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Hey! I'm Will Smith And this is the Graham Norton show. | 0:00:02 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:06 | 0:00:08 | |
Oh! | 0:00:22 | 0:00:23 | |
Ooooohh! | 0:00:23 | 0:00:25 | |
Oh! Oh! Hi! Hi! Hi! | 0:00:25 | 0:00:28 | |
Good evening. Good evening. Good evening. | 0:00:28 | 0:00:30 | |
Good evening. Hello, everybody. | 0:00:30 | 0:00:33 | |
Welcome to the show. | 0:00:36 | 0:00:37 | |
Great sofa for you tonight. Yes, Will Smith is joining us. | 0:00:37 | 0:00:40 | |
WHOOPING AND CHEERING | 0:00:40 | 0:00:42 | |
Oh, yeah! | 0:00:42 | 0:00:44 | |
And not just The Fresh Prince, we've also got the Queen. | 0:00:44 | 0:00:47 | |
Dame Helen Mirren is here, as well. | 0:00:47 | 0:00:49 | |
CHEERING | 0:00:49 | 0:00:51 | |
Later in the show we'll be joined by Sherlock star Martin Freeman. | 0:00:51 | 0:00:54 | |
WHOPPING AND CHEERING | 0:00:54 | 0:00:56 | |
Yes! | 0:00:56 | 0:00:59 | |
I tell you, Sherlock returns, at last, on New Year's day. | 0:00:59 | 0:01:02 | |
People are more excited to see that show finally arrive | 0:01:02 | 0:01:05 | |
than a train on Southern Railways. | 0:01:05 | 0:01:07 | |
LAUGHTER | 0:01:07 | 0:01:09 | |
Too soon? | 0:01:09 | 0:01:11 | |
Dr Watson. | 0:01:11 | 0:01:13 | |
Just one of the many doctors we'll see over the festive period. | 0:01:13 | 0:01:15 | |
There's also Doctor Who and, of course, | 0:01:15 | 0:01:17 | |
Doctor, I got drunk at the office party, | 0:01:17 | 0:01:20 | |
can you get this thing off my head? | 0:01:20 | 0:01:21 | |
LAUGHTER | 0:01:21 | 0:01:23 | |
Anyone? | 0:01:23 | 0:01:25 | |
Everywhere is so Christmassy now. | 0:01:25 | 0:01:28 | |
I love all the lights outside people's houses, don't you? | 0:01:28 | 0:01:30 | |
You have to be careful how you arrange them. | 0:01:30 | 0:01:33 | |
LAUGHTER | 0:01:34 | 0:01:35 | |
Christmas is coming! | 0:01:36 | 0:01:37 | |
Hey, let's get some guests on! | 0:01:37 | 0:01:39 | |
Later we'll be joined by Martin Freeman | 0:01:39 | 0:01:41 | |
and we'll have a Christmas music treat from the fabulous Katie Melua. | 0:01:41 | 0:01:45 | |
WHOOPING AND CHEERING | 0:01:45 | 0:01:47 | |
But first, from Pirates Of The Caribbean and James Bond, | 0:01:47 | 0:01:49 | |
she's one of our most successful British actresses working today. | 0:01:49 | 0:01:52 | |
It is the Golden Globe nominated Naomie Harris. | 0:01:52 | 0:01:55 | |
WHOOPING AND CHEERING | 0:01:55 | 0:01:57 | |
Oh! | 0:01:59 | 0:02:00 | |
I'll meet you here. Hello, darling. | 0:02:00 | 0:02:02 | |
Naomie Harris! | 0:02:02 | 0:02:03 | |
She has graced our stage and screen for over four decades | 0:02:06 | 0:02:09 | |
picking up an Emmy, a Tony and an Oscar along the way. | 0:02:09 | 0:02:12 | |
It's always a pleasure to welcome back Dame Helen Mirren. | 0:02:12 | 0:02:16 | |
CHEERING AND APPLAUSE | 0:02:16 | 0:02:17 | |
-Hi. -I'm so... -Sit down! -Thank you. | 0:02:23 | 0:02:25 | |
He's one of the biggest movie stars in the world, | 0:02:27 | 0:02:29 | |
he's Big Willie, The Fresh Prince Of Bel Air, | 0:02:29 | 0:02:32 | |
he's one of our favourite guests, it's Will Smith. | 0:02:32 | 0:02:35 | |
CHEERING AND APPLAUSE | 0:02:35 | 0:02:37 | |
Hello! | 0:02:39 | 0:02:40 | |
-A-ha! -Hey! -Hey! | 0:02:47 | 0:02:51 | |
-Oh, my goodness. -You did one of those man hugs, didn't you? -You see! | 0:02:51 | 0:02:55 | |
We've been practising. When I came out, we did this. It was like... | 0:02:55 | 0:02:58 | |
-We did that. Oh! -Oh! -So... -Man hug. | 0:02:58 | 0:03:00 | |
So, Helen saw a man hug | 0:03:00 | 0:03:02 | |
and she saw me do a couple of man hugs | 0:03:02 | 0:03:04 | |
and she was, like, "I want to do a man hug." | 0:03:04 | 0:03:07 | |
So, we've been practising our man hug. | 0:03:07 | 0:03:10 | |
But you drive the whole man hug. I was literally just standing there. | 0:03:10 | 0:03:14 | |
LAUGHTER | 0:03:14 | 0:03:16 | |
We've had our man hug. OK. | 0:03:16 | 0:03:18 | |
Good. And Dame Helen with the... | 0:03:18 | 0:03:20 | |
What are you doing, a selfie, or a picture? | 0:03:20 | 0:03:22 | |
-No. Doing a picture of the audience. -Lovely. | 0:03:22 | 0:03:24 | |
-And look at them! -For my Instagram page! | 0:03:24 | 0:03:26 | |
CHEERING | 0:03:26 | 0:03:28 | |
-Have you got one of those now? -Yes. I have. | 0:03:28 | 0:03:29 | |
Are you building up the followers? | 0:03:29 | 0:03:31 | |
Well, I don't care about followers, at all. Actually. | 0:03:31 | 0:03:33 | |
I just love taking photographs and putting it on the internet. | 0:03:33 | 0:03:37 | |
-Naomie, are you into that? -Not really, to be honest. -No. | 0:03:37 | 0:03:41 | |
-But very nice hug. I'll give you that. -Ah, very kind. -A lady hug. | 0:03:41 | 0:03:46 | |
-It was a nice lady hug. We've had a nice lady hug. -Those are nice too. | 0:03:46 | 0:03:49 | |
-Lady hug or a man hug, depending on what mood you're in. -Exactly. | 0:03:49 | 0:03:52 | |
-It's Christmas. -Mix it up. Mix it up. | 0:03:52 | 0:03:55 | |
It is, actually, it is nearly time. I mean, Christmas Eve tomorrow. | 0:03:55 | 0:03:58 | |
So, where will you all be for Christmas? | 0:03:58 | 0:04:00 | |
Will, are you going to be in California? Where are you going to be? | 0:04:00 | 0:04:03 | |
Well, Christmas is very important to my wife. | 0:04:03 | 0:04:05 | |
So, she sacrifices for the family all year and then, Christmas, is mommy time | 0:04:05 | 0:04:09 | |
and everybody pretty much just shut up | 0:04:09 | 0:04:11 | |
and do what mommy says for Christmas. | 0:04:11 | 0:04:13 | |
She starts looking in, like, October | 0:04:13 | 0:04:16 | |
to where the maximum snowfall is going to be. | 0:04:16 | 0:04:19 | |
She's on The Weather Channel. It's like real crazy. It's really crazy. | 0:04:19 | 0:04:23 | |
So she finds the most snow and then she books us all in that area | 0:04:23 | 0:04:25 | |
because we have to have snow for Christmas | 0:04:25 | 0:04:28 | |
-or, like, the year doesn't count. -OK. | 0:04:28 | 0:04:30 | |
Do you even know where you're going or you just show up on the day? | 0:04:30 | 0:04:34 | |
Yeah. I show up on the day. | 0:04:34 | 0:04:35 | |
I pretty much just go, you know, wherever Jada says | 0:04:35 | 0:04:39 | |
but she takes it very seriously and she over-decorates and over-Christmases. | 0:04:39 | 0:04:44 | |
Now, Helen, you love Christmas. Where are you doing? | 0:04:44 | 0:04:47 | |
-And you do the sleigh ride? -I do the sleigh ride. Yes. Yes. | 0:04:47 | 0:04:49 | |
She does a one-horse open sleigh and we sing songs. | 0:04:49 | 0:04:52 | |
But I don't know none of the words to the Christmas songs... | 0:04:52 | 0:04:55 | |
So I'm always making it up, like, | 0:04:55 | 0:04:57 | |
# On the first day of Christmas my true love gave to me... # | 0:04:57 | 0:05:00 | |
HE MUMBLES | 0:05:00 | 0:05:01 | |
LAUGHTER | 0:05:01 | 0:05:03 | |
Do that for 12 days of Christmas. | 0:05:03 | 0:05:05 | |
So, where will you be, Helen? | 0:05:05 | 0:05:08 | |
-I'll be in Italy. Yes. -Oh, nice! -It will be very nice. -Very nice. | 0:05:08 | 0:05:11 | |
I love Christmas in Italy. I take Christmas pretty seriously, too. | 0:05:11 | 0:05:16 | |
-Really? -But I'm into the lights. It's the lights that get me. | 0:05:16 | 0:05:19 | |
Round about September, October, November. | 0:05:19 | 0:05:22 | |
-I start, sort of, hanging around, you know, Home Depot or... -Yeah. | 0:05:22 | 0:05:26 | |
-you know... -B&Q? -The Emporium. -Yeah, yeah, yeah. | 0:05:26 | 0:05:30 | |
Looking in the light section | 0:05:30 | 0:05:31 | |
and deciding which Christmas lights I'm going to buy. | 0:05:31 | 0:05:34 | |
You're making it sexy, though. You're doing, like... | 0:05:34 | 0:05:38 | |
"I'll get some of those lights." | 0:05:38 | 0:05:40 | |
LAUGHTER | 0:05:40 | 0:05:42 | |
I'm really good at untangling them. | 0:05:42 | 0:05:44 | |
Ooh! Yeah, girl! | 0:05:44 | 0:05:46 | |
Yeah! Whoo! | 0:05:47 | 0:05:49 | |
And the extension cords. | 0:05:49 | 0:05:51 | |
LAUGHTER CONTINUES | 0:05:51 | 0:05:54 | |
And extension cords! | 0:05:54 | 0:05:56 | |
Whoa! | 0:05:57 | 0:06:00 | |
Don't get Helen talking about them lights. | 0:06:00 | 0:06:03 | |
And, Naomie, are you going to be with your family? | 0:06:06 | 0:06:08 | |
Your family sound fun. | 0:06:08 | 0:06:09 | |
-Really? -Yes! -Why? | 0:06:09 | 0:06:11 | |
From the outside, they're magnificent. | 0:06:13 | 0:06:15 | |
From the inside, it's very different. | 0:06:15 | 0:06:18 | |
No, I actually live on the same street as my family. | 0:06:18 | 0:06:21 | |
It's really sad. I'm, like, eight doors down. | 0:06:21 | 0:06:23 | |
So, on Christmas Day I walk up the hill in my pyjamas, | 0:06:23 | 0:06:27 | |
-ready for Christmas. -Oh, how lovely! -I love Christmas. | 0:06:27 | 0:06:30 | |
Christmas is my favourite time of the year. It's the best. | 0:06:30 | 0:06:32 | |
I mean, they've been preparing the cake for a year. | 0:06:32 | 0:06:35 | |
Yeah. They soak... All the fruit that goes into the cake | 0:06:35 | 0:06:38 | |
is soaked a year before in rum. | 0:06:38 | 0:06:40 | |
-Wow! -That's how the Jamaicans do it. | 0:06:40 | 0:06:42 | |
-That sounds good. -My sister does it like that. -Oh, really? | 0:06:42 | 0:06:45 | |
-Maybe she's a little bit Jamaican, my sister. -Yeah. Lovely. | 0:06:45 | 0:06:49 | |
-Wow! -Your sister's probably not a little bit Jamaican, Helen. | 0:06:49 | 0:06:52 | |
I'm just guessing. I'm just guessing. | 0:06:55 | 0:06:58 | |
I don't know. | 0:06:58 | 0:07:00 | |
-Apparently... Apparently, the Harris are quite... -Brutal. | 0:07:00 | 0:07:04 | |
-Brutal. -Is the word. Yes. Very brutally honest. -Oh, no! | 0:07:04 | 0:07:07 | |
So, if you give them a present, or what have you, | 0:07:07 | 0:07:09 | |
everyone just goes, "I don't like that." | 0:07:09 | 0:07:11 | |
"Why would you buy that?" | 0:07:11 | 0:07:14 | |
And the thing is, that's how I've grown up. | 0:07:14 | 0:07:16 | |
I thought this was perfectly normal until, like, | 0:07:16 | 0:07:18 | |
I brought a boyfriend home and, then, you know, we were opening | 0:07:18 | 0:07:20 | |
presents at Christmas and people were, like, "I don't want that!" | 0:07:20 | 0:07:23 | |
"That's rubbish! Why would you buy that?" | 0:07:23 | 0:07:25 | |
He was, like, "That is not normal." | 0:07:25 | 0:07:29 | |
Just say thank you! | 0:07:29 | 0:07:31 | |
That's what Christmas is like at my house. | 0:07:31 | 0:07:34 | |
Will, you've been in the house. | 0:07:34 | 0:07:36 | |
Yeah, we had a lovely dinner, her mom cooked, and it was magnificent. | 0:07:36 | 0:07:41 | |
-And my stepdad. -Yeah, he was doing... They have a tag team. -OK. | 0:07:41 | 0:07:47 | |
It was really great, you know. Beautiful. Loving family. | 0:07:47 | 0:07:50 | |
A little Jamaican flair. | 0:07:50 | 0:07:52 | |
Did they go nuts that Will Smith was now in their house? | 0:07:52 | 0:07:54 | |
Oh, no. They played really casual. | 0:07:54 | 0:07:56 | |
They just acted like, you know, a movie star comes over every day. | 0:07:56 | 0:07:59 | |
Like, "Yeah, we was eating with Tom Cruise last week." | 0:07:59 | 0:08:04 | |
They heard that. Why? | 0:08:04 | 0:08:07 | |
My brother actually, midway... | 0:08:08 | 0:08:10 | |
Will probably doesn't even know this, that my brother, actually, | 0:08:10 | 0:08:13 | |
while he was there, was taking pictures of him across the table. | 0:08:13 | 0:08:17 | |
And all the pictures were like... | 0:08:19 | 0:08:20 | |
And then, the awful thing was I told my brother off, | 0:08:22 | 0:08:25 | |
I said it's really rude to take pictures of someone | 0:08:25 | 0:08:28 | |
when the person doesn't know, you know? | 0:08:28 | 0:08:30 | |
And my brother was like, it's OK, Mum's already posted it on Facebook. | 0:08:30 | 0:08:34 | |
I'm sorry about that. | 0:08:35 | 0:08:36 | |
A lot of likes, though. Lot of likes. | 0:08:38 | 0:08:41 | |
And, of course, a special time of the year for Helen | 0:08:41 | 0:08:43 | |
because this marks your beginnings as an actress. | 0:08:43 | 0:08:46 | |
-This time of year was when you got your first start, wasn't it? -Was it? | 0:08:46 | 0:08:50 | |
-If I say the word "virgin". -Oh, I see. Yes. Yes. | 0:08:50 | 0:08:54 | |
When I played the Virgin Mary. Yes, indeed. A long, long, long time ago. | 0:08:54 | 0:08:58 | |
All right. | 0:08:58 | 0:08:59 | |
Were there lights? | 0:09:02 | 0:09:03 | |
-There was lights there, wasn't there? -No! But I had... | 0:09:03 | 0:09:07 | |
I had this veil. I was about nine at the time, | 0:09:07 | 0:09:11 | |
like, in primary school. | 0:09:11 | 0:09:13 | |
And I had this incredible blue veil and I just loved my veil so much. | 0:09:13 | 0:09:18 | |
Had little stars on it. | 0:09:18 | 0:09:20 | |
I was taken around from classroom to classroom | 0:09:20 | 0:09:22 | |
because I was so good at playing the Virgin Mary. | 0:09:22 | 0:09:25 | |
-A long time ago. -OK. | 0:09:25 | 0:09:27 | |
And I like this idea of your kids, angling to have Christmas here. | 0:09:30 | 0:09:34 | |
-Because it was Jaden... -Yeah! | 0:09:34 | 0:09:36 | |
Suddenly decided he wanted to have his birthday here. | 0:09:36 | 0:09:39 | |
Yeah. He suckered me for his 18th birthday. My son, he just turned 18. | 0:09:39 | 0:09:42 | |
-Yeah. -This past July. | 0:09:42 | 0:09:45 | |
And, you know, we were saying, it's your 18th birthday. | 0:09:45 | 0:09:48 | |
That's a big birthday. | 0:09:48 | 0:09:50 | |
We said, well, you know, "Where do you want to do it?" | 0:09:50 | 0:09:53 | |
He said, well, you know, "I want to do it in London. | 0:09:53 | 0:09:55 | |
"It's one of my favourite cities." | 0:09:55 | 0:09:57 | |
And we were promoting and I said, "Oh, that's fantastic. I'll be there." | 0:09:57 | 0:10:01 | |
So, the family came and we celebrated his birthday here. | 0:10:01 | 0:10:04 | |
And he sits down at the table and he's, like, | 0:10:04 | 0:10:08 | |
"Hey! I'll have a tequila, please." | 0:10:08 | 0:10:10 | |
I was like "Hey! What is wrong with you? No!" | 0:10:10 | 0:10:13 | |
He said "Drinking age is 18 in London." | 0:10:13 | 0:10:16 | |
LAUGHTER AND APPLAUSE | 0:10:16 | 0:10:18 | |
Oh! Oh-ho! | 0:10:19 | 0:10:21 | |
-That was why he wanted to come to London. -Yeah, he got me. | 0:10:22 | 0:10:25 | |
He got me. | 0:10:25 | 0:10:27 | |
Will, is the hey-hey game still popular in your family? | 0:10:27 | 0:10:31 | |
Well, we've sort of suspended the hey-hey game temporarily. | 0:10:31 | 0:10:36 | |
The hey-hey game, it was a really strange thing. | 0:10:36 | 0:10:40 | |
It's this bizarre universal truth | 0:10:40 | 0:10:43 | |
and we've tested it on many continents | 0:10:43 | 0:10:46 | |
and, if you walk up behind a person and, | 0:10:46 | 0:10:50 | |
you know, you stick your finger in the... You know, you just, | 0:10:50 | 0:10:53 | |
-sort of, ram your finger... -Up their bum? | 0:10:53 | 0:10:56 | |
Everybody in every language in the world says, "Hey! Hey!" | 0:10:56 | 0:11:01 | |
LAUGHTER | 0:11:01 | 0:11:03 | |
I'm telling you. I'm telling you. Try it! | 0:11:04 | 0:11:07 | |
Somebody's here from Botswana, right? | 0:11:08 | 0:11:10 | |
I'm telling you. Try it. | 0:11:10 | 0:11:13 | |
They'll say, "Hey! Hey!" | 0:11:13 | 0:11:14 | |
And how many times have you been arrested? | 0:11:17 | 0:11:20 | |
Now, the three of you bring us a Christmas gift, your new movie | 0:11:27 | 0:11:29 | |
Collateral Beauty. | 0:11:29 | 0:11:31 | |
It's out on Boxing Day and it's a really unusual film. | 0:11:31 | 0:11:34 | |
I have heard you guys talking about it. | 0:11:34 | 0:11:37 | |
Because it's, nominally, a comedy, but it's more than that. | 0:11:37 | 0:11:40 | |
It says really, kind of, profound things, in a light, charming way. | 0:11:40 | 0:11:45 | |
I mean, how do you describe it? | 0:11:45 | 0:11:47 | |
Yeah, it's difficult to describe | 0:11:47 | 0:11:48 | |
because there's lots of surprises and things, | 0:11:48 | 0:11:51 | |
so you try to describe it | 0:11:51 | 0:11:52 | |
-without giving away the ending, and things like that. -Exactly. | 0:11:52 | 0:11:56 | |
But my character is a guy who is on top of the world | 0:11:56 | 0:12:00 | |
and he's living the beautiful life and he suffers a loss. | 0:12:00 | 0:12:06 | |
And his life deteriorates. And he... | 0:12:06 | 0:12:09 | |
He gets so angry about his loss he just, one night, | 0:12:09 | 0:12:14 | |
he rants and he writes these three letters | 0:12:14 | 0:12:16 | |
and he writes letters to Love, to Time and to Death. | 0:12:16 | 0:12:20 | |
And in his deteriorated mind space, he mails these letters | 0:12:20 | 0:12:25 | |
and then Love, Time and Death | 0:12:25 | 0:12:28 | |
actually respond to the letters that he wrote. | 0:12:28 | 0:12:31 | |
And, you know, from that point, it's a story of a man | 0:12:31 | 0:12:35 | |
really putting his life back together | 0:12:35 | 0:12:39 | |
with the help of Guardian Angels, essentially. | 0:12:39 | 0:12:42 | |
We've got a little clip which introduces Helen's character | 0:12:42 | 0:12:45 | |
-and then we can talk about it some more. -Absolutely. | 0:12:45 | 0:12:48 | |
They grieve. | 0:12:55 | 0:12:56 | |
Dogs. | 0:12:58 | 0:13:00 | |
They grieve and they fully understand death. | 0:13:00 | 0:13:03 | |
You called me a paper tiger. | 0:13:06 | 0:13:07 | |
In the letter you wrote me. You said I was "pathetic". | 0:13:09 | 0:13:12 | |
You don't remember? | 0:13:15 | 0:13:16 | |
You went on about middle management? Making a deal. Paper tiger. | 0:13:16 | 0:13:21 | |
Oh, Howard, it wasn't that long ago. | 0:13:23 | 0:13:25 | |
Where did you get that? | 0:13:26 | 0:13:28 | |
Who are you? | 0:13:29 | 0:13:31 | |
Who did you write the letter to? | 0:13:31 | 0:13:32 | |
I wrote the letter to Death. | 0:13:35 | 0:13:37 | |
Nice to meet you. Charmed. I'm sure. | 0:13:39 | 0:13:41 | |
-No. -No. | 0:13:43 | 0:13:45 | |
-No. -No. -No. -No. Not going there. | 0:13:51 | 0:13:54 | |
And you get the call, Helen, saying, | 0:13:54 | 0:13:56 | |
"We're casting Death. We thought of you." | 0:13:56 | 0:13:59 | |
I was so insulted! | 0:14:02 | 0:14:04 | |
I read the script first | 0:14:04 | 0:14:05 | |
and I wasn't quite sure who they were going to ask me to play. | 0:14:05 | 0:14:08 | |
They said, "Well, we want you to play Death." Oh, Goddamit! | 0:14:08 | 0:14:12 | |
But, um... But it's... I'm a very... It's a comedic role. | 0:14:14 | 0:14:21 | |
The way I play it. It's a comedy role. | 0:14:21 | 0:14:24 | |
Naomie, there's so many brilliant actress, | 0:14:24 | 0:14:26 | |
Edward Norton, Kate Winslet, so many people, Keira Knightley. | 0:14:26 | 0:14:30 | |
-All the girls... -All the girls, yeah. -All the women are Brits. It's great. | 0:14:30 | 0:14:33 | |
-Was that an accident? How did that happen? -We don't know. | 0:14:33 | 0:14:36 | |
-We'll have to ask David Frankel. -How did that happen? -I just... | 0:14:36 | 0:14:40 | |
You know... I got a little bit of a thing for y'all. | 0:14:40 | 0:14:43 | |
So, Naomie, you're not Love, Time or Death. Who are you? | 0:14:45 | 0:14:48 | |
No. I'm a grief counsellor. Yes. | 0:14:48 | 0:14:51 | |
Who Will's character comes to in his hour of need for help, | 0:14:51 | 0:14:55 | |
-when he thinks he's losing his mind. -OK. | 0:14:55 | 0:14:58 | |
And the whole film shot in New York. | 0:14:58 | 0:15:00 | |
And it's... I love seeing films shot in New York, they're great, | 0:15:00 | 0:15:03 | |
but it must be a difficult thing, | 0:15:03 | 0:15:06 | |
filming on the streets of New York with this man around. | 0:15:06 | 0:15:09 | |
Difficult, but wonderful. | 0:15:09 | 0:15:10 | |
I have to say, you know, when we shot that scene in the park, | 0:15:10 | 0:15:14 | |
we shot it in a neighbourhood on the outskirts of New York, | 0:15:14 | 0:15:17 | |
quite a black neighbourhood, | 0:15:17 | 0:15:19 | |
and, obviously, word goes out that Will's around... | 0:15:19 | 0:15:22 | |
Because I'm black, too! | 0:15:22 | 0:15:24 | |
There's another one! | 0:15:26 | 0:15:27 | |
And he's famous! | 0:15:29 | 0:15:31 | |
But they absolutely love him, so they were so excited | 0:15:31 | 0:15:35 | |
and the kids all came, you know, from miles around. | 0:15:35 | 0:15:39 | |
There were hundreds of people | 0:15:39 | 0:15:41 | |
and, you know, it was quite a serious scene. | 0:15:41 | 0:15:43 | |
After every take, Will went off and just hung with the people who were there, | 0:15:43 | 0:15:48 | |
took photographs with them. | 0:15:48 | 0:15:50 | |
You know, did whatever they wanted him to do, met their mums. | 0:15:50 | 0:15:53 | |
talked to their dads. He was amazing. | 0:15:53 | 0:15:56 | |
And then he'd come back, sit down and play a serious scene. | 0:15:56 | 0:15:59 | |
I was really, really impressed by that. It was fantastic. | 0:15:59 | 0:16:04 | |
-Oh, thank you. -And that's true every day on the set | 0:16:04 | 0:16:06 | |
because when I worked with him, as well, he did exactly the same thing. | 0:16:06 | 0:16:09 | |
And, one day, I asked him why do you do this? | 0:16:09 | 0:16:12 | |
How do you have so much energy to give so much to so many people? | 0:16:12 | 0:16:15 | |
And he said because everybody that you meet is going through something. | 0:16:15 | 0:16:19 | |
So, you have the opportunity to offer them happiness | 0:16:19 | 0:16:22 | |
and some light in their day, so why not do it? | 0:16:22 | 0:16:24 | |
I think that is you all over. | 0:16:24 | 0:16:27 | |
CHEERING AND APPLAUSE | 0:16:27 | 0:16:29 | |
Thank you. Thank you. | 0:16:29 | 0:16:31 | |
Can I add, though. He's also very annoying. | 0:16:33 | 0:16:38 | |
-No... It's funny... -Like an annoying older brother. | 0:16:41 | 0:16:44 | |
That's what he's like. | 0:16:44 | 0:16:45 | |
What's really funny is, like, Naomie is so... | 0:16:45 | 0:16:49 | |
serious and she's so focused on set | 0:16:49 | 0:16:53 | |
that she never sees the practical joke coming. Right? | 0:16:53 | 0:16:56 | |
She just never sees. | 0:16:56 | 0:16:59 | |
Like, I had a thing where I had a little bit of an injury. | 0:16:59 | 0:17:04 | |
It's called dog jaw. | 0:17:04 | 0:17:06 | |
I don't know. Have you ever... | 0:17:06 | 0:17:09 | |
-I don't think I have. -Here, feel that. | 0:17:09 | 0:17:11 | |
-Raargh! -OH! | 0:17:12 | 0:17:14 | |
LAUGHTER AND APPLAUSE | 0:17:14 | 0:17:16 | |
I'm with you, Naomie, really annoying! | 0:17:21 | 0:17:24 | |
That's the type of stuff I would get her with all the time! | 0:17:30 | 0:17:33 | |
Really, really annoying. | 0:17:37 | 0:17:39 | |
The other thing, though, you weren't... | 0:17:42 | 0:17:45 | |
What was the other thing, he used to tease you about on set? | 0:17:45 | 0:17:48 | |
Oh, yeah. Yeah. Because I stupidly... | 0:17:48 | 0:17:51 | |
Never show weakness to Will. | 0:17:51 | 0:17:53 | |
I told him this story about one of the first movies that I ever did | 0:17:54 | 0:17:57 | |
where I got dressed up for the premiere and, you know, | 0:17:57 | 0:18:01 | |
went with my family and friends to this premiere | 0:18:01 | 0:18:03 | |
and the movie started | 0:18:03 | 0:18:05 | |
and my part came on | 0:18:05 | 0:18:07 | |
but it wasn't me. | 0:18:07 | 0:18:09 | |
I had been replaced by another actress. | 0:18:09 | 0:18:12 | |
-AUDIENCE GASP -See, the audience sympathise. | 0:18:12 | 0:18:14 | |
-Will, on the other hand... -I was crying! | 0:18:15 | 0:18:18 | |
I thought that was the funniest crap I ever heard! | 0:18:20 | 0:18:23 | |
She brought her family! | 0:18:23 | 0:18:26 | |
At the screening, she took pictures. | 0:18:28 | 0:18:31 | |
-You did the red carpet and everything? -I did the red carpet. | 0:18:32 | 0:18:35 | |
I did all the interviews, everything. No-one told me. | 0:18:35 | 0:18:37 | |
In this movie, to the director David Frankel, I was, like, | 0:18:37 | 0:18:41 | |
"Dude, you have to do a cut where she's not in it!" | 0:18:41 | 0:18:44 | |
Cut her out. | 0:18:44 | 0:18:45 | |
We have to find her family and show her the one that she's not in. | 0:18:45 | 0:18:49 | |
Now, we have another clip from Collateral Beauty. | 0:18:51 | 0:18:54 | |
I'm reliably informed that, Naomie, you are in this clip. | 0:18:54 | 0:18:58 | |
It's really you. | 0:18:59 | 0:19:00 | |
-There's a thing called bereavement hallucinations? -Yes. -Right. | 0:19:02 | 0:19:07 | |
OK, so, I... | 0:19:07 | 0:19:10 | |
I looked them up | 0:19:10 | 0:19:12 | |
-and here's the thing. I don't sleep. -OK. | 0:19:12 | 0:19:16 | |
Like, not a lot. I mean, I sleep, but... | 0:19:16 | 0:19:20 | |
I get, like, six or seven hours a week. | 0:19:22 | 0:19:26 | |
-Now I think about it, that's probably why... -Why what? | 0:19:27 | 0:19:30 | |
I'm having conversations... | 0:19:36 | 0:19:39 | |
Mm-hm. | 0:19:40 | 0:19:42 | |
I mean, conversations. | 0:19:44 | 0:19:47 | |
OK. | 0:19:47 | 0:19:49 | |
It's OK. Never mind. | 0:19:52 | 0:19:53 | |
-Howie. -Yeah? | 0:19:55 | 0:19:57 | |
D'you want to have a conversation with me? | 0:19:58 | 0:19:59 | |
Er, yes. | 0:20:01 | 0:20:03 | |
APPLAUSE Beautiful. | 0:20:03 | 0:20:06 | |
And...we must say... a big congratulations to Naomie. | 0:20:07 | 0:20:13 | |
Golden Globe nomination, Screen Actors Guild nomination. | 0:20:13 | 0:20:17 | |
CHEERING AND APPLAUSE | 0:20:17 | 0:20:19 | |
Yeah! | 0:20:19 | 0:20:22 | |
-For Moonlight. Have either of you seem Moonlight? -I have. | 0:20:22 | 0:20:25 | |
-It's beautiful, isn't it? -It's beautiful. She's brilliant. | 0:20:25 | 0:20:28 | |
-Yeah. -Unbelievable. -I watched it last night. It's gorgeous. | 0:20:28 | 0:20:32 | |
It doesn't actually open here until the 10th of February. | 0:20:32 | 0:20:36 | |
What's that thing that you nearly didn't do it? | 0:20:36 | 0:20:38 | |
-You weren't going to do it? -Yeah. So stupid. | 0:20:38 | 0:20:40 | |
I feel such an idiot now. Yeah, I didn't want to do it | 0:20:40 | 0:20:43 | |
because I didn't want to play a crack addict. | 0:20:43 | 0:20:46 | |
You know, I wanted to portray positive images of women, | 0:20:46 | 0:20:48 | |
in general, black women in particular | 0:20:48 | 0:20:50 | |
and I thought a crack addict wasn't part of that. | 0:20:50 | 0:20:52 | |
So, I stupidly was about to say no and then the director said, | 0:20:52 | 0:20:56 | |
"Look, I'm basically asking you to play my mum." | 0:20:56 | 0:20:58 | |
And I thought, I've never had anyone asked me to play their mum before | 0:20:58 | 0:21:01 | |
because that's his story, basically. | 0:21:01 | 0:21:04 | |
And you're unrecognisable in it. | 0:21:04 | 0:21:06 | |
I mean, it's extraordinary. | 0:21:06 | 0:21:07 | |
I'd just worked with her, you know, doing this movie | 0:21:07 | 0:21:11 | |
and I go to see Moonlight and I'm sitting there, going, | 0:21:11 | 0:21:13 | |
"That looks like Naomie." | 0:21:13 | 0:21:16 | |
Then I go, "No, it can't be Naomie because, you know, I know Naomie." | 0:21:16 | 0:21:21 | |
She's a British girl. | 0:21:21 | 0:21:22 | |
You know, and she's very beautiful and elegant and articulate. | 0:21:22 | 0:21:27 | |
And there's this crack mother on it. | 0:21:27 | 0:21:30 | |
"No, it can't be her. It's just... | 0:21:30 | 0:21:33 | |
"But it does look like her." | 0:21:34 | 0:21:36 | |
It's like, "Did she really do crack for that?" | 0:21:36 | 0:21:39 | |
Well, listen, good luck with all the awards | 0:21:46 | 0:21:48 | |
and be careful on those carpets because there are not easy. | 0:21:48 | 0:21:52 | |
Helen, what happened here? This is at Cannes. | 0:21:52 | 0:21:54 | |
This picture went all over the world. What happened to you? | 0:21:54 | 0:21:57 | |
-Because people said you fell. -No, no. I didn't fall. I didn't. | 0:21:57 | 0:22:00 | |
-It wasn't at Cannes. It was at Venice. -Oh, was it Venice? -Yeah. | 0:22:00 | 0:22:03 | |
-I think it was Venice. No, maybe it was Cannes. -Listen, | 0:22:03 | 0:22:06 | |
-you playing into the picture now. -No, it was Cannes. -The client... | 0:22:06 | 0:22:11 | |
No, it was Cannes. | 0:22:12 | 0:22:13 | |
That was so not what happened. | 0:22:21 | 0:22:24 | |
It was a staircase and you're going up the staircase | 0:22:24 | 0:22:26 | |
and there's the president of the thing | 0:22:26 | 0:22:28 | |
and you're supposed to say hello | 0:22:28 | 0:22:29 | |
and, as I came up, I noticed his shoelace was undone. | 0:22:29 | 0:22:33 | |
As I came up, I went, you know, "Your shoelace is undone. | 0:22:33 | 0:22:35 | |
"I'm going to do it up for you." He went, "Oh, no, no, no." | 0:22:35 | 0:22:38 | |
"It's all right. I'll do it for you." | 0:22:38 | 0:22:39 | |
So, I sank very gracefully to my knees, you know, very elegantly. | 0:22:39 | 0:22:43 | |
-I don't know how... -LAUGHTER | 0:22:43 | 0:22:46 | |
This is quite the story! | 0:22:46 | 0:22:48 | |
Look at the guy on the right. He's laughing. | 0:22:48 | 0:22:52 | |
Because you fell! | 0:22:52 | 0:22:54 | |
No! | 0:22:54 | 0:22:56 | |
You would have been laughing. | 0:22:56 | 0:22:58 | |
I didn't fall. | 0:23:00 | 0:23:01 | |
Actually, we've got a picture of you, Will, on the red carpet. | 0:23:01 | 0:23:05 | |
-See, see... I shouldn't. -There you go. | 0:23:05 | 0:23:07 | |
Hey! Hey! | 0:23:09 | 0:23:11 | |
-Hey! Hey! Hey! -That's the hey-hey game. She was, "Hey! HEY!" | 0:23:11 | 0:23:15 | |
Oh, you're my husband. | 0:23:17 | 0:23:19 | |
Now, very quickly, | 0:23:19 | 0:23:20 | |
as it's Christmas time, | 0:23:20 | 0:23:22 | |
and we have the nearest thing to royalty on our sofa. | 0:23:22 | 0:23:25 | |
Dame Helen, I wonder, would you do us a little Christmas message? | 0:23:25 | 0:23:28 | |
An inspirational Christmas message. Now, what we're doing, | 0:23:28 | 0:23:30 | |
if you move down to the end of the sofa, | 0:23:30 | 0:23:32 | |
so that the Christmas tree is in behind you. | 0:23:32 | 0:23:35 | |
-Oh, man! -OK. -It's like good production. | 0:23:35 | 0:23:38 | |
-There are words up there. -Yes. -OK. | 0:23:38 | 0:23:41 | |
-Are you all set. Whoa! Oh! Oh! -Hey! Hey! | 0:23:41 | 0:23:44 | |
LAUGHTER AND APPLAUSE | 0:23:44 | 0:23:46 | |
We're not going to have a hey hey! | 0:23:48 | 0:23:50 | |
-It has to come when you're not expecting it. -Yeah, yeah! | 0:24:06 | 0:24:10 | |
OK. So, if you look down, we've got some suitable music for you. | 0:24:10 | 0:24:14 | |
-Here we go. -OK. | 0:24:14 | 0:24:15 | |
Hello. | 0:24:20 | 0:24:23 | |
At this time of celebration and togetherness, | 0:24:23 | 0:24:25 | |
we have the chance to reflect on the year gone by | 0:24:25 | 0:24:29 | |
and I think we can all agree | 0:24:29 | 0:24:31 | |
that 2016 has been a big pile of shit. | 0:24:31 | 0:24:35 | |
LAUGHTER | 0:24:35 | 0:24:36 | |
So, my advice to you is drink responsibly and be merry. | 0:24:44 | 0:24:49 | |
Have a very happy Christmas but, above all, | 0:24:49 | 0:24:52 | |
go see Collateral Beauty, out on Boxing Day, | 0:24:52 | 0:24:56 | |
at all good cinemas. | 0:24:56 | 0:24:59 | |
CHEERING AND APPLAUSE | 0:24:59 | 0:25:00 | |
And that's Helen. Out. | 0:25:02 | 0:25:04 | |
Very good. | 0:25:12 | 0:25:14 | |
Right. Time to meet my next guest. | 0:25:14 | 0:25:16 | |
He's gone from The Office to the Shires | 0:25:16 | 0:25:19 | |
and all the way to Baker Street. | 0:25:19 | 0:25:21 | |
As one of the stars of the much awaited new series of Sherlock, | 0:25:21 | 0:25:24 | |
the doctor will see us now. It's Martin Freeman, everybody. | 0:25:24 | 0:25:27 | |
CHEERING AND APPLAUSE | 0:25:27 | 0:25:28 | |
Hey! Dapper! Dapper! | 0:25:28 | 0:25:30 | |
-Lovely to see you. -Lovely to meet you. Nice to meet you. | 0:25:30 | 0:25:35 | |
-Hello, darling, how are you doing? -Hello. Nice to see you. | 0:25:35 | 0:25:38 | |
Nice to see you. Are you all right? | 0:25:38 | 0:25:40 | |
That was close! | 0:25:46 | 0:25:48 | |
You have to be quick. | 0:25:48 | 0:25:50 | |
It won't happen a second time. | 0:25:50 | 0:25:51 | |
Aah! | 0:25:51 | 0:25:52 | |
Now, Sherlock. Sherlock is back. | 0:25:52 | 0:25:55 | |
AUDIENCE WHOOP Yes! They're excited. | 0:25:55 | 0:25:58 | |
First episode is on the 1st of January | 0:25:58 | 0:26:00 | |
and then two more on the following Sundays. | 0:26:00 | 0:26:03 | |
Now, do you all watch the Sherlock? | 0:26:03 | 0:26:05 | |
-Oh, I watch Sherlock, yes. -Don't embarrass me | 0:26:05 | 0:26:07 | |
because if it's no, it'll just look bad. | 0:26:07 | 0:26:09 | |
-Because, for what is essentially, it is a BBC drama... -Yeah. | 0:26:09 | 0:26:14 | |
-..but it's global, beyond belief, isn't it? -Yes, it is. | 0:26:14 | 0:26:17 | |
It's had a real life of its own. | 0:26:17 | 0:26:19 | |
Almost from the first episode, actually. | 0:26:19 | 0:26:22 | |
From the time the first episode went out, the reaction was... | 0:26:22 | 0:26:26 | |
extraordinary. I've never known anything like it. | 0:26:26 | 0:26:28 | |
And they shoved it out in the summer, as well. | 0:26:28 | 0:26:30 | |
-It was as if they didn't think we would like it. -I know. | 0:26:30 | 0:26:32 | |
We were all worried because it was due to go out... | 0:26:32 | 0:26:34 | |
I can't remember when it was due to go out, but it ended up | 0:26:34 | 0:26:36 | |
going out a couple of months earlier and we were up in arms, | 0:26:36 | 0:26:39 | |
thinking no-one's going to watch it and it's going to be disastrous | 0:26:39 | 0:26:41 | |
and, actually, it made no difference. People liked it. | 0:26:41 | 0:26:44 | |
And it's so extraordinary. You've been in something as big as a big movie franchise, The Hobbit, | 0:26:44 | 0:26:47 | |
but Benedict Cumberbatch was here and he was saying | 0:26:47 | 0:26:50 | |
that when he got recognised, | 0:26:50 | 0:26:52 | |
he was filming in Nepal and they recognised him from Sherlock. | 0:26:52 | 0:26:56 | |
That's only because he carries a picture around with him. | 0:26:56 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:00 | |
He's always doing that. | 0:27:00 | 0:27:03 | |
But you must get that, too. | 0:27:03 | 0:27:05 | |
Yeah. It's a big show. It definitely...yeah, | 0:27:05 | 0:27:07 | |
it reaches parts that other programmes cannot reach. | 0:27:07 | 0:27:11 | |
Yeah. Yes, it's delightful. | 0:27:11 | 0:27:14 | |
I can't remember whether I've said this to you. | 0:27:14 | 0:27:17 | |
Do you know when someone comes up to you if this is, here we go, Hobbiton? | 0:27:17 | 0:27:21 | |
-Yes, I do. -You do? -I do. -What's the difference? | 0:27:21 | 0:27:24 | |
There's a sort of age demographic slightly different. I think. | 0:27:24 | 0:27:28 | |
I think, usually, if it's, with all respect to anyone | 0:27:28 | 0:27:31 | |
who is, or isn't, this thing, I think, | 0:27:31 | 0:27:33 | |
if it's a female between 16 and 25 I know that's going to be Sherlock. | 0:27:33 | 0:27:36 | |
WHOOPS | 0:27:36 | 0:27:38 | |
Yeah. | 0:27:38 | 0:27:40 | |
There. That's the way that works. | 0:27:40 | 0:27:42 | |
It's that thing of being recognised where you don't expect it. | 0:27:42 | 0:27:46 | |
Where's the oddest place you've been recognised, Will? | 0:27:46 | 0:27:49 | |
How far afield? Have you been in a jungle, | 0:27:49 | 0:27:51 | |
on top of a mountain somewhere? | 0:27:51 | 0:27:53 | |
Yeah. We were shooting Ali in Mozambique. | 0:27:53 | 0:27:57 | |
And we were walking through a village, | 0:27:57 | 0:28:01 | |
you know, 50 miles outside of the major city | 0:28:01 | 0:28:05 | |
and there was a woman washing her clothes in the river. | 0:28:05 | 0:28:09 | |
There was no electricity in the place. | 0:28:09 | 0:28:12 | |
I walked by and she said, "Big Willie!" | 0:28:12 | 0:28:15 | |
LAUGHTER | 0:28:15 | 0:28:17 | |
What? Get out of... How do you know? | 0:28:20 | 0:28:22 | |
That's amazing. | 0:28:25 | 0:28:26 | |
Maybe in her language, it meant something different. | 0:28:26 | 0:28:30 | |
"What are you doing here?" You know. | 0:28:30 | 0:28:33 | |
You were saying, Helen, you get... It's queues. | 0:28:34 | 0:28:37 | |
Queues are dangerous for you? | 0:28:37 | 0:28:39 | |
-Queues for the toilet. -Oh! | 0:28:39 | 0:28:41 | |
When you get recognised in a queue for the toilet. | 0:28:41 | 0:28:44 | |
And women's, you know, women's bathrooms, in theatres | 0:28:44 | 0:28:48 | |
and places like that, there's always a huge great long queue | 0:28:48 | 0:28:51 | |
and that is not an easy place to be recognised. | 0:28:51 | 0:28:54 | |
Because you can't... You're stuck. You have to have... | 0:28:54 | 0:28:58 | |
And then other people in the queue, and then word goes out | 0:28:58 | 0:29:00 | |
and now you're having a conversation with this whole queue of people. | 0:29:00 | 0:29:04 | |
All the time, slowly moving towards the cabinet that's empty | 0:29:04 | 0:29:08 | |
and knowing that everybody's going to be listening once you're in. | 0:29:08 | 0:29:13 | |
LAUGHTER | 0:29:13 | 0:29:16 | |
It's mortifying! | 0:29:17 | 0:29:19 | |
-Judging you. -Yes. | 0:29:19 | 0:29:20 | |
For men, it's if you get recognised at the urinal. | 0:29:20 | 0:29:24 | |
That must be. Yes, yes. | 0:29:24 | 0:29:27 | |
Hey. Hey. Hey! | 0:29:27 | 0:29:30 | |
Yeah, man. Sherlock! How are you doing? | 0:29:30 | 0:29:33 | |
Dude, dude. | 0:29:34 | 0:29:36 | |
That happened to me. | 0:29:36 | 0:29:37 | |
I was at a gig, years ago, I was at the urinal and it was, | 0:29:37 | 0:29:40 | |
the interval, or whatever, | 0:29:40 | 0:29:41 | |
and there were two guys and they both clocked me. | 0:29:41 | 0:29:44 | |
I think this was from Office days, you know. | 0:29:44 | 0:29:46 | |
And they both clocked me and looked at each other and went, | 0:29:46 | 0:29:48 | |
-"Has he got a big one?" -LAUGHTER | 0:29:48 | 0:29:51 | |
He was literally properly having a little... | 0:29:51 | 0:29:54 | |
See, women are lucky! | 0:29:55 | 0:29:58 | |
That's terrible. | 0:29:58 | 0:30:00 | |
-Because Bond must have had a similar effect on your life. -No. | 0:30:00 | 0:30:03 | |
-No. I rarely get recognised. It's fantastic. -That is great. | 0:30:03 | 0:30:09 | |
I think I have a sort of chameleon face | 0:30:09 | 0:30:11 | |
so you don't generally recognise me. I can go pretty much anywhere. | 0:30:11 | 0:30:14 | |
Not now. | 0:30:14 | 0:30:16 | |
Seriously. I could sit under posters of myself and... | 0:30:16 | 0:30:20 | |
Seriously. I'm serious. | 0:30:21 | 0:30:23 | |
On the tube. | 0:30:23 | 0:30:25 | |
Now, we have a Christmas tradition on the show. | 0:30:29 | 0:30:31 | |
Somebody comes on for the new Sherlock | 0:30:31 | 0:30:34 | |
and can't tell us anything about it. | 0:30:34 | 0:30:36 | |
So, what can you tell us about it? | 0:30:36 | 0:30:39 | |
Um, that it's on on January the 1st | 0:30:39 | 0:30:43 | |
and, my character and Mary, John and Mary have a baby now. | 0:30:43 | 0:30:48 | |
I saw a picture of this. We have a picture. There's evidence. | 0:30:48 | 0:30:52 | |
Now, Sherlock looks like he's never seen a baby before. | 0:30:52 | 0:30:55 | |
Like, this is the mystery he can't solve. | 0:30:56 | 0:30:59 | |
And that would be absolutely right, yeah. | 0:30:59 | 0:31:02 | |
Because Sherlock is not the world's greatest touchy-feely person. | 0:31:02 | 0:31:06 | |
So the fact that this baby has come into the picture | 0:31:06 | 0:31:09 | |
is, yeah, pretty baffling for Sherlock. | 0:31:09 | 0:31:11 | |
Don't take this the wrong way | 0:31:11 | 0:31:13 | |
but you do look slightly like the new family in Albert Square. | 0:31:13 | 0:31:15 | |
LAUGHTER | 0:31:15 | 0:31:18 | |
The Sherlocks have moved in to number 11. | 0:31:18 | 0:31:22 | |
I don't take that the wrong way. | 0:31:22 | 0:31:24 | |
OK. This is a clip. You brought this. This is an exclusive clip. | 0:31:25 | 0:31:28 | |
I brought this, yeah. I brought it on my bike, yeah. | 0:31:28 | 0:31:31 | |
-It was very good of you. -Under me arm. | 0:31:31 | 0:31:34 | |
-This is... I think it's self-explanatory. -OK. | 0:31:34 | 0:31:38 | |
-So, how's it going then, fatherhood? -Oh, good. Great. Yeah. Amazing. | 0:31:38 | 0:31:41 | |
-Getting any sleep? -Christ, no. | 0:31:41 | 0:31:43 | |
Beck and call of a screaming, demanding baby, | 0:31:43 | 0:31:46 | |
woken up at all hours to obey his every whim? | 0:31:46 | 0:31:49 | |
-Must feel very different. -Sorry. What? -Yes, well, you know how it is. | 0:31:49 | 0:31:53 | |
All you do is clean up their mess, pat them on the head. | 0:31:53 | 0:31:55 | |
-You two having a little joke? -Never a word of thanks. | 0:31:55 | 0:31:58 | |
-Can't even tell people's faces apart. -This is a joke, isn't it? | 0:31:58 | 0:32:02 | |
And it's all, "Aren't you clever? You're so, so clever." | 0:32:02 | 0:32:04 | |
Is it about me? | 0:32:04 | 0:32:05 | |
-I think he needs winding. -You know, I think that really might be it. | 0:32:05 | 0:32:08 | |
No. Don't get it. | 0:32:08 | 0:32:10 | |
CHEERING AND APPLAUSE | 0:32:10 | 0:32:12 | |
We were talking earlier about filming in New York with Will Smith, | 0:32:17 | 0:32:20 | |
but Sherlock must be just the same problem. | 0:32:20 | 0:32:24 | |
It's way more popular than Will Smith. | 0:32:24 | 0:32:26 | |
I mean, it's not a competition. | 0:32:27 | 0:32:29 | |
No, it's pretty crazy here. Yeah. | 0:32:31 | 0:32:33 | |
Do the writers take that into account | 0:32:33 | 0:32:35 | |
-so there can't be plot spoilers outside? -Kind of. | 0:32:35 | 0:32:38 | |
I mean, like everything we all do now, | 0:32:38 | 0:32:41 | |
we all have to sign up our lives to secrecy. | 0:32:41 | 0:32:43 | |
So, I think we're all very aware of that. | 0:32:43 | 0:32:46 | |
I think, once it's become clear that | 0:32:46 | 0:32:49 | |
if we're stationary on a street it becomes like an event. | 0:32:49 | 0:32:53 | |
You have to be very mindful. | 0:32:53 | 0:32:55 | |
If you're saying dialogue that's giving away plot. You know. | 0:32:55 | 0:32:59 | |
I think they don't tend to write plot stuff in public | 0:32:59 | 0:33:03 | |
because people are either filming it or... | 0:33:03 | 0:33:05 | |
And are people respectful or do they try to ruin takes? | 0:33:05 | 0:33:08 | |
They never try and ruin takes. I mean, they're very respectful. | 0:33:08 | 0:33:10 | |
Sometimes they can't... | 0:33:10 | 0:33:12 | |
Well, I think we've all learned to live with each other better | 0:33:12 | 0:33:16 | |
over the years because I think, at first, | 0:33:16 | 0:33:18 | |
people would come and they would clap takes. | 0:33:18 | 0:33:21 | |
You're like, "No, because you've just ruined the take there." | 0:33:21 | 0:33:24 | |
But they are very respectful. | 0:33:24 | 0:33:26 | |
They stay out all hours and they're lovely people. Yeah. | 0:33:26 | 0:33:30 | |
I guess it must be a little bit different in America. | 0:33:30 | 0:33:33 | |
Because, you know, you're doing a scene and, specifically, | 0:33:33 | 0:33:37 | |
like, black people in America it's, like, "Hey, Will! Will!" | 0:33:37 | 0:33:41 | |
"That ain't funny, man. You better get hold of a better line." | 0:33:41 | 0:33:44 | |
LAUGHTER | 0:33:44 | 0:33:48 | |
Yeah. That would be difficult. | 0:33:48 | 0:33:50 | |
"We figured it out, Sherlock. We know who did it!" | 0:33:51 | 0:33:54 | |
Now, we're about to have a musical performance tonight. | 0:33:55 | 0:34:00 | |
But before we do, now, obviously, Will Smith, | 0:34:00 | 0:34:03 | |
a very accomplished rapper. | 0:34:03 | 0:34:05 | |
-But Martin Freeman... -Oi! Come on! | 0:34:05 | 0:34:07 | |
Martin Freeman, I don't know how... He's an expert beatboxer. | 0:34:09 | 0:34:12 | |
-Wow! -Yes. An expert. -Genuinely, not true. | 0:34:12 | 0:34:16 | |
Do you drop beats? How do you...? | 0:34:18 | 0:34:21 | |
Me, I tend to drop 'em, really. | 0:34:21 | 0:34:24 | |
-Drop 'em? I tend to drop a fat beat, now and then. -Yeah. | 0:34:24 | 0:34:28 | |
None of this is true. | 0:34:28 | 0:34:30 | |
We're about to see evidence. | 0:34:30 | 0:34:32 | |
This is really impressive. | 0:34:32 | 0:34:34 | |
-It's quite funny but it's impressive. -Really impressive? | 0:34:34 | 0:34:36 | |
Well, I found it impressive. This is... | 0:34:36 | 0:34:40 | |
-In my head, Ali G Indahouse was a recent film. -Yeah. | 0:34:40 | 0:34:44 | |
That's because we're getting old. | 0:34:44 | 0:34:46 | |
In fact, it was 12 years ago. | 0:34:46 | 0:34:47 | |
-Yeah. -12 years ago. So, a fresh-faced... | 0:34:47 | 0:34:49 | |
-It's actually more than 12 years ago. -Oh, is it more? | 0:34:49 | 0:34:52 | |
We filmed it 15 years ago. | 0:34:52 | 0:34:54 | |
-We filmed it in 2001. Yeah. -Wow! | 0:34:54 | 0:34:56 | |
Well, here's a very fresh-faced Martin Freeman in Ali G Indahouse, | 0:34:56 | 0:35:01 | |
dropping, let's say dropping, some beats. | 0:35:01 | 0:35:03 | |
Droppin' beats. | 0:35:03 | 0:35:05 | |
HE BEATBOXES JUNGLE BEAT | 0:35:05 | 0:35:07 | |
Wicked! | 0:35:07 | 0:35:08 | |
Wicked! | 0:35:09 | 0:35:11 | |
Wicked now, wicked now, wicked! | 0:35:13 | 0:35:15 | |
# Me got the chick-ahn Me like the chick-ahn! | 0:35:15 | 0:35:17 | |
# Me got the chicken-wicken a-rockin' and a-pickin' | 0:35:17 | 0:35:21 | |
# Me got... | 0:35:21 | 0:35:22 | |
# A to the L to the I to the G Ali G, that's me, that's me | 0:35:22 | 0:35:25 | |
# A to the L to the I to the G That's G, that's me, that's me | 0:35:25 | 0:35:28 | |
# R to the I to the C to the K to the Y | 0:35:28 | 0:35:30 | |
# That's Ricky C Ricky C to the C to the C | 0:35:30 | 0:35:33 | |
# Ricky C... # | 0:35:33 | 0:35:34 | |
-Wait a sec. I is gonna be late for me class. -Oh. -Let's go. | 0:35:34 | 0:35:37 | |
-LAUGHTER AND APPLAUSE That's good! -Yeah. | 0:35:37 | 0:35:40 | |
Very good. | 0:35:40 | 0:35:41 | |
-That's on the edge of expert. -Yeah. -That's on the edge of expert. -Yeah. | 0:35:43 | 0:35:47 | |
-Yeah. -Which edge? | 0:35:47 | 0:35:48 | |
OK! It's music time, and this is a lovely Christmas treat. | 0:35:50 | 0:35:53 | |
This lady is one of the UK's top-selling artists. | 0:35:53 | 0:35:56 | |
She's sold 12 million albums worldwide and she's here tonight | 0:35:56 | 0:35:59 | |
with the Gori Women's Choir performing The Little Swallow. | 0:35:59 | 0:36:02 | |
Please welcome Katie Melua. | 0:36:02 | 0:36:04 | |
CHEERING AND APPLAUSE | 0:36:04 | 0:36:08 | |
THEY SING IN UKRAINIAN | 0:36:09 | 0:36:13 | |
CHEERING AND APPLAUSE | 0:37:47 | 0:37:49 | |
Stunning! | 0:37:52 | 0:37:53 | |
So beautiful. | 0:37:56 | 0:37:58 | |
Katie Melua... and the Gori Women's Choir! | 0:37:58 | 0:38:02 | |
Come and join us, do, Katie Melua. | 0:38:02 | 0:38:04 | |
CHEERING AND APPLAUSE | 0:38:04 | 0:38:06 | |
Mind yourself. There's traps and all sorts. | 0:38:06 | 0:38:08 | |
There you go. That was beautiful. | 0:38:08 | 0:38:10 | |
Katie Melua, everybody. CHEERING AND APPLAUSE | 0:38:11 | 0:38:14 | |
You sit here beside Helen. | 0:38:14 | 0:38:15 | |
Katie Melua. | 0:38:15 | 0:38:17 | |
Lovely, lovely. | 0:38:17 | 0:38:19 | |
-Very good. -How are you? Absolutely... -Thank you. | 0:38:19 | 0:38:21 | |
-Aw. -..beautiful. -Thank you. -Beautiful, beautiful. | 0:38:21 | 0:38:24 | |
Beautiful, beautiful. | 0:38:24 | 0:38:25 | |
Well, if people didn't feel Christmasy before, they do now. | 0:38:25 | 0:38:27 | |
-That is from the album In Winter, which is obviously out now. -It is. | 0:38:27 | 0:38:32 | |
Still time to gift it to someone. LAUGHTER | 0:38:32 | 0:38:35 | |
So, the Gori Women's Choir, they're from Georgia. | 0:38:35 | 0:38:38 | |
Georgia, yeah, which is the country of my birth. | 0:38:38 | 0:38:41 | |
And I lived there until I was eight before I moved over to the UK. | 0:38:41 | 0:38:44 | |
Cos there's a Gorey in County Wicklow in Ireland as well. | 0:38:44 | 0:38:46 | |
-Oh, is there? -Yes! I thought, "Oh, she's got the Gorey Women's Choir." | 0:38:46 | 0:38:49 | |
And then..."No. Oh, no." LAUGHTER | 0:38:49 | 0:38:51 | |
No. They're from my hood. | 0:38:51 | 0:38:54 | |
Yeah, so, you're touring with a choir now, | 0:38:54 | 0:38:58 | |
so you're hanging around London. | 0:38:58 | 0:38:59 | |
So, are you the go-to person? | 0:38:59 | 0:39:01 | |
You know, do you have to know everything? | 0:39:01 | 0:39:03 | |
-Like, "Where is there a cash point? Katie?" -Yeah. | 0:39:03 | 0:39:05 | |
-LAUGHTER -Pretty much. | 0:39:05 | 0:39:07 | |
So, they landed here a few months ago | 0:39:07 | 0:39:09 | |
just before our European tour, and I suddenly thought, | 0:39:09 | 0:39:14 | |
"OK, I've got the album out. We're going on the road." | 0:39:14 | 0:39:16 | |
And I realised, "But I've got a show in London." | 0:39:16 | 0:39:18 | |
You know, cos it's their first time in the UK, | 0:39:18 | 0:39:20 | |
and so I thought, "Right, we'll go to St Paul's Cathedral. | 0:39:20 | 0:39:23 | |
"We'll go up to Hampstead Heath, look at London." | 0:39:23 | 0:39:26 | |
You know, all the beautiful... Buckingham Palace. | 0:39:26 | 0:39:28 | |
And the thing they wanted to do the most was Madame Tussauds. | 0:39:28 | 0:39:31 | |
LAUGHTER So, did you do Madame Tussauds? | 0:39:31 | 0:39:34 | |
They did do Madame Tussauds. | 0:39:34 | 0:39:36 | |
I couldn't take them, but, you know, we got them tickets | 0:39:36 | 0:39:39 | |
and we sent them there and they absolutely loved it. | 0:39:39 | 0:39:41 | |
Now, they were meant to fly back a few days ago, | 0:39:41 | 0:39:43 | |
but you're kind of a big deal, Graham. | 0:39:43 | 0:39:46 | |
And not only are you a big deal, | 0:39:46 | 0:39:48 | |
-but everyone here is a bit of a big deal. -Yes. | 0:39:48 | 0:39:50 | |
And so I said to them, "Please stay a few more days. | 0:39:50 | 0:39:52 | |
"Let's do The Graham Norton Show | 0:39:52 | 0:39:54 | |
"and instead of taking pictures with the Madame Tussauds dummies, | 0:39:54 | 0:39:57 | |
-"you can actually maybe do the..." -These dummies. | 0:39:57 | 0:39:59 | |
-Yeah. -LAUGHTER | 0:39:59 | 0:40:02 | |
Cos... I don't know. You... They flew you in. | 0:40:03 | 0:40:06 | |
You were a guest in Madame Tussauds or something. A waxwork of you. | 0:40:06 | 0:40:09 | |
-Oh, no. -There's a picture of you. There you are. -Yeah. | 0:40:09 | 0:40:13 | |
-Go on, son. -Yeah. | 0:40:13 | 0:40:14 | |
LAUGHTER Oh, that's good! | 0:40:14 | 0:40:17 | |
-Yeah, it's uncanny. -That's amazing. | 0:40:17 | 0:40:19 | |
That's creepy! LAUGHTER | 0:40:19 | 0:40:22 | |
-Wow. -Yeah, it's real crazy. It's real... Yeah. | 0:40:22 | 0:40:25 | |
And, Helen, they did a whole big thing for your birthday. | 0:40:25 | 0:40:28 | |
-They did three of me. -Yes. -Three different ones. | 0:40:28 | 0:40:30 | |
There you are as the Queen. | 0:40:30 | 0:40:33 | |
-Yes. Doesn't look anything like the Queen, or me, really. -LAUGHTER | 0:40:33 | 0:40:37 | |
There is one that looks incredibly disturbing. | 0:40:37 | 0:40:39 | |
That one looks like Dustin Hoffman in Tootsie. | 0:40:39 | 0:40:42 | |
LAUGHTER | 0:40:42 | 0:40:44 | |
-Dorothy Michael. -Dorothy Michael in Tootsie, right? | 0:40:45 | 0:40:48 | |
But we couldn't find you, but you must be a waxwork somewhere. | 0:40:49 | 0:40:53 | |
-It's a sore point, Graham. -LAUGHTER | 0:40:53 | 0:40:56 | |
No, you must be, cos the... | 0:40:56 | 0:40:58 | |
You know, between Sherlock and Lord Of The... | 0:40:58 | 0:41:00 | |
you know, Hobbit, you have to be... | 0:41:00 | 0:41:01 | |
-Lord Of The Hobbit? -Lord Of The Hobbit, yeah. -Yeah, whatever. | 0:41:01 | 0:41:04 | |
They're over. I've seen them all. | 0:41:04 | 0:41:06 | |
"The Hobbit, Lord Of The Hobbit, or something, you were in that." | 0:41:06 | 0:41:09 | |
No, I'm not. I'm not in it. | 0:41:09 | 0:41:10 | |
Did they ask you and you said no? | 0:41:10 | 0:41:12 | |
-Oh, God... No. -LAUGHTER | 0:41:12 | 0:41:15 | |
-No, never asked. -Can you say no? | 0:41:15 | 0:41:17 | |
Did you say yes or did they just do it? | 0:41:17 | 0:41:18 | |
I think they... | 0:41:18 | 0:41:20 | |
No, I don't think you can say no, but, you know, | 0:41:20 | 0:41:22 | |
I was very honoured, actually, and excited | 0:41:22 | 0:41:24 | |
and I sort of went and sat for them | 0:41:24 | 0:41:26 | |
and sort of tried to make it as good as possible, but... | 0:41:26 | 0:41:28 | |
But if you did say no, they couldn't model you, could they? | 0:41:28 | 0:41:31 | |
-I mean, cos you've got to go... -No, I didn't do that. | 0:41:31 | 0:41:33 | |
-Oh, you didn't do that? -I would not have approved that. | 0:41:33 | 0:41:35 | |
LAUGHTER | 0:41:35 | 0:41:37 | |
A lot, they do from photographs. They do a lot from photographs. | 0:41:37 | 0:41:40 | |
-People don't do it. -And, Katie, so is all the touring over now? | 0:41:40 | 0:41:43 | |
-Is it just the record? -The touring is over | 0:41:43 | 0:41:45 | |
and we're just, you know, promoting the album | 0:41:45 | 0:41:47 | |
and just delighted to have made a sort of winter-themed record. | 0:41:47 | 0:41:50 | |
But it's such a beautiful sound presumably you're going to do more. | 0:41:50 | 0:41:53 | |
I hope so. I hope so, but this is it for now because it was... | 0:41:53 | 0:41:57 | |
I mean, the album was recorded out in Gori, which, | 0:41:57 | 0:42:00 | |
for some people, they only know it as the birthplace of Stalin. | 0:42:00 | 0:42:03 | |
-Mm. -So, you know... | 0:42:03 | 0:42:05 | |
Or some people don't know it at all. LAUGHTER | 0:42:05 | 0:42:08 | |
Now, for me, when you said she had a choir from Georgia, | 0:42:08 | 0:42:11 | |
-I was expecting something different. -LAUGHTER | 0:42:11 | 0:42:14 | |
Something to do with football. | 0:42:15 | 0:42:17 | |
Yeah, I was like, "Georgia? Yeah. A Baptist choir." | 0:42:17 | 0:42:20 | |
No, no. It's... You know where it is, don't you? | 0:42:20 | 0:42:23 | |
-Georgia, it's... -Yeah, yeah. The other one. I know. | 0:42:23 | 0:42:26 | |
-Yeah. -It was just... It was a dumb American joke. -Yeah. | 0:42:26 | 0:42:29 | |
LAUGHTER | 0:42:29 | 0:42:31 | |
Here's a world map. Find it. LAUGHTER | 0:42:31 | 0:42:34 | |
I couldn't. | 0:42:34 | 0:42:35 | |
Anyway, thank you very much for coming, Gori Women's Choir, | 0:42:35 | 0:42:38 | |
and thank you so much. Beautiful, Katie. Really, really lovely. | 0:42:38 | 0:42:41 | |
Gorgeous. CHEERING AND APPLAUSE | 0:42:41 | 0:42:43 | |
Right, that's nearly it, | 0:42:46 | 0:42:48 | |
but we just have time for a very quick visit to the Big Red Chair. | 0:42:48 | 0:42:51 | |
Who's there tonight? Hello? | 0:42:51 | 0:42:53 | |
-Hello. -Hi. What's your name? -Deborah. | 0:42:53 | 0:42:54 | |
Deborah. Hello, Deborah. And what do you do, Deborah? | 0:42:54 | 0:42:57 | |
I'm a checkout team support for a big company. | 0:42:57 | 0:43:00 | |
-A checkout team support? -Yeah. | 0:43:00 | 0:43:02 | |
Are you the kind of, "It's in the bag," are you that woman? | 0:43:02 | 0:43:05 | |
No, I'm the guy that goes back and forth | 0:43:05 | 0:43:07 | |
-checking that everybody's OK on the checkouts. -Oh, OK. | 0:43:07 | 0:43:10 | |
-So, we'd never meet you if we were there. -Yeah, yeah. I'm there. | 0:43:10 | 0:43:12 | |
I've got a headset on usually and I'm back and forth | 0:43:12 | 0:43:15 | |
-making sure customers get what they want. -OK. | 0:43:15 | 0:43:18 | |
LAUGHTER | 0:43:18 | 0:43:20 | |
-I don't know. We should just... -I don't know what she does. | 0:43:20 | 0:43:22 | |
-I do. -What does she do? -Tell me what she does. | 0:43:22 | 0:43:25 | |
When you're at the checkout getting the stuff through, | 0:43:25 | 0:43:27 | |
she's just making sure all the checkouts are running smoothly. | 0:43:27 | 0:43:30 | |
-You've never seen that person ever. -LAUGHTER | 0:43:30 | 0:43:32 | |
Not only have I seen that person, I know Deborah. | 0:43:32 | 0:43:35 | |
-LAUGHTER -Really? -Yeah. Yeah. | 0:43:35 | 0:43:37 | |
-And she's bloody good at her job. -Do you know her? | 0:43:37 | 0:43:39 | |
Yes, I do know Deborah. Yeah. | 0:43:39 | 0:43:42 | |
Is this a story involving Martin Freeman? | 0:43:42 | 0:43:43 | |
-No. -No. OK. LAUGHTER | 0:43:43 | 0:43:45 | |
LAUGHTER | 0:43:45 | 0:43:48 | |
All right. All right, Deborah, off you go. | 0:43:48 | 0:43:51 | |
OK. When my daughter was little, | 0:43:51 | 0:43:52 | |
she used to love watching Nelly The Elephant on the telly | 0:43:52 | 0:43:56 | |
and she watched it back-to-back video, day after day. | 0:43:56 | 0:43:59 | |
Then one afternoon our neighbour came around, | 0:43:59 | 0:44:01 | |
who was very heavily pregnant at the time, | 0:44:01 | 0:44:04 | |
and my daughter looked at her very like, "Oh, who is this woman?" | 0:44:04 | 0:44:07 | |
I said to her, "Do you know who this is?" | 0:44:07 | 0:44:09 | |
And she said, "Yeah, it's Nelly the Elephant." | 0:44:09 | 0:44:12 | |
LAUGHTER | 0:44:12 | 0:44:15 | |
LAUGHTER Thank you. | 0:44:16 | 0:44:18 | |
CHEERING AND APPLAUSE | 0:44:18 | 0:44:21 | |
-Aw! -Not good enough. Not good enough. | 0:44:22 | 0:44:25 | |
-Let's try another one. Hello. -Hello. | 0:44:29 | 0:44:31 | |
-Hi. What's your name? -Mary. | 0:44:31 | 0:44:33 | |
Mary. I see this is Christmas themed. Christmas themed. | 0:44:33 | 0:44:36 | |
It's Mary. It's Mary. | 0:44:36 | 0:44:37 | |
-And where do you live, Mary? -I live in North London. | 0:44:37 | 0:44:40 | |
North London. CHEERING | 0:44:40 | 0:44:42 | |
They love you, Mary. They love you. | 0:44:42 | 0:44:44 | |
OK, Mary, off you go with your story. | 0:44:44 | 0:44:45 | |
Many years ago, when I bought my first flat on my own, | 0:44:45 | 0:44:49 | |
I invited a friend round for dinner. | 0:44:49 | 0:44:50 | |
So, I started cooking and the friend arrived, | 0:44:50 | 0:44:52 | |
I buzzed them in, but they went the wrong way | 0:44:52 | 0:44:54 | |
when they came into the flat. | 0:44:54 | 0:44:56 | |
So, I went outside to show them which way to go quickly, | 0:44:56 | 0:44:59 | |
but unfortunately for me, the door shut behind me, | 0:44:59 | 0:45:01 | |
and I was cooking at the time. | 0:45:01 | 0:45:03 | |
I lived on the ground floor, | 0:45:03 | 0:45:04 | |
so there was security bars all over the windows | 0:45:04 | 0:45:06 | |
so I had no choice but to call the fire brigade. | 0:45:06 | 0:45:08 | |
I called the fire brigade thinking, | 0:45:08 | 0:45:10 | |
"They'll just break the bars on the kitchen window, | 0:45:10 | 0:45:12 | |
"take the cooking off the stove and that'll be it," | 0:45:12 | 0:45:14 | |
but they decided to break in through my bedroom window. | 0:45:14 | 0:45:17 | |
At the time, I was an Ann Summers rep and I was preparing for a party. | 0:45:17 | 0:45:21 | |
LAUGHTER | 0:45:21 | 0:45:23 | |
All over my bed was all the sex toys... | 0:45:23 | 0:45:25 | |
LAUGHTER DROWNS SPEECH | 0:45:25 | 0:45:27 | |
They finally let me in through my own front door | 0:45:27 | 0:45:31 | |
with smiles on their faces. | 0:45:31 | 0:45:33 | |
LAUGHTER That's a good story! | 0:45:33 | 0:45:35 | |
CHEERING AND APPLAUSE You can walk, Mary. Walk. | 0:45:35 | 0:45:38 | |
I feel like a healer. | 0:45:38 | 0:45:39 | |
Walk! | 0:45:39 | 0:45:41 | |
Mary, walk!" | 0:45:42 | 0:45:43 | |
Well done, everyone. | 0:45:43 | 0:45:45 | |
If you want to join us on the show and have a go in the red chair, | 0:45:45 | 0:45:48 | |
you can contact us via our website at this very address. | 0:45:48 | 0:45:51 | |
That is it for tonight. | 0:45:51 | 0:45:52 | |
Please say a huge thank you to my guests Katie Melua... | 0:45:52 | 0:45:55 | |
CHEERING AND APPLAUSE ..Martin Freeman... | 0:45:55 | 0:45:58 | |
CHEERING AND APPLAUSE ..Naomie Harris... | 0:45:58 | 0:46:01 | |
CHEERING AND APPLAUSE ..Dame Helen Mirren... | 0:46:01 | 0:46:03 | |
-CHEERING AND APPLAUSE ..and Will Smith. -Yeah! | 0:46:03 | 0:46:06 | |
CHEERING AND APPLAUSE | 0:46:06 | 0:46:09 | |
We'll be back on New Year's Eve at 10.25 | 0:46:09 | 0:46:12 | |
with a very starry Hogmanay sofa, | 0:46:12 | 0:46:14 | |
including Pete Tong and the Heritage Orchestra, | 0:46:14 | 0:46:16 | |
Irish rowing heroes the O'Donovan brothers, | 0:46:16 | 0:46:19 | |
comedian Frank Skinner, Oscar-winner Marion Cotillard | 0:46:19 | 0:46:22 | |
and X-Men adversaries James McAvoy and Michael Fassbender. | 0:46:22 | 0:46:25 | |
Until then, have a very happy Christmas. Goodnight, everybody. | 0:46:25 | 0:46:28 | |
Bye-bye. Merry Christmas. | 0:46:28 | 0:46:29 | |
CHEERING AND APPLAUSE | 0:46:29 | 0:46:32 | |
Wait everyone, don't move, don't move. Hold on, don't move. | 0:46:56 | 0:46:59 | |
-Don't move, don't move. -Aww! | 0:46:59 | 0:47:02 | |
Everybody, hold it. Here we go. | 0:47:02 | 0:47:04 | |
Is everybody there? There we go. | 0:47:04 | 0:47:06 | |
One, two, three. | 0:47:06 | 0:47:08 | |
CHEERING Fantastic! | 0:47:08 | 0:47:10 |