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On the show tonight, we have the stars of X-Men - | 0:00:02 | 0:00:03 | |
James, who can read minds, and Jennifer, who can shapeshift into anyone. | 0:00:03 | 0:00:07 | |
-James, if you can read minds, can you read Jennifer's mind right now? -OK, go. | 0:00:07 | 0:00:10 | |
'I wish I could shapeshift off this stupid show.' | 0:00:10 | 0:00:13 | |
No, seriously, James, can you? | 0:00:13 | 0:00:14 | |
She's thinking that she can't wait to spend the evening with you. | 0:00:14 | 0:00:17 | |
Hooray! Let's start the show! | 0:00:17 | 0:00:19 | |
This programme contains strong language. | 0:00:20 | 0:00:28 | |
CHEERING AND APPLAUSE | 0:00:35 | 0:00:37 | |
Oh, wow! | 0:00:37 | 0:00:38 | |
Wow! | 0:00:38 | 0:00:40 | |
Oh, hello! | 0:00:40 | 0:00:41 | |
Hello! | 0:00:41 | 0:00:43 | |
Oh, thank you so much. Thank you. | 0:00:44 | 0:00:46 | |
Is this a bigger audience than normal? Wow. | 0:00:46 | 0:00:50 | |
That's some crazy clapping there. Hello, everybody. | 0:00:50 | 0:00:53 | |
Welcome, all. | 0:00:53 | 0:00:55 | |
I should remind you, of course, it's Friday the 13th! | 0:00:55 | 0:00:58 | |
-ALL: -Ooooh! | 0:00:58 | 0:00:59 | |
But don't worry, nothing terrible is going to happen. | 0:00:59 | 0:01:02 | |
Eurovision's tomorrow. | 0:01:02 | 0:01:04 | |
LAUGHTER | 0:01:04 | 0:01:05 | |
Will you all be watching Eurovision? | 0:01:05 | 0:01:07 | |
CHEERING Yeah, waving your flags. | 0:01:07 | 0:01:09 | |
Russia is this year's Eurovision favourite. | 0:01:09 | 0:01:12 | |
Yeah, ten to one... | 0:01:12 | 0:01:14 | |
in the morning is when the show's expected to finish. | 0:01:14 | 0:01:17 | |
LAUGHTER | 0:01:17 | 0:01:18 | |
Sugary drinks, ladies and gentleman, sugary drinks. | 0:01:18 | 0:01:21 | |
We've got a great show for you tonight. | 0:01:21 | 0:01:22 | |
Later, Johnny Depp will be joining us... | 0:01:22 | 0:01:24 | |
CHEERING ..and we'll have music from will.i.am! | 0:01:24 | 0:01:28 | |
CHEERING | 0:01:28 | 0:01:29 | |
But now let's get some guests on! | 0:01:29 | 0:01:31 | |
This man was crowned the King of Comedy three years in a row, | 0:01:31 | 0:01:34 | |
created the hit series Bad Education, | 0:01:34 | 0:01:36 | |
and now he's making his mark in Hollywood. | 0:01:36 | 0:01:39 | |
Please welcome Jack Whitehall! | 0:01:39 | 0:01:41 | |
CHEERING AND APPLAUSE | 0:01:41 | 0:01:43 | |
-Yay! Hello. -Hello. -Hello. | 0:01:43 | 0:01:45 | |
Hi, how are you? | 0:01:45 | 0:01:46 | |
Lovely to see you. Have a seat. | 0:01:46 | 0:01:48 | |
Hey! | 0:01:49 | 0:01:51 | |
We fell in love with this man in the award-winning Atonement. | 0:01:51 | 0:01:54 | |
Since then, he has been The Last King Of Scotland, Frankenstein, | 0:01:54 | 0:01:58 | |
and now he returns as Professor X in X-Men: Apocalypse. | 0:01:58 | 0:02:01 | |
It's James McAvoy, everybody! | 0:02:01 | 0:02:03 | |
CHEERING AND APPLAUSE | 0:02:03 | 0:02:04 | |
Hello, sir. Lovely to see you. | 0:02:06 | 0:02:07 | |
Lovely to see you. Have a seat. | 0:02:07 | 0:02:09 | |
This Oscar-winning actress rose to super-stardom in The Hunger Games | 0:02:11 | 0:02:14 | |
and wowed us in Silver Linings Playbook, | 0:02:14 | 0:02:17 | |
Joy and American Hustle. | 0:02:17 | 0:02:19 | |
Now she's back saving the world in X-Men. | 0:02:19 | 0:02:21 | |
It's the wonderful Jennifer Lawrence, everybody! | 0:02:21 | 0:02:24 | |
CHEERING AND APPLAUSE | 0:02:24 | 0:02:26 | |
So nice to see you. | 0:02:30 | 0:02:31 | |
I didn't know your name was pronounced Whitehall | 0:02:37 | 0:02:40 | |
until he just announced it, | 0:02:40 | 0:02:42 | |
-cos you're in my phone as Jack Puppy. -Puppy? | 0:02:42 | 0:02:44 | |
LAUGHTER | 0:02:44 | 0:02:46 | |
Jack and I met on a magical night out, | 0:02:46 | 0:02:49 | |
when I humiliated myself more than I ever have before. | 0:02:49 | 0:02:53 | |
It was probably the best moment of my life. | 0:02:53 | 0:02:56 | |
-Worst moment of mine. -Maybe worst of Jen's. | 0:02:56 | 0:03:00 | |
For the first time ever in my career - | 0:03:00 | 0:03:02 | |
I never assume anyone knows who I am. | 0:03:02 | 0:03:06 | |
- and I saw Harrison Ford and JJ Abrams | 0:03:06 | 0:03:11 | |
and I was like, "Yeah, this is fun, we're all co-workers." | 0:03:11 | 0:03:15 | |
Like, I can just go... So I was like, | 0:03:15 | 0:03:17 | |
"Be right back, guys. I'm going to go say hi to the Star Wars dudes." | 0:03:17 | 0:03:20 | |
And I approached their table and was like... | 0:03:20 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:24 | |
And they all... The whole table was just like... | 0:03:24 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:29 | |
And so I realised while I was dancing, I was like, | 0:03:29 | 0:03:31 | |
"They have no idea who I am. They have no idea who I am." | 0:03:31 | 0:03:34 | |
And so I just turned around and walked back. | 0:03:34 | 0:03:36 | |
And Jack was dying. | 0:03:36 | 0:03:38 | |
Cos I had done this show with Harrison Ford. | 0:03:38 | 0:03:42 | |
So he's, like, the only A-list Hollywood star that I know. | 0:03:42 | 0:03:45 | |
I mean, he's the only one I have. | 0:03:45 | 0:03:47 | |
So she'd just been blanked, and I was like, | 0:03:47 | 0:03:50 | |
"Hey, it's all right, I'll go and say hi to Harrison." | 0:03:50 | 0:03:52 | |
Everyone in the group was like, "Jack, don't do this. | 0:03:52 | 0:03:55 | |
"You'll be humiliated." I was like, "Nah, me and Harrison are tight." | 0:03:55 | 0:03:58 | |
They genuinely had no idea. So I get up, I walk over, | 0:03:58 | 0:04:01 | |
and at this point, I'm like, "Oh, God, maybe he won't remember me | 0:04:01 | 0:04:04 | |
"and I will be humiliated as well." I walked over, and literally | 0:04:04 | 0:04:07 | |
as I walked over, he was like, "Hey, Jack!" | 0:04:07 | 0:04:09 | |
LAUGHTER | 0:04:09 | 0:04:11 | |
You were a superstar. | 0:04:11 | 0:04:13 | |
APPLAUSE | 0:04:13 | 0:04:14 | |
So you guys, obviously you're now... | 0:04:17 | 0:04:18 | |
Is this the beginning of the X-Men press world tour thing? | 0:04:18 | 0:04:21 | |
Yeah, the juggernaut, as we like to call it. Yeah, no, this is the beginning. | 0:04:21 | 0:04:24 | |
We've done two days of chatting and chatting and chatting, | 0:04:24 | 0:04:27 | |
-but it's been good, hasn't it? -Yeah. I've been with you. | 0:04:27 | 0:04:30 | |
It's been nice. We've had maybe a little bit too much fun. | 0:04:30 | 0:04:33 | |
So where are you going after this? | 0:04:33 | 0:04:35 | |
New York, China, erm...... | 0:04:35 | 0:04:38 | |
And I think that's it, isn't it? | 0:04:38 | 0:04:40 | |
-Yeah, I'M not doing any... -You're not doing China? | 0:04:40 | 0:04:42 | |
No, no, no, I lied and told them I'm on a movie. | 0:04:42 | 0:04:45 | |
LAUGHTER | 0:04:45 | 0:04:46 | |
Have you sorted out all your visas? Because I know... | 0:04:47 | 0:04:50 | |
-Was it when you were auditioning for the first X-Men... -Oh, my God. | 0:04:50 | 0:04:53 | |
-Yeah. You had to come here to do it. -This is just, like, let's... | 0:04:53 | 0:04:56 | |
This is just Humiliate Jennifer Day. | 0:04:56 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:04:59 | |
I was auditioning for the first X-Men. | 0:04:59 | 0:05:02 | |
My passport was expiring in under six months, | 0:05:02 | 0:05:04 | |
so apparently you're not supposed to travel, blah, blah, blah. | 0:05:04 | 0:05:07 | |
So they were like, "Whatever you do, don't tell them | 0:05:07 | 0:05:09 | |
"that you're here for work, cos they'll ask for a work visa. | 0:05:09 | 0:05:12 | |
"Say you're here for pleasure." And I'm like, "Oh, my good God. | 0:05:12 | 0:05:15 | |
"I have to lie. To a customs officer!" | 0:05:15 | 0:05:18 | |
And so I'm working myself up so much through the line. | 0:05:18 | 0:05:20 | |
I'm like, "OK, I just have to have a back story. | 0:05:20 | 0:05:22 | |
"And I have to believe it." | 0:05:22 | 0:05:24 | |
And so it gets there, and he was like, "Business or pleasure?" | 0:05:24 | 0:05:27 | |
And I was like, "Pleasure." "What are you doing for pleasure?" | 0:05:27 | 0:05:30 | |
"My brother's getting married." | 0:05:30 | 0:05:31 | |
He's like, "Where's he getting married?" | 0:05:31 | 0:05:34 | |
"Wimbledon." | 0:05:34 | 0:05:35 | |
LAUGHTER | 0:05:35 | 0:05:37 | |
"Is he American?" "Yes." "Do you have an invitation?" "No." | 0:05:37 | 0:05:40 | |
"Are you telling the truth?" "No. No! I'm here for work! | 0:05:40 | 0:05:43 | |
"And I don't have a work visa and my passport expires | 0:05:43 | 0:05:45 | |
"and I'm not even supposed to be here!" | 0:05:45 | 0:05:47 | |
And then I had to sit in a tiny little jail for like five hours | 0:05:47 | 0:05:50 | |
while they called my employer. I felt tiny. | 0:05:50 | 0:05:53 | |
But Jack, didn't you have a problem going the other way? | 0:05:54 | 0:05:56 | |
Yeah, I've just been in New York to do some press in New York. | 0:05:56 | 0:05:59 | |
And the man at the customs that stamps the passports, | 0:05:59 | 0:06:01 | |
he was like, "What is your occupation?" | 0:06:01 | 0:06:03 | |
And I was like, "Uh, comedian." | 0:06:03 | 0:06:05 | |
He was like, "Are you as funny as Jerry Seinfeld?" I was like, "No." | 0:06:05 | 0:06:08 | |
He was like, "Correct!" | 0:06:08 | 0:06:10 | |
LAUGHTER | 0:06:10 | 0:06:12 | |
APPLAUSE | 0:06:12 | 0:06:14 | |
Nice to meet you too. | 0:06:15 | 0:06:17 | |
Oh, dear. Now James and Jennifer are reunited on the big screen | 0:06:17 | 0:06:20 | |
in X-Men: Apocalypse. It's out next Wednesday, the 18th of May. | 0:06:20 | 0:06:24 | |
And Jennifer, you're back as Raven/Mystique, Professor X. | 0:06:24 | 0:06:29 | |
So James, what happens in this one? What's the problem? | 0:06:29 | 0:06:32 | |
What's the problem? Well... | 0:06:32 | 0:06:34 | |
Er, you've got a bunch of mutants who are... | 0:06:34 | 0:06:37 | |
They're not really superheroes, I don't think. | 0:06:37 | 0:06:39 | |
I think they're like super rejects. That's what we are. | 0:06:39 | 0:06:41 | |
We're kind of super rejected. | 0:06:41 | 0:06:43 | |
-And not only... -Speak for yourself! | 0:06:43 | 0:06:45 | |
No, we do. And we super reject each other as well. | 0:06:45 | 0:06:49 | |
We want to be this big team, and we keep going, like, | 0:06:49 | 0:06:51 | |
"I don't like your doctrine! I don't like your politics!" | 0:06:51 | 0:06:54 | |
Anyway, this big guy comes along, who's blue. | 0:06:54 | 0:06:56 | |
Played by Oscar Isaac. He thinks he's a God, | 0:06:56 | 0:06:58 | |
and he decides he's going to wipe the slate clean. | 0:06:58 | 0:07:00 | |
He's going to destroy all of the humans, | 0:07:00 | 0:07:02 | |
all the mutants, every single thing. | 0:07:02 | 0:07:04 | |
And unless we come together as a family, | 0:07:04 | 0:07:07 | |
basically get together and have a Sunday roast, | 0:07:07 | 0:07:09 | |
the entire world is going to end. | 0:07:09 | 0:07:12 | |
Well explained, James McAvoy! | 0:07:12 | 0:07:13 | |
I was watching Jack's face while he listened. | 0:07:13 | 0:07:17 | |
-Riveted! -Didn't like the sound of that guy! | 0:07:17 | 0:07:19 | |
And ladies and gentleman, this is the film where finally, | 0:07:19 | 0:07:23 | |
your version of Professor X becomes bald. | 0:07:23 | 0:07:27 | |
-Up here I do, yeah. -Yes. | 0:07:27 | 0:07:29 | |
Oh, my God. We didn't just, like, assume you lost your pubes. | 0:07:29 | 0:07:32 | |
I've been doing that for years. | 0:07:32 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:35 | |
He finally gets a Brazilian. | 0:07:35 | 0:07:37 | |
Did you shave your head originally, all the years back ago, | 0:07:38 | 0:07:41 | |
and they had to put a wig on you or something? | 0:07:41 | 0:07:43 | |
I shaved it months before I came to the job just to see | 0:07:43 | 0:07:45 | |
what it would look like, and just to kind of see. | 0:07:45 | 0:07:47 | |
And then I turned up with about two months growth, | 0:07:47 | 0:07:50 | |
thinking we'd shave it again, and they were like, | 0:07:50 | 0:07:52 | |
"What have you done?" | 0:07:52 | 0:07:54 | |
And so they spent a 17-hour... | 0:07:54 | 0:07:57 | |
my first of two 17-hour hair extension sessions - | 0:07:57 | 0:08:00 | |
getting hair extensions put in. | 0:08:00 | 0:08:02 | |
-Wow. -Yeah, so in all the X-Men movies | 0:08:02 | 0:08:04 | |
I've either had hair extensions or a wig. | 0:08:04 | 0:08:06 | |
-But this time proper shavey-offy. -Proper baldy. | 0:08:06 | 0:08:09 | |
Proper folically challenged. Yeah, that's me, slaphead. | 0:08:09 | 0:08:12 | |
It looks good. I like it. | 0:08:12 | 0:08:14 | |
What's the thing with Patrick Stewart, | 0:08:14 | 0:08:16 | |
that he was somehow involved in the shaving? | 0:08:16 | 0:08:18 | |
He's been involved since the very beginning. | 0:08:18 | 0:08:20 | |
When I went to shave my head, I was shaving it and we thought, | 0:08:20 | 0:08:23 | |
"Hey, while we're at it, why don't we try and FaceTime Patrick?" | 0:08:23 | 0:08:26 | |
And as we were shaving it, he said, | 0:08:26 | 0:08:28 | |
"Please bag it up and send me some hair. | 0:08:28 | 0:08:32 | |
"I could use it." We thought, "Ha-ha-ha, that's funny." | 0:08:32 | 0:08:35 | |
And then we just walked away, and the hair was on the floor and all that kind of stuff. | 0:08:35 | 0:08:39 | |
Turns out that the director did bag it up | 0:08:39 | 0:08:41 | |
and he has all my hair at home in a safe. | 0:08:41 | 0:08:45 | |
Which is kind of creepy, really. | 0:08:45 | 0:08:47 | |
-Clear witchcraft. -Yeah, totally. | 0:08:47 | 0:08:49 | |
-That's... Why would he do that?! -Well, I think... | 0:08:49 | 0:08:52 | |
-I don't know. -We've asked ourselves that a LOT. | 0:08:52 | 0:08:55 | |
Is he stuffing a pillow with it? What's he doing? | 0:08:55 | 0:08:58 | |
I think he made a merkin out of it. | 0:08:58 | 0:09:00 | |
LAUGHTER | 0:09:00 | 0:09:01 | |
A salt and pepper merkin. | 0:09:01 | 0:09:03 | |
Lovely. | 0:09:03 | 0:09:04 | |
And you are back in the blue, | 0:09:04 | 0:09:07 | |
but apparently they've simplified the blueing of you. | 0:09:07 | 0:09:10 | |
Yeah, turns out they never had to do eight hours | 0:09:10 | 0:09:13 | |
of full-blown body paint, ever. | 0:09:13 | 0:09:14 | |
Oh. | 0:09:14 | 0:09:16 | |
So do they... Is it CGI now or something, or...? | 0:09:16 | 0:09:18 | |
No, I wish. | 0:09:18 | 0:09:19 | |
Then I'd be like, "Maybe take a little off the thigh?" | 0:09:19 | 0:09:23 | |
LAUGHTER | 0:09:23 | 0:09:24 | |
No, it's like a blue pantyhose that goes around my whole body | 0:09:24 | 0:09:28 | |
that I can't sit to pee in. | 0:09:28 | 0:09:31 | |
Can't do any form of bathroom. | 0:09:31 | 0:09:33 | |
Like, the guys who made it were like, | 0:09:33 | 0:09:35 | |
"Well, she's a girl, she doesn't go to the bathroom." | 0:09:35 | 0:09:37 | |
So I pee standing up out of a funnel. | 0:09:37 | 0:09:41 | |
-LAUGHTER -A Shewee. | 0:09:41 | 0:09:43 | |
Yeah. It's called a Go Girl. | 0:09:43 | 0:09:45 | |
-I've actually burst into her bathroom... -It's true. | 0:09:45 | 0:09:47 | |
..with a BB gun while she was trying to pee in her funnel. | 0:09:47 | 0:09:50 | |
He pelted me while I'm like... | 0:09:50 | 0:09:51 | |
It's so hard to do, | 0:09:51 | 0:09:53 | |
because you have to stop while you're in the middle of peeing | 0:09:53 | 0:09:56 | |
to let the rest of it go out - like, there's a whole scientific process. | 0:09:56 | 0:09:59 | |
LAUGHTER | 0:09:59 | 0:10:00 | |
And so I'm, like, trying really hard, and there's a lot going on, | 0:10:00 | 0:10:04 | |
and then he burst in and started pelting me. | 0:10:04 | 0:10:06 | |
And it wasn't fair cos we were shooting each other with guns, | 0:10:06 | 0:10:08 | |
but you were all in clothes. And I'm naked. | 0:10:08 | 0:10:11 | |
We were telling this story the other day, and we were saying, like, | 0:10:11 | 0:10:14 | |
"So there we were and she's, like, huddled on the floor | 0:10:14 | 0:10:17 | |
in her bathroom, naked, and me, Nick and Michael..." | 0:10:17 | 0:10:19 | |
And I'm like, "They're all ganging up on me, and I'm naked!" | 0:10:19 | 0:10:21 | |
"And we're unloading on her." Then we just went... | 0:10:21 | 0:10:24 | |
LAUGHTER | 0:10:24 | 0:10:26 | |
APPLAUSE | 0:10:26 | 0:10:28 | |
Trust me, you're going to want to see this X-Men. | 0:10:28 | 0:10:31 | |
-It's a whole different thing. -Yeah. | 0:10:32 | 0:10:34 | |
Listen, we've got a clip. | 0:10:34 | 0:10:36 | |
Now, sadly, this is early doors in the film. | 0:10:36 | 0:10:39 | |
So you've still got hair and... | 0:10:39 | 0:10:41 | |
-But what hair. -Beautiful hair. -Thank you. | 0:10:41 | 0:10:43 | |
-And you're not blue. You're Raven. -OK. -So it's Raven returning... | 0:10:43 | 0:10:47 | |
-You sound disappointed. -No, no, it's all good. -All right, yeah. | 0:10:47 | 0:10:50 | |
This is Raven returning to the school. | 0:10:50 | 0:10:53 | |
It's good to see you, Raven. | 0:10:53 | 0:10:55 | |
-Welcome home. -This isn't my home. | 0:10:55 | 0:10:57 | |
-It was once. -No, it was your home. | 0:10:58 | 0:11:00 | |
I just lived here. | 0:11:00 | 0:11:02 | |
I barely even recognise it now. | 0:11:02 | 0:11:04 | |
I have plans for this place. | 0:11:04 | 0:11:06 | |
I mean to turn it into a real campus, university. | 0:11:07 | 0:11:10 | |
Not just for mutants, either - for humans too. | 0:11:10 | 0:11:13 | |
Living and working, | 0:11:13 | 0:11:16 | |
growing together. | 0:11:16 | 0:11:17 | |
You know, I really believed that once. | 0:11:18 | 0:11:20 | |
I really believed we could change them. | 0:11:20 | 0:11:23 | |
-We did. -Just because there's not a war doesn't mean there's peace. | 0:11:24 | 0:11:27 | |
You want to teach your kids something, teach them that. | 0:11:27 | 0:11:30 | |
Teach them to fight. Otherwise they might as well live in this house | 0:11:30 | 0:11:33 | |
-for the rest of their lives. -You still sound just like him. | 0:11:33 | 0:11:35 | |
You sound just like Erik. | 0:11:35 | 0:11:37 | |
That's why I'm here. | 0:11:37 | 0:11:39 | |
He's resurfaced. | 0:11:40 | 0:11:41 | |
The whole world will be looking for him. | 0:11:42 | 0:11:45 | |
You can help me find him before they do. | 0:11:45 | 0:11:47 | |
APPLAUSE | 0:11:47 | 0:11:49 | |
What's wrong with you? | 0:11:49 | 0:11:50 | |
What's wrong with you? | 0:11:53 | 0:11:54 | |
Listen, between the pair of us, that is some serious, serious hair. | 0:11:56 | 0:12:00 | |
LAUGHTER | 0:12:00 | 0:12:01 | |
That was a lot of hair. | 0:12:01 | 0:12:02 | |
Ugh, at least you can tell what gender you are by your voice. | 0:12:02 | 0:12:05 | |
I can't stand hearing my voice. I'm like, argh! | 0:12:05 | 0:12:08 | |
I'm also a wildly bad actor. | 0:12:08 | 0:12:11 | |
Am I the only one that sees it? | 0:12:11 | 0:12:13 | |
You're the only one. You're the only one. | 0:12:13 | 0:12:15 | |
Oh, no, now there's going to be tons of comments tonight. "No!" | 0:12:15 | 0:12:17 | |
"I'm a wildly bad actor. I've only got three Oscars!" | 0:12:17 | 0:12:20 | |
-"It's hard for me." -You won an Oscar. | 0:12:20 | 0:12:23 | |
I got nominated and didn't win a TV Choice Award. | 0:12:24 | 0:12:27 | |
LAUGHTER | 0:12:27 | 0:12:28 | |
Stop bragging. | 0:12:28 | 0:12:30 | |
Nominated. | 0:12:30 | 0:12:31 | |
LAUGHTER | 0:12:31 | 0:12:33 | |
Danny Dyer won it, so... | 0:12:33 | 0:12:35 | |
LAUGHTER | 0:12:35 | 0:12:37 | |
Wow. So, you've talked about the BB gun, but you've also done... | 0:12:37 | 0:12:40 | |
Did you do a punching game? | 0:12:40 | 0:12:42 | |
-This is her game. She invented this game. -Whoa! | 0:12:42 | 0:12:44 | |
What? Oh, no. We're so close. "Don't touch me! | 0:12:44 | 0:12:48 | |
"Get away from me!" | 0:12:48 | 0:12:49 | |
I just wanted to protect my drink. | 0:12:49 | 0:12:52 | |
She taught us this game. | 0:12:52 | 0:12:53 | |
-I didn't... I brought it. -You did bring it. | 0:12:53 | 0:12:55 | |
We used to do it in The Hunger Games in, like, a normal way. | 0:12:55 | 0:12:58 | |
Because you're bored. You know, you spend minimum 12 hours on set. | 0:12:58 | 0:13:01 | |
So it's like, you know, you see the circle, you get punched. | 0:13:01 | 0:13:04 | |
And on Hunger Games it's normal. I brought it to these psychos, | 0:13:04 | 0:13:07 | |
and now it's truly, truly dangerous. | 0:13:07 | 0:13:12 | |
Did you look? | 0:13:12 | 0:13:13 | |
LAUGHTER | 0:13:13 | 0:13:15 | |
That's normal. | 0:13:16 | 0:13:18 | |
-That was light. -That's terrifying. | 0:13:18 | 0:13:20 | |
-My God, is this what a vagina looks like? -I'm not looking. | 0:13:20 | 0:13:23 | |
-Oooh! -Argh! | 0:13:23 | 0:13:25 | |
LAUGHTER AND APPLAUSE | 0:13:27 | 0:13:29 | |
So if you catch it... | 0:13:29 | 0:13:30 | |
Jack, just sat there like that, like something's going to happen. | 0:13:34 | 0:13:38 | |
Like ET with a beard. | 0:13:38 | 0:13:40 | |
How do I get unloaded on? | 0:13:40 | 0:13:42 | |
LAUGHTER | 0:13:42 | 0:13:44 | |
You bat your eyelashes. | 0:13:44 | 0:13:46 | |
He's like the single guy at a swingers club. | 0:13:46 | 0:13:48 | |
Just standing there. | 0:13:48 | 0:13:50 | |
-It's going to happen. -Why did you do that?! | 0:13:50 | 0:13:52 | |
-Did you just put your finger in my drink? -I'm sorry! | 0:13:53 | 0:13:56 | |
I was trying to get my hand in there and I didn't realise your drink was there. | 0:13:56 | 0:13:59 | |
I'm so sorry, I just fingered your gin and tonic. | 0:13:59 | 0:14:02 | |
LAUGHTER | 0:14:02 | 0:14:03 | |
You've got no idea what darkness you just got yourself into. | 0:14:03 | 0:14:06 | |
But Jack Whitehall, on League Of Their Own, you also do pranks. | 0:14:06 | 0:14:09 | |
-But they're not punchy. You would think they'd be physical. -No. | 0:14:09 | 0:14:12 | |
-But they're mostly phone-based. -Oh, yeah. Phone-based. -Yeah. | 0:14:12 | 0:14:15 | |
So we went on a tour of the US - me, Jamie Redknapp | 0:14:15 | 0:14:17 | |
and Freddie Flintoff from A League Of Their Own. | 0:14:17 | 0:14:20 | |
And the game of the tour was to steal each others' phones | 0:14:20 | 0:14:22 | |
and send messages. | 0:14:22 | 0:14:24 | |
So I got hold of Jamie Redknapp's, who's the footballer. | 0:14:24 | 0:14:27 | |
I got his phone, and he has a load of old footballers | 0:14:27 | 0:14:29 | |
that he used to play with in the '90s, when footballers were men. | 0:14:29 | 0:14:32 | |
So I did a group text message to Stuart Pearce, aka Psycho, | 0:14:32 | 0:14:38 | |
Dean Saunders and Neil "Razor" Ruddock, | 0:14:38 | 0:14:40 | |
and I sent them a message saying, "I've got four tickets this Friday | 0:14:40 | 0:14:43 | |
"to go and see Jersey Boys. Who's in?" | 0:14:43 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:48 | |
So that was the first one. | 0:14:50 | 0:14:52 | |
Then he stole my phone | 0:14:52 | 0:14:53 | |
and sent a message to Princess Eugenie, | 0:14:53 | 0:14:56 | |
eighth in line to the throne, | 0:14:56 | 0:14:58 | |
saying, "I've got a tiny winky." | 0:14:58 | 0:15:00 | |
-Which... -Did she text back going, "I know"? | 0:15:01 | 0:15:04 | |
LAUGHTER | 0:15:04 | 0:15:06 | |
Technically, it was treason. So... | 0:15:06 | 0:15:08 | |
And then, I think my favourite was, I got Freddie Flintoff's phone | 0:15:08 | 0:15:11 | |
and I decided I would text Kevin Pietersen. | 0:15:11 | 0:15:14 | |
-So Kevin Pietersen is the cricketer. He's quite a confident chap. -Yes. | 0:15:14 | 0:15:19 | |
So I got his phone and sent a message from Freddie | 0:15:19 | 0:15:21 | |
to Kevin Pietersen saying, "I never said this when we played together, | 0:15:21 | 0:15:25 | |
"but I respect you so much as a player and as a person." | 0:15:25 | 0:15:29 | |
So I sent it, no reply. Freddie was like, | 0:15:29 | 0:15:31 | |
"It's probably not even his number, | 0:15:31 | 0:15:33 | |
"and even if it is, he's going to know that's not me." | 0:15:33 | 0:15:35 | |
We forgot about it. Six months later, | 0:15:35 | 0:15:37 | |
Jamie Redknapp is doing a charity golf day with Kevin Pietersen, | 0:15:37 | 0:15:40 | |
and on the eighth hole, Kevin turns to him and goes, | 0:15:40 | 0:15:43 | |
"Can I just say, | 0:15:43 | 0:15:44 | |
"I got a message recently from Freddie. | 0:15:44 | 0:15:47 | |
"He never said any of that stuff to me as a player, | 0:15:47 | 0:15:49 | |
"but for him to say that, it meant a great deal." | 0:15:49 | 0:15:52 | |
LAUGHTER | 0:15:52 | 0:15:54 | |
So good. | 0:15:54 | 0:15:55 | |
APPLAUSE | 0:15:55 | 0:15:57 | |
-Guys, guys. -Sorry, sorry. | 0:16:01 | 0:16:03 | |
-It's a chat show, not a whispering show. -Sorry. | 0:16:04 | 0:16:07 | |
-We have our... -We were just debating whether we should tell you | 0:16:07 | 0:16:10 | |
-this text message. -So I had Nick's phone one time... | 0:16:10 | 0:16:14 | |
The first time I ever met her, she did this. Go on. | 0:16:15 | 0:16:17 | |
OK. So I had Nick's phone. | 0:16:17 | 0:16:19 | |
Oh, there he is. | 0:16:19 | 0:16:20 | |
And we were in a group message with Fassbender and McAvoy | 0:16:20 | 0:16:25 | |
and Josh Helman, another actor in the movie. | 0:16:25 | 0:16:27 | |
And I was like... | 0:16:27 | 0:16:29 | |
SHE GIGGLES EVILLY | 0:16:29 | 0:16:30 | |
And so I wrote this, like, really serious and emotional text | 0:16:30 | 0:16:34 | |
and was like, "Guys, this is super embarrassing." | 0:16:34 | 0:16:36 | |
And I knew how to kind of write like Nick. | 0:16:36 | 0:16:38 | |
Like, instead of "cause", C-A-U-S-E, C-O-S, "cos". You know. | 0:16:38 | 0:16:44 | |
And I was like, "I know this sounds silly | 0:16:44 | 0:16:46 | |
"and this is really embarrassing, but have you guys ever... | 0:16:46 | 0:16:49 | |
"Like... | 0:16:49 | 0:16:51 | |
"God, this is so embarrassing - | 0:16:51 | 0:16:53 | |
"lactated from your nipples?" | 0:16:53 | 0:16:55 | |
LAUGHTER | 0:16:55 | 0:16:57 | |
And all of them wrote back. | 0:16:57 | 0:16:59 | |
James was like, "Dude, that sounds really serious. | 0:17:01 | 0:17:04 | |
"Honestly, you should go to a doctor, | 0:17:04 | 0:17:07 | |
"you might have a hormone problem." | 0:17:07 | 0:17:10 | |
LAUGHTER | 0:17:10 | 0:17:12 | |
Fassbender wrote back, "I don't see what this has to do with anything." | 0:17:12 | 0:17:15 | |
LAUGHTER | 0:17:15 | 0:17:18 | |
"Dude." | 0:17:18 | 0:17:19 | |
If I was in the X-Men, that would be my superpower. | 0:17:19 | 0:17:22 | |
LAUGHTER | 0:17:22 | 0:17:24 | |
-Mammary. -Mammary Man. | 0:17:24 | 0:17:27 | |
Now, very quickly, I've got to ask you - lots of rumours | 0:17:30 | 0:17:33 | |
-that you guys are now X-Men'd out. -We're done. -You're ex-X-Men. | 0:17:33 | 0:17:37 | |
-We're over. -Are you? -No, no. | 0:17:37 | 0:17:38 | |
It doesn't even matter if we say we are. | 0:17:38 | 0:17:40 | |
Yeah, I don't see what this has to do with anything. | 0:17:40 | 0:17:43 | |
LAUGHTER | 0:17:43 | 0:17:44 | |
No, look, if they write good stuff for us, | 0:17:44 | 0:17:46 | |
and like you always say, | 0:17:46 | 0:17:47 | |
-if schedules work out and if they pay you enough money, then... -Yeah. | 0:17:47 | 0:17:50 | |
-That's first. -Everything is possible. | 0:17:50 | 0:17:52 | |
And Simon is right here - are you here, Simon? | 0:17:52 | 0:17:54 | |
-Who writes it. -Where is Simon? -He writes incredible stuff. | 0:17:54 | 0:17:57 | |
So if he keeps writing incredible stuff, | 0:17:57 | 0:17:59 | |
-I'm sure we're all going to do it. -Oh, OK. -And I was deadly serious, | 0:17:59 | 0:18:02 | |
I would play someone that spews milk out of my tits. | 0:18:02 | 0:18:05 | |
Just make the baddie lactose intolerant and I'm in. | 0:18:05 | 0:18:07 | |
LAUGHTER | 0:18:07 | 0:18:09 | |
APPLAUSE | 0:18:09 | 0:18:11 | |
-I'm on board. -But Jack, | 0:18:13 | 0:18:15 | |
you would be a very good superhero. | 0:18:15 | 0:18:17 | |
Because we've got a picture of Jack as an adorable superhero. | 0:18:17 | 0:18:21 | |
Look at that! | 0:18:21 | 0:18:22 | |
LAUGHTER | 0:18:22 | 0:18:24 | |
Whoa. What are you doing with your arm? | 0:18:24 | 0:18:27 | |
Someone wasn't paying attention. | 0:18:29 | 0:18:31 | |
-Why are you... -I'm Kimberly, the Pink Power Ranger. | 0:18:33 | 0:18:36 | |
But is that a serving bowl on your head? | 0:18:36 | 0:18:39 | |
I don't know. | 0:18:39 | 0:18:41 | |
That is the kid that would get killed first in The Hunger Games. | 0:18:41 | 0:18:45 | |
LAUGHTER | 0:18:45 | 0:18:46 | |
Now, Jack Whitehall, ladies and gentlemen, is in a Hollywood movie. | 0:18:47 | 0:18:51 | |
AUDIENCE: Ooooh! | 0:18:51 | 0:18:53 | |
-Yes. -Thank you. | 0:18:53 | 0:18:54 | |
It's Mother's Day and it comes out here on the June the 10th. | 0:18:54 | 0:18:58 | |
Is that you? | 0:18:58 | 0:18:59 | |
No! | 0:18:59 | 0:19:00 | |
That's Julia Roberts! | 0:19:00 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:03 | |
It's by the same people who made New Year's Day and Valentine's Day. | 0:19:03 | 0:19:07 | |
And like, this is big. I mean, it IS Julia Roberts. | 0:19:07 | 0:19:10 | |
Was that kind of intimidating? | 0:19:10 | 0:19:11 | |
Because you are in scenes with Julia Roberts. | 0:19:11 | 0:19:13 | |
Yeah, I think it's quite intimidating. | 0:19:13 | 0:19:15 | |
I think when she got over the fact I was the guy from Bad Education, | 0:19:15 | 0:19:19 | |
-she settled into it. -LAUGHTER | 0:19:19 | 0:19:21 | |
But, no, it was amazing. Yeah. | 0:19:21 | 0:19:24 | |
Nearly all of my scenes were with Julia Roberts. | 0:19:24 | 0:19:27 | |
-That's nuts, isn't it? -I know, it was quite weird. | 0:19:27 | 0:19:30 | |
No, it was very exciting to do. | 0:19:30 | 0:19:32 | |
I was brought back down to earth very quickly, | 0:19:32 | 0:19:35 | |
because I did this film, I flew out to America | 0:19:35 | 0:19:37 | |
I filmed all these scenes with Julia Roberts. | 0:19:37 | 0:19:39 | |
And then I flew back to England - my first job, | 0:19:39 | 0:19:42 | |
literally driven from the airport to a studio | 0:19:42 | 0:19:44 | |
to record a voice-over for Asda. | 0:19:44 | 0:19:46 | |
LAUGHTER | 0:19:46 | 0:19:48 | |
I want to know, I genuinely do, | 0:19:48 | 0:19:51 | |
who do you play in this film, Jack? | 0:19:51 | 0:19:53 | |
I play, get ready for it, | 0:19:54 | 0:19:56 | |
an English stand-up comedian. | 0:19:56 | 0:19:58 | |
Hey! | 0:19:58 | 0:19:59 | |
Working in America. | 0:19:59 | 0:20:01 | |
It's a role I took quite a long run up at. | 0:20:01 | 0:20:03 | |
-About ten years. -You went deep. | 0:20:03 | 0:20:05 | |
I went really deep. I play a father, which is not... | 0:20:05 | 0:20:09 | |
-A huge stretch. -Yeah, no, | 0:20:09 | 0:20:11 | |
absolutely no children whatsoever in the old real life, | 0:20:11 | 0:20:13 | |
but in this, there was a baby. | 0:20:13 | 0:20:15 | |
Well, actually, should we stop and have a look at a clip? | 0:20:15 | 0:20:17 | |
-This is a clip... -Let's see me doing some acting. | 0:20:17 | 0:20:19 | |
Yeah, this is you doing some acting. | 0:20:19 | 0:20:21 | |
It's you as a stand-up preparing to go on stage. | 0:20:21 | 0:20:23 | |
It's the kind of acting that nearly got me a TV Choice award. | 0:20:23 | 0:20:26 | |
LAUGHTER | 0:20:26 | 0:20:28 | |
The competition is worth 5,000. | 0:20:28 | 0:20:30 | |
Zack Zim, you're in the finals. | 0:20:30 | 0:20:32 | |
By default. Good for you. | 0:20:32 | 0:20:34 | |
Oh! | 0:20:34 | 0:20:36 | |
That is the most adorable baby I've ever seen. | 0:20:36 | 0:20:39 | |
-Would you be able to watch her while I do my set? -No. | 0:20:39 | 0:20:42 | |
Welcome to the stage, Zack Zim. | 0:20:42 | 0:20:45 | |
Zack Zim. He's very... Oh, that's you. | 0:20:45 | 0:20:47 | |
All right, go on out there, kid. Come on, I'm rooting for you. I'll be out front. | 0:20:47 | 0:20:51 | |
This wasn't planned. | 0:20:51 | 0:20:52 | |
Coming out here with her wasn't planned. | 0:20:52 | 0:20:54 | |
Not SHE wasn't planned, I mean. | 0:20:54 | 0:20:56 | |
Although to be fair, you were a little bit of a surprise. | 0:20:56 | 0:20:59 | |
Didn't like that joke. | 0:20:59 | 0:21:00 | |
Aww! | 0:21:00 | 0:21:02 | |
CHEERING AND APPLAUSE | 0:21:02 | 0:21:04 | |
Presumably you had to spend a lot of time with that baby? | 0:21:06 | 0:21:10 | |
Yes, I went to visit the lady | 0:21:10 | 0:21:12 | |
who owned the baby. | 0:21:12 | 0:21:14 | |
LAUGHTER | 0:21:14 | 0:21:17 | |
And I had to learn how to change its nappy for a scene. | 0:21:17 | 0:21:21 | |
So I had to do that for an entire day, changing these nappies. | 0:21:21 | 0:21:24 | |
-You did an entire day of changing nappies? -Yeah. | 0:21:24 | 0:21:26 | |
Oh, it's so hard, and they're wriggling around, | 0:21:26 | 0:21:28 | |
and he's kicking shit in your eye, and... | 0:21:28 | 0:21:30 | |
So I did it all and then went to see the film, | 0:21:30 | 0:21:32 | |
-and they've cut the scene where I change the nappy. -Aw! | 0:21:32 | 0:21:35 | |
My dad's quite old, so I might have to use it quite soon. | 0:21:35 | 0:21:38 | |
LAUGHTER | 0:21:38 | 0:21:40 | |
Now, you as a little boy, Jack, it does seem you were slightly... | 0:21:40 | 0:21:45 | |
-Did you have any... -Friends? -..normal clothes? | 0:21:45 | 0:21:48 | |
You just seemed to dress up all the time. | 0:21:48 | 0:21:50 | |
Oh, my God! | 0:21:50 | 0:21:52 | |
-Oh, my God. -Your producer asked me for one photograph | 0:21:52 | 0:21:55 | |
of me as a Power Ranger, and I gave her my mother's e-mail address. | 0:21:55 | 0:22:00 | |
-And clearly my mother has... -That was a huge mistake. | 0:22:00 | 0:22:02 | |
That's just free rein to give you every photograph that has ever been taken of me. | 0:22:02 | 0:22:06 | |
Wait till you see what's coming up! | 0:22:06 | 0:22:08 | |
-But you were slightly obsessed by Robin Hood? -I loved Robin Hood. | 0:22:08 | 0:22:11 | |
"This is a video of your circumcision." | 0:22:11 | 0:22:13 | |
I'm kidding, I'm kidding. | 0:22:13 | 0:22:15 | |
You're British, we know you're not circumcised. | 0:22:15 | 0:22:17 | |
Robin's hood is very much on. | 0:22:17 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:21 | |
Now, Jack, you have an announcement to make. | 0:22:24 | 0:22:26 | |
It's not that you're pregnant, I believe. | 0:22:26 | 0:22:28 | |
-But you have an announcement. -Yes, I have a tour. | 0:22:28 | 0:22:31 | |
I'm going on tour next year. Doing some stand-up... | 0:22:31 | 0:22:33 | |
-AUDIENCE MEMBER WHOOPS -Thank you, one lady is coming. | 0:22:33 | 0:22:36 | |
Fantastic. | 0:22:36 | 0:22:37 | |
-But it's mad that this tour is 2017. -2017, yeah. -Wow. | 0:22:37 | 0:22:40 | |
So I got the dates, cos I always forget them | 0:22:40 | 0:22:44 | |
when I come on this show. | 0:22:44 | 0:22:46 | |
February 2017. | 0:22:46 | 0:22:47 | |
I start in Glasgow on the 2nd of February. | 0:22:47 | 0:22:49 | |
Then Liverpool, Wembley... | 0:22:49 | 0:22:51 | |
-I could just hold them up. -Oh, my God! | 0:22:51 | 0:22:53 | |
LAUGHTER There you go. That's perfect. | 0:22:53 | 0:22:55 | |
And, boom. | 0:22:55 | 0:22:56 | |
APPLAUSE | 0:22:56 | 0:22:58 | |
He's all over it. | 0:22:58 | 0:22:59 | |
-Tickets on sale... -Yeah, you can't actually book now. | 0:23:03 | 0:23:07 | |
You can book on the 20th of May. | 0:23:07 | 0:23:09 | |
-Yeah, so that's... -2016. | 0:23:09 | 0:23:10 | |
-Don't, I want it! -Sorry, yes, you have it. There. -I'm coming. | 0:23:10 | 0:23:13 | |
You're coming with her. | 0:23:13 | 0:23:15 | |
Now, presumably this tour will be... It's a British tour. | 0:23:15 | 0:23:18 | |
-You're not going abroad. -It's a British tour, yeah. | 0:23:18 | 0:23:20 | |
Because you're not keen on anywhere where there's a language barrier. | 0:23:20 | 0:23:23 | |
-OK. -LAUGHTER | 0:23:23 | 0:23:25 | |
This story. I knew you'd want this... | 0:23:25 | 0:23:27 | |
Yes. Well, no, I'm not great with the old language barrier. | 0:23:27 | 0:23:30 | |
I was in Spain and I was in a restaurant, | 0:23:30 | 0:23:33 | |
and I needed to use the facilities in this restaurant. | 0:23:33 | 0:23:37 | |
So I popped off, and I don't want to go into too much detail, | 0:23:37 | 0:23:39 | |
but I needed to drop the kids off at the pool. | 0:23:39 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:43 | |
So I did that. | 0:23:43 | 0:23:45 | |
I went to flush - didn't work. Flushed again. | 0:23:45 | 0:23:47 | |
Six, seven times I tried to get it down, James - would not go. | 0:23:47 | 0:23:50 | |
So I was like, I'm going to do the right thing. | 0:23:50 | 0:23:52 | |
I'm not just going to do a hit and run and leave it here. | 0:23:52 | 0:23:54 | |
I'll go and tell someone that that there's a problem with their facilities. | 0:23:54 | 0:23:58 | |
So I went out into the restaurant, I found the waiter. Unfortunately | 0:23:58 | 0:24:01 | |
he didn't speak a word of English, I don't speak any Spanish. | 0:24:01 | 0:24:03 | |
So I ended up... | 0:24:03 | 0:24:05 | |
Ended up having to kind of gesture to this man. | 0:24:05 | 0:24:07 | |
Going, "Yes, could you just come here? | 0:24:07 | 0:24:09 | |
"No, no, no, leave them alone, just follow me." | 0:24:09 | 0:24:12 | |
I ushered him into the toilet. | 0:24:12 | 0:24:15 | |
I pointed at my poo. | 0:24:15 | 0:24:17 | |
I went to flush. | 0:24:17 | 0:24:18 | |
It went down straightaway. | 0:24:18 | 0:24:20 | |
LAUGHTER | 0:24:20 | 0:24:22 | |
How weird did I look?! | 0:24:22 | 0:24:24 | |
APPLAUSE | 0:24:24 | 0:24:25 | |
Like I just invited him into the toilet | 0:24:25 | 0:24:28 | |
to say goodbye to my shit. | 0:24:28 | 0:24:30 | |
"Come on, let's give it a proper send-off." Flush! | 0:24:30 | 0:24:33 | |
# Rule Britannia! | 0:24:33 | 0:24:35 | |
Do you have a tissue? | 0:24:36 | 0:24:38 | |
-Could we fly in a tissue for this young woman? -Oh, yeah. Can we... | 0:24:38 | 0:24:41 | |
A tissue? A tissue? | 0:24:41 | 0:24:42 | |
Where's the bodyguard? Beginning to lactate. We need some... | 0:24:42 | 0:24:45 | |
-Oh, look! Oh, my God, I'm so organised! -Aw! | 0:24:45 | 0:24:49 | |
Wow. | 0:24:49 | 0:24:51 | |
-Sorry. -Is it weird you have a box of tissues right beside your computer? | 0:24:51 | 0:24:54 | |
I think it's very odd. | 0:24:54 | 0:24:56 | |
Welcome to my home! | 0:24:56 | 0:24:58 | |
LAUGHTER | 0:24:58 | 0:25:00 | |
Right, it is time for our next guest. | 0:25:00 | 0:25:02 | |
This man has given us some of the most memorable movie characters | 0:25:02 | 0:25:05 | |
of the last 25 years. Edward Scissorhands, Willy Wonka | 0:25:05 | 0:25:07 | |
and of course, Captain Jack Sparrow. | 0:25:07 | 0:25:09 | |
Now he returns as the Mad Hatter in Alice Through The Looking Glass. | 0:25:09 | 0:25:12 | |
Please welcome Johnny Depp! | 0:25:12 | 0:25:14 | |
CHEERING AND APPLAUSE | 0:25:14 | 0:25:17 | |
Lovely. Lovely to see you. | 0:25:25 | 0:25:26 | |
Have a seat. | 0:25:26 | 0:25:28 | |
APPLAUSE DROWNS SPEECH | 0:25:36 | 0:25:39 | |
Johnny Depp! | 0:25:39 | 0:25:40 | |
It's exciting. | 0:25:41 | 0:25:43 | |
Have a seat, too, have a seat. | 0:25:43 | 0:25:45 | |
Lovely to see you. How are you, sir? | 0:25:45 | 0:25:46 | |
-I'm all right. -Good, good, you're very welcome. | 0:25:46 | 0:25:49 | |
Do you know all these people or is this a meeting? | 0:25:49 | 0:25:52 | |
-This is a meeting. -Oh, lovely. | 0:25:52 | 0:25:53 | |
Who is this? | 0:25:53 | 0:25:55 | |
LAUGHTER | 0:25:55 | 0:25:56 | |
I want you to know that I can't not see you | 0:25:56 | 0:25:59 | |
on the toilet now. | 0:25:59 | 0:26:01 | |
LAUGHTER | 0:26:01 | 0:26:02 | |
-ENGLISH ACCENT: -I like the cut of your jib. | 0:26:04 | 0:26:06 | |
LAUGHTER | 0:26:06 | 0:26:09 | |
-Thank you, Johnny. -Have you got a slight erection right now? | 0:26:09 | 0:26:11 | |
I'm just glad Johnny wasn't out for the awkward customs chat at the beginning! | 0:26:11 | 0:26:15 | |
Oh, yes. LAUGHTER | 0:26:15 | 0:26:17 | |
-Awkward customs? -Customs stories. | 0:26:17 | 0:26:19 | |
No, no, listen, | 0:26:20 | 0:26:22 | |
my gerbils are clean. | 0:26:22 | 0:26:24 | |
LAUGHTER | 0:26:24 | 0:26:25 | |
Now, there's been stuff in the papers, I don't know if it's true - | 0:26:25 | 0:26:29 | |
are you moving here, Johnny? | 0:26:29 | 0:26:31 | |
-Is this the move to Manchester? -Yes. | 0:26:32 | 0:26:34 | |
It's possible, I guess. | 0:26:35 | 0:26:38 | |
-OK. -I mean... -Have you gone to see a house in Manchester? | 0:26:38 | 0:26:41 | |
No, I haven't. | 0:26:41 | 0:26:43 | |
No, I've actually never been to Manchester. | 0:26:43 | 0:26:46 | |
LAUGHTER | 0:26:46 | 0:26:47 | |
I'm sorry, I've always wanted to go. | 0:26:47 | 0:26:49 | |
-But, yeah, no, I've never been. -OK. | 0:26:49 | 0:26:52 | |
-But I'll take a house there. I mean, why not? -Do it! -Yeah. | 0:26:52 | 0:26:55 | |
-Yes. -Apparently I already live in Bath as well. -Oh, really? | 0:26:55 | 0:26:59 | |
Yeah, I was seen buying spatulas and stuff. | 0:26:59 | 0:27:02 | |
LAUGHTER | 0:27:02 | 0:27:04 | |
That's a very good celebrity sighting. | 0:27:04 | 0:27:06 | |
Johnny Depp buying a spatula in Bath. | 0:27:06 | 0:27:08 | |
It might be my favourite of my own, yeah. | 0:27:08 | 0:27:12 | |
Now, you're in town because the new movie, | 0:27:12 | 0:27:14 | |
Alice Through The Looking Glass, it's coming out on the 27th of May. | 0:27:14 | 0:27:17 | |
I knew the first movie was a success. | 0:27:17 | 0:27:19 | |
I didn't realise how big - it took over 1 billion. | 0:27:19 | 0:27:23 | |
-It's one of the most successful films of all time. -Is that right? | 0:27:23 | 0:27:26 | |
-Yeah! -What?! | 0:27:26 | 0:27:27 | |
-More than an X-Men? -More than anything. | 0:27:27 | 0:27:30 | |
-More than Bad Education? -Yes! | 0:27:30 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:33 | |
Yes. | 0:27:33 | 0:27:35 | |
Alice Through The Looking Glass - you return as the Mad Hatter, | 0:27:35 | 0:27:38 | |
and in this one Alice is travelling through time. | 0:27:38 | 0:27:41 | |
-Yes. -OK. | 0:27:41 | 0:27:43 | |
And everyone's back - Matt Lucas is back, Helena Bonham Carter, | 0:27:44 | 0:27:47 | |
-but Sacha Baron Cohen is in this one. -No, he's not back. | 0:27:47 | 0:27:50 | |
No, he's not back, but he's in it. He's in it. | 0:27:50 | 0:27:52 | |
Oh, yeah, of course he's in it. | 0:27:52 | 0:27:54 | |
LAUGHTER | 0:27:54 | 0:27:56 | |
Yeah, Sacha's... | 0:27:56 | 0:27:58 | |
He plays Time. | 0:27:58 | 0:28:00 | |
He plays Father Time, basically. | 0:28:00 | 0:28:02 | |
And it was... | 0:28:02 | 0:28:04 | |
We've known each other for a good long while, | 0:28:04 | 0:28:07 | |
and I've always admired him, you know. | 0:28:07 | 0:28:09 | |
Back since Ali G. And so... | 0:28:10 | 0:28:13 | |
-SCATTERED LAUGHTER -Why is that funny? | 0:28:13 | 0:28:15 | |
LAUGHTER | 0:28:15 | 0:28:16 | |
We've got a clip. This is you as the young Mad Hatter, meeting - | 0:28:16 | 0:28:20 | |
because of the travelling through time business, | 0:28:20 | 0:28:23 | |
-you're meeting Alice for the first time. -OK, good. -OK. | 0:28:23 | 0:28:26 | |
Hatter? | 0:28:28 | 0:28:29 | |
Hatter? | 0:28:31 | 0:28:32 | |
Oh! | 0:28:32 | 0:28:33 | |
It's you! | 0:28:33 | 0:28:35 | |
You're you again! | 0:28:35 | 0:28:36 | |
Well, if I'm not, I wish I was. | 0:28:36 | 0:28:38 | |
-Have we met? -Yes! | 0:28:40 | 0:28:42 | |
Well, no - I mean, not yet. | 0:28:42 | 0:28:44 | |
It's funny, I feel I should know you. | 0:28:44 | 0:28:46 | |
Well, we have met once, when I was younger. | 0:28:46 | 0:28:48 | |
-Oh, well, I must say I don't recall. -That's because it hasn't happened yet. | 0:28:48 | 0:28:51 | |
Ooh. When will it happen? | 0:28:51 | 0:28:53 | |
Years from now, when you're older. | 0:28:53 | 0:28:56 | |
I'll meet you when you're younger and I'm older? | 0:28:56 | 0:28:59 | |
I realise it doesn't make much sense. | 0:28:59 | 0:29:01 | |
Makes perfect sense to me. | 0:29:01 | 0:29:03 | |
-I'm Tarrant. -I know. I'm Alice. | 0:29:03 | 0:29:05 | |
Alice. | 0:29:05 | 0:29:07 | |
We seem to have time all mixed up. | 0:29:07 | 0:29:09 | |
APPLAUSE | 0:29:09 | 0:29:11 | |
Now, we know you do this thing as an actor, | 0:29:14 | 0:29:17 | |
you love transforming, you like being consumed by characters. | 0:29:17 | 0:29:20 | |
-Like me. -Very like you. | 0:29:20 | 0:29:22 | |
-As an English stand-up comedian. -Yeah. | 0:29:22 | 0:29:24 | |
-LAUGHTER -We're going to hide together. | 0:29:24 | 0:29:27 | |
In costumes. | 0:29:27 | 0:29:28 | |
But your latest one is phenomenal. | 0:29:28 | 0:29:31 | |
This - this is a picture of Johnny Depp | 0:29:31 | 0:29:34 | |
-as Donald Trump. -What?! | 0:29:34 | 0:29:36 | |
-Oh! -Isn't it amazing? | 0:29:36 | 0:29:39 | |
-Wow. What was that for, Johnny? -Oh, my God. | 0:29:39 | 0:29:41 | |
That was just for me. | 0:29:41 | 0:29:43 | |
LAUGHTER | 0:29:43 | 0:29:44 | |
You wanted to know what it felt like to be that awesome? | 0:29:44 | 0:29:47 | |
I never thought I wanted to kill Johnny Depp before. | 0:29:47 | 0:29:51 | |
LAUGHTER | 0:29:51 | 0:29:52 | |
I can only say that you should. | 0:29:52 | 0:29:54 | |
LAUGHTER | 0:29:54 | 0:29:55 | |
How did it come up? Did you already do a Donald Trump impression? | 0:29:55 | 0:29:59 | |
No, no, no. | 0:29:59 | 0:30:00 | |
And I had no idea if I could not, and I still don't. But I... | 0:30:00 | 0:30:04 | |
I mean, Adam McKay, who I admire greatly | 0:30:04 | 0:30:08 | |
and who's one of the funniest humans alive - | 0:30:08 | 0:30:11 | |
we had a meeting, and we were sitting there talking, and he said, | 0:30:11 | 0:30:14 | |
"How would you like to do a feature film in four days?" | 0:30:14 | 0:30:18 | |
And I went, "I like that idea." | 0:30:18 | 0:30:22 | |
And then he said, "How would you like to play Donald Trump?" | 0:30:22 | 0:30:26 | |
And I loved that idea. | 0:30:26 | 0:30:28 | |
LAUGHTER | 0:30:28 | 0:30:29 | |
I didn't care if I knew I was capable or not, you know. | 0:30:29 | 0:30:32 | |
I wanted to try. | 0:30:32 | 0:30:34 | |
Yeah, so I did my bit as Donald Trump. | 0:30:34 | 0:30:39 | |
You don't want to be Donald Trump. | 0:30:40 | 0:30:42 | |
LAUGHTER | 0:30:42 | 0:30:43 | |
Because he's... The way he speaks is very specific. | 0:30:43 | 0:30:46 | |
Yeah. | 0:30:46 | 0:30:48 | |
Were you telling all the Mexicans to get off set? | 0:30:48 | 0:30:50 | |
LAUGHTER | 0:30:50 | 0:30:52 | |
-IMITATING TRUMP: -I told them to build - me - that - wall. | 0:30:52 | 0:30:55 | |
I want a sensational wall. | 0:30:55 | 0:30:57 | |
LAUGHTER | 0:30:57 | 0:30:59 | |
I want a fabulous wall. | 0:30:59 | 0:31:00 | |
I don't remember what the question was, | 0:31:02 | 0:31:04 | |
but it doesn't matter cos I'm not going to answer it anyway. | 0:31:04 | 0:31:07 | |
-Oh, my God. -Very good. | 0:31:07 | 0:31:08 | |
-It's amazing. -Wow. | 0:31:08 | 0:31:10 | |
CHEERING AND APPLAUSE | 0:31:10 | 0:31:12 | |
Have you met the Trump at all at things, Jennifer? | 0:31:17 | 0:31:20 | |
-I haven't, no. -The Donald. -I was at a concert | 0:31:20 | 0:31:23 | |
that I heard he was attending. | 0:31:23 | 0:31:25 | |
So I had my full security - | 0:31:25 | 0:31:27 | |
I was like, "Find Donald Trump," cos I was just... | 0:31:27 | 0:31:30 | |
I was adamant on finding him and then making a video | 0:31:30 | 0:31:34 | |
of me going, "Hey, Trump, | 0:31:34 | 0:31:35 | |
"fuck you." | 0:31:35 | 0:31:37 | |
LAUGHTER | 0:31:37 | 0:31:40 | |
I wouldn't rest. I wouldn't rest until I found him. | 0:31:42 | 0:31:46 | |
I think he knew I was looking for him. | 0:31:46 | 0:31:48 | |
Now, one of the things about being Johnny Depp | 0:31:48 | 0:31:50 | |
is people must want to come up and say hi, | 0:31:50 | 0:31:53 | |
they want selfies and things. | 0:31:53 | 0:31:55 | |
Do you have any sort of sympathy for those people? | 0:31:55 | 0:31:57 | |
Cos how young were you when you met Iggy Pop? | 0:31:57 | 0:32:00 | |
-Your band was supporting him, is that how it happened? -Yeah. | 0:32:00 | 0:32:03 | |
I was, um... 17 years old. | 0:32:03 | 0:32:07 | |
We were on tour. | 0:32:07 | 0:32:08 | |
We sort of did a lot of opening act stuff, you know, around. | 0:32:08 | 0:32:11 | |
And we had two shows with Iggy Pop in Gainesville. | 0:32:11 | 0:32:16 | |
I mean, Iggy was one of my heroes, you know. | 0:32:16 | 0:32:18 | |
So I'm 17 years old. We do the gigs with Iggy. | 0:32:19 | 0:32:22 | |
It's the second night. | 0:32:22 | 0:32:23 | |
I know he's splitting. I'll never see him again. | 0:32:23 | 0:32:26 | |
I want to meet him, but I don't want to go... | 0:32:26 | 0:32:29 | |
-MUMBLING AWKWARDLY: -"I'm a really big fan of your music." | 0:32:29 | 0:32:32 | |
I don't know, it just... I needed something different. | 0:32:32 | 0:32:36 | |
So I got, you know, | 0:32:36 | 0:32:39 | |
incoherently drunk. | 0:32:39 | 0:32:42 | |
LAUGHTER | 0:32:42 | 0:32:43 | |
Pints of, like, vodka, | 0:32:43 | 0:32:45 | |
just to work up the nerve to say something idiotic. | 0:32:45 | 0:32:48 | |
Which you shouldn't have to do. | 0:32:48 | 0:32:51 | |
So, yeah, uh, he was walking around with a beagle - | 0:32:51 | 0:32:55 | |
I don't know why - | 0:32:55 | 0:32:57 | |
after the show. You know, the lights are on. | 0:32:57 | 0:33:00 | |
He doesn't know why either. | 0:33:00 | 0:33:02 | |
So I thought, I'll get him. | 0:33:02 | 0:33:06 | |
And I just started screaming... | 0:33:06 | 0:33:08 | |
-DRUNKENLY: -"Iggy Flop! | 0:33:09 | 0:33:12 | |
"Piggy slop!" | 0:33:12 | 0:33:13 | |
LAUGHTER | 0:33:13 | 0:33:15 | |
And a few other, God knows what - you know, | 0:33:15 | 0:33:18 | |
I'm not sure what more rhymes with that. | 0:33:18 | 0:33:21 | |
He walked over to me | 0:33:21 | 0:33:23 | |
with this beagle on a leash. | 0:33:23 | 0:33:25 | |
And he got, like, that close to my face. | 0:33:25 | 0:33:28 | |
And I'm looking at Iggy Pop's blue eyes. | 0:33:30 | 0:33:32 | |
And he takes so much time and he just says... | 0:33:33 | 0:33:37 | |
"You little turd." | 0:33:39 | 0:33:40 | |
LAUGHTER | 0:33:40 | 0:33:42 | |
APPLAUSE | 0:33:42 | 0:33:44 | |
To this day, it's one of the best moments of my life. | 0:33:48 | 0:33:53 | |
We must also say, Pirates Of The Caribbean - | 0:33:53 | 0:33:55 | |
you've finished Pirates Of The Caribbean, it's on the way now? | 0:33:55 | 0:33:58 | |
Erm... Well, yeah. | 0:33:58 | 0:34:00 | |
I mean, it doesn't come out until like May of 2017 or something. | 0:34:00 | 0:34:04 | |
Do you know who's going to be really excited to see that? | 0:34:04 | 0:34:07 | |
-Good God, who? -Young captain Jack at the end there. | 0:34:07 | 0:34:09 | |
Why? | 0:34:09 | 0:34:11 | |
-Oh, for God's sake! -LAUGHTER | 0:34:11 | 0:34:13 | |
Why has she given you every photo?! | 0:34:13 | 0:34:16 | |
Oh, my God. | 0:34:16 | 0:34:17 | |
-APPLAUSE -Oh, my God. | 0:34:17 | 0:34:20 | |
Did you own any regular clothes as a child? | 0:34:22 | 0:34:25 | |
That's my granny and grandad as well. | 0:34:25 | 0:34:28 | |
I made my granny and grandad come as sailors | 0:34:28 | 0:34:31 | |
and my grandad looks like he's in a Jean Paul Gaultier advert! | 0:34:31 | 0:34:34 | |
LAUGHTER | 0:34:34 | 0:34:36 | |
APPLAUSE Oh, dear. | 0:34:38 | 0:34:40 | |
-There you go. -Thank you. | 0:34:41 | 0:34:43 | |
OK, it's time for music. | 0:34:43 | 0:34:46 | |
This multi-Grammy-winning singer found fame | 0:34:46 | 0:34:48 | |
as one of the Black Eyed Peas | 0:34:48 | 0:34:50 | |
and has now gone on to huge solo success. | 0:34:50 | 0:34:52 | |
Performing his new single, Boys and Girls, featuring Pia Mia, | 0:34:52 | 0:34:55 | |
please welcome will.i.am. | 0:34:55 | 0:34:57 | |
CHEERING AND APPLAUSE | 0:34:57 | 0:35:00 | |
# All I wanna do | 0:35:05 | 0:35:06 | |
# Oh, oh | 0:35:08 | 0:35:11 | |
# Oh, oh | 0:35:12 | 0:35:13 | |
# All I wanna do | 0:35:13 | 0:35:15 | |
# Oh, oh | 0:35:17 | 0:35:19 | |
# Oh, oh | 0:35:21 | 0:35:22 | |
# We get messed up way before the party | 0:35:22 | 0:35:25 | |
# Turnt up, hotel lobby | 0:35:25 | 0:35:27 | |
# Fast life like a Ducati | 0:35:27 | 0:35:29 | |
# Spending money like I'm from Saudi | 0:35:29 | 0:35:31 | |
# Bagging honeys with the bad bodies | 0:35:31 | 0:35:34 | |
# See me cooling with the black barbies | 0:35:34 | 0:35:36 | |
# I got brain cause she a smarty | 0:35:36 | 0:35:38 | |
# And now I'm feeling like la-di-da-di | 0:35:38 | 0:35:41 | |
# Hey! | 0:35:41 | 0:35:42 | |
# Wait a second, wait a minute I don't think you're ready for it | 0:35:42 | 0:35:45 | |
# Hey! | 0:35:45 | 0:35:47 | |
# Party like a pro, baby I don't gotta train for it | 0:35:47 | 0:35:49 | |
# Oooh | 0:35:49 | 0:35:51 | |
# Drinking all the liquor And I ain't even paying for it | 0:35:51 | 0:35:54 | |
# Whoa | 0:35:54 | 0:35:55 | |
# Any second, any minute We about to sing the chorus | 0:35:55 | 0:35:58 | |
# The girls wanna play with boys And the boys wanna play with girls | 0:36:00 | 0:36:04 | |
# And the girls wanna play with girls | 0:36:04 | 0:36:06 | |
# Boys wanna play with boys | 0:36:06 | 0:36:07 | |
# So, boy, don't you love this world? | 0:36:07 | 0:36:09 | |
# The girls wanna play with boys And the boys wanna play with girls | 0:36:09 | 0:36:12 | |
# And the girls wanna play with girls | 0:36:12 | 0:36:14 | |
# Boys wanna play with boys | 0:36:14 | 0:36:16 | |
# So, boy, don't you love this world? | 0:36:16 | 0:36:18 | |
# Oh-oh-oh, oh-oh, | 0:36:18 | 0:36:20 | |
# Oh-oh-oh | 0:36:20 | 0:36:21 | |
# Oh-oh, oh-oh oh | 0:36:21 | 0:36:23 | |
# Oh-oh, oh | 0:36:23 | 0:36:25 | |
# Hey! | 0:36:26 | 0:36:27 | |
# Baby, we don't stop and we don't quit | 0:36:27 | 0:36:29 | |
# In the club like we own it | 0:36:29 | 0:36:32 | |
# Too, too legit | 0:36:32 | 0:36:34 | |
# Up in this and we so lit | 0:36:34 | 0:36:36 | |
# Oh, my God, oh, my goodness | 0:36:36 | 0:36:38 | |
# Feel good cos I'm sipping on goodness | 0:36:38 | 0:36:41 | |
# Two drinks, got two fists | 0:36:41 | 0:36:42 | |
# Three chicks, got two, four, six tits | 0:36:42 | 0:36:45 | |
# Hey! | 0:36:45 | 0:36:46 | |
# Wait a second, wait a minute Take you to the next level | 0:36:46 | 0:36:49 | |
# Hey! | 0:36:49 | 0:36:51 | |
# Turn up the bass Turn up the tre-treble | 0:36:51 | 0:36:54 | |
# Oooh | 0:36:54 | 0:36:55 | |
# Party like an animal Party like a re-rebel | 0:36:55 | 0:36:58 | |
# Whoa | 0:36:58 | 0:36:59 | |
# Any second, any minute We about to get in trouble | 0:36:59 | 0:37:02 | |
# The girls wanna play with boys And the boys wanna play with girls | 0:37:04 | 0:37:08 | |
# And the girls wanna play with girls | 0:37:08 | 0:37:10 | |
# Boys wanna play with boys | 0:37:10 | 0:37:12 | |
# So, boy, don't you love this world? | 0:37:12 | 0:37:13 | |
# The girls wanna play with boys And the boys wanna play with girls | 0:37:13 | 0:37:17 | |
# And the girls wanna play with girls | 0:37:17 | 0:37:19 | |
# Boys wanna play with boys | 0:37:19 | 0:37:21 | |
# So, boy, don't you love this world? | 0:37:21 | 0:37:22 | |
# Oh-oh-oh, oh-oh | 0:37:22 | 0:37:24 | |
# Oh-oh-oh | 0:37:24 | 0:37:26 | |
# Oh-oh, oh-oh-oh | 0:37:26 | 0:37:28 | |
# Oh-oh, oh-oh-oh | 0:37:28 | 0:37:31 | |
# Oh-oh-oh, oh-oh, oh-oh-oh | 0:37:31 | 0:37:35 | |
# Oh-oh, oh-oh-oh | 0:37:35 | 0:37:37 | |
# Oh-oh | 0:37:37 | 0:37:38 | |
# All I wanna do | 0:37:40 | 0:37:41 | |
# Turn up, that's all I wanna do | 0:37:41 | 0:37:44 | |
# I stay so fly, I flew | 0:37:44 | 0:37:46 | |
-# Yeah, baby, no lie, that's true -Oh, oh | 0:37:46 | 0:37:48 | |
# Yeah, baby, we're cool like, whoo | 0:37:48 | 0:37:50 | |
# Me and Pia, we cool like, whoo | 0:37:50 | 0:37:52 | |
# Yeah | 0:37:52 | 0:37:54 | |
# The girls wanna play with boys And the boys wanna play with girls | 0:37:54 | 0:37:57 | |
# And the girls wanna play with girls | 0:37:57 | 0:37:59 | |
# Boys wanna play with boys | 0:37:59 | 0:38:00 | |
# So, boy, don't you love this world? | 0:38:00 | 0:38:02 | |
# The girls wanna play with boys And the boys wanna play with girls | 0:38:02 | 0:38:05 | |
# And the girls wanna play with girls | 0:38:05 | 0:38:08 | |
# And the girls wanna play with girls | 0:38:08 | 0:38:10 | |
# Come on | 0:38:10 | 0:38:12 | |
# Oh-oh-oh, oh-oh, oh-oh-oh | 0:38:12 | 0:38:14 | |
# Oh-oh, oh-oh-oh | 0:38:14 | 0:38:17 | |
# Oh-oh | 0:38:17 | 0:38:18 | |
-# Oh, oh -Hey! # | 0:38:19 | 0:38:21 | |
CHEERING AND APPLAUSE | 0:38:21 | 0:38:23 | |
Will.i.am, everybody! | 0:38:26 | 0:38:29 | |
Come over and chat. | 0:38:29 | 0:38:30 | |
Our thanks to Pia Mia as well. | 0:38:31 | 0:38:33 | |
Well done, sir. Lovely to see you. | 0:38:34 | 0:38:36 | |
Come and sit down, meet everybody. | 0:38:36 | 0:38:38 | |
Jack, James, Jennifer, Johnny. | 0:38:38 | 0:38:41 | |
-Good to see you, buddy. You all right? -Yeah, good. | 0:38:44 | 0:38:46 | |
-Nice to see you. -Where do I sit? | 0:38:46 | 0:38:48 | |
-Where do you want me? Here? -At the end there. -Right here! | 0:38:48 | 0:38:51 | |
-Everyone shove up. You're in there. -Not the chair over there? | 0:38:51 | 0:38:53 | |
There you go. | 0:38:53 | 0:38:55 | |
Now, that's the new single - it's out now, presumably? | 0:38:55 | 0:38:57 | |
Yeah, it's out right now. iTunes. | 0:38:57 | 0:38:59 | |
And Pia Mia - now, who's Pia Mia? | 0:38:59 | 0:39:01 | |
-Pia Mia is this awesome artist from this place called Guam. -OK. | 0:39:01 | 0:39:04 | |
Yeah, so for those that don't know, Guam, it's in Southeast Asia. | 0:39:04 | 0:39:09 | |
Not Philippines, | 0:39:09 | 0:39:10 | |
not, you know, Bangkok - it's Guam. | 0:39:10 | 0:39:13 | |
She's awesome. | 0:39:13 | 0:39:15 | |
Now, I have read, Will, that you have this amazing amount of music | 0:39:15 | 0:39:20 | |
that you haven't released, but tracks with extraordinary artists | 0:39:20 | 0:39:23 | |
like Michael Jackson and Prince and people like that. | 0:39:23 | 0:39:25 | |
Will you ever release those tracks? | 0:39:25 | 0:39:27 | |
No, because you know, especially artists like Michael Jackson, | 0:39:27 | 0:39:30 | |
where working with Michael Jackson is his critique and his two cents, | 0:39:30 | 0:39:35 | |
so you know, without him guiding on completing it, | 0:39:35 | 0:39:38 | |
it's not my right to do that. | 0:39:38 | 0:39:41 | |
He was a friend. So I wouldn't do that. | 0:39:41 | 0:39:44 | |
What was the story that you brought Michael Jackson and... Yes. | 0:39:44 | 0:39:46 | |
APPLAUSE | 0:39:46 | 0:39:48 | |
You brought Michael Jackson and Prince together. | 0:39:51 | 0:39:54 | |
Yeah, so one time we had a show in Vegas, | 0:39:54 | 0:39:57 | |
and Michael Jackson called. | 0:39:57 | 0:39:59 | |
-IMITATING MICHAEL JACKSON: -"Hey, Will, it's Michael." | 0:39:59 | 0:40:02 | |
"Hey, Mike." "Yeah, so, I heard you guys are doing a show tonight." | 0:40:02 | 0:40:05 | |
"Yeah, we go on at nine o'clock." | 0:40:05 | 0:40:06 | |
"Oh, rats, I got to put the kids to sleep." | 0:40:06 | 0:40:09 | |
So I was like, "Well, I'm performing with Prince later on, at 12." | 0:40:09 | 0:40:13 | |
So anyway, Michael came to see me rock with Prince. | 0:40:13 | 0:40:16 | |
And it was a magnificent night to see - | 0:40:16 | 0:40:20 | |
it was me, Chris Tucker, and then watching... | 0:40:20 | 0:40:22 | |
Me, Chris Tucker, Michael Jackson watching Prince rock on stage. | 0:40:22 | 0:40:26 | |
So to make a long story short, Prince steps off the stage | 0:40:26 | 0:40:29 | |
and plays the bass in Michael Jackson's face, | 0:40:29 | 0:40:32 | |
rips the freaking bass, ten different pieces. | 0:40:32 | 0:40:35 | |
To make a longer story shorter, | 0:40:35 | 0:40:37 | |
Michael Jackson leaves and goes home and says, | 0:40:37 | 0:40:39 | |
"Meet me at the house for breakfast." | 0:40:39 | 0:40:41 | |
So I go to his house for breakfast, knock on the door. | 0:40:41 | 0:40:43 | |
First words he says - "Why was Prince playing the bass in my face?" | 0:40:43 | 0:40:47 | |
LAUGHTER | 0:40:47 | 0:40:49 | |
What was your answer to that, though? "Cos he's funky?" | 0:40:50 | 0:40:53 | |
I was like, "No, Prince was just being nice, you know." | 0:40:53 | 0:40:55 | |
"No, Prince, he's always been a meanie." | 0:40:55 | 0:40:57 | |
LAUGHTER | 0:40:57 | 0:41:00 | |
But bless their hearts. They were so passionate. | 0:41:00 | 0:41:02 | |
And you know, we've lost great musicians. | 0:41:02 | 0:41:06 | |
Yes, we have that. | 0:41:06 | 0:41:07 | |
APPLAUSE | 0:41:07 | 0:41:09 | |
And very quickly... | 0:41:09 | 0:41:11 | |
The Voice, obviously going to ITV. | 0:41:12 | 0:41:14 | |
Are you going to ITV? | 0:41:14 | 0:41:15 | |
I've been thinking about it. | 0:41:15 | 0:41:18 | |
I've been thinking about it, cos I really love the UK so much. | 0:41:18 | 0:41:21 | |
-Yeah. -I practically live here, except my passport doesn't say that. | 0:41:21 | 0:41:25 | |
But... | 0:41:25 | 0:41:26 | |
-JACK: -Say you're here for a wedding. | 0:41:26 | 0:41:28 | |
If Trump's for real, then I'm British all the way. | 0:41:28 | 0:41:31 | |
-So many Americans have said that to me. -Yeah, yeah. | 0:41:31 | 0:41:34 | |
Trump is here. | 0:41:34 | 0:41:35 | |
LAUGHTER | 0:41:35 | 0:41:37 | |
Don't point at me! | 0:41:37 | 0:41:39 | |
-IMITATING DONALD TRUMP: -You have a wonderful, | 0:41:40 | 0:41:42 | |
a sensational approach to your life and your music. | 0:41:42 | 0:41:46 | |
I would like YOU to build a wall. | 0:41:46 | 0:41:51 | |
LAUGHTER | 0:41:51 | 0:41:53 | |
OK, before we go, just time for a visit to the big red chair. | 0:41:55 | 0:41:59 | |
Who's there? Hello. | 0:41:59 | 0:42:00 | |
-Hello. -Hello, who are you? -Catherine. -Catherine lovely. | 0:42:00 | 0:42:03 | |
-And where are you from? -Te Puke. | 0:42:03 | 0:42:05 | |
-What? -What? -Where's that? | 0:42:05 | 0:42:07 | |
-It's in New Zealand. -Oh, of course it is. | 0:42:07 | 0:42:09 | |
-It's the kiwi fruit capital of the world. -It's the what? | 0:42:09 | 0:42:12 | |
-The kiwi fruit capital of the world. -Oh, Jesus. | 0:42:12 | 0:42:15 | |
LAUGHTER | 0:42:15 | 0:42:16 | |
APPLAUSE | 0:42:16 | 0:42:18 | |
Who's next on the red chair? | 0:42:18 | 0:42:20 | |
-Nicole. -Hello, Nicole. -Hello! | 0:42:20 | 0:42:22 | |
-Where are you from, Nicole? -Sydney. | 0:42:22 | 0:42:24 | |
-Sydney? Are you here on holidays? -No, I live here. | 0:42:24 | 0:42:26 | |
-Really live here? -Yeah. -With a visa and everything? -Yeah. | 0:42:26 | 0:42:29 | |
-Well done, you. What do you do? -Teacher. | 0:42:29 | 0:42:31 | |
-Oh. Small children? -Big ones. | 0:42:31 | 0:42:34 | |
-What do you teach them? -PE. | 0:42:34 | 0:42:36 | |
OK, off you go with your story. | 0:42:36 | 0:42:38 | |
OK. So I was at a music festival, | 0:42:38 | 0:42:40 | |
and I met this boy and I kissed this boy. | 0:42:40 | 0:42:42 | |
But both of our phones had died. | 0:42:42 | 0:42:44 | |
So I had my pen, I wrote my phone number and my name on his back. | 0:42:44 | 0:42:47 | |
The next morning I woke up with a text message saying, | 0:42:47 | 0:42:50 | |
"Hey, found your phone number on my boyfriend's back. | 0:42:50 | 0:42:52 | |
"Just wondering what happened." | 0:42:52 | 0:42:54 | |
ALL: Oooooh! | 0:42:54 | 0:42:56 | |
Good story! You can walk. | 0:42:56 | 0:42:58 | |
That's a great story. | 0:42:58 | 0:42:59 | |
CHEERING AND APPLAUSE | 0:42:59 | 0:43:01 | |
Wow! | 0:43:03 | 0:43:04 | |
Well done, everyone. | 0:43:04 | 0:43:06 | |
If you'd like to join us on the show and have a go in the red chair, | 0:43:06 | 0:43:10 | |
you can visit us on our website at this address. | 0:43:10 | 0:43:13 | |
-That's it for tonight. -Please say a huge thank you to my guests - | 0:43:13 | 0:43:16 | |
will.i.am, | 0:43:16 | 0:43:19 | |
Jack Whitehall, | 0:43:19 | 0:43:22 | |
James McAvoy, | 0:43:22 | 0:43:24 | |
Jennifer Lawrence, | 0:43:24 | 0:43:26 | |
and Mr Johnny Depp! | 0:43:26 | 0:43:28 | |
CHEERING AND APPLAUSE | 0:43:28 | 0:43:30 | |
Join me next week with music from Bright Light Bright Light | 0:43:30 | 0:43:33 | |
featuring Sir Elton John, | 0:43:33 | 0:43:35 | |
Oscar-winner Russell Crowe, Hollywood heart-throb Ryan Gosling, | 0:43:35 | 0:43:38 | |
and for the first time ever, the brilliant Jodie Foster. | 0:43:38 | 0:43:41 | |
I'll see you then. Good night, everybody, bye-bye! | 0:43:41 | 0:43:44 | |
CHEERING AND APPLAUSE | 0:43:44 | 0:43:47 |