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Tonight, we have the great Meryl Streep on the show. | 0:00:02 | 0:00:04 | |
One of the world's greatest actresses, | 0:00:04 | 0:00:06 | |
she can transform herself into anyone. | 0:00:06 | 0:00:08 | |
And here she is sitting beside me, | 0:00:08 | 0:00:10 | |
playing an actual member of the audience. | 0:00:10 | 0:00:12 | |
Meryl, you're extraordinary. | 0:00:12 | 0:00:14 | |
You've got it so well. The lifeless eyes. | 0:00:14 | 0:00:16 | |
The sense of hopelessness. | 0:00:16 | 0:00:18 | |
The sad posture. The clothes are so good. | 0:00:18 | 0:00:21 | |
They're brilliant, brilliant, really, really excellent. | 0:00:21 | 0:00:25 | |
Oh, there you are! Let's start the show! | 0:00:25 | 0:00:28 | |
CHEERING AND APPLAUSE | 0:00:29 | 0:00:33 | |
Oh, oh, oh! | 0:00:45 | 0:00:48 | |
Hello! Hello! | 0:00:50 | 0:00:55 | |
Good evening, welcome to you all. | 0:00:55 | 0:00:58 | |
You're very kind. | 0:00:58 | 0:01:00 | |
We have got a great show for you tonight. | 0:01:00 | 0:01:03 | |
-Everyone excited? AUDIENCE: -Yes! | 0:01:03 | 0:01:05 | |
Hey! I have a trio of amazing guests on my sofa tonight. | 0:01:05 | 0:01:08 | |
Imagine that! | 0:01:08 | 0:01:09 | |
A celebrity threesome we are allowed to talk about. | 0:01:09 | 0:01:12 | |
LAUGHTER | 0:01:12 | 0:01:14 | |
It's been a week of sex scandals. It has! | 0:01:14 | 0:01:16 | |
Did you see the story about John Whittingdale, the Conservative MP | 0:01:16 | 0:01:19 | |
who unknowingly had a relationship with a sex worker? | 0:01:19 | 0:01:23 | |
See that? There's John, there, squeezed into an Escort. | 0:01:23 | 0:01:28 | |
Although he didn't realise it was an Escort at the time. | 0:01:28 | 0:01:33 | |
He thought it was a Subaru. | 0:01:33 | 0:01:35 | |
There is talk he may have the whip withdrawn. | 0:01:37 | 0:01:41 | |
How it got up there, I don't know! | 0:01:41 | 0:01:43 | |
Let's get some guests on. | 0:01:43 | 0:01:46 | |
Later, we'll have music | 0:01:46 | 0:01:48 | |
from Eurovision hopefuls Joe and Jake. Yes, we will. | 0:01:48 | 0:01:52 | |
But first, she's one of the hottest actors on telly, | 0:01:52 | 0:01:55 | |
starring in hits from Spooks and Ashes To Ashes, | 0:01:55 | 0:01:57 | |
to the brilliant Line Of Duty. | 0:01:57 | 0:01:59 | |
Now she's playing a Brit abroad in the family drama The Durrells. | 0:01:59 | 0:02:02 | |
It's Keeley Hawes, everybody! | 0:02:02 | 0:02:04 | |
CHEERING AND APPLAUSE | 0:02:04 | 0:02:07 | |
Hello! Lovely to see you. | 0:02:08 | 0:02:11 | |
Come in, sit down. Champagne awaits. | 0:02:11 | 0:02:14 | |
As the undisputed king of rom-com, | 0:02:15 | 0:02:17 | |
he's shared the screen with Julia Roberts, Sandra Bullock, | 0:02:17 | 0:02:20 | |
Julianne Moore and Renee Zellweger. | 0:02:20 | 0:02:21 | |
Now he's starring with Meryl Streep in Florence Foster Jenkins. | 0:02:21 | 0:02:24 | |
Please welcome the charming, the witty, the handsome Hugh Grant. | 0:02:24 | 0:02:28 | |
CHEERING AND APPLAUSE | 0:02:28 | 0:02:30 | |
Hello, sir, very nice to see you. | 0:02:30 | 0:02:33 | |
Really good to see you, come in, sit down, sit down. | 0:02:33 | 0:02:36 | |
And she is without doubt one of the world's greatest actors, | 0:02:37 | 0:02:42 | |
winning the Oscar for her roles in Kramer Vs Kramer, | 0:02:42 | 0:02:44 | |
Sophie's Choice and The Iron Lady. | 0:02:44 | 0:02:47 | |
It's an honour to welcome back Meryl Streep, everybody! | 0:02:47 | 0:02:50 | |
CHEERING AND APPLAUSE | 0:02:50 | 0:02:52 | |
Yes! Hello! | 0:02:52 | 0:02:56 | |
Lovely to see you. | 0:02:56 | 0:02:59 | |
Sit down, do! | 0:02:59 | 0:03:00 | |
Hi, hi, hi! | 0:03:03 | 0:03:07 | |
I told you it was a good one. | 0:03:09 | 0:03:11 | |
Well done, you. Well done, well done! | 0:03:11 | 0:03:13 | |
First time for Keeley. | 0:03:13 | 0:03:15 | |
-Very warm welcome to you. -Thank you, thank you. | 0:03:15 | 0:03:17 | |
And welcome back to you and Meryl. Nice to see you. | 0:03:17 | 0:03:21 | |
You are here promoting the film, but you have spent time in London. | 0:03:21 | 0:03:25 | |
Were you here as a backpacker before you were Meryl Streep? | 0:03:25 | 0:03:29 | |
Oh, yes. | 0:03:29 | 0:03:31 | |
I struggle to remember when that was. | 0:03:31 | 0:03:34 | |
-I think it was 1971. -Wow. | 0:03:34 | 0:03:37 | |
I stayed in Bethnal Green. | 0:03:37 | 0:03:41 | |
CHEERING | 0:03:41 | 0:03:43 | |
There is going to be a blue plaque before morning. | 0:03:43 | 0:03:47 | |
What did you do? | 0:03:47 | 0:03:48 | |
Well, I was so thrilled because it was really cheap to stay there | 0:03:48 | 0:03:53 | |
at this little bed and breakfast. | 0:03:53 | 0:03:55 | |
And I had no money. | 0:03:55 | 0:03:58 | |
But breakfast was included, and it came down and it was huge. | 0:03:58 | 0:04:02 | |
-I had never had an English breakfast, you know. -Yeah. | 0:04:02 | 0:04:05 | |
And I ate everything because I was starving. | 0:04:05 | 0:04:09 | |
I asked what the little black thing was on the side | 0:04:09 | 0:04:13 | |
and they said it was blood sausage, or something. | 0:04:13 | 0:04:16 | |
-Black pudding. -Black pudding, made of blood! | 0:04:16 | 0:04:19 | |
-That's right. -So I went straight to the loo and lost it. | 0:04:19 | 0:04:26 | |
Hugh Grant, you have never been backpacking, have you? | 0:04:27 | 0:04:30 | |
Don't be absurd! | 0:04:30 | 0:04:32 | |
LAUGHTER | 0:04:32 | 0:04:35 | |
We were hoping for an amusing camping story, but no. | 0:04:35 | 0:04:38 | |
I have heard of it. But I... | 0:04:38 | 0:04:39 | |
Is it when you put a pack on your back? | 0:04:39 | 0:04:42 | |
Of course I did. | 0:04:42 | 0:04:44 | |
I trolled around Europe between school and university. | 0:04:44 | 0:04:49 | |
-Right. -I hung out with a bunch of girls | 0:04:49 | 0:04:52 | |
who thought it was amusing to paint my toenails red. | 0:04:52 | 0:04:55 | |
And then I stayed in a hostel. | 0:04:55 | 0:04:58 | |
They were divided, in those days, and it was all men. | 0:04:58 | 0:05:00 | |
I remember having to go round the showers with my red toenails | 0:05:00 | 0:05:03 | |
with all these quite butch Aussie and American backpackers. | 0:05:03 | 0:05:07 | |
A dodgy moment. | 0:05:08 | 0:05:10 | |
Keeley Hawes, I would say, yes, you have backpacked. | 0:05:10 | 0:05:13 | |
-No, I haven't. -Have you never? -Never. | 0:05:13 | 0:05:15 | |
But I would if Meryl asked me. | 0:05:15 | 0:05:17 | |
Is that because you are one of those people | 0:05:17 | 0:05:19 | |
who just started working immediately? | 0:05:19 | 0:05:21 | |
I did. Immediately. When I was nine. | 0:05:21 | 0:05:24 | |
Straight out to work. Yeah. | 0:05:24 | 0:05:27 | |
Meryl, have you watched any British television? | 0:05:27 | 0:05:30 | |
I am addicted to everything where they do real estate. | 0:05:30 | 0:05:34 | |
-Grand Designs, something with a hammer. -Under The Hammer. Yeah. | 0:05:34 | 0:05:39 | |
I love that. And also, Come Dine With Me. | 0:05:39 | 0:05:44 | |
It's the best, fabulous. | 0:05:45 | 0:05:47 | |
The couples one, I was watching today. | 0:05:47 | 0:05:49 | |
You have missed some quality drama. Line Of Duty is on at the moment! | 0:05:49 | 0:05:54 | |
Line Of Duty is a fantastic show. | 0:05:54 | 0:05:57 | |
You coming back into it, everyone thought you had gone. | 0:05:57 | 0:06:00 | |
-Including me. -How did they keep that a secret? | 0:06:00 | 0:06:03 | |
Because it's impossible to keep secrets. | 0:06:03 | 0:06:06 | |
I know. In this day and age, with the internet, | 0:06:06 | 0:06:08 | |
everything sort of gets spoiled. | 0:06:08 | 0:06:10 | |
And it really didn't, and so I came back into this show, | 0:06:10 | 0:06:15 | |
that you will now watch! | 0:06:15 | 0:06:17 | |
And it was a huge surprise. I think people responded really well. | 0:06:19 | 0:06:23 | |
People loved it, it was... | 0:06:23 | 0:06:25 | |
I don't know you very well, Keeley Hawes, | 0:06:25 | 0:06:26 | |
but you seem like the kind of woman | 0:06:26 | 0:06:28 | |
-who would find it very hard to keep a secret. -Do I? | 0:06:28 | 0:06:30 | |
You are drinking, that's all I'm saying. You're drinking. | 0:06:30 | 0:06:32 | |
LAUGHTER | 0:06:32 | 0:06:34 | |
"Yeah, I'm in Line Of Duty! Yeah!" | 0:06:34 | 0:06:36 | |
People kept asking me if I was coming back | 0:06:36 | 0:06:38 | |
and I was lying very badly to their faces. | 0:06:38 | 0:06:42 | |
And I felt awful about it. | 0:06:42 | 0:06:44 | |
But quite pleased! | 0:06:44 | 0:06:46 | |
You and Meryl, together in a film at last. | 0:06:48 | 0:06:51 | |
Did either of you dream this moment would come? | 0:06:51 | 0:06:53 | |
No, I always thought I was too old. | 0:06:53 | 0:06:55 | |
-Oh, stop it! -But he got older. -LAUGHTER | 0:06:55 | 0:06:59 | |
I am the toy boy! | 0:07:01 | 0:07:04 | |
Hugh Grant, every time you are on the show | 0:07:04 | 0:07:06 | |
you say you are going to retire, | 0:07:06 | 0:07:08 | |
never going to make another film, this is the last one. | 0:07:08 | 0:07:11 | |
So how did they coax you onto the set for this? | 0:07:11 | 0:07:13 | |
Well, I have been doing all this Hacked Off stuff, | 0:07:13 | 0:07:19 | |
and Stephen Frears, who directed this film, is a very nice supporter. | 0:07:19 | 0:07:22 | |
And he comes to our parties and he would say, "Let's do a film." | 0:07:22 | 0:07:26 | |
I said, "No, no, show business is in my past." | 0:07:26 | 0:07:29 | |
And then suddenly he sent me this script which was classy. | 0:07:29 | 0:07:34 | |
I mean, I don't do classy films. This was classy. | 0:07:34 | 0:07:37 | |
Meryl Streep, Stephen Frears, who wins Oscars, | 0:07:37 | 0:07:41 | |
and rather a good part, a nuanced part. | 0:07:41 | 0:07:44 | |
You know, with three dimensions. | 0:07:44 | 0:07:47 | |
And you are really good in it. You know... | 0:07:47 | 0:07:49 | |
That is what I was prompting you to say. | 0:07:49 | 0:07:51 | |
You know you are good in it! You must watch and think, | 0:07:51 | 0:07:54 | |
-"Oh, I'm rather good in this!" -I am less bad than normal. | 0:07:54 | 0:07:57 | |
Oh, shut up! | 0:07:57 | 0:07:58 | |
Meryl and Hugh bring us such a funny, charming, sweet film. | 0:07:58 | 0:08:05 | |
Florence Foster Jenkins, it opens on May the 6th. | 0:08:05 | 0:08:08 | |
Meryl, you are Florence Foster Jenkins, | 0:08:08 | 0:08:10 | |
who I was aware of, | 0:08:10 | 0:08:13 | |
but I always thought she was turn-of-the-century. | 0:08:13 | 0:08:16 | |
-But she was 1944. -The film takes place in 1944, yes. | 0:08:16 | 0:08:20 | |
She was a society lady at that time, | 0:08:20 | 0:08:23 | |
in the '20s, '30s, and '40s, and she was a club woman, | 0:08:23 | 0:08:27 | |
and she gave lots of money away to charitable organisations, | 0:08:27 | 0:08:30 | |
mostly musical societies. | 0:08:30 | 0:08:32 | |
But she wanted to be a singer all her life, | 0:08:32 | 0:08:35 | |
and she was a terrible singer. Opera. | 0:08:35 | 0:08:38 | |
But she had enough money that she could inflict it | 0:08:38 | 0:08:41 | |
on her friends and club ladies. | 0:08:41 | 0:08:43 | |
As long as she kept it in the club it was fine, | 0:08:43 | 0:08:46 | |
but one night she hired Carnegie Hall. And... | 0:08:46 | 0:08:49 | |
And you play the very supportive husband, Sinclair Bayfield, | 0:08:52 | 0:08:56 | |
it is a very lovely relationship, because you know her secret. | 0:08:56 | 0:09:01 | |
Yes, I know she is not just bad, she's appalling. | 0:09:01 | 0:09:06 | |
Because I love her, and also because I have no life | 0:09:07 | 0:09:11 | |
without this millionairess, my character is a sad, failed actor | 0:09:11 | 0:09:15 | |
with nothing outside this strange little charmed, deluded world | 0:09:15 | 0:09:20 | |
of Florence Foster Jenkins and her musical societies. | 0:09:20 | 0:09:23 | |
So yes, I spend my life keeping people who are going to laugh at her | 0:09:23 | 0:09:27 | |
or give her a bad review, away. | 0:09:27 | 0:09:29 | |
Her recordings are very famous in the United States. | 0:09:29 | 0:09:32 | |
-I don't know if they know about them here. -No, I think they do. | 0:09:32 | 0:09:35 | |
They are the most bought records from Carnegie Hall concerts ever, | 0:09:35 | 0:09:38 | |
because they are sort of guaranteed funny. | 0:09:38 | 0:09:41 | |
I want to have them at my funeral. | 0:09:41 | 0:09:43 | |
-Have you ever heard these recordings? -I have. | 0:09:44 | 0:09:47 | |
We've got a clip, so here we go. | 0:09:47 | 0:09:50 | |
TUNELESS VOCAL EXERCISES | 0:09:50 | 0:09:54 | |
PIANO CHIMES HIGH-PITCHED SCREECHING | 0:09:56 | 0:10:01 | |
GRAHAM LAUGHS | 0:10:01 | 0:10:05 | |
PIANO CRESCENDO | 0:10:05 | 0:10:08 | |
Wahey! APPLAUSE | 0:10:08 | 0:10:10 | |
Well done, that woman. | 0:10:10 | 0:10:14 | |
It is sort of heartbreaking that her dream came true. | 0:10:14 | 0:10:18 | |
That she is more well remembered | 0:10:18 | 0:10:20 | |
than very famous opera singers of the time. | 0:10:20 | 0:10:23 | |
True. Yes, more requested than the Callas programme. | 0:10:23 | 0:10:26 | |
But, you know, it is partly because she was really bad. | 0:10:26 | 0:10:31 | |
But also, you can hear in the recording, | 0:10:31 | 0:10:33 | |
you can hear her aspiration, | 0:10:33 | 0:10:36 | |
her trying to be good and her delight in giving it. | 0:10:36 | 0:10:40 | |
I mean, she really was trying to express herself. | 0:10:40 | 0:10:44 | |
And the thing that is great about it is that it is almost OK. | 0:10:44 | 0:10:49 | |
Enough that you kind of are on the edge of your seat. | 0:10:51 | 0:10:54 | |
She might make it to the end of a phrase. | 0:10:54 | 0:10:56 | |
Then it all goes south. | 0:10:56 | 0:10:58 | |
Let's watch a clip. | 0:10:58 | 0:11:00 | |
This is yourself, Meryl, and Hugh, | 0:11:00 | 0:11:02 | |
returning from an evening of music at the Carnegie Hall. | 0:11:02 | 0:11:06 | |
Did you see Carlo Edwards in the Met? | 0:11:06 | 0:11:09 | |
-No. -He was seated to our right. | 0:11:09 | 0:11:12 | |
-I gather he is coaching again. -Oh, is he now? | 0:11:13 | 0:11:17 | |
Well, I would like to take more lessons with him. | 0:11:18 | 0:11:22 | |
Then I shall phone him first thing in the morning. | 0:11:22 | 0:11:25 | |
I shall need a pianist. | 0:11:25 | 0:11:27 | |
-Yes. -Someone young, someone with passion. | 0:11:27 | 0:11:32 | |
HE PLAYS FURIOUSLY | 0:11:32 | 0:11:36 | |
Oh, my head! | 0:11:47 | 0:11:49 | |
Is he not passionate enough? | 0:11:49 | 0:11:51 | |
He is raping my ears. Make him stop! | 0:11:51 | 0:11:54 | |
Thank you! | 0:11:54 | 0:11:56 | |
Thank you very much, Mr Ziegler. | 0:11:56 | 0:11:59 | |
Thank you, Mr Ziegler! | 0:11:59 | 0:12:01 | |
-STOPS PLAYING ABRUPTLY -Very good, we will be in touch. | 0:12:01 | 0:12:04 | |
CHEERING AND APPLAUSE | 0:12:04 | 0:12:08 | |
We know that Meryl Streep can sing. | 0:12:11 | 0:12:13 | |
Into The Woods, Mamma Mia! You've sung in more films... | 0:12:13 | 0:12:17 | |
Lately, yes. Won't shut up, yes! | 0:12:17 | 0:12:19 | |
Is this harder to do, | 0:12:19 | 0:12:22 | |
being a good singer, | 0:12:22 | 0:12:24 | |
or are you just hitting the wrong note? | 0:12:24 | 0:12:27 | |
Have you just learnt a different song? | 0:12:27 | 0:12:29 | |
Yeah, you... I did feel... I didn't know these arias. | 0:12:29 | 0:12:33 | |
She tackled the toughest arias in the coloratura canon. | 0:12:33 | 0:12:37 | |
You know, she aimed high. | 0:12:37 | 0:12:40 | |
And she actually could sing an F above high C, if you know that. | 0:12:40 | 0:12:44 | |
It is a very stratospheric sound. | 0:12:44 | 0:12:47 | |
And she could hit it and I really couldn't. | 0:12:47 | 0:12:50 | |
So I tried to come up to Florence Foster Jenkins. | 0:12:50 | 0:12:54 | |
The rest of her singing, | 0:12:54 | 0:12:55 | |
she would meander off the track often. | 0:12:55 | 0:12:59 | |
But, yes, I tried to learn to sing them as well as I could | 0:12:59 | 0:13:03 | |
-and then screw around with them. -SHE WARBLES | 0:13:03 | 0:13:07 | |
LAUGHTER | 0:13:07 | 0:13:09 | |
-I can pull them out at a party now. -Can you really? -No. | 0:13:09 | 0:13:12 | |
Oh, OK. LAUGHTER | 0:13:12 | 0:13:16 | |
Oh, she can. | 0:13:16 | 0:13:17 | |
Full of drink. | 0:13:17 | 0:13:20 | |
Actors go to all the bother of learning these things | 0:13:20 | 0:13:23 | |
and then it is gone. | 0:13:23 | 0:13:25 | |
But it is fantastic to be able to... Don't you? | 0:13:25 | 0:13:27 | |
It is one of the perks of the job, | 0:13:27 | 0:13:29 | |
things that you never would even consider. | 0:13:29 | 0:13:33 | |
You also learn what you never want to do again. | 0:13:33 | 0:13:37 | |
Like riding a horse. What is all that about? | 0:13:37 | 0:13:40 | |
I have never been so miserable as when I had to ride a bloody horse. | 0:13:40 | 0:13:43 | |
I was a highwayman, a really bad one. | 0:13:43 | 0:13:47 | |
When I am very self-conscious in a role, | 0:13:47 | 0:13:50 | |
my voice goes very high. | 0:13:50 | 0:13:52 | |
And I would leap out of bushes and say... | 0:13:52 | 0:13:55 | |
-HE SQUEALS: -.."stand and deliver". | 0:13:55 | 0:13:57 | |
And I was always on this horse, | 0:13:57 | 0:13:59 | |
and the thing with horses, they stop very suddenly, | 0:13:59 | 0:14:02 | |
and it is very uncomfortable for a gentleman. | 0:14:02 | 0:14:04 | |
Splits your cluster. | 0:14:06 | 0:14:08 | |
Keeley, I did not know this about you, | 0:14:10 | 0:14:12 | |
now, I don't know... Hugh, do you play Tomb Raider at all? | 0:14:12 | 0:14:16 | |
-Don't be ridiculous. No, no. -I thought you might! | 0:14:16 | 0:14:19 | |
-But I like the girl in it. -Lara Croft. -Yes, the shorts. | 0:14:19 | 0:14:23 | |
-Have you played Tomb Raider? Meryl? -What? -Tomb Raider? | 0:14:23 | 0:14:27 | |
I don't even know what you are talking about. | 0:14:27 | 0:14:30 | |
OK! Well, shut your eyes, Hugh Grant, | 0:14:30 | 0:14:33 | |
because the voice of Lara Croft is sitting beside you. | 0:14:33 | 0:14:36 | |
-Well, that's not... -That's the voice! -That's the game. | 0:14:36 | 0:14:40 | |
-Oh! -Yes! -Ha-ha! | 0:14:40 | 0:14:42 | |
The voice of Lara Croft is Keeley Hawes. | 0:14:42 | 0:14:45 | |
Now, apparently this got confusing for your son. | 0:14:45 | 0:14:48 | |
It did, when I first started doing it, my son... | 0:14:48 | 0:14:50 | |
who will kill me, after this talk! | 0:14:50 | 0:14:53 | |
My son, who is now 15, but was quite little, | 0:14:53 | 0:14:56 | |
he could never get past the first stage. | 0:14:56 | 0:14:59 | |
He just made her run around and sort of swim and rock climb, | 0:14:59 | 0:15:03 | |
and things, and she wears these shorts. | 0:15:03 | 0:15:06 | |
And so he was doing that and he came running in, | 0:15:06 | 0:15:09 | |
and I said, "How is it going? Are you enjoying it?" | 0:15:09 | 0:15:12 | |
He said, "I like the way the lady runs." | 0:15:12 | 0:15:15 | |
LAUGHTER | 0:15:15 | 0:15:18 | |
The lady with my...with Mummy's voice! | 0:15:20 | 0:15:23 | |
It was a bit, you know... | 0:15:23 | 0:15:25 | |
Did you then ban him from playing that game? | 0:15:25 | 0:15:27 | |
-Yes, I did! -Yes, you did! | 0:15:27 | 0:15:28 | |
But I have spoken to people who have done this, | 0:15:28 | 0:15:30 | |
it's not as simple... You don't just say the lines. | 0:15:30 | 0:15:32 | |
-I mean, it takes hours and hours, doesn't it? -Hours and hours. | 0:15:32 | 0:15:35 | |
Don't you have to make every little noise | 0:15:35 | 0:15:37 | |
-she might conceivably make? -Yeah. | 0:15:37 | 0:15:40 | |
A person, let's call them a "fan", | 0:15:40 | 0:15:43 | |
has put together, seriously, every noise you make... | 0:15:43 | 0:15:49 | |
-Not every noise! -LAUGHTER | 0:15:49 | 0:15:55 | |
I beg to differ! | 0:15:55 | 0:15:56 | |
I think we are about to hear every noise you make. | 0:15:58 | 0:16:01 | |
It takes a little while. | 0:16:01 | 0:16:03 | |
You can shut your eyes, Hugh, you'll enjoy this. | 0:16:03 | 0:16:06 | |
This is the vocal stylings of Keeley Hawes as Lara Croft. | 0:16:07 | 0:16:11 | |
HEAVY BREATHING | 0:16:12 | 0:16:16 | |
Somebody has taken the time to put this together! | 0:16:20 | 0:16:23 | |
SCREAMING | 0:16:23 | 0:16:26 | |
That is falling off a cliff. | 0:16:26 | 0:16:28 | |
MORE SCREAMING There's a really long one in a second! | 0:16:28 | 0:16:31 | |
MORE SCREAMING | 0:16:33 | 0:16:36 | |
CLEARING THROAT | 0:16:36 | 0:16:40 | |
DEEP SIGHS AUDIENCE LAUGHTER | 0:16:40 | 0:16:44 | |
ORGASMIC SCREAMS | 0:16:44 | 0:16:48 | |
-REPETITIVE GRUNTS -They've joined them up! | 0:16:48 | 0:16:52 | |
-MORE GRUNTING -That's quite good! That's kicking! | 0:16:52 | 0:16:58 | |
-RAPID GRUNTING -I don't know what this is! | 0:16:58 | 0:17:03 | |
She's done! CHEERING AND APPLAUSE | 0:17:03 | 0:17:08 | |
Excellent work. | 0:17:08 | 0:17:10 | |
-Thank you. -Excellent work! | 0:17:10 | 0:17:12 | |
Going back to the film, it is so adorable, | 0:17:14 | 0:17:17 | |
the way the husband keeps her kind of cocooned in her own self-belief, | 0:17:17 | 0:17:23 | |
he pays off critics and protects her from reviews and stuff, | 0:17:23 | 0:17:27 | |
and you just think, you couldn't do that now, | 0:17:27 | 0:17:30 | |
because Florence would just go online, | 0:17:30 | 0:17:33 | |
scroll to the comments and never sing again. | 0:17:33 | 0:17:36 | |
We have all done that. How do we get up in the morning? | 0:17:36 | 0:17:40 | |
Have you googled "Meryl Streep"? | 0:17:40 | 0:17:42 | |
I did when they first invented Google and never again. | 0:17:42 | 0:17:45 | |
-The haters had got there first! -They were there, ready and waiting! | 0:17:46 | 0:17:51 | |
Hugh, you go on Twitter, you actually tweet. | 0:17:51 | 0:17:54 | |
And people must tweet you back, and you see them. | 0:17:54 | 0:17:56 | |
-I get trolled back, yes. -Yes. | 0:17:56 | 0:17:58 | |
And I have to say, I think the British | 0:17:58 | 0:18:00 | |
should be very proud of their trolling. | 0:18:00 | 0:18:03 | |
It is very high quality. We should have a Troll of the Year show. | 0:18:03 | 0:18:07 | |
What is the worst thing you have had? | 0:18:07 | 0:18:09 | |
Oh, God. They are mostly unrepeatable, | 0:18:09 | 0:18:11 | |
but one the other day said, "Hugh Grant now looks like a scrotum." | 0:18:11 | 0:18:15 | |
-That's rather good. -LAUGHTER | 0:18:15 | 0:18:19 | |
I wish mine did! That's a compliment! | 0:18:19 | 0:18:24 | |
But it is that thing, though, when you love someone, | 0:18:27 | 0:18:29 | |
you do want to either protect them or impress them. | 0:18:29 | 0:18:33 | |
You want to be your best possible. | 0:18:33 | 0:18:35 | |
Keeley Hawes, you are married to Matthew Macfadyen. | 0:18:35 | 0:18:38 | |
When you were dating, | 0:18:38 | 0:18:40 | |
-you did try to enhance who Keeley Hawes is/was. -Yes. | 0:18:40 | 0:18:45 | |
What did you lie about? | 0:18:45 | 0:18:48 | |
Well, we were chatting away one day and he said something about tennis. | 0:18:48 | 0:18:53 | |
And I went along with this conversation about tennis | 0:18:53 | 0:18:56 | |
and started talking about how I was quite good at tennis, too. | 0:18:56 | 0:19:00 | |
I grew up, you know, on a council flat with "no ball games", above! | 0:19:02 | 0:19:07 | |
I had never been anywhere near a tennis racket. | 0:19:07 | 0:19:10 | |
So I took myself off for lessons | 0:19:10 | 0:19:14 | |
because he had sort of arranged this game of tennis, | 0:19:14 | 0:19:17 | |
and so I was going to turn up and, you know, be humiliated. | 0:19:17 | 0:19:22 | |
So, yeah, I went and had a few lessons. | 0:19:24 | 0:19:27 | |
Did you lie about skiing as well? | 0:19:27 | 0:19:29 | |
I lied about skiing... I lied about cooking, that was good. | 0:19:29 | 0:19:33 | |
-Because he is an excellent cook. -Can I just stop you there? | 0:19:33 | 0:19:39 | |
If somebody is an excellent cook, let them! | 0:19:39 | 0:19:43 | |
-LAUGHTER -Absolutely! | 0:19:43 | 0:19:46 | |
-Well, I was trying to impress him. -What did you cook him? | 0:19:46 | 0:19:49 | |
Well, I went to a Tesco Metro. | 0:19:49 | 0:19:52 | |
And I got one of those, I don't even know what it was... | 0:19:52 | 0:19:55 | |
Tesco Select. | 0:19:55 | 0:19:56 | |
..a pepper type thing, and I made the flat very dark | 0:19:56 | 0:19:59 | |
and lit some candles | 0:19:59 | 0:20:00 | |
and sort of shoved it in the microwave and got it out | 0:20:00 | 0:20:03 | |
with none of the apparatus to prove that I had cooked... | 0:20:03 | 0:20:07 | |
I don't know what I thought I was doing. | 0:20:07 | 0:20:09 | |
Made it very dark, and he was eating it and saying, "What's in this?" | 0:20:09 | 0:20:13 | |
I was going... "Um, well, you know, beef and peppers..." | 0:20:13 | 0:20:18 | |
It was awful. Then the lights went on and then it all... | 0:20:18 | 0:20:21 | |
The ski lie is quite a common one, though. | 0:20:21 | 0:20:24 | |
I had a girl I knew who did the same lie that you did about tennis | 0:20:24 | 0:20:29 | |
about skiing with this boy she really fancied. | 0:20:29 | 0:20:32 | |
He said, "Do you want to come skiing?" She didn't ski at all | 0:20:32 | 0:20:34 | |
but for some reason, she said yes. Turned up on the slopes, | 0:20:34 | 0:20:37 | |
didn't really know what she was doing at all. | 0:20:37 | 0:20:39 | |
The first thing she told him she needed was a pee, | 0:20:39 | 0:20:41 | |
and she didn't really know what was happening. | 0:20:41 | 0:20:43 | |
She asked somebody, and they said, "Go off the side of the piste | 0:20:43 | 0:20:46 | |
"into the woods and take your trousers down, have a pee." | 0:20:46 | 0:20:49 | |
So she did that and halfway through the pee, | 0:20:49 | 0:20:52 | |
she lost control of her skis and came... | 0:20:52 | 0:20:55 | |
LAUGHTER | 0:20:55 | 0:20:56 | |
..back out onto the piste, still crouching and still peeing. | 0:20:56 | 0:20:59 | |
LAUGHTER | 0:20:59 | 0:21:01 | |
That has to be a low moment. | 0:21:03 | 0:21:06 | |
APPLAUSE | 0:21:06 | 0:21:09 | |
Now, Hugh Grant, when you talk about your co-stars, you're quite open | 0:21:09 | 0:21:13 | |
about talking about your co-stars. I don't know if you remember, | 0:21:13 | 0:21:15 | |
you gave an interview to Elle magazine and they asked you | 0:21:15 | 0:21:18 | |
about your various leading ladies. | 0:21:18 | 0:21:21 | |
Do you remember some of the things you said about them? | 0:21:21 | 0:21:23 | |
I think it was regrettable. | 0:21:23 | 0:21:25 | |
LAUGHTER | 0:21:25 | 0:21:27 | |
Well, Emma Thompson - "Clever, funny, mad as a chair." | 0:21:27 | 0:21:31 | |
-Well, that's true. You know Emma. -Yes, in fairness. | 0:21:31 | 0:21:34 | |
And quite a mad chair. | 0:21:34 | 0:21:35 | |
Renee Zellweger - "Delightful, also far from sane." | 0:21:37 | 0:21:40 | |
Fair. | 0:21:41 | 0:21:43 | |
LAUGHTER | 0:21:43 | 0:21:44 | |
She is genuinely lovely, but her e-mails are 48 pages long. | 0:21:44 | 0:21:48 | |
Wow. | 0:21:48 | 0:21:50 | |
You can't understand a word of them. | 0:21:50 | 0:21:53 | |
-I'll put them on Twitter. -Do! | 0:21:53 | 0:21:56 | |
Sandra Bullock is "a genius at German but too many dogs." | 0:21:56 | 0:22:00 | |
Way too many dogs. | 0:22:00 | 0:22:02 | |
Then we get into a run of these. | 0:22:02 | 0:22:04 | |
Julianne Moore - "Brilliant actress, loathes me." | 0:22:04 | 0:22:07 | |
Yes. | 0:22:07 | 0:22:08 | |
-Rachel Weisz - "Clever, beautiful, despises me." -Yes, yes. | 0:22:08 | 0:22:12 | |
Drew Barrymore - "Made her cry, hates me." | 0:22:12 | 0:22:14 | |
-That can't be true. -No, no, no! | 0:22:14 | 0:22:16 | |
Um... | 0:22:16 | 0:22:17 | |
Julianne definitely hates me. | 0:22:17 | 0:22:20 | |
Rachel Weisz, I think we got on fine. I don't know why I said that. | 0:22:20 | 0:22:23 | |
Maybe I was going for a comedy triple. | 0:22:23 | 0:22:26 | |
LAUGHTER | 0:22:26 | 0:22:27 | |
Who was the third one? | 0:22:28 | 0:22:30 | |
Drew Barrymore. | 0:22:30 | 0:22:31 | |
She made the mistake of giving me notes. | 0:22:31 | 0:22:34 | |
How would you take that? When you're acting with someone and they... | 0:22:34 | 0:22:37 | |
I took them very well, didn't I?! | 0:22:37 | 0:22:39 | |
LAUGHTER AND APPLAUSE | 0:22:39 | 0:22:42 | |
Wowza! | 0:22:44 | 0:22:46 | |
-They believed you! -I'm kidding. No, no, I'm joking! | 0:22:50 | 0:22:55 | |
Because... Meryl, I've heard you speaking about how | 0:22:55 | 0:22:59 | |
you are now sort of aware of the effect you have on a cast. | 0:22:59 | 0:23:03 | |
Oh, yeah. I heard you say you were terrified. | 0:23:03 | 0:23:05 | |
You weren't really terrified because the first day I worked with you, | 0:23:05 | 0:23:08 | |
-I forgot my lines. -I loved that! | 0:23:08 | 0:23:10 | |
That was the highlight of my year. | 0:23:11 | 0:23:13 | |
But here is an interesting question I meant to ask you all these months, | 0:23:13 | 0:23:17 | |
and never dared - are you ever nervous? Were you ever nervous? | 0:23:17 | 0:23:21 | |
-You did ask me that. -Did I? What was your answer? | 0:23:21 | 0:23:23 | |
Every day, you asked me that. | 0:23:23 | 0:23:26 | |
-HUGH GRANT VOICE: -"I'm so nervous! Aren't you nervous?" "No!" | 0:23:26 | 0:23:30 | |
The second week, I'm not nervous, obviously, but when we got up | 0:23:30 | 0:23:34 | |
-at Carnegie Hall, I was shaking. -Yeah. -It was terrifying. | 0:23:34 | 0:23:38 | |
And that was late in the shoot, and when I had to... | 0:23:38 | 0:23:43 | |
You know... The end, when I... | 0:23:43 | 0:23:45 | |
-Oh, yeah, yeah, yeah! -I was very nervous about that. | 0:23:45 | 0:23:47 | |
Well, that's not easy. | 0:23:47 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:50 | |
No, I get nervous. I get nervous on chat shows. | 0:23:51 | 0:23:54 | |
-Chat shows are hard. -Oh, stop it! | 0:23:54 | 0:23:56 | |
You're a genius. I don't know how you do it. | 0:23:56 | 0:23:58 | |
You put the most uptight people relaxed, but it is tough. | 0:23:58 | 0:24:02 | |
But you ARE all relaxed, you're nice. | 0:24:02 | 0:24:04 | |
I'm really uptight still. | 0:24:04 | 0:24:06 | |
LAUGHTER | 0:24:06 | 0:24:08 | |
-You haven't moved, I know. -But the thing is... | 0:24:08 | 0:24:10 | |
You can sort of relate to, I guess, people's reaction to you | 0:24:10 | 0:24:13 | |
because when you started out, you must have had that reaction to... | 0:24:13 | 0:24:17 | |
I did. I did. | 0:24:17 | 0:24:19 | |
The first famous person I knew was Al Pacino. | 0:24:19 | 0:24:23 | |
I didn't work with him, but he came over to the house for dinner. | 0:24:23 | 0:24:27 | |
He was a friend of my boyfriend. | 0:24:27 | 0:24:29 | |
I was cooking... Why? | 0:24:29 | 0:24:31 | |
I cooked spaghetti. | 0:24:31 | 0:24:33 | |
LAUGHTER | 0:24:33 | 0:24:35 | |
I cooked home-made spaghetti sauce. | 0:24:37 | 0:24:41 | |
Somebody had told me once to put a carrot in the sauce. | 0:24:41 | 0:24:44 | |
Oh, it was awful. | 0:24:44 | 0:24:46 | |
I just remember stirring it | 0:24:46 | 0:24:49 | |
and, for some reason, my lip going like this. | 0:24:49 | 0:24:52 | |
I wasn't saying anything. I was just going... | 0:24:52 | 0:24:55 | |
I was so nervous because he was so famous, but, you know... | 0:24:56 | 0:25:01 | |
-You should have just gone to Tesco Metro. -Yes! | 0:25:01 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:06 | |
-Did he bitch about the carrot? -No! -OK, OK. | 0:25:06 | 0:25:09 | |
I just knew it wasn't any good. | 0:25:09 | 0:25:12 | |
It is that thing that, every time we see Meryl Streep in a film, | 0:25:12 | 0:25:16 | |
it becomes kind of ridiculous, but you are brilliant in them all. | 0:25:16 | 0:25:20 | |
Have you got performances that you watch back or remember | 0:25:20 | 0:25:24 | |
where you think, "Actually, I was a bit pants in that," or...? | 0:25:24 | 0:25:28 | |
-Oh, yeah. -What? | 0:25:28 | 0:25:29 | |
I'm not going to tell you. | 0:25:29 | 0:25:31 | |
-Oh, come on! -Oh, my God! | 0:25:31 | 0:25:32 | |
Let's guess! | 0:25:32 | 0:25:34 | |
No, that was a bad... | 0:25:34 | 0:25:35 | |
LAUGHTER | 0:25:35 | 0:25:37 | |
-No, you won't guess. -That's a bad game. | 0:25:37 | 0:25:39 | |
No, I know, that's a bad game. But you won't guess | 0:25:39 | 0:25:42 | |
because I have just collected a lot of awards for that film but... No. | 0:25:42 | 0:25:46 | |
LAUGHTER | 0:25:46 | 0:25:48 | |
So it's one of your big successes and you think...? | 0:25:48 | 0:25:51 | |
Well, I wouldn't say it was successful. | 0:25:51 | 0:25:53 | |
It was, um...venerated. Yeah. | 0:25:53 | 0:25:57 | |
-Ha-ha! -Ooh! | 0:25:57 | 0:26:00 | |
I'll get it out of her. | 0:26:00 | 0:26:01 | |
I'll tell you. It was The French Lieutenant's Woman. | 0:26:01 | 0:26:05 | |
WHOOPING AND APPLAUSE | 0:26:05 | 0:26:07 | |
Part of it was in... | 0:26:09 | 0:26:11 | |
I'm giving myself an out, but part of it was the structure of it. | 0:26:11 | 0:26:15 | |
It was sort of artificial, | 0:26:15 | 0:26:17 | |
because I was the actress playing the French Lieutenant's woman. | 0:26:17 | 0:26:21 | |
At the same time, I was an American actress playing the British woman. | 0:26:21 | 0:26:25 | |
And I hear it now. | 0:26:25 | 0:26:27 | |
I was young and new at this. And I just didn't... | 0:26:27 | 0:26:34 | |
I wasn't as pleased as... | 0:26:34 | 0:26:36 | |
I didn't feel like I was living it. | 0:26:36 | 0:26:38 | |
I didn't feel I imbued... | 0:26:38 | 0:26:40 | |
THEY LAUGH | 0:26:40 | 0:26:42 | |
..the angel of inspiration with the whatever it was. | 0:26:42 | 0:26:45 | |
That's a line from the movie. | 0:26:45 | 0:26:48 | |
But, yeah. We always feel, | 0:26:48 | 0:26:50 | |
you always want to do something better after the fact | 0:26:50 | 0:26:55 | |
but, you know... | 0:26:55 | 0:26:56 | |
But there must be ones also where you think, "Nailed it!" | 0:26:56 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:01 | |
This, you nailed. This, you nailed. | 0:27:03 | 0:27:05 | |
-You both do. -We were happy. -Terrific in it. | 0:27:05 | 0:27:08 | |
Now, Keeley, as I was saying, very busy actress. | 0:27:08 | 0:27:11 | |
May 7th, you'll be on BBC Two | 0:27:11 | 0:27:13 | |
in such a starry Shakespeare adaptation, The Hollow Crown. | 0:27:13 | 0:27:16 | |
-Hollow Crown, yeah. -There's you and Dame Judi Dench, | 0:27:16 | 0:27:20 | |
who unfortunately has put some leggings on her head. | 0:27:20 | 0:27:23 | |
I don't quite know why. | 0:27:23 | 0:27:25 | |
LAUGHTER | 0:27:25 | 0:27:26 | |
Terrible wardrobe malfunction. | 0:27:26 | 0:27:28 | |
So it's you, Judi Dench, Benedict Cumberbatch is in it? | 0:27:28 | 0:27:31 | |
Yes, yes, lovely Benedict. | 0:27:31 | 0:27:33 | |
-Love the red. -Yes! Very red! | 0:27:33 | 0:27:35 | |
-Oh! There he is. -That was scary. | 0:27:35 | 0:27:39 | |
That was terrifying because I had somehow got to the age of 38 | 0:27:39 | 0:27:43 | |
and never done Shakespeare, ever. | 0:27:43 | 0:27:46 | |
And...you know, this... | 0:27:46 | 0:27:48 | |
I don't know, if you're going to do it, you might as well, | 0:27:48 | 0:27:51 | |
and you're given the opportunity, | 0:27:51 | 0:27:53 | |
but to arrive on your first day on set and immediately have a scene | 0:27:53 | 0:27:58 | |
with one of the greatest ever Shakespearean actors, Judi Dench, | 0:27:58 | 0:28:03 | |
-is a bit, you know... -Yeah. | 0:28:03 | 0:28:05 | |
SHE WHIMPERS | 0:28:05 | 0:28:07 | |
Does she give notes? | 0:28:07 | 0:28:08 | |
Oh, I'd take them! | 0:28:08 | 0:28:10 | |
LAUGHTER | 0:28:10 | 0:28:12 | |
She is absolute heaven. She's just wonderful. | 0:28:12 | 0:28:15 | |
And apparently you had quite a surreal evening | 0:28:15 | 0:28:17 | |
-with Judi and Benedict in the pub. -We did, we did. | 0:28:17 | 0:28:20 | |
We were in the middle of nowhere. | 0:28:20 | 0:28:22 | |
We had amazing locations and we were in this pub having a bit of supper | 0:28:22 | 0:28:26 | |
and Benedict came in and Judi was there and Judi's lovely friend. | 0:28:26 | 0:28:30 | |
We all sat and the door to the little hall joining the pub | 0:28:30 | 0:28:35 | |
kept opening and people had clocked, "Oh, there's Judi" | 0:28:35 | 0:28:39 | |
and this was a big event. | 0:28:39 | 0:28:41 | |
And then a girl came in. She was 16 and she came in | 0:28:41 | 0:28:46 | |
and started to cry, sobbing, sobbing. | 0:28:46 | 0:28:50 | |
It turned out that she was having, in the hall next door, | 0:28:50 | 0:28:54 | |
in the middle of nowhere, | 0:28:54 | 0:28:56 | |
a Benedict Cumberbatch themed birthday party. | 0:28:56 | 0:28:59 | |
LAUGHTER | 0:28:59 | 0:29:00 | |
With a cake with Ben's face on it, | 0:29:02 | 0:29:06 | |
and there he was. | 0:29:06 | 0:29:07 | |
So yeah, that was surreal. With Judi Dench as a sort of side note! | 0:29:07 | 0:29:13 | |
It was quite extraordinary. It was a wonderful thing to see. | 0:29:13 | 0:29:17 | |
Of course, he was brilliant, because he's lovely, | 0:29:17 | 0:29:19 | |
and suddenly it was... it was just amazing. | 0:29:19 | 0:29:22 | |
Isn't that terrible? Her life has peaked at 16! | 0:29:22 | 0:29:25 | |
It will never be better than that. | 0:29:26 | 0:29:28 | |
"Do you remember the year when...?" | 0:29:28 | 0:29:30 | |
We must mention big, big ITV hit, The Durrells, | 0:29:32 | 0:29:35 | |
continues on Sunday night at 8pm. | 0:29:35 | 0:29:37 | |
This has been huge, it's the big Sunday night thing. | 0:29:37 | 0:29:40 | |
I'm so relieved. I probably shouldn't say that. | 0:29:40 | 0:29:43 | |
You never know when you make something | 0:29:43 | 0:29:45 | |
how it's going to turn out and what people are going to think. | 0:29:45 | 0:29:48 | |
But already, I think they've just announced, | 0:29:48 | 0:29:50 | |
-haven't they, more? -They have. | 0:29:50 | 0:29:52 | |
We were told today, the first two episodes have gone out | 0:29:52 | 0:29:56 | |
and the third one's this Sunday night, | 0:29:56 | 0:29:58 | |
and they have commissioned the next series, so back to Corfu. | 0:29:58 | 0:30:02 | |
-Excellent! -It's a hard, tough gig... | 0:30:02 | 0:30:05 | |
-No, that is... -But someone has to do it. | 0:30:05 | 0:30:07 | |
That is one of those jobs where it's like, I was saying to you, | 0:30:07 | 0:30:10 | |
-it's like Death In Paradise or Indian Summers. -Yeah. | 0:30:10 | 0:30:12 | |
-Where it's just like winning the lottery, isn't it? -Basically, yes. | 0:30:12 | 0:30:16 | |
But getting bitten by mosquitoes. | 0:30:16 | 0:30:17 | |
-Oh! -Which is a very small price to pay. | 0:30:17 | 0:30:20 | |
-Yeah, really, really, shut up. -Sorry, I'll take that back! | 0:30:20 | 0:30:23 | |
-"Shut up." -No patience. | 0:30:23 | 0:30:24 | |
LAUGHTER | 0:30:24 | 0:30:26 | |
Here is a clip. This is from Sunday's episode. | 0:30:26 | 0:30:28 | |
This is you as Louisa Durrell | 0:30:28 | 0:30:30 | |
with a potential love interest on t'island. | 0:30:30 | 0:30:33 | |
ACCORDION PLAYS | 0:30:33 | 0:30:34 | |
Hello, Sven. | 0:30:40 | 0:30:42 | |
Louisa. | 0:30:42 | 0:30:43 | |
I wanted to apologise for offering to pay for Larry's operation. | 0:30:45 | 0:30:49 | |
You were just being British. | 0:30:49 | 0:30:51 | |
You don't like being in anyone's debt. | 0:30:51 | 0:30:53 | |
Are you so different in Sweden? | 0:30:53 | 0:30:56 | |
I don't know. I'm getting less Swedish every year. | 0:30:56 | 0:31:00 | |
Think I'm down to 38%. | 0:31:00 | 0:31:03 | |
But I like the Greeks, their honesty. | 0:31:04 | 0:31:07 | |
Mm. I wouldn't mind a bit of Greek in me. | 0:31:07 | 0:31:09 | |
Stop it! | 0:31:11 | 0:31:12 | |
APPLAUSE | 0:31:12 | 0:31:16 | |
Right, it's music time. | 0:31:20 | 0:31:22 | |
On the 14th May in Stockholm, | 0:31:22 | 0:31:25 | |
this duo will carry the hopes of a nation | 0:31:25 | 0:31:28 | |
to the Eurovision Song Contest. | 0:31:28 | 0:31:30 | |
Performing You're Not Alone, it's willkommen and bienvenue | 0:31:30 | 0:31:33 | |
to Joe and Jake! | 0:31:33 | 0:31:35 | |
CHEERING AND APPLAUSE | 0:31:35 | 0:31:37 | |
# Heartbeat | 0:31:41 | 0:31:44 | |
# When you're not around it's beating slow | 0:31:44 | 0:31:47 | |
# And it's something that I've never known | 0:31:47 | 0:31:50 | |
# Oh-ooh oh | 0:31:52 | 0:31:55 | |
# I'll be | 0:31:57 | 0:31:59 | |
# I'll be the answer you've been waiting for | 0:31:59 | 0:32:02 | |
-BOTH: -# I'll be the truth that you've been looking for | 0:32:02 | 0:32:06 | |
# Oh-ooh oh | 0:32:06 | 0:32:10 | |
# You're not alone, we're in this together | 0:32:10 | 0:32:14 | |
# All that you want is right here forever | 0:32:14 | 0:32:18 | |
# And they don't need to know, oh-oh-oh | 0:32:18 | 0:32:22 | |
# They don't need to know | 0:32:22 | 0:32:25 | |
# You're not alone, we're in this together | 0:32:25 | 0:32:29 | |
# All that you want, I'm right here forever | 0:32:29 | 0:32:33 | |
# And they don't need to know, oh-oh-oh | 0:32:33 | 0:32:37 | |
# And they don't need to know | 0:32:37 | 0:32:40 | |
# You're free | 0:32:41 | 0:32:44 | |
# Free to let go cos I'll be here for you | 0:32:44 | 0:32:47 | |
# And when you fall I'll be your parachute | 0:32:47 | 0:32:50 | |
# Oh-ooh oh | 0:32:52 | 0:32:55 | |
# I-I-I feel like I'm dancing in the sky, I-I | 0:32:56 | 0:33:02 | |
# I come alive when I'm with you | 0:33:02 | 0:33:06 | |
# I come alive when I'm with you | 0:33:06 | 0:33:10 | |
# You're not alone, we're in this together | 0:33:10 | 0:33:14 | |
# All that you want is right here forever | 0:33:14 | 0:33:18 | |
# And they don't need to know, oh-oh-oh | 0:33:18 | 0:33:22 | |
# They don't need to know | 0:33:22 | 0:33:25 | |
# I-I-I feel like I'm dancing in the sky, I-I | 0:33:26 | 0:33:32 | |
# I come alive when I'm with you | 0:33:32 | 0:33:36 | |
# I come alive when I'm with you | 0:33:37 | 0:33:40 | |
# Don't speak | 0:33:41 | 0:33:44 | |
# Your smile tells me all I need to know | 0:33:44 | 0:33:47 | |
# Your eyes show me where I want to go | 0:33:47 | 0:33:52 | |
# Oh-ooh oh | 0:33:52 | 0:33:55 | |
# You're not alone, we're in this together | 0:33:55 | 0:33:59 | |
# All that you want is right here forever | 0:33:59 | 0:34:03 | |
# And they don't need to know o-oh oh oh oh | 0:34:03 | 0:34:07 | |
# They don't need to know | 0:34:07 | 0:34:10 | |
# I-I-I feel like I'm dancing in the sky, I-I | 0:34:11 | 0:34:17 | |
# I come alive when I'm with you | 0:34:17 | 0:34:21 | |
# I come alive when I'm with you. # | 0:34:21 | 0:34:26 | |
APPLAUSE | 0:34:26 | 0:34:27 | |
Oh! | 0:34:27 | 0:34:28 | |
Joe and Jake, everybody! | 0:34:28 | 0:34:30 | |
Great job, boys. Come join me, do. | 0:34:30 | 0:34:32 | |
Well done. Congratulations. | 0:34:34 | 0:34:37 | |
Congratulations. Come and sit down. | 0:34:37 | 0:34:40 | |
Sit down there, do sit down. | 0:34:40 | 0:34:43 | |
-Joe and Jake. -Lovely to meet you, how are you? -Other people. | 0:34:44 | 0:34:48 | |
Well done. Well done. | 0:34:48 | 0:34:50 | |
-It's a lovely song. Congratulations. -Thank you so much. -Thank you. | 0:34:50 | 0:34:53 | |
It's out now as a single, isn't it, You're Not Alone? | 0:34:53 | 0:34:56 | |
-TOGETHER: -It is indeed, it's available now. | 0:34:56 | 0:34:58 | |
-Oh! You see this? -You see how synchronistic we are? | 0:34:58 | 0:35:01 | |
Wouldn't it be lovely if people bought it? | 0:35:01 | 0:35:03 | |
Imagine if it was in the charts when you headed off to Stockholm. | 0:35:03 | 0:35:06 | |
It would be fantastic. What we're doing right now | 0:35:06 | 0:35:08 | |
is literally living our dream. We've signed to Sony, | 0:35:08 | 0:35:10 | |
we're two young lads having fun, representing the UK, | 0:35:10 | 0:35:13 | |
-we're just so proud. -What more could you ask for? -Exactly. | 0:35:13 | 0:35:15 | |
Well, let's think... | 0:35:15 | 0:35:17 | |
LAUGHTER | 0:35:17 | 0:35:18 | |
-I am sure we could find something. -Talking about Eurovision, | 0:35:18 | 0:35:21 | |
our American visitor, do you know what Eurovision is? | 0:35:21 | 0:35:23 | |
-Yes. -Oh! -Of course I do! | 0:35:23 | 0:35:25 | |
-Is that because of the ABBA connection? -Yeah. | 0:35:25 | 0:35:27 | |
Because I knew that ABBA was discovered there. | 0:35:27 | 0:35:30 | |
And Hugh has a Eurovision party every year, I believe. | 0:35:30 | 0:35:33 | |
I do. I do. | 0:35:33 | 0:35:35 | |
It's called Nul Points. | 0:35:35 | 0:35:36 | |
-I always go as Sandie Shaw. -Of course. -Yes. | 0:35:38 | 0:35:41 | |
-Puppet On A String. -One of the best. | 0:35:41 | 0:35:43 | |
Sometimes I'm the puppet, sometimes I'm her. | 0:35:43 | 0:35:46 | |
LAUGHTER | 0:35:46 | 0:35:47 | |
Keeley Hawes, it means nothing to you, does it? | 0:35:47 | 0:35:49 | |
It doesn't mean very much, no. Bucks Fizz was my moment. | 0:35:49 | 0:35:52 | |
Now it's time to get back involved. | 0:35:52 | 0:35:54 | |
-You've met these boys, you're emotionally invested. -I am, I am. | 0:35:54 | 0:35:57 | |
Now, here's the thing. You've been... Where have you been now? | 0:35:57 | 0:36:00 | |
-In Israel or somewhere? -Yeah. -We got back from Israel last night. -OK. | 0:36:00 | 0:36:04 | |
Singing at the Eurovision parties, we met the other contestants, | 0:36:04 | 0:36:07 | |
-which was great, so... -Who have you met? | 0:36:07 | 0:36:09 | |
-We've met... -Belarus. -Yeah, Belarus. | 0:36:09 | 0:36:12 | |
-Is that Ivan? -It was Ivan. | 0:36:12 | 0:36:14 | |
OK. This is good. Here is a picture of Ivan. | 0:36:14 | 0:36:17 | |
Oh! | 0:36:17 | 0:36:18 | |
He didn't look like that when we met him. | 0:36:18 | 0:36:20 | |
LAUGHTER | 0:36:20 | 0:36:22 | |
Can I just say, I just got the worst fright. | 0:36:22 | 0:36:24 | |
That is in fact the wolf's tail hanging down. | 0:36:24 | 0:36:27 | |
LAUGHTER | 0:36:27 | 0:36:28 | |
I had the same reaction. | 0:36:29 | 0:36:31 | |
I was thinking, my God, that wolf is quite the goer! | 0:36:31 | 0:36:34 | |
It's certainly putting Ivan to shame. | 0:36:36 | 0:36:38 | |
There's nothing hanging down there. | 0:36:38 | 0:36:40 | |
I did ask about that, actually. | 0:36:40 | 0:36:41 | |
I asked him if he was going to wear a skin-coloured body suit | 0:36:41 | 0:36:44 | |
or if he was going to have a leaf, but it turns out no. | 0:36:44 | 0:36:46 | |
-This is the act? -Yes. -Yeah. | 0:36:46 | 0:36:48 | |
-Not... This is the UK act. -No, I understand! -Yes! | 0:36:48 | 0:36:52 | |
-He's from Belarus. -Yeah. -It's far away. | 0:36:52 | 0:36:56 | |
I have high hopes for Serhat from San Marino. | 0:36:58 | 0:37:01 | |
Here's Serhat, reclining in the finest hotel in San Marino. | 0:37:01 | 0:37:06 | |
-He hasn't got his monocle. -Oh, does he normally have a monocle? | 0:37:06 | 0:37:09 | |
Usually he has a monocle. | 0:37:09 | 0:37:10 | |
To be honest, if you don't win now, it's shameful! | 0:37:10 | 0:37:13 | |
LAUGHTER | 0:37:13 | 0:37:15 | |
I'll have to take that one with me. | 0:37:15 | 0:37:17 | |
Yes, you can't come home if you don't win. | 0:37:17 | 0:37:20 | |
I am concerned, because how do you think | 0:37:20 | 0:37:23 | |
the EU referendum is going to affect your performance on the night? | 0:37:23 | 0:37:28 | |
Um... | 0:37:28 | 0:37:29 | |
I think we're just going to stay away from that! | 0:37:29 | 0:37:32 | |
-No, but I worry. -I think it's one of those. | 0:37:32 | 0:37:34 | |
Because we're having this big referendum. | 0:37:34 | 0:37:36 | |
This happens before the referendum. | 0:37:36 | 0:37:38 | |
If Europe isn't good to our boys... | 0:37:38 | 0:37:41 | |
Brexit guaranteed. | 0:37:41 | 0:37:43 | |
-There's no pressure, obviously. -No pressure! -No pressure whatsoever. | 0:37:43 | 0:37:47 | |
-It's just the future of the country. -We'll do our best. | 0:37:47 | 0:37:50 | |
What about the staging? Have you got all that sorted? | 0:37:50 | 0:37:53 | |
We've been talking about it because the song is about friendship | 0:37:53 | 0:37:56 | |
and people being together. | 0:37:56 | 0:37:58 | |
We really want the public to be a part of our staging this year, | 0:37:58 | 0:38:02 | |
so our idea is that people can send in selfies to be | 0:38:02 | 0:38:05 | |
part of the staging, and we were hoping we could potentially | 0:38:05 | 0:38:07 | |
-get one with you here. -A selfie with me? -Yeah. -Right now? | 0:38:07 | 0:38:10 | |
How big is your arm? | 0:38:10 | 0:38:12 | |
I've got a great selfie arm. | 0:38:12 | 0:38:14 | |
I've practised a few times. | 0:38:14 | 0:38:15 | |
If you sat on the floor there, and I go back there, | 0:38:15 | 0:38:18 | |
-you could get everybody in. -That would be brilliant. | 0:38:18 | 0:38:20 | |
-If that's OK with you guys? -Do you mind? Is that OK? | 0:38:20 | 0:38:22 | |
-If you sit on the floor... -I'll sit on the floor. -You, too. | 0:38:22 | 0:38:25 | |
-I also sit on the floor? -Yeah. | 0:38:25 | 0:38:27 | |
See if you can get all of us in. | 0:38:27 | 0:38:29 | |
-Ready? -Hang on. | 0:38:29 | 0:38:31 | |
Hang on. Are we all in? | 0:38:31 | 0:38:33 | |
Yes, there's Keeley. I can see us all. | 0:38:33 | 0:38:35 | |
-This is good. This is good. -This is brilliant. | 0:38:35 | 0:38:37 | |
-There we go. -Look at that. | 0:38:37 | 0:38:39 | |
We're all going to Eurovision! | 0:38:39 | 0:38:40 | |
CHEERING AND APPLAUSE | 0:38:40 | 0:38:42 | |
We're all going to Eurovision! Excellent. | 0:38:42 | 0:38:45 | |
It is May 14th. | 0:38:45 | 0:38:48 | |
It will obviously be on BBC One. | 0:38:48 | 0:38:51 | |
The best of luck to Joe and Jake, everybody! | 0:38:51 | 0:38:54 | |
CHEERING AND APPLAUSE | 0:38:54 | 0:38:56 | |
Do us proud. | 0:38:57 | 0:38:59 | |
Do us proud but not too proud. Don't win, just do very well. | 0:39:00 | 0:39:03 | |
-We don't want to shock everyone! -Nobody wants to win. | 0:39:03 | 0:39:06 | |
Cos then you have to host it. | 0:39:06 | 0:39:08 | |
-MERYL: -Oh! | 0:39:08 | 0:39:10 | |
And the quarantine for wolves is very... | 0:39:10 | 0:39:12 | |
LAUGHTER | 0:39:12 | 0:39:13 | |
Right, before we go, just time for a quick visit to the Big Red Chair. | 0:39:13 | 0:39:16 | |
Who's there? Hello! | 0:39:16 | 0:39:18 | |
-DEEP VOICE: -Hi. | 0:39:18 | 0:39:19 | |
LAUGHTER | 0:39:19 | 0:39:21 | |
It's like someone is operating you. | 0:39:21 | 0:39:23 | |
That voice didn't seem to come out of him, did it? | 0:39:25 | 0:39:28 | |
-What's your name? -Andrew. -Andrew? Lovely. | 0:39:28 | 0:39:30 | |
And what do you do, Andrew? | 0:39:30 | 0:39:32 | |
-I'm an accountant. -Right, but it's dress down Friday! OK. | 0:39:32 | 0:39:36 | |
Where do you live, Andrew? | 0:39:36 | 0:39:38 | |
I live in London. | 0:39:38 | 0:39:40 | |
OK, just keeping it vague. | 0:39:40 | 0:39:42 | |
He lives in the capital city of the United Kingdom. | 0:39:42 | 0:39:46 | |
"Doin' some accounts. That's what I do." | 0:39:46 | 0:39:49 | |
Off you go, Andrew, with your story. | 0:39:49 | 0:39:51 | |
Yeah, so this is a story about a second date. | 0:39:51 | 0:39:54 | |
-I was lucky enough to bag a second date. -Well done! | 0:39:54 | 0:39:56 | |
-And I was understandably nervous... -Yes. -..but excited. | 0:39:56 | 0:40:00 | |
I wanted to impress her, | 0:40:00 | 0:40:02 | |
so I organised to meet after work at a cocktail bar, | 0:40:02 | 0:40:05 | |
two for one, just very classy. | 0:40:05 | 0:40:07 | |
LAUGHTER | 0:40:07 | 0:40:09 | |
-So... -You are an accountant after all. | 0:40:09 | 0:40:12 | |
You did the sums before you went! | 0:40:12 | 0:40:15 | |
Yes, so I... | 0:40:15 | 0:40:17 | |
Nervous, and obviously turned to drink for a bit of Dutch courage. | 0:40:17 | 0:40:20 | |
I had a show booked. It was all going well, | 0:40:20 | 0:40:23 | |
the chat was flowing, things were going really, really well. | 0:40:23 | 0:40:26 | |
-You know, really liked her. -OK, yes, yes! | 0:40:26 | 0:40:28 | |
And I started to realise that I was... I felt so ill. | 0:40:29 | 0:40:33 | |
Oh, no! You didn't! Did you? | 0:40:33 | 0:40:34 | |
We were still chatting the whole way and I suddenly went silent. | 0:40:34 | 0:40:37 | |
I didn't say anything to her, I just ran off | 0:40:37 | 0:40:40 | |
and just threw up everywhere. | 0:40:40 | 0:40:42 | |
I'd basically given up and I realised she was behind me | 0:40:42 | 0:40:46 | |
watching me do this the whole time. | 0:40:46 | 0:40:48 | |
-Oh! -And luckily, she still kissed me afterwards. | 0:40:48 | 0:40:53 | |
-Oh! MERYL: -God! | 0:40:53 | 0:40:55 | |
You say luckily. Jesus! | 0:40:55 | 0:40:57 | |
What's wrong with her? | 0:40:57 | 0:40:59 | |
I thought the story might end, "But she agreed to be my wife." | 0:40:59 | 0:41:03 | |
-Are you still dating her? -Yes, she's in the audience, actually. | 0:41:03 | 0:41:06 | |
I don't want to see her. | 0:41:09 | 0:41:11 | |
APPLAUSE | 0:41:11 | 0:41:13 | |
Don't look over there. | 0:41:13 | 0:41:15 | |
Oh, my God, there she is! That's her. | 0:41:15 | 0:41:17 | |
Don't wave! | 0:41:17 | 0:41:19 | |
Wow, that's a good top if he gets sick again tonight. | 0:41:21 | 0:41:24 | |
Let's see what else is in the chair. | 0:41:27 | 0:41:30 | |
Hello. | 0:41:30 | 0:41:31 | |
Hi! | 0:41:31 | 0:41:33 | |
Oh, I can't. I just... | 0:41:33 | 0:41:34 | |
LAUGHTER AND APPLAUSE | 0:41:36 | 0:41:40 | |
You know, some nights you've got the patience. | 0:41:41 | 0:41:44 | |
Some nights, you just don't. | 0:41:44 | 0:41:47 | |
Time for one more. Hello? | 0:41:47 | 0:41:49 | |
-Hello? -Hello! -Hello. | 0:41:49 | 0:41:52 | |
Oh, we do have time for one more. | 0:41:53 | 0:41:55 | |
LAUGHTER | 0:41:55 | 0:41:57 | |
Hello, what's your name? | 0:41:57 | 0:41:58 | |
-It's Tim. -Hello, Tim. And what do you do? | 0:41:58 | 0:42:01 | |
I'm a teacher. | 0:42:01 | 0:42:03 | |
What age of children do you teach? | 0:42:03 | 0:42:04 | |
-I teach adults. -Oh, right! What do you teach them? | 0:42:04 | 0:42:07 | |
How to be accountants. | 0:42:07 | 0:42:09 | |
LAUGHTER | 0:42:09 | 0:42:11 | |
-There seems to be a recurring theme. -Wow. | 0:42:11 | 0:42:13 | |
Is there like a coach trip? | 0:42:13 | 0:42:15 | |
LAUGHTER | 0:42:15 | 0:42:17 | |
OK, Tim, off you go with the story. | 0:42:18 | 0:42:20 | |
When I was ten years old, | 0:42:20 | 0:42:22 | |
I was reading a book about a woman who walked across Africa | 0:42:22 | 0:42:26 | |
and it featured the word "masturbate", | 0:42:26 | 0:42:28 | |
which I had never heard before. | 0:42:28 | 0:42:30 | |
So I went to ask my dad what it meant. | 0:42:30 | 0:42:33 | |
He spent about 15 minutes being very vague and winking at me and saying, | 0:42:33 | 0:42:39 | |
"It's all about spending time alone and enjoying time with yourself." | 0:42:39 | 0:42:44 | |
So I thought, "OK, great, | 0:42:44 | 0:42:46 | |
"I've learned a new word for when I'm reading my book | 0:42:46 | 0:42:49 | |
"or playing my computer game." | 0:42:49 | 0:42:51 | |
So I went to school the next day | 0:42:51 | 0:42:54 | |
and the teacher said, "What did you do last night?" | 0:42:54 | 0:42:57 | |
And I gleefully said, "I spent two hours masturbating." | 0:42:57 | 0:43:01 | |
LAUGHTER | 0:43:01 | 0:43:02 | |
That's a good story. | 0:43:02 | 0:43:03 | |
Tim can walk. You can walk, Tim. | 0:43:05 | 0:43:07 | |
Well done, everyone! | 0:43:07 | 0:43:10 | |
If you'd like to join us on the show and have a go in the red chair, | 0:43:10 | 0:43:14 | |
you can contact us via our website at this very address. | 0:43:14 | 0:43:17 | |
That's it for tonight. | 0:43:17 | 0:43:18 | |
Please join me in saying a huge thank you to my guests. | 0:43:18 | 0:43:21 | |
Joe and Jake, everybody! | 0:43:21 | 0:43:22 | |
CHEERING AND APPLAUSE | 0:43:22 | 0:43:24 | |
Good luck, boys. Keeley Hawes. | 0:43:24 | 0:43:26 | |
CHEERING AND APPLAUSE | 0:43:26 | 0:43:28 | |
Hugh Grant. | 0:43:28 | 0:43:29 | |
CHEERING AND APPLAUSE | 0:43:29 | 0:43:30 | |
And Meryl Streep. | 0:43:30 | 0:43:32 | |
CHEERING AND APPLAUSE | 0:43:32 | 0:43:34 | |
Join me next week with music from DNCE, | 0:43:34 | 0:43:37 | |
Game of Thrones' Richard Madden, Downton's Lily James, | 0:43:37 | 0:43:40 | |
Bake Off's Paul Hollywood, and the one and only Dame Joan Collins. | 0:43:40 | 0:43:43 | |
I'll see you then. Goodnight, everybody. Bye-bye! | 0:43:43 | 0:43:46 |