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A show of two halves tonight. On one hand, Victor Frankenstein stars | 0:00:02 | 0:00:04 | |
Daniel Radcliffe and James McAvoy. | 0:00:04 | 0:00:07 | |
On the other hand, Black Mass stars Johnny Depp and Benedict Cumberbatch. | 0:00:07 | 0:00:11 | |
It's monsters V mobsters! Let's start the show! | 0:00:11 | 0:00:15 | |
This programme contains some strong language | 0:00:19 | 0:00:26 | |
Oh, too kind! Too kind! | 0:00:31 | 0:00:34 | |
Too kind! Thank you very much. | 0:00:34 | 0:00:37 | |
Thank you very much! Good evening and welcome! Lots of excitement tonight. | 0:00:37 | 0:00:40 | |
Yes, in a minute, Johnny and Benedict will be here, ladies and gentlemen. | 0:00:40 | 0:00:44 | |
CHEERING Yes, they will! | 0:00:44 | 0:00:46 | |
Calm down. Calm down, Cumberbitches | 0:00:49 | 0:00:52 | |
and Depp - I don't know what Depp's are. Depprobates? I don't know. | 0:00:52 | 0:00:56 | |
Later, I'll be joined by the stars of the new movie Victor Frankenstein - | 0:00:56 | 0:00:59 | |
James McAvoy and Daniel Radcliffe will be here, | 0:00:59 | 0:01:01 | |
ladies and gentlemen, yes, they will. CHEERING | 0:01:01 | 0:01:04 | |
James plays Dr Frankenstein | 0:01:08 | 0:01:11 | |
and Daniel is his assistant, Igor. You know Igor. | 0:01:11 | 0:01:15 | |
Here's a picture of Daniel | 0:01:15 | 0:01:17 | |
with the instructions for building the monster. | 0:01:17 | 0:01:20 | |
You know what it's like, they're never easy to follow, are they? No. | 0:01:20 | 0:01:24 | |
LAUGHTER "Finished!" | 0:01:24 | 0:01:27 | |
That's all to come, plus music from the fabulous Corrs! | 0:01:27 | 0:01:30 | |
The Corrs are back! CHEERING | 0:01:30 | 0:01:33 | |
But, first, he's the Oscar-nominated star who's won legions of fans | 0:01:33 | 0:01:37 | |
from his roles in Star Trek, The Hobbit and The Imitation Game and, | 0:01:37 | 0:01:40 | |
of course, his tour de force as Sherlock Holmes. | 0:01:40 | 0:01:43 | |
Please welcome Benedict Cumberbatch! | 0:01:43 | 0:01:45 | |
CHEERING AND APPLAUSE | 0:01:45 | 0:01:48 | |
Hello, sir. How nice to see you. | 0:01:48 | 0:01:50 | |
Welcome. Thank you very much for doing this. | 0:01:50 | 0:01:54 | |
And one of our most brilliant and versatile actors, playing characters | 0:01:54 | 0:01:58 | |
from Edward Scissorhands to Willy Wonka and Captain Jack Sparrow, | 0:01:58 | 0:02:02 | |
currently getting the best reviews of his career in the new mobster biopic | 0:02:02 | 0:02:05 | |
Black Mass, it is Johnny Depp, everybody! | 0:02:05 | 0:02:08 | |
CHEERING AND APPLAUSE Yes, it is! | 0:02:08 | 0:02:12 | |
Wow! | 0:02:12 | 0:02:14 | |
Hello, sir, lovely to see you. Sit down. | 0:02:15 | 0:02:19 | |
CHEERING AND APPLAUSE CONTINUES | 0:02:21 | 0:02:25 | |
You're both very welcome. Lovely to see you both. | 0:02:28 | 0:02:31 | |
-Thank you very much. -Thank you. -I feel like we're so far apart. | 0:02:31 | 0:02:34 | |
Snuggle, snuggle. There you go. | 0:02:34 | 0:02:37 | |
That's adorable. | 0:02:37 | 0:02:39 | |
Ladies and gentlemen, before we do another thing, | 0:02:39 | 0:02:42 | |
we should congratulate you, Benedict Cumberbatch. | 0:02:42 | 0:02:44 | |
-The last time you were here, since then, you've become a daddy. -I have. | 0:02:44 | 0:02:48 | |
-CHEERING AND WHOOPING -Thank you very much. | 0:02:48 | 0:02:51 | |
And a husband as well. | 0:02:52 | 0:02:54 | |
-Of course, you got married. -Yes. I did both things. | 0:02:54 | 0:02:57 | |
-And in the right order. Well done. -Just. | 0:02:57 | 0:03:02 | |
Was it a Cumber-boy or a Cumber-girl? | 0:03:02 | 0:03:05 | |
It is a Cumber-boy. | 0:03:05 | 0:03:06 | |
LAUGHTER | 0:03:06 | 0:03:08 | |
-Lovely. -A Cumberbatch boy. -He's aiming for a batch. | 0:03:08 | 0:03:14 | |
-He'll go for a batch. -I might go for a batch of Cumbers. -Yeah. -Yeah. | 0:03:14 | 0:03:17 | |
I'll just have a batch right now. | 0:03:17 | 0:03:19 | |
Cheers. | 0:03:21 | 0:03:22 | |
Cheers, sir, cheers. Yes, cheers. | 0:03:22 | 0:03:26 | |
CHEERING AND APPLAUSE | 0:03:26 | 0:03:30 | |
It's like we're on a balcony looking at people in the streets. Well done. | 0:03:33 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:40 | |
In New Orleans. | 0:03:40 | 0:03:43 | |
Johnny, you've spent a lot of time in London. | 0:03:43 | 0:03:45 | |
Is this a kind of home from home? No. | 0:03:45 | 0:03:49 | |
You asked the question and then you said no. | 0:03:49 | 0:03:53 | |
It's sort of a no-yes, really. | 0:03:53 | 0:03:55 | |
I end up here a lot, working. | 0:03:55 | 0:03:58 | |
A lot of location stuff here. | 0:03:58 | 0:04:00 | |
-Well, you're very welcome. -Thank you very much. | 0:04:00 | 0:04:03 | |
I was trying to get the, you know, the sir thing. | 0:04:03 | 0:04:07 | |
Yes! Sir Johnny Depp. | 0:04:07 | 0:04:10 | |
Have you met any royalty along the way? | 0:04:10 | 0:04:12 | |
Yeah, I did, yeah. Prince Charles and, um... | 0:04:12 | 0:04:17 | |
The other one. | 0:04:17 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:21 | |
That one. | 0:04:21 | 0:04:24 | |
Came to the premiere of Finding Neverland. | 0:04:24 | 0:04:28 | |
-Oh, OK. -Yeah. And I, sort of, shook his hand. | 0:04:28 | 0:04:33 | |
He was, sort of, "Oh, rather." | 0:04:34 | 0:04:38 | |
I didn't understand a word he said. | 0:04:39 | 0:04:42 | |
And I don't think that he understood a word I said. | 0:04:42 | 0:04:46 | |
So it wasn't very meaningful, necessarily. | 0:04:46 | 0:04:50 | |
And "that one..." | 0:04:50 | 0:04:53 | |
seemed nice, actually. | 0:04:53 | 0:04:55 | |
-She did. -I think the knighthood's in the post. -Yeah. | 0:04:55 | 0:05:00 | |
The weird thing is, when you search online for people who have taken | 0:05:00 | 0:05:05 | |
selfies and stuff with your good self, Johnny Depp, | 0:05:05 | 0:05:08 | |
it seems it's not that hard to look like Johnny Depp. | 0:05:08 | 0:05:12 | |
-This is just... -Wow. That's a bold claim. | 0:05:12 | 0:05:16 | |
No, no, wait. Here are some people out for the night. | 0:05:16 | 0:05:20 | |
"Oh, my God! Just met Johnny Depp and fed him a hot dog." | 0:05:20 | 0:05:24 | |
LAUGHTER AND APPLAUSE | 0:05:24 | 0:05:28 | |
-As long as she's happy. She's happy. -She's very, very happy. | 0:05:33 | 0:05:37 | |
Obviously, you're here to talk about Black Mass, which is terrific. | 0:05:37 | 0:05:41 | |
And the thing is, in Boston, when you were there, | 0:05:41 | 0:05:44 | |
it must have caused a sensation, | 0:05:44 | 0:05:46 | |
but then, double the chaos, because, Benedict Cumberbatch, | 0:05:46 | 0:05:49 | |
-wherever you go, you have very ardent fans. MUFFLED: -I do. | 0:05:49 | 0:05:53 | |
-He said, "I do." -I said I do. | 0:05:54 | 0:05:56 | |
Via the medium of a gin and tonic, I said I do, yes. | 0:05:56 | 0:05:59 | |
And somebody saw Benedict on location in Boston. | 0:05:59 | 0:06:02 | |
We've got a picture of you on set that day. | 0:06:02 | 0:06:05 | |
And so, she saw Benedict | 0:06:05 | 0:06:07 | |
and immediately rushed home and went on to Reddit. | 0:06:07 | 0:06:11 | |
She goes, "I saw BostonBatch," cos that's your name in Boston. | 0:06:11 | 0:06:16 | |
-It's an adaptable surname. -Yes. "I saw Boston Batch this morning. | 0:06:16 | 0:06:19 | |
"Bury me in a Y-shaped coffin for I am deaded." | 0:06:19 | 0:06:22 | |
So, she writes, "Bitches, he is fine." | 0:06:22 | 0:06:25 | |
LAUGHTER | 0:06:25 | 0:06:27 | |
"He was wearing the blue hat, a dark blue polo shirt, | 0:06:27 | 0:06:29 | |
"the grey pants and white shoes. | 0:06:29 | 0:06:31 | |
"He's taller than I thought - I suspected he was about 5'11" | 0:06:31 | 0:06:34 | |
-"wannabe six-footer..." -How dare you! | 0:06:34 | 0:06:37 | |
"..and ripped." | 0:06:37 | 0:06:39 | |
LAUGHTER | 0:06:39 | 0:06:41 | |
"Like, really much more muscly than I was expecting. | 0:06:41 | 0:06:45 | |
"Those arms, dat ass..." | 0:06:45 | 0:06:48 | |
LAUGHTER AND CHEERING | 0:06:48 | 0:06:51 | |
"..and the arm veins were in full effect. Popping. | 0:06:51 | 0:06:54 | |
"There was not an ounce of fat on that man, it's all muscle, | 0:06:54 | 0:06:57 | |
"sinewy, wholesome goodness. | 0:06:57 | 0:06:59 | |
"And the hat looks better in real life, too." | 0:06:59 | 0:07:04 | |
-What was wrong with the hat? -The last paragraph is where | 0:07:04 | 0:07:07 | |
you just kind of think, "Whoa." | 0:07:07 | 0:07:09 | |
"I couldn't smell him. | 0:07:09 | 0:07:12 | |
"I really tried. | 0:07:12 | 0:07:15 | |
"He was so close that, had he been wearing cologne, | 0:07:15 | 0:07:17 | |
"I think I would've been able to tell. | 0:07:17 | 0:07:19 | |
"Just the lightest Cumbermusk in the Boston sunshine." | 0:07:19 | 0:07:23 | |
LAUGHTER AND APPLAUSE Are you getting it, Johnny? | 0:07:23 | 0:07:27 | |
Cumbermusk. | 0:07:27 | 0:07:28 | |
I must waft my musk in your general direction. | 0:07:31 | 0:07:34 | |
I gotta tell you, I can finally admit that I wrote that. | 0:07:34 | 0:07:38 | |
LAUGHTER AND APPLAUSE | 0:07:38 | 0:07:41 | |
It's true. | 0:07:41 | 0:07:43 | |
Driving me wild. | 0:07:43 | 0:07:45 | |
My popping veins in my arms... | 0:07:45 | 0:07:49 | |
We must talk about Black Mass. This movie... | 0:07:49 | 0:07:53 | |
CHEERING | 0:07:53 | 0:07:55 | |
..it's kind of an instant classic. | 0:07:55 | 0:07:57 | |
It's had brilliant, brilliant reviews. | 0:07:57 | 0:07:59 | |
It's out now and it's the true story about mobster Whitey Bulger and, | 0:07:59 | 0:08:03 | |
Johnny, you play Whitey Bulger. | 0:08:03 | 0:08:05 | |
Were you aware... In this country, I'd never heard of Whitey Bulger. | 0:08:05 | 0:08:08 | |
-Is he famous in America? Did you know about him? -He is. | 0:08:08 | 0:08:11 | |
There was a sort of fascination | 0:08:11 | 0:08:15 | |
with Mr Bulger. | 0:08:15 | 0:08:18 | |
He ran south Boston | 0:08:18 | 0:08:22 | |
for a number of years as this... | 0:08:22 | 0:08:28 | |
Well, gangster, you know. | 0:08:28 | 0:08:31 | |
Meanwhile, his brother was state senator | 0:08:31 | 0:08:34 | |
and very high up in the political ranks. | 0:08:34 | 0:08:38 | |
But, yeah, I just found him fascinating. | 0:08:38 | 0:08:41 | |
The fact that he was able to escape the Feds | 0:08:41 | 0:08:45 | |
and live on the run for 16 years. | 0:08:45 | 0:08:49 | |
When they found him, | 0:08:49 | 0:08:50 | |
he was in a tiny little apartment in Santa Monica. | 0:08:50 | 0:08:53 | |
The walls were filled with all kinds of weapons | 0:08:53 | 0:08:56 | |
and 800,000 in cash. | 0:08:56 | 0:08:59 | |
And he was living, you know, with his girlfriend, feeding cats. | 0:08:59 | 0:09:05 | |
Wow. Watching it, you know it's a true story, but it's sort of | 0:09:05 | 0:09:10 | |
-unbelievable... -Yeah. -..that it was allowed to go on. | 0:09:10 | 0:09:13 | |
If you pitched this as a movie script... | 0:09:13 | 0:09:15 | |
Yeah, cos, actually, Whitey Bulger was in league with the FBI. | 0:09:15 | 0:09:19 | |
He was approached by the character that Joel Edgerton plays | 0:09:19 | 0:09:26 | |
to make a deal with the Feds | 0:09:26 | 0:09:29 | |
to give information about his enemies, | 0:09:29 | 0:09:33 | |
which were from northern Boston, | 0:09:33 | 0:09:36 | |
the Italians, the Cosa Nostra up there. | 0:09:36 | 0:09:40 | |
And they, you know, in a sense, | 0:09:40 | 0:09:43 | |
they gave Jimmy Bulger free rein | 0:09:43 | 0:09:47 | |
to do whatever he had to do. | 0:09:47 | 0:09:50 | |
When you see a picture of him, you don't immediately think, | 0:09:50 | 0:09:53 | |
"Oh, Johnny Depp, what great casting." But your transformation | 0:09:53 | 0:09:56 | |
-is extraordinary in the film. -That's kind, thank you. | 0:09:56 | 0:09:59 | |
That is Johnny Depp. That's not him, that's Johnny Depp. | 0:09:59 | 0:10:03 | |
So, Benedict... | 0:10:03 | 0:10:05 | |
I didn't meet Johnny Depp. I met Whitey Bulger. | 0:10:05 | 0:10:08 | |
We met on the set and they'd been going for a while - | 0:10:08 | 0:10:11 | |
I think almost a month or so. | 0:10:11 | 0:10:13 | |
You know, it was this extraordinary thing. | 0:10:13 | 0:10:16 | |
I didn't meet Johnny Depp, I met Whitey Bulger. | 0:10:16 | 0:10:18 | |
And I only met, physically, what Johnny looks like | 0:10:18 | 0:10:22 | |
almost a year later in England when he was doing something here | 0:10:22 | 0:10:25 | |
and I was in the same studio and I put my head around the corner | 0:10:25 | 0:10:28 | |
and went, "Hello." It set our friendship back about six notches. | 0:10:28 | 0:10:31 | |
I was at the embarrassed, "Oh, my God, I'm meeting Johnny Depp," stage | 0:10:31 | 0:10:34 | |
rather than somebody who'd already just played his brother. | 0:10:34 | 0:10:37 | |
So, for you, it's a challenging thing to play a person from Boston, | 0:10:37 | 0:10:42 | |
but you're playing someone who's | 0:10:42 | 0:10:44 | |
a well-known, well-liked local figure. | 0:10:44 | 0:10:47 | |
-That's a lot of pressure. -It is a bit, it is a bit. | 0:10:47 | 0:10:50 | |
On the first day, I was leading this big St Patrick's Day parade, | 0:10:50 | 0:10:53 | |
which he did as President of the State Senate | 0:10:53 | 0:10:55 | |
and there he is doing it. | 0:10:55 | 0:10:57 | |
And the guy behind me was leading a pipe band. | 0:10:57 | 0:11:00 | |
It was the most amazing day of filming, actually. | 0:11:00 | 0:11:02 | |
It was just this incredible array of people doing very authentic work | 0:11:02 | 0:11:07 | |
from that period in recreating this parade. | 0:11:07 | 0:11:09 | |
And this guy doing the pipes behind me said, "Who are you playing?" | 0:11:09 | 0:11:12 | |
I went, "Billy Bulger." "You look nothing like him." | 0:11:12 | 0:11:16 | |
I'll get back on the plane, then. | 0:11:16 | 0:11:20 | |
In all honesty, I had a couple of prosthetics put on my cheeks to try | 0:11:20 | 0:11:23 | |
and get me a little bit rounder face, cos of my weird long face. | 0:11:23 | 0:11:27 | |
And I was, actually - God bless that woman/Johnny Depp for noticing that | 0:11:27 | 0:11:31 | |
I was quite muscly at the time, because I'd been working out a lot, | 0:11:31 | 0:11:35 | |
cos I'm taller than him, | 0:11:35 | 0:11:36 | |
-to try and look broader so I could try and play squatter. -Oh! | 0:11:36 | 0:11:39 | |
LAUGHTER | 0:11:39 | 0:11:42 | |
That came with a lot of work. I didn't wake up looking like that. | 0:11:42 | 0:11:45 | |
-Does that not make you feel better, though? -Ohh... | 0:11:45 | 0:11:50 | |
Crushed her again. | 0:11:50 | 0:11:52 | |
THEY LAUGH | 0:11:52 | 0:11:55 | |
So, yeah, it was a lot of fun. | 0:11:55 | 0:11:57 | |
It's unbelievable. You're both great in it. | 0:11:57 | 0:12:00 | |
This is a clip from the movie and this is the two of you | 0:12:00 | 0:12:03 | |
-spending some quality family time. -Mm. | 0:12:03 | 0:12:06 | |
Gin. | 0:12:16 | 0:12:18 | |
Come on. Not again. | 0:12:18 | 0:12:20 | |
You're not paying attention. | 0:12:20 | 0:12:23 | |
Can't you see I'm after hearts and you just keep feeding me hearts. | 0:12:23 | 0:12:27 | |
I'm getting creamed over here. | 0:12:27 | 0:12:30 | |
Didn't you learn nothing in prison? | 0:12:30 | 0:12:32 | |
All those hours and no-one taught you how to play gin. | 0:12:32 | 0:12:35 | |
Well, they didn't teach me how to cheat against my mom. | 0:12:35 | 0:12:38 | |
Look, here's my cards, count 'em. | 0:12:38 | 0:12:41 | |
Hey, Ma, did you hear old Mother Burke died over on Baker Street? | 0:12:41 | 0:12:44 | |
-No-one found her for a couple of weeks. -That's right. | 0:12:44 | 0:12:48 | |
When they broke down the door, | 0:12:48 | 0:12:50 | |
the cats had devoured the best part of her. | 0:12:50 | 0:12:53 | |
That's beautiful, Ma. Who's hungry? | 0:12:54 | 0:12:57 | |
I'm out. I got creamed. I'm going to take a nap. Thanks for cheating, Ma. | 0:12:57 | 0:13:01 | |
See you later. | 0:13:01 | 0:13:03 | |
CHEERING AND APPLAUSE | 0:13:03 | 0:13:06 | |
Watching the movie, it happens so fast, you forget it's Johnny Depp. | 0:13:09 | 0:13:14 | |
-It's weird. -I hope so. That's the... | 0:13:14 | 0:13:17 | |
That's the goal, you know. | 0:13:17 | 0:13:19 | |
And, you know, obviously you go through creating characters, | 0:13:19 | 0:13:22 | |
but to come up with something as quirky as Captain Jack... | 0:13:22 | 0:13:27 | |
WHOOPING Yes. | 0:13:27 | 0:13:29 | |
APPLAUSE | 0:13:29 | 0:13:32 | |
But then, to have him be so loved... | 0:13:32 | 0:13:34 | |
and we've seen those pictures of you when you visit hospitals and schools | 0:13:34 | 0:13:39 | |
and that must be an amazing gift to be able to give those people. | 0:13:39 | 0:13:45 | |
I mean, for me, it's the gift. They're giving me the gift, | 0:13:45 | 0:13:48 | |
because to go into a place... | 0:13:48 | 0:13:52 | |
where, you know, I mean... | 0:13:52 | 0:13:55 | |
I've spent time in Great Ormond Street, | 0:13:55 | 0:13:59 | |
where I was the parent, | 0:13:59 | 0:14:02 | |
when my daughter was ill, and it was... | 0:14:02 | 0:14:07 | |
I mean, I've known darkness in my life, | 0:14:07 | 0:14:09 | |
but that was the darkest period ever. | 0:14:09 | 0:14:12 | |
It was when I was doing Sweeney and... | 0:14:12 | 0:14:16 | |
I'd always done these visits, but after that, the visits became | 0:14:16 | 0:14:20 | |
more and more important, | 0:14:20 | 0:14:22 | |
because the kids, bless them, | 0:14:22 | 0:14:26 | |
they're so strong, they're so courageous... | 0:14:26 | 0:14:31 | |
but the parents are the ones who are slowly dying, | 0:14:31 | 0:14:36 | |
and to be able to bring a smile or a giggle to these people... | 0:14:36 | 0:14:42 | |
it means everything in the world to me, you know. Far more than... | 0:14:42 | 0:14:46 | |
APPLAUSE | 0:14:46 | 0:14:49 | |
And, obviously, another great creation, | 0:14:54 | 0:14:56 | |
Benedict's Sherlock Holmes, ladies and gentlemen. | 0:14:56 | 0:14:59 | |
CHEERING AND APPLAUSE | 0:14:59 | 0:15:03 | |
On Mastermind there. 1900s. | 0:15:03 | 0:15:09 | |
I have to ask...I know you can't tell me anything, | 0:15:09 | 0:15:12 | |
-so Christmas, it's back. -Yes. -Is it just one episode at Christmas? | 0:15:12 | 0:15:16 | |
-You can tell me that. -Yes. | 0:15:16 | 0:15:18 | |
Sorry, that was bad. Yes, it's just a one-off Christmas special. | 0:15:18 | 0:15:22 | |
-Is that the one where...? -I rang up the other day and, literally, like, | 0:15:22 | 0:15:25 | |
"No, I can't talk about that, can't talk about that, can't really | 0:15:25 | 0:15:28 | |
"talk about that. Whatever can I talk about on this sofa?" | 0:15:28 | 0:15:31 | |
No, it's great, it's fantastic and I haven't seen it, | 0:15:31 | 0:15:33 | |
so I can't even say that, really. | 0:15:33 | 0:15:35 | |
But is this the one? Cos we've seen some stills - | 0:15:35 | 0:15:38 | |
-this is the one set in... -Old Victorian London, yeah, | 0:15:38 | 0:15:41 | |
the original Conan Doyle setting. | 0:15:41 | 0:15:46 | |
-Fog and all. -And it's one episode? | 0:15:46 | 0:15:48 | |
You'll just have to wait and see. | 0:15:48 | 0:15:50 | |
All right, I did ask! | 0:15:50 | 0:15:52 | |
I can't take it, please! | 0:15:52 | 0:15:55 | |
I beg you! | 0:15:55 | 0:15:57 | |
Now, along with great fame comes great fandom | 0:15:57 | 0:15:59 | |
and along with great fandom come weirdos. | 0:15:59 | 0:16:01 | |
LAUGHTER | 0:16:01 | 0:16:04 | |
We have discussed this on the show before - | 0:16:04 | 0:16:07 | |
I don't know, are you aware of this, Johnny Depp? | 0:16:07 | 0:16:09 | |
That when Benedict became famous, | 0:16:09 | 0:16:12 | |
one of the first things that happened was his fans - this is so random - | 0:16:12 | 0:16:17 | |
his fans decided that he looked very like an otter. Are you aware of this? | 0:16:17 | 0:16:22 | |
I'm sorry? | 0:16:22 | 0:16:24 | |
LAUGHTER | 0:16:24 | 0:16:25 | |
You would think, We've shown these before, these are classics. | 0:16:25 | 0:16:29 | |
-An otter? -Otter, you know, a creature. -Him, an otter? -Yeah. | 0:16:29 | 0:16:32 | |
-He looks like an otter. -I can only imagine what mine would be! | 0:16:32 | 0:16:36 | |
We may find out. Here is a classic otter. | 0:16:36 | 0:16:39 | |
And you think...it does look... | 0:16:39 | 0:16:41 | |
LAUGHTER | 0:16:41 | 0:16:44 | |
Here is a more expressive otter. | 0:16:44 | 0:16:47 | |
And, see? | 0:16:47 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
And this next one you would think, "How can he look like this?" | 0:16:50 | 0:16:53 | |
And here you go, there he is. | 0:16:53 | 0:16:56 | |
-Now... -May I say one thing? -Yes. | 0:16:56 | 0:16:58 | |
Someone has a lot of time on their hands. | 0:16:58 | 0:17:01 | |
You know what's annoying, though? They don't have enough time | 0:17:01 | 0:17:04 | |
on their hands, because there aren't really any more out there. | 0:17:04 | 0:17:07 | |
-So, would you be up for matching some pictures of otters? -Yeah. | 0:17:07 | 0:17:10 | |
I'll return the favour, yes. | 0:17:10 | 0:17:12 | |
AMERICAN ACCENTS: And then, it'll go viral and it'll be great. | 0:17:12 | 0:17:14 | |
-It'll be super. -It'll be amazing. -People will like viral pictures | 0:17:14 | 0:17:17 | |
of me and an otter and will go and see a film about a violent gangster, | 0:17:17 | 0:17:20 | |
-yay! -You know how this works! | 0:17:20 | 0:17:25 | |
I'm sort of scared of otters. | 0:17:25 | 0:17:27 | |
You won't be after... Well, actually, this first otter, | 0:17:27 | 0:17:30 | |
I'm afraid, it's the dark side of the otter kingdom. | 0:17:30 | 0:17:34 | |
This is angry otter. | 0:17:34 | 0:17:36 | |
LAUGHTER | 0:17:36 | 0:17:40 | |
It makes you love otters. Can you do that? Can you try it? | 0:17:40 | 0:17:44 | |
It's good! | 0:17:44 | 0:17:46 | |
LAUGHTER AND APPLAUSE Excellent. | 0:17:46 | 0:17:49 | |
-That's really good. -Was it all right? | 0:17:49 | 0:17:52 | |
OK, this next one is also a slightly aggressive otter. | 0:17:52 | 0:17:56 | |
It's a bit fisty, it's a bit like, "Why I outta...!" | 0:17:56 | 0:18:00 | |
Other way. | 0:18:00 | 0:18:02 | |
LAUGHTER AND APPLAUSE | 0:18:02 | 0:18:05 | |
These are good, these are good. | 0:18:05 | 0:18:08 | |
They start to get more challenging. They start to get more challenging. | 0:18:08 | 0:18:12 | |
What the hell? Can you attempt that? | 0:18:12 | 0:18:15 | |
Yeah. OK... | 0:18:15 | 0:18:18 | |
-Tongue that way. -I go to that one and it's the other way! | 0:18:18 | 0:18:22 | |
This is really weird. | 0:18:22 | 0:18:24 | |
Very good! | 0:18:26 | 0:18:28 | |
LAUGHTER AND APPLAUSE | 0:18:28 | 0:18:30 | |
Now, this is an opportunity for... | 0:18:30 | 0:18:32 | |
Is that casting for my next role as an otter? | 0:18:32 | 0:18:36 | |
No, no, you're in it. You're the star. | 0:18:36 | 0:18:39 | |
This is an opportunity for myself and Johnny | 0:18:39 | 0:18:42 | |
to channel our inner otter. This is a nice three shot. | 0:18:42 | 0:18:45 | |
LAUGHTER | 0:18:45 | 0:18:48 | |
-If you lean in, I'll lean in. -Oh, to me? -Yes, you're in the middle. | 0:18:48 | 0:18:53 | |
-Wait, wait, what's the face on the other...? -OK, OK. | 0:18:53 | 0:18:56 | |
LAUGHTER AND APPLAUSE | 0:18:56 | 0:19:00 | |
Adorable. Adorable. | 0:19:00 | 0:19:02 | |
So then, we found this picture. | 0:19:07 | 0:19:10 | |
We found this picture of an otter, look at this. Look at this. | 0:19:10 | 0:19:15 | |
Let's have a close-up of the face. You've never seen a happier creature | 0:19:15 | 0:19:18 | |
on planet Earth. Look how happy this otter is with his new teddy bear. | 0:19:18 | 0:19:22 | |
LAUGHTER | 0:19:22 | 0:19:23 | |
The teddy bear doesn't look very happy. | 0:19:23 | 0:19:25 | |
No, the teddy bear's quite depressed. | 0:19:25 | 0:19:27 | |
"I've been given to a mammal." | 0:19:27 | 0:19:30 | |
I sent out the command, I picked up my phone and I went, | 0:19:30 | 0:19:33 | |
"We'll need a big teddy bear." | 0:19:33 | 0:19:36 | |
However, the word "big" is relative. | 0:19:36 | 0:19:40 | |
They've gone with a really enormous teddy bear. | 0:19:40 | 0:19:43 | |
-So, it's over there. -Ah! | 0:19:43 | 0:19:45 | |
-LAUGHTER AND APPLAUSE -Wow! | 0:19:45 | 0:19:49 | |
Isn't that amazing? | 0:20:01 | 0:20:03 | |
CHEERING AND APPLAUSE | 0:20:03 | 0:20:08 | |
That is genius. | 0:20:08 | 0:20:10 | |
-I've always wanted to do something... -Oh, oh, oh, oh. | 0:20:10 | 0:20:13 | |
It's just, there's something... I don't know, there's something | 0:20:13 | 0:20:16 | |
about it that makes me want to kind of do this. | 0:20:16 | 0:20:19 | |
Oh! | 0:20:19 | 0:20:21 | |
CHEERING AND APPLAUSE | 0:20:21 | 0:20:25 | |
-Don't kick the bear! -Think I'm a cute otter? | 0:20:32 | 0:20:36 | |
LAUGHTER AND APPLAUSE | 0:20:36 | 0:20:40 | |
Your otter business is over. | 0:20:41 | 0:20:43 | |
That's versatility. | 0:20:45 | 0:20:47 | |
DROWNED OUT BY APPLAUSE | 0:20:47 | 0:20:50 | |
Well done to all the otters. | 0:20:50 | 0:20:53 | |
We're out of time, so all that remains to do is remind everybody | 0:20:53 | 0:20:56 | |
that Black Mass is out now. | 0:20:56 | 0:20:58 | |
It's a stunning, stunning film. You're both so good in it. | 0:20:58 | 0:21:02 | |
Please, go and see it. Huge thank you to Mr Benedict Cumberbatch | 0:21:02 | 0:21:05 | |
and Johnny Depp, everybody. | 0:21:05 | 0:21:07 | |
CHEERING AND APPLAUSE | 0:21:07 | 0:21:10 | |
Right. Right. | 0:21:12 | 0:21:15 | |
My next guests tonight are two | 0:21:15 | 0:21:18 | |
of our finest young actors. | 0:21:18 | 0:21:20 | |
One came to our attention in brilliant films | 0:21:20 | 0:21:22 | |
like the Last King Of Scotland and Atonement, | 0:21:22 | 0:21:25 | |
and then found global acclaim | 0:21:25 | 0:21:27 | |
as the young Professor Xavier in the X-Men series. | 0:21:27 | 0:21:30 | |
The other has made the leap from most successful child actor of all time | 0:21:30 | 0:21:33 | |
to star in movies like the Woman In Black and Kill Your Darlings. | 0:21:33 | 0:21:37 | |
They're now starring together in Victor Frankenstein. Here's a taste. | 0:21:37 | 0:21:41 | |
Victor. | 0:21:41 | 0:21:43 | |
Igor. | 0:21:44 | 0:21:46 | |
-I'm so glad you've come! -Victor, Finnegan tried to have me killed. | 0:21:46 | 0:21:50 | |
I believe he intends to kill you when you've outlived your usefulness | 0:21:50 | 0:21:53 | |
and given him what he wants. | 0:21:53 | 0:21:54 | |
Now, we could still get out of this, but you must stop this experiment. | 0:21:54 | 0:21:57 | |
-Father has sent you. -Don't be ridiculous! | 0:21:57 | 0:22:00 | |
He'll stop at nothing and you don't know what he's capable of. | 0:22:00 | 0:22:03 | |
-I don't care. -What? | 0:22:04 | 0:22:07 | |
Finnegan's motives mean nothing to me. | 0:22:07 | 0:22:09 | |
I will turn the tide of human existence here tonight | 0:22:09 | 0:22:12 | |
and this world, which has spurned me, will forever remember my name. | 0:22:12 | 0:22:18 | |
No, no, if you do what he asks no-one will remember | 0:22:18 | 0:22:20 | |
Frankenstein the man, only the monster. | 0:22:20 | 0:22:22 | |
Ooh, angry face! | 0:22:22 | 0:22:25 | |
Please welcome James McAvoy and Daniel Radcliffe. | 0:22:25 | 0:22:28 | |
CHEERING AND APPLAUSE | 0:22:28 | 0:22:32 | |
INDISTINCT GREETINGS | 0:22:36 | 0:22:40 | |
-Daniel's changed! -I know! -Yes. | 0:22:47 | 0:22:50 | |
-What happened to you? Head lice, what happened? -Yes. Exactly. | 0:22:50 | 0:22:53 | |
I've just finished filming a film called Imperium, | 0:22:53 | 0:22:56 | |
which is about an FBI agent that goes undercover with a bunch of | 0:22:56 | 0:22:59 | |
sort of Nazi skinheads. Well, not sort of Nazi skinheads, | 0:22:59 | 0:23:02 | |
-ACTUAL Nazi skinheads. -It's a musical. | 0:23:02 | 0:23:05 | |
But you're only pretending. | 0:23:05 | 0:23:07 | |
Yes, absolutely. This is in no way reflects my political views. | 0:23:07 | 0:23:11 | |
-James, we have seen you with shaved head. -Oh, yeah. | 0:23:11 | 0:23:15 | |
-Was this for the new X-Men? -Yes, where I finally go bald. | 0:23:15 | 0:23:19 | |
-So we finally find out... -That's what it's called. X-Men - Goes Bald. | 0:23:19 | 0:23:24 | |
Triple X. You know. | 0:23:24 | 0:23:26 | |
Is there a good reason why he goes bald or is it really dull? | 0:23:26 | 0:23:29 | |
He ends up doing something so horrible and so physically painful | 0:23:29 | 0:23:33 | |
he, literally, half pulls his hair out, half it falls out. | 0:23:33 | 0:23:38 | |
-Maybe...or maybe not. -Were you supposed to tell us that? | 0:23:38 | 0:23:42 | |
Yeah, I know. I've just shit myself, | 0:23:42 | 0:23:45 | |
because Fox Studios - who own me - | 0:23:45 | 0:23:48 | |
might be angry with me for saying that. | 0:23:48 | 0:23:51 | |
-There is now a red dot on your forehead. -It might be a prank. | 0:23:51 | 0:23:55 | |
Him and Magneto are just having a couple of drinks. | 0:23:55 | 0:23:57 | |
He passes out and wakes up with his eyebrows shaved off | 0:23:57 | 0:24:00 | |
and his hair and he's got no pubes. | 0:24:00 | 0:24:02 | |
LAUGHTER | 0:24:02 | 0:24:04 | |
Toothpaste on his nipples. You know. We've all done it. | 0:24:04 | 0:24:07 | |
You're here to talk about Victor Frankenstein, | 0:24:07 | 0:24:10 | |
-which opens next Thursday, the 3rd December. -Yes. | 0:24:10 | 0:24:14 | |
Even the movie, cos you start the movie in your voiceover as Igor | 0:24:14 | 0:24:18 | |
and you're saying, "This is a story you know," | 0:24:18 | 0:24:20 | |
-but it is a totally new kind of retelling of this story. -It is. | 0:24:20 | 0:24:24 | |
You know, Frankenstein, I haven't read the book | 0:24:24 | 0:24:26 | |
and I've seen very few of the films other than Young Frankenstein. | 0:24:26 | 0:24:29 | |
He hasn't read the script, either! | 0:24:29 | 0:24:32 | |
It's very good. It's very good. | 0:24:32 | 0:24:34 | |
Yeah, Igor, my character, is not in the book. | 0:24:34 | 0:24:38 | |
That became a part of the legend of Frankenstein in pop culture, | 0:24:38 | 0:24:42 | |
and so if anyone was thinking, when they saw that clip, | 0:24:42 | 0:24:44 | |
"He has no hunchback," don't worry, | 0:24:44 | 0:24:46 | |
there is serious, very severe hunchback going on. | 0:24:46 | 0:24:49 | |
Lovers of hunchback acting will not be disappointed. | 0:24:49 | 0:24:52 | |
This is the movie for you. | 0:24:52 | 0:24:54 | |
"Come for the hunchback, stay for the monster." | 0:24:54 | 0:24:58 | |
It is too late to change the posters? | 0:24:58 | 0:25:01 | |
And I like sort of doing, you know, contorting myself | 0:25:01 | 0:25:05 | |
and doing weird stuff physically - that sounds wrong! | 0:25:05 | 0:25:09 | |
But I do and so, yeah, that was a lot of fun. | 0:25:09 | 0:25:12 | |
Unfortunately, I only have to do it | 0:25:12 | 0:25:14 | |
-for the first 20 pages of the script. -Yes, because who knew | 0:25:14 | 0:25:18 | |
the good doctor "cures" the hunchback. | 0:25:18 | 0:25:21 | |
Lumbago, bunions, cold and flu, hunchback - I'm on it, mate. | 0:25:21 | 0:25:27 | |
It turns out it's disgusting but quite simple. | 0:25:27 | 0:25:30 | |
Yeah, you suck it out. | 0:25:30 | 0:25:32 | |
-My favourite scene in the film. -You don't swallow. You don't swallow. | 0:25:32 | 0:25:37 | |
-You must swallow a bit. -Only to make him feel nice. | 0:25:37 | 0:25:41 | |
Make him feel like I care. | 0:25:41 | 0:25:44 | |
What a good doctor! | 0:25:44 | 0:25:46 | |
"I must go back to him." | 0:25:48 | 0:25:51 | |
Yeah, we had this thing where it was meant to be syringed out. | 0:25:51 | 0:25:54 | |
You stick a big, old medical syringe in and pull it out. | 0:25:54 | 0:25:57 | |
And the minute I read it, I thought I would love to sort of do that, | 0:25:57 | 0:26:01 | |
but also, I had this image of siphoning...when you siphon... | 0:26:01 | 0:26:05 | |
You know when you siphon petrol out of somebody's car? | 0:26:05 | 0:26:08 | |
Have you stolen diesel? | 0:26:08 | 0:26:11 | |
Yes. Not because I was going to use it, just for a laugh. | 0:26:11 | 0:26:14 | |
And I thought we should suck it | 0:26:14 | 0:26:17 | |
and get the pus flowing, as it were. | 0:26:17 | 0:26:22 | |
AUDIENCE GROANS | 0:26:22 | 0:26:23 | |
Can I say, this description is really not as disgusting as it is. | 0:26:23 | 0:26:30 | |
-It's really great. -And then, you're going to get a bit of blowback | 0:26:30 | 0:26:33 | |
in your mouth. | 0:26:33 | 0:26:34 | |
Then, you get it out and you start it flowing and that drains the sack, | 0:26:34 | 0:26:38 | |
as it were. | 0:26:38 | 0:26:40 | |
But there was a great moment - this was not in the script - | 0:26:40 | 0:26:44 | |
James was coming up with it on set | 0:26:44 | 0:26:46 | |
and we were working out the logistics of it and were all like, | 0:26:46 | 0:26:48 | |
"This is great!" And me, James and Paul were getting excited, | 0:26:48 | 0:26:51 | |
like three kids, about this hilarious, gross, | 0:26:51 | 0:26:53 | |
brilliant idea we'd had. And then, I just remember walking off the set | 0:26:53 | 0:26:57 | |
and seeing a couple of producers clearly just thinking, | 0:26:57 | 0:27:00 | |
"What?! We need to separate them!" | 0:27:00 | 0:27:02 | |
This was our first day together on set, by the way. | 0:27:02 | 0:27:06 | |
This is James' first day on set. It was great. | 0:27:06 | 0:27:09 | |
So, now, here's a thing. We know, Daniel Radcliffe, you have | 0:27:09 | 0:27:13 | |
a reputation for being lovely to fans, very sweet, | 0:27:13 | 0:27:15 | |
you give your time freely to them, but I read with interest | 0:27:15 | 0:27:19 | |
that you are starting to toughen up now, | 0:27:19 | 0:27:21 | |
-you're being a bit more discerning with your fans. -Erm... | 0:27:21 | 0:27:25 | |
LAUGHTER | 0:27:26 | 0:27:28 | |
What do you mean? | 0:27:28 | 0:27:30 | |
Well, you were being generally nice, but you were with a friend | 0:27:30 | 0:27:34 | |
-and she kind of went... -Oh, yes, right! | 0:27:34 | 0:27:36 | |
Well, yeah. Well, cos I... | 0:27:36 | 0:27:38 | |
I think when you start acting at a young age, | 0:27:38 | 0:27:42 | |
people expect you to be a total dick all the time, and that is | 0:27:42 | 0:27:46 | |
the expectation you always find yourself coming up against. | 0:27:46 | 0:27:49 | |
And so, I think, all my life, I've worked hard to not be that | 0:27:49 | 0:27:54 | |
and to be as far away from that as possible. | 0:27:54 | 0:27:57 | |
But that has sometimes meant that you can be really rude to me | 0:27:57 | 0:28:00 | |
and I'll just be like, "Yeah, fine." | 0:28:00 | 0:28:04 | |
I won't notice you've been rude. | 0:28:04 | 0:28:08 | |
Sometimes, people will come up... | 0:28:08 | 0:28:11 | |
99% of the time, when people come up to you and ask you for something | 0:28:11 | 0:28:14 | |
on the street, they are really very nice and then just occasionally... | 0:28:14 | 0:28:18 | |
Somebody said, "Can I get a picture with you?" | 0:28:18 | 0:28:21 | |
I just, you know, saying words, not meaning anything by it, | 0:28:21 | 0:28:23 | |
I just said, "Oh, yeah, of course, if you want to." And she just went, | 0:28:23 | 0:28:26 | |
"Well, I wouldn't have asked if I didn't want to." | 0:28:26 | 0:28:28 | |
I was like, "No, of course, you wouldn't. How silly of me." | 0:28:28 | 0:28:32 | |
Then she left. My girlfriend was with me and she was like, | 0:28:32 | 0:28:35 | |
"That girl was a dick to you." | 0:28:35 | 0:28:38 | |
So she's given me a little bit of sense of... | 0:28:38 | 0:28:41 | |
like, you can judge that. Not that I'm a dick back now or anything. | 0:28:41 | 0:28:46 | |
But, apparently, Rupert Grint's even worse than you. | 0:28:46 | 0:28:49 | |
Rupert - I don't know the details of this at all - but Rupert ended up | 0:28:49 | 0:28:53 | |
at somebody's house one night, | 0:28:53 | 0:28:54 | |
just from continuing to say yes to things. | 0:28:54 | 0:28:57 | |
"Hey, do you want to do that? Do you want to do that?" "Yeah, yeah." | 0:28:57 | 0:29:01 | |
-We've all been there, Daniel. -LAUGHTER | 0:29:01 | 0:29:04 | |
I feel bad saying this cos I feel like somebody is going to take | 0:29:04 | 0:29:07 | |
advantage of that and he's going to be like the new | 0:29:07 | 0:29:10 | |
Manchurian candidate or something. | 0:29:10 | 0:29:12 | |
Sometimes people come up to you and they don't mean to be rude, | 0:29:12 | 0:29:16 | |
-but they can be quite rude, can't they, James? -Oh, yeah. | 0:29:16 | 0:29:20 | |
At the premiere of Suffragette - my wife had just been in a film - | 0:29:20 | 0:29:23 | |
and I thought, if anybody calls out my name, I'll sign autographs, | 0:29:23 | 0:29:27 | |
and as it happened, a few people shouted and I did that. | 0:29:27 | 0:29:30 | |
And so this woman was screaming, screaming, screaming, | 0:29:30 | 0:29:33 | |
"James! James! James! Sign my thing, sign my thing, sign my thing!" | 0:29:33 | 0:29:36 | |
And I came over and she went, "Oh, thank you. | 0:29:36 | 0:29:38 | |
"I'm a really big fan of SOME of your work." | 0:29:38 | 0:29:41 | |
LAUGHTER | 0:29:41 | 0:29:44 | |
"Oh, er, I think, yeah. Thank you. I'll sign SOME of your posters." | 0:29:44 | 0:29:49 | |
That was weird. People are trying to be nice. | 0:29:49 | 0:29:53 | |
Sometimes, as well, there's a thing people do, and it is particularly | 0:29:53 | 0:29:58 | |
young men with me, want to do a thing where they want me to know | 0:29:58 | 0:30:03 | |
that they don't give a shit about me before they ask for something. | 0:30:03 | 0:30:07 | |
So they'll be like, "Didn't really like the Harry Potter movies, | 0:30:07 | 0:30:09 | |
"but can you sign this?" | 0:30:09 | 0:30:11 | |
I'm like, "Don't do that! Say a nice thing." It's so easy. | 0:30:11 | 0:30:16 | |
I had one happen really recently at a fancy dress party where, um... | 0:30:16 | 0:30:22 | |
And this is weird, right? | 0:30:22 | 0:30:24 | |
Do you know that thing where people make a list of famous people | 0:30:24 | 0:30:29 | |
that they're allowed to have sex with if they meet them? | 0:30:29 | 0:30:33 | |
-Oh, the free pass. -The free pass. She called it an allowance. | 0:30:33 | 0:30:37 | |
LAUGHTER | 0:30:37 | 0:30:40 | |
I was like, "What, like pocket money? | 0:30:40 | 0:30:42 | |
"How are you going to spend me?" | 0:30:42 | 0:30:44 | |
So...I met her and her fella | 0:30:44 | 0:30:48 | |
and then, she came up and said afterwards, she went, | 0:30:48 | 0:30:51 | |
"So, you're my allowance." | 0:30:51 | 0:30:53 | |
I was like, "I beg your... Excuse me?" | 0:30:53 | 0:30:56 | |
She went, "You know, he's cool with it and you're my thing." | 0:30:56 | 0:30:59 | |
I was like, "Er..." | 0:30:59 | 0:31:01 | |
He's not cool with it, by the way. | 0:31:01 | 0:31:03 | |
By the way, that's a whole other story. | 0:31:03 | 0:31:06 | |
I was really taken aback by it and I was like, | 0:31:06 | 0:31:10 | |
"I'm married but thank you very much, it's very nice of you." | 0:31:10 | 0:31:12 | |
Then she said this thing, it was meant as a compliment and she was | 0:31:12 | 0:31:16 | |
trying to get me to do stuff, but it was still really backhanded. | 0:31:16 | 0:31:19 | |
And she went, "Cos, you know, | 0:31:19 | 0:31:21 | |
"a lot of girls would be after somebody like Channing Tatum." | 0:31:21 | 0:31:24 | |
LAUGHTER AND APPLAUSE | 0:31:24 | 0:31:27 | |
I was like, "Do you know what? You're no gettin' it." | 0:31:27 | 0:31:30 | |
LAUGHTER | 0:31:30 | 0:31:32 | |
Achievable goals. | 0:31:32 | 0:31:35 | |
The thing is, if people want a picture of Daniel and you think, | 0:31:35 | 0:31:40 | |
"I'm never going to meet Daniel Radcliffe," don't worry. | 0:31:40 | 0:31:44 | |
Because have you seen - you like the internet - | 0:31:44 | 0:31:46 | |
have you seen this thing on Reddit? | 0:31:46 | 0:31:48 | |
I've been made aware of this, I think. Is this time travelling me? | 0:31:48 | 0:31:52 | |
Yeah, the Daniel Radcliffe time traveller. | 0:31:52 | 0:31:55 | |
-People post old photographs and... -I look like everyone... -You really do. | 0:31:55 | 0:32:00 | |
So people post old photographs and you have to scan them very carefully | 0:32:00 | 0:32:04 | |
to see if you can manage to spot who in the photograph | 0:32:04 | 0:32:09 | |
looks like Daniel Radcliffe. | 0:32:09 | 0:32:11 | |
So, can you spot Daniel Radcliffe time traveller in this picture? | 0:32:11 | 0:32:16 | |
LAUGHTER | 0:32:16 | 0:32:18 | |
Got him! | 0:32:18 | 0:32:20 | |
LAUGHTER AND APPLAUSE | 0:32:20 | 0:32:25 | |
The next one is easier because there are three people. | 0:32:25 | 0:32:28 | |
Can you see which of the three people is Daniel Radcliffe time traveller? | 0:32:28 | 0:32:34 | |
LAUGHTER | 0:32:35 | 0:32:38 | |
-That is you! -Pictures of me, particularly when I was younger, | 0:32:40 | 0:32:43 | |
that is very, very, very close to how I was. | 0:32:43 | 0:32:46 | |
And if Daniel Radcliffe ever went on Who Do You Think You Are? | 0:32:46 | 0:32:49 | |
At some point, surely this photograph will come up. | 0:32:49 | 0:32:54 | |
LAUGHTER AND APPLAUSE | 0:32:54 | 0:33:00 | |
Right, it's music time. | 0:33:00 | 0:33:03 | |
This band have sold over 40 million records, | 0:33:03 | 0:33:06 | |
been nominated for two Grammys and now, after ten years | 0:33:06 | 0:33:09 | |
out of the spotlight, they're back with their sixth studio album. | 0:33:09 | 0:33:12 | |
Performing their current single, Bring On The Night, | 0:33:12 | 0:33:15 | |
please welcome the Corrs! | 0:33:15 | 0:33:17 | |
CHEERING AND APPLAUSE | 0:33:17 | 0:33:20 | |
# I read the book you read | 0:33:22 | 0:33:24 | |
# Tasted the words you said | 0:33:24 | 0:33:26 | |
# Our story is darkening with time | 0:33:26 | 0:33:32 | |
# One fading afternoon | 0:33:34 | 0:33:36 | |
# And I'll miss you for ever | 0:33:39 | 0:33:47 | |
# Let's hope we've always summer | 0:33:49 | 0:33:58 | |
# Yeah, bring on the night, I don't care | 0:33:58 | 0:34:01 | |
# Bring on the night, I don't care | 0:34:01 | 0:34:03 | |
# Turn on the dark I'm not scared | 0:34:03 | 0:34:05 | |
# Turn on the dark, I'm not scared | 0:34:05 | 0:34:07 | |
# Wherever it is | 0:34:07 | 0:34:09 | |
# You left me behind | 0:34:09 | 0:34:12 | |
# I'll follow you down | 0:34:12 | 0:34:14 | |
# The path of my broken heart | 0:34:14 | 0:34:18 | |
# Flowers on Edith Grove | 0:34:19 | 0:34:22 | |
# Wilt like a love note | 0:34:22 | 0:34:24 | |
# Every day I'm passing by | 0:34:24 | 0:34:30 | |
# I say a little prayer | 0:34:32 | 0:34:34 | |
# And I'll miss you forever | 0:34:37 | 0:34:45 | |
# Let's hope we've always summer | 0:34:46 | 0:34:55 | |
# Yeah, bring on the night I don't care | 0:34:55 | 0:34:59 | |
# Bring on the night, I don't care | 0:34:59 | 0:35:01 | |
# Turn on the dark, I'm not scared | 0:35:01 | 0:35:03 | |
# Turn on the dark I'm not scared | 0:35:03 | 0:35:05 | |
# Spirit run to a flame | 0:35:05 | 0:35:08 | |
# Ask that I'll see you again | 0:35:08 | 0:35:11 | |
# Yeah, bring on the night I don't care | 0:35:14 | 0:35:17 | |
# Bring on the night, I don't care | 0:35:17 | 0:35:19 | |
# Turn on the dark, I'm not scared | 0:35:19 | 0:35:22 | |
# Turn on the dark I'm not scared | 0:35:22 | 0:35:24 | |
# Wherever it is | 0:35:24 | 0:35:26 | |
# You left me behind | 0:35:26 | 0:35:28 | |
# I'll follow you down | 0:35:28 | 0:35:30 | |
# The path of my broken | 0:35:30 | 0:35:33 | |
# Heart | 0:35:33 | 0:35:37 | |
# Heart | 0:35:37 | 0:35:44 | |
# Heart | 0:35:44 | 0:35:47 | |
# Ohhh | 0:35:47 | 0:35:50 | |
# And I'll miss you for ever | 0:35:51 | 0:35:58 | |
# Let's hope we've always summer | 0:36:00 | 0:36:09 | |
# Yeah, bring on the night, I don't care | 0:36:09 | 0:36:12 | |
# Bring on the night, I don't care | 0:36:12 | 0:36:14 | |
# Turn on the dark, I'm not scared | 0:36:14 | 0:36:17 | |
# Turn on the dark I'm not scared | 0:36:17 | 0:36:19 | |
# Spirit run to a flame | 0:36:19 | 0:36:21 | |
# Ask that I'll see you again | 0:36:21 | 0:36:25 | |
# Yeah, bring on the night I don't care | 0:36:28 | 0:36:31 | |
# Bring on the night, I don't care | 0:36:31 | 0:36:33 | |
# Turn on the dark, I'm not scared | 0:36:33 | 0:36:36 | |
# Turn on the dark I'm not scared | 0:36:36 | 0:36:38 | |
# Wherever it is | 0:36:38 | 0:36:40 | |
# You left me behind | 0:36:40 | 0:36:42 | |
# I'll follow you down | 0:36:42 | 0:36:44 | |
# The path of my broken heart. # | 0:36:44 | 0:36:50 | |
CHEERING AND APPLAUSE | 0:36:50 | 0:36:53 | |
The Corrs, ladies and gentlemen! | 0:36:53 | 0:36:57 | |
Come and join us. | 0:36:57 | 0:36:58 | |
Come on. The Corrs, everybody! | 0:37:00 | 0:37:03 | |
Hello. Welcome back. Welcome back. Welcome back. | 0:37:03 | 0:37:09 | |
INDISTINCT GREETINGS | 0:37:09 | 0:37:14 | |
The gang's all here. | 0:37:14 | 0:37:16 | |
OK, sit down, sit down, sit down. | 0:37:16 | 0:37:19 | |
All right, just sit down! | 0:37:19 | 0:37:21 | |
Just sit down! | 0:37:21 | 0:37:23 | |
So, welcome back, the Corrs. | 0:37:23 | 0:37:25 | |
That is a track from the album White Light, | 0:37:25 | 0:37:28 | |
which, as chance would have it, | 0:37:28 | 0:37:31 | |
is out today. There you go. | 0:37:31 | 0:37:33 | |
APPLAUSE | 0:37:33 | 0:37:37 | |
Got a round of applause! | 0:37:37 | 0:37:40 | |
Are you back because it's ten years? | 0:37:40 | 0:37:42 | |
It wasn't really a plan of ten years or anything like that, | 0:37:42 | 0:37:45 | |
it was kind of Caroline suggested it...last September. | 0:37:45 | 0:37:50 | |
Yeah, I just thought maybe it would be nice thing for us to perform | 0:37:50 | 0:37:55 | |
and write together again, so we finally got it together. | 0:37:55 | 0:37:58 | |
And you are touring, so when does that start? | 0:37:58 | 0:38:00 | |
-We start on the 19th. The 19th of January... -We need the month. | 0:38:00 | 0:38:04 | |
..in Birmingham. | 0:38:04 | 0:38:06 | |
"The 19th." | 0:38:06 | 0:38:08 | |
We're doing London and Dublin and Belfast. Should be great, | 0:38:08 | 0:38:13 | |
we're looking forward to it as well, then, we branch out into Europe | 0:38:13 | 0:38:15 | |
-after that. -Ladies and gentlemen, you look at this couch and you would | 0:38:15 | 0:38:18 | |
be right when you thought, "There are award-winners on that couch," cos, | 0:38:18 | 0:38:22 | |
Andrea, you're the Most Beautiful Woman in the World? | 0:38:22 | 0:38:26 | |
-A lot of years ago! -Stop that! | 0:38:26 | 0:38:28 | |
Untouched by time. | 0:38:28 | 0:38:31 | |
Where did you win the Most Beautiful Woman in the World title? | 0:38:31 | 0:38:35 | |
I don't actually know which poll it was. | 0:38:35 | 0:38:39 | |
Oh, look at her pretending not to remember. | 0:38:39 | 0:38:42 | |
For the last ten years, you've been getting it out going, "Look at that." | 0:38:42 | 0:38:47 | |
Every day, dusting it. | 0:38:47 | 0:38:51 | |
James, you're not the most... | 0:38:51 | 0:38:57 | |
Well... Sorry, I nearly said... | 0:38:57 | 0:38:59 | |
-Whoa, whoa, whoa. -You are ONE of the most Beautiful Men in the World. | 0:38:59 | 0:39:01 | |
Not as beautiful as Channing fucking Tatum. | 0:39:01 | 0:39:04 | |
LAUGHTER AND APPLAUSE | 0:39:04 | 0:39:06 | |
No. No, you are not. | 0:39:06 | 0:39:08 | |
-I'm about to play his boss, by the way, so, you know... -Ooh-ho! | 0:39:08 | 0:39:11 | |
-What's that in? -He's going to be Gambit and I'm Professor X, | 0:39:11 | 0:39:14 | |
so I can tell him to go and like, I don't know, get fat. | 0:39:14 | 0:39:18 | |
-"Eat this." In improv, just bringing doughnuts. -Steady now. | 0:39:18 | 0:39:22 | |
No, food. But, ladies and gentlemen, | 0:39:22 | 0:39:24 | |
most exciting of all, we have a current - a CURRENT - | 0:39:24 | 0:39:28 | |
award winner. Yes, actual 2015's holder of, Daniel Radcliffe? | 0:39:28 | 0:39:34 | |
Rear of the Year. | 0:39:34 | 0:39:36 | |
CHEERING AND WHISTLING | 0:39:36 | 0:39:39 | |
-I carry it with me everywhere I go. -Oh, you have it! -Absolutely! | 0:39:41 | 0:39:45 | |
Yeah, I brought it, obviously. | 0:39:45 | 0:39:47 | |
Where did you get it from? | 0:39:47 | 0:39:49 | |
-Girls, ladies, check it out. -Very nice. | 0:39:49 | 0:39:52 | |
It's too bright to look at. | 0:39:52 | 0:39:55 | |
It's like looking at the sun. | 0:39:55 | 0:39:56 | |
I don't mean this to come across as slightly ungrateful, but do you not | 0:39:56 | 0:40:00 | |
think, like, the Rear of the Year award should look like an arse? | 0:40:00 | 0:40:04 | |
-Like, I don't know... -Like yours, it should be moulded perfectly. | 0:40:04 | 0:40:08 | |
Or like a hand doing that. | 0:40:08 | 0:40:10 | |
LAUGHTER | 0:40:10 | 0:40:12 | |
More like this. | 0:40:12 | 0:40:15 | |
Oh, that's good, I like that. | 0:40:15 | 0:40:17 | |
-But, still, I was chuffed. -Was it a glittering occasion? | 0:40:19 | 0:40:24 | |
No, it was just me in my room, voting again and again. | 0:40:24 | 0:40:28 | |
LAUGHTER | 0:40:28 | 0:40:31 | |
Did you go somewhere to pick it up? | 0:40:31 | 0:40:34 | |
No, I think they sent it to my agent. | 0:40:34 | 0:40:37 | |
-In a padded envelope? -Parcelforce. | 0:40:37 | 0:40:40 | |
-Well done. -"Can you sign for this?" | 0:40:40 | 0:40:43 | |
2016, James, it could be yours. | 0:40:43 | 0:40:46 | |
I'm down the gym, I'm doing my squats. | 0:40:46 | 0:40:49 | |
LAUGHTER | 0:40:49 | 0:40:52 | |
Listen, Corrs, thank you very much for coming back. We missed you, | 0:40:52 | 0:40:54 | |
we're glad you're back. | 0:40:54 | 0:40:56 | |
Good luck with the album, good luck with the tour. The Corrs, everybody. | 0:40:56 | 0:40:59 | |
CHEERING AND APPLAUSE | 0:40:59 | 0:41:02 | |
Before we go, you know what is going to happen now. | 0:41:02 | 0:41:05 | |
Yes, this week's visit to the Big Red Chair. Who's there? | 0:41:05 | 0:41:08 | |
-Hello. -Hello. | 0:41:08 | 0:41:10 | |
-You're on, yeah. Hi, how are you? -Petrified. | 0:41:10 | 0:41:14 | |
Oh, don't be scared. What is your name? | 0:41:14 | 0:41:16 | |
-Sylvia. -lovely. And what do you do, Sylvia? -Sorry?! | 0:41:16 | 0:41:21 | |
LAUGHTER | 0:41:21 | 0:41:24 | |
-What do you do? -Ah, what do I do? I stay at home with my dog. -OK. | 0:41:24 | 0:41:29 | |
LAUGHTER | 0:41:29 | 0:41:32 | |
-Who is looking after the dog tonight? -Oh, God, my husband. | 0:41:32 | 0:41:36 | |
LAUGHTER | 0:41:36 | 0:41:39 | |
She can stay in the chair, as far as I'm concerned. | 0:41:39 | 0:41:42 | |
-Where are you from originally? -I am Peruvian. -Peruvian. -Yes. | 0:41:42 | 0:41:47 | |
-I don't believe we've had a Peruvian on the Red Chair before. -Yes. -Yeah. | 0:41:47 | 0:41:52 | |
So... Yeah, OK. | 0:41:52 | 0:41:55 | |
I'm not an acting coach or anything, I cannot read these expressions. | 0:41:55 | 0:42:01 | |
Her excitement...her face seems so upset. | 0:42:01 | 0:42:03 | |
-I am the first Peruvian to do this ridiculous thing. -OK. | 0:42:03 | 0:42:08 | |
Sylvia, focus. | 0:42:08 | 0:42:10 | |
-You are representing Peru. -OK. -Off you go with your story. | 0:42:10 | 0:42:15 | |
OK, so here we are at Heathrow with my husband and he said to me, | 0:42:15 | 0:42:19 | |
"Go and see which belt number our luggage is coming out." | 0:42:19 | 0:42:23 | |
"OK," I said. "Don't move, stay here." | 0:42:23 | 0:42:26 | |
Off I went, a few steps, came back and said, "Number this." | 0:42:26 | 0:42:30 | |
And then, I felt quite chilly. | 0:42:30 | 0:42:33 | |
Put my arm around him and then, I felt very chilly. | 0:42:33 | 0:42:36 | |
I started putting my hand inside his trouser pocket | 0:42:36 | 0:42:41 | |
when, suddenly, I felt everybody looking at me. Oh, my God. | 0:42:41 | 0:42:46 | |
I lean over, looked to the right and saw these two huge eyes. | 0:42:46 | 0:42:53 | |
They were the wife's eyes and I was embracing the wrong husband! | 0:42:53 | 0:42:58 | |
LAUGHTER AND APPLAUSE | 0:42:58 | 0:43:03 | |
What did you want to do? You wanted that to happen. | 0:43:03 | 0:43:07 | |
Well done, the Big Red Chair. If you would like to join us on the show | 0:43:07 | 0:43:10 | |
and have a go in that red chair, | 0:43:10 | 0:43:12 | |
you can. Contact us via the website at this very address - | 0:43:12 | 0:43:16 | |
That's it. Just a big thank you to my guests tonight - Johnny Depp | 0:43:16 | 0:43:19 | |
and Benedict Cumberbatch. | 0:43:19 | 0:43:21 | |
CHEERING AND APPLAUSE The Corrs. | 0:43:21 | 0:43:23 | |
CHEERING AND APPLAUSE Daniel Radcliffe. | 0:43:23 | 0:43:26 | |
CHEERING AND APPLAUSE And James McAvoy. | 0:43:26 | 0:43:29 | |
CHEERING AND APPLAUSE | 0:43:29 | 0:43:31 | |
Join me next week with comedian Kevin Bridges, | 0:43:31 | 0:43:33 | |
director Ron Howard, Hollywood hunk Chris Hemsworth | 0:43:33 | 0:43:37 | |
and the comedy legend that is Lily Tomlin. | 0:43:37 | 0:43:40 | |
I will see you then. Goodnight, everybody, bye-bye! | 0:43:40 | 0:43:42 |