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On tonight's show, I'm excited, cos I hear Hollywood's come a-calling. | 0:00:02 | 0:00:05 | |
I wonder who... Sorry? | 0:00:05 | 0:00:07 | |
Oh... | 0:00:07 | 0:00:09 | |
LAUGHTER | 0:00:09 | 0:00:10 | |
I made you a cake. | 0:00:10 | 0:00:12 | |
Hey, let's start the show, then! | 0:00:12 | 0:00:13 | |
CHEERING | 0:00:13 | 0:00:15 | |
Oh-oh-oh-oh! | 0:00:30 | 0:00:35 | |
Thank you so much! | 0:00:35 | 0:00:36 | |
Thank you very much! | 0:00:36 | 0:00:38 | |
Thank you, you're very kind. Too kind. | 0:00:38 | 0:00:40 | |
Too kind. Thank you. | 0:00:40 | 0:00:43 | |
Thank you. That is a lovely welcome, and in return, | 0:00:43 | 0:00:46 | |
we've got a great show for you tonight, | 0:00:46 | 0:00:49 | |
but before we do another thing, I think we'd all like to say | 0:00:49 | 0:00:52 | |
a big happy birthday to Her Majesty. | 0:00:52 | 0:00:55 | |
90 years old yesterday. Happy birthday to her. Round of applause. | 0:00:55 | 0:00:59 | |
CHEERING | 0:00:59 | 0:01:01 | |
Very nice. | 0:01:01 | 0:01:03 | |
She was very lucky. | 0:01:04 | 0:01:05 | |
She's actually having two parties - one for the family, | 0:01:05 | 0:01:09 | |
and one for the commoners. | 0:01:09 | 0:01:10 | |
Or, as they're also known, the Middletons. | 0:01:10 | 0:01:13 | |
LAUGHTER | 0:01:13 | 0:01:16 | |
The, er... | 0:01:16 | 0:01:18 | |
I believe we've got a picture of the Queen cutting her surprise | 0:01:18 | 0:01:21 | |
birthday cake. | 0:01:21 | 0:01:22 | |
Aw... | 0:01:22 | 0:01:24 | |
Yeah, Camilla was in charge of the surprise bit. | 0:01:24 | 0:01:26 | |
LAUGHTER | 0:01:26 | 0:01:29 | |
Let's get some guests on! | 0:01:29 | 0:01:30 | |
Later, we'll have music from DMCE. | 0:01:32 | 0:01:34 | |
But first, he's the star of the biggest TV hit of recent years, | 0:01:36 | 0:01:39 | |
with 15 million people watching the final of the Great British Bake Off. | 0:01:39 | 0:01:43 | |
Please welcome master baker extraordinaire, | 0:01:43 | 0:01:45 | |
Paul Hollywood, everybody! | 0:01:45 | 0:01:47 | |
CHEERING | 0:01:47 | 0:01:49 | |
Oh, so suave! | 0:01:49 | 0:01:51 | |
Hello, sir. Very nice to see you. | 0:01:51 | 0:01:52 | |
Welcome, welcome, have a seat. There's your wine. | 0:01:52 | 0:01:55 | |
From Downton Abbey to War and Peace, | 0:01:56 | 0:01:59 | |
and her standout performance as Cinderella, | 0:01:59 | 0:02:02 | |
she's one of the brightest young stars in Britain, now | 0:02:02 | 0:02:04 | |
taking to the West End stage as Shakespeare's Juliet, | 0:02:04 | 0:02:07 | |
it's Lily James, everybody! | 0:02:07 | 0:02:09 | |
CHEERING | 0:02:09 | 0:02:10 | |
-Hello. -Hi. | 0:02:10 | 0:02:12 | |
-How are you? -I'm good. | 0:02:12 | 0:02:13 | |
-So nice to see you. -Nice to see you too. | 0:02:13 | 0:02:15 | |
-Welcome to the show. -Thank you. -Paul, Lily. | 0:02:15 | 0:02:17 | |
Since his bloody end as Robb Stark in Game of Thrones, | 0:02:19 | 0:02:22 | |
he's played Prince Charming to Lily's Cinderella, | 0:02:22 | 0:02:25 | |
and now Romeo to her Juliet. | 0:02:25 | 0:02:26 | |
Please welcome Mr Richard Madden. | 0:02:26 | 0:02:29 | |
CHEERING | 0:02:29 | 0:02:31 | |
Hey! Hello! | 0:02:31 | 0:02:33 | |
Have a seat too, Richard Madden. | 0:02:35 | 0:02:37 | |
And this lady is an actress, a writer, a style icon, | 0:02:38 | 0:02:43 | |
and a legendary Dynasty diva. It's a pleasure to welcome back to the show | 0:02:43 | 0:02:47 | |
Dame Joan Collins, everybody. | 0:02:47 | 0:02:50 | |
CHEERING | 0:02:50 | 0:02:52 | |
Welcome, darling. How are you? | 0:02:54 | 0:02:56 | |
I'm great. | 0:02:56 | 0:02:58 | |
So nice to see you. | 0:02:58 | 0:02:59 | |
Nice to see you too. | 0:02:59 | 0:03:01 | |
We're going to sit down, oh! | 0:03:01 | 0:03:03 | |
-That is a stylish, beautiful sofa right there. -Yes. | 0:03:04 | 0:03:07 | |
-Oh, the glamour! -All in black. | 0:03:07 | 0:03:09 | |
-Yes, I know, it's very stylish. -Yeah, black is the new orange. | 0:03:09 | 0:03:12 | |
LAUGHTER | 0:03:12 | 0:03:14 | |
Not on this set. Now, er... | 0:03:14 | 0:03:17 | |
Very nice to see you all. Welcome back. | 0:03:17 | 0:03:18 | |
The first time for Lily and Richard, so thank you very much. | 0:03:18 | 0:03:21 | |
And, of course, now I get to say DAME Joan Collins. | 0:03:21 | 0:03:24 | |
I know. Isn't it amazing? | 0:03:24 | 0:03:26 | |
Because it's so new and it sounds so right. | 0:03:26 | 0:03:29 | |
Well, it's so amazing to hear it from you | 0:03:29 | 0:03:31 | |
because I've just come back from America and Australia | 0:03:31 | 0:03:33 | |
and Peru, where nobody knows what that means, Dame Joan. | 0:03:33 | 0:03:37 | |
So I'm just Joan or Miss Collins. | 0:03:37 | 0:03:39 | |
-Don't you insist? -No. | 0:03:39 | 0:03:41 | |
I'm not the certain actor that we all know. | 0:03:41 | 0:03:45 | |
But it must have been a lovely day. | 0:03:45 | 0:03:46 | |
It was fantastic. | 0:03:46 | 0:03:48 | |
Honestly, Graham, it was, like, the greatest day of my life. | 0:03:48 | 0:03:51 | |
Really extraordinary because... | 0:03:51 | 0:03:53 | |
First of all, to receive it is a great honour | 0:03:53 | 0:03:55 | |
and Prince Charles came and pinned it on me and said, very | 0:03:55 | 0:03:59 | |
nicely I thought, "About time too," which I thought was just stunning. | 0:03:59 | 0:04:04 | |
And then I had a wonderful party that night at Claridge's | 0:04:04 | 0:04:07 | |
with 120 of my closest friends. | 0:04:07 | 0:04:09 | |
LAUGHTER | 0:04:09 | 0:04:11 | |
My sister had flown in, and my brother and all my friends | 0:04:11 | 0:04:13 | |
and my children, it was wonderful. | 0:04:13 | 0:04:15 | |
Aw, what a lovely, lovely thing. Honestly, I'm so pleased for you. | 0:04:15 | 0:04:18 | |
Congratulations. It's very nice. | 0:04:18 | 0:04:19 | |
APPLAUSE | 0:04:19 | 0:04:22 | |
Look, here's the thing, cos Lily and Richard, | 0:04:25 | 0:04:27 | |
-you're about to be Romeo and Juliet on the West End stage. -Yes. | 0:04:27 | 0:04:30 | |
But previously, Prince Charming | 0:04:30 | 0:04:32 | |
and Cinderella in the big Disney live action remake. | 0:04:32 | 0:04:35 | |
And Lily James, as beautiful as you looked as Cinderella... | 0:04:35 | 0:04:39 | |
Well, as beautiful as you are, but in Cinderella, | 0:04:39 | 0:04:41 | |
the corsets in Cinderella are, like, that must be properly painful. | 0:04:41 | 0:04:47 | |
Because that isn't your shape. | 0:04:47 | 0:04:49 | |
Well, it's... No, I mean, it's drawn in with very tight things. | 0:04:49 | 0:04:53 | |
-Your shape is close to it. -Yeah, but you're very slim. -Yeah, very slim. | 0:04:53 | 0:04:57 | |
-Yeah. -But what happens when you try to eat with that on? | 0:04:57 | 0:04:59 | |
LAUGHTER | 0:04:59 | 0:05:01 | |
Well, I mean, I drank a lot of... | 0:05:01 | 0:05:03 | |
Cos it's long, long hours, I was trying to keep myself awake. | 0:05:03 | 0:05:06 | |
I drank quite a lot of Coke | 0:05:06 | 0:05:07 | |
and so I was burping a lot in the corset, wasn't I? | 0:05:07 | 0:05:11 | |
Yeah, but you learned your lesson the hard way after the first | 0:05:11 | 0:05:14 | |
couple of night shoots we did, where you would over-eagerly eat | 0:05:14 | 0:05:18 | |
and then, like, it was shut down the set for a while, | 0:05:18 | 0:05:21 | |
while Lily's like, "Oh, God, get it off." | 0:05:21 | 0:05:24 | |
The food's like here and it just can't go down. | 0:05:24 | 0:05:26 | |
I used to just really loosen it at lunch, | 0:05:26 | 0:05:28 | |
cos he's the one that has to bear the brunt of, you know... | 0:05:28 | 0:05:30 | |
I thought you looked fantastic. | 0:05:30 | 0:05:32 | |
But your dress was constraining but oddly Prince Charming's | 0:05:32 | 0:05:34 | |
costume was quite constraining as well, wasn't it? | 0:05:34 | 0:05:37 | |
-You looked good too. -Thanks. | 0:05:37 | 0:05:38 | |
LAUGHTER | 0:05:38 | 0:05:40 | |
Yeah, it was very constraining. | 0:05:40 | 0:05:42 | |
In ways I'd not imagined. | 0:05:42 | 0:05:43 | |
LAUGHTER | 0:05:43 | 0:05:45 | |
Because it was a Disney thing, wasn't it? | 0:05:45 | 0:05:47 | |
It was a Disney thing and it's kind of... Oh, here we go. | 0:05:47 | 0:05:51 | |
I know. | 0:05:51 | 0:05:53 | |
Yeah, no. | 0:05:53 | 0:05:55 | |
It's Disney and I'm in skin-tight, | 0:05:55 | 0:05:56 | |
quite thin, white trousers or maybe some people would say leggings. | 0:05:56 | 0:06:00 | |
I don't like to use that word. | 0:06:00 | 0:06:02 | |
And, er... And they can be very revealing. | 0:06:02 | 0:06:05 | |
-Of course. -So we spent a couple of days trying out different, er... | 0:06:05 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:13 | |
Erm, trying out different jockstraps. | 0:06:13 | 0:06:16 | |
I feel so dirty even saying this story. | 0:06:16 | 0:06:18 | |
And a couple of days trying out these, | 0:06:18 | 0:06:21 | |
and then once standing with Sir Kenneth Branagh | 0:06:21 | 0:06:23 | |
and Sandy Powell, this Oscar-winning costume designer | 0:06:23 | 0:06:26 | |
and trying on these things, | 0:06:26 | 0:06:28 | |
and everyone's just kind of looking at you to see what they can | 0:06:28 | 0:06:31 | |
and can't see under the light, and then | 0:06:31 | 0:06:33 | |
we tried out the latest one, which was just basically a corset for men. | 0:06:33 | 0:06:39 | |
It was really, really tight and we tried it and they're going, | 0:06:39 | 0:06:42 | |
"Ooh, yes, ooh, this works. Mm-hm. Great," | 0:06:42 | 0:06:44 | |
and chatting amongst themselves, | 0:06:44 | 0:06:46 | |
and they turned away and Sandy turned to me | 0:06:46 | 0:06:48 | |
and I was, like, tears welling in my eyes, going, "I'm going to be sick. | 0:06:48 | 0:06:51 | |
"Please let's get it off!" | 0:06:51 | 0:06:53 | |
And they had to run and take it off, and that one didn't get used. | 0:06:53 | 0:06:57 | |
-No, but in the publicity... Like, is Lily's hand there? -Strategically? | 0:06:57 | 0:07:00 | |
Strategically, yeah. | 0:07:00 | 0:07:01 | |
Through all the shots, it seems to be, you're like a pregnant woman. | 0:07:01 | 0:07:04 | |
-Yeah. -You know, there's always something covering your crotch. | 0:07:04 | 0:07:07 | |
If it's not an arm, it's a dress or something. | 0:07:07 | 0:07:09 | |
-There was enough dress to hide anyway. -Yeah. | 0:07:09 | 0:07:12 | |
I did an episode of Batman once and Adam West, | 0:07:12 | 0:07:17 | |
who played Batman, told me that they had to take certain pills, | 0:07:17 | 0:07:21 | |
because they were wearing these tight Batman costumes. | 0:07:21 | 0:07:24 | |
And because this was the '60s, | 0:07:24 | 0:07:26 | |
you couldn't see an outline of a gentleman's gentleman. | 0:07:26 | 0:07:31 | |
LAUGHTER | 0:07:31 | 0:07:33 | |
What were these pills of which you speak? | 0:07:33 | 0:07:37 | |
-Why, do you want some? -No, I don't want some! | 0:07:37 | 0:07:40 | |
Yeah, well, he wrote a book and he said it in that. | 0:07:40 | 0:07:42 | |
They had these really tight things on, because if you look at old | 0:07:42 | 0:07:45 | |
episodes of Batman, you can see that they're just sort of flat. | 0:07:45 | 0:07:49 | |
-Yes! -Terrible. -That's awful. -I don't know. I wouldn't know myself. | 0:07:49 | 0:07:54 | |
No. That's terrible. | 0:07:54 | 0:07:55 | |
But, actually, in terms of suffering for your art - | 0:07:55 | 0:07:58 | |
Paul, I didn't realise you had terrible problems with your... | 0:07:58 | 0:08:01 | |
LAUGHTER | 0:08:01 | 0:08:03 | |
-It's getting naughty! -Thank you. | 0:08:06 | 0:08:09 | |
I'm going to have another glass of wine. | 0:08:09 | 0:08:12 | |
Yeast-based problems. No. | 0:08:12 | 0:08:14 | |
No, it was your wrist. It still sounds wrong. | 0:08:16 | 0:08:18 | |
-From making bread for all those years. -Yeah. | 0:08:20 | 0:08:23 | |
-I've got carpal tunnel syndrome in both of my wrists. -Oh! | 0:08:23 | 0:08:26 | |
-And that's really serious? -It's severe, yeah. | 0:08:26 | 0:08:29 | |
It was diagnosed about four years ago. | 0:08:29 | 0:08:31 | |
So, I went to speak to a consultant about it and he said, | 0:08:31 | 0:08:34 | |
"Look, you're going to have to have an operation." | 0:08:34 | 0:08:36 | |
I don't actually bake as much, you know, hands-on as I used to. | 0:08:36 | 0:08:39 | |
-I miss it. -You don't need to now, you're on the telly. | 0:08:39 | 0:08:42 | |
"Somebody else make it." | 0:08:42 | 0:08:45 | |
Now, I've sort of stopped baking as much, | 0:08:45 | 0:08:48 | |
it's actually alleviated some of the pain. | 0:08:48 | 0:08:50 | |
-Oh, so it's coming back? -It's all right now. It's OK. | 0:08:50 | 0:08:53 | |
I did speak to Mary about it and she said, "Oh, I had it done!" | 0:08:53 | 0:08:57 | |
And she's had it done, Mary had it done a few years ago. | 0:08:57 | 0:09:00 | |
And it's healed quite nicely. | 0:09:00 | 0:09:01 | |
-It just petrifies me, the idea of slicing the band. -Mm! | 0:09:01 | 0:09:05 | |
-Urgh! -So, because I race cars at the moment. | 0:09:05 | 0:09:08 | |
So, at the moment, it's really difficult. | 0:09:08 | 0:09:09 | |
-I'd rather not do it at the moment. -Yeah. -OK. And is it a thing, | 0:09:09 | 0:09:12 | |
because, obviously, you know, | 0:09:12 | 0:09:14 | |
there's things like housemaid's knee and... | 0:09:14 | 0:09:16 | |
PAUL LAUGHS | 0:09:16 | 0:09:17 | |
-Is there? -Tennis elbow, writer's... -Tennis elbow. | 0:09:17 | 0:09:19 | |
And is there kind of, like, a master baker's wrist? | 0:09:19 | 0:09:23 | |
LAUGHTER | 0:09:23 | 0:09:25 | |
I ask for research. | 0:09:27 | 0:09:30 | |
Good one! | 0:09:30 | 0:09:31 | |
-Dame...Dame Joan Collins. I can't say it enough. -Oh, I love it. | 0:09:34 | 0:09:37 | |
-Thank you. -It's excellent. | 0:09:37 | 0:09:39 | |
Not content with becoming a dame, | 0:09:39 | 0:09:42 | |
you have now published your latest novel. | 0:09:42 | 0:09:45 | |
Now, I noticed you're just Joan Collins on the cover. | 0:09:45 | 0:09:47 | |
-Well, yes. As a professional, you don't use the "dame" ever. -OK. | 0:09:47 | 0:09:50 | |
No, no, no, no. | 0:09:50 | 0:09:51 | |
The St Tropez Lonely Hearts Club. | 0:09:51 | 0:09:54 | |
-And it's a proper page turner, it really is. -Yes. | 0:09:54 | 0:09:56 | |
-It is a good beach read. -Yeah. | 0:09:56 | 0:09:58 | |
I mean, talk about, "write about what you know." | 0:09:58 | 0:10:01 | |
I mean, St Tropez is a world you know incredibly well. | 0:10:01 | 0:10:03 | |
Absolutely, I go there every year. | 0:10:03 | 0:10:05 | |
I've been going there for...Oh, my God, 30 years. | 0:10:05 | 0:10:07 | |
And the people are fascinating. | 0:10:07 | 0:10:09 | |
The people who live there, the people who come in there. | 0:10:09 | 0:10:11 | |
And there's all kinds of intrigues and scandals and sexual innuendos. | 0:10:11 | 0:10:15 | |
So, I wrote about it. | 0:10:15 | 0:10:17 | |
And it's changed a lot, St Tropez? | 0:10:17 | 0:10:20 | |
-No, there was always scandals and innuendos and sexual... -OK. | 0:10:20 | 0:10:24 | |
Yes, it has changed a lot. | 0:10:24 | 0:10:26 | |
It's become much more touristy in July and August. | 0:10:26 | 0:10:29 | |
And I write about that as well. | 0:10:29 | 0:10:31 | |
But still, there's a little central group | 0:10:31 | 0:10:34 | |
that are there from mid-July till end of August. | 0:10:34 | 0:10:37 | |
Russian oligarchs and really rich Swedish businessmen | 0:10:37 | 0:10:42 | |
and English businessmen. | 0:10:42 | 0:10:44 | |
And they have all these unbelievable parties, where there's | 0:10:44 | 0:10:47 | |
so much excess and champagne is sprayed all over | 0:10:47 | 0:10:50 | |
and half-naked girls...well, naked girls... | 0:10:50 | 0:10:52 | |
It sounds fabulous. | 0:10:52 | 0:10:54 | |
-I'll come. -Well, I don't do that a lot. | 0:10:55 | 0:10:59 | |
And very sweetly, you dedicate the book to your sister, Jackie. | 0:10:59 | 0:11:03 | |
-Yes, I did. -Yeah, that was very nice. | 0:11:03 | 0:11:05 | |
Yeah, we were here, New Year's Eve. | 0:11:05 | 0:11:08 | |
-Oh, wow. -A year and a half ago. Yeah. | 0:11:08 | 0:11:11 | |
In retrospect, do you now understand why she kept it so private | 0:11:11 | 0:11:15 | |
-and secret? -Absolutely. I think she was very, very brave to do that. | 0:11:15 | 0:11:20 | |
I think, if you're a celebrity in Hollywood, which she is...was, | 0:11:20 | 0:11:23 | |
if there is the slightest hint that there is anything wrong with | 0:11:23 | 0:11:27 | |
you, you will be hounded by TMZ, | 0:11:27 | 0:11:31 | |
which is a gossip programme, and the National Enquirer | 0:11:31 | 0:11:34 | |
and they will all start hinting that you're ill. | 0:11:34 | 0:11:37 | |
They're doing it to various celebrities now. | 0:11:37 | 0:11:40 | |
They're saying, "Cher, a year to live." | 0:11:40 | 0:11:43 | |
I mean, it's completely wrong and Jackie didn't want that. | 0:11:43 | 0:11:46 | |
Jackie wanted to keep herself totally private, cos she was | 0:11:46 | 0:11:50 | |
a very private person actually - | 0:11:50 | 0:11:52 | |
in spite of what she wrote. | 0:11:52 | 0:11:54 | |
-The characters in this book, some of them are quite wild. -Yes. | 0:11:54 | 0:11:59 | |
-Is it Fabrizio? -Fabrizio Bricconi, yes. I love him. -Oh! | 0:11:59 | 0:12:04 | |
-Mm. Now, you do quite a full description of him. -Oh, well, yes. | 0:12:04 | 0:12:08 | |
-He's a rascal, but he's a lovable rascal. -Could you read a little bit? | 0:12:08 | 0:12:12 | |
-He describes himself in the book. -Well, yes. | 0:12:12 | 0:12:15 | |
-Could you read a little bit? -Well, why not? OK. -Well, you wrote it. | 0:12:15 | 0:12:18 | |
OK, so, it actually starts at the prologue. | 0:12:18 | 0:12:21 | |
"Lying face down in a pool, August. How has it come to this? | 0:12:21 | 0:12:26 | |
"Me, the stud of St Tropez, 29 years old, handsome, | 0:12:26 | 0:12:31 | |
"devilishly amusing, big... ahem, censored." | 0:12:31 | 0:12:34 | |
LAUGHTER | 0:12:34 | 0:12:37 | |
"Every woman in St Tropez gladly accepting my advances. | 0:12:37 | 0:12:41 | |
"Well, not every woman. But I am seldom turned down. | 0:12:41 | 0:12:44 | |
"Think of an Italian Brad Pitt, | 0:12:44 | 0:12:47 | |
"crossed with the brooding Latin sex-appeal | 0:12:47 | 0:12:49 | |
"of a Benicio del Toro and that's me - the ultimate... censored machine." | 0:12:49 | 0:12:56 | |
Richard Madden is reading over your shoulder. | 0:12:56 | 0:12:59 | |
"Constantly...censored. My body, a factory of raging hormones. | 0:13:00 | 0:13:04 | |
"I don't like to boast. Well, actually, I do." | 0:13:04 | 0:13:08 | |
-Very good! -Sounds like you. | 0:13:08 | 0:13:10 | |
I would have thought Joan Collins fans would be quite broad-minded. | 0:13:16 | 0:13:19 | |
I think they are. | 0:13:19 | 0:13:21 | |
But, apparently, you have had some...well, not complaints. | 0:13:21 | 0:13:24 | |
But, you know, people have thought it is quite racy. | 0:13:24 | 0:13:27 | |
Yes, I know. | 0:13:27 | 0:13:29 | |
A lot of people...well, not a lot, a couple...have asked me | 0:13:29 | 0:13:32 | |
why I've put in so many sex scenes. And I said, "well, | 0:13:32 | 0:13:35 | |
"having not read Grey Is The New Black..." | 0:13:35 | 0:13:39 | |
What's it called? | 0:13:39 | 0:13:41 | |
LAUGHTER | 0:13:41 | 0:13:43 | |
Fifty Shades Of Grey. | 0:13:43 | 0:13:45 | |
Yeah, Fifty Shades of Grey. My sister told me not to read it. | 0:13:45 | 0:13:48 | |
But, anyway, she told me about it. | 0:13:48 | 0:13:50 | |
-So, I figured that, you know, that's what people do. -I have read it. | 0:13:50 | 0:13:53 | |
-You have? And? -Yeah. | 0:13:53 | 0:13:56 | |
Well, yeah, I'm not going to be nasty about somebody, am I? | 0:13:56 | 0:13:58 | |
All right. Leave that to me. | 0:13:58 | 0:14:00 | |
-Have you read it? -I read most of the first book, yeah. | 0:14:00 | 0:14:03 | |
And? | 0:14:03 | 0:14:04 | |
I remember reading it on the Tube and looking around and there was | 0:14:04 | 0:14:07 | |
a lot of other women reading it too and I suddenly felt a bit embarrassed. | 0:14:07 | 0:14:10 | |
I was like, "Oh, we're all living out some fantasy here." | 0:14:10 | 0:14:13 | |
Imagine if you're a guy sitting reading it on the tube. | 0:14:13 | 0:14:16 | |
Why were you reading it, Richard? | 0:14:16 | 0:14:18 | |
-I wanted to... -To get some ideas. -Just to get some ideas. | 0:14:18 | 0:14:22 | |
Let's not fight again. | 0:14:22 | 0:14:25 | |
-Did you test for the role? -No, I didn't test for the role, no. | 0:14:25 | 0:14:28 | |
-Cos you would have been good. -You would've. | 0:14:28 | 0:14:31 | |
-No, I didn't test for the role. -Jamie's marvellous. | 0:14:31 | 0:14:34 | |
He's marvellous. He is marvellous. I've not seen the film. | 0:14:34 | 0:14:37 | |
-I wanted to know what it was all about, so I found out. -OK. | 0:14:37 | 0:14:40 | |
Yeah, it was such a huge thing. It's kind of nice to be a part of... | 0:14:40 | 0:14:42 | |
-Really? -I'd never read an erotic novel. It was... | 0:14:42 | 0:14:45 | |
You sound like a deprived child. | 0:14:45 | 0:14:47 | |
"I had never read an erotic novel." | 0:14:47 | 0:14:49 | |
And, here's the thing, you would | 0:14:51 | 0:14:53 | |
think the world of baking would be such a refined, lovely world. | 0:14:53 | 0:14:57 | |
But, apparently, when you do your live shows, Paul, | 0:14:57 | 0:15:00 | |
all hell breaks loose. | 0:15:00 | 0:15:01 | |
I mean, it's like a hen night. | 0:15:01 | 0:15:03 | |
I mean, really. It's like the Chippendales with crusts. | 0:15:03 | 0:15:07 | |
There's review in one of the papers and this person says, | 0:15:07 | 0:15:12 | |
"When he fashions a bit of dough into anything remotely | 0:15:12 | 0:15:14 | |
"phallic shaped, and, tragically, many loaves are, the crowd go crazy. | 0:15:14 | 0:15:20 | |
"After mopping his face with a purple towel, odd choice, | 0:15:20 | 0:15:23 | |
"he tried to explain how to decorate a Black Forest gateau. | 0:15:23 | 0:15:27 | |
"'You just spread the cream,' he begins. 'All over my boobs!' | 0:15:27 | 0:15:31 | |
"shouted someone behind me." | 0:15:31 | 0:15:32 | |
LAUGHTER | 0:15:32 | 0:15:34 | |
-Does that happen a lot? -Yes, it does, doesn't it? | 0:15:35 | 0:15:40 | |
It's not quite like that. | 0:15:41 | 0:15:43 | |
I mean, I did two 30-day tours a couple of years ago. | 0:15:43 | 0:15:48 | |
And travelling all over the UK, it was great fun. | 0:15:48 | 0:15:52 | |
I had people who came to see me before the show. | 0:15:52 | 0:15:55 | |
Initially, it was just to come and say hello, have some photographs. | 0:15:55 | 0:15:59 | |
But, slowly, over the tour, people started bringing me bakes. | 0:15:59 | 0:16:02 | |
Their cakes, their biscuits. And by the time we were ten theatres in, | 0:16:02 | 0:16:07 | |
there was, literally, 300 or 400 cakes arriving. | 0:16:07 | 0:16:11 | |
The problem is, you've got to try a little bit, | 0:16:11 | 0:16:13 | |
cos otherwise they get upset. | 0:16:13 | 0:16:14 | |
Some people have been queueing up for half an hour, | 0:16:14 | 0:16:16 | |
three-quarters of an hour to see you. | 0:16:16 | 0:16:19 | |
And when it comes to you, you're going, "No more, no more." | 0:16:19 | 0:16:22 | |
Can I ask, did you eat all these cakes that people... | 0:16:22 | 0:16:24 | |
Did you try each one? | 0:16:24 | 0:16:26 | |
I did. I had a little bit of a spittoon as well. | 0:16:26 | 0:16:29 | |
A friend of mine is a singer and people send him cakes | 0:16:29 | 0:16:32 | |
-and stuff all the time. -Yeah. | 0:16:32 | 0:16:34 | |
And he used to do that, until he ate into a cupcake | 0:16:34 | 0:16:37 | |
and it was full of the girl's hair, cos she wanted to be inside him. | 0:16:37 | 0:16:41 | |
Oh, no! | 0:16:41 | 0:16:42 | |
THEY GROAN | 0:16:42 | 0:16:44 | |
Incidentally, he stopped eating them. | 0:16:49 | 0:16:52 | |
-Yeah. -That would put you off. | 0:16:52 | 0:16:54 | |
Actually, talking of fans, how excited will fans be? | 0:16:54 | 0:16:56 | |
Because Dame Joan Collins, you are back on the road. | 0:16:56 | 0:17:00 | |
You are starting a new UK stage tour. | 0:17:00 | 0:17:03 | |
-Now, people have seen you before... -Yes. | 0:17:03 | 0:17:06 | |
They should know that this is a totally different show. | 0:17:06 | 0:17:08 | |
Yeah, this is called Joan Collins Unscripted. | 0:17:08 | 0:17:11 | |
Which means that it's going to be totally like now we are. | 0:17:11 | 0:17:14 | |
There'll be lots of clips from Dynasty | 0:17:14 | 0:17:16 | |
and other movies that I've done. | 0:17:16 | 0:17:17 | |
But, basically, it's going to be me on stage with Percy, | 0:17:17 | 0:17:20 | |
my husband, asking questions, taking questions from the audience. | 0:17:20 | 0:17:23 | |
We're writing it now. There will be some scripted thing, but, basically, | 0:17:23 | 0:17:27 | |
this is going to be free and easy. | 0:17:27 | 0:17:28 | |
I'm going to make a few jokes and do a few things like that. | 0:17:28 | 0:17:31 | |
Cos I've been doing it for ten years. | 0:17:31 | 0:17:33 | |
And in your last show, you told a story... | 0:17:33 | 0:17:35 | |
Cos we always imagine that your life is just glamour, glamour, glamour. | 0:17:35 | 0:17:38 | |
-Oh, yeah. -But, sometimes, work does get in the way. | 0:17:38 | 0:17:41 | |
-In your last tour, you told a story about Frank Sinatra. -Oh! Frank, yes. | 0:17:41 | 0:17:47 | |
-Oh! -I love that people can say, "Frank". | 0:17:47 | 0:17:50 | |
I'm so jealous. | 0:17:50 | 0:17:52 | |
Well, just remember, I went to Hollywood when I was 20, at the end | 0:17:52 | 0:17:55 | |
of the Golden Age, when, you know, the gilt was beginning to turn. | 0:17:55 | 0:17:58 | |
So, I met everybody. | 0:17:58 | 0:18:00 | |
I met Humphrey Bogart and Lana Turner and Hedy Lamarr | 0:18:00 | 0:18:03 | |
and Frank Sinatra. And, you know, it was amazing. | 0:18:03 | 0:18:07 | |
So, about ten years later, I'm doing this movie called | 0:18:07 | 0:18:10 | |
The Road To Hong Kong with two more legends - Bing Crosby and Bob Hope. | 0:18:10 | 0:18:15 | |
And we had two people who were coming on, | 0:18:15 | 0:18:18 | |
three people who were coming on, the Rat Pack. | 0:18:18 | 0:18:21 | |
It was Sammy Davis Junior, Dean Martin and Frank Sinatra. | 0:18:21 | 0:18:24 | |
And we had a scene together. It was the most ridiculous film. | 0:18:24 | 0:18:28 | |
I was sent off into space and... | 0:18:28 | 0:18:31 | |
LAUGHTER | 0:18:31 | 0:18:33 | |
-One of those. -A classic, a classic. | 0:18:33 | 0:18:35 | |
It was called The Road To Hong Kong, but it ended up The Road To Space. | 0:18:35 | 0:18:38 | |
So, I'm in space in a sort of space outfit | 0:18:38 | 0:18:40 | |
and two spacemen are there either side of me. | 0:18:40 | 0:18:42 | |
One is Dean Martin, the other one is Frank Sinatra. | 0:18:42 | 0:18:45 | |
And they both are fighting over me and trying to kiss me. | 0:18:45 | 0:18:48 | |
It was, you know, really great. | 0:18:48 | 0:18:50 | |
I was still pretty star-struck by then. | 0:18:50 | 0:18:53 | |
So, I'm living at home with my mother and father | 0:18:53 | 0:18:56 | |
and the next day in the morning, the phone rings. | 0:18:56 | 0:18:59 | |
And Mummy comes in and she says, | 0:18:59 | 0:19:01 | |
"It's Frank Sinatra on the phone for you." | 0:19:01 | 0:19:05 | |
And I said, "Frank Sinatra, hey?" | 0:19:05 | 0:19:07 | |
So, I said, "Oh, hi." And he said, "Hi, it's Frank." | 0:19:07 | 0:19:12 | |
He said, "How would you like to have dinner with me?" | 0:19:12 | 0:19:15 | |
And I said, "Oh, well, that would be very nice, yes." | 0:19:15 | 0:19:19 | |
He said, "Tomorrow?" I said, "Yeah." | 0:19:19 | 0:19:22 | |
He said, "I'll send my plane for you." | 0:19:22 | 0:19:24 | |
I said, "Your plane? Where are you?" He said, "Hamburg." | 0:19:24 | 0:19:28 | |
I said, "Hamburg?" I said, "Oh, I can't possibly go to Hamburg. | 0:19:28 | 0:19:32 | |
"I've got an early call tomorrow." | 0:19:32 | 0:19:33 | |
-He said, "I'll change your call, honey." -Wow. | 0:19:33 | 0:19:38 | |
I said, "Well, you can't do that. I mean, I'm a serious actress. | 0:19:38 | 0:19:43 | |
"You can't change my call just because you want to have..." | 0:19:43 | 0:19:45 | |
And he hung up. | 0:19:45 | 0:19:47 | |
And that was it. | 0:19:47 | 0:19:48 | |
He never asked me again, but I hear he asked Linda Evans and she went. | 0:19:48 | 0:19:52 | |
LAUGHTER | 0:19:52 | 0:19:54 | |
-I couldn't go. -Yeah. | 0:19:58 | 0:20:00 | |
Now, Paul Hollywood, Paul Hollywood, you've got a new TV show now. | 0:20:02 | 0:20:05 | |
This is called Paul Hollywood's City Bakes. | 0:20:05 | 0:20:08 | |
It's on the Food Network, Mondays at 9pm. | 0:20:08 | 0:20:11 | |
Now, is this one of the things where the Food Network came to you | 0:20:11 | 0:20:14 | |
and said, "You can do anything you like. | 0:20:14 | 0:20:16 | |
-"What would you like to do?" It is just an amazing jolly. -It is. | 0:20:16 | 0:20:19 | |
I mean, they approached me | 0:20:19 | 0:20:21 | |
and the idea was that the programme's going to go global. | 0:20:21 | 0:20:24 | |
So, it's going to go to | 0:20:24 | 0:20:26 | |
the States, South America, Russia, Asia, Australia, South Africa. | 0:20:26 | 0:20:30 | |
-And they offered me this platform to produce, to get a programme. -Yeah. | 0:20:30 | 0:20:34 | |
And I said, "Absolutely." | 0:20:34 | 0:20:35 | |
The idea is, we travelled round ten cities round the world | 0:20:35 | 0:20:39 | |
looking for people, you know, passionate bakers. | 0:20:39 | 0:20:42 | |
To look at the quintessential classical bakes from that city. | 0:20:42 | 0:20:46 | |
-So, we started in Miami. -Home of baking. | 0:20:46 | 0:20:50 | |
Miami, baking. | 0:20:50 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:54 | |
I mean, that's... | 0:20:54 | 0:20:56 | |
So, we popped over to Jamaica. | 0:20:56 | 0:20:59 | |
-We came to New York... -St Tropez. | 0:20:59 | 0:21:01 | |
We literally travelled all throughout Europe, Scandinavia | 0:21:01 | 0:21:04 | |
and ended up at St Petersburg. One of the last shots was... | 0:21:04 | 0:21:07 | |
I remember I was in the stage coach and at the back of the stage, | 0:21:07 | 0:21:10 | |
minus 25, snow everywhere. | 0:21:10 | 0:21:12 | |
And we're at the Summer Palace, Catherine's Palace. | 0:21:12 | 0:21:15 | |
And I was sitting in the back of this horse-drawn carriage | 0:21:15 | 0:21:18 | |
with a blanket over me, freezing to death. | 0:21:18 | 0:21:20 | |
And they got some beautiful shots, you know, going through. | 0:21:20 | 0:21:23 | |
And then just seeing this palace, I went, "How lucky am I?" | 0:21:23 | 0:21:26 | |
I mean, it was me following my baking passion | 0:21:26 | 0:21:29 | |
and meeting people who are exactly the same as me - | 0:21:29 | 0:21:32 | |
passionate about baking. And, often, we had problems with language. | 0:21:32 | 0:21:35 | |
-Yes. -But stick me in the bakery and show me what to do and I was off. | 0:21:35 | 0:21:38 | |
-Actually, Lily, did you film there in War And Peace? -I did. | 0:21:38 | 0:21:41 | |
I filmed at Catherine's Palace, yeah. | 0:21:41 | 0:21:43 | |
-It's an amazing place. -Incredible. It took my breath away. | 0:21:43 | 0:21:45 | |
-Was that in summer or the winter? -We were there in the winter. -Oh, wow. | 0:21:45 | 0:21:49 | |
Just covered in snow. Like, horse-drawn carts. | 0:21:49 | 0:21:52 | |
-And I danced in the main ballroom. -Wow. -It was breathtaking. | 0:21:52 | 0:21:55 | |
Well, listen, we've got a clip of you. This is you on your visit | 0:21:55 | 0:21:58 | |
to St Petersburg, discovering a local ingredient. | 0:21:58 | 0:22:00 | |
Back home, I normally make a pie using shortcrust or hot | 0:22:00 | 0:22:03 | |
water crust pastry, but here, the pies are much more elaborate. | 0:22:03 | 0:22:08 | |
They add yeast. So, it's a cross between a pastry and a dough. | 0:22:08 | 0:22:12 | |
It's then sweetened and layered with butter. | 0:22:12 | 0:22:14 | |
-Welcome to my kitchen. -What a fantastic place. -Yeah. | 0:22:14 | 0:22:18 | |
Master baker Alexander Varsiev finishes off the mix with | 0:22:18 | 0:22:21 | |
a typically Russian touch. | 0:22:21 | 0:22:23 | |
LAUGHTER | 0:22:23 | 0:22:25 | |
-Vodka? -Yes, vodka! Look, Russian vodka. Russian original vodka. | 0:22:25 | 0:22:29 | |
That's an excuse to have one of these in a bakery. | 0:22:29 | 0:22:34 | |
LAUGHTER | 0:22:34 | 0:22:35 | |
And, because Paul's no fool, there's an accompanying book. | 0:22:38 | 0:22:42 | |
-It's called The Weekend Baker. That's out on May 19th. -Yeah. | 0:22:42 | 0:22:44 | |
And that's a collection of the recipes you... | 0:22:44 | 0:22:48 | |
At the end of the day, you got have a book to back up the series. | 0:22:48 | 0:22:51 | |
The amount of people that are saying, "where are the recipes? | 0:22:51 | 0:22:53 | |
"Where are we going to find recipes?" And they do go on a | 0:22:53 | 0:22:56 | |
-website, but the book is the natural next step. -Yes. | 0:22:56 | 0:22:59 | |
-And much more lucrative. -Mary wouldn't forgive me. | 0:22:59 | 0:23:01 | |
-Is Hollywood your real name? -Yes. -It really is? -Yeah. | 0:23:01 | 0:23:04 | |
That's amazing. I've never heard of anybody called Hollywood. | 0:23:04 | 0:23:07 | |
Well, actually, what was hilarious, | 0:23:07 | 0:23:09 | |
I remember I was patenting many years ago. You know you have to | 0:23:09 | 0:23:11 | |
-cover your name. -Yeah. -And the legal lawyer in London | 0:23:11 | 0:23:14 | |
sent out to this to the company saying, | 0:23:14 | 0:23:16 | |
"Paul Hollywood wants to patent this." Huge amounts of people | 0:23:16 | 0:23:19 | |
from California came back and said, "You can't do this, | 0:23:19 | 0:23:21 | |
-"you can't do this." -Really? | 0:23:21 | 0:23:23 | |
So, my lawyer, who'd recently taken Coca-Cola to court and won, | 0:23:23 | 0:23:26 | |
then sent a letter back saying, | 0:23:26 | 0:23:28 | |
"His family name goes back over 600 years. | 0:23:28 | 0:23:30 | |
"If you can prove that Hollywood has been around before then, | 0:23:30 | 0:23:33 | |
"he will back down. | 0:23:33 | 0:23:34 | |
"Otherwise, he will sue you for using his name on the mountain." | 0:23:34 | 0:23:37 | |
LAUGHTER | 0:23:37 | 0:23:38 | |
-Oh, my God. -They dropped everything. -That's incredible. -Wow. | 0:23:38 | 0:23:44 | |
-Now, series seven, series seven of Bake Off. -Yeah. | 0:23:44 | 0:23:47 | |
-You're filming that at the moment? -We are. We are indeed. | 0:23:47 | 0:23:49 | |
And are you in the same place or have you moved the place? | 0:23:49 | 0:23:52 | |
-We are in the same place. -And where are you in the process? | 0:23:52 | 0:23:56 | |
-Are you about halfway or just beginning? -Three in. -Three in. | 0:23:56 | 0:24:00 | |
OK. And when you started, yourself and Mary, | 0:24:00 | 0:24:03 | |
I read somewhere you took it incredibly seriously. | 0:24:03 | 0:24:07 | |
-Was it series one where you had a fight about the semifinals? -Oh! | 0:24:07 | 0:24:10 | |
-How many hours did that last for? -We were five hours arguing. | 0:24:10 | 0:24:14 | |
It's a bit of cake! | 0:24:14 | 0:24:17 | |
Erm... | 0:24:17 | 0:24:19 | |
-No, you love each other. Don't you love each other? -We do. | 0:24:19 | 0:24:22 | |
I gave her a recipe, actually, last weekend. | 0:24:22 | 0:24:24 | |
I was just trying out a new recipe I had. | 0:24:24 | 0:24:26 | |
And she decided to make it this week. | 0:24:26 | 0:24:28 | |
And I only got a text this afternoon, "It's marvellous! | 0:24:28 | 0:24:30 | |
"It's a great recipe!" | 0:24:30 | 0:24:32 | |
I think she's going to bring it to set tomorrow. | 0:24:32 | 0:24:34 | |
Well, that is a great impression. | 0:24:34 | 0:24:36 | |
You should really tour with that. | 0:24:36 | 0:24:38 | |
LAUGHTER | 0:24:38 | 0:24:39 | |
No, we do get on. We get on really well. | 0:24:39 | 0:24:41 | |
In fact, when we were filming last year, Downton... | 0:24:41 | 0:24:44 | |
What we try to do, cos Mary wanted to go and visit the set of Downton. | 0:24:44 | 0:24:47 | |
And you guys were just down the road from where we were. | 0:24:47 | 0:24:49 | |
-Oh, cool. Ealing. -So, we were going to try and bring all the | 0:24:49 | 0:24:52 | |
Bake Off people over and then do a swap. That would be fascinating. | 0:24:52 | 0:24:55 | |
I know, but you'd think that Mary, butter wouldn't melt, | 0:24:55 | 0:24:58 | |
but she has been a vandal. Quite a bad vandal. | 0:24:58 | 0:25:02 | |
Listen, I got her arrested. I actually got her arrested. | 0:25:02 | 0:25:05 | |
What it was, we were doing... You don't know. | 0:25:05 | 0:25:09 | |
What happened was, we were at the Birmingham NEC, | 0:25:09 | 0:25:12 | |
we just finished doing a demo, and I was staying on to do a book signing. | 0:25:12 | 0:25:15 | |
Now, Mary left and she walked past my car. | 0:25:15 | 0:25:18 | |
-I then... -Which is a very posh car. | 0:25:18 | 0:25:21 | |
-Yeah, it's a nice car. -Yeah. | 0:25:21 | 0:25:23 | |
So, she came out, left, as she did. | 0:25:23 | 0:25:25 | |
I came out with the security and they said, "Oh, | 0:25:25 | 0:25:28 | |
"have you seen what's on your car?" | 0:25:28 | 0:25:30 | |
And I said, "What do you mean, what's on my car?" | 0:25:30 | 0:25:32 | |
"Go and have a look at your car." And on the sill of the window, | 0:25:32 | 0:25:36 | |
she'd signed, "Love Mary." With a Sharpie. | 0:25:36 | 0:25:39 | |
LAUGHTER | 0:25:39 | 0:25:40 | |
-There it is. -You can see. | 0:25:40 | 0:25:42 | |
The police officer who was with me he turned round | 0:25:42 | 0:25:44 | |
and said, "Do you want to arrest her for criminal damages?" | 0:25:44 | 0:25:47 | |
Absolutely. | 0:25:47 | 0:25:49 | |
So, I said, "Can we leave it 12 months, please?" | 0:25:49 | 0:25:52 | |
So, the following year, were at the NEC | 0:25:52 | 0:25:53 | |
and I saw the same police officer and I said, "Listen, we're | 0:25:53 | 0:25:58 | |
"going on stage in a minute, if you'd like to | 0:25:58 | 0:26:00 | |
"come on and arrest her. I think you'd better bring four lads. | 0:26:00 | 0:26:03 | |
"She might get a bit feisty." | 0:26:03 | 0:26:04 | |
So, I went on stage and then the police officers came in. | 0:26:04 | 0:26:07 | |
And they actually handcuffed her and marched her off the stage. | 0:26:07 | 0:26:11 | |
I said, "Give it five minutes and let her back in." | 0:26:11 | 0:26:14 | |
She came in with a bag and then smacked me around the head. | 0:26:14 | 0:26:17 | |
APPLAUSE | 0:26:17 | 0:26:19 | |
Here's the odd thing, the most controversial | 0:26:24 | 0:26:26 | |
thing about Bake Off was nothing to do with baking. | 0:26:26 | 0:26:30 | |
It was the squirrel nut scandal. | 0:26:30 | 0:26:34 | |
You don't watch the show. | 0:26:34 | 0:26:37 | |
This is what caused the biggest... | 0:26:37 | 0:26:39 | |
This is Christian Grey. | 0:26:39 | 0:26:40 | |
Yeah, this really caused a big scandal. | 0:26:40 | 0:26:42 | |
So, it's just a clip of Bake Off. | 0:26:42 | 0:26:44 | |
You know, they're doing those establishing shots. | 0:26:44 | 0:26:47 | |
So, we see the tent, the house, here's the squirrel now. | 0:26:47 | 0:26:50 | |
Check that out! | 0:26:50 | 0:26:52 | |
Hold on, go back. Go back, go back, go back to the thing! | 0:26:52 | 0:26:55 | |
Look at him! | 0:26:55 | 0:26:57 | |
LAUGHTER | 0:26:57 | 0:27:00 | |
I mean, proportionally, that's extraordinary. | 0:27:00 | 0:27:04 | |
LAUGHTER | 0:27:04 | 0:27:06 | |
-Oh! -I've only just looked. -I just saw. | 0:27:06 | 0:27:10 | |
-It's half his body! -Yeah. | 0:27:10 | 0:27:13 | |
I want to tuck in your wire a bit, cos it's sticking out. | 0:27:13 | 0:27:15 | |
-But I don't want to... -It's OK. I tucked in. -There we go. | 0:27:15 | 0:27:19 | |
You just wanted to touch Joan, didn't you? | 0:27:19 | 0:27:23 | |
-Stop it. Don't touch the other guests. -I'll sit on my hands. | 0:27:23 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:27 | |
Now, ladies and gentlemen, | 0:27:27 | 0:27:29 | |
what could be sexier than Richard Madden and Lily James together | 0:27:29 | 0:27:32 | |
again as the star-crossed lovers in Shakespeare's Romeo And Juliet? | 0:27:32 | 0:27:36 | |
This is part of Kenneth Branagh's season at the Garrick. | 0:27:36 | 0:27:40 | |
And they've put together a little taste of what it might be like. | 0:27:40 | 0:27:43 | |
Our season continues with Shakespeare's timeless romance, | 0:28:08 | 0:28:11 | |
Romeo And Juliet. | 0:28:11 | 0:28:14 | |
APPLAUSE Beautiful. | 0:28:14 | 0:28:18 | |
Do you know what, can I just, do you know the narrator, obviously, | 0:28:25 | 0:28:28 | |
Kenneth Branagh, it just reminds me of Walking With Dinosaurs. | 0:28:28 | 0:28:32 | |
Charming. | 0:28:32 | 0:28:34 | |
-We're dinosaurs, thanks. -Wow. | 0:28:34 | 0:28:37 | |
Way to make friends, Paul. | 0:28:37 | 0:28:39 | |
Now, I don't mean to worry Richard and Lily, | 0:28:40 | 0:28:43 | |
but just to let you know, it starts at the Garrick on 12 May. | 0:28:43 | 0:28:46 | |
-Don't. -No. -No, no, no. -Yeah, quite soon. -12 May? | 0:28:46 | 0:28:49 | |
-That's next week. -Yes. -No, it's, well, nearly. -Nearly. | 0:28:49 | 0:28:52 | |
-How long for? -Until 13 August. -Till 13 August. | 0:28:52 | 0:28:54 | |
-Well, I'm definitely going to come and see it. -Oh, please. | 0:28:54 | 0:28:57 | |
-Yes, I'm going to. -If you want to watch it live, | 0:28:57 | 0:28:59 | |
-you could, in cinemas on 7 July. -Oh, well, I'll be in St Tropez. | 0:28:59 | 0:29:02 | |
-That's all the dates. -Live? | 0:29:02 | 0:29:04 | |
They record it and then they put it out. | 0:29:04 | 0:29:06 | |
Now, the promotional material does make it look like it's quite | 0:29:06 | 0:29:09 | |
-raunchy. Oh, is that what it's going to be like? -It is. | 0:29:09 | 0:29:12 | |
I mean, it's horny teenagers really. | 0:29:12 | 0:29:14 | |
-If we really just call it what it is. -Yes. -Oh, God. | 0:29:14 | 0:29:18 | |
I'm reading the articles tomorrow, "Horny teenagers." | 0:29:18 | 0:29:22 | |
Does contain nudity? Does it contain nudity? | 0:29:22 | 0:29:24 | |
-We couldn't be telling you that. -No. I mean, we don't know. | 0:29:24 | 0:29:27 | |
Oh, well, she just did. | 0:29:27 | 0:29:28 | |
-LAUGHTER -No, I mean, I was agreeing with you. | 0:29:28 | 0:29:30 | |
I'm saying no, we can't be telling them that. | 0:29:30 | 0:29:32 | |
We're only halfway through rehearsals, | 0:29:32 | 0:29:34 | |
-so there's still a lot changing. -You've still got your pants on? | 0:29:34 | 0:29:37 | |
-I've still got my pants on. -No corsets, no things. | 0:29:37 | 0:29:40 | |
No corsets, no other corsets. | 0:29:40 | 0:29:41 | |
Don't you find it difficult to learn Shakespeare? | 0:29:41 | 0:29:44 | |
Yes, but when you're working with Kenneth Branagh, | 0:29:44 | 0:29:48 | |
he's amazing and encouraging and inspiring. | 0:29:48 | 0:29:51 | |
-And also, runs a tight ship. -Oh. | 0:29:51 | 0:29:55 | |
-We had to learn all our lines before day one. -No! | 0:29:55 | 0:29:57 | |
-Oh, my God. That's terrifying. Yeah. -How boring is that?! | 0:29:57 | 0:30:01 | |
On day one, we had a day of things. | 0:30:01 | 0:30:03 | |
They had to learn it, everybody! | 0:30:03 | 0:30:05 | |
When you learn the whole of... | 0:30:07 | 0:30:08 | |
You come in on the first day of rehearsals... | 0:30:08 | 0:30:10 | |
-It's a lot? -Oh, it's loads. | 0:30:10 | 0:30:11 | |
-..then on the Friday... -Oh, every page. "More Juliet! Oh! | 0:30:11 | 0:30:15 | |
"She's in this bit as well! | 0:30:15 | 0:30:17 | |
"She's talking for half a page. No-one else is talking." | 0:30:19 | 0:30:23 | |
How do you learn your lines? I mean, it's a staggering amount to learn. | 0:30:23 | 0:30:27 | |
Pure fear. | 0:30:27 | 0:30:28 | |
Really? | 0:30:28 | 0:30:30 | |
I remember Mel was doing a play in Edinburgh. | 0:30:30 | 0:30:34 | |
She was doing Shakespeare. | 0:30:34 | 0:30:36 | |
She asked me to practise with her on her lines. It was hilarious. | 0:30:36 | 0:30:39 | |
Every lunchtime we'd be practising while Bake Off was on. | 0:30:39 | 0:30:42 | |
She was learning, like, sheets and sheets. | 0:30:42 | 0:30:44 | |
It just staggers me how you learn so much. Do you have prompts anywhere? | 0:30:44 | 0:30:49 | |
Yeah, I have it written on all the furniture. | 0:30:49 | 0:30:51 | |
That's what Brando used to do, though, isn't it? | 0:30:51 | 0:30:54 | |
That's what, you know... | 0:30:54 | 0:30:55 | |
Do you find, does it stay in your head after? | 0:30:55 | 0:30:58 | |
So if I talk to you in a year, would you remember it, or is it all gone? | 0:30:58 | 0:31:01 | |
No, goes. | 0:31:01 | 0:31:02 | |
I find it goes, but more annoyingly it's in your head all the time, | 0:31:02 | 0:31:06 | |
so then you get home and go, you know, | 0:31:06 | 0:31:09 | |
"Will thou have a glass of wine?" | 0:31:09 | 0:31:10 | |
"Stop it, Richard. It's not how you really speak." | 0:31:12 | 0:31:15 | |
Hey, very quickly, Richard, we must mention your new film, Bastille Day. | 0:31:15 | 0:31:19 | |
It opens today, all over the country. It's you and Idris Elba. | 0:31:19 | 0:31:22 | |
Look at you. You're wearing modern clothes. | 0:31:22 | 0:31:26 | |
I know! | 0:31:26 | 0:31:27 | |
That was new. | 0:31:27 | 0:31:28 | |
It's Richard Madden...nowadays. | 0:31:28 | 0:31:31 | |
-That must have been really nice. -Oh, it was brilliant. | 0:31:31 | 0:31:34 | |
I mean, apart from the fact | 0:31:34 | 0:31:35 | |
that my call is 45 minutes less in the morning, | 0:31:35 | 0:31:37 | |
cos I don't have to get, like, three layers of fur and armour on, | 0:31:37 | 0:31:41 | |
but also it was nice and clean. | 0:31:41 | 0:31:43 | |
In Game Of Thrones, I'd come back every season going, | 0:31:43 | 0:31:45 | |
"The costume team is so brilliant, they make it look filthy | 0:31:45 | 0:31:48 | |
"and it stinks and it's really crusty... | 0:31:48 | 0:31:51 | |
"They've just not washed it for three years, have they?" | 0:31:51 | 0:31:55 | |
Really? Oh, that's terrible. | 0:31:55 | 0:31:57 | |
What's it about, Bastille Day? | 0:31:57 | 0:31:58 | |
Bastille Day is about... Idris Elba is a kind of tough CIA agent. | 0:31:58 | 0:32:03 | |
We're in Paris. | 0:32:03 | 0:32:05 | |
I'm a kind of pickpocket, street rat, living there. | 0:32:05 | 0:32:10 | |
I steal something I shouldn't and it has a horrible consequence. | 0:32:10 | 0:32:14 | |
Then Idris and I are on the hunt of the bad guys | 0:32:14 | 0:32:19 | |
until we work out the situation. | 0:32:19 | 0:32:21 | |
It's a kind of thriller. It's a really good evening at the cinema. | 0:32:21 | 0:32:24 | |
Me and Idris had a great laugh doing it, | 0:32:24 | 0:32:26 | |
so if you get a chance, have a watch. | 0:32:26 | 0:32:28 | |
-It comes out today. -We'll see it. | 0:32:28 | 0:32:29 | |
I saw some ads, I thought, "I want to see that." I love thrillers. | 0:32:29 | 0:32:32 | |
I love watching movies more than I like watching television, so... | 0:32:32 | 0:32:36 | |
Sorry. | 0:32:36 | 0:32:37 | |
Charming! | 0:32:37 | 0:32:39 | |
No, no, yeah, no. | 0:32:39 | 0:32:40 | |
I watch movies... I watch you. I watch you in America, darling. | 0:32:40 | 0:32:44 | |
Everybody loves you there. | 0:32:44 | 0:32:45 | |
Now, here's the thing, Richard and Lily, | 0:32:45 | 0:32:47 | |
obviously you're rehearsing Romeo and Juliet, | 0:32:47 | 0:32:50 | |
you've learnt your lines. | 0:32:50 | 0:32:51 | |
No, don't worry, I'm not going to make you do Shakespeare. | 0:32:51 | 0:32:53 | |
But just to test out the chemistry between you, what we're doing, | 0:32:53 | 0:32:57 | |
we thought we'd try some lines from Bake Off, cos Bake Off, | 0:32:57 | 0:33:01 | |
there's an awful lot of lines. | 0:33:01 | 0:33:04 | |
Now, we have tried these lines with actors before, | 0:33:04 | 0:33:06 | |
but we wanted to see if they'd work | 0:33:06 | 0:33:08 | |
in a sort of classical, theatre setting. | 0:33:08 | 0:33:11 | |
So I've got some lines. There's Richard's lines and there's Lily's. | 0:33:11 | 0:33:16 | |
-Thanks, Graham. -Thank you. | 0:33:16 | 0:33:17 | |
So it says "Richard" before the line he says, | 0:33:17 | 0:33:20 | |
it says "Lily" before the line you say. | 0:33:20 | 0:33:22 | |
I just wanted to be clear. Call me Kenneth Branagh. | 0:33:22 | 0:33:25 | |
-This is a lot. -I think you've given me Joan's book. | 0:33:27 | 0:33:30 | |
All right, OK, sorry. | 0:33:31 | 0:33:32 | |
Oh, I don't want to say this. | 0:33:32 | 0:33:34 | |
Too late now. | 0:33:36 | 0:33:37 | |
Let me have a little sip of this. | 0:33:37 | 0:33:40 | |
-Yeah, a bit of nerve... -This goes out after the watershed, right? | 0:33:40 | 0:33:42 | |
Yes, of course. But Bake Off doesn't. | 0:33:42 | 0:33:45 | |
-These are all genuine things. -It comes out at eight o'clock. | 0:33:45 | 0:33:48 | |
-Oh! -These are all genuine things. | 0:33:48 | 0:33:50 | |
These are genuine things that were said on Bake Off. | 0:33:50 | 0:33:54 | |
So can we have some Shakespearean-type music | 0:33:54 | 0:33:56 | |
and maybe a little lighting? | 0:33:56 | 0:33:57 | |
I believe... Is yours the first line, Richard? Off you go. | 0:33:57 | 0:34:01 | |
RICHARD CLEARS HIS THROAT | 0:34:01 | 0:34:02 | |
I want to get my spatula in there. | 0:34:02 | 0:34:04 | |
There's a lot of moisture in there. That's why it wets the finger. | 0:34:06 | 0:34:10 | |
Your crack is nice and moist. | 0:34:12 | 0:34:14 | |
Paul said that, Paul said that. | 0:34:16 | 0:34:18 | |
Oh, my God. | 0:34:18 | 0:34:20 | |
I trimmed it before I went in. | 0:34:20 | 0:34:21 | |
It's about half the size it was when it went in. | 0:34:23 | 0:34:25 | |
Alack, I've got the taste of nuts coming through. | 0:34:27 | 0:34:30 | |
Gosh, there's room for all sorts of things in there. | 0:34:33 | 0:34:36 | |
Oh, this is... | 0:34:39 | 0:34:40 | |
There is no such thing as too big, not in my world. | 0:34:40 | 0:34:44 | |
Beautifully done. | 0:34:44 | 0:34:45 | |
Well done. | 0:34:45 | 0:34:46 | |
APPLAUSE | 0:34:46 | 0:34:49 | |
Right, it's time for music. | 0:34:51 | 0:34:52 | |
This new band, fronted by heart-throb Joe Jonas, | 0:34:52 | 0:34:55 | |
hit the ground running with their debut EP Swaay. | 0:34:55 | 0:34:58 | |
Their new single is sure to be this year's sound of the summer. | 0:34:58 | 0:35:01 | |
Performing Cake By The Ocean, it's DNCE! | 0:35:01 | 0:35:05 | |
CHEERING AND APPLAUSE | 0:35:05 | 0:35:07 | |
# Oh no | 0:35:15 | 0:35:17 | |
# See you walking 'round like it's a funeral | 0:35:17 | 0:35:21 | |
# Not so serious, girl Why those feet cold? | 0:35:21 | 0:35:25 | |
# We just getting started | 0:35:25 | 0:35:27 | |
# Don't you tiptoe, tiptoe | 0:35:27 | 0:35:31 | |
# Ah! | 0:35:31 | 0:35:32 | |
# Waste time with a masterpiece, don't waste time with a masterpiece | 0:35:32 | 0:35:35 | |
# Huh! | 0:35:35 | 0:35:36 | |
# You should be rolling with me, you should be rolling with me | 0:35:36 | 0:35:39 | |
# Ah | 0:35:39 | 0:35:40 | |
# You're a real life fantasy, you're a real life fantasy | 0:35:40 | 0:35:43 | |
# Huh! | 0:35:43 | 0:35:44 | |
# But you're moving so carefully Let's start living dangerously | 0:35:44 | 0:35:48 | |
# Talk to me, baby | 0:35:48 | 0:35:49 | |
# I'm going blind from this sweet sweet craving | 0:35:50 | 0:35:53 | |
# Whoa | 0:35:53 | 0:35:55 | |
# Let's lose our minds and go crazy crazy | 0:35:55 | 0:35:57 | |
# Ah ya ya ya ya | 0:35:58 | 0:36:00 | |
# I keep on hoping we'll eat cake by the ocean | 0:36:00 | 0:36:04 | |
# Walk for me, baby | 0:36:04 | 0:36:05 | |
# I'll be Diddy, you'll be Naomi | 0:36:07 | 0:36:09 | |
# Whoa | 0:36:09 | 0:36:11 | |
# Let's lose our minds and go crazy crazy | 0:36:11 | 0:36:13 | |
# Ah ya ya ya ya | 0:36:15 | 0:36:16 | |
# I keep on hoping we'll eat cake by the ocean | 0:36:16 | 0:36:20 | |
# Huh! | 0:36:20 | 0:36:21 | |
# Hot damn | 0:36:24 | 0:36:26 | |
# See you licking frosting from your own hands | 0:36:26 | 0:36:30 | |
# I want another taste, I'm begging | 0:36:30 | 0:36:32 | |
# Yes, ma'am | 0:36:32 | 0:36:34 | |
# I'm tired of all this candy on the dry land, dry land | 0:36:34 | 0:36:39 | |
# Oh | 0:36:39 | 0:36:40 | |
# Waste time with a masterpiece, don't waste time with a masterpiece | 0:36:40 | 0:36:44 | |
# Huh! | 0:36:44 | 0:36:45 | |
# You should be rolling with me, you should be rolling with me | 0:36:45 | 0:36:47 | |
# Ah | 0:36:47 | 0:36:48 | |
# You're a real life fantasy, you're a real life fantasy | 0:36:48 | 0:36:51 | |
# Hey! | 0:36:51 | 0:36:52 | |
# But you're moving so carefully | 0:36:52 | 0:36:54 | |
# Let's start living dangerously | 0:36:54 | 0:36:56 | |
# Talk to me, baby | 0:36:56 | 0:36:59 | |
# I'm going blind from this sweet sweet craving | 0:36:59 | 0:37:02 | |
# Whoa | 0:37:02 | 0:37:03 | |
# Let's lose our minds and go crazy crazy | 0:37:03 | 0:37:06 | |
# Ah ya ya ya ya | 0:37:07 | 0:37:08 | |
# I keep on hoping we'll eat cake by the ocean | 0:37:08 | 0:37:12 | |
# Walk for me, baby | 0:37:12 | 0:37:15 | |
# I'll be Diddy, you'll be Naomi | 0:37:15 | 0:37:18 | |
# Whoa | 0:37:18 | 0:37:19 | |
# Let's lose our minds and go crazy crazy | 0:37:19 | 0:37:22 | |
# Ah ya ya ya ya | 0:37:23 | 0:37:24 | |
# I keep on hoping we'll eat cake by the ocean | 0:37:24 | 0:37:28 | |
# Oh ah | 0:37:28 | 0:37:31 | |
# Ah ya ya ya ya | 0:37:31 | 0:37:32 | |
# I keep on hoping we'll eat cake by the ocean | 0:37:32 | 0:37:36 | |
# Oh ah | 0:37:36 | 0:37:39 | |
# Ah ya ya ya ya | 0:37:39 | 0:37:41 | |
# I keep on hoping we'll eat cake by the ocean | 0:37:41 | 0:37:44 | |
# Huh! | 0:37:44 | 0:37:45 | |
# Talk to me, girl | 0:37:51 | 0:37:53 | |
# Talk to me, baby | 0:37:53 | 0:37:54 | |
# Talk to me, baby | 0:37:54 | 0:37:55 | |
# I'm going blind from this sweet, sweet craving | 0:37:55 | 0:37:58 | |
# Whoa | 0:37:58 | 0:37:59 | |
# Let's lose our minds and go crazy crazy | 0:37:59 | 0:38:02 | |
# Ah ya ya ya ya | 0:38:03 | 0:38:05 | |
# I keep on hoping we'll eat cake by the ocean | 0:38:05 | 0:38:09 | |
# Walk for me, baby | 0:38:09 | 0:38:10 | |
# I'll be Diddy, you'll be Naomi | 0:38:12 | 0:38:14 | |
# Whoa | 0:38:14 | 0:38:16 | |
# Let's lose our minds and go crazy crazy | 0:38:16 | 0:38:18 | |
# Ah ya ya ya ya | 0:38:20 | 0:38:21 | |
# I keep on hoping we'll eat cake by the ocean | 0:38:21 | 0:38:24 | |
# Huh! | 0:38:24 | 0:38:26 | |
# Red velvet, vanilla, chocolate in my life | 0:38:26 | 0:38:30 | |
# Funfetti, I'm ready | 0:38:30 | 0:38:32 | |
# I need it every night | 0:38:32 | 0:38:34 | |
# Red velvet, vanilla Ah ya ya ya ya | 0:38:34 | 0:38:37 | |
# I keep on hoping we'll eat cake by the ocean | 0:38:37 | 0:38:41 | |
# Oh! # | 0:38:41 | 0:38:42 | |
CHEERING AND APPLAUSE | 0:38:50 | 0:38:53 | |
DNCE, everybody! | 0:38:56 | 0:38:58 | |
Who's coming over? Joe, are you coming over? OK. | 0:38:58 | 0:39:02 | |
-There they are, DNCE. Thank you very much. Great job. -Thank you. | 0:39:02 | 0:39:05 | |
Have a seat there. | 0:39:05 | 0:39:07 | |
There's Paul, Lily, Richard, Lily, Joan. | 0:39:07 | 0:39:09 | |
Hi, nice to meet you. | 0:39:09 | 0:39:12 | |
Oh, hugging, hugging. We're doing hugging. | 0:39:12 | 0:39:14 | |
Lovely. Mind the drinks, mind the drinks. | 0:39:14 | 0:39:16 | |
-JOAN: -Have one. | 0:39:16 | 0:39:17 | |
Be careful of the drinks. | 0:39:17 | 0:39:19 | |
-Is this mine? -Oh, yeah, that's yours. Pre-ordered, well done, you. | 0:39:19 | 0:39:24 | |
Congratulations on that. | 0:39:24 | 0:39:25 | |
That is Cake By The Ocean, and that is out now. | 0:39:25 | 0:39:29 | |
-Yes, it's out. -And it's a huge hit all over the world, isn't it? | 0:39:29 | 0:39:32 | |
It's been doing pretty well. We're happy. | 0:39:32 | 0:39:34 | |
Straight out of the gates with DNCE, you must be thrilled. | 0:39:34 | 0:39:37 | |
-I'm very thrilled. -Yeah! You know, inspired by his show, we're fine. | 0:39:37 | 0:39:41 | |
Yes, of course. | 0:39:41 | 0:39:42 | |
Paul, when you do the summer special, that can be the theme song. | 0:39:42 | 0:39:45 | |
-That's the theme. -I'm pitching it now. | 0:39:45 | 0:39:48 | |
Here's the thing. | 0:39:48 | 0:39:49 | |
So there's a Swedish connection to the title of the song. | 0:39:49 | 0:39:52 | |
Right, so there's a miscommunication. | 0:39:52 | 0:39:54 | |
They confuse the drink Sex On The Beach | 0:39:54 | 0:39:57 | |
with Cake By The Ocean. | 0:39:57 | 0:39:59 | |
We wrote the song from there. | 0:39:59 | 0:40:02 | |
That sounds delicious, doesn't it? Cake By The Ocean. | 0:40:02 | 0:40:05 | |
It's a little messy, maybe a little salty as well. | 0:40:05 | 0:40:08 | |
It'd be a drizzle. | 0:40:08 | 0:40:09 | |
It would be a drizzle. | 0:40:09 | 0:40:11 | |
We've all done that. | 0:40:11 | 0:40:13 | |
So, listen, thanks for coming and thanks for playing it all live, | 0:40:13 | 0:40:16 | |
-cos I know that's a lot of extra work. -No, we prefer that. | 0:40:16 | 0:40:18 | |
-That's great. -Joe Jonas and DNCE. Very good. | 0:40:18 | 0:40:21 | |
CHEERING AND APPLAUSE | 0:40:21 | 0:40:22 | |
OK. | 0:40:22 | 0:40:25 | |
Before we leave you, | 0:40:25 | 0:40:26 | |
we've just got time for a visit to the Big Red Chair. | 0:40:26 | 0:40:29 | |
Who's there? I wonder. | 0:40:29 | 0:40:31 | |
-Hello, sir. -Hi. -Hi! | 0:40:31 | 0:40:33 | |
Dress-up Friday. | 0:40:33 | 0:40:34 | |
Now... Do you have a job or have you just applied for a job? | 0:40:38 | 0:40:42 | |
APPLAUSE | 0:40:45 | 0:40:47 | |
Oh, he's nice. | 0:40:47 | 0:40:48 | |
-I was at an interview today, actually. -Oh! | 0:40:48 | 0:40:52 | |
How did it go, how did it go? | 0:40:52 | 0:40:53 | |
I think it went really well, so fingers crossed. | 0:40:53 | 0:40:55 | |
What sort of job was it? | 0:40:55 | 0:40:56 | |
Customer service manager position. | 0:40:56 | 0:40:58 | |
Oh, wow. | 0:40:58 | 0:40:59 | |
-What's your name, by the way? -Michael. -Michael. Lovely, Michael. | 0:40:59 | 0:41:02 | |
Listen, good luck with the job. Do you have a job at the moment? | 0:41:02 | 0:41:05 | |
I do, yeah, so this could be awkward. | 0:41:05 | 0:41:07 | |
LAUGHTER | 0:41:07 | 0:41:09 | |
Wow. | 0:41:14 | 0:41:17 | |
We really hope you get that new job now. | 0:41:17 | 0:41:19 | |
Yeah, Monday at work. "No, I was joking." | 0:41:26 | 0:41:29 | |
All right, Michael, off you go with your story. | 0:41:31 | 0:41:34 | |
I moved to London about three years to start a new job, funnily enough. | 0:41:34 | 0:41:38 | |
I arrived on the Friday, I met the letting agent on the Friday, | 0:41:38 | 0:41:41 | |
I met my new housemates on the Friday, we went out and partied. | 0:41:41 | 0:41:44 | |
We had a great time. | 0:41:44 | 0:41:45 | |
We partied on the Saturday, we partied Saturday night. | 0:41:45 | 0:41:48 | |
I woke up on Sunday absolutely dying from travelling, new place, | 0:41:48 | 0:41:53 | |
new people and too much alcohol. | 0:41:53 | 0:41:55 | |
I figured I'd be spending all day in bed. | 0:41:55 | 0:41:58 | |
I woke up the following day and I could not believe it. | 0:41:58 | 0:42:01 | |
I seen the alarm clock - nine o'clock. Alarm didn't go off. | 0:42:01 | 0:42:04 | |
I thought, "Sugar, I'd better get to work, first day." | 0:42:04 | 0:42:07 | |
Yeah, that's what he thought... | 0:42:07 | 0:42:11 | |
So I sent my boss an e-mail just saying, | 0:42:11 | 0:42:13 | |
"I'm really sorry, we had a power cut during the night, I'm on my way. | 0:42:13 | 0:42:16 | |
"I'm just going to freshen up and I'll be there as soon as possible." | 0:42:16 | 0:42:19 | |
I got showered, put the new suit on, | 0:42:19 | 0:42:21 | |
ran as fast as I could to the tube station. | 0:42:21 | 0:42:23 | |
At that point, I realised, "Oh, my God. It's still Sunday." | 0:42:23 | 0:42:29 | |
Oh. | 0:42:29 | 0:42:30 | |
I have sent an e-mail to my boss. | 0:42:30 | 0:42:34 | |
That's quite a good story. You can walk, Michael. You can walk. | 0:42:34 | 0:42:38 | |
Yeah! | 0:42:38 | 0:42:39 | |
Well done! | 0:42:39 | 0:42:40 | |
Well done, everybody. If you fancy joining us on the show | 0:42:40 | 0:42:43 | |
and have a go in that red chair, you can contact us | 0:42:43 | 0:42:45 | |
via our website at this very address. | 0:42:45 | 0:42:46 | |
Ladies and gentlemen, that is it for tonight. | 0:42:46 | 0:42:49 | |
Please join me in saying a big thank you to my guests, | 0:42:49 | 0:42:51 | |
Joe Jonas and DNCE. | 0:42:51 | 0:42:53 | |
Paul Hollywood. | 0:42:54 | 0:42:55 | |
Lily James. | 0:42:57 | 0:42:58 | |
Richard Madden. | 0:43:00 | 0:43:01 | |
And Dame Joan Collins. | 0:43:03 | 0:43:04 | |
Join me next week with music from Birdy, | 0:43:07 | 0:43:09 | |
Sherlock star Martin Freeman, Ant-Man Paul Rudd, | 0:43:09 | 0:43:12 | |
and the hilarious Seth Rogen. | 0:43:12 | 0:43:13 | |
I'll see you then. Goodnight, everybody. Bye-bye. | 0:43:13 | 0:43:17 | |
CHEERING AND APPLAUSE | 0:43:17 | 0:43:19 | |
But lots of my friends, you know, when they hit middle age, | 0:43:41 | 0:43:43 | |
they just go crackers. | 0:43:43 | 0:43:45 | |
Suddenly all these women who have just spent years sitting on the sofa | 0:43:45 | 0:43:48 | |
with big fat arms, brushing Monster Munch off their fleece... | 0:43:48 | 0:43:51 | |
LAUGHTER | 0:43:51 | 0:43:54 | |
..suddenly they lose 4st and they're zipping themselves | 0:43:54 | 0:43:57 | |
into suede jeggings and going, "This is my time, Derek." | 0:43:57 | 0:44:00 | |
LAUGHTER | 0:44:00 | 0:44:01 | |
APPLAUSE | 0:44:02 | 0:44:04 |