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-Hi, I'm Emily Stone... -And I'm Ryan Gosling. | 0:00:02 | 0:00:03 | |
-And you're watching... -BOTH: The Graham Norton Show. | 0:00:03 | 0:00:06 | |
APPLAUSE | 0:00:06 | 0:00:07 | |
Hello! | 0:00:23 | 0:00:24 | |
Oh, hello! | 0:00:25 | 0:00:26 | |
Oh, too kind! | 0:00:26 | 0:00:29 | |
Thank you very much! Thank you. Thank you. Thank you. | 0:00:29 | 0:00:33 | |
Hello, and welcome! | 0:00:33 | 0:00:36 | |
Well done for braving the cold weather, everyone. | 0:00:36 | 0:00:39 | |
And a big thank you to the train drivers, | 0:00:39 | 0:00:41 | |
who ignored the icy conditions | 0:00:41 | 0:00:43 | |
and treated today like any other working day. | 0:00:43 | 0:00:45 | |
LAUGHTER | 0:00:45 | 0:00:46 | |
That'll show 'em. | 0:00:48 | 0:00:50 | |
Hey, got a great show tonight! | 0:00:50 | 0:00:51 | |
The stars of hit new film La La Land are here. | 0:00:51 | 0:00:54 | |
Yes! | 0:00:54 | 0:00:55 | |
CHEERING | 0:00:55 | 0:00:57 | |
La La Land is a musical. I LOVE musicals! | 0:00:57 | 0:00:58 | |
It's about a film actress. I love films! | 0:00:58 | 0:01:00 | |
And a jazz musician. | 0:01:00 | 0:01:02 | |
LAUGHTER The musical is... | 0:01:03 | 0:01:04 | |
The musical is set in Hollywood, | 0:01:04 | 0:01:06 | |
and it does portray showbusiness in a very glamorous way, you know. | 0:01:06 | 0:01:09 | |
Because in real life, if you want to star in a musical, | 0:01:09 | 0:01:12 | |
you have to go through a casting process | 0:01:12 | 0:01:14 | |
with some seedy old blokes... | 0:01:14 | 0:01:16 | |
Yeah, it's not nice. | 0:01:16 | 0:01:17 | |
LAUGHTER | 0:01:17 | 0:01:19 | |
Now, all my guests were at the Golden Globes Awards this week, | 0:01:19 | 0:01:22 | |
and for many, the highlight was Meryl Streep | 0:01:22 | 0:01:24 | |
taking down President-elect Donald Trump. | 0:01:24 | 0:01:26 | |
CHEERING | 0:01:26 | 0:01:28 | |
There's Meryl. Good old Meryl. | 0:01:28 | 0:01:30 | |
Of course, no-one knew she was going to do that. | 0:01:30 | 0:01:32 | |
Well, I say that. The Russians probably did. | 0:01:32 | 0:01:34 | |
LAUGHTER | 0:01:34 | 0:01:35 | |
It's weird, cos Meryl Streep was the Iron Lady, | 0:01:35 | 0:01:37 | |
whereas Donald Trump, more of a... | 0:01:37 | 0:01:39 | |
hmm, rusted man. | 0:01:39 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:42 | |
Meanwhile... Like, the news is so genius at the moment. | 0:01:42 | 0:01:45 | |
It's been claimed British spies have uncovered evidence | 0:01:45 | 0:01:48 | |
of Donald Trump in a Russian hotel room with prostitutes | 0:01:48 | 0:01:52 | |
performing "perverted sexual acts". | 0:01:52 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:56 | |
Here's one of the compromising photographs. | 0:01:56 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:00 | |
Oh, no, sorry, my mistake. | 0:02:00 | 0:02:01 | |
That's a hospital bed over Christmas. | 0:02:01 | 0:02:03 | |
LAUGHTER AUDIENCE: Ooh! | 0:02:03 | 0:02:05 | |
I'm on it tonight. On it! | 0:02:07 | 0:02:09 | |
Hey, let's get some guests on! | 0:02:09 | 0:02:11 | |
CHEERING | 0:02:11 | 0:02:13 | |
Later, we'll be having music | 0:02:13 | 0:02:14 | |
from the wonderful Gregory Porter, everybody! | 0:02:14 | 0:02:17 | |
But first, fresh from a clean sweep at the Golden Globes, | 0:02:19 | 0:02:22 | |
they're the stars of this year's most critically-acclaimed film, | 0:02:22 | 0:02:25 | |
the all-singing, all-dancing La La Land. | 0:02:25 | 0:02:27 | |
Please welcome Emma Stone and Ryan Gosling! | 0:02:27 | 0:02:30 | |
CHEERING | 0:02:30 | 0:02:31 | |
Hello! | 0:02:35 | 0:02:36 | |
Welcome. Lovely to see you. Hello. | 0:02:36 | 0:02:39 | |
DROWNED BY APPLAUSE | 0:02:41 | 0:02:42 | |
There you go. There you go. | 0:02:44 | 0:02:47 | |
And joining Emma and Ryan, | 0:02:47 | 0:02:49 | |
the stars of Hollywood's latest gangster classic, | 0:02:49 | 0:02:52 | |
Live By Night, | 0:02:52 | 0:02:53 | |
please welcome Sienna Miller and double Oscar winner Ben Affleck! | 0:02:53 | 0:02:56 | |
CHEERING | 0:02:56 | 0:02:57 | |
Lovely to see you. | 0:03:01 | 0:03:02 | |
Hello, sir. Welcome back. Lovely to see you. | 0:03:02 | 0:03:05 | |
There you go! | 0:03:05 | 0:03:07 | |
Whoo! Whoo! Whoo! | 0:03:12 | 0:03:15 | |
LAUGHTER | 0:03:15 | 0:03:16 | |
I'm excited! | 0:03:16 | 0:03:18 | |
-Welcome, all. Lovely to see you all. -Thank you very much. | 0:03:18 | 0:03:21 | |
I like that, straight in! | 0:03:21 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:24 | |
Was it dry back there? Was there a dry area? | 0:03:24 | 0:03:27 | |
-It's a dry establishment. -Yes. | 0:03:27 | 0:03:29 | |
So... Now, how does it work, do you all...? | 0:03:29 | 0:03:32 | |
You two know each other. | 0:03:32 | 0:03:33 | |
-Yes. -Yes. -Yeah. | 0:03:33 | 0:03:34 | |
-You obviously know Sienna. -I know Sienna. | 0:03:34 | 0:03:36 | |
You're in a film together. | 0:03:36 | 0:03:37 | |
I do. And I sort of know these guys a little bit from, you know, | 0:03:37 | 0:03:40 | |
running around in the celebrity petting zoo. | 0:03:40 | 0:03:42 | |
LAUGHTER | 0:03:42 | 0:03:43 | |
Ryan, no? | 0:03:44 | 0:03:46 | |
There was no petting. | 0:03:46 | 0:03:47 | |
LAUGHTER | 0:03:47 | 0:03:49 | |
Light petting. | 0:03:49 | 0:03:50 | |
Now, all four of you were at the Golden Globes, | 0:03:50 | 0:03:52 | |
and that's one of the good ones, isn't it? | 0:03:52 | 0:03:54 | |
Cos that's kind of a proper boozy night, isn't it? | 0:03:54 | 0:03:56 | |
-Yes. -SIENNA: -Really boozy. -It's a fun, crazy night. | 0:03:56 | 0:03:58 | |
We're all like, "Hur!" | 0:03:58 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
-I had some fun. -I had some fun, too. Yeah. | 0:04:01 | 0:04:04 | |
Fun? No fun? | 0:04:04 | 0:04:05 | |
-Yeah, I had fun. -Fun. | 0:04:05 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:08 | |
Fun? No fun? | 0:04:08 | 0:04:09 | |
-Oh, I had a great time. -Fun. | 0:04:09 | 0:04:11 | |
LAUGHTER | 0:04:11 | 0:04:12 | |
-My brother won. It was spectacular. Magnificent. -Yeah, which... | 0:04:12 | 0:04:16 | |
-Which was very thrilling. -It was. -And well deserved. | 0:04:16 | 0:04:18 | |
Yeah, no, very well deserved. | 0:04:18 | 0:04:20 | |
APPLAUSE | 0:04:20 | 0:04:22 | |
His speech... | 0:04:23 | 0:04:24 | |
-His speech felt a bit... -It felt lacking, didn't it? | 0:04:25 | 0:04:29 | |
Yes! It felt a bit... | 0:04:29 | 0:04:30 | |
Well, I'm not sure what it was lacking... | 0:04:30 | 0:04:31 | |
I think it was me. | 0:04:31 | 0:04:33 | |
LAUGHTER | 0:04:33 | 0:04:34 | |
Notice, when I won the Academy Award, which... | 0:04:34 | 0:04:38 | |
That's a different award from the Golden Globes. | 0:04:38 | 0:04:40 | |
I won, and I thanked my brother, who I called a genius. | 0:04:40 | 0:04:44 | |
I mean... | 0:04:45 | 0:04:47 | |
Casey thanks Matt Damon. | 0:04:47 | 0:04:49 | |
He thanks Denzel Washington. | 0:04:49 | 0:04:51 | |
-People he doesn't even know. -LAUGHTER | 0:04:51 | 0:04:53 | |
And so, there I was. But it was... I appreciate that, thank you(!) | 0:04:53 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:58 | |
But you're still wishing him well. You want him to win the Oscar. | 0:04:58 | 0:05:01 | |
I wish him less well now. | 0:05:01 | 0:05:02 | |
LAUGHTER | 0:05:02 | 0:05:03 | |
No, but you want him to win the Oscar | 0:05:03 | 0:05:05 | |
cos it'll make history if he wins an Oscar. | 0:05:05 | 0:05:06 | |
It would be an exciting thing, yes. | 0:05:06 | 0:05:08 | |
Cos what is it, you're the first brothers...? | 0:05:08 | 0:05:10 | |
We'd be the only brothers to win for different movies, yeah. | 0:05:10 | 0:05:13 | |
-Oh, wow. -Shirley MacLaine and Warren Beatty both have Oscars, | 0:05:13 | 0:05:16 | |
but they're not brothers, they're siblings. | 0:05:16 | 0:05:18 | |
That's very well observed. | 0:05:18 | 0:05:19 | |
LAUGHTER | 0:05:19 | 0:05:21 | |
But, yeah, it'll be cool. | 0:05:21 | 0:05:23 | |
But I heard you say that that wouldn't be the only first, if Casey wins. | 0:05:23 | 0:05:26 | |
No, he'd be the first bed-wetter to win an Academy Award. | 0:05:26 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:30 | |
It would be so ground-breaking, there would be so many firsts! | 0:05:31 | 0:05:35 | |
Is he a... He's a current bed-wetter? | 0:05:35 | 0:05:37 | |
-He still... Yes. -LAUGHTER | 0:05:37 | 0:05:39 | |
OK, OK, OK. | 0:05:39 | 0:05:40 | |
All right. | 0:05:40 | 0:05:42 | |
And now... | 0:05:42 | 0:05:43 | |
Everyone on the couch, when you've been to awards shows, | 0:05:43 | 0:05:46 | |
the Oscars, the Golden Globes, you've all taken your parents. | 0:05:46 | 0:05:49 | |
Which is... I mean, that seems... | 0:05:49 | 0:05:51 | |
-You know, to have all four of you all do the same thing... -Touching! | 0:05:51 | 0:05:54 | |
It's lovely! Now, Ryan, your mum... | 0:05:54 | 0:05:57 | |
She, I mean, I'm sure she likes meeting the celebrities, | 0:05:57 | 0:05:59 | |
but isn't it the gift room that's really her thing she enjoys? | 0:05:59 | 0:06:01 | |
I don't want to out my mom like this. | 0:06:03 | 0:06:05 | |
LAUGHTER | 0:06:05 | 0:06:06 | |
I will tell a funny story about that picture, though, | 0:06:08 | 0:06:10 | |
which is that my mom was convinced that year by her friend | 0:06:10 | 0:06:13 | |
that beehives were going to be all the rage. | 0:06:13 | 0:06:15 | |
LAUGHTER | 0:06:15 | 0:06:16 | |
And that if you didn't have a beehive, you would feel embarrassed. | 0:06:16 | 0:06:19 | |
And it turned out to be the opposite, | 0:06:19 | 0:06:21 | |
it was a natural hair vibe that night. | 0:06:21 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:24 | |
And my mom sat in front of Rachel Weisz, | 0:06:24 | 0:06:27 | |
and her hair was so high that Rachel had to keep... | 0:06:27 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:32 | |
And my mom kept sinking in her chair. | 0:06:32 | 0:06:35 | |
And I didn't know what to do, cos I was, you know, | 0:06:35 | 0:06:38 | |
I wanted her to have a nice night. So I... | 0:06:38 | 0:06:40 | |
I didn't know Meryl Streep, but she was sitting next to me, | 0:06:40 | 0:06:42 | |
and I said, in a commercial break, | 0:06:42 | 0:06:43 | |
"Would you mind just telling my mom you like her hair?" | 0:06:43 | 0:06:47 | |
-Aww! -AUDIENCE: Aww! | 0:06:47 | 0:06:49 | |
And she was like, "I got this." | 0:06:49 | 0:06:50 | |
And then the commercial went and she goes, | 0:06:50 | 0:06:52 | |
"Do you know, I was going to do a beehive, and I wish I had." | 0:06:52 | 0:06:54 | |
AUDIENCE: Aww! | 0:06:54 | 0:06:55 | |
And my mom was like... | 0:06:55 | 0:06:57 | |
LAUGHTER | 0:06:57 | 0:06:58 | |
..raising the roof all night. | 0:06:58 | 0:06:59 | |
-Does she already know that story, your mom? -My mom? -Yes. | 0:06:59 | 0:07:03 | |
-No. -Oh, no, now you've ruined it. -Oh! | 0:07:03 | 0:07:05 | |
LAUGHTER | 0:07:05 | 0:07:06 | |
Yikes! | 0:07:06 | 0:07:08 | |
She doesn't watch this show. | 0:07:08 | 0:07:09 | |
-She's not going to know. -She'll never see this. -Yeah. | 0:07:09 | 0:07:11 | |
LAUGHTER | 0:07:11 | 0:07:13 | |
Emma, now, your mother, | 0:07:13 | 0:07:14 | |
does she pretend to not know the famous people, | 0:07:14 | 0:07:17 | |
or does she just get a bit overexcited and forget who they are? | 0:07:17 | 0:07:21 | |
She... Well, I mean, the first time I went to the Golden Globes, | 0:07:21 | 0:07:24 | |
just to spring that back around, that was this year. | 0:07:24 | 0:07:28 | |
And we were sitting next to... | 0:07:28 | 0:07:30 | |
Now it's, you know, not as fun to talk about, | 0:07:30 | 0:07:32 | |
but we were sitting next to Angelina Jolie and Brad Pitt. | 0:07:32 | 0:07:35 | |
And she was just asking multiple questions, like, | 0:07:35 | 0:07:37 | |
if they had kids, maybe? | 0:07:37 | 0:07:39 | |
LAUGHTER | 0:07:39 | 0:07:41 | |
"Do you? What's it like? | 0:07:41 | 0:07:42 | |
"I mean, I had no idea!" The whole time. | 0:07:42 | 0:07:44 | |
-So it was like... She knew everything. -Yeah. Clearly! | 0:07:44 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:48 | |
You two work in the movie business(?) | 0:07:48 | 0:07:49 | |
LAUGHTER | 0:07:49 | 0:07:50 | |
Are you like, a producer, or...(?) Are you in "Hollywood", or...(?) | 0:07:50 | 0:07:54 | |
LAUGHTER | 0:07:54 | 0:07:55 | |
-And Sienna, now, you took your dad the year of American Sniper? -Yes. | 0:07:55 | 0:08:00 | |
Now, here's the thing, | 0:08:00 | 0:08:01 | |
cos I think it is a lovely thing to take your parent to the Oscars, | 0:08:01 | 0:08:04 | |
but once the ceremony's over, don't you just want to ditch them? | 0:08:04 | 0:08:08 | |
Like, do you just go to the pub, and just kind of go... | 0:08:08 | 0:08:10 | |
"And I've got an old person, here, if you'd like them?" | 0:08:10 | 0:08:12 | |
Cos I'm going to a party. | 0:08:12 | 0:08:13 | |
LAUGHTER | 0:08:13 | 0:08:15 | |
-No, he came along till five in the AM. -Really? | 0:08:15 | 0:08:18 | |
Dancing at Guy Oseary's house next to John Travolta. | 0:08:18 | 0:08:20 | |
LAUGHTER | 0:08:20 | 0:08:22 | |
He was, like, doing a full, like... | 0:08:22 | 0:08:24 | |
Wow, there he is. No, he was great. And emotional. | 0:08:24 | 0:08:29 | |
-And sort of just wept throughout the whole thing. -Aww. | 0:08:29 | 0:08:31 | |
Yeah, sweet. | 0:08:31 | 0:08:33 | |
-RYAN: -My mom danced with Prince. | 0:08:33 | 0:08:34 | |
-Really? -Aww. -Yeah. | 0:08:34 | 0:08:35 | |
You just totally topped me. | 0:08:35 | 0:08:37 | |
LAUGHTER | 0:08:37 | 0:08:39 | |
That was beyond talk show etiquette! | 0:08:41 | 0:08:43 | |
LAUGHTER | 0:08:43 | 0:08:44 | |
No, I like it. Can we go one better? | 0:08:44 | 0:08:45 | |
Can we go one better? We've got a mother with Prince. | 0:08:45 | 0:08:47 | |
A mother with Prince. LAUGHTER | 0:08:47 | 0:08:49 | |
Zoom in on Ryan. | 0:08:49 | 0:08:51 | |
No, cos famously, you and Matt both took your mums. | 0:08:51 | 0:08:54 | |
Right, we did take our moms, | 0:08:54 | 0:08:55 | |
which only fuelled rumours of our sexuality, I think. | 0:08:55 | 0:08:59 | |
LAUGHTER | 0:08:59 | 0:09:01 | |
You can see why. | 0:09:01 | 0:09:02 | |
I mean, looking at that photograph... | 0:09:02 | 0:09:04 | |
But we did take our moms, who look great in that picture, and... | 0:09:04 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:09 | |
My mom... | 0:09:09 | 0:09:11 | |
They do a weird thing where, like, at the Oscars, they put... | 0:09:11 | 0:09:14 | |
Because they have to rehearse where the shots are going to be and so on, | 0:09:14 | 0:09:17 | |
it's a television business thing, don't worry about it. | 0:09:17 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
But they put big name placards of where... So it'll say, | 0:09:21 | 0:09:24 | |
instead of Jack... It just says Jack Nicholson, you know, | 0:09:24 | 0:09:27 | |
and they'll say, like, Ryan Gosling or whatever. | 0:09:27 | 0:09:29 | |
And my mom was obsessed by that, | 0:09:29 | 0:09:31 | |
and went around taking pictures of all the... | 0:09:31 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:35 | |
I was like, "You know that's not the real Jack Nicholson?" | 0:09:35 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:40 | |
-She enjoyed her time. -Yeah. | 0:09:40 | 0:09:42 | |
And probably got them developed, as well. | 0:09:42 | 0:09:44 | |
LAUGHTER | 0:09:44 | 0:09:46 | |
They're in an album, now. | 0:09:46 | 0:09:47 | |
Those days. | 0:09:47 | 0:09:50 | |
Hey, two really different films tonight. | 0:09:50 | 0:09:52 | |
Both homages to kind of classic Hollywood genres. | 0:09:52 | 0:09:54 | |
So, let's start gangster. | 0:09:54 | 0:09:56 | |
Ben and Sienna star in Live By Night, | 0:09:56 | 0:09:59 | |
which opens tonight. | 0:09:59 | 0:10:00 | |
And I say "star in", I mean, | 0:10:00 | 0:10:02 | |
for Ben, it was much more than that for you. | 0:10:02 | 0:10:03 | |
This is a real kind of passion project? | 0:10:03 | 0:10:05 | |
Yes, well, I... I directed it, | 0:10:05 | 0:10:08 | |
and wrote it, | 0:10:08 | 0:10:10 | |
and so it's hard to avoid blame, | 0:10:10 | 0:10:11 | |
you know, at this point... | 0:10:11 | 0:10:13 | |
LAUGHTER | 0:10:13 | 0:10:14 | |
But, it's... Yeah, this was something I really wanted, | 0:10:14 | 0:10:16 | |
to make a classic Hollywood gangster movie. | 0:10:16 | 0:10:19 | |
That was sort of my dream about this. | 0:10:19 | 0:10:21 | |
And I got really lucky with a great cast and a great crew. | 0:10:21 | 0:10:24 | |
So you found the book. And you loved the book. | 0:10:24 | 0:10:27 | |
The book was sent to me... This... I'm going to name-drop. | 0:10:27 | 0:10:30 | |
..by Leonardo DiCaprio. | 0:10:30 | 0:10:32 | |
AUDIENCE: Oooh! | 0:10:32 | 0:10:33 | |
He and I know each other. Not that well... | 0:10:33 | 0:10:36 | |
LAUGHTER | 0:10:36 | 0:10:37 | |
-And... -You're in a book club. -He did send me a book. | 0:10:37 | 0:10:40 | |
He sent me the book, and I loved it, | 0:10:40 | 0:10:42 | |
and I thought right away that it was something that I wanted to do. | 0:10:42 | 0:10:45 | |
My character is a sort of conflicted guy | 0:10:45 | 0:10:47 | |
whose father is a police superintendent, but who goes to... | 0:10:47 | 0:10:50 | |
away to the First World War, | 0:10:50 | 0:10:52 | |
and gets very disillusioned by the sort of meaningless death | 0:10:52 | 0:10:55 | |
that he sees all around him, and decides that he's going to... | 0:10:55 | 0:10:59 | |
sort of not take orders from anybody any more, and become an outlaw. | 0:10:59 | 0:11:02 | |
And he hooks up with this beautiful woman, | 0:11:02 | 0:11:05 | |
and they sort of have a Bonnie and Clyde kind of thing. | 0:11:05 | 0:11:08 | |
And it goes from there. | 0:11:08 | 0:11:09 | |
And it's a great plot, lots of twists and turns, surprises...? | 0:11:09 | 0:11:11 | |
Trust me. When I tell you the plot is... | 0:11:11 | 0:11:14 | |
I don't want to go into it, but it's really, really good. | 0:11:14 | 0:11:16 | |
So, Sienna, how do you fit into the gangster world? | 0:11:16 | 0:11:19 | |
I... In the film, or how did I get the part? | 0:11:19 | 0:11:21 | |
-In the film. -Oh! | 0:11:21 | 0:11:22 | |
-Don't talk about that. -Oh, my God. | 0:11:22 | 0:11:24 | |
LAUGHTER | 0:11:24 | 0:11:25 | |
You'd fit in OK in the gangster world! | 0:11:25 | 0:11:26 | |
Yeah, I'd fit right in! | 0:11:26 | 0:11:28 | |
I'm a gangster's moll. | 0:11:28 | 0:11:29 | |
She's, like, an Irish immigrant, daughter of a pimp... | 0:11:29 | 0:11:32 | |
uncle's a murderer... | 0:11:32 | 0:11:33 | |
flapper. Heaven. | 0:11:33 | 0:11:35 | |
LAUGHTER | 0:11:35 | 0:11:36 | |
-You know - typecasting. -I mean, you know, perfect casting, yeah. | 0:11:36 | 0:11:38 | |
She's... She's a really cool character. | 0:11:38 | 0:11:40 | |
Now, I have to say, as an Irish person, Sienna, | 0:11:40 | 0:11:43 | |
really good, specific accent. | 0:11:43 | 0:11:46 | |
Thank you so much. | 0:11:46 | 0:11:48 | |
No, cos that's where... Cos its West Cork. | 0:11:48 | 0:11:50 | |
Yes, that's exactly where it is. | 0:11:50 | 0:11:51 | |
-Yeah. -Yes. -It's really good! -Yes! | 0:11:51 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:54 | |
Sorry, I've been doing a junket all day, | 0:11:54 | 0:11:55 | |
and Irish people walk in, and you're just like, "Oh, God!" | 0:11:55 | 0:11:58 | |
They take it very seriously. So that's a compliment, thank you. | 0:11:58 | 0:12:00 | |
Yeah. Cos I don't know if you saw, on the New Year's Eve show, | 0:12:00 | 0:12:03 | |
we had the O'Donovan brothers. | 0:12:03 | 0:12:04 | |
They're rowers and they're from West Cork. | 0:12:04 | 0:12:07 | |
-And, honestly, sounded like that. -Oh, good! -Yeah. | 0:12:07 | 0:12:09 | |
-Like an O'Donovan brother. -Like an O'Donovan brother. -Perfect! -Yes! | 0:12:09 | 0:12:12 | |
-But sexy. -Nailed it. Sexy O'Donovan... | 0:12:12 | 0:12:14 | |
Sexy O'Donovan brother. | 0:12:14 | 0:12:16 | |
We've got a clip. | 0:12:16 | 0:12:17 | |
This is the two of you, sort of making your plans for a getaway. | 0:12:17 | 0:12:21 | |
-Right. -I think that... Let's... | 0:12:21 | 0:12:24 | |
We could leave. | 0:12:24 | 0:12:25 | |
Where would we go? | 0:12:25 | 0:12:26 | |
Somewhere warm. | 0:12:26 | 0:12:28 | |
My brother Danny lives in California. | 0:12:30 | 0:12:32 | |
God, I'd go to California. | 0:12:32 | 0:12:34 | |
I don't know much about honest work, I've got to tell you. | 0:12:34 | 0:12:36 | |
Well, who said anything about honest work? | 0:12:36 | 0:12:39 | |
We do what we want to do. | 0:12:39 | 0:12:40 | |
Go where we want to go. | 0:12:42 | 0:12:43 | |
Sleep by day. | 0:12:45 | 0:12:46 | |
I got a job in Lawrence on Saturday. | 0:12:51 | 0:12:53 | |
Then I'll be free. | 0:12:54 | 0:12:55 | |
Free to leave? | 0:12:55 | 0:12:57 | |
Yeah. Free to leave. | 0:12:57 | 0:12:58 | |
APPLAUSE | 0:12:59 | 0:13:05 | |
That reminds me that... | 0:13:08 | 0:13:09 | |
I just did, like, we had a press conference in LA, | 0:13:09 | 0:13:12 | |
and someone complimented me and said, you know, | 0:13:12 | 0:13:14 | |
"You were unrecognisable in this, | 0:13:14 | 0:13:16 | |
"I think you're so brave for wearing fake teeth." | 0:13:16 | 0:13:18 | |
And I was like... "No, those were my teeth." | 0:13:18 | 0:13:20 | |
LAUGHTER | 0:13:20 | 0:13:21 | |
And actually, just watching that clip, I was like, | 0:13:21 | 0:13:24 | |
they've actually got a point. | 0:13:24 | 0:13:25 | |
I think the accent makes me, like, talk like... | 0:13:25 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:28 | |
Totally got a point. | 0:13:28 | 0:13:30 | |
They are all mine. | 0:13:30 | 0:13:31 | |
And God bless you, by the way, audience member who... | 0:13:31 | 0:13:34 | |
-Yes, someone slightly... -Somebody appreciated the teeth. | 0:13:34 | 0:13:37 | |
-Yeah. -Yeah. Allergic to gangsters. | 0:13:37 | 0:13:39 | |
-Now, as I say, you wrote this, Ben? -Yes. -You wrote this. | 0:13:40 | 0:13:43 | |
Adapted it from a novel, yes. | 0:13:43 | 0:13:45 | |
Sent to you by Leonardo DiCaprio. | 0:13:45 | 0:13:47 | |
We know. We got that. | 0:13:47 | 0:13:48 | |
LAUGHTER | 0:13:48 | 0:13:49 | |
I call him Leo, it's not... | 0:13:49 | 0:13:51 | |
Don't make a big thing out of it. | 0:13:51 | 0:13:52 | |
LAUGHTER | 0:13:52 | 0:13:53 | |
But you can't help but notice, when you watch the film, | 0:13:53 | 0:13:56 | |
you did write yourself a lot of sex scenes. | 0:13:56 | 0:13:59 | |
LAUGHTER | 0:13:59 | 0:14:01 | |
Why else get into directing? | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:06 | |
That's kind of the whole point. | 0:14:06 | 0:14:08 | |
It's like, tippy tappy, what could happen? | 0:14:08 | 0:14:10 | |
Oh, I could have sex! | 0:14:10 | 0:14:11 | |
"And he's still going! Unbelievable!" | 0:14:11 | 0:14:15 | |
LAUGHTER | 0:14:15 | 0:14:19 | |
Thank you. Thank you. | 0:14:19 | 0:14:21 | |
APPLAUSE | 0:14:21 | 0:14:23 | |
And Sienna's there for most of them. | 0:14:27 | 0:14:29 | |
LAUGHTER | 0:14:29 | 0:14:31 | |
She was part of them. | 0:14:31 | 0:14:32 | |
And, like, you know, you do a scene, | 0:14:32 | 0:14:34 | |
sometimes I like to just go over and over again, | 0:14:34 | 0:14:36 | |
without cutting at interrupting the...the flow. | 0:14:36 | 0:14:39 | |
And that's what I was trying to do... | 0:14:39 | 0:14:40 | |
Careful with you words, Ben. | 0:14:40 | 0:14:41 | |
LAUGHTER | 0:14:41 | 0:14:43 | |
The sex scenes, we had these montages of sex scenes, | 0:14:43 | 0:14:45 | |
so we were just in the car and then here and... | 0:14:45 | 0:14:48 | |
And I just was like, in my mind, thinking, you know, | 0:14:48 | 0:14:50 | |
"We're going again." | 0:14:50 | 0:14:51 | |
Like, I'm not going to say cut, and actually, we'll just keep going. | 0:14:51 | 0:14:54 | |
And finally, she just started laughing, like, | 0:14:54 | 0:14:56 | |
"Who do you think you are?!" | 0:14:56 | 0:14:57 | |
LAUGHTER | 0:14:57 | 0:14:59 | |
How many times can one man climax? | 0:14:59 | 0:15:01 | |
LAUGHTER | 0:15:01 | 0:15:04 | |
APPLAUSE | 0:15:04 | 0:15:06 | |
-A few. -LAUGHTER | 0:15:15 | 0:15:17 | |
Emma and Ryan, of course, everyone loves you together in La La Land. | 0:15:17 | 0:15:19 | |
But this isn't the first time you've worked together. | 0:15:19 | 0:15:21 | |
You worked on Gangster Squad, and then, in Crazy Stupid Love, | 0:15:21 | 0:15:24 | |
we've even see you dance together before. | 0:15:24 | 0:15:26 | |
-Interesting pose on me. -LAUGHTER | 0:15:26 | 0:15:28 | |
-I notice you're shirtless. -LAUGHTER | 0:15:28 | 0:15:30 | |
It's a double whammy. | 0:15:32 | 0:15:34 | |
But now, what happened...? | 0:15:34 | 0:15:35 | |
Cos the dancing didn't go to plan in Crazy Stupid Love? | 0:15:35 | 0:15:39 | |
-No. -Oh... | 0:15:39 | 0:15:41 | |
You mean the Dirty Dancing lift? | 0:15:41 | 0:15:42 | |
-That's what I mean. -Yeah. | 0:15:42 | 0:15:44 | |
-Well... -We were meant to do that, and then... What happened? | 0:15:44 | 0:15:47 | |
Oh, you don't remember? | 0:15:47 | 0:15:48 | |
Well, I remember, but I'd like to hear you... | 0:15:48 | 0:15:51 | |
-You'd like to hear me tell it? -Give me your version of it. | 0:15:51 | 0:15:53 | |
Well... Listen. | 0:15:53 | 0:15:54 | |
-When I was... -LAUGHTER | 0:15:54 | 0:15:56 | |
-Quick story. -When I was about seven years old... Quick story. | 0:15:58 | 0:16:01 | |
When I was about seven years old, I was in gymnastics class, | 0:16:02 | 0:16:05 | |
and I was on these parallel bars | 0:16:05 | 0:16:08 | |
that are about six feet off the ground, | 0:16:08 | 0:16:09 | |
and I was standing on the top of the bars, | 0:16:09 | 0:16:12 | |
and the teacher was holding me by the ankles, | 0:16:12 | 0:16:14 | |
and somehow or other, | 0:16:14 | 0:16:17 | |
she let go. | 0:16:17 | 0:16:18 | |
And I was standing on this bar, | 0:16:18 | 0:16:21 | |
and I felt myself beginning to tip forward, | 0:16:21 | 0:16:23 | |
and I put my arms in like this, | 0:16:23 | 0:16:25 | |
and I fell six feet to the ground. | 0:16:25 | 0:16:27 | |
And I broke both my arms at the same time. | 0:16:27 | 0:16:30 | |
-Wow. -Yeah. And so, I... | 0:16:30 | 0:16:33 | |
So, you know, I spent a whole summer... I lived in Arizona, | 0:16:33 | 0:16:35 | |
which is like, 120 degrees, which... | 0:16:35 | 0:16:37 | |
-I don't know what that is in Celsius. -Hot. | 0:16:37 | 0:16:39 | |
LAUGHTER | 0:16:39 | 0:16:41 | |
Quite hot. | 0:16:41 | 0:16:42 | |
So I had a cast, and all the... | 0:16:42 | 0:16:44 | |
You know, I was just... It was miserable. | 0:16:44 | 0:16:46 | |
It was the day before the last day of school. | 0:16:46 | 0:16:48 | |
Anyway, I had internalised this... | 0:16:48 | 0:16:50 | |
-That's really important part of the story. -It's an important detail. | 0:16:50 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:54 | |
I really know how to tell a story. | 0:16:54 | 0:16:56 | |
So, anyway... | 0:16:56 | 0:16:58 | |
Years later, when we're doing Crazy Stupid Love, | 0:17:01 | 0:17:04 | |
I know that we're going to do the Dirty Dancing lift. | 0:17:04 | 0:17:06 | |
I don't know, however, that I have an internalised phobia of being... | 0:17:06 | 0:17:10 | |
you know, lifted over someone's head at the height of about six feet. | 0:17:10 | 0:17:13 | |
LAUGHTER | 0:17:13 | 0:17:14 | |
So, I run to do the lift, | 0:17:14 | 0:17:16 | |
and Ryan lifts me over his head, and I... | 0:17:16 | 0:17:19 | |
What did I do, Ryan? | 0:17:19 | 0:17:21 | |
I've never had this happen, | 0:17:21 | 0:17:22 | |
but I imagine if a possum fell out of a tree and... | 0:17:22 | 0:17:26 | |
LAUGHTER | 0:17:26 | 0:17:27 | |
..tried to scratch your eyes out... | 0:17:27 | 0:17:29 | |
LAUGHTER | 0:17:29 | 0:17:30 | |
..it would be something similar. | 0:17:30 | 0:17:32 | |
It was... It was a lot. | 0:17:33 | 0:17:35 | |
And then it was, like, a full meltdown. | 0:17:35 | 0:17:37 | |
I mean, I had, like, a real meltdown. | 0:17:37 | 0:17:39 | |
Yeah. You had to go... | 0:17:39 | 0:17:41 | |
-I had to go... -You crawled in bed and watched... | 0:17:41 | 0:17:43 | |
-Labyrinth. -Labyrinth. | 0:17:43 | 0:17:45 | |
LAUGHTER | 0:17:45 | 0:17:47 | |
We were in the house, and she was like, | 0:17:47 | 0:17:49 | |
I have to go watch Labyrinth. | 0:17:49 | 0:17:50 | |
LAUGHTER | 0:17:50 | 0:17:52 | |
For an hour, I went and laid down crying, watching labyrinth. | 0:17:52 | 0:17:56 | |
This is so stupid. | 0:17:56 | 0:17:58 | |
And then Ryan came and was like, "You all right?" | 0:17:58 | 0:18:00 | |
And then the directors came in and were like, "You all right? | 0:18:00 | 0:18:02 | |
"We're going to use a double." And I was like, "Great! | 0:18:02 | 0:18:05 | |
"By the way, Jennifer Connelly is a revelation in this." | 0:18:05 | 0:18:08 | |
LAUGHING | 0:18:08 | 0:18:10 | |
I'd never seen it. Anyway... | 0:18:10 | 0:18:12 | |
Yeah. | 0:18:13 | 0:18:15 | |
-But now... But then, well, you did agree to work together again. -Yeah. | 0:18:15 | 0:18:17 | |
So, let's talk about La La Land. | 0:18:17 | 0:18:19 | |
It's out tonight. | 0:18:19 | 0:18:20 | |
And it's a really special film, it's kind of... A modern... | 0:18:20 | 0:18:24 | |
-That's overkill, with the... -How many stars...? | 0:18:24 | 0:18:27 | |
Apparently, it got some good reviews. | 0:18:27 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:31 | |
It's got a lot of stars. Got you. | 0:18:31 | 0:18:33 | |
A lot of those are from our moms. | 0:18:33 | 0:18:35 | |
LAUGHTER | 0:18:35 | 0:18:37 | |
If you look closely, it's like... | 0:18:37 | 0:18:38 | |
Out tonight. It's a modern love story, | 0:18:38 | 0:18:40 | |
but told in this sort of sumptuous, | 0:18:40 | 0:18:42 | |
old-fashioned, kind of Hollywood musical style. | 0:18:42 | 0:18:45 | |
So I guess, talk us through the story a little bit. | 0:18:45 | 0:18:48 | |
I play a woman named Mia, who has been living in LA | 0:18:48 | 0:18:52 | |
and auditioning for six years. | 0:18:52 | 0:18:54 | |
This is an actress tale. | 0:18:54 | 0:18:56 | |
Like, pretty crippling process. | 0:18:56 | 0:18:57 | |
She's been going in for a lot of auditions, | 0:18:57 | 0:18:59 | |
and you see some in the movie... | 0:18:59 | 0:19:01 | |
that are just some pretty hard-core rejections. | 0:19:01 | 0:19:03 | |
And she's working in a coffee shop on a studio lot. | 0:19:03 | 0:19:08 | |
And she's sort of at the end of a rope, | 0:19:08 | 0:19:10 | |
having auditioned and auditioned, | 0:19:10 | 0:19:12 | |
and nothing's really come together. | 0:19:12 | 0:19:14 | |
And Ryan? | 0:19:14 | 0:19:15 | |
I play a struggling jazz musician named Sebastian who... | 0:19:15 | 0:19:19 | |
feels it's his role in life to save jazz. | 0:19:19 | 0:19:23 | |
And... | 0:19:23 | 0:19:25 | |
but instead, is just, you know, playing Christmas jingles | 0:19:25 | 0:19:29 | |
at restaurants and plays in an '80s cover band. | 0:19:29 | 0:19:33 | |
Plays the keytar. | 0:19:33 | 0:19:34 | |
And I guess, for you guys, it must be kind of amazing. | 0:19:34 | 0:19:37 | |
-You must have never... -That's an important detail. | 0:19:37 | 0:19:40 | |
It was the day before the last day of school... | 0:19:40 | 0:19:42 | |
LAUGHTER | 0:19:42 | 0:19:43 | |
But both of you must have thought you would never get the opportunity | 0:19:43 | 0:19:46 | |
to make a movie like this. | 0:19:46 | 0:19:48 | |
You know, with those big long dance sequences, and all that stuff. | 0:19:48 | 0:19:51 | |
Yeah, it was pretty special. | 0:19:51 | 0:19:53 | |
-Right, Ryan? Right? -Yeah. -LAUGHTER | 0:19:53 | 0:19:55 | |
-Special for both of us. Right, Ryan? -Yes. | 0:19:55 | 0:19:58 | |
LAUGHTER | 0:19:58 | 0:19:59 | |
You know, I grew up loving those old-fashioned Hollywood musicals | 0:19:59 | 0:20:03 | |
from the '50s, but, you know, I think... | 0:20:03 | 0:20:05 | |
I assumed they were a thing of the past, | 0:20:05 | 0:20:07 | |
and then when I met Damien Chazelle, the director, he was... | 0:20:07 | 0:20:10 | |
He was so passionate about making one again and, you know, | 0:20:10 | 0:20:13 | |
not just a kind of nostalgic, "those were the days" kind of film, | 0:20:13 | 0:20:17 | |
but, you know, he felt there was a way to make them feel | 0:20:17 | 0:20:21 | |
-relevant again, so that was, you know, was an exciting idea. -And... | 0:20:21 | 0:20:26 | |
I mean, any film takes preparation as, you know, | 0:20:26 | 0:20:28 | |
you bulk up for parts, you learn accents, | 0:20:28 | 0:20:30 | |
but the preparation for this thing was so much, cos it's, | 0:20:30 | 0:20:33 | |
you know, the dancing, the singing, I mean... | 0:20:33 | 0:20:36 | |
Could you play the piano before? Yes? | 0:20:36 | 0:20:38 | |
-I play a few chords. -Emma - "No, he couldn't." | 0:20:38 | 0:20:41 | |
LAUGHTER | 0:20:41 | 0:20:42 | |
He would learn to play the songs in the movie. | 0:20:42 | 0:20:45 | |
Those are his hands the entire time. I mean, he's playing jazz piano. | 0:20:45 | 0:20:49 | |
And he learned it from scratch for the film. I just think it's amazing. | 0:20:49 | 0:20:53 | |
CHEERING AND APPLAUSE | 0:20:53 | 0:20:54 | |
Damn, you're good. | 0:20:56 | 0:20:57 | |
I didn't have a choice. | 0:21:00 | 0:21:01 | |
The director wanted to shoot all of these musical sequence | 0:21:01 | 0:21:04 | |
in one shot and he'd been dreaming about this his whole life, | 0:21:04 | 0:21:07 | |
so it was either shatter his dreams, or... | 0:21:07 | 0:21:09 | |
-LAUGHTER -..sit down and practise. | 0:21:09 | 0:21:12 | |
And why did you learn how to dance separately? What was that about? | 0:21:12 | 0:21:17 | |
-Well... -Just the maturity level, really. -It was... | 0:21:17 | 0:21:19 | |
LAUGHTER | 0:21:19 | 0:21:21 | |
-Lacking of. -Well... | 0:21:21 | 0:21:23 | |
I think that, I think it was all so maybe a little bit of | 0:21:23 | 0:21:25 | |
a mind game, because I would go every day to my tap lessons, | 0:21:25 | 0:21:29 | |
which I'd never really done before except for a little bit when | 0:21:29 | 0:21:31 | |
I was 12, and we would do these kind of very primitive tap moves, | 0:21:31 | 0:21:36 | |
like you're eight years old, which is the year after I broke my arms. | 0:21:36 | 0:21:41 | |
LAUGHTER | 0:21:41 | 0:21:43 | |
..The day before the last day of school. | 0:21:43 | 0:21:47 | |
Anyway... | 0:21:47 | 0:21:49 | |
We'd do our tap moves and I would say every day, | 0:21:49 | 0:21:52 | |
"How's Ryan doing? | 0:21:52 | 0:21:53 | |
They'd be like, "Oh... He's amazing." | 0:21:53 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:57 | |
"He's doing really well. He's exceeding our expectations." | 0:21:57 | 0:22:01 | |
-I'd be like... -They were doing the same thing to me. | 0:22:01 | 0:22:03 | |
We'd talk about that later. | 0:22:03 | 0:22:05 | |
So for about two months, I just thought he was the most, you know, | 0:22:05 | 0:22:07 | |
incredible dancer of all time and I was failing miserably | 0:22:07 | 0:22:11 | |
and they put us together and I was like... | 0:22:11 | 0:22:13 | |
"I got this." | 0:22:13 | 0:22:14 | |
LAUGHTER | 0:22:14 | 0:22:16 | |
-I'm coasting. -Let's watch a clip. | 0:22:17 | 0:22:19 | |
This is Mia and Sebastian sharing a musical moment together. | 0:22:19 | 0:22:24 | |
# City of stars | 0:22:24 | 0:22:26 | |
# Just one thing everybody wants | 0:22:26 | 0:22:30 | |
# There in the bars | 0:22:33 | 0:22:35 | |
# And through the smokescreen of the crowded restaurants | 0:22:35 | 0:22:40 | |
# It's love | 0:22:40 | 0:22:42 | |
# That's all we're lookin' for, is love from someone else | 0:22:44 | 0:22:50 | |
-# A rush -# A glance | 0:22:50 | 0:22:52 | |
-# A touch -# A dance | 0:22:52 | 0:22:55 | |
-BOTH: -# A look in somebody's eyes to light up the skies | 0:22:55 | 0:22:59 | |
# To open the world and send it reeling | 0:22:59 | 0:23:03 | |
# A voice that says, I'll be here | 0:23:03 | 0:23:06 | |
# And you'll be all right | 0:23:06 | 0:23:08 | |
# I don't care if I know | 0:23:11 | 0:23:13 | |
# Just where I will go | 0:23:13 | 0:23:16 | |
# Cos all that I need's this crazy feeling | 0:23:16 | 0:23:19 | |
# A rat-tat-tat on my heart... | 0:23:19 | 0:23:22 | |
# Think I want it to stay... # | 0:23:23 | 0:23:26 | |
Aw... | 0:23:26 | 0:23:28 | |
CHEERING AND APPLAUSE | 0:23:28 | 0:23:30 | |
Er.. | 0:23:36 | 0:23:37 | |
We mentioned already the references, kind of, you know, | 0:23:37 | 0:23:39 | |
old Hollywood in it, and Ryan, you went to meet Gene Kelly's widow. | 0:23:39 | 0:23:43 | |
-Is that right? -Yeah, we both... -Oh, you both went? | 0:23:43 | 0:23:46 | |
-I thought it was just him. -We went with the director. | 0:23:46 | 0:23:48 | |
Yeah, it was really wonderful of her to have us in... | 0:23:48 | 0:23:52 | |
She shared a lot of Gene stories and it was kind of like, | 0:23:52 | 0:23:55 | |
you know, kissing the ring, you know, she, | 0:23:55 | 0:23:57 | |
she showed us some of his, you know, old screenplays... | 0:23:57 | 0:24:02 | |
It was so amazing. | 0:24:02 | 0:24:04 | |
She has a room that's basically all archival and we put on, | 0:24:04 | 0:24:08 | |
like, little white gloves and looked through his leather-bound | 0:24:08 | 0:24:11 | |
Singin' In The Rain script, with his notes in the margins, | 0:24:11 | 0:24:14 | |
-and it was just so... It was really amazing, yeah. -Whoa. | 0:24:14 | 0:24:17 | |
There was a note that said, like, "Hand off the umbrella at the end of the number," or something. | 0:24:17 | 0:24:20 | |
-Really? -It was really cool. | 0:24:20 | 0:24:21 | |
It was great. And she had a tiny little dog as well, who, at the | 0:24:21 | 0:24:26 | |
end of this wonderful, magical night, we let out into the street. | 0:24:26 | 0:24:30 | |
LAUGHTER | 0:24:30 | 0:24:32 | |
-Maybe don't tell this story. -Oh, yeah. | 0:24:32 | 0:24:34 | |
LAUGHTER | 0:24:34 | 0:24:35 | |
-Right. -Right, right. -Yeah. | 0:24:35 | 0:24:37 | |
So anyway, nothing happened and the dog is fine... | 0:24:37 | 0:24:40 | |
LAUGHTER | 0:24:40 | 0:24:41 | |
-How close was it till the end of school? -It was... | 0:24:41 | 0:24:45 | |
-the day before the last day! -Oh, right. | 0:24:45 | 0:24:46 | |
It ended happily, didn't it? The dog's alive? | 0:24:46 | 0:24:49 | |
It did, but there was a moment where both Damien and I were | 0:24:49 | 0:24:51 | |
running around through traffic trying to catch this dog | 0:24:51 | 0:24:54 | |
and Damien looked at me, he's like, "We will not kill... | 0:24:54 | 0:24:57 | |
-"Gene Kelly's widow's dog." -LAUGHTER | 0:24:57 | 0:24:59 | |
"Relax!" | 0:24:59 | 0:25:00 | |
"This will not be how this story ends." | 0:25:01 | 0:25:05 | |
-And you didn't... -We didn't. -You didn't. -We didn't. -Yeah... | 0:25:05 | 0:25:09 | |
APPLAUSE | 0:25:09 | 0:25:11 | |
The dog lives. | 0:25:11 | 0:25:12 | |
And is it true, Emma...? | 0:25:14 | 0:25:16 | |
So, Damien Chazelle, the director, he saw you in a musical on Broadway? | 0:25:16 | 0:25:19 | |
EMMA AND SIENNA GASP | 0:25:19 | 0:25:21 | |
Yes, he did. | 0:25:21 | 0:25:22 | |
-And I'm grabbing Sienna because we both did this musical on Broadway. -Oh... | 0:25:22 | 0:25:25 | |
And that's where we met, | 0:25:25 | 0:25:26 | |
and we had such a nice time getting to know each other. | 0:25:26 | 0:25:29 | |
-We both did Cabaret on Broadway. -But not at the same time. | 0:25:29 | 0:25:31 | |
Well, yes, at the same time. We fought for the spotlight, honey. | 0:25:31 | 0:25:35 | |
-One musical number... -INDISTINCT | 0:25:35 | 0:25:37 | |
No, no, at different times, but, yeah, he came to see Cabaret. | 0:25:37 | 0:25:41 | |
-That's where we, that's where... -And... | 0:25:41 | 0:25:43 | |
You know, people talk about things going wrong on stage, but | 0:25:43 | 0:25:46 | |
when you talk about Cabaret, it just sounds like a litany of disasters. | 0:25:46 | 0:25:49 | |
-That's what it feels like to do Cabaret. -Yes, totally. | 0:25:49 | 0:25:53 | |
No, it was just... I was sick for, I would say the majority of the run. | 0:25:53 | 0:25:58 | |
And then wasn't there a weird thing with your contact lenses? What happened? | 0:25:58 | 0:26:01 | |
Oh, both of my... So, I'm... | 0:26:01 | 0:26:03 | |
I am also, I have the worst eyesight of any person I've ever met, | 0:26:03 | 0:26:08 | |
not to brag. | 0:26:08 | 0:26:09 | |
Very bad. And I've only ever lost one contact lens at a time, | 0:26:09 | 0:26:13 | |
but on one particular night singing Maybe This Time, | 0:26:13 | 0:26:18 | |
I blinked and both of them came out at the same time, | 0:26:18 | 0:26:21 | |
and I literally cannot see, | 0:26:21 | 0:26:23 | |
and so in the blackout, I was just screaming "Bill," | 0:26:23 | 0:26:26 | |
who was our mutual co-star. I was like, "Bill, Bill, Bill!" | 0:26:26 | 0:26:29 | |
And he goes like, "What, what, what?" | 0:26:29 | 0:26:31 | |
And had to drag me off in the dark because I just didn't know how to get offstage. | 0:26:31 | 0:26:34 | |
Didn't you have a similar thing when you are doing this? | 0:26:34 | 0:26:36 | |
I was sick for, I got sick a week before we started and then in America I felt like Elvis, | 0:26:36 | 0:26:40 | |
they just pump you full of steroids... | 0:26:40 | 0:26:42 | |
-Oh, they give you so many steroids. -We were like... | 0:26:42 | 0:26:44 | |
Like little emaciated stick insects. And it's | 0:26:44 | 0:26:46 | |
a pretty nihilistic character. I mean, you go a bit mad anyway. | 0:26:46 | 0:26:49 | |
So that wasn't fun and then, yes, I smashed my eye open on stage. | 0:26:49 | 0:26:53 | |
AUDIENCE GASPS | 0:26:53 | 0:26:54 | |
-And I... -Good noise, everyone. Very good noise. | 0:26:54 | 0:26:56 | |
I was supposed to be taken off the stage in the blackout, | 0:26:56 | 0:26:59 | |
that moment when you have a spotlight in your eye | 0:26:59 | 0:27:01 | |
and a stagehand is supposed to get you. | 0:27:01 | 0:27:02 | |
So you stand up and you just put your arms out, | 0:27:02 | 0:27:04 | |
because you've been emotional, and someone comes and leads you off. | 0:27:04 | 0:27:07 | |
And he didn't show up, | 0:27:07 | 0:27:09 | |
and then the train station scene started happening, | 0:27:09 | 0:27:11 | |
and I was like, "I can't be here, weeping in the train," | 0:27:11 | 0:27:14 | |
so I ran, I just ran in my mayhem, into a metal pole. | 0:27:14 | 0:27:18 | |
AUDIENCE: Ooh! | 0:27:18 | 0:27:19 | |
-GRAHAM MOUTHS: Very good. -And Alan Cumming, who was our MC... | 0:27:19 | 0:27:23 | |
So good, again. | 0:27:23 | 0:27:26 | |
But it sounded like a car hitting metal. | 0:27:27 | 0:27:29 | |
Anyway, it split open, and I had to stand up in that window | 0:27:29 | 0:27:32 | |
with just blood pouring down my eye, and then do a curtain call. | 0:27:32 | 0:27:34 | |
And I loved it, there was blood on the stage... | 0:27:34 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:39 | |
And then went back on the next day with an eye like this, | 0:27:39 | 0:27:42 | |
with a fake eyelash, like, "Whoo..." | 0:27:42 | 0:27:44 | |
..it's really good. It's kind of useful in that moment. | 0:27:46 | 0:27:52 | |
The scar's not so good. | 0:27:52 | 0:27:53 | |
Ben, you have sung as well, we have enjoyed your singing. | 0:27:53 | 0:27:56 | |
I wouldn't call it singing, so much as making noises. | 0:27:56 | 0:28:00 | |
LAUGHTER | 0:28:00 | 0:28:02 | |
-They're supposed to sound like something. Yeah, I did... -You sang? | 0:28:02 | 0:28:05 | |
-RYAN: -Armageddon, right? | 0:28:05 | 0:28:06 | |
-Thank you, thank you very much. -Oh, my God, yes! | 0:28:06 | 0:28:08 | |
I humiliated myself in Armageddon in more ways than one, thank you. | 0:28:08 | 0:28:11 | |
What's the song? # Leavin' on a jet plane... # | 0:28:11 | 0:28:15 | |
-Oh, see, you can sing. -That was me doing you... | 0:28:15 | 0:28:17 | |
LAUGHTER AND APPLAUSE | 0:28:17 | 0:28:19 | |
Wow. That was harsh. But, no, your son encourages you to sing. | 0:28:24 | 0:28:30 | |
My kids want me to sing, yeah. | 0:28:30 | 0:28:31 | |
They like to sing songs and they listen to, like, Radio Disney, | 0:28:31 | 0:28:36 | |
you know that I mean? | 0:28:36 | 0:28:37 | |
So I have to learn all these pop songs and sing along with them | 0:28:37 | 0:28:40 | |
and hope no-one is watching me. | 0:28:40 | 0:28:42 | |
Sorry, I just have to stop for a second - there is a Radio Disney? | 0:28:42 | 0:28:46 | |
-Of course. -Do you not know about Radio Disney? -Does that exist here? | 0:28:46 | 0:28:48 | |
-FEMALE AUDIENCE MEMBER: -Whoo! | 0:28:48 | 0:28:50 | |
No, that one woman. That one clappy woman. | 0:28:50 | 0:28:54 | |
This guy looks really angry that it doesn't exist. | 0:28:54 | 0:28:57 | |
Guy's like, "No." | 0:28:57 | 0:28:59 | |
"Stupid Britain, with no Radio Disney." | 0:28:59 | 0:29:03 | |
So it's just Disney songs 24 hours a day? | 0:29:03 | 0:29:05 | |
It's called Radio Disney, so you think it's innocent | 0:29:05 | 0:29:08 | |
and appropriate for children, but it's actually just all pop music. | 0:29:08 | 0:29:11 | |
You know what I mean? | 0:29:11 | 0:29:13 | |
You're like, "I don't know how good an influence Kesha is on them." | 0:29:13 | 0:29:15 | |
LAUGHTER | 0:29:15 | 0:29:17 | |
So, yeah, it's a lot of sexy pop songs. | 0:29:17 | 0:29:19 | |
What Disney songs do you sing, can you sing? | 0:29:19 | 0:29:22 | |
I'm not going to do any of them. | 0:29:22 | 0:29:24 | |
I just want to know, I just want to know. | 0:29:24 | 0:29:26 | |
AUDIENCE ENCOURAGES HIM | 0:29:26 | 0:29:28 | |
I just thought you could say, like, the Moana song or something. | 0:29:31 | 0:29:34 | |
Not do it, just tell me. | 0:29:34 | 0:29:36 | |
I like the thought of you singing along to | 0:29:36 | 0:29:38 | |
The Little Mermaid or whatever. | 0:29:38 | 0:29:40 | |
Imagine it then, it will be so much better in your mind. | 0:29:40 | 0:29:43 | |
-I would never, ever do that to you. -Thank you for prompting me to sing. | 0:29:43 | 0:29:46 | |
Yes, yes - Ben Affleck's Disney playlist. | 0:29:47 | 0:29:51 | |
Let It Go, morphing into... | 0:29:52 | 0:29:54 | |
Now... Don't worry, I'll stop now. | 0:29:58 | 0:30:00 | |
The other thing that links our characters, | 0:30:00 | 0:30:02 | |
everyone started very young. Ben, the last time you were here, | 0:30:02 | 0:30:05 | |
we enjoyed very much your early work on The Voyage Of The Mimi. | 0:30:05 | 0:30:09 | |
-Yes. -We are not going to show any more, but to do Google it, | 0:30:09 | 0:30:13 | |
because it is worth seeing. | 0:30:13 | 0:30:14 | |
AUDIENCE: Aww. | 0:30:14 | 0:30:16 | |
Look at that sly dog, what's he got cooking? | 0:30:16 | 0:30:20 | |
That is a very good listening face, | 0:30:20 | 0:30:22 | |
a very good interested listening face. | 0:30:22 | 0:30:24 | |
"Tell me more." | 0:30:24 | 0:30:25 | |
GRAHAM LAUGHS | 0:30:27 | 0:30:30 | |
No, seriously, you really need to Google it. | 0:30:30 | 0:30:33 | |
Now, Sienna, you started, | 0:30:33 | 0:30:34 | |
you were quite young when you started modelling. | 0:30:34 | 0:30:37 | |
I was a short... Yes, I mean, not, like, proper. | 0:30:37 | 0:30:41 | |
LAUGHTER | 0:30:41 | 0:30:42 | |
-Not like that either, no... -What's improper modelling? | 0:30:42 | 0:30:46 | |
-Yeah, shall we just draw a veil? -I did a bit, yeah. | 0:30:46 | 0:30:49 | |
And then, Emma, you did some extraordinary work as a child actor. | 0:30:49 | 0:30:53 | |
I mean, take this, Meryl Streep. | 0:30:53 | 0:30:56 | |
-Oh, God. -RYAN: -What is that? -That is genius. | 0:30:56 | 0:31:00 | |
-Is that prosthetics? -That's The Princess And The Pea. | 0:31:00 | 0:31:04 | |
I did a kind of Edgar G Robinson thing where I was like... | 0:31:04 | 0:31:07 | |
SHE MUTTERS LIKE AN OLD MAN | 0:31:07 | 0:31:10 | |
Kind of a "Yeah, see?" | 0:31:10 | 0:31:12 | |
-It's genius. -Thank you. | 0:31:12 | 0:31:14 | |
But tonight, with La La Land in mind, | 0:31:14 | 0:31:16 | |
we're going to focus on the early dancing career of Mr Ryan Gosling. | 0:31:16 | 0:31:21 | |
AUDIENCE: Whoo! | 0:31:21 | 0:31:23 | |
-Now... -Makes sense that the only video you have tonight is... | 0:31:25 | 0:31:28 | |
Yeah, is this. | 0:31:28 | 0:31:29 | |
So the dance troupe you were in, can you tell us about it? | 0:31:29 | 0:31:32 | |
Because, apparently, young dancers can be quite vicious. | 0:31:32 | 0:31:36 | |
It's a cut-throat business. | 0:31:36 | 0:31:39 | |
I had to get out. | 0:31:39 | 0:31:40 | |
LAUGHTER | 0:31:40 | 0:31:42 | |
I was on some kind of a Canadian Star Search, | 0:31:42 | 0:31:46 | |
and I somehow made it to the finals, | 0:31:46 | 0:31:49 | |
and my main competition were these twins who were tap dancers, | 0:31:49 | 0:31:54 | |
-and they were dancing to Phil Collins' Two Hearts. -Ooh! | 0:31:54 | 0:31:58 | |
And they had big heart-shaped bows and they were just... | 0:31:58 | 0:32:01 | |
They were the ones to beat. | 0:32:01 | 0:32:03 | |
I remember wishing them luck and going on stage, | 0:32:05 | 0:32:08 | |
I was dancing to Everybody Dance Now by C+C Music Factory, of course. | 0:32:08 | 0:32:13 | |
-Mm, yeah. -And getting ready to start. | 0:32:13 | 0:32:15 | |
This is how you start a winning dance number, if you want to know. | 0:32:15 | 0:32:19 | |
I'm going to get out of your hand's way. | 0:32:20 | 0:32:23 | |
And I look up just off stage and the two twins are standing there | 0:32:23 | 0:32:28 | |
like the twins from The Shining. | 0:32:28 | 0:32:31 | |
And they're just going like this... | 0:32:31 | 0:32:33 | |
LAUGHTER | 0:32:33 | 0:32:35 | |
APPLAUSE | 0:32:36 | 0:32:38 | |
And I was like, "OK, this means war," so I just shimmied | 0:32:41 | 0:32:46 | |
my way all the way to that trophy, that tiny little trophy. | 0:32:46 | 0:32:50 | |
No, because, is this the same troupe? | 0:32:50 | 0:32:53 | |
I was going to say it's an all-girl troupe and obviously it's not, | 0:32:53 | 0:32:56 | |
you're in it. But... | 0:32:56 | 0:32:58 | |
-Thank you. -But you are the only boy in it. | 0:32:58 | 0:33:01 | |
-Yeah, that was the point. -That was the gimmick. | 0:33:01 | 0:33:05 | |
They let me dance there for free because I was a guy, | 0:33:05 | 0:33:07 | |
because if you had a guy, you would win. | 0:33:07 | 0:33:11 | |
Oh, OK. So are you ready to see...? | 0:33:11 | 0:33:15 | |
AUDIENCE: Yes! | 0:33:15 | 0:33:17 | |
I believe you're dancing to Cathy Dennis' classic Touch Me. | 0:33:17 | 0:33:22 | |
-Did the troupe have a name, Ryan? -It was Elite Dance Studio. | 0:33:22 | 0:33:28 | |
And how old are you in this one? | 0:33:28 | 0:33:30 | |
Old enough to know better. | 0:33:30 | 0:33:32 | |
LAUGHTER | 0:33:32 | 0:33:34 | |
Enjoy. | 0:33:34 | 0:33:35 | |
LAUGHTER | 0:33:43 | 0:33:44 | |
CHEERING AND APPLAUSE | 0:33:54 | 0:33:57 | |
That would be great even if you weren't famous. | 0:34:00 | 0:34:02 | |
Those were some serious moves, genuinely good. | 0:34:04 | 0:34:07 | |
I wish I could say someone said, "Here, you have to wear this." | 0:34:07 | 0:34:10 | |
But that was my idea, I thought, "I have a vision for this number." | 0:34:11 | 0:34:16 | |
It's purple and silver hammer pants. | 0:34:16 | 0:34:18 | |
The silver hammer pants are... | 0:34:18 | 0:34:20 | |
I don't think we gave them enough of a shot, | 0:34:20 | 0:34:22 | |
we gave up with hammer, but I don't think we should... | 0:34:22 | 0:34:25 | |
We should have kept them going, no? | 0:34:25 | 0:34:27 | |
Yeah, right, we'll cut that part out. | 0:34:27 | 0:34:28 | |
They may come back. Right, it's time for music. | 0:34:28 | 0:34:30 | |
This Grammy-winning artist holds the record | 0:34:30 | 0:34:32 | |
for the most streamed jazz album of all time. | 0:34:32 | 0:34:34 | |
Performing his new single Holding On, please welcome Gregory Porter! | 0:34:34 | 0:34:37 | |
CHEERING | 0:34:37 | 0:34:39 | |
# Weight of love on my shoulders | 0:34:46 | 0:34:49 | |
# I thought that it would be easier than this | 0:34:52 | 0:34:55 | |
# I thought my heart had grown colder | 0:34:57 | 0:34:59 | |
# But the warmth of your kiss I can't dismiss | 0:35:00 | 0:35:04 | |
# Though my past has left me bruised | 0:35:06 | 0:35:09 | |
# I ain't hiding from the truth | 0:35:09 | 0:35:13 | |
# When the truth won't let me lie right next to you | 0:35:14 | 0:35:20 | |
# But it's holding on and it's holding strong | 0:35:24 | 0:35:28 | |
# Even though I tried to make it | 0:35:28 | 0:35:31 | |
# Played the part but I can't fake it | 0:35:31 | 0:35:33 | |
# It keeps holding on | 0:35:33 | 0:35:35 | |
# And it's holding strong | 0:35:35 | 0:35:38 | |
# Even though I tried to break it | 0:35:38 | 0:35:40 | |
# Heaven knows that I can't shake it | 0:35:40 | 0:35:43 | |
# Holding on | 0:35:43 | 0:35:47 | |
# Holding on | 0:35:47 | 0:35:52 | |
# Holding on | 0:35:52 | 0:35:56 | |
# Holding on | 0:35:57 | 0:36:02 | |
# I've seen times that were harder | 0:36:02 | 0:36:04 | |
# I remember the taste of bitterness | 0:36:06 | 0:36:11 | |
# Won't you help me, my father? | 0:36:11 | 0:36:16 | |
# Help me fall in the love that I have missed | 0:36:16 | 0:36:20 | |
# Though my past has left me bruised | 0:36:20 | 0:36:25 | |
# I ain't hiding from the truth | 0:36:25 | 0:36:29 | |
# When the truth won't let me lie right next to you | 0:36:29 | 0:36:38 | |
# But it's holding on | 0:36:38 | 0:36:40 | |
# And it's holding strong | 0:36:40 | 0:36:43 | |
# Even though I tried to make it | 0:36:43 | 0:36:45 | |
# Played the part but I can't fake it | 0:36:45 | 0:36:48 | |
# It keeps holding on | 0:36:48 | 0:36:50 | |
# And it's holding strong | 0:36:50 | 0:36:52 | |
# Even though I tried to break it | 0:36:52 | 0:36:54 | |
# Heaven knows that I can't shake it | 0:36:54 | 0:36:58 | |
# Ho-ho... | 0:36:58 | 0:36:59 | |
# Holding on | 0:36:59 | 0:37:02 | |
# Ho-o-o-lding on | 0:37:02 | 0:37:06 | |
# Ho-o-o-ld | 0:37:06 | 0:37:11 | |
# Ho-o-o-ld | 0:37:11 | 0:37:18 | |
# But it's holding on | 0:37:33 | 0:37:35 | |
# And it's holding strong | 0:37:35 | 0:37:37 | |
# Even though I tried to make it | 0:37:37 | 0:37:39 | |
# Played the part but I can't fake it | 0:37:39 | 0:37:42 | |
# It keeps holding on | 0:37:42 | 0:37:44 | |
# And it's holding strong | 0:37:44 | 0:37:46 | |
# Even though I tried to break it | 0:37:46 | 0:37:49 | |
# Heaven knows that I can't shake it | 0:37:49 | 0:37:52 | |
# Holding on | 0:37:52 | 0:37:56 | |
# Love is holding on | 0:37:56 | 0:37:59 | |
# Holding on | 0:38:00 | 0:38:05 | |
# Ho-o-o-ld. # | 0:38:05 | 0:38:11 | |
-AUDIENCE: -Whoo! -Wow. | 0:38:14 | 0:38:15 | |
Wow! Beautiful job. Gregory Porter, come over. | 0:38:21 | 0:38:26 | |
And keep the applause going for those musicians. | 0:38:26 | 0:38:29 | |
Well done, sir, congratulations, that was beautiful. | 0:38:29 | 0:38:32 | |
Come in, have a seat here beside Ryan. | 0:38:32 | 0:38:34 | |
-There you go. -How you doing? -GREGORY: -Hello. | 0:38:34 | 0:38:37 | |
Thank you, thank you. | 0:38:37 | 0:38:39 | |
-BEN: -Sounded great. | 0:38:39 | 0:38:41 | |
-GREGORY: -How you doing? Thank you. | 0:38:41 | 0:38:42 | |
Have a seat. That is... Oh, what a pleasure to hear you sing. | 0:38:42 | 0:38:49 | |
-That is beau-ti-ful. -Thank you, thank you. | 0:38:49 | 0:38:51 | |
I was going to tell YOU that's off the album Take Me To The Alley, | 0:38:51 | 0:38:55 | |
but you probably know that. | 0:38:55 | 0:38:57 | |
So it's off the album, which is out now, and Grammy nominated. | 0:38:57 | 0:39:02 | |
Yes, mm-hmm. | 0:39:02 | 0:39:04 | |
AUDIENCE: Whoo! | 0:39:04 | 0:39:05 | |
-Are you going to go? -Absolutely, yeah. -And when is it? | 0:39:07 | 0:39:11 | |
It is - oh, oh, oh - February 12th. | 0:39:11 | 0:39:14 | |
-OK. -I think! | 0:39:14 | 0:39:16 | |
We'll be thinking of you on the night. Good luck to you. | 0:39:16 | 0:39:20 | |
And, of course, it's interesting that you're here the night of | 0:39:20 | 0:39:23 | |
a movie that's all about jazz. Have you seen La La Land? | 0:39:23 | 0:39:26 | |
You know what, I saw La La Land | 0:39:26 | 0:39:29 | |
on a kind of dodgy Russian download website... | 0:39:29 | 0:39:33 | |
LAUGHTER | 0:39:33 | 0:39:35 | |
I don't... I don't condone that. | 0:39:37 | 0:39:42 | |
Gregory, we didn't need that bit of the story. | 0:39:42 | 0:39:45 | |
But these are the cast, great, great work. | 0:39:45 | 0:39:50 | |
Yeah, "I'd just stolen a car and..." | 0:39:50 | 0:39:53 | |
But no, I had to see it, I was back home, I had no opportunity, | 0:39:55 | 0:39:58 | |
I'm cleaning leaves from the gutter and all kinds of... | 0:39:58 | 0:40:02 | |
Nobody cares about me being a Grammy-award-winning artist at home, | 0:40:02 | 0:40:05 | |
they don't care, they like, "Take the garbage out." | 0:40:05 | 0:40:09 | |
-So your perk was to see La La Land. -Yeah, so I saw it. | 0:40:09 | 0:40:13 | |
While breaking the law. | 0:40:15 | 0:40:17 | |
While breaking the Law Law Land. | 0:40:18 | 0:40:21 | |
Ohhh. | 0:40:21 | 0:40:23 | |
APPLAUSE | 0:40:23 | 0:40:24 | |
-On fire. -Turn it into something funny. | 0:40:24 | 0:40:27 | |
Can I have a sip of this whisky here? | 0:40:27 | 0:40:29 | |
Oh, do, have a sip, sir, you've earnt it. | 0:40:29 | 0:40:33 | |
And very quickly, why is your nickname "Stinky"? | 0:40:33 | 0:40:37 | |
And I may regret asking that question. | 0:40:37 | 0:40:39 | |
-Y'all do some serious research. -Yeah, really serious(!) | 0:40:40 | 0:40:44 | |
Me and my brother were running around a friend's house, | 0:40:46 | 0:40:50 | |
and he jumped up on the porch and jumped off the porch, | 0:40:50 | 0:40:54 | |
and over the rail of the porch. | 0:40:54 | 0:40:55 | |
And I tried to do the same thing - my brother's a little bit bigger. | 0:40:55 | 0:40:59 | |
I tried to do the same thing and my foot got caught. | 0:40:59 | 0:41:02 | |
So I go about four feet to the ground, head-first. | 0:41:02 | 0:41:06 | |
I didn't break both my arms, but... | 0:41:06 | 0:41:08 | |
-Was it the day before the last day at school? -Was it the day before the last day at school? | 0:41:11 | 0:41:15 | |
But on the grass, on the ground, was a fresh, hot pile of dog... | 0:41:15 | 0:41:21 | |
shit. | 0:41:21 | 0:41:23 | |
So, I don't know if you know about American black families, | 0:41:24 | 0:41:28 | |
the way we feed our dogs - we feed them the scraps from the table. | 0:41:28 | 0:41:31 | |
Corn, chicken bones... | 0:41:31 | 0:41:34 | |
OTHER GUESTS GROAN | 0:41:34 | 0:41:35 | |
So all of that was just... | 0:41:35 | 0:41:38 | |
So as my little nine-year-old arms tried to brace myself... | 0:41:38 | 0:41:41 | |
-"Argh!" -AUDIENCE GROANS | 0:41:41 | 0:41:44 | |
This dog's dookie went all the way to the back of my throat. | 0:41:44 | 0:41:47 | |
Ohhh! | 0:41:47 | 0:41:49 | |
-Oh, no. -And so obviously I spit it out, washed my mouth out... | 0:41:49 | 0:41:54 | |
GRAHAM LAUGHS HYSTERICALLY | 0:41:54 | 0:41:58 | |
-This is the worst part. -This is the worst part?! What's the worst part?! | 0:41:58 | 0:42:01 | |
You know how when you get a little dog dookie on your fingers, | 0:42:01 | 0:42:05 | |
you wash it off, but it's still there? | 0:42:05 | 0:42:07 | |
-Yes. -So for about two days I would talk, and I'd be like, "Hey..." | 0:42:07 | 0:42:11 | |
But there was still the flavour. | 0:42:11 | 0:42:13 | |
ALL: Eugh! | 0:42:13 | 0:42:15 | |
And that's why I sing good today. | 0:42:15 | 0:42:17 | |
LAUGHTER AND APPLAUSE | 0:42:17 | 0:42:20 | |
Thank you very much. You sing more than good, you sing beautiful. | 0:42:20 | 0:42:24 | |
Gregory Porter, thank you very much. | 0:42:25 | 0:42:28 | |
Listen, before we go - and I've a funny feeling the stories | 0:42:28 | 0:42:30 | |
won't be as good as that - | 0:42:30 | 0:42:32 | |
we've got... Let's just hear it for that, eugh. | 0:42:32 | 0:42:36 | |
We've got time for our first visit of 2017 to the Big Red Chair. | 0:42:36 | 0:42:39 | |
-So who is there? -Hello, Graham. -Hi, did you fall in some dog shit? | 0:42:39 | 0:42:44 | |
-No, unfortunately not. -And what's your name? -John. | 0:42:45 | 0:42:48 | |
-And are you from Scotland? -I am from Glasgow, yes. | 0:42:48 | 0:42:51 | |
-And do you live there still or...? -London now. | 0:42:51 | 0:42:53 | |
-London. What do you do down here? -I work in sales. | 0:42:53 | 0:42:55 | |
What sort of things do you sell? | 0:42:55 | 0:42:57 | |
-Toiletries, products, things like that. -Close, close. | 0:42:57 | 0:43:01 | |
Toiletries, lovely. Off you go with your story, John. | 0:43:01 | 0:43:04 | |
OK, so I'm about 14 years old, in school one day, | 0:43:04 | 0:43:06 | |
and a guy comes up to me and my friends and gives us | 0:43:06 | 0:43:09 | |
a floppy disk and says, "Check this out tonight when you go home." | 0:43:09 | 0:43:11 | |
So on the way home from school, I'm thinking, | 0:43:11 | 0:43:13 | |
"This is really dodgy," so I decided to go to a friend's house, | 0:43:13 | 0:43:16 | |
he's the son of a vicar and has a PC in his bedroom, I didn't have that. | 0:43:16 | 0:43:18 | |
So, go to his bedroom, put the floppy disk in the PC, | 0:43:18 | 0:43:21 | |
open it up and it's like a treasure chest of porn. | 0:43:21 | 0:43:24 | |
We're like, "Jackpot, this is awesome." | 0:43:24 | 0:43:26 | |
So I'm like, "Let's be clever about this, let's hide all | 0:43:26 | 0:43:28 | |
"the images so if someone finds the disk, they'll think it's empty." | 0:43:28 | 0:43:31 | |
So I select all the images, right-click on the mouse, | 0:43:31 | 0:43:34 | |
scroll down, go to click "hide" | 0:43:34 | 0:43:36 | |
but somehow accidentally end up pressing "print". | 0:43:36 | 0:43:39 | |
Now his computer's on a home network, | 0:43:39 | 0:43:41 | |
his mum - the wife of a vicar - is in his family room | 0:43:41 | 0:43:43 | |
where the printer is, she's practising the church piano, | 0:43:43 | 0:43:47 | |
for the songs for the church organ that Sunday. | 0:43:47 | 0:43:50 | |
The printer starts to go, "Du-dut, du-dut..." | 0:43:50 | 0:43:52 | |
So he goes, "John, we're dead, what we going to do?" | 0:43:52 | 0:43:55 | |
I'm like, "Don't panic, we didn't know what was on the disk, | 0:43:55 | 0:43:58 | |
"we opened the disk up, horrified and disgusted by what | 0:43:58 | 0:44:01 | |
"we found, we tried to delete it all but accidentally pressed 'print'." | 0:44:01 | 0:44:04 | |
So he's like, "Cool, cool, good cover story." | 0:44:04 | 0:44:06 | |
About 20 minutes later, the printer's still going. | 0:44:06 | 0:44:09 | |
His mum comes up, sheet white, | 0:44:09 | 0:44:11 | |
she's probably never seen anything like this in her life before, | 0:44:11 | 0:44:13 | |
and she just goes, "Why is there nonstop porn | 0:44:13 | 0:44:15 | |
"printing from the computer?" | 0:44:15 | 0:44:17 | |
So my friend just crumbles, starts crying and goes, | 0:44:17 | 0:44:20 | |
"It's all John's fault!" | 0:44:20 | 0:44:21 | |
Shall we let John walk? We'll let John walk. | 0:44:23 | 0:44:24 | |
CHEERING | 0:44:24 | 0:44:26 | |
-Flip me, flip me! -Oh, you want me to flip? | 0:44:26 | 0:44:28 | |
OK. | 0:44:29 | 0:44:31 | |
If you want to join us on the show and have a go at the red chair, | 0:44:31 | 0:44:34 | |
you can contact us via our website. | 0:44:34 | 0:44:36 | |
That is it for tonight, | 0:44:36 | 0:44:37 | |
please say thank you to my guests - Mr Gregory Porter! | 0:44:37 | 0:44:40 | |
-AUDIENCE: -Whoo! | 0:44:40 | 0:44:42 | |
-Ryan Gosling! AUDIENCE: -Whoo! | 0:44:42 | 0:44:44 | |
-Emma Stone! AUDIENCE: -Whoo! | 0:44:44 | 0:44:47 | |
-Sienna Miller! AUDIENCE: -Whoo! | 0:44:47 | 0:44:50 | |
-And Ben Affleck! AUDIENCE: -Whoo! | 0:44:50 | 0:44:52 | |
Join me next week with music from Ed Sheeran, | 0:44:55 | 0:44:57 | |
actress Christina Ricci and Oscar winner Matthew McConaughey. | 0:44:57 | 0:45:00 | |
I'll see you then, good night, everybody, bye-bye! | 0:45:00 | 0:45:02 | |
CHEERING | 0:45:02 | 0:45:03 | |
I didn't know, thankfully, till later, that I was sort of a... | 0:45:30 | 0:45:33 | |
It's hard to say - a sex symbol or something. | 0:45:33 | 0:45:37 | |
Whatever that means. | 0:45:37 | 0:45:38 | |
So I went into a store one day, and this boy said, | 0:45:38 | 0:45:43 | |
"Oh, are you Princess Leia?" "Yes." | 0:45:43 | 0:45:47 | |
"I thought about you every day from when I was 12 till I was 22." | 0:45:47 | 0:45:53 | |
And I said, "Every day?" | 0:45:53 | 0:45:55 | |
And he said, "Well, four times a day." | 0:45:55 | 0:45:59 | |
-Oh, what?! -See, you have that to look forward to. | 0:46:02 | 0:46:05 | |
LAUGHTER | 0:46:05 | 0:46:06 | |
APPLAUSE | 0:46:06 | 0:46:08 |