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Tonight on the show, one of the new stars of Top Gear. Now, Matt, | 0:00:02 | 0:00:04 | |
I've brought along my new Porsche 918 Spyder. What do you think? | 0:00:04 | 0:00:07 | |
-Ooh! Very nice. -Tell you what, why don't you take it for a ride? | 0:00:07 | 0:00:10 | |
-See how it feels. -Yeah? -Get behind the wheel. Do it, do it. | 0:00:10 | 0:00:13 | |
Go on, go on, go on. DO IT! | 0:00:13 | 0:00:16 | |
LAUGHTER | 0:00:16 | 0:00:19 | |
CHEERING AND APPLAUSE | 0:00:23 | 0:00:26 | |
Let's start the show! | 0:00:26 | 0:00:28 | |
Oh! Oh! Oh! | 0:00:44 | 0:00:48 | |
Oh, thank you very much! | 0:00:48 | 0:00:52 | |
Thank you. Thank you, thank you. | 0:00:52 | 0:00:54 | |
Welcome one. Welcome all. Lovely to see you all. | 0:00:54 | 0:01:00 | |
We've got some great guests for you tonight. | 0:01:00 | 0:01:02 | |
Matt LeBlanc's here from the new revamped Top Gear. CHEERING | 0:01:02 | 0:01:05 | |
Yeah! | 0:01:05 | 0:01:07 | |
Very excited about that. And I'm told you can look forward to | 0:01:07 | 0:01:10 | |
seeing all your favourite bits from the old Top Gear. | 0:01:10 | 0:01:12 | |
Well, except for the casual racism and assaulting the producers. | 0:01:12 | 0:01:16 | |
They've binned that. | 0:01:16 | 0:01:18 | |
We've also got one of the biggest stars of the hit Game Of Thrones. | 0:01:18 | 0:01:21 | |
CHEERING AND APPLAUSE Oh, yeah. | 0:01:21 | 0:01:24 | |
A few Throners in. She's not one. | 0:01:26 | 0:01:28 | |
She was like, "What? What's he talking about?" | 0:01:28 | 0:01:31 | |
Plus, later we'll have music from the wonderful Corinne Bailey Rae. | 0:01:31 | 0:01:35 | |
CHEERING AND APPLAUSE Yeah! We love her. She's very good. | 0:01:35 | 0:01:38 | |
All right, let's get some guests on! | 0:01:38 | 0:01:41 | |
First up, this man's breakout role in The History Boys | 0:01:41 | 0:01:43 | |
took him to the West End to the big screen, where he starred in | 0:01:43 | 0:01:46 | |
Mamma Mia, the Need For Speed and now the epic Warcraft: The Beginning. | 0:01:46 | 0:01:49 | |
It is Dominic Cooper! | 0:01:49 | 0:01:51 | |
-There's Dominic Cooper! -Wow! -I know! | 0:01:51 | 0:01:55 | |
They love you. They love you. | 0:01:55 | 0:01:59 | |
Just there. Just on it. | 0:01:59 | 0:02:01 | |
This British actress has starred in a range of films from Much Ado About Nothing to Pearl Harbor, | 0:02:03 | 0:02:08 | |
and is the ass-kicking heroine of the Underworld franchise. | 0:02:08 | 0:02:11 | |
Now she's here with a new Jane Austen adaptation, | 0:02:11 | 0:02:14 | |
Love & Friendship, it's Kate Beckinsale. | 0:02:14 | 0:02:16 | |
Oh! Wow! Oh! | 0:02:16 | 0:02:21 | |
Like a princess. Hello, darling. It's been a very long time! | 0:02:21 | 0:02:25 | |
It's been ages. Hello! | 0:02:25 | 0:02:28 | |
For the last five years, this actress has enjoyed worldwide fame | 0:02:28 | 0:02:31 | |
as Khaleesi in the hit TV series Game Of Thrones. | 0:02:31 | 0:02:34 | |
Now she's back on the big screen in the new romantic weepy | 0:02:34 | 0:02:37 | |
Me Before You. Sweet Mother of Dragons, it's Emilia Clarke! | 0:02:37 | 0:02:41 | |
-Oh! -Hi! | 0:02:41 | 0:02:44 | |
-Hello! -Hello! -Hi. -How are you? | 0:02:44 | 0:02:47 | |
Lovely to see you. Sit down. | 0:02:47 | 0:02:49 | |
All shove up a bit. All shove up a bit. Yeah, do. | 0:02:49 | 0:02:53 | |
And we first fell in love with this man as Joey from Friends, | 0:02:53 | 0:02:56 | |
after which he won a Golden Globe for his hilarious portrayal as himself in Episodes. | 0:02:56 | 0:03:00 | |
Now he's revving up to be the new presenter of Top Gear, | 0:03:00 | 0:03:03 | |
please welcome back to the show Matt LeBlanc! | 0:03:03 | 0:03:06 | |
Oh, yeah! Oh, yeah! | 0:03:06 | 0:03:09 | |
How you doing? Nice to see you. | 0:03:09 | 0:03:11 | |
I actually just said that. | 0:03:11 | 0:03:12 | |
I know...! | 0:03:12 | 0:03:13 | |
-Sit down, sit down, sit down! -Hello! -How are you? | 0:03:16 | 0:03:20 | |
Sitty down. Sitty down. | 0:03:20 | 0:03:23 | |
-I think you can all shove up a bit. -Oh, yeah, yeah, yeah. | 0:03:23 | 0:03:25 | |
-Shall we? -Yes, it looks like a game of two halves. -OK. -Poor Dominic... | 0:03:25 | 0:03:29 | |
-I'm hitting the dangly bit down there. -Oh, don't do that! -Very good. | 0:03:29 | 0:03:33 | |
Very good. You look like you've just been to a showbiz funeral. | 0:03:33 | 0:03:38 | |
We feel desperately ill. | 0:03:38 | 0:03:41 | |
Now, Emilia Clarke, did you get to chat with everyone backstage? | 0:03:41 | 0:03:44 | |
-Erm, yeah, kind of. -Did you get to talk to him? -Yeah, kind of... | 0:03:44 | 0:03:49 | |
# Emilia Clarke loves Matt LeBlanc! # | 0:03:49 | 0:03:53 | |
Hi! Hi! Actually blushing. | 0:03:53 | 0:03:58 | |
Yeah, I just think you're wicked! | 0:03:58 | 0:04:00 | |
Aww! | 0:04:00 | 0:04:03 | |
It's a game of two halves. | 0:04:03 | 0:04:05 | |
I think Dominic's wicked. Baby in the corner. | 0:04:05 | 0:04:09 | |
But actually, now, is it your daughter... | 0:04:09 | 0:04:11 | |
-I'm sure YOU like Matt LeBlanc too, Kate... -Hugely. | 0:04:11 | 0:04:14 | |
-..but your daughter is quite the fan. -Huge fan. | 0:04:14 | 0:04:17 | |
She's a big Friends obsessive. She could go on Master... Are you? | 0:04:17 | 0:04:20 | |
Yes. | 0:04:20 | 0:04:22 | |
Avidly. | 0:04:22 | 0:04:23 | |
Dominic, do you have a relative, a friend who's a fan of Matt's? | 0:04:23 | 0:04:26 | |
Oh, many. Many, many, many. | 0:04:26 | 0:04:28 | |
I think my mum would pass out now | 0:04:28 | 0:04:30 | |
if she knew I was sitting here with you. And I'm obsessed with | 0:04:30 | 0:04:32 | |
the new job you've got, which I really, really wanted. | 0:04:32 | 0:04:35 | |
-Oh, yeah? -I shouldn't have said that out loud, should I? | 0:04:35 | 0:04:38 | |
-I mean, it's the best job in the world. -Working in the coffee shop? | 0:04:38 | 0:04:41 | |
-The other one, the new one. -Top Gear. | 0:04:41 | 0:04:43 | |
And are you returning the favour? Do you watch Game Of Thrones, Matt? | 0:04:43 | 0:04:47 | |
I've watched it the first season, and then I kind of fell out of it, | 0:04:47 | 0:04:50 | |
-and I tried to watch it this season... -That's OK, that's OK. | 0:04:50 | 0:04:52 | |
I don't know what's going on, I can't keep up. | 0:04:52 | 0:04:54 | |
-There's lots of stuff going on, yeah. -There's so much going on. | 0:04:54 | 0:04:57 | |
There is, there really is. It's OK. It's all right. | 0:04:57 | 0:05:01 | |
I could lie, but I don't want to lie on the camera. | 0:05:01 | 0:05:03 | |
No, no, no. You've seen the good bits, you've seen the first season. | 0:05:03 | 0:05:08 | |
Is it all downhill from there? | 0:05:08 | 0:05:10 | |
-What is it? It's season six now. -It's season six! | 0:05:10 | 0:05:12 | |
-And it's bigger than ever. -Yeah. -AUDIENCE MEMBER LAUGHS | 0:05:12 | 0:05:15 | |
Whose laugh is that? | 0:05:15 | 0:05:17 | |
That seriously sounds like a chicken has been released in the studio. | 0:05:17 | 0:05:21 | |
-It's not a real laugh. -It can't be. No. -I was going to stop | 0:05:21 | 0:05:23 | |
because I thought there was a mechanical fault with something. | 0:05:23 | 0:05:27 | |
But that's a human being. | 0:05:27 | 0:05:30 | |
Oh, it's that man there. Oh, right. | 0:05:30 | 0:05:32 | |
Well, I'm glad you're having a nice time. | 0:05:32 | 0:05:34 | |
Yuck it up! | 0:05:34 | 0:05:35 | |
I will watch, I promise. | 0:05:35 | 0:05:38 | |
No, I know. I do have one slight request from you though. | 0:05:38 | 0:05:41 | |
-What's that? -So, would you be able to ask me how I'm doing? | 0:05:41 | 0:05:44 | |
-KATE: -Oh, yes, do that. -CHEERING AND APPLAUSE | 0:05:44 | 0:05:49 | |
You can say no. Everyone will hate you, but you can say no. | 0:05:50 | 0:05:53 | |
No... Yes. | 0:05:53 | 0:05:55 | |
Well, since I haven't been up to speed on the show, I will say... | 0:05:55 | 0:06:00 | |
-Thank you. -..how YOU doin'? | 0:06:00 | 0:06:03 | |
-I caught that from back here. -It works! -Yes, it did. | 0:06:03 | 0:06:07 | |
What was really embarrassing is when Matt walked out, I went, | 0:06:07 | 0:06:10 | |
"How you doing?" And then I was like, "Oh, shut up. | 0:06:10 | 0:06:13 | |
"What are you doing?" | 0:06:13 | 0:06:15 | |
But, now, I don't want to depress, Kate Beckinsale, but you know | 0:06:15 | 0:06:18 | |
the last time we sat and chatted on a show, that was 15 years ago. | 0:06:18 | 0:06:23 | |
-That's a long time. -Isn't it, though? | 0:06:23 | 0:06:25 | |
Was it the show that you had, where...sometimes you'd have someone | 0:06:25 | 0:06:28 | |
phone up and play the recorder with their vagina? | 0:06:28 | 0:06:30 | |
-Yeah, that kind of thing. -I loved that show. | 0:06:30 | 0:06:32 | |
-You should bring that back. -But was it something I said... -What?! | 0:06:32 | 0:06:35 | |
I know, I'm confused. I'm really confused. | 0:06:35 | 0:06:38 | |
Game Of Thrones is missing a trick there. | 0:06:38 | 0:06:42 | |
-That was a lovely idea. -But then you went to America right after that | 0:06:42 | 0:06:46 | |
and never came back, really, did you? | 0:06:46 | 0:06:47 | |
I did come back a bit, but I did get stranded there | 0:06:47 | 0:06:49 | |
because my daughter's in school there, so I'm sort of having to see | 0:06:49 | 0:06:52 | |
that out until she finishes and then I can leave. | 0:06:52 | 0:06:54 | |
Now, here's the thing, you look at Kate Beckinsale, you kind of think, | 0:06:54 | 0:06:58 | |
you know, a model of sophisticated woman. I imagine you just travelling | 0:06:58 | 0:07:03 | |
with a small little holdall, but you travel with something... | 0:07:03 | 0:07:07 | |
I didn't believe this but I now DO believe it. | 0:07:07 | 0:07:09 | |
You travel with something - and is it to cheer you up | 0:07:09 | 0:07:12 | |
you travel with this item? | 0:07:12 | 0:07:13 | |
-Yes. -OK, tell the people what you travel with. | 0:07:13 | 0:07:16 | |
A pantomime horse costume. | 0:07:16 | 0:07:19 | |
She's not making this up. | 0:07:20 | 0:07:22 | |
You've said this... You actually... So... | 0:07:22 | 0:07:24 | |
Me too(!) | 0:07:24 | 0:07:27 | |
Is it both halves? | 0:07:27 | 0:07:29 | |
Yes, it's a two-man suit. | 0:07:29 | 0:07:32 | |
So you find a friend? You always have to find a friend. | 0:07:32 | 0:07:34 | |
Yes, you can't do it on your own, that's bleak. | 0:07:34 | 0:07:38 | |
So, on what occasions do you kind of go, "OK, time for the horse"? | 0:07:38 | 0:07:42 | |
Well, if you're on a film and you're in Eastern Europe | 0:07:42 | 0:07:44 | |
and you thought your friend was going to come and visit you | 0:07:44 | 0:07:46 | |
and they're like, "Sorry, I can't, my kid's got tonsillitis," | 0:07:46 | 0:07:49 | |
or whatever it is, and you think, "Shit, what am I going to do? | 0:07:49 | 0:07:52 | |
"I could have a pop into the horse and a bit of a canter up and down the hotel corridor." | 0:07:52 | 0:07:56 | |
Which end do you prefer? | 0:07:56 | 0:07:57 | |
Well, it's height dependent, there's horse rules, | 0:07:57 | 0:08:00 | |
so the tallest person... No, there are. | 0:08:00 | 0:08:02 | |
The tallest person has to be the back. | 0:08:02 | 0:08:04 | |
-I would've thought the other way round. -Well, no. | 0:08:04 | 0:08:07 | |
-No, because then you can have a long horse's back. -Oh, of course. | 0:08:07 | 0:08:11 | |
It won't look stunted. | 0:08:11 | 0:08:12 | |
-You don't want a lumpy, short person in the back. -No, of course. | 0:08:12 | 0:08:16 | |
You've sent us some pictures. Is this your earliest horse? | 0:08:16 | 0:08:19 | |
That was my first horse. | 0:08:19 | 0:08:21 | |
But that was a rental, that was my first time I ever rented one. | 0:08:21 | 0:08:25 | |
-You paid for that?! -Yes. | 0:08:25 | 0:08:27 | |
It looks like you've made it out of some car seat covers. | 0:08:27 | 0:08:30 | |
Well, they're not very realistic. They're not the most realistic | 0:08:30 | 0:08:32 | |
but yes, I paid for that and you had to have it for three days. | 0:08:32 | 0:08:35 | |
It was a bit oppressive, we had to keep getting in it. | 0:08:35 | 0:08:38 | |
-So then did you purchase this next one? -No, that was also a rental. | 0:08:38 | 0:08:41 | |
That's my daughter looking terrified. | 0:08:41 | 0:08:44 | |
-And is Mummy front or back of that horse? -I think that's back. | 0:08:45 | 0:08:48 | |
-I think I'm back there. -Are they good fun to be in? | 0:08:48 | 0:08:50 | |
-Oh, I've got it in the hotel. -We must have a go. -Do you want to? | 0:08:50 | 0:08:53 | |
-Yes, I'd love to. -I have actually got it here. | 0:08:53 | 0:08:55 | |
And we've then got your latest... Is this the one you've brought with you? | 0:08:55 | 0:08:59 | |
No, that's actually me and Michael Sheen. He's in the rabbit suit. | 0:08:59 | 0:09:01 | |
I can't remember why we were doing that at a bus stop, but... | 0:09:01 | 0:09:05 | |
Or indeed ANYWHERE. | 0:09:05 | 0:09:07 | |
This sounds so crazy! | 0:09:09 | 0:09:12 | |
Am I the only one that thinks it's crazy? I love it but it's crazy! | 0:09:12 | 0:09:16 | |
Do you want to have a go in it? | 0:09:16 | 0:09:18 | |
-Yeah, I want to go in it. -I can make that happen. -Let's go. | 0:09:18 | 0:09:22 | |
You're so smiley, you do look like an ad for panto horse therapy. | 0:09:22 | 0:09:25 | |
It's like, "Feeling blue...?" | 0:09:25 | 0:09:28 | |
It does really work. Most people haven't tried it so they don't know. | 0:09:28 | 0:09:32 | |
-Yeah. -But if you're in a hotel, walking down the hall | 0:09:32 | 0:09:35 | |
and you see a horse costume coming the other way... | 0:09:35 | 0:09:38 | |
in what world do you say, "I bet that's Kate Beckinsale"? | 0:09:38 | 0:09:41 | |
LAUGHTER AND APPLAUSE | 0:09:41 | 0:09:44 | |
Oh, dear. Matt LeBlanc. Matt LeBlanc. | 0:09:49 | 0:09:52 | |
Presumably, hosting Top Gear is like your dream job. | 0:09:52 | 0:09:56 | |
Yeah, it's kind of like this... It's a lot bigger than I thought it was. | 0:09:56 | 0:09:59 | |
You know, when I first the show, it was fun and then... | 0:09:59 | 0:10:02 | |
Now, being a part of it, | 0:10:02 | 0:10:03 | |
it is just an international juggernaut of a show. | 0:10:03 | 0:10:07 | |
It's sold in what, 170 territories or countries or something. | 0:10:07 | 0:10:10 | |
Yeah, so it premieres this Sunday, | 0:10:10 | 0:10:12 | |
and by Wednesday it'll be in 83 countries on six continents, I read. | 0:10:12 | 0:10:16 | |
-By Wednesday. -Wow. -It's just huge. -And how did this happen? | 0:10:16 | 0:10:20 | |
Did you call them, did they call you, | 0:10:20 | 0:10:23 | |
did you bump into someone in a lift? How does it happen? | 0:10:23 | 0:10:27 | |
Well, I did it the first time to promote Episodes | 0:10:27 | 0:10:29 | |
and did the track in the car and that went pretty good. | 0:10:29 | 0:10:32 | |
-Well, you were the fastest ever, weren't you? -Yeah. -Wow. -Are you still the fastest ever? -No. | 0:10:32 | 0:10:36 | |
And then they did this thing called Top Gear - The Races, | 0:10:36 | 0:10:39 | |
which was kind of like a greatest hits of Top Gear | 0:10:39 | 0:10:41 | |
and I kind of introduced the clips, shot these little video wraparounds, | 0:10:41 | 0:10:45 | |
and that went good and then Chris was already on board at that point | 0:10:45 | 0:10:48 | |
and they approached me and asked if I would like to be a part of it | 0:10:48 | 0:10:51 | |
and I wasn't doing anything else. I said, "Yeah." | 0:10:51 | 0:10:54 | |
It's been a lot of fun. Chris and I get along good, it's really fun. | 0:10:54 | 0:10:58 | |
And you are a proper petrolhead. | 0:10:58 | 0:11:00 | |
I mean, you do love cars and engines and all that stuff. | 0:11:00 | 0:11:03 | |
Yeah, you know, it's funny. I'm one of those people, | 0:11:03 | 0:11:06 | |
I subscribe to about 15 different car magazines. | 0:11:06 | 0:11:09 | |
You go to my house, the coffee table is just stacked up... | 0:11:09 | 0:11:11 | |
Forever I've been doing that, and someone said to me the other day, | 0:11:11 | 0:11:15 | |
"Finally, it's paying off, all those subscriptions." Who knew? | 0:11:15 | 0:11:18 | |
You were preparing for this job your whole life. | 0:11:18 | 0:11:21 | |
And the first episode, part of it is a kind of Britain versus America challenge. | 0:11:21 | 0:11:25 | |
Yes, that's right. | 0:11:25 | 0:11:26 | |
-So what's the challenge? -OK, so do you know the Reliant Robin? | 0:11:26 | 0:11:30 | |
-Remember that car? -Oh. There they are. | 0:11:30 | 0:11:32 | |
Well, these are Reliant Rialtos, the upgraded one, which... | 0:11:32 | 0:11:36 | |
I don't know what they changed, it's still not a very nice car. | 0:11:36 | 0:11:39 | |
-I've never heard of a Rialto. Anyone? -The Reliant Robin you've heard of. | 0:11:39 | 0:11:42 | |
It was made famous by Only Fools And Horses, wasn't it? | 0:11:42 | 0:11:46 | |
-He had a little van, didn't he? -No, he had one of those, didn't he? | 0:11:46 | 0:11:49 | |
-But it was a van... -A van version. Oh, they've got an open roof. | 0:11:49 | 0:11:52 | |
They've cut the roofs off of those because it was going to be raining, | 0:11:52 | 0:11:55 | |
-so they figured better to have no roof. -Yes. It's Britain! | 0:11:55 | 0:11:58 | |
So we had to drive from London to Blackpool in those. | 0:11:58 | 0:12:03 | |
-Nice. -Mine broke down about ten times. | 0:12:03 | 0:12:08 | |
I think Chris had it fixed, because it's USA versus the UK | 0:12:08 | 0:12:12 | |
and we're in English cars. | 0:12:12 | 0:12:13 | |
His is painted like the Union Jack, mine's Stars and Stripes, | 0:12:13 | 0:12:16 | |
and mine breaks down repeatedly, his ran like a clock. | 0:12:16 | 0:12:20 | |
Go figure. | 0:12:20 | 0:12:22 | |
And had Matt LeBlanc ever been to Blackpool? | 0:12:22 | 0:12:24 | |
-No, he hadn't. -LAUGHTER | 0:12:24 | 0:12:28 | |
-Will Matt LeBlanc be returning? -Er...he might. | 0:12:28 | 0:12:32 | |
No, you know, we actually had a really good time. | 0:12:35 | 0:12:37 | |
And then you went back to my neck of the woods. | 0:12:37 | 0:12:40 | |
You were in southern Ireland, West Cork and Kerry. | 0:12:40 | 0:12:43 | |
Yeah, the Ring of Kerry, Dingle and Killarney and all that. | 0:12:43 | 0:12:47 | |
We did a thing with a Rolls-Royce over there, that was really fun. | 0:12:47 | 0:12:49 | |
Wow. And was this woman... Was she just taking a picture | 0:12:49 | 0:12:52 | |
and you literally drove by? | 0:12:52 | 0:12:53 | |
She was with her girlfriend | 0:12:55 | 0:12:56 | |
-and they were on their way to her hen do, you call it? -Hen do, yeah. | 0:12:56 | 0:12:59 | |
A bachelorette party we call it in the States. | 0:12:59 | 0:13:01 | |
And we were driving up the road, it was me | 0:13:01 | 0:13:03 | |
in the new Rolls-Royce Dawn, the convertible, and Chris Evans was in | 0:13:03 | 0:13:07 | |
his Rolls-Royce Corniche from '76, | 0:13:07 | 0:13:09 | |
and there was a comparison, old and new, | 0:13:09 | 0:13:11 | |
and we were kind of at a red light, I think it was in Dingle, and they | 0:13:11 | 0:13:16 | |
were walking and they came over - "Hey!" And they just took a selfie. | 0:13:16 | 0:13:20 | |
She put it on Twitter or something, social media, whatever it was. | 0:13:20 | 0:13:23 | |
You look genuinely happy. | 0:13:23 | 0:13:26 | |
She had a very short skirt. | 0:13:26 | 0:13:27 | |
LAUGHTER AND APPLAUSE | 0:13:27 | 0:13:30 | |
If I must be honest. | 0:13:30 | 0:13:33 | |
You looked suspiciously happy! | 0:13:33 | 0:13:37 | |
More of a belt than a skirt. | 0:13:37 | 0:13:39 | |
It was her hen do. It was her hen do. | 0:13:39 | 0:13:41 | |
Listen, the new season of Top Gear begins this Sunday on BBC Two | 0:13:41 | 0:13:44 | |
at eight o'clock. Let's have a little taste. | 0:13:44 | 0:13:46 | |
This is you in Morocco trying out a thing called an | 0:13:46 | 0:13:50 | |
Ariel Nomad, is that what it's called? | 0:13:50 | 0:13:51 | |
Yeah, there's a British company called Ariel that made | 0:13:51 | 0:13:54 | |
a very famous car called the Atom, a really fast, quick, small car, | 0:13:54 | 0:13:58 | |
and now this is the off-road version of it, the Nomad, which was a blast to drive. You wanna see this. | 0:13:58 | 0:14:03 | |
This thing hauls ass. | 0:14:04 | 0:14:07 | |
0 to 60... | 0:14:07 | 0:14:09 | |
takes just 3.4 seconds. | 0:14:09 | 0:14:12 | |
And unless your other car is a superbike, | 0:14:12 | 0:14:14 | |
or a cheetah with a saddle on it, that ought to be enough. | 0:14:14 | 0:14:18 | |
This is not off-roading. This...is low-level flight. | 0:14:19 | 0:14:24 | |
Wow. | 0:14:27 | 0:14:29 | |
Yeah, pretty fun. It's a pretty fun job, I gotta say. | 0:14:29 | 0:14:32 | |
Yeah, it was quick. It's just a Honda Civic engine, | 0:14:33 | 0:14:36 | |
but it's light. Really light. | 0:14:36 | 0:14:38 | |
Now, Emilia Clarke. Emilia Clarke brings to the screen one of the most | 0:14:38 | 0:14:43 | |
successful romantic novels of recent times, it was a huge, huge hit. | 0:14:43 | 0:14:46 | |
-Me Before You by Jojo Mayes...Moyes. -Moyes. | 0:14:46 | 0:14:50 | |
It opens next Friday, the 3rd of June, and it's everything you want - | 0:14:50 | 0:14:54 | |
it's romantic, it's sweet and it's funny, but it is also very sad. | 0:14:54 | 0:14:58 | |
-It is... -It is very sad. It is, yes. It's a big box of Kleenex sad. | 0:14:58 | 0:15:03 | |
-Sad. -Sad. | 0:15:03 | 0:15:05 | |
-All right, Matt. Sad. -Sad. | 0:15:05 | 0:15:08 | |
Sad, dammit! Yes, sad. | 0:15:08 | 0:15:11 | |
Did she take this story from life, Jojo...? | 0:15:11 | 0:15:14 | |
-She was inspired by real events, yes. -OK. | 0:15:14 | 0:15:17 | |
-So you play a carer, or a woman who becomes a carer. -I do. I do, yes. | 0:15:17 | 0:15:21 | |
Without any skills at all. | 0:15:21 | 0:15:23 | |
Can't relate to that at all. No way. | 0:15:23 | 0:15:27 | |
She's looking for a job and then this is the job that she gets, | 0:15:27 | 0:15:29 | |
being a carer for Will Trainer, who happens to be a quadriplegic. | 0:15:29 | 0:15:35 | |
And they are two completely different people from totally | 0:15:35 | 0:15:38 | |
different worlds, who are kind of forced into this | 0:15:38 | 0:15:41 | |
environment together and they erm... Love ensures. | 0:15:41 | 0:15:46 | |
It is very sweet, but God, it is a box of tissues... | 0:15:46 | 0:15:49 | |
Yeah, it really is. | 0:15:49 | 0:15:51 | |
-Sounds hysterical. -You'd love it, yeah. | 0:15:51 | 0:15:54 | |
But actually it does have lots of laughs in it. | 0:15:54 | 0:15:56 | |
There's lots of funny along the way. | 0:15:56 | 0:15:58 | |
-Yeah, there is. There's lots of funny. -Then it just kicks you in the balls. | 0:15:58 | 0:16:01 | |
Pretty much. Right when you're laughing, we'll just make you cry. | 0:16:01 | 0:16:05 | |
-And it's a date movie... -Yeah. -..you want to go on a date to it. | 0:16:05 | 0:16:08 | |
So, how do you pitch it so that you don't want it to be | 0:16:08 | 0:16:12 | |
so upsetting that you can't have sex afterwards? | 0:16:12 | 0:16:15 | |
-No, exactly. You need consoling. -Yes, you need... | 0:16:15 | 0:16:18 | |
-Another box of tissues. -LAUGHTER | 0:16:18 | 0:16:23 | |
-I didn't say that. -No, you did not say that. | 0:16:23 | 0:16:27 | |
That's not how to sell this film. | 0:16:27 | 0:16:30 | |
But I heard you saying in interviews that this character is | 0:16:30 | 0:16:33 | |
the closest to yourself you've ever played. | 0:16:33 | 0:16:36 | |
Yeah. In that I'm not really like Khaleesi. Sorry! | 0:16:36 | 0:16:42 | |
"Mother of Dragons!" | 0:16:42 | 0:16:44 | |
Yes. "Hello!" | 0:16:44 | 0:16:46 | |
LAUGHTER AND APPLAUSE | 0:16:46 | 0:16:49 | |
The truth. | 0:16:49 | 0:16:51 | |
Thank you. | 0:16:51 | 0:16:53 | |
"Hello!" | 0:16:54 | 0:16:56 | |
Yes, I'm much closer to Lou, definitely. | 0:16:56 | 0:16:59 | |
-Sam Claflin plays your love interest... -Yes. -..in the thing. | 0:16:59 | 0:17:02 | |
And the clip we have, this is you and Sam in a kind of... | 0:17:02 | 0:17:07 | |
You've gone to the wedding of his ex. | 0:17:07 | 0:17:09 | |
Ex-girlfriend who's just married his best friend. | 0:17:09 | 0:17:12 | |
Oooh! I know. Oooh! | 0:17:12 | 0:17:15 | |
So this is the two of them at the wedding, | 0:17:15 | 0:17:17 | |
but romance is starting to blossom. | 0:17:17 | 0:17:19 | |
And what do you say? You gonna give me a whirl? | 0:17:19 | 0:17:22 | |
-What? How many of those did you drink? -Come on, | 0:17:22 | 0:17:25 | |
-let's give these tossers something to talk about. -All right. | 0:17:25 | 0:17:28 | |
-Are they all appalled? -Yes. | 0:17:33 | 0:17:36 | |
-SHE GIGGLES -Yeah. | 0:17:36 | 0:17:38 | |
Move closer. You smell fantastic. | 0:17:40 | 0:17:42 | |
You know you never would have let those breasts so near to me | 0:17:44 | 0:17:46 | |
if I wasn't in a wheelchair. | 0:17:46 | 0:17:48 | |
Yeah, well, you never would've been LOOKING at these breasts if you hadn't been in a wheelchair. | 0:17:48 | 0:17:53 | |
-Of course I would. -No, you wouldn't. | 0:17:53 | 0:17:54 | |
You would've been too busy looking at the leggy blondes, | 0:17:54 | 0:17:57 | |
the ones you can smell an expense account at 40 paces. | 0:17:57 | 0:18:00 | |
And anyway, I would've been over there serving the drinks, | 0:18:00 | 0:18:03 | |
one of the invisibles. Am I right? | 0:18:03 | 0:18:06 | |
Yes, but in my defence... | 0:18:06 | 0:18:08 | |
-I WAS an arse. -Yep. | 0:18:08 | 0:18:11 | |
Do you know something, Clark, | 0:18:13 | 0:18:15 | |
you are pretty much the only thing that makes me want to get up in the morning. | 0:18:15 | 0:18:19 | |
Aww! | 0:18:19 | 0:18:21 | |
Thank you. Thanks. | 0:18:24 | 0:18:26 | |
And what I like is - so you're making this film, which is romantic, | 0:18:29 | 0:18:32 | |
it is very sad, but you did keep things kind of light on set. | 0:18:32 | 0:18:38 | |
We tried, yes. First of all I planted a fart machine in his wheelchair | 0:18:38 | 0:18:41 | |
but that only got... You could see it, basically. It wasn't very good. | 0:18:41 | 0:18:46 | |
-Boo! -Boo! -That's a great one though. | 0:18:46 | 0:18:48 | |
Planting the fart machine is a good one. I'm a big fan of that one. | 0:18:48 | 0:18:52 | |
-Good! Yay! Totally brilliant. -I carry one with me to sets too. | 0:18:52 | 0:18:56 | |
Yeah, exactly! | 0:18:56 | 0:18:58 | |
You know where it's good is if it's a scene in the kitchen, | 0:18:58 | 0:19:01 | |
and they have the range hood, you know those big metal hoods? | 0:19:01 | 0:19:03 | |
You stick it up in there with tape | 0:19:03 | 0:19:05 | |
and when someone's at the stove cooking... | 0:19:05 | 0:19:08 | |
It really echoes. That's great. | 0:19:08 | 0:19:10 | |
I'm going to borrow that! I'm going to borrow that. | 0:19:10 | 0:19:13 | |
But in terms of sort of prank stories on the sofa, | 0:19:13 | 0:19:17 | |
I doubt anyone can top Kate Beckinsale's. | 0:19:17 | 0:19:20 | |
This is such a genius prank, and I sort of hate asking you to tell it, | 0:19:20 | 0:19:24 | |
because I would so like to do it to someone and this will spoil it. | 0:19:24 | 0:19:28 | |
Go. SHE SIGHS | 0:19:28 | 0:19:30 | |
OK. It was a very impromptu one, because I'd been... | 0:19:30 | 0:19:34 | |
If somebody falls asleep next to me, | 0:19:34 | 0:19:36 | |
it's dangerous because I like to glue beards to them | 0:19:36 | 0:19:39 | |
or draw tattoos or whatever it is - | 0:19:39 | 0:19:41 | |
Pirates Of The Caribbean beard, all that - | 0:19:41 | 0:19:44 | |
and I'd run out of things like that, | 0:19:44 | 0:19:47 | |
and yet I was still after the rush of doing it. | 0:19:47 | 0:19:50 | |
So I got into bed | 0:19:50 | 0:19:53 | |
and I think I'd got one of those little chocolates that you | 0:19:53 | 0:19:57 | |
get by the bed, and I thought, "How funny would it be if I just | 0:19:57 | 0:20:02 | |
"tucked it in between the person's buttocks while they were asleep?" | 0:20:02 | 0:20:06 | |
LAUGHTER | 0:20:06 | 0:20:08 | |
And it was really funny. | 0:20:08 | 0:20:11 | |
Because... | 0:20:11 | 0:20:14 | |
Isn't that so good? It's so good! | 0:20:14 | 0:20:17 | |
And it just sort of came very organically - | 0:20:17 | 0:20:20 | |
my eyes fell on the chocolate and I kind of did that... I see | 0:20:20 | 0:20:23 | |
the sleeping bottom here, | 0:20:23 | 0:20:25 | |
and then I thought, "I'm just going to do it," | 0:20:25 | 0:20:27 | |
and I tucked it in, and I thought maybe I'd get in trouble in the | 0:20:27 | 0:20:30 | |
morning, but it was a very fortuitous day, because | 0:20:30 | 0:20:32 | |
this was the morning where the person was in a terrible rush | 0:20:32 | 0:20:35 | |
and just went straight into the pants and the trousers and straight to work, | 0:20:35 | 0:20:39 | |
which wouldn't normally happen, | 0:20:39 | 0:20:41 | |
so halfway through the day at work, there was the... | 0:20:41 | 0:20:44 | |
LAUGHTER | 0:20:45 | 0:20:47 | |
And then a bit of a scuttle backwards to the loo, | 0:20:48 | 0:20:51 | |
and then the horror, horror, horror - | 0:20:51 | 0:20:54 | |
"I've done this without even feeling it." | 0:20:54 | 0:20:56 | |
Absolutely brilliant. | 0:20:59 | 0:21:01 | |
-That is so good! -That is so horrible. | 0:21:06 | 0:21:10 | |
"It smells so minty!" | 0:21:10 | 0:21:12 | |
I didn't know it was going to go that far. I thought it was just going to be the morning, | 0:21:12 | 0:21:15 | |
but it just sort of unfurled so well. | 0:21:15 | 0:21:18 | |
Who was it just sleeping next to you, surely a friend of some description? | 0:21:18 | 0:21:21 | |
Oh, yes, it wasn't just someone I didn't know. | 0:21:21 | 0:21:25 | |
-Did you feel bad? -No, I was absolutely thrilled. | 0:21:25 | 0:21:28 | |
-Did you not like them? -I love them dearly... -"Love them dearly"?! | 0:21:28 | 0:21:31 | |
But I thought I was going to have the thing in the morning of, | 0:21:31 | 0:21:34 | |
"Oh, Kate, you've put chocolate in my bottom." I thought... | 0:21:34 | 0:21:37 | |
-How big was the piece of chocolate? -It wasn't a Toblerone... | 0:21:37 | 0:21:40 | |
LAUGHTER | 0:21:40 | 0:21:43 | |
It was very small... | 0:21:43 | 0:21:46 | |
LAUGHTER | 0:21:46 | 0:21:49 | |
-Was it Fruit and Nut? -No, it wasn't anything like that! | 0:21:49 | 0:21:53 | |
Did the person... | 0:21:53 | 0:21:55 | |
-Did other people notice the stain? -You're very disturbed by this. -I am. | 0:21:55 | 0:21:58 | |
-It wasn't UP it, it was just tucked... -No, I know. | 0:21:58 | 0:22:00 | |
LAUGHTER | 0:22:00 | 0:22:03 | |
But it was only for their benefit... | 0:22:03 | 0:22:05 | |
It was their shock, not others who were behind them to see | 0:22:05 | 0:22:08 | |
the results of their... | 0:22:08 | 0:22:09 | |
No, because they had on trousers AND pants. | 0:22:09 | 0:22:12 | |
-But it might have been nuzzled up the top. -No. | 0:22:12 | 0:22:16 | |
No, cos I placed it very carefully, centrally... | 0:22:16 | 0:22:18 | |
-LAUGHTER -Centrally? Central placement? -Central placement - | 0:22:18 | 0:22:21 | |
-you don't want it to fall out in the night. -You don't. | 0:22:21 | 0:22:23 | |
Anyway, the thing about chocolate is, in the night, | 0:22:23 | 0:22:26 | |
between a pair of buttocks, | 0:22:26 | 0:22:27 | |
-it's going to just sort of soften up. -Yeah. | 0:22:27 | 0:22:31 | |
-Was it nutty? -No! | 0:22:31 | 0:22:33 | |
-What's the matter with him? -LAUGHTER | 0:22:33 | 0:22:35 | |
What's the matter with ME?! | 0:22:35 | 0:22:37 | |
What's the matter with ME?! You've been stuffing chocolate in buttocks. | 0:22:37 | 0:22:41 | |
Dominic, have you shat yourself, and now you're thinking, "Maybe... | 0:22:41 | 0:22:44 | |
"maybe somebody shoved some chocolate in my ass"? | 0:22:44 | 0:22:47 | |
APPLAUSE DROWNS SPEECH | 0:22:49 | 0:22:51 | |
APPLAUSE DROWNS SPEECH | 0:22:52 | 0:22:54 | |
Oh, dear. Now, another film, ladies and gentlemen. | 0:22:54 | 0:22:57 | |
This is Kate Beckinsale, and it is a rare thing. | 0:22:57 | 0:23:01 | |
This is a Jane Austen story that has | 0:23:01 | 0:23:03 | |
never been filmed before. | 0:23:03 | 0:23:05 | |
Love & Friendship opens tonight. | 0:23:05 | 0:23:07 | |
Cos you kind of think, "Oh, it's never been filmed before. | 0:23:07 | 0:23:10 | |
"This probably is a bit pants." | 0:23:10 | 0:23:12 | |
But it's SO great. You know what I mean? | 0:23:12 | 0:23:14 | |
-"Well, how come? They've done everything, why not this one?" -Yes. | 0:23:14 | 0:23:17 | |
And it's so great and funny, and it's... I loved it. | 0:23:17 | 0:23:20 | |
-Oh, thank you. -Why has this not been filmed before? | 0:23:20 | 0:23:22 | |
I think just because it was an unpublished novella | 0:23:22 | 0:23:25 | |
that she hadn't finished, and it's in epistolary form - it's letters. | 0:23:25 | 0:23:28 | |
And that's quite difficult to adapt, I think, | 0:23:28 | 0:23:31 | |
because the whole point of being in a scene is that you're in | 0:23:31 | 0:23:33 | |
the same room, and the whole point of letters is that you're not. | 0:23:33 | 0:23:36 | |
So I think people probably just went, "Oh, I've never heard of it, | 0:23:36 | 0:23:39 | |
-"I'm a bit tired," and didn't do it. -LAUGHTER | 0:23:39 | 0:23:42 | |
And it's called Lady Susan...? | 0:23:42 | 0:23:43 | |
Yes. The real novella is called Lady Susan. | 0:23:43 | 0:23:45 | |
That title was given by her nephew 40, 50 years after she died, | 0:23:45 | 0:23:49 | |
so we weren't wedded to it. | 0:23:49 | 0:23:50 | |
-And you are, of course, Lady Susan? -I am. | 0:23:50 | 0:23:52 | |
-Yeah, what's it about? You. -Yeah. | 0:23:52 | 0:23:54 | |
LAUGHTER | 0:23:54 | 0:23:55 | |
"What's the film about? It's all about me." | 0:23:55 | 0:23:58 | |
So tell us about Lady Susan. Cos she IS an extraordinarily... | 0:23:59 | 0:24:02 | |
-Naughty person? -Well, a kind of contemporary character - | 0:24:02 | 0:24:05 | |
it's extraordinary that she was a character written back then. | 0:24:05 | 0:24:08 | |
Yeah. I mean, that's what's amazing about it. | 0:24:08 | 0:24:10 | |
She's very single-minded in terms of going after what she wants. | 0:24:10 | 0:24:14 | |
And she wants, you know, | 0:24:14 | 0:24:16 | |
basically, other people's husbands, | 0:24:16 | 0:24:19 | |
boyfriends - you know, things like that. | 0:24:19 | 0:24:21 | |
And a certain amount of financial freedom, which means she has to | 0:24:21 | 0:24:25 | |
marry somebody rich, and hopefully not very clever, so she can spend... | 0:24:25 | 0:24:28 | |
You know. She sort of cruises through society | 0:24:28 | 0:24:31 | |
being kind of naughty and funny. | 0:24:31 | 0:24:32 | |
And it is genuinely funny. | 0:24:32 | 0:24:34 | |
I've been to quite a few screenings where you can see that | 0:24:34 | 0:24:37 | |
husbands have been dragged there, begging not to go. | 0:24:37 | 0:24:39 | |
Cos it seems like... You know, it's a Jane Austen movie. | 0:24:39 | 0:24:42 | |
And then they're belly-laughing throughout it. | 0:24:42 | 0:24:44 | |
So that's been really satisfying, seeing that happen. | 0:24:44 | 0:24:46 | |
But also it's that thing where, even now, | 0:24:46 | 0:24:49 | |
some of the things she does... | 0:24:49 | 0:24:51 | |
they're genuinely shocking. | 0:24:51 | 0:24:53 | |
Yeah, and I was at a screening in San Francisco full of | 0:24:53 | 0:24:55 | |
very cool people and liberal-type people, | 0:24:55 | 0:24:57 | |
who've have seen some shit, you know? | 0:24:57 | 0:25:00 | |
Not just chocolate buttons? | 0:25:00 | 0:25:01 | |
No, exactly - real, actual shit. | 0:25:01 | 0:25:03 | |
LAUGHTER | 0:25:03 | 0:25:04 | |
And they were watching the screening, | 0:25:04 | 0:25:06 | |
and there was a lot of gasping. | 0:25:06 | 0:25:07 | |
And I thought, "These people can download any | 0:25:07 | 0:25:09 | |
"type of porn that they want at the touch of a button, and they're | 0:25:09 | 0:25:12 | |
"in a movie that was written hundreds of years ago going, | 0:25:12 | 0:25:15 | |
"'She never!'" Which I thought was really, actually, quite nice, | 0:25:15 | 0:25:18 | |
it meant nice things about humans. | 0:25:18 | 0:25:20 | |
Listen, we've got a clip. This is you as Lady Susan, | 0:25:20 | 0:25:23 | |
and you're out with your co-conspirator, | 0:25:23 | 0:25:25 | |
played by Chloe Sevigny. | 0:25:25 | 0:25:27 | |
-Is it "Sev-in-yee"? -I think so. I wing it...to be honest. | 0:25:27 | 0:25:30 | |
LAUGHTER | 0:25:30 | 0:25:32 | |
-I've known her for so long, I can't ask. -You just call her Chloe. -I do, I do, Chloe, yeah. | 0:25:32 | 0:25:36 | |
Cos it's been... I worked with her 18 years ago, | 0:25:36 | 0:25:39 | |
and I've left it too long to say, | 0:25:39 | 0:25:40 | |
"Sorry, how do I pronounce your last name?" I can't do that. | 0:25:40 | 0:25:43 | |
Yeah. We'll clip this and send it to her. | 0:25:44 | 0:25:47 | |
LAUGHTER | 0:25:47 | 0:25:48 | |
-Save you the trouble. -Yeah. | 0:25:48 | 0:25:50 | |
-So this is the two of you in... -OK. | 0:25:50 | 0:25:52 | |
The fallacy of youth. | 0:25:52 | 0:25:54 | |
Isn't it rather clear that it is we, women of decision, | 0:25:54 | 0:25:56 | |
who hold the trumps? | 0:25:56 | 0:25:57 | |
-MAN: -Lady Susan? | 0:25:58 | 0:26:00 | |
Lady Susan Vernon? | 0:26:00 | 0:26:01 | |
How dare you address me, sir! | 0:26:01 | 0:26:03 | |
-But, Lady Susan... -Begone, sir, or I will have you whipped. | 0:26:03 | 0:26:06 | |
AUDIENCE LAUGHS | 0:26:06 | 0:26:07 | |
Outrageous! Have you never met him? | 0:26:07 | 0:26:10 | |
No, I know him well - I would never speak to a stranger like that. | 0:26:10 | 0:26:13 | |
APPLAUSE | 0:26:13 | 0:26:15 | |
Now, Kate, you did a really sweet thing recently. | 0:26:21 | 0:26:23 | |
This is very sweet. | 0:26:23 | 0:26:25 | |
Your daughter, she's 17 now? | 0:26:25 | 0:26:28 | |
-Yes. -Lily? -Lily, yes. | 0:26:28 | 0:26:30 | |
And like all new parents, you took a really sweet picture when she was born. | 0:26:30 | 0:26:34 | |
That's you and your partner | 0:26:34 | 0:26:37 | |
at the time, dad, Michael Sheen. | 0:26:37 | 0:26:39 | |
And there's Lily in there. And then for her... | 0:26:39 | 0:26:41 | |
was it her 17th birthday? | 0:26:41 | 0:26:43 | |
-No, she was 16, it was last year. -Oh, last year? | 0:26:43 | 0:26:45 | |
And there's a very big pressure to buy your child | 0:26:45 | 0:26:47 | |
a car on their 16th birthday, which I totally disapprove of | 0:26:47 | 0:26:50 | |
so I thought, "Let's do something else, sort of crafty." | 0:26:50 | 0:26:53 | |
-MATT: -Cheaper? -Yeah. So you did | 0:26:53 | 0:26:55 | |
a lovely re-creation of that picture. | 0:26:55 | 0:26:57 | |
LAUGHTER | 0:26:57 | 0:26:58 | |
-She steals it. -She does, really. | 0:27:02 | 0:27:03 | |
-She really does. DOMINIC: -You don't look any different. | 0:27:03 | 0:27:06 | |
But now, you're not the first people to do this, | 0:27:06 | 0:27:08 | |
cos people do do this thing of recreating baby photographs. | 0:27:08 | 0:27:12 | |
For instance, we found this one on the web. | 0:27:12 | 0:27:14 | |
There's a lady with her little newborn baby. | 0:27:14 | 0:27:17 | |
Now, let's just wind the clock on 20 years... | 0:27:17 | 0:27:21 | |
LAUGHTER | 0:27:22 | 0:27:24 | |
-MATT: -A good opportunity for some candy. -Absolutely. | 0:27:28 | 0:27:31 | |
Oh, yeah. | 0:27:31 | 0:27:32 | |
Get that chocolate in. | 0:27:32 | 0:27:34 | |
That's a chocolate button candidate if ever I saw one. | 0:27:34 | 0:27:37 | |
This is very sweet - | 0:27:37 | 0:27:38 | |
here's two little boys in the bath. | 0:27:38 | 0:27:40 | |
So there they are. | 0:27:40 | 0:27:42 | |
And again, let's just | 0:27:42 | 0:27:44 | |
fast forward about 20 years. | 0:27:44 | 0:27:46 | |
LAUGHTER | 0:27:46 | 0:27:47 | |
Now, that is Rich and Joe Luxton. | 0:27:49 | 0:27:51 | |
And actually, Rich and Joe Luxton are here tonight. | 0:27:51 | 0:27:53 | |
So where are they? Oh, there they are. | 0:27:53 | 0:27:55 | |
Look at them. Aw. | 0:27:55 | 0:27:57 | |
CHEERING AND APPLAUSE | 0:27:57 | 0:27:59 | |
Now, you guys did loads of these. | 0:28:03 | 0:28:07 | |
Yeah, loads. | 0:28:07 | 0:28:08 | |
So why did you do so many? | 0:28:08 | 0:28:10 | |
It was a calendar for our mum. | 0:28:10 | 0:28:12 | |
We didn't have any money for Christmas presents. | 0:28:12 | 0:28:15 | |
Hearts are breaking all over the country. | 0:28:15 | 0:28:17 | |
Best sons ever. | 0:28:17 | 0:28:19 | |
Is your mum here? | 0:28:19 | 0:28:20 | |
-Here she is. -Oh, there's Mum. Hi, Mum. -Hello. | 0:28:20 | 0:28:23 | |
Hi! Aw. | 0:28:23 | 0:28:26 | |
What a lovely, cheap gift that was for you(!) | 0:28:26 | 0:28:28 | |
LAUGHTER | 0:28:28 | 0:28:29 | |
Are they naked every month? | 0:28:29 | 0:28:30 | |
They're not naked every month, we've got some more. | 0:28:30 | 0:28:32 | |
The attention to detail, boys, is very impressive. | 0:28:32 | 0:28:35 | |
Here they are as little toddlers, | 0:28:35 | 0:28:37 | |
curled up in bed. | 0:28:37 | 0:28:38 | |
Look, see? | 0:28:38 | 0:28:40 | |
And again, here they are recreating that. | 0:28:40 | 0:28:43 | |
LAUGHTER | 0:28:43 | 0:28:44 | |
APPLAUSE | 0:28:44 | 0:28:45 | |
We can't show them all. | 0:28:50 | 0:28:52 | |
So which one of you is this? | 0:28:52 | 0:28:54 | |
-That's me. -That's you? | 0:28:56 | 0:28:57 | |
That little girl's me, yeah. | 0:28:57 | 0:28:59 | |
Cos that is quite the fashion statement for a young boy. | 0:29:00 | 0:29:03 | |
-Blame Mum. -Oh, was that your idea, Mum? | 0:29:04 | 0:29:07 | |
No, he just... He liked a bow. | 0:29:07 | 0:29:09 | |
You always wanted a girl. | 0:29:10 | 0:29:12 | |
We won't dwell - it's fine. | 0:29:12 | 0:29:14 | |
Wear a bow. And here he is recreating it. | 0:29:14 | 0:29:16 | |
LAUGHTER | 0:29:18 | 0:29:20 | |
Beautiful. Well done, Rich and Joe and their mum. | 0:29:20 | 0:29:23 | |
Good sons. Very good sons. | 0:29:23 | 0:29:25 | |
Now, Dominic Cooper. | 0:29:29 | 0:29:30 | |
Dominic Cooper brings us a big fantasy epic. | 0:29:30 | 0:29:33 | |
Warcraft - The Beginning | 0:29:33 | 0:29:35 | |
is out on Monday, the 30th of May. | 0:29:35 | 0:29:37 | |
Now, I - cos I'm old - I had no idea how popular... | 0:29:38 | 0:29:42 | |
I'd seen the ads for Warcraft, the video game, | 0:29:42 | 0:29:44 | |
but I'd no idea how huge it is. | 0:29:44 | 0:29:46 | |
-It's a global phenomenon, this thing. -I think it is, yeah. | 0:29:46 | 0:29:49 | |
-Oh, did you not know either? -No, I had no idea either, no. | 0:29:49 | 0:29:51 | |
Terrifying. Apparently millions and millions of people | 0:29:51 | 0:29:54 | |
sit in their homes playing it on a daily basis. | 0:29:54 | 0:29:56 | |
Which is terrifying in itself. | 0:29:56 | 0:29:58 | |
But yeah, it's a game that... | 0:29:58 | 0:30:00 | |
I'm still not sure what you do in it, cos I don't play it, | 0:30:00 | 0:30:02 | |
but we made the film version of it, which is this. | 0:30:02 | 0:30:05 | |
-Yes. -Well explained, or not? No. | 0:30:05 | 0:30:06 | |
But from watching the film, it seems like it is a whole world. | 0:30:06 | 0:30:10 | |
I mean, it's a universe of kind of | 0:30:10 | 0:30:12 | |
different interconnected... | 0:30:12 | 0:30:14 | |
Beings from different places, yeah. | 0:30:14 | 0:30:16 | |
I think... | 0:30:16 | 0:30:18 | |
I loved the script when I first read it, and I didn't have any | 0:30:18 | 0:30:21 | |
idea of the landscape, or the world in which it existed. | 0:30:21 | 0:30:24 | |
Duncan Jones was the director who made Moon and... | 0:30:24 | 0:30:27 | |
Source Code - two really great films | 0:30:27 | 0:30:30 | |
that I loved - and he... | 0:30:30 | 0:30:32 | |
-Is he David Bowie's son? -David Bowie's son, yeah. And he's a genius, | 0:30:32 | 0:30:35 | |
he's a really great, great director. | 0:30:35 | 0:30:37 | |
So he sort of introduced me to this world and what it meant to people. | 0:30:37 | 0:30:40 | |
And the storyline itself, there's | 0:30:40 | 0:30:43 | |
a lot of motion capture in the film. | 0:30:43 | 0:30:46 | |
So there's a lot of different beings from different planets | 0:30:46 | 0:30:48 | |
and then there's humans - I'm playing a human. | 0:30:48 | 0:30:50 | |
But it was very interesting | 0:30:50 | 0:30:52 | |
seeing that development in the technology. | 0:30:52 | 0:30:55 | |
Well, we've got some of the trailer for Warcraft - The Beginning, | 0:30:55 | 0:30:57 | |
and this gives you an idea of the scale of this thing. | 0:30:57 | 0:31:00 | |
Our world is dying. | 0:31:00 | 0:31:02 | |
There is nothing to go back to. | 0:31:02 | 0:31:04 | |
If we do not unite, our world will perish. | 0:31:05 | 0:31:09 | |
This doesn't need to happen. | 0:31:09 | 0:31:10 | |
There is one who may help us. | 0:31:10 | 0:31:12 | |
There could be. | 0:31:12 | 0:31:14 | |
-Why are you here? -To save our people. | 0:31:14 | 0:31:16 | |
Can we trust him? | 0:31:20 | 0:31:21 | |
They're beasts. | 0:31:23 | 0:31:24 | |
They should all be destroyed. | 0:31:25 | 0:31:27 | |
Side with the humans... | 0:31:27 | 0:31:29 | |
..against your own kind. | 0:31:30 | 0:31:31 | |
-This is suicide. -We have no choice. | 0:31:35 | 0:31:37 | |
We should attack with full force. | 0:31:37 | 0:31:40 | |
Whatever you plan to do, do it now! | 0:31:40 | 0:31:43 | |
HE ROARS | 0:31:43 | 0:31:44 | |
APPLAUSE | 0:31:44 | 0:31:46 | |
-MATT: -That looks good. | 0:31:46 | 0:31:48 | |
Thanks, Matt. | 0:31:48 | 0:31:50 | |
-Unrecognisable. MATT: -Yeah. | 0:31:52 | 0:31:54 | |
And I guess this is one of these things where, | 0:31:56 | 0:31:58 | |
obviously it's an acting job, but there is something else - | 0:31:58 | 0:32:01 | |
you are joining a franchise. | 0:32:01 | 0:32:03 | |
You know - does part of your mind think, "Oh, well, | 0:32:03 | 0:32:07 | |
"if nothing else happens, I can go to a Warcraft | 0:32:07 | 0:32:09 | |
"convention in 20 years and get a bag of cash and go home"? | 0:32:09 | 0:32:12 | |
Yes, apparently that does happen, | 0:32:12 | 0:32:14 | |
I'm quite looking forward to that, cos that may happen. | 0:32:14 | 0:32:16 | |
That's the dream. | 0:32:16 | 0:32:18 | |
Matt's like, "That's the dream." | 0:32:18 | 0:32:20 | |
I've no idea what you're talking about(!) | 0:32:20 | 0:32:22 | |
Because Emilia, you're in Game Of Thrones, which is everywhere. | 0:32:22 | 0:32:25 | |
-It's like a Top Gear, it's in every country. -Or Friends. | 0:32:25 | 0:32:29 | |
Or Friends. But I believe your parents, Emilia, were a bit worried, | 0:32:29 | 0:32:31 | |
because you didn't have that much to do in the first few episodes? | 0:32:31 | 0:32:34 | |
-No. No, yes, yes. -LAUGHTER | 0:32:34 | 0:32:38 | |
So there's some episodes that maybe they're like, | 0:32:38 | 0:32:40 | |
"No, it was great, but you're not really on very much, are you?" | 0:32:40 | 0:32:43 | |
But then I did encourage them to watch the last... | 0:32:43 | 0:32:46 | |
not this last episode, but the episode before. | 0:32:46 | 0:32:49 | |
Which, in hindsight, might have been not the episode to choose. | 0:32:49 | 0:32:52 | |
-Because there was a LOT of you in that episode. -There was a little bit, mm-hm. | 0:32:52 | 0:32:55 | |
-Yes, there was. -Yes. | 0:32:55 | 0:32:57 | |
-That might be the episode to dip into, Matt. -There we go. | 0:32:57 | 0:33:00 | |
It's a solid place to start. | 0:33:00 | 0:33:03 | |
I can REALLY see how you're doin'. | 0:33:03 | 0:33:04 | |
LAUGHTER | 0:33:04 | 0:33:06 | |
-Oh, my God! -CHEERING | 0:33:06 | 0:33:08 | |
Obviously we've just got a faraway shot, | 0:33:08 | 0:33:11 | |
-but the camera did go right in there. KATE: -In where?! | 0:33:11 | 0:33:14 | |
-Did you watch it with your parents? -Let's keep it clean... | 0:33:14 | 0:33:16 | |
No, no, I mean... | 0:33:16 | 0:33:18 | |
-Did you watch it WITH your parents? -Yes. | 0:33:18 | 0:33:20 | |
LAUGHTER | 0:33:20 | 0:33:21 | |
-Cos that IS quite eggy... -Little bit. | 0:33:24 | 0:33:26 | |
Did you have to leave the room, or did you all just sit there | 0:33:26 | 0:33:29 | |
and just kind of go, "OK, we're watching this"? | 0:33:29 | 0:33:31 | |
I think I probably started talking about something really important. | 0:33:31 | 0:33:34 | |
Like Top Gear. | 0:33:34 | 0:33:36 | |
And of course, Kate, you're in the Underworld franchise, | 0:33:36 | 0:33:38 | |
which presumably taps into a similar fanbase? | 0:33:38 | 0:33:42 | |
Yes. But we're quite lucky because ours wasn't based on a video game | 0:33:42 | 0:33:45 | |
or a remake or a comic book, or anything like that so | 0:33:45 | 0:33:49 | |
they're not allowed to say... | 0:33:49 | 0:33:51 | |
-"You've got it wrong"? -Yes, exactly. | 0:33:51 | 0:33:53 | |
Because we made it up. | 0:33:53 | 0:33:55 | |
Because how hard was that for you to get into, kind of, action mode? | 0:33:55 | 0:33:59 | |
Well, quite hard. | 0:33:59 | 0:34:00 | |
Because up until that point in time | 0:34:00 | 0:34:02 | |
there hadn't been a Chiswick-based superhero... | 0:34:02 | 0:34:05 | |
LAUGHTER | 0:34:05 | 0:34:06 | |
..so I feel good about actually making one. | 0:34:06 | 0:34:10 | |
-Um, and in... -MATT: -Pranking... -A pranking superhero. | 0:34:10 | 0:34:13 | |
And was it on Total Recall, then, | 0:34:13 | 0:34:15 | |
you had the unfortunate thing with Colin Farrell? | 0:34:15 | 0:34:18 | |
Oh, yes. Yes. | 0:34:18 | 0:34:19 | |
Cos I had this fight with him, which involved... | 0:34:19 | 0:34:22 | |
There was a sort of...a sort of vagina slam to the face, | 0:34:22 | 0:34:25 | |
-let's just say what it is. -Yeah. -Don't want to be weird about it. -LAUGHTER | 0:34:25 | 0:34:28 | |
We could've talked around that for some time. | 0:34:28 | 0:34:30 | |
LAUGHTER DROWNS SPEECH | 0:34:30 | 0:34:32 | |
I just thought I wasn't going to hedge, | 0:34:32 | 0:34:34 | |
-cos I think that makes it creepy. -Yeah. | 0:34:34 | 0:34:36 | |
So...so I was on the floor in a sort of shiny-ish trouser, | 0:34:36 | 0:34:40 | |
and my legs were open and I had to sort of slide towards him in...you know, like | 0:34:40 | 0:34:44 | |
a Dirty Dancing sort of way - but a mean Dirty Dancing way | 0:34:44 | 0:34:47 | |
and sort of, chin him in the face with my...area... | 0:34:47 | 0:34:51 | |
LAUGHTER | 0:34:51 | 0:34:52 | |
..which is tough as iron. | 0:34:52 | 0:34:54 | |
LAUGHTER | 0:34:54 | 0:34:56 | |
-And er... Anyway, on the way over... -What's tough as iron? | 0:34:56 | 0:34:59 | |
-Well, it must be, cos he was knocked out afterwards. -Wow. | 0:34:59 | 0:35:02 | |
-Damn! -There's a lot going on... | 0:35:04 | 0:35:07 | |
So anyway, we'd practised it with the stunt people, and then on the first take we did | 0:35:07 | 0:35:10 | |
it was very early on in the shooting and people were still... | 0:35:10 | 0:35:13 | |
You know, nobody was yet sort of chummy. | 0:35:13 | 0:35:15 | |
And I went zooming towards... | 0:35:15 | 0:35:17 | |
It's embarrassing enough zooming towards somebody you don't | 0:35:17 | 0:35:20 | |
know that well with your iron vagina... | 0:35:20 | 0:35:22 | |
And my shoe made a really | 0:35:22 | 0:35:25 | |
very realistic farty noise all the way there. | 0:35:25 | 0:35:29 | |
His face was so horrified, because he was bracing enough | 0:35:29 | 0:35:31 | |
-for the vagina coming towards him but them it was kind of going... -SHE MAKES FARTING NOISE | 0:35:31 | 0:35:35 | |
LAUGHTER AND APPLAUSE | 0:35:35 | 0:35:37 | |
Did you ever tell him? | 0:35:43 | 0:35:44 | |
Immediately, but then, you know, as soon as you start saying | 0:35:44 | 0:35:46 | |
"It was my shoe, it was my shoe" everyone thinks, "It wasn't her shoe." | 0:35:46 | 0:35:50 | |
I love that story. Very good. | 0:35:50 | 0:35:53 | |
APPLAUSE | 0:35:53 | 0:35:55 | |
It is time for music. | 0:35:55 | 0:35:57 | |
This Grammy-winning singer-songwriter | 0:35:57 | 0:35:59 | |
has been away for six years but she's back with a new album, | 0:35:59 | 0:36:02 | |
and tonight she's performing her latest single, Stop Where You Are. | 0:36:02 | 0:36:05 | |
Ladies and gentlemen, please welcome Corinne Bailey Rae! | 0:36:05 | 0:36:08 | |
APPLAUSE | 0:36:08 | 0:36:10 | |
# Tender is the light that shines on you | 0:36:13 | 0:36:19 | |
# Gentle is the morning made anew | 0:36:19 | 0:36:25 | |
# Delicate the grace we've come into | 0:36:25 | 0:36:31 | |
# My love | 0:36:31 | 0:36:34 | |
# Wonder why you wish your life away | 0:36:34 | 0:36:40 | |
# Waiting for the perfect boat to take | 0:36:40 | 0:36:46 | |
# Waiting for the perfect wind to sail away | 0:36:46 | 0:36:54 | |
# Life's shining around you Don't miss a day | 0:36:55 | 0:37:01 | |
# If you're caught up in the chase | 0:37:01 | 0:37:04 | |
# You hold your happiness away from you | 0:37:04 | 0:37:09 | |
# Oh, oh-oh, oh, oh-oh, oh-oh | 0:37:09 | 0:37:13 | |
# Stop where you are | 0:37:13 | 0:37:16 | |
# Oh, oh-oh, oh, oh-oh, oh-oh | 0:37:16 | 0:37:19 | |
# Under fading stars | 0:37:19 | 0:37:22 | |
# Oh, oh-oh, oh, oh-oh, oh | 0:37:22 | 0:37:25 | |
# This is the world we've made | 0:37:25 | 0:37:27 | |
# There is no better place, it's true | 0:37:27 | 0:37:31 | |
# Light a fire where you are | 0:37:31 | 0:37:36 | |
# Underneath a blanket of the cold | 0:37:36 | 0:37:41 | |
# Lying in the dark, your seed will grow | 0:37:42 | 0:37:48 | |
# Miracles just like a winter rose | 0:37:48 | 0:37:54 | |
# Will be | 0:37:54 | 0:37:58 | |
# Everything glitters around you Don't miss a day | 0:38:00 | 0:38:05 | |
# The moon on the lake | 0:38:05 | 0:38:09 | |
# The smell in the air when it rains | 0:38:09 | 0:38:12 | |
# The people you can share with | 0:38:12 | 0:38:16 | |
# The feeling you get when you're almost there | 0:38:16 | 0:38:21 | |
# Oh, oh-oh, oh, oh-oh, oh-oh | 0:38:21 | 0:38:25 | |
# Stop where you are | 0:38:25 | 0:38:27 | |
# Oh, oh-oh, oh, oh-oh, oh-oh | 0:38:27 | 0:38:31 | |
# Under fading stars | 0:38:31 | 0:38:33 | |
# Oh, oh-oh, oh, oh-oh, oh | 0:38:33 | 0:38:36 | |
# This is the world we've made | 0:38:36 | 0:38:38 | |
# There is no better place, it's true | 0:38:38 | 0:38:42 | |
# Light a fire where you are | 0:38:42 | 0:38:45 | |
# Oh, oh-oh, oh, oh-oh, oh-oh | 0:38:45 | 0:38:49 | |
# You can't stop the wild wind roaring | 0:38:49 | 0:38:52 | |
# Oh, oh-oh, oh, oh-oh, oh | 0:38:52 | 0:38:56 | |
# But you can stop my poor heart from calling out | 0:38:56 | 0:39:04 | |
# Light a fire where you are | 0:39:04 | 0:39:07 | |
# Stop where you are | 0:39:07 | 0:39:13 | |
# Under fading stars | 0:39:13 | 0:39:19 | |
# This is the world we've made | 0:39:19 | 0:39:21 | |
# There is no better place, it's true | 0:39:21 | 0:39:25 | |
# Light a fire where you are. # | 0:39:25 | 0:39:30 | |
CHEERING AND APPLAUSE | 0:39:32 | 0:39:36 | |
Stunning! Corinne Bailey Rae, come and join us, do. | 0:39:39 | 0:39:43 | |
Brilliant job. | 0:39:43 | 0:39:45 | |
And well done to the singers and the band as well. | 0:39:45 | 0:39:49 | |
Come on over. | 0:39:49 | 0:39:50 | |
-That was beautiful. -Thank you. -Thank you so much. | 0:39:50 | 0:39:53 | |
Come and meet the others. | 0:39:53 | 0:39:54 | |
You perch yourself there, | 0:39:54 | 0:39:56 | |
and that's Dominic, Kate, Emilia, Matt... | 0:39:56 | 0:40:01 | |
they're all here, say hello. | 0:40:01 | 0:40:03 | |
There you go. Beautiful job. | 0:40:03 | 0:40:05 | |
Nice to meet you. | 0:40:05 | 0:40:06 | |
Lovely. | 0:40:06 | 0:40:08 | |
Now, if you'd all like to take your seats now, please(!) | 0:40:08 | 0:40:10 | |
Thank you very much. | 0:40:10 | 0:40:12 | |
-That's gorgeous. I love the way it fills... -Thank you. | 0:40:12 | 0:40:15 | |
-..it's just gorgeous. -Thanks a lot. -That single's out now, isn't it? -It is out now, yeah. | 0:40:15 | 0:40:19 | |
-And the album's out now? -That's right, the album came out a few days ago. | 0:40:19 | 0:40:22 | |
-And what's it called? -It's called The Heart Speaks In Whispers. | 0:40:22 | 0:40:25 | |
-Oh, it's such a good name for anything, yeah. -Thank you. | 0:40:25 | 0:40:28 | |
Might call a dog that. It's really good. | 0:40:28 | 0:40:31 | |
"Heart Speaks In Whispers...!" | 0:40:31 | 0:40:34 | |
And I didn't realise - thank you so much, that you - you've flown in for this from New York. | 0:40:34 | 0:40:38 | |
-That's right. -And is it tomorrow you fly off to...? | 0:40:38 | 0:40:41 | |
We're going to South Korea tomorrow. Yeah. | 0:40:41 | 0:40:43 | |
-Wow. -We're playing at a festival in South Korea. | 0:40:43 | 0:40:45 | |
So we're about to do a tour that's five weeks and it takes us | 0:40:45 | 0:40:48 | |
all the way around the world. And then we come back into London... | 0:40:48 | 0:40:51 | |
I was going to say, when can WE see you? | 0:40:51 | 0:40:52 | |
We're playing Glastonbury, we're playing V Festival, | 0:40:52 | 0:40:55 | |
-we're playing with Stevie Wonder in Hyde Park. -Oh, wow. | 0:40:55 | 0:40:58 | |
He's playing Songs In The Key Of Life, so Stevie wonder and Pharrell | 0:40:58 | 0:41:01 | |
and we're doing that show as well, | 0:41:01 | 0:41:03 | |
and then I'm playing all over the UK with Lionel Richie as well. | 0:41:03 | 0:41:05 | |
Well, listen, thanks for coming to play for US. | 0:41:05 | 0:41:07 | |
-Corinne Bailey Rae. Fantastic. -Thank you. -CHEERING AND APPLAUSE | 0:41:07 | 0:41:10 | |
OK... | 0:41:10 | 0:41:13 | |
That's nearly it, but before we go we have time | 0:41:13 | 0:41:15 | |
for a story from the big red chair. Who's there? | 0:41:15 | 0:41:18 | |
-Hello. Graham. -Hi! -How you doing? -I'm really good, who are you? | 0:41:18 | 0:41:21 | |
-I'm Ramsey. -It's Ramsey, everyone! | 0:41:21 | 0:41:24 | |
CHEERING AND APPLAUSE | 0:41:24 | 0:41:26 | |
Yay! | 0:41:26 | 0:41:28 | |
And where are you from, Ramsey? | 0:41:28 | 0:41:30 | |
I'm from Kent but I live in Loughton. | 0:41:30 | 0:41:32 | |
Loughton! CHEERING | 0:41:32 | 0:41:33 | |
No idea. | 0:41:33 | 0:41:35 | |
And do you do something in Loughton? | 0:41:35 | 0:41:36 | |
-I live there. -Great! | 0:41:36 | 0:41:38 | |
OK, that's a full-time occupation. | 0:41:38 | 0:41:40 | |
Emilia... Emilia, you are gorgeous, by the way, | 0:41:40 | 0:41:42 | |
if it don't work out with Joey - give me a bell. | 0:41:42 | 0:41:44 | |
Aww! Thank you. Thank you so much. | 0:41:44 | 0:41:47 | |
LAUGHTER AND APPLAUSE | 0:41:49 | 0:41:50 | |
APPLAUSE DROWNS SPEECH | 0:41:56 | 0:41:58 | |
Who's next on the red chair? Hello? | 0:42:02 | 0:42:04 | |
-Hi. -Hi, who are you? | 0:42:04 | 0:42:06 | |
-Cynthia. -Cynthia, lovely. And where are you from, Cynthia? | 0:42:06 | 0:42:08 | |
-Originally from Dallas, Texas but I live in Ruislip now. -Goodness. | 0:42:08 | 0:42:12 | |
LAUGHTER | 0:42:12 | 0:42:15 | |
Is it witness protection(?) | 0:42:17 | 0:42:19 | |
LAUGHTER | 0:42:19 | 0:42:21 | |
What brought you to Ruislip, was it love, career...? | 0:42:21 | 0:42:24 | |
-Career, and then it turned to love so I've been here for 11 years. -Aw! | 0:42:24 | 0:42:28 | |
(That's a story.) | 0:42:28 | 0:42:30 | |
OK! Off you go with your tale. | 0:42:30 | 0:42:33 | |
OK. So, I work in human resources for a very large IT company, | 0:42:33 | 0:42:38 | |
and about five years ago | 0:42:38 | 0:42:40 | |
I was driving to work one day and realised | 0:42:40 | 0:42:42 | |
I'm going to be late for the team meeting call, I need to dial in. | 0:42:42 | 0:42:46 | |
It was one of those conference calls where you announce yourself, | 0:42:46 | 0:42:49 | |
and then it replays your voice | 0:42:49 | 0:42:51 | |
as it announces you to everyone else that's on the call. | 0:42:51 | 0:42:54 | |
So, I'm driving, I go through a particularly...a roundabout, | 0:42:54 | 0:42:59 | |
I'm still learning to navigate roundabouts, someone cuts me up... | 0:42:59 | 0:43:02 | |
I hear you! | 0:43:02 | 0:43:03 | |
I have a moment of road rage, | 0:43:03 | 0:43:05 | |
and before I know it I have been announced to the entire | 0:43:05 | 0:43:08 | |
conference call as "Knob, wanker, has joined the call." | 0:43:08 | 0:43:12 | |
LAUGHTER | 0:43:12 | 0:43:13 | |
That's a good story. | 0:43:13 | 0:43:16 | |
APPLAUSE | 0:43:16 | 0:43:18 | |
Well done, everyone, | 0:43:19 | 0:43:21 | |
and if you'd like to join us show and on the red chair, you can - | 0:43:21 | 0:43:24 | |
just contact us via our website at this address. | 0:43:24 | 0:43:27 | |
That is it for tonight, | 0:43:27 | 0:43:29 | |
so please say a big thank you to my guests. | 0:43:29 | 0:43:31 | |
Corinne Bailey Rae! | 0:43:31 | 0:43:35 | |
Mr Dominic Cooper! | 0:43:35 | 0:43:38 | |
Kate Beckinsale! | 0:43:38 | 0:43:41 | |
Emilia Clarke! | 0:43:41 | 0:43:44 | |
And Matt LeBlanc! | 0:43:44 | 0:43:46 | |
Join me next week with music from Alicia Keys, | 0:43:49 | 0:43:52 | |
comic actress Tamsin Greig, Frasier star Kelsey Grammer, | 0:43:52 | 0:43:55 | |
and the wonderful Salma Hayek. I'll see you then. | 0:43:55 | 0:43:57 | |
Good night, everybody, bye-bye! | 0:43:57 | 0:43:59 |