impact on your career. | 0:09:43 | 0:09:46 | |
And also, I was an actor, so that just confused everyone. | 0:09:46 | 0:09:49 | |
But three billion people saw you. | 0:09:49 | 0:09:50 | |
Yeah, but as you know, they take you backstage | 0:09:50 | 0:09:53 | |
and they put you on a, kind of conveyor belt | 0:09:53 | 0:09:56 | |
and they take you into a hangar, | 0:09:56 | 0:09:58 | |
which has got the world's press in it | 0:09:58 | 0:10:00 | |
and they put you on a stage | 0:10:00 | 0:10:01 | |
and all those pictures you see of people holding up their Oscar, they're taken on that stage. | 0:10:01 | 0:10:05 | |
Then they say, "Would anyone like to talk to Peter Capaldi, | 0:10:05 | 0:10:09 | |
"winner of the Short Film for 1995?" | 0:10:09 | 0:10:12 | |
LAUGHTER | 0:10:13 | 0:10:15 | |
Nobody. Not... | 0:10:16 | 0:10:18 | |
I mean, seriously, not one person. | 0:10:18 | 0:10:21 | |
As the tumbleweeds blew through... my life. | 0:10:21 | 0:10:24 | |
Have you been at the Oscars? | 0:10:24 | 0:10:26 | |
Were you going to say, have you got an Oscar? | 0:10:26 | 0:10:28 | |
-Yes, have you, David? -I think so... -LAUGHTER | 0:10:28 | 0:10:32 | |
What is the theme of this show if you don't have one? | 0:10:32 | 0:10:35 | |
I've probably got one. | 0:10:35 | 0:10:37 | |
-It looks like they're pretty easy to get, David... -Yeah... | 0:10:37 | 0:10:40 | |
LAUGHTER Have you been, though? Have you been? | 0:10:40 | 0:10:42 | |
Course I haven't been. Why would I go to the Oscars? | 0:10:42 | 0:10:44 | |
-It's great, isn't it? -It is so great... | 0:10:44 | 0:10:47 | |
LAUGHTER | 0:10:47 | 0:10:48 | |
You get all that great free stuff, chat with Jane Fonda... | 0:10:48 | 0:10:52 | |
I got to tell you, whatever, | 0:10:52 | 0:10:53 | |
even if you just win for a short film, they treat you... | 0:10:53 | 0:10:56 | |
LAUGHTER | 0:10:56 | 0:10:58 | |
Did you get the gift basket with all the goodies? | 0:11:00 | 0:11:02 | |
It was actually before I was born that you were there! | 0:11:02 | 0:11:05 | |
LAUGHTER | 0:11:05 | 0:11:06 | |
-1995!? -Yeah... | 0:11:06 | 0:11:08 | |
We were booked on economy to come back to London, | 0:11:09 | 0:11:14 | |
cos obviously we'd done this off our own back, | 0:11:14 | 0:11:16 | |
and I thought, if I turn up at the airport, | 0:11:16 | 0:11:19 | |
at Los Angeles Airport and place my Oscar, | 0:11:19 | 0:11:23 | |
surely I'll get upgraded. | 0:11:23 | 0:11:24 | |
-I didn't. -Oh... -LAUGHTER | 0:11:24 | 0:11:26 | |
And we were put in economy, it was great, | 0:11:26 | 0:11:28 | |
-we handed round, everybody in economy held up the Oscar. -Ah! | 0:11:28 | 0:11:32 | |
It was like A Night At The Opera. | 0:11:32 | 0:11:34 | |
It was like, all the people in the Titanic underneath, | 0:11:34 | 0:11:36 | |
all the poor people waving an Oscar. It was great. | 0:11:36 | 0:11:40 | |
We've enjoyed the Oscar chat, but let's... | 0:11:40 | 0:11:42 | |
LAUGHTER | 0:11:42 | 0:11:44 | |
Have you ever won anything? | 0:11:44 | 0:11:46 | |
LAUGHTER | 0:11:46 | 0:11:47 | |
APPLAUSE DROWNS SPEECH | 0:11:49 | 0:11:51 | |
I did, yeah. | 0:11:51 | 0:11:52 | |
Did you have perfect attendance in school? | 0:11:54 | 0:11:57 | |
I did, actually. I did, I got an award for that. So, yes. | 0:11:57 | 0:12:00 | |
He won the hearts of the nation | 0:12:00 | 0:12:02 | |
-when he swam the Channel for charity. -Done that? Done that? | 0:12:02 | 0:12:05 | |
APPLAUSE | 0:12:05 | 0:12:06 | |
Yeah, you done that? | 0:12:06 | 0:12:08 | |
Ah-ha. | 0:12:10 | 0:12:11 | |
Now, listen, Tom Hanks, you bring us a fabulous new movie, | 0:12:11 | 0:12:14 | |
-your latest collaboration with Steven Spielberg. -Mm-hm. | 0:12:14 | 0:12:17 | |
Bridge Of Spies. It opens next Thursday. | 0:12:17 | 0:12:19 | |
-Mark Rylance, there as well. -Oh, yes. | 0:12:19 | 0:12:21 | |
That man is destined for great things, I must say, Mark Rylance. | 0:12:21 | 0:12:24 | |
This movie, Bridge Of Spies, I love when this happens, | 0:12:24 | 0:12:27 | |
when a film can shine a spotlight | 0:12:27 | 0:12:29 | |
on a story that has slipped through the cracks of history, | 0:12:29 | 0:12:33 | |
-a story that we should all know, this story? -Well, yes. | 0:12:33 | 0:12:36 | |
Francis Gary Powers, that's part of the... | 0:12:36 | 0:12:39 | |
he was the U-2 pilot that was shot over the Soviet Union. | 0:12:39 | 0:12:41 | |
At first, America said, | 0:12:41 | 0:12:43 | |
we don't have anybody flying over the Soviet Union. | 0:12:43 | 0:12:46 | |
Then they said, well, yes, you do. Then we had to cop to it. | 0:12:46 | 0:12:50 | |
I did not know the story of James Donovan, | 0:12:50 | 0:12:52 | |
the lawyer that I played that helped facilitate the spy exchange, | 0:12:52 | 0:12:56 | |
because he had, he'd defended a Soviet spy | 0:12:56 | 0:12:59 | |
that had been in the United States for 15 years. | 0:12:59 | 0:13:01 | |
He kept him from the electric chair | 0:13:01 | 0:13:04 | |
and got him off so that he could live | 0:13:04 | 0:13:06 | |
and live in order to be exchanged in a classic Cold War moment, | 0:13:06 | 0:13:10 | |
you know, across the border with East Germany, | 0:13:10 | 0:13:13 | |
with the American pilot. | 0:13:13 | 0:13:14 | |
But it is extraordinary, because he was... | 0:13:14 | 0:13:17 | |
It's a true story and we're very authentic to what actually happened. | 0:13:17 | 0:13:20 | |
This man was plucked, he was an insurance lawyer? | 0:13:20 | 0:13:23 | |
-He was a very heroic insurance lawyer, damn you... -OK! | 0:13:23 | 0:13:26 | |
..as all insurance lawyers are. I think we can all agree with that. | 0:13:26 | 0:13:30 | |
He had actually been, er, the prosecution team | 0:13:30 | 0:13:33 | |
for the Nuremberg war trials. | 0:13:33 | 0:13:35 | |
In the United States, everybody gets a lawyer, | 0:13:35 | 0:13:38 | |
so he just got this assignment. | 0:13:38 | 0:13:40 | |
You are going to defend this spy and he did | 0:13:40 | 0:13:42 | |
and he did such a good job of it | 0:13:42 | 0:13:44 | |
that when the time game for the spy exchange, the CIA said, | 0:13:44 | 0:13:47 | |
"We need you to go over and make this work for us. | 0:13:47 | 0:13:50 | |
"You're going to take this guy and get our guy back." | 0:13:50 | 0:13:53 | |
This is a clip. | 0:13:53 | 0:13:54 | |
This is, it's near the beginning of the film | 0:13:54 | 0:13:56 | |
and it's where we discover that your character and the CIA | 0:13:56 | 0:13:58 | |
-have very different ideas of how to defend a Russian spy. -Exactly. | 0:13:58 | 0:14:02 | |
We need to know. | 0:14:02 | 0:14:04 | |
Don't go boy scout on me. | 0:14:04 | 0:14:06 | |
We don't have a rule book here. | 0:14:08 | 0:14:09 | |
You're Agent Hoffman, yeah? | 0:14:10 | 0:14:13 | |
Yeah. | 0:14:13 | 0:14:14 | |
German extraction? | 0:14:14 | 0:14:16 | |
Yeah, so? | 0:14:16 | 0:14:17 | |
My name's Donovan, Irish, both sides, mother and father. | 0:14:17 | 0:14:22 | |
I'm Irish. You're German. | 0:14:22 | 0:14:25 | |
But what makes us both Americans? | 0:14:25 | 0:14:27 | |
Just one thing. | 0:14:27 | 0:14:29 | |
One. One, one. | 0:14:30 | 0:14:31 | |
The rule book. | 0:14:32 | 0:14:33 | |
We call it the Constitution and we agree to the rules | 0:14:34 | 0:14:38 | |
and that's what makes us Americans. | 0:14:38 | 0:14:39 | |
It's all that makes us Americans, so don't tell us there's no rule book. | 0:14:39 | 0:14:42 | |
And don't nod at me like that, you son of a bitch. | 0:14:42 | 0:14:44 | |
-CHEERING -There you go! | 0:14:50 | 0:14:52 | |
-Does that not look rock 'em, sock 'em and action packed? -Sure! | 0:14:52 | 0:14:56 | |
And I gotta tell ya! | 0:14:56 | 0:14:58 | |
We had so many quiet scenes of talking over a cocktail in a bar, | 0:14:58 | 0:15:03 | |
it's going to hold you by the edge of your seat. | 0:15:03 | 0:15:06 | |
Scene after scene of quiet cocktail chatter. | 0:15:06 | 0:15:09 | |
-Oh, it's hard to pick a clip! -No, no! | 0:15:09 | 0:15:11 | |
-That's actually very evocative of much of the movie. -Yeah. | 0:15:11 | 0:15:14 | |
-Now, this is the fourth time... -Yeah. -..working with Steven Spielberg. | 0:15:14 | 0:15:17 | |
-So, at this point, like, does he direct you or...? -Oh, yeah. -OK. | 0:15:17 | 0:15:22 | |
Well, he wants everybody to come in with ideas. | 0:15:22 | 0:15:25 | |
He wants you to have something. | 0:15:25 | 0:15:27 | |
Oh, there we are, Mark Rylance is just off camera left there. | 0:15:27 | 0:15:30 | |
He wants everybody to come with ideas | 0:15:30 | 0:15:32 | |
that are beyond what's in the script. | 0:15:32 | 0:15:34 | |
I did some reading at one point and I said, "Hey, I got an idea. | 0:15:34 | 0:15:38 | |
"Can I play a cold, because it turns out James Donovan, | 0:15:38 | 0:15:42 | |
"on the flight over to Berlin - | 0:15:42 | 0:15:44 | |
"it was an unprotected uninsulated military aircraft - | 0:15:44 | 0:15:48 | |
"and he got a vicious cold and, for four days, he had a stuffed-up head | 0:15:48 | 0:15:51 | |
"and a sore throat, he was really sick," | 0:15:51 | 0:15:53 | |
and he said, "Yeah, that's great! You'll have the cold to begin with | 0:15:53 | 0:15:57 | |
"and then, at the end, Hoffman will have your cold, see? | 0:15:57 | 0:16:01 | |
"You'll have a cold and you'll give it to the CIA!" | 0:16:01 | 0:16:04 | |
So that's the kind of stuff he does all the time. And then, he runs up | 0:16:04 | 0:16:06 | |
saying, "Ooh! This is great! This is great! What a great idea!" | 0:16:06 | 0:16:09 | |
"I didn't do anything! I'm glad the boss liked it." | 0:16:09 | 0:16:14 | |
Peter, about directing - will you ever go back to directing? | 0:16:14 | 0:16:17 | |
-Cos, you know! -Um, I may do, eventually. | 0:16:17 | 0:16:19 | |
The trouble with directing is it takes up so much time, | 0:16:19 | 0:16:22 | |
you know, and I really like acting. I really like being in it. | 0:16:22 | 0:16:25 | |
And you can do an acting job in three months or something, | 0:16:25 | 0:16:28 | |
whereas, when you're a director, it takes you a year to do a project, | 0:16:28 | 0:16:31 | |
another year to get it together. | 0:16:31 | 0:16:32 | |
-So I... -Maybe if you did a short film? | 0:16:32 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:36 | |
APPLAUSE | 0:16:40 | 0:16:41 | |
-But you could start at the top. -Who knows what could happen?! | 0:16:41 | 0:16:46 | |
Er, now, I just want to talk about | 0:16:46 | 0:16:48 | |
-the first film you made with Steven Spielberg, Saving Private Ryan. -OK. | 0:16:48 | 0:16:52 | |
-AUDIENCE MEMBER: Whoo! -Yes! Yeah. | 0:16:52 | 0:16:54 | |
APPLAUSE GRAHAM: Whoo! | 0:16:54 | 0:16:56 | |
Is that the toughest shoot you've ever done? | 0:16:56 | 0:16:58 | |
Cos, I mean, that first 20 minutes, | 0:16:58 | 0:17:00 | |
-as an audience member, it's gruelling. -Oh! | 0:17:00 | 0:17:02 | |
We, um... Let me tell you a story. | 0:17:02 | 0:17:05 | |
I don't know if... There's a gentleman in... | 0:17:05 | 0:17:07 | |
Oh, there he is. I think he's right between us. | 0:17:07 | 0:17:11 | |
-See the fella? Go up, up, up. That fella right there. -Yeah? | 0:17:11 | 0:17:14 | |
I believe, um, we had the scene in which | 0:17:14 | 0:17:19 | |
we had to go over the side of the landing craft, | 0:17:19 | 0:17:22 | |
land in the water, struggle up to the shore. | 0:17:22 | 0:17:26 | |
And then, that gentleman was going to get shot in the chest. | 0:17:26 | 0:17:30 | |
-Right? -OK. -So we're chatting and I said, "How are you?" | 0:17:30 | 0:17:33 | |
"Very good, Mr Hanks, very good." "Oh, you're English?" | 0:17:33 | 0:17:35 | |
-"Oh, yes, yes, I am." -LAUGHTER | 0:17:35 | 0:17:38 | |
"Have you done many movies before?" | 0:17:38 | 0:17:40 | |
"No, no, this is my first. This is my first film." | 0:17:40 | 0:17:42 | |
"Really? Your first movie is with Steven Spielberg?" | 0:17:42 | 0:17:44 | |
-"Yes, yes, it's very exciting." -LAUGHTER | 0:17:44 | 0:17:46 | |
I said, "Great. You know what we're doing?" | 0:17:46 | 0:17:48 | |
"I have been told. I have been briefed." | 0:17:48 | 0:17:50 | |
I said, "OK, so, once this starts, we go over into the water, right? | 0:17:50 | 0:17:54 | |
"Are you going to be OK?" | 0:17:54 | 0:17:55 | |
"Actually, no, I'm not very comfortable in the water." | 0:17:55 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:17:59 | |
I said, "Well, you're just out of luck, my friend, | 0:17:59 | 0:18:03 | |
"cos we're going over the side and I believe... | 0:18:03 | 0:18:05 | |
"I think it's shallow enough that we can walk up." | 0:18:05 | 0:18:08 | |
"Yeah, I hope so too, because I really don't swim very well!" | 0:18:08 | 0:18:11 | |
I said, "OK, all right!" So we did that | 0:18:11 | 0:18:14 | |
and we made it that far and now, we're soaking wet | 0:18:14 | 0:18:16 | |
and we're very cold and we're fighting hypothermia. | 0:18:16 | 0:18:19 | |
And a special effects fellow comes up and says, | 0:18:19 | 0:18:22 | |
"All right, guv'nor, we have to rib a squib on you now. | 0:18:22 | 0:18:24 | |
"Don't worry! This is an electric energy pack, battery's right here. | 0:18:24 | 0:18:27 | |
"What I'm going to ask you, when the charge goes up, mate, | 0:18:27 | 0:18:30 | |
"please don't look down, because it might get up in your eyes | 0:18:30 | 0:18:32 | |
"and it could blind you. All right, off we go." | 0:18:32 | 0:18:34 | |
LAUGHTER | 0:18:34 | 0:18:36 | |
So, so now, this fellow, and it's freezing cold, | 0:18:36 | 0:18:40 | |
and some guy...and, of course, then he gets blown and then he dies, | 0:18:40 | 0:18:44 | |
-and that was his first day of making a movie. -Wow! | 0:18:44 | 0:18:47 | |
God bless the gentleman, he was fantastic. | 0:18:47 | 0:18:49 | |
-APPLAUSE -Wonderful job he did. | 0:18:49 | 0:18:51 | |
Oddly, I think you would like... David Walliams has many books out, | 0:18:54 | 0:18:57 | |
but the one at the moment is connected to World War II. | 0:18:57 | 0:19:00 | |
-It is, it's called Grandpa's Great Escape. -I have a copy. | 0:19:00 | 0:19:03 | |
And you did proper research? | 0:19:03 | 0:19:05 | |
I did do research, yes, and I actually went up in a Spitfire. | 0:19:05 | 0:19:08 | |
I think we've got a picture of you on a Spitfire. | 0:19:08 | 0:19:10 | |
-Because it's about... -LAUGHTER | 0:19:10 | 0:19:13 | |
..an ex-World War II pilot. | 0:19:13 | 0:19:14 | |
You look very jaunty. | 0:19:14 | 0:19:17 | |
-What does jaunty mean? -Well, something about... | 0:19:17 | 0:19:19 | |
-You could've said handsome! -Handsome! -But you said jaunty? | 0:19:19 | 0:19:22 | |
LAUGHTER Well, just because you... | 0:19:22 | 0:19:24 | |
I mean, could you just say masculine or something? | 0:19:24 | 0:19:28 | |
-No, I couldn't say that. -No? OK. | 0:19:28 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:33 | |
-"You look very jaunty!" -Yes. I could've said handsome. | 0:19:33 | 0:19:36 | |
This is me just trying to look cool. | 0:19:36 | 0:19:38 | |
Yes, I went up in a Spitfire to do some research, | 0:19:38 | 0:19:40 | |
cos I have to explain what it's like to fly in a Spitfire. | 0:19:40 | 0:19:43 | |
And it's about a grandfather who still thinks he's in World War II, | 0:19:43 | 0:19:46 | |
he's actually got dementia, and he goes on an adventure with his | 0:19:46 | 0:19:49 | |
-grandson and they steal a Spitfire from the Imperial War Museum. -Wow. | 0:19:49 | 0:19:53 | |
And this has already been number one, | 0:19:53 | 0:19:55 | |
it's probably going to be number one again for Christmas, cos... | 0:19:55 | 0:19:58 | |
-After this show! -Well, everyone loves your books! | 0:19:58 | 0:20:00 | |
If Tom Hanks held it up to his face, I think it could be! | 0:20:00 | 0:20:04 | |
CHEERING | 0:20:04 | 0:20:06 | |
APPLAUSE | 0:20:09 | 0:20:11 | |
-While... -Tom, there's another one! Tom! Tom! There's another one! | 0:20:14 | 0:20:18 | |
Put that one down, there's another one for you. | 0:20:18 | 0:20:20 | |
-While you're enjoying that, we can be reading The Bear Who Went Boo. -Boo! | 0:20:20 | 0:20:25 | |
-And this is... -This is for the younger children. | 0:20:25 | 0:20:28 | |
Now, we don't want to get bogged down in plot, but what's it about? | 0:20:28 | 0:20:31 | |
-Er, um... -LAUGHTER | 0:20:31 | 0:20:34 | |
It's... Well... | 0:20:34 | 0:20:36 | |
-There's a bear, er, a polar bear... -Mm-hm? | 0:20:36 | 0:20:40 | |
..and one of the things he enjoys doing is saying boo to people. | 0:20:40 | 0:20:45 | |
And it was actually inspired by my son, actually, | 0:20:45 | 0:20:47 | |
because he likes going boo to people. | 0:20:47 | 0:20:48 | |
-So I wrote it for him, really. -And no-one could deny your success. | 0:20:48 | 0:20:51 | |
-As I said, it's getting on to 9 million books now. -Mm-hm. | 0:20:51 | 0:20:54 | |
-But why did you...? -Really? Well done! -I know, 9 million books! | 0:20:54 | 0:20:57 | |
-APPLAUSE -That's, um... That's Tom. | 0:20:57 | 0:21:01 | |
Thank you. Yeah, well... | 0:21:01 | 0:21:03 | |
Why did you think of doing it? How did you know...? | 0:21:03 | 0:21:05 | |
I just had an idea for a story, cos the first book is called | 0:21:05 | 0:21:08 | |
The Boy In The Dress, and I just had an idea for a story - | 0:21:08 | 0:21:10 | |
"What would happen if a boy went to school dressed as a girl? | 0:21:10 | 0:21:13 | |
"How would his friends react? How would his family react?" | 0:21:13 | 0:21:16 | |
and I wrote that story, it did well | 0:21:16 | 0:21:18 | |
and then I just kept writing them and that's the eighth novel. | 0:21:18 | 0:21:22 | |
And, presumably, you're working on more now? | 0:21:22 | 0:21:24 | |
Yes, because the publisher very much always wants you to write more... | 0:21:24 | 0:21:27 | |
-Yes! -..if they've done well, so yeah, I'm writing all the time, | 0:21:27 | 0:21:30 | |
but I actually love it and, er, the thing about a children's book | 0:21:30 | 0:21:33 | |
is the only limits are your own imagination, | 0:21:33 | 0:21:36 | |
because you can go anywhere, because, in a children's book, | 0:21:36 | 0:21:39 | |
you can take children on an almost incredible fantastical journey | 0:21:39 | 0:21:42 | |
that you probably can't so much in a book for adults. | 0:21:42 | 0:21:44 | |
And what's great about kids is, one, they're very loyal. | 0:21:44 | 0:21:47 | |
-Once they like your books, they love your books. -But they do grow up. | 0:21:47 | 0:21:51 | |
-Yeah, but... -Which is annoying! -LAUGHTER | 0:21:51 | 0:21:53 | |
If we could keep these children in the 8-12 bracket, | 0:21:53 | 0:21:56 | |
-they would keep buying them. -Well, there'll always be more. -Yes. | 0:21:56 | 0:22:00 | |
They have a tendency, cos people out there, they're only, | 0:22:00 | 0:22:02 | |
like, 8-12 years away from having a child that will read your book. | 0:22:02 | 0:22:05 | |
-Good point, good point. -Yes! -Thank you, Tom, good point. | 0:22:05 | 0:22:08 | |
-Thanks for clearing that up. -Yeah, well, here's how it works. | 0:22:08 | 0:22:11 | |
LAUGHTER | 0:22:11 | 0:22:13 | |
APPLAUSE AND LAUGHTER | 0:22:13 | 0:22:16 | |
I'm not going to go there, sorry. | 0:22:16 | 0:22:18 | |
But no, in terms of children's entertainment, though, | 0:22:18 | 0:22:21 | |
-can anything ever top Toy Story, ladies and gentlemen? -Oh, dear! | 0:22:21 | 0:22:25 | |
-CHEERING -Oh, there we are! | 0:22:25 | 0:22:27 | |
-There you are, but... -There's Tim Allen! -Tim Allen! | 0:22:27 | 0:22:30 | |
-Tim Allen, the voice of Buzz... -Yeah! | 0:22:30 | 0:22:32 | |
Last time I saw him, he was giving me an Oscar! | 0:22:32 | 0:22:35 | |
But the weird thing is that that is so loved, but children, | 0:22:35 | 0:22:39 | |
when they see you walking down the street, they don't know. | 0:22:39 | 0:22:41 | |
Countless elevator rides, I'll be in the elevator | 0:22:41 | 0:22:44 | |
and a mother and child will get on, and the mother will say, | 0:22:44 | 0:22:48 | |
"It's Woody!" And I'm standing there. | 0:22:48 | 0:22:51 | |
LAUGHTER | 0:22:51 | 0:22:53 | |
"It's Woody!" | 0:22:53 | 0:22:55 | |
And the kid's going... | 0:22:55 | 0:22:56 | |
And then, the mother tries to explain, "No, the voice is recorded | 0:22:58 | 0:23:03 | |
"and the actor who is the voice, this is the actor!" | 0:23:03 | 0:23:06 | |
The kids just don't get it at all. | 0:23:06 | 0:23:08 | |
They say, "Where's the vest? Where's the cowboy hat? | 0:23:08 | 0:23:11 | |
"You're not very tall!" And so, I say, "All right, close your eyes." | 0:23:11 | 0:23:15 | |
And they go, "What?!" "Just close your eyes!" | 0:23:15 | 0:23:17 | |
-And the kid goes... -LAUGHTER | 0:23:17 | 0:23:19 | |
Then, I say, "We've gotta get back to Andy's room right away, guys!" | 0:23:19 | 0:23:22 | |
And then, they go... | 0:23:22 | 0:23:24 | |
-LAUGHTER Aw! -I really love that one. | 0:23:24 | 0:23:27 | |
-And... -Because the little kids, they're the most.. | 0:23:27 | 0:23:30 | |
-They're the best. -They love it. -They can't believe it. | 0:23:30 | 0:23:33 | |
But, for you, it must be lovely to make a film in that way, | 0:23:33 | 0:23:35 | |
so that you can watch it like an audience member. | 0:23:35 | 0:23:38 | |
Oh, it's very hard work, animating these films. | 0:23:38 | 0:23:41 | |
Honestly, they are, because Woody... "Woody!" | 0:23:41 | 0:23:45 | |
He's like this and the recording sessions go on for four or | 0:23:45 | 0:23:48 | |
five hours, so I always come out of recording Toy Story sessions... | 0:23:48 | 0:23:52 | |
We're now recording Toy Story 4, | 0:23:52 | 0:23:54 | |
-so we're doing that. -Is it done? CHEERING | 0:23:54 | 0:23:56 | |
It'll be out in 2018, as a matter of fact. It takes a long time. | 0:23:56 | 0:24:00 | |
But my diaphragm gets a workout, because the... | 0:24:00 | 0:24:03 | |
-HE GRUNTS AND PANTS: -"The ent... The entire... Guys, come on!" | 0:24:03 | 0:24:07 | |
-LAUGHTER -By the time I'm leaving, | 0:24:07 | 0:24:09 | |
I'm driving home and I literally have to put an ice chest | 0:24:09 | 0:24:12 | |
on my diaphragm, just so I can go home, cos it's clenched throughout. | 0:24:12 | 0:24:16 | |
-Wow! So Toy Story 4, that's it? -Um, we are working on it right now, yes. | 0:24:16 | 0:24:20 | |
-AUDIENCE GASPS -Yeah. | 0:24:20 | 0:24:21 | |
Well, I have a recording session on the 2nd of December. | 0:24:21 | 0:24:24 | |
-I love that, that noise in the audience. -That's lovely! | 0:24:24 | 0:24:27 | |
-"Ooh! Ooh! Ooh!" -You know, um... | 0:24:27 | 0:24:29 | |
Somebody stuck a microphone in my face at some point at something | 0:24:29 | 0:24:32 | |
and said, "Is there going to be a Toy Story 4?" | 0:24:32 | 0:24:35 | |
And I said, "Yeah, yeah, I think so!" | 0:24:35 | 0:24:37 | |
And I got a call from the Disney lawyers the next day. | 0:24:37 | 0:24:41 | |
They said, "You, contractually, are not allowed to discuss | 0:24:41 | 0:24:44 | |
"Toy Story 4, it will affect the stock market price | 0:24:44 | 0:24:46 | |
"of the Disney common stock, so you are no longer..." | 0:24:46 | 0:24:49 | |
I said, "Hey, I'm sorry! | 0:24:49 | 0:24:51 | |
"But let me just point out - I'm Woody, pal!" | 0:24:51 | 0:24:55 | |
LAUGHTER | 0:24:55 | 0:24:57 | |
-APPLAUSE -"I'll say whatever I want!" | 0:24:57 | 0:24:59 | |
Aw. Well, now, er... | 0:25:00 | 0:25:02 | |
Children everywhere can rejoice, because Doctor Who | 0:25:02 | 0:25:05 | |
continues on Saturday nights on BBC One and tomorrow night's... | 0:25:05 | 0:25:09 | |
Ooh, it's a big episode tomorrow night, isn't it, Peter? | 0:25:09 | 0:25:12 | |
-It's a sad one, yes, it's, er... -It's very sad. -It's very sad. | 0:25:12 | 0:25:14 | |
It's very gripping and very strange. | 0:25:14 | 0:25:16 | |
It's about mysterious streets that can only be seen if you stand... | 0:25:16 | 0:25:21 | |
lost streets, they're called trapped streets, and you can only see them | 0:25:21 | 0:25:24 | |
if you stand in a very specific place, but aliens live in them, | 0:25:24 | 0:25:27 | |
er, and they're in every city and we discover one. | 0:25:27 | 0:25:31 | |
But it's the end of the line for Clara Oswald, | 0:25:31 | 0:25:34 | |
played by Jenna Coleman, who's been by companion for the last two years. | 0:25:34 | 0:25:38 | |
-She go bye-bye? -She's, er... -LAUGHTER | 0:25:38 | 0:25:40 | |
It's the end of her story. | 0:25:40 | 0:25:42 | |
-I don't want to go into the details of it, but... -Is it too upsetting? | 0:25:42 | 0:25:45 | |
-It's, er... It's... -LAUGHTER | 0:25:45 | 0:25:47 | |
It's sad. It's sad. | 0:25:47 | 0:25:48 | |
And have you got a new assistant? | 0:25:48 | 0:25:51 | |
-I might have. -Is it like, is it like a dog? | 0:25:51 | 0:25:53 | |
You put one to sleep, then just immediately get a puppy? | 0:25:53 | 0:25:55 | |
-LAUGHTER -No, it's not like a... No, no. | 0:25:55 | 0:25:57 | |
-"Jenna's gone to the big film set in the sky!" -That's right! | 0:25:57 | 0:26:00 | |
This is Maisie Williams. No, is Maisie Williams your new assistant? | 0:26:00 | 0:26:03 | |
You are so not allowed to talk about this! | 0:26:05 | 0:26:07 | |
I can't talk about stuff like that. | 0:26:07 | 0:26:09 | |
-Maisie's great, though, Maisie's in the show. -We know she's in it! | 0:26:09 | 0:26:12 | |
She's fantastic! She's been in Game of Thrones since she was 12. | 0:26:12 | 0:26:16 | |
-Wow! -Get out! Really? -And she had her 18th birthday on our show | 0:26:16 | 0:26:19 | |
and she's very, very assured, you know, and I was... | 0:26:19 | 0:26:22 | |
You know, we were doing a shot with her and, er, you're me, I'm Maisie, | 0:26:22 | 0:26:26 | |
and they said, "Action!" and she went like this. | 0:26:26 | 0:26:29 | |
-LAUGHTER -I said, "What are you doing?" | 0:26:29 | 0:26:31 | |
She said, "You're in my light." | 0:26:31 | 0:26:33 | |
LAUGHTER | 0:26:33 | 0:26:34 | |
That's cos she's been doing this other big show since she was 12, | 0:26:34 | 0:26:37 | |
but she's lovely, but she's 18, | 0:26:37 | 0:26:39 | |
so she speaks a completely unknown language. | 0:26:39 | 0:26:41 | |
Er, so she would teach me cool new things to say, like, er, | 0:26:41 | 0:26:46 | |
she was going to Glastonbury | 0:26:46 | 0:26:47 | |
and she was going to see Florence And The Machine | 0:26:47 | 0:26:50 | |
and she said, "They're really... They're ape!" | 0:26:50 | 0:26:52 | |
which, apparently, "ape" means great! | 0:26:52 | 0:26:55 | |
And so it's the new "sick!" | 0:26:55 | 0:26:57 | |
LAUGHTER | 0:26:57 | 0:26:59 | |
-Which has taken over from "wicked". -Yes. -Yes. | 0:26:59 | 0:27:02 | |
-And I only have very old, antiquated... -Ape, yes! -Ape! | 0:27:02 | 0:27:06 | |
"Ape, dear! Yes!" | 0:27:06 | 0:27:08 | |
-"We understand that, don't we? Yes!" -LAUGHTER | 0:27:08 | 0:27:11 | |
Well, we have an exclusive clip. She's not in it. | 0:27:11 | 0:27:13 | |
-She's not in it. -Er... LAUGHTER | 0:27:13 | 0:27:15 | |
No, this is an exclusive clip of tomorrow night's episode | 0:27:15 | 0:27:18 | |
and this is Doctor and Clara flying in the TARDIS high over London. | 0:27:18 | 0:27:24 | |
The glasses are tracking your eye movements. | 0:27:24 | 0:27:26 | |
Just keep looking straight down and... | 0:27:26 | 0:27:28 | |
I know! Focus on the buildings directly below me. | 0:27:28 | 0:27:32 | |
Whatever they're using, it only hides the street itself. | 0:27:34 | 0:27:38 | |
It prevents you from noticing there's even something missing. | 0:27:38 | 0:27:41 | |
They're somehow making our eyes skate right over it. | 0:27:41 | 0:27:44 | |
Let's call it a misdirection circuit. | 0:27:44 | 0:27:46 | |
RUMBLING | 0:27:46 | 0:27:48 | |
SHE SCREAMS | 0:27:51 | 0:27:52 | |
Clara! | 0:27:52 | 0:27:54 | |
SHE WHOOPS AND LAUGHS | 0:27:54 | 0:27:56 | |
SHE WHOOPS | 0:27:59 | 0:28:00 | |
Hello, London! | 0:28:00 | 0:28:02 | |
SHE LAUGHS | 0:28:07 | 0:28:09 | |
I'm good. | 0:28:10 | 0:28:12 | |
I'm good. | 0:28:14 | 0:28:15 | |
She enjoyed that...way too much. | 0:28:15 | 0:28:18 | |
Tell me about it. It's an ongoing problem. Here. | 0:28:18 | 0:28:22 | |
CHEERING | 0:28:23 | 0:28:25 | |
She may fall. She may fall. | 0:28:26 | 0:28:28 | |
Have you ever done any of that acting? That... | 0:28:29 | 0:28:32 | |
-Oh, that kind of thing? -It's great, isn't it? -No, but I think | 0:28:32 | 0:28:34 | |
I was in London when you were shooting that, because I saw... | 0:28:34 | 0:28:37 | |
LAUGHTER | 0:28:37 | 0:28:38 | |
Now, listen, Tom Hanks, you're famous for being lovely to fans, | 0:28:38 | 0:28:42 | |
-er, that you're very nice... -I tried to be, yeah. | 0:28:42 | 0:28:45 | |
-You're very good. -I try to be. -And, David, you're a big fan, | 0:28:45 | 0:28:48 | |
-but someone else in your family is also a very big fan. -Yes. | 0:28:48 | 0:28:50 | |
My mum's a big fan and we were in a restaurant, | 0:28:50 | 0:28:52 | |
in the River Cafe, probably about seven years ago. | 0:28:52 | 0:28:55 | |
And my mum had drunk a bit too much and she suddenly felt a bit ill and | 0:28:55 | 0:28:59 | |
I led her outside to the tables and you were sat at one of the tables... | 0:28:59 | 0:29:02 | |
-Ooh. -..and she stopped dead and I had to sort of drag her, | 0:29:02 | 0:29:05 | |
like you would a donkey on a beach, away from you. | 0:29:05 | 0:29:08 | |
-She was so excited to see you. -Well, how ill was she? | 0:29:08 | 0:29:10 | |
-You could've stopped by. -She may have thrown up over you! | 0:29:10 | 0:29:13 | |
-Well, that would not have been... -LAUGHTER | 0:29:13 | 0:29:15 | |
-She's here. -She's in the audience. -Tonight. | 0:29:15 | 0:29:17 | |
Let me see if I can figure out who she is. Hmm! | 0:29:17 | 0:29:20 | |
I can see her already. She's blushing, she's smiling! | 0:29:20 | 0:29:23 | |
-Look at her! Look at her! -Oh, my.. -She's gearing to go. -Come here, love! | 0:29:23 | 0:29:26 | |
Come here, darlin'! I see ya! | 0:29:26 | 0:29:28 | |
CHEERING | 0:29:28 | 0:29:30 | |
Give us some loving now! | 0:29:36 | 0:29:38 | |
Aw! | 0:29:38 | 0:29:40 | |
-Give us some sugar! -Oh, she's going for the hug! | 0:29:40 | 0:29:43 | |
Have you been drinking? | 0:29:44 | 0:29:46 | |
You haven't drunk anything? You're totally sober? | 0:29:46 | 0:29:49 | |
-Have you been smoking? -No. -You haven't been smoking? | 0:29:49 | 0:29:51 | |
All right, all right! She's a good mum, isn't she? | 0:29:51 | 0:29:54 | |
-She's a very good mum. -Look at your boy! | 0:29:54 | 0:29:56 | |
-Ain't you proud of your lad down there? -I'm very proud. | 0:29:56 | 0:29:58 | |
-42 million books have been sold! -LAUGHTER | 0:29:58 | 0:30:01 | |
One of these days, he just might win an Oscar! | 0:30:01 | 0:30:06 | |
Very lovely, very lovely to meet you. | 0:30:08 | 0:30:11 | |
Aw! That made her life, that. | 0:30:12 | 0:30:15 | |
Thank you so much. That's so kind of you. | 0:30:15 | 0:30:18 | |
-She's...she's a good mom. -Thank you very much. | 0:30:18 | 0:30:21 | |
-You've got a very good mom. -Cheers. | 0:30:21 | 0:30:23 | |
LAUGHTER | 0:30:23 | 0:30:25 | |
No res... No respect for your mother! | 0:30:25 | 0:30:28 | |
-Was he a good boy? -Yes. | 0:30:30 | 0:30:32 | |
No, come on. Off the record, was he a good boy? | 0:30:32 | 0:30:36 | |
-Sometimes. -Aw! -LAUGHTER | 0:30:36 | 0:30:38 | |
She's showing off now, cos she's met Tom Hanks! | 0:30:38 | 0:30:42 | |
Now, listen, it is time for music. | 0:30:42 | 0:30:45 | |
And, I hesitate to ask, cos this is a sort of little-known thing. | 0:30:45 | 0:30:48 | |
I didn't know, but you are a recording artist. | 0:30:48 | 0:30:52 | |
-Oh, dear. -LAUGHTER | 0:30:52 | 0:30:54 | |
Well, let's say I've been forced | 0:30:54 | 0:30:56 | |
-into the studio at gunpoint on occasion, yes. -Yes! -Yeah?! | 0:30:56 | 0:31:00 | |
No, you went all kind of hip-hop, rappy on us, didn't you? | 0:31:00 | 0:31:04 | |
Yes, I have a... I have a... | 0:31:04 | 0:31:07 | |
I have a rap hit that haunts me for the rest of my days, yes, yes! | 0:31:07 | 0:31:12 | |
-Cos this was you and...and... -Danny Ackroyd! -Danny Ackroyd. | 0:31:12 | 0:31:15 | |
We were promoting Dragnet, a motion picture, in 1987, and we sang. | 0:31:15 | 0:31:20 | |
Of course, everybody can sing along. | 0:31:20 | 0:31:21 | |
-RAPS: -Look out, Streebek You're just in time | 0:31:21 | 0:31:24 | |
We have stumbled into a major crime | 0:31:24 | 0:31:26 | |
She's got the girl all frightened Now, that's not nice! | 0:31:26 | 0:31:29 | |
I think she is the subject of a sacrifice! | 0:31:29 | 0:31:32 | |
Buddy, we're putting this party on ice | 0:31:32 | 0:31:34 | |
But first, you know, we really oughta read 'em their rights | 0:31:34 | 0:31:36 | |
Read 'em their rights Read 'em their rights... | 0:31:36 | 0:31:39 | |
LAUGHTER | 0:31:39 | 0:31:41 | |
-That was, er, that was good! -That was the dance. -And, er... | 0:31:41 | 0:31:44 | |
-APPLAUSE AND CHEERING -That was... | 0:31:44 | 0:31:47 | |
We... Ha! We did, er, a video. It was choreographed by Paula Abdul, | 0:31:47 | 0:31:52 | |
believe it or not, yeah, yeah! Choreographed by Paula Abdul. | 0:31:52 | 0:31:55 | |
And it, er, it was the first thing I'd ever seen on YouTube, | 0:31:55 | 0:32:00 | |
because my kids were asking about it one day and they said, | 0:32:00 | 0:32:03 | |
"Dad, we gotta see this stupid thing! Where is it?" | 0:32:03 | 0:32:06 | |
I said, "Oh, it's on a VHS tape somewhere buried in the basement," | 0:32:06 | 0:32:09 | |
and they pulled out YouTube very quick and there it was. | 0:32:09 | 0:32:12 | |
So my kids now can torture me with this thing. | 0:32:12 | 0:32:15 | |
-All right. Well, thank you very much for doing that. -Yeah! | 0:32:15 | 0:32:18 | |
Now, it is actually time for... No, it's time for MORE music! | 0:32:18 | 0:32:21 | |
Sorry, that was bad! LAUGHTER | 0:32:21 | 0:32:23 | |
Time for even more music! | 0:32:23 | 0:32:26 | |
This supergroup have sold over 100 million records | 0:32:29 | 0:32:31 | |
and filled stadia worldwide | 0:32:31 | 0:32:33 | |
and now, they're back with their 14th album, Paper Gods. | 0:32:33 | 0:32:37 | |
Here performing their single What Are The Chances? | 0:32:37 | 0:32:40 | |
it is the mighty Duran Duran! | 0:32:40 | 0:32:42 | |
CHEERING | 0:32:42 | 0:32:44 | |
# Any other day | 0:32:51 | 0:32:53 | |
# You might have gone walking by | 0:32:53 | 0:32:56 | |
# Without a second look | 0:32:58 | 0:33:01 | |
# Any other way | 0:33:03 | 0:33:05 | |
# But I'm still mystified | 0:33:05 | 0:33:08 | |
# I'm just trying to change my luck | 0:33:10 | 0:33:12 | |
# Staring out the world | 0:33:14 | 0:33:17 | |
# Awaiting for the one | 0:33:17 | 0:33:20 | |
# But the world won't look away | 0:33:21 | 0:33:24 | |
# The world does not explain | 0:33:26 | 0:33:29 | |
# So-o-o-o... | 0:33:30 | 0:33:35 | |
# What are the chances? | 0:33:35 | 0:33:40 | |
# We'll never know | 0:33:40 | 0:33:46 | |
# If we take it for granted | 0:33:46 | 0:33:52 | |
# A diamond explodes | 0:33:52 | 0:33:57 | |
# What are the cha-a-ances? | 0:33:58 | 0:34:06 | |
# Playing with your life | 0:34:13 | 0:34:15 | |
# Or is it destiny... | 0:34:15 | 0:34:18 | |
# ..which sets you on a path? | 0:34:20 | 0:34:22 | |
# Is it out of choice | 0:34:24 | 0:34:26 | |
# That you're here next to me? | 0:34:26 | 0:34:30 | |
# Or just the aftermath... | 0:34:31 | 0:34:34 | |
# ..of moments as they pass? | 0:34:36 | 0:34:39 | |
# So... | 0:34:40 | 0:34:45 | |
# What are the chances? | 0:34:45 | 0:34:49 | |
# We'll never know | 0:34:50 | 0:34:55 | |
# If we take it for granted | 0:34:55 | 0:35:02 | |
# A diamond explodes | 0:35:02 | 0:35:08 | |
# What are the chances? | 0:35:08 | 0:35:15 | |
# So... | 0:35:39 | 0:35:43 | |
# What are the chances? | 0:35:43 | 0:35:47 | |
# We'll never know | 0:35:49 | 0:35:54 | |
# If we take it for granted | 0:35:54 | 0:36:00 | |
# A diamond explodes | 0:36:00 | 0:36:06 | |
# What are the chances? | 0:36:06 | 0:36:11 | |
# We are lost in the flow | 0:36:11 | 0:36:17 | |
# And looking for answers | 0:36:17 | 0:36:22 | |
# Oh, oh, oh, oh! # | 0:36:22 | 0:36:25 | |
APPLAUSE AND CHEERING | 0:36:28 | 0:36:30 | |
Beautiful! | 0:36:32 | 0:36:33 | |
Duran Duran, everybody! | 0:36:35 | 0:36:37 | |
Come join us. Come join us, do! | 0:36:37 | 0:36:40 | |
There you go. You're very welcome. Have a seat. Lovely to see you. | 0:36:40 | 0:36:45 | |
Hello! Lovely to see you. | 0:36:45 | 0:36:46 | |
-SIMON: -All right, David? -You all right? -Good to see you. | 0:36:46 | 0:36:49 | |
Welcome to the show. Come and sit down. | 0:36:49 | 0:36:52 | |
Everybody chatting! | 0:36:52 | 0:36:55 | |
Lovely, lovely, lovely, lovely. | 0:36:55 | 0:37:00 | |
If you... OVERLAPPING CHATTER | 0:37:00 | 0:37:02 | |
-TOM HANKS: -It's a good life lesson. -We want to know about that. -Yeah? | 0:37:02 | 0:37:05 | |
Don't squeeze too far. There we go, OK. | 0:37:05 | 0:37:07 | |
It came to pass, because, the very first time I came to London, | 0:37:07 | 0:37:10 | |
the football scores were on in the morning | 0:37:10 | 0:37:13 | |
and it was all these cities I didn't quite understand. | 0:37:13 | 0:37:16 | |
Where is Stoke? Where is...where is Blatsworth? | 0:37:16 | 0:37:18 | |
Where is Slough? I didn't know. | 0:37:18 | 0:37:20 | |
And then along came the score. "And Aston Villa..." | 0:37:20 | 0:37:23 | |
I said, "Aston Villa! | 0:37:23 | 0:37:25 | |
"What a beautiful-sounding vacation paradise!" | 0:37:25 | 0:37:28 | |
LAUGHTER | 0:37:28 | 0:37:29 | |
-It seems so Roman! -Yeah, it does! -Slightly Roman! | 0:37:29 | 0:37:32 | |
Lay in the sun and they'll bring me a pina colada | 0:37:32 | 0:37:34 | |
and I'll just spend two weeks in Aston Villa. | 0:37:34 | 0:37:37 | |
LAUGHTER | 0:37:37 | 0:37:38 | |
-If only you knew. Well, you do now! -Well, I do now, yeah! | 0:37:38 | 0:37:42 | |
-And I'm still with them! -Yeah! -In and out. | 0:37:42 | 0:37:44 | |
-Unlucky! -LAUGHTER | 0:37:44 | 0:37:47 | |
Er, Paper Gods is the new album, which is out now! | 0:37:47 | 0:37:50 | |
On this album, you've collaborated with other people, haven't you? | 0:37:50 | 0:37:54 | |
-Like Mark Ronson, people like that? -Yeah. | 0:37:54 | 0:37:55 | |
Now, I read somewhere - who was resistant? | 0:37:55 | 0:37:57 | |
Who thought, "We must not collaborate, | 0:37:57 | 0:37:59 | |
"we are Duran Duran, keep it pure"? | 0:37:59 | 0:38:01 | |
Well, I've been...I've been holding on to the microphone very jealously | 0:38:01 | 0:38:05 | |
-for about 30 years, maybe more. -It's call job insecurity. | 0:38:05 | 0:38:08 | |
-LAUGHTER -Yeah. And, um... | 0:38:08 | 0:38:10 | |
I just, I never wanted... | 0:38:10 | 0:38:12 | |
Whenever you do a collaboration, it's always a vocal collaboration, | 0:38:12 | 0:38:15 | |
and I just thought I'm going to get sidelined | 0:38:15 | 0:38:17 | |
and end up the backing vocalist of Duran Duran. | 0:38:17 | 0:38:19 | |
Nothing wrong with the backing vocals, by the way. | 0:38:19 | 0:38:21 | |
-LAUGHTER -But, um... -See, they're gone! | 0:38:21 | 0:38:24 | |
Not on the couch, are they? No! | 0:38:25 | 0:38:27 | |
LAUGHTER | 0:38:27 | 0:38:29 | |
Even the drummer made it with his own stool, but he made it! | 0:38:29 | 0:38:33 | |
-APPLAUSE -We could use some drums! | 0:38:34 | 0:38:36 | |
That's what happens when you're the drummer! | 0:38:36 | 0:38:38 | |
And it's not just an album, there's going to be a tour. | 0:38:39 | 0:38:42 | |
And what's it like touring now? | 0:38:42 | 0:38:44 | |
It must be very different to touring before. | 0:38:44 | 0:38:47 | |
Well, when we used to get stuck on the motorway in the snow, | 0:38:47 | 0:38:51 | |
we'd have to find a red phone box, stop the car, | 0:38:51 | 0:38:54 | |
get out, someone would get into the phone box | 0:38:54 | 0:38:56 | |
and we'd say, "Hey, looks like we could be two hours or four hours." | 0:38:56 | 0:39:00 | |
"We'll see you when we get there." | 0:39:00 | 0:39:02 | |
Now, actually, you send a text and you say, | 0:39:02 | 0:39:05 | |
"Well, we're two hours and 22 minutes away." | 0:39:05 | 0:39:07 | |
Then you send another text saying, | 0:39:07 | 0:39:09 | |
"We're about two hours and 18 minutes away." | 0:39:09 | 0:39:11 | |
-It's communication... -That's quite amazing, actually, cos | 0:39:11 | 0:39:14 | |
when you say, "What's the difference between touring now and then?" | 0:39:14 | 0:39:17 | |
red phone boxes was not what sprung to my mind. | 0:39:17 | 0:39:20 | |
LAUGHTER | 0:39:20 | 0:39:22 | |
Nor mine! | 0:39:22 | 0:39:24 | |
Very quickly, the album cover... The album cover is beautiful. | 0:39:25 | 0:39:29 | |
And by the way, how very Shoreditch of me, | 0:39:29 | 0:39:32 | |
I have a vinyl copy. Um... | 0:39:32 | 0:39:34 | |
The...the... | 0:39:34 | 0:39:37 | |
-The artwork relates to various bits of your past. -Yeah. | 0:39:37 | 0:39:42 | |
And, on the sofa - we've talked about fans tonight - | 0:39:42 | 0:39:45 | |
on the sofa is a super Duran Duran fan. | 0:39:45 | 0:39:48 | |
-Tom? Really? -ROGER: Which one is it? | 0:39:48 | 0:39:50 | |
LAUGHTER | 0:39:50 | 0:39:52 | |
No, it's David Walliams. | 0:39:52 | 0:39:54 | |
-I did... -Well, I knew THAT! | 0:39:54 | 0:39:56 | |
I did my project in music at school on you guys. | 0:39:56 | 0:40:00 | |
I had lots of facts. | 0:40:00 | 0:40:02 | |
Like "Simon Le Bon may sound French, but he's actually from Birmingham." | 0:40:02 | 0:40:06 | |
LAUGHTER | 0:40:06 | 0:40:08 | |
-JOHN: Pinner! -I'm from Pinner! | 0:40:09 | 0:40:11 | |
-Are you? -Yeah. -LAUGHTER | 0:40:11 | 0:40:13 | |
OK, quick test, then - | 0:40:14 | 0:40:16 | |
can you name the albums or videos that these images come from? | 0:40:16 | 0:40:19 | |
We'll start with an easy one. | 0:40:19 | 0:40:21 | |
-View To A Kill. -Yes, even -I -got that. | 0:40:21 | 0:40:23 | |
Er, what about the pink phone? | 0:40:23 | 0:40:26 | |
-Um, is that from the Rio video? -Yes, it is! -Yes! -Wow! | 0:40:26 | 0:40:29 | |
-Good and, actually, so is the cocktail. -Yeah? -Yeah, yeah! | 0:40:29 | 0:40:32 | |
What about the sumo wrestler? | 0:40:32 | 0:40:33 | |
Er, Girls on Film video. | 0:40:33 | 0:40:35 | |
He's good! He's on fire! He's on fire! | 0:40:35 | 0:40:38 | |
What about the, er, the big fangs? | 0:40:38 | 0:40:41 | |
-Er, Wild Boys. -Yeah! -Aw, he's genius! Genius! Very good. | 0:40:41 | 0:40:45 | |
APPLAUSE | 0:40:45 | 0:40:46 | |
Well, listen, good luck with the album. | 0:40:48 | 0:40:50 | |
Good luck with the tour. Duran Duran, everybody. | 0:40:50 | 0:40:53 | |
-Very good! -Thank you! -APPLAUSE AND CHEERING | 0:40:53 | 0:40:55 | |
TOM DROWNED OUT BY CHEERING | 0:40:57 | 0:41:00 | |
Right, before we go, just time for a visit | 0:41:00 | 0:41:02 | |
to the big red chair. Who's there? | 0:41:02 | 0:41:04 | |
-Hello! -Hello! -Hi, what's your name? -I'm Shelley. | 0:41:04 | 0:41:07 | |
-Shelley. And where are you from, Shelley? -Beckenham in Kent. -Lovely. | 0:41:07 | 0:41:10 | |
-Again. -Again! Lovely! -LAUGHTER | 0:41:10 | 0:41:12 | |
Um...er... So many places to enjoy! | 0:41:12 | 0:41:14 | |
-And what do you do there? -I'm a secretary. | 0:41:14 | 0:41:17 | |
-In what sort of firm? -Landscaping. -Oh, landscaping! | 0:41:17 | 0:41:20 | |
You can say that! You won't get fired! Is this about you | 0:41:20 | 0:41:23 | |
-stealing things from the office? -No, it's from an old job. | 0:41:23 | 0:41:26 | |
-OK. Oh, it's your old job? -Yeah. -Let's be very... | 0:41:26 | 0:41:28 | |
-This is not where she works now! -No! No. -OK, off you go with your story. | 0:41:28 | 0:41:33 | |
OK, I used to work for a well-known funeral directors and... | 0:41:33 | 0:41:37 | |
Can I just say? I'm already loving this story. | 0:41:37 | 0:41:39 | |
-LAUGHTER This is going to be good! OK! -OK. | 0:41:39 | 0:41:43 | |
So, one day, an elderly gentleman was brought into the chapel of rest. | 0:41:43 | 0:41:47 | |
Um, and he had taken a Viagra pill... | 0:41:47 | 0:41:51 | |
-Oh! -..and unfortunately passed away by making passionate love | 0:41:51 | 0:41:55 | |
to his young dollybird of a wife. | 0:41:55 | 0:41:58 | |
The next day, when we went to obviously put the coffin lid on, | 0:41:58 | 0:42:02 | |
-there was... -No! | 0:42:02 | 0:42:04 | |
HUGE LAUGHTER No! This could not be true! | 0:42:04 | 0:42:06 | |
It's very true. | 0:42:06 | 0:42:08 | |
Unfortunately, he wasn't the only thing that was stiff. | 0:42:08 | 0:42:11 | |
APPLAUSE AND LAUGHTER | 0:42:11 | 0:42:14 | |
-BOING! -You know, he'd just got out of jail! He's a hardened criminal! | 0:42:14 | 0:42:17 | |
-TOM: -A hardened criminal! You're bad! | 0:42:19 | 0:42:22 | |
-That's incredible! -Very true. -Well, I... | 0:42:22 | 0:42:25 | |
Well, I dread to... I'm going to ask. What did you do? | 0:42:25 | 0:42:29 | |
-LAUGHTER -Er... -Did you put a Bible on it? | 0:42:29 | 0:42:32 | |
-Was it a...? -We had major problems putting the lid on, put it this way. | 0:42:32 | 0:42:36 | |
Yeah, all right! I think she can walk. | 0:42:36 | 0:42:38 | |
-It's a fantastic testament to Viagra, isn't it? -It actually is! | 0:42:38 | 0:42:42 | |
-Yes! -That is right. "I'm dead!" -Even in death! -Yeah! | 0:42:42 | 0:42:46 | |
-You can walk. You can walk. -Thank you. | 0:42:48 | 0:42:50 | |
-Well done! -Yay! -Well done! CHEERING | 0:42:50 | 0:42:52 | |
Well done in the big red chair! | 0:42:53 | 0:42:55 | |
If you'd like to join us on the show and have a go in that chair, you can. | 0:42:55 | 0:42:59 | |
Contact us via our website at this very address. | 0:42:59 | 0:43:02 | |
Ladies and gentlemen, that is it for tonight. | 0:43:02 | 0:43:04 | |
Please say thank you to all my guests - Duran Duran! | 0:43:04 | 0:43:07 | |
-APPLAUSE AND CHEERING -Thank you! Thank you! | 0:43:07 | 0:43:09 | |
David Walliams! APPLAUSE AND CHEERING | 0:43:09 | 0:43:13 | |
Peter Capaldi! APPLAUSE AND CHEERING | 0:43:13 | 0:43:15 | |
And Mr Tom Hanks! | 0:43:15 | 0:43:18 | |
APPLAUSE AND HUGE CHEER | 0:43:18 | 0:43:20 | |
-Holy cow! -It's so sensitive! -I don't know how that happened! | 0:43:20 | 0:43:25 | |
-Oh, my God! -It's incredible! | 0:43:25 | 0:43:27 | |
Join me next week with music from The Corrs and a sofa of acting royalty. | 0:43:28 | 0:43:34 | |
We've got James McAvoy, Daniel Radcliffe, | 0:43:34 | 0:43:36 | |
Benedict Cumberbatch and Johnny Depp. | 0:43:36 | 0:43:39 | |
-AUDIENCE: -Ooh! -I'll see you then. | 0:43:39 | 0:43:40 | |
Goodnight, everybody! Bye-bye! | 0:43:40 | 0:43:42 |