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Good evening, I'm Matthew McConaughey | 0:00:02 | 0:00:03 | |
and this is The Graham Norton Show. | 0:00:03 | 0:00:05 | |
CHEERING | 0:00:05 | 0:00:07 | |
This programme contains some strong language. | 0:00:07 | 0:00:15 | |
CHEERING Oh! Oh! | 0:00:22 | 0:00:25 | |
Oh, too kind! | 0:00:25 | 0:00:28 | |
Thank you very much! Thank you very much! Thank you! | 0:00:28 | 0:00:32 | |
Hello! Hello and welcome! Welcome to the show! | 0:00:32 | 0:00:38 | |
Friday night, yahoo! | 0:00:38 | 0:00:41 | |
Hey, what a week we've had, ladies and gentlemen. | 0:00:41 | 0:00:43 | |
Theresa May...Theresa May unveiled her plan for Brexit. | 0:00:43 | 0:00:47 | |
Oh, she's been working night and day on them, | 0:00:47 | 0:00:50 | |
which is presumably why she's still in her pyjamas. | 0:00:50 | 0:00:53 | |
She looks great. Mmm, my Brexit, it's hard! | 0:00:54 | 0:00:57 | |
Now, erm... "Do you like your hard Brexit? Do you like it?" | 0:00:57 | 0:01:02 | |
Who came up with that phrase? It's awful, isn't it? | 0:01:05 | 0:01:07 | |
"I'll show you a hard Brexit!" | 0:01:07 | 0:01:09 | |
Of course, the big news is that this afternoon, | 0:01:11 | 0:01:13 | |
Donald Trump officially became US president. Insert noise here. | 0:01:13 | 0:01:18 | |
Yes, in a not-star-studded ceremony, | 0:01:18 | 0:01:20 | |
The Donald swore his oath of allegiance. | 0:01:20 | 0:01:22 | |
The rest of the world just swore - "What the..." | 0:01:22 | 0:01:25 | |
During the inauguration, Trump was positioned behind bulletproof glass, | 0:01:25 | 0:01:29 | |
you know, in case he lost his temper and shot some Mexicans. | 0:01:29 | 0:01:32 | |
The ceremony went well, but there was one awkward moment, | 0:01:34 | 0:01:38 | |
when a female guest was bursting for the toilet | 0:01:38 | 0:01:40 | |
and asked Trump where she could go for a wee. | 0:01:40 | 0:01:42 | |
Hey, let's get the guests on! CHEERING | 0:01:46 | 0:01:48 | |
He's one of Britain's favourite stand-ups | 0:01:48 | 0:01:50 | |
and the star of his own sitcom, | 0:01:50 | 0:01:51 | |
please welcome Devon's finest, Josh Widdicombe! | 0:01:51 | 0:01:54 | |
CHEERING | 0:01:54 | 0:01:56 | |
-Whoo! Hello, sir! Hi! How are you? -I just tripped. | 0:01:56 | 0:02:01 | |
Have a little seat there. Did you trip? | 0:02:01 | 0:02:03 | |
I didn't even see, I didn't see it. | 0:02:03 | 0:02:05 | |
She's done the impossible of going from child star in The Addams Family | 0:02:05 | 0:02:08 | |
to one of Hollywood's most successful and quirky actresses. | 0:02:08 | 0:02:10 | |
Please welcome the lovely Christina Ricci! | 0:02:10 | 0:02:12 | |
CHEERING | 0:02:12 | 0:02:15 | |
Oh, I didn't notice all that. That's fantastic, it's beautiful. Hello! | 0:02:15 | 0:02:19 | |
Come in, sit down, Christina Ricci. | 0:02:19 | 0:02:22 | |
He's one of our most successful British singer-songwriters | 0:02:22 | 0:02:26 | |
and after a year out of the spotlight, he's back. | 0:02:26 | 0:02:29 | |
It's only the fabulous Ed Sheeran. | 0:02:29 | 0:02:31 | |
CHEERING | 0:02:31 | 0:02:33 | |
Hello! They're happy, they're happy to see you. Come in, sit down. | 0:02:35 | 0:02:38 | |
Ed Sheeran. | 0:02:38 | 0:02:40 | |
And this actor went from rom-com king | 0:02:40 | 0:02:42 | |
to bona fide Oscar-winning movie star | 0:02:42 | 0:02:45 | |
and now he's struck Gold in his latest crime adventure. | 0:02:45 | 0:02:48 | |
Please welcome Mr Matthew McConaughey! | 0:02:48 | 0:02:50 | |
CHEERING Hey! | 0:02:50 | 0:02:52 | |
Have a seat. | 0:02:54 | 0:02:56 | |
Whoo! | 0:02:58 | 0:02:59 | |
CHEERING | 0:02:59 | 0:03:01 | |
Feel the love! Feel the love! That was good, wasn't it? That was nice. | 0:03:04 | 0:03:09 | |
That was nice, yeah. This is, like, a very mixed look. | 0:03:09 | 0:03:13 | |
Sometimes, the show looks like | 0:03:13 | 0:03:14 | |
everyone's just going to a showbiz funeral. | 0:03:14 | 0:03:16 | |
-Tonight, it's very mixed. -Thank you very much. | 0:03:16 | 0:03:19 | |
Well, you, I've never seen you look that smart before in your life! | 0:03:19 | 0:03:22 | |
No, I thought I'd make an effort, because last time I was on here | 0:03:22 | 0:03:28 | |
was the month before I was voted | 0:03:28 | 0:03:31 | |
GQ's second worst-dressed man in the world. | 0:03:31 | 0:03:34 | |
I was voted worst dressed. | 0:03:34 | 0:03:36 | |
-2012 worst dressed. -Wow! -Do you know how they described me? | 0:03:36 | 0:03:40 | |
Because they do a little feature and they had a picture of me. | 0:03:40 | 0:03:42 | |
They described my look as "an update on Bilbo Baggins". | 0:03:42 | 0:03:47 | |
Update? He's not a historical figure. | 0:03:49 | 0:03:52 | |
And, Ed Sheeran, lovely to have you back in the world, | 0:03:53 | 0:03:55 | |
blinking into the lights, after your year away. | 0:03:55 | 0:03:57 | |
What are you singing for us tonight? | 0:03:57 | 0:03:59 | |
-Castle On The Hill. -CHEERING | 0:03:59 | 0:04:02 | |
-It's a hit, it's a hit. -A song about Suffolk. | 0:04:04 | 0:04:06 | |
There aren't enough songs about Suffolk. | 0:04:06 | 0:04:09 | |
-I think that's the only one, yeah. -And Matthew McConaughey, | 0:04:09 | 0:04:11 | |
-congratulations on your new movie, Gold. -Thank you. | 0:04:11 | 0:04:14 | |
We'll talk about it a bit more in a bit, | 0:04:14 | 0:04:15 | |
but I saw a clip and you were accepting an award for Gold | 0:04:15 | 0:04:20 | |
and there was a really funny audience reaction. | 0:04:20 | 0:04:22 | |
-Do you know what I'm talking about? -I think I do. | 0:04:22 | 0:04:24 | |
-So, you get up there, you get the prize. -Yeah. | 0:04:24 | 0:04:28 | |
And as I like to open up, usually I start off with "All right" | 0:04:28 | 0:04:34 | |
of some sort, "All right, all right, all right." | 0:04:34 | 0:04:36 | |
The first three words I ever said on film and I think... | 0:04:36 | 0:04:39 | |
I don't think about it, but I think this night, I just said, | 0:04:39 | 0:04:42 | |
"All right, so..." And then everyone goes, "Ah-ah-ah!" | 0:04:42 | 0:04:44 | |
So, you can't say one "all right". You've got to do three? | 0:04:44 | 0:04:48 | |
If it starts with one, I've got to add the other two, yeah. | 0:04:48 | 0:04:50 | |
The audience demands it. | 0:04:50 | 0:04:52 | |
Is it like Beetlejuice? It appears if you say the third one? | 0:04:52 | 0:04:55 | |
Something nice happens, yeah. | 0:04:55 | 0:04:57 | |
All right, all right, all right. | 0:04:57 | 0:04:59 | |
CHEERING | 0:04:59 | 0:05:01 | |
See? | 0:05:02 | 0:05:03 | |
Now, Christina Ricci, | 0:05:06 | 0:05:09 | |
you are sitting in a particular sandwich on our couch tonight. | 0:05:09 | 0:05:13 | |
-Mm-hmm. -Yes, you are because, Josh, you have been... | 0:05:13 | 0:05:16 | |
-Have you been mistaken for... -No, I have been mistaken... | 0:05:16 | 0:05:19 | |
What, for Matthew McConaughey? All the time. | 0:05:19 | 0:05:21 | |
The amount of photos I've taken as you, it's unbelievable. | 0:05:23 | 0:05:26 | |
You wouldn't understand how many times they thought I was you! | 0:05:26 | 0:05:29 | |
Exactly. They've come up to you, gone, "Who are you?" | 0:05:29 | 0:05:32 | |
I've built a career of being mistaken for Ed Sheeran. | 0:05:33 | 0:05:39 | |
I've had it quite a few times. | 0:05:39 | 0:05:41 | |
-Do you get laid? -You what? -Do you get laid? | 0:05:41 | 0:05:43 | |
I'm just wondering. | 0:05:46 | 0:05:48 | |
I meet ginger people all the time that are like, "Thanks!" | 0:05:48 | 0:05:51 | |
-Yes. -So, I get... -That's a little awkward now, Josh, isn't it? | 0:05:54 | 0:05:58 | |
So, I'm now the only Ed Sheeran that's not getting laid? | 0:05:58 | 0:06:02 | |
I've got the worst of both worlds! | 0:06:04 | 0:06:07 | |
I was literally just talking about this with Christina backstage, | 0:06:07 | 0:06:10 | |
cos there is a kid who... | 0:06:10 | 0:06:11 | |
His job is, like, people employ him when they can't get me for stuff, | 0:06:11 | 0:06:16 | |
they employ him to look like me. | 0:06:16 | 0:06:17 | |
Is this this guy? | 0:06:17 | 0:06:18 | |
-Yeah. -Isn't that... Now, you've met him, you've met him. | 0:06:18 | 0:06:23 | |
Mate, that's not cool. I don't think I look like him. | 0:06:23 | 0:06:25 | |
-I thought that was, like, a doctored picture of you. -No, really. | 0:06:25 | 0:06:28 | |
-Wait, here you are together. -Yeah, yeah. -Now, in fairness... | 0:06:28 | 0:06:32 | |
That was a while back, though. | 0:06:32 | 0:06:33 | |
I've managed to grow a little bit of facial hair. | 0:06:33 | 0:06:35 | |
He looks like you looking into a spoon. | 0:06:35 | 0:06:38 | |
Yeah, when I filmed the Bridget Jones film, | 0:06:41 | 0:06:45 | |
I could only do one day instead of two, | 0:06:45 | 0:06:47 | |
-so they cast him for the second day. -No! | 0:06:47 | 0:06:49 | |
He actually cops off with Bridget's mate in it. | 0:06:49 | 0:06:51 | |
So, again, getting people laid - it's working. | 0:06:51 | 0:06:54 | |
No, no, but you have done a great job | 0:06:54 | 0:06:55 | |
cos so many people post pictures, | 0:06:55 | 0:06:57 | |
particularly quite beautiful women post pictures, | 0:06:57 | 0:07:01 | |
thinking that they've met you and sometimes... | 0:07:01 | 0:07:03 | |
It's always just a fat dude | 0:07:03 | 0:07:04 | |
who looks a bit drunk that's gone like that. | 0:07:04 | 0:07:06 | |
I didn't want to say that, but you're right. | 0:07:06 | 0:07:09 | |
I mean, some of these are quite ropey. | 0:07:09 | 0:07:10 | |
Like, "Met Ed Sheeran last night." | 0:07:10 | 0:07:12 | |
How happy does he look?! | 0:07:13 | 0:07:16 | |
I tell you what, he is definitely getting laid. | 0:07:16 | 0:07:21 | |
I've never had any of that excitement. | 0:07:23 | 0:07:25 | |
I went to watch England at the European Championships | 0:07:25 | 0:07:29 | |
and I heard people around me whispering, | 0:07:29 | 0:07:31 | |
going, "There he is, there he is!" | 0:07:31 | 0:07:33 | |
I thought, "Here we go!" | 0:07:33 | 0:07:34 | |
And then the whole of the England contingent stood up | 0:07:34 | 0:07:38 | |
and started shouting and pointing at me, "You're just a shit Ed Sheeran!" | 0:07:38 | 0:07:42 | |
I'm so sorry, man. I'm so sorry. | 0:07:43 | 0:07:46 | |
But, now, talking of pictures on the internet, Christina Ricci, | 0:07:46 | 0:07:49 | |
you've found a real niche for yourself. Tell us about... | 0:07:49 | 0:07:52 | |
Is it called Ricci-ing? | 0:07:52 | 0:07:54 | |
Yeah, it's Ricci-ing, but I like to call it I Can Fit In That. | 0:07:54 | 0:07:57 | |
-That's the hashtag. -That's the series. | 0:07:59 | 0:08:01 | |
The series is the I Can Fit In That series. | 0:08:01 | 0:08:04 | |
-So, you put them on Instagram. -Yeah. | 0:08:04 | 0:08:06 | |
And I think we've got some of the pictures of... | 0:08:06 | 0:08:09 | |
Before we show them, how did this happen? | 0:08:09 | 0:08:11 | |
I just have always really liked to try to fit into small things. | 0:08:11 | 0:08:14 | |
And my two-year-old, without me doing anything, | 0:08:18 | 0:08:20 | |
he likes to get into small things also, so it must be genetic. | 0:08:20 | 0:08:24 | |
Did this start before you were born? | 0:08:24 | 0:08:26 | |
So, here you are. I don't know whether it was... | 0:08:29 | 0:08:31 | |
It was a thinker, that one, wasn't it? It was tough. | 0:08:31 | 0:08:34 | |
A way-homer. Gets it on the way home. | 0:08:34 | 0:08:37 | |
Here you are. This is you. Now, I hope your two-year-old... | 0:08:38 | 0:08:42 | |
Is that a dryer or a washer? | 0:08:42 | 0:08:43 | |
I did get all the way in either the washer or the dryer. | 0:08:43 | 0:08:46 | |
It was like on top of each other, I don't remember which one. | 0:08:46 | 0:08:49 | |
You know you can just take your clothes off and put it in? | 0:08:49 | 0:08:51 | |
-I like a challenge. -On the girl! | 0:08:53 | 0:08:57 | |
-What else have you got in? Is that your sink? -That was my sink, yes. | 0:08:57 | 0:09:02 | |
-And you thought, "I can fit in that." -That's what I thought, yes. | 0:09:02 | 0:09:06 | |
-And you could. -There's the fridge one, too, which is pretty good. | 0:09:06 | 0:09:08 | |
-We've got the fridge. -Oh, good. Yeah. | 0:09:08 | 0:09:11 | |
Cos that was a challenge. That was a real hard one to get into. | 0:09:11 | 0:09:16 | |
-Oh, really? -Yeah, cos, look, see how my leg doesn't really fit? | 0:09:16 | 0:09:18 | |
I guess, yes, but it looks more capacious. | 0:09:18 | 0:09:21 | |
-There's nothing really you can fit in here. -Are you sure? | 0:09:21 | 0:09:26 | |
-Could you fit in that fruit bowl? -I mean, like, yeah. | 0:09:26 | 0:09:29 | |
-Oh, could you? -Oh, let's see. -Shall we get rid of the fruit? | 0:09:29 | 0:09:32 | |
"Shall we get rid of the fruit?" No, leave it! | 0:09:32 | 0:09:34 | |
OK, can she get in? | 0:09:34 | 0:09:36 | |
I mean, I can get in, but not my entire body. | 0:09:36 | 0:09:38 | |
Oh, no, no, clearly... | 0:09:38 | 0:09:40 | |
-Focus, focus, focus, focus. -Oh, no, that is... | 0:09:40 | 0:09:42 | |
-Look at that! -Whoa! -So if it was just a tube, I'd be able to do it. | 0:09:42 | 0:09:46 | |
Ladies and gentlemen, she's in a fruit bowl. | 0:09:46 | 0:09:48 | |
APPLAUSE | 0:09:48 | 0:09:51 | |
-Hope I don't flash anyone or lose a shoe. -That is a first. | 0:09:53 | 0:09:56 | |
We've never had a guest in the fruit bowl before. | 0:09:56 | 0:09:58 | |
Well done, well done. | 0:10:01 | 0:10:02 | |
It'd have been very disappointing if you'd said, "We do that every week." | 0:10:02 | 0:10:06 | |
Erm, right, let's start tonight with Gold, Matthew McConaughey's film | 0:10:06 | 0:10:10 | |
which opens on the 3rd of February and this is an extraordinary story. | 0:10:10 | 0:10:14 | |
-Yeah. -It's one of those stories that could only be based on a true story, | 0:10:14 | 0:10:18 | |
cos there's so many twists and turns and things you don't see coming. | 0:10:18 | 0:10:20 | |
Was it a huge story in the States? | 0:10:20 | 0:10:22 | |
Cos I don't remember reading about this story. | 0:10:22 | 0:10:24 | |
He was Canadian and it was a huge story in the States | 0:10:24 | 0:10:27 | |
because hundreds and hundreds of millions of dollars were invested | 0:10:27 | 0:10:30 | |
by New York bankers and their clients and, if you go see the film, | 0:10:30 | 0:10:34 | |
you see a lot of that money was lost, | 0:10:34 | 0:10:36 | |
almost all of that money was lost, so it was a huge story. | 0:10:36 | 0:10:39 | |
This guy - his original name was David Walsh, | 0:10:39 | 0:10:42 | |
I play him as Kenny Wells - literally, had a dream. | 0:10:42 | 0:10:44 | |
He's a prospector. | 0:10:44 | 0:10:46 | |
Literally, had a dream that he knew where the gold was in Indonesia. | 0:10:46 | 0:10:52 | |
Hocked a watch, bought a one-way ticket to Indonesia, | 0:10:52 | 0:10:55 | |
found the guy who could help him find the gold, | 0:10:55 | 0:10:57 | |
talked him into it, saying, | 0:10:57 | 0:10:59 | |
"We're going to find it, we're going to prove them all wrong", | 0:10:59 | 0:11:01 | |
worked up a bunch of money and off they went and they found the gold. | 0:11:01 | 0:11:04 | |
Biggest gold strike of that entire 30-year period. | 0:11:04 | 0:11:07 | |
And then the question is, was there any gold or not? | 0:11:07 | 0:11:12 | |
As we know, people like to buy into a story | 0:11:12 | 0:11:15 | |
and a lot of people bought into this story and put in a lot of money. | 0:11:15 | 0:11:19 | |
I didn't know it was a true story, | 0:11:19 | 0:11:20 | |
but halfway through, I, kind of, thought, | 0:11:20 | 0:11:22 | |
"This HAS to be a true story, cos of all the crazy stuff that goes on." | 0:11:22 | 0:11:25 | |
Per usual, anything that's that crazy on screen, | 0:11:25 | 0:11:28 | |
usually the truth trumps it and you find out it was true. | 0:11:28 | 0:11:32 | |
Yeah, and to prepare for this, cos often actors go through | 0:11:32 | 0:11:35 | |
kind of hell to prepare for roles, | 0:11:35 | 0:11:37 | |
-it sounded like it was quite fun preparing for this. -Yes. | 0:11:37 | 0:11:41 | |
I've had roles where I lost a lot of weight. | 0:11:41 | 0:11:43 | |
In this one, I got to gain a lot of weight | 0:11:43 | 0:11:45 | |
and the gaining is a whole lot more fun. | 0:11:45 | 0:11:48 | |
Can't fit in a fruit bowl, though, can you? | 0:11:48 | 0:11:52 | |
Not even one of my butt cheeks. | 0:11:52 | 0:11:55 | |
But it's interesting, | 0:11:55 | 0:11:57 | |
as your family just thought you were, like, a different person. | 0:11:57 | 0:12:00 | |
Well, for six months, I said, | 0:12:00 | 0:12:02 | |
"I've got a rule, McConaughey, to get ready for this role. | 0:12:02 | 0:12:04 | |
"You have to say yes to whatever desire you want 24/7 - | 0:12:04 | 0:12:07 | |
"eat, drink, what have you. | 0:12:07 | 0:12:09 | |
"And if you second guess yourself, you must have double." | 0:12:09 | 0:12:12 | |
So, I was a real yes man. | 0:12:12 | 0:12:14 | |
Pizza night, instead of Friday night, was Tuesday morning. | 0:12:14 | 0:12:18 | |
If you wanted to go bowling at midnight on a school night, | 0:12:18 | 0:12:20 | |
that's a great idea, too, kids, let's go. | 0:12:20 | 0:12:23 | |
Erm... | 0:12:23 | 0:12:24 | |
so, I really relaxed on the rules | 0:12:24 | 0:12:27 | |
and cheeseburgers and beer for breakfast were a great idea. | 0:12:27 | 0:12:31 | |
So, how hard was it to, kind of, go, "Oh, film's over"? | 0:12:31 | 0:12:35 | |
I didn't think about it until we got there. | 0:12:35 | 0:12:38 | |
I did notice that a few things that I thought were renting | 0:12:38 | 0:12:42 | |
that were actually there to own. | 0:12:42 | 0:12:44 | |
And I noticed that it had really set in and I did have a few moments | 0:12:46 | 0:12:49 | |
where I was looking in the mirror, going, "This may be it, buddy. | 0:12:49 | 0:12:53 | |
"This may be your profile." | 0:12:53 | 0:12:56 | |
It's nice to know that's finally happened, though, | 0:12:56 | 0:12:58 | |
cos I'm sure there are so many men, round the world who look at you, | 0:12:58 | 0:13:01 | |
like, ripped in all the films, being like, "Oh, God, inhuman. | 0:13:01 | 0:13:03 | |
-"How does he do that?" And now you're the same. -Yeah, it was fun. | 0:13:03 | 0:13:07 | |
My family, kind of, misses me being a fat-ass. | 0:13:07 | 0:13:10 | |
Your kids at half 11 at night going, "Can we go bowling?" "No way!" | 0:13:10 | 0:13:14 | |
I got so strict. No, my nickname in the family was Captain Fun. | 0:13:14 | 0:13:18 | |
-Captain Fun! -For the whole six months. | 0:13:18 | 0:13:21 | |
It was like, "Another pizza? Yes! | 0:13:21 | 0:13:23 | |
"Milkshakes for breakfast? Great idea!" | 0:13:23 | 0:13:25 | |
-So, did your kids get fat, as well? -No, they didn't. | 0:13:25 | 0:13:29 | |
I mean, the whole family probably put on a little extra luggage, | 0:13:29 | 0:13:33 | |
but, I mean...I was fat and happy. | 0:13:33 | 0:13:37 | |
And we've got a clip. | 0:13:39 | 0:13:40 | |
This is a moment in the film when your character could cash in. | 0:13:40 | 0:13:47 | |
-Could cash in. -He could cash in and make the millions. | 0:13:47 | 0:13:50 | |
No-one in your family - I'm talking your children's grandchildren - | 0:13:50 | 0:13:53 | |
will ever have to worry about money again. | 0:13:53 | 0:13:56 | |
You see these hands, Brian? | 0:14:20 | 0:14:21 | |
These are my father's hands. | 0:14:23 | 0:14:24 | |
I have scratched and clawed through the hard earth with these hands | 0:14:25 | 0:14:28 | |
and I will bury you with these hands. | 0:14:28 | 0:14:31 | |
Now, you will tell this man... | 0:14:34 | 0:14:36 | |
..he works for Kenny Wells. | 0:14:39 | 0:14:41 | |
Very good. | 0:14:44 | 0:14:46 | |
And I read you in an interview, talking about how | 0:14:46 | 0:14:50 | |
when you read the script, you knew this man. | 0:14:50 | 0:14:52 | |
I knew it right away, from the inside out. | 0:14:52 | 0:14:54 | |
-But, kind of, through your dad. -Yeah, through my dad. | 0:14:54 | 0:14:57 | |
My dad was a pipe and oil salesman, | 0:14:57 | 0:15:00 | |
which means he was peddling pipe, meaning you're on the phone, | 0:15:00 | 0:15:02 | |
payphones, in the bar - | 0:15:02 | 0:15:04 | |
before cellphones - and he would take me around the country. | 0:15:04 | 0:15:08 | |
We'd hop in his car and we'd go office to office to people | 0:15:08 | 0:15:11 | |
that owed him money and bringing his 12-year-old son | 0:15:11 | 0:15:14 | |
would shame a lot of them into paying him, right? | 0:15:14 | 0:15:17 | |
And he also loved a shady deal. | 0:15:17 | 0:15:19 | |
He would always say, "Goddamn, buddy, | 0:15:19 | 0:15:21 | |
"I'd rather do a shady deal with some fun people | 0:15:21 | 0:15:25 | |
"than a great deal with a bunch of straight-asses." | 0:15:25 | 0:15:27 | |
That's Kenny Wells. | 0:15:28 | 0:15:30 | |
I just want to say, one story about your dad, | 0:15:30 | 0:15:33 | |
the bet involving your brother, do you know the story I mean? | 0:15:33 | 0:15:37 | |
-The bicycle? -The motorcycle, yeah, yeah. -Yeah, yeah, yeah. | 0:15:37 | 0:15:41 | |
Another way my dad did "great business". | 0:15:41 | 0:15:44 | |
Our upbringings are so similar, it's unbelievable. | 0:15:44 | 0:15:48 | |
Are you getting laid? | 0:15:48 | 0:15:50 | |
APPLAUSE | 0:15:53 | 0:15:55 | |
I'm trying. | 0:15:57 | 0:15:59 | |
Every time I come on this show, I get abused by Hollywood stars. | 0:15:59 | 0:16:02 | |
-Check this out. -You know what, I'm going to sit back and enjoy. | 0:16:02 | 0:16:08 | |
It is a great story. | 0:16:08 | 0:16:09 | |
So, my dad had a ranch one time with his friends | 0:16:09 | 0:16:12 | |
and they'd been deer-hunting all day and it's late at night. | 0:16:12 | 0:16:14 | |
They're sitting down at the bar and drinking and stuff | 0:16:14 | 0:16:16 | |
and all of a sudden, the subject comes up | 0:16:16 | 0:16:18 | |
of how high everybody can pee, | 0:16:18 | 0:16:20 | |
how high on the wall, right? | 0:16:20 | 0:16:21 | |
And he's got this buddy named Jim who's about 6'6" | 0:16:21 | 0:16:25 | |
and they're playing cards and looking around | 0:16:25 | 0:16:27 | |
and my dad sees this old BMX bike. And we couldn't afford a BMX bike. | 0:16:27 | 0:16:31 | |
Now, my middle brother had been wanting a BMX motorcycle, | 0:16:31 | 0:16:34 | |
but we couldn't afford it. | 0:16:34 | 0:16:35 | |
There's this old CRX 80 over there and Dad says, | 0:16:35 | 0:16:39 | |
"You know, Jim, my son, he could pee over your head on the wall," | 0:16:39 | 0:16:44 | |
and he goes, "No, there's no way he can do that," | 0:16:44 | 0:16:46 | |
and he goes, "Yeah, he can. I'll bet you. I'll bet the motorbike on it." | 0:16:46 | 0:16:49 | |
And the guy goes, "There's no way, I'm 6'6"." | 0:16:49 | 0:16:52 | |
Pop gets in the car, drives an hour and a half back into town, | 0:16:52 | 0:16:55 | |
wakes my 12-year-old brother up in his tighty whities, | 0:16:55 | 0:16:58 | |
gets him out of bed. | 0:16:58 | 0:16:59 | |
When you get woke up in the middle of the night as a kid, | 0:16:59 | 0:17:01 | |
you've got to pee, right? | 0:17:01 | 0:17:02 | |
My dad says, "No, no, no, no, no, you're not going to pee." | 0:17:02 | 0:17:04 | |
"Have this bottle of water." | 0:17:04 | 0:17:07 | |
"Get in the car and have a sip on this beer | 0:17:07 | 0:17:09 | |
"cos we're about to go get yourself a motorcycle, buddy." | 0:17:09 | 0:17:13 | |
So, Pat sitting there in his tighty whities, | 0:17:13 | 0:17:15 | |
they ride an hour and a half back. | 0:17:15 | 0:17:16 | |
They get back at four in the morning | 0:17:16 | 0:17:18 | |
and brings my brother into the barn. | 0:17:18 | 0:17:21 | |
They put Jim up against the wall and Jim marks the mark at 6'6". | 0:17:21 | 0:17:25 | |
My daddy says, "Go ahead, boy." | 0:17:25 | 0:17:29 | |
Pee-yow! | 0:17:29 | 0:17:30 | |
Beat it by a foot, put the CRX in the back of the truck - | 0:17:30 | 0:17:35 | |
my brother's first motorcycle. | 0:17:35 | 0:17:37 | |
We love your brother! | 0:17:39 | 0:17:42 | |
Yeah, me, too. | 0:17:42 | 0:17:44 | |
Ed, you did a mad thing, cos you didn't have | 0:17:47 | 0:17:51 | |
a deprived childhood, but when you made money... | 0:17:51 | 0:17:53 | |
You could only piss at three feet! | 0:17:55 | 0:17:57 | |
Yeah, but when you made money, when you made money, | 0:17:57 | 0:18:00 | |
you bought certain things, didn't you? | 0:18:00 | 0:18:02 | |
-Stuff that you were denied as a child. -Yeah, yeah. | 0:18:03 | 0:18:08 | |
Like, what did you buy? | 0:18:08 | 0:18:09 | |
OK! Well, I wasn't denied... | 0:18:09 | 0:18:12 | |
Any good parent will know, any parent in here, if a kid | 0:18:12 | 0:18:15 | |
wants a Lego set, you get them a small one. | 0:18:15 | 0:18:17 | |
You don't get them the big one that is 359 quid. | 0:18:17 | 0:18:18 | |
So, when my album went to number one, I was | 0:18:18 | 0:18:20 | |
passing the Lego store, | 0:18:20 | 0:18:22 | |
and I saw the big Death Star, and I went, "Do you know what? | 0:18:22 | 0:18:25 | |
"It's time." | 0:18:25 | 0:18:27 | |
I'm just a big kid now. | 0:18:28 | 0:18:30 | |
It isn't just that. | 0:18:30 | 0:18:32 | |
I went to go and buy my god-daughter a Ninja Turtle toy | 0:18:32 | 0:18:35 | |
for her birthday. | 0:18:35 | 0:18:37 | |
And I was in the Ninja Turtle section and there was this huge | 0:18:37 | 0:18:39 | |
truck. I looked at the small toy I got her, | 0:18:39 | 0:18:41 | |
and the big truck, and I was like, "I'm getting that for me." | 0:18:41 | 0:18:44 | |
I have loads and loads... | 0:18:45 | 0:18:47 | |
Are you like the kid from Big? | 0:18:47 | 0:18:49 | |
Yeah, I have a load of... | 0:18:49 | 0:18:51 | |
child stuff in my house, yeah. There is a room | 0:18:51 | 0:18:56 | |
full of teddy bears. | 0:18:56 | 0:18:58 | |
This is such an embarrassing interview. | 0:18:58 | 0:19:00 | |
That you didn't have as a kid? | 0:19:00 | 0:19:02 | |
Not that I didn't have, I just wanted them. | 0:19:02 | 0:19:05 | |
And out of us two, you're the one who's getting laid. | 0:19:05 | 0:19:07 | |
Let's hope those teddy bears don't have anything to do with it. | 0:19:09 | 0:19:12 | |
Who would have thought teddy bears was the key?! | 0:19:12 | 0:19:14 | |
I remember, actually, I once went on a date | 0:19:14 | 0:19:16 | |
-and brought a Lego set, made the Lego set, and then left. -What?! | 0:19:16 | 0:19:19 | |
Wow. | 0:19:22 | 0:19:23 | |
That's going deep, man. That's strong moves. | 0:19:24 | 0:19:27 | |
What was she doing? She was eating her dinner and you were | 0:19:27 | 0:19:29 | |
-constructing... -No, we were just chatting, catching up. | 0:19:29 | 0:19:32 | |
Just chatting. She's definitely going to be | 0:19:32 | 0:19:33 | |
watching this, like, "Yep, definitely happened." | 0:19:33 | 0:19:36 | |
-Wow. -What did you make? | 0:19:37 | 0:19:39 | |
Pirates Of The Caribbean pirate ship. | 0:19:39 | 0:19:41 | |
Yeah, he's not a loser. | 0:19:43 | 0:19:45 | |
I hope you gave it to her as a gift at the end. | 0:19:45 | 0:19:48 | |
No. | 0:19:49 | 0:19:50 | |
Josh, your parents, they did buy you things. | 0:19:53 | 0:19:57 | |
They did. I grew up in Devon. | 0:19:57 | 0:19:58 | |
It was similar... | 0:19:58 | 0:20:00 | |
So, it's, kind of, the middle of nowhere. | 0:20:02 | 0:20:04 | |
There were four kids at my year at school. | 0:20:04 | 0:20:07 | |
-I grew up in the middle of nowhere. -MURMURING | 0:20:07 | 0:20:09 | |
All right! | 0:20:09 | 0:20:11 | |
So, my parents tried to, kind of, make stuff educational. | 0:20:11 | 0:20:15 | |
I don't know what bed you had when you were a child, | 0:20:15 | 0:20:18 | |
I imagine now your bed is bizarre, Ed. | 0:20:18 | 0:20:21 | |
I imagine you sleep on a bouncy castle or something now. | 0:20:21 | 0:20:24 | |
It's pretty regular. | 0:20:24 | 0:20:26 | |
Is it one of those race car beds? | 0:20:26 | 0:20:28 | |
-That's what -I -saw! | 0:20:30 | 0:20:32 | |
One of those, it is sunk into the ground. | 0:20:32 | 0:20:34 | |
It's, like, proper comfy, you can roll over onto the floor. | 0:20:34 | 0:20:37 | |
Like a trampoline? | 0:20:37 | 0:20:38 | |
You don't want roll over too much, you don't want | 0:20:38 | 0:20:40 | |
to lie on the Lego, that's very painful. | 0:20:40 | 0:20:42 | |
I have a pair of stuffed pandas in my room. | 0:20:42 | 0:20:45 | |
Stuffed pandas. Two. | 0:20:45 | 0:20:47 | |
I don't know what's true any more! | 0:20:49 | 0:20:52 | |
Believe everything. | 0:20:52 | 0:20:53 | |
My bed, when I was a kid, my parents bought me this thing | 0:20:53 | 0:20:57 | |
called a cabin bed. This was the height of a bunk bed, | 0:20:57 | 0:21:00 | |
but below it, instead of another bed, I had a desk. | 0:21:00 | 0:21:04 | |
Basically, my parents made the executive decision that | 0:21:04 | 0:21:07 | |
I was more likely to write a letter than have a friend. | 0:21:07 | 0:21:10 | |
Kids would come round, "Can I stay over?" | 0:21:15 | 0:21:17 | |
"No, but you can catch up on your admin." | 0:21:17 | 0:21:19 | |
Listen, Christina Ricci, you've brought out | 0:21:24 | 0:21:28 | |
a brand-new Amazon Prime Video. It's a new world, ladies and gentlemen. | 0:21:28 | 0:21:31 | |
-Zed, but you say Zee. -I say Zee, but you can say Zed. | 0:21:31 | 0:21:35 | |
Thank you. Z: The Beginning of Everything. | 0:21:35 | 0:21:40 | |
It starts screening on Amazon Prime next Friday. | 0:21:40 | 0:21:42 | |
And it tells the story of Zelda Fitzgerald and F Scott Fitzgerald, | 0:21:42 | 0:21:45 | |
who obviously wrote The Great Gatsby and lots of other things. | 0:21:45 | 0:21:48 | |
Now, I know the name Zelda Fitzgerald, | 0:21:48 | 0:21:51 | |
but why do we know her name? | 0:21:51 | 0:21:53 | |
Why has she continued to be famous through history? | 0:21:53 | 0:21:55 | |
Well, I mean, she was, sort of, the very outrageous wife | 0:21:55 | 0:22:00 | |
of Scott Fitzgerald. | 0:22:00 | 0:22:01 | |
The misconception about her, I don't know if you... | 0:22:01 | 0:22:04 | |
In America, there was this thing that she was this crazy alcoholic | 0:22:04 | 0:22:07 | |
woman who ruined Scott Fitzgerald. | 0:22:07 | 0:22:09 | |
And, of course the truth is a little bit more complicated than that. | 0:22:09 | 0:22:12 | |
So, this is the story of their marriage, from her point of view. | 0:22:12 | 0:22:18 | |
Is the stuff true that F Scott Fitzgerald would lift | 0:22:18 | 0:22:21 | |
bits of her writing and use it? | 0:22:21 | 0:22:23 | |
Yeah, right out of her letters and out of her journal | 0:22:23 | 0:22:26 | |
and so, when she wanted to publish her own writing, | 0:22:26 | 0:22:28 | |
she was not allowed to publish very much, because he felt | 0:22:28 | 0:22:32 | |
you'd be able to tell that a lot of his writing was hers. | 0:22:32 | 0:22:37 | |
I mean, that's nuts, isn't it? | 0:22:37 | 0:22:38 | |
Isn't it nuts, a little bit? | 0:22:38 | 0:22:40 | |
Is this your first television thing? | 0:22:40 | 0:22:42 | |
It's my first one that I, sort of, produced and starred in. | 0:22:42 | 0:22:45 | |
Because for an actress, it must be so different from being | 0:22:45 | 0:22:49 | |
in a movie, where you are gauging a performance over 1½, 2 hours, | 0:22:49 | 0:22:52 | |
and suddenly you've got this performance that is | 0:22:52 | 0:22:54 | |
going to arc over several hours. | 0:22:54 | 0:22:55 | |
Yeah, it's really interesting, it's very different, | 0:22:55 | 0:22:58 | |
but I think one thing that's really nice about | 0:22:58 | 0:23:00 | |
doing a series, a bio series, | 0:23:00 | 0:23:02 | |
is that you really get to live with the person. | 0:23:02 | 0:23:05 | |
So, the evolution can actually take what feels like more | 0:23:05 | 0:23:09 | |
of a natural amount of time. | 0:23:09 | 0:23:11 | |
Is there enough material to go on and do loads of seasons? | 0:23:11 | 0:23:15 | |
Yeah, yeah, I mean, they had this really intense | 0:23:15 | 0:23:19 | |
and crazy love affair. | 0:23:19 | 0:23:21 | |
Very dysfunctional and chaotic. | 0:23:21 | 0:23:23 | |
And they were, kind of, the first really famous celebrity couple - | 0:23:23 | 0:23:26 | |
like, she was just famous for being his wife, really. | 0:23:26 | 0:23:29 | |
She had all of these talents, but she wasn't really | 0:23:29 | 0:23:31 | |
able to explore them, so, it's pretty fascinating. | 0:23:31 | 0:23:35 | |
Listen, we've got a clip to watch. | 0:23:35 | 0:23:37 | |
This is when Zelda realises that F Scott Fitzgerald | 0:23:37 | 0:23:40 | |
is stealing her work. | 0:23:40 | 0:23:42 | |
I told you that I needed to be alone and, yet, | 0:23:42 | 0:23:45 | |
here you are, judging my... my pace, my process! | 0:23:45 | 0:23:49 | |
You don't just stumble into beauty, Zelda, it takes | 0:23:49 | 0:23:51 | |
herculean focus and effort. | 0:23:51 | 0:23:54 | |
And gin. There are more empty bottles in here than you | 0:23:54 | 0:23:56 | |
-have pages. -You know, what I do is very different from | 0:23:56 | 0:24:01 | |
the automatic writing that you do in your diary. | 0:24:01 | 0:24:04 | |
How dare you. | 0:24:04 | 0:24:05 | |
These are not random. These are my thoughts and dreams. | 0:24:05 | 0:24:09 | |
And you told me you thought my writing was beautiful. | 0:24:09 | 0:24:13 | |
I'm sorry I interrupted your process. | 0:24:13 | 0:24:16 | |
For your information, I have written | 0:24:16 | 0:24:19 | |
three stories already, but I have to do both. | 0:24:19 | 0:24:22 | |
Max wants the new novel by September and he's | 0:24:22 | 0:24:25 | |
not going to give me another advance. | 0:24:25 | 0:24:27 | |
So, without the stories, how do we afford this house, | 0:24:27 | 0:24:29 | |
how do we afford anything? | 0:24:29 | 0:24:30 | |
You think that just appeared on your wrist by magic? | 0:24:30 | 0:24:34 | |
I don't want this, you horse's ass. | 0:24:36 | 0:24:38 | |
I want YOU. | 0:24:40 | 0:24:41 | |
APPLAUSE | 0:24:41 | 0:24:44 | |
This can't be true, this is your first romantic lead? | 0:24:51 | 0:24:54 | |
It, kind of, is. My, my first, straight, dramatic, romantic lead. | 0:24:54 | 0:25:00 | |
-Wow. -Yeah. -Good on ya! -Thanks. | 0:25:00 | 0:25:03 | |
And it's also, ladies and gentlemen, people may not be aware, | 0:25:03 | 0:25:06 | |
-it's your first use of a merkin. -Oh, yeah. | 0:25:06 | 0:25:09 | |
Now, for people who are not familiar | 0:25:09 | 0:25:11 | |
-with what a merkin is, do explain. -Well, a merkin... | 0:25:11 | 0:25:14 | |
-Somebody on this couch already knows what a merkin is. -So well! | 0:25:14 | 0:25:17 | |
A merkin is a wig for your nether regions. | 0:25:17 | 0:25:19 | |
It's a wig for your nether regions. Nicely described. | 0:25:19 | 0:25:22 | |
Now, I know that body hair was perhaps | 0:25:22 | 0:25:25 | |
different in, kind of, | 0:25:25 | 0:25:27 | |
the time that your show is set. | 0:25:27 | 0:25:29 | |
But you posted a picture of the merkin. | 0:25:29 | 0:25:33 | |
And I have to say, it was bigger than I was anticipating. | 0:25:33 | 0:25:36 | |
You could barely fit that in a fruit bowl. | 0:25:40 | 0:25:42 | |
You must have felt like you were wearing a grass skirt. | 0:25:42 | 0:25:46 | |
-It was big. -That is an enormous merkin. | 0:25:46 | 0:25:48 | |
-It was pretty big. -If you don't mind me saying. | 0:25:48 | 0:25:51 | |
Did they trim it to size? | 0:25:53 | 0:25:55 | |
We trimmed it down a lot, yeah. | 0:25:55 | 0:25:56 | |
But what's interesting, the last time I was here, | 0:25:56 | 0:25:58 | |
I had a period... | 0:25:58 | 0:26:00 | |
A period film... | 0:26:00 | 0:26:02 | |
LAUGHTER AND APPLAUSE | 0:26:02 | 0:26:05 | |
So open. Let's just talk. Let's just talk. | 0:26:07 | 0:26:10 | |
And we'll all do our period anecdotes. | 0:26:10 | 0:26:13 | |
Because I was doing Bel Ami and I had to have full armpit hair. | 0:26:13 | 0:26:16 | |
Yes, he was making you grow them out. | 0:26:16 | 0:26:18 | |
Yes. And you guys kept trying to get me to do cartwheels | 0:26:18 | 0:26:21 | |
-and raise my arms and stuff. -And you refused! | 0:26:21 | 0:26:23 | |
-I refused. -Cos you're a lady. -That's right. | 0:26:23 | 0:26:25 | |
Meanwhile... | 0:26:25 | 0:26:27 | |
Actually, talking of merkin, Ed, you, sort of, | 0:26:29 | 0:26:32 | |
have a story about this. Cos you know... | 0:26:32 | 0:26:34 | |
-Do I?! -Well, you know the actor Richard Madden, don't you? | 0:26:36 | 0:26:39 | |
-Yeah, very well. -The last time he was on the show... | 0:26:39 | 0:26:41 | |
-Oh, yeah, he told me. -..he told a story about "a singer". | 0:26:41 | 0:26:44 | |
-And... -You don't wear one, do you?! | 0:26:44 | 0:26:46 | |
No, I got given it. | 0:26:46 | 0:26:48 | |
I get given a lot of cakes by fans. | 0:26:48 | 0:26:50 | |
And I used to eat all of the cakes. | 0:26:50 | 0:26:52 | |
And one time I cut into it and there was a load of hair in it. | 0:26:52 | 0:26:55 | |
-GROANING -So it was somebody who really liked you. | 0:26:55 | 0:26:58 | |
Yeah, I imagine she wanted to be, like, "I'm inside you." | 0:26:58 | 0:27:01 | |
Oh, so, like a Fatal Attraction kind of thing? | 0:27:02 | 0:27:05 | |
-Did you write a song about that? -No, I didn't. Maybe I should! | 0:27:05 | 0:27:08 | |
There was a massive clump that just, kind of, came out like... | 0:27:08 | 0:27:11 | |
Because, if people... I'm not suggesting anybody does... | 0:27:12 | 0:27:16 | |
That's like a hair pie, right? | 0:27:16 | 0:27:17 | |
If people make something for you, would it ever get to you, | 0:27:17 | 0:27:22 | |
or is there a firewall before it reaches you? | 0:27:22 | 0:27:24 | |
I wish there was more firewalls sometimes. | 0:27:24 | 0:27:27 | |
But, yeah, there's a lot of interesting things that | 0:27:27 | 0:27:30 | |
still show up in my mailbox. | 0:27:30 | 0:27:32 | |
Do you open everything? | 0:27:32 | 0:27:34 | |
-Sorry, don't answer that. -No. | 0:27:34 | 0:27:36 | |
I will tell you what I do. | 0:27:36 | 0:27:37 | |
Some of it, I open, but I don't return any of it. | 0:27:37 | 0:27:40 | |
Because I just got this feeling that somebody is going to go, | 0:27:40 | 0:27:44 | |
"Yeah, look, he sent me back this letter, because I sent it to..." | 0:27:44 | 0:27:48 | |
And I just got a feeling that that's going to spread, | 0:27:48 | 0:27:50 | |
and I'm going to be getting a whole lot more mail. | 0:27:50 | 0:27:52 | |
You don't want to be like Ringo Starr, | 0:27:52 | 0:27:54 | |
cos he replied to everything and one day was just like, | 0:27:54 | 0:27:56 | |
"I can't any more" and stopped. | 0:27:56 | 0:27:57 | |
And he replied for 40 years to everything. | 0:27:57 | 0:28:00 | |
I had that when I got a fan letter. | 0:28:00 | 0:28:02 | |
You've opened the floodgates now. | 0:28:05 | 0:28:07 | |
I've opened the floodgates and that second one, sssh. | 0:28:07 | 0:28:11 | |
But you have been sent some odd things. | 0:28:11 | 0:28:13 | |
I've been sent some weird things. | 0:28:13 | 0:28:16 | |
I got sent a picture | 0:28:16 | 0:28:18 | |
of a ginger family. | 0:28:18 | 0:28:20 | |
And I've got no idea who they were. | 0:28:22 | 0:28:23 | |
It was my Christmas card to you! | 0:28:23 | 0:28:25 | |
NOW the face seems familiar. | 0:28:27 | 0:28:29 | |
It was really weird, I still don't know, it felt like somebody | 0:28:29 | 0:28:32 | |
was trying to tell me I was adopted. | 0:28:32 | 0:28:33 | |
Now, Josh Widdicombe, very busy man. | 0:28:35 | 0:28:38 | |
He's got a new DVD out now, What Do I Do Now... | 0:28:38 | 0:28:41 | |
-That was your last tour, right? -Last tour, yeah. | 0:28:41 | 0:28:44 | |
Your sitcom Josh has just been recommissioned. Congratulations. | 0:28:44 | 0:28:47 | |
-Yes, I'm writing the third series now. -Are you in the middle | 0:28:47 | 0:28:49 | |
-of that now? -Yes, but it's fine, I'm normally in it, but I'm just going | 0:28:49 | 0:28:52 | |
to cast that guy that looks like Ed Sheeran. | 0:28:52 | 0:28:54 | |
And very exciting, next Friday, The Last Leg is back. | 0:28:54 | 0:28:59 | |
Channel 4, at 10pm. | 0:28:59 | 0:29:01 | |
Now, I have to say, last year, what a gift for | 0:29:01 | 0:29:03 | |
doing a topical... | 0:29:03 | 0:29:04 | |
It was great, wasn't it? | 0:29:04 | 0:29:06 | |
Yeah, great to do a topical show when the world is going to shit. | 0:29:06 | 0:29:10 | |
Everyone's going to die, but we're going to get good ratings. | 0:29:10 | 0:29:12 | |
There was the Rio Olympics, as well, which is a good thing. | 0:29:12 | 0:29:15 | |
Yeah, the Rio Paralympics, we went there. | 0:29:15 | 0:29:17 | |
Then, we had Trump, which was interesting. | 0:29:17 | 0:29:20 | |
And we thought, "He won't get elected." | 0:29:20 | 0:29:23 | |
And he did. | 0:29:23 | 0:29:25 | |
Then, we had Brexit. | 0:29:25 | 0:29:27 | |
I remember sitting in front of the television and seeing | 0:29:27 | 0:29:31 | |
Jeremy Corbyn on your show. How did that happen? | 0:29:31 | 0:29:35 | |
Um, so, Jeremy Corbyn is, kind of, our Bernie Sanders, | 0:29:35 | 0:29:39 | |
I suppose, kind of, figure. | 0:29:39 | 0:29:41 | |
And he came... | 0:29:41 | 0:29:43 | |
Blast from the past. | 0:29:43 | 0:29:45 | |
Great reference. | 0:29:45 | 0:29:47 | |
So, I think we just asked him to come on. | 0:29:47 | 0:29:50 | |
He genuinely turned up for the show and he'd never seen it. | 0:29:50 | 0:29:55 | |
So, he didn't know who I was. | 0:29:56 | 0:29:58 | |
I was, like, "I'm Josh," and he was, like, | 0:29:58 | 0:30:00 | |
thinking I was just some bloke, like... | 0:30:00 | 0:30:03 | |
And I was like, "I'm on the show," and he was like, "Oh, right, OK." | 0:30:03 | 0:30:05 | |
And I think he had been told he was going on a Friday night chat show. | 0:30:05 | 0:30:08 | |
I think he thought he was going on this. | 0:30:08 | 0:30:10 | |
He had his anecdote for the Red Chair and he was ready to go. | 0:30:10 | 0:30:14 | |
I feel like, if you want to be the leader of the country, | 0:30:14 | 0:30:17 | |
it is not that astute to go on a show you have never seen. | 0:30:17 | 0:30:20 | |
It's worrying. You imagine that if he was the leader | 0:30:20 | 0:30:22 | |
of the country and he'd meet the President of America, | 0:30:22 | 0:30:24 | |
and he would go, "I've no idea who you are." | 0:30:24 | 0:30:26 | |
The weirdest thing, I have never said this before, | 0:30:26 | 0:30:29 | |
but I was on a train the week after and he sat down - | 0:30:29 | 0:30:33 | |
in a seat - and he sat down opposite me and he didn't recognise me. | 0:30:33 | 0:30:39 | |
Can you believe it? I was like, "You all right?" And he went, "Yep." | 0:30:42 | 0:30:45 | |
Well, he was very busy. | 0:30:47 | 0:30:50 | |
Then he turned to me and he said, "Are you getting laid?" | 0:30:50 | 0:30:52 | |
I was like, "What are you talking about?" | 0:30:52 | 0:30:55 | |
Quickly, talking of unlikely encounters, | 0:30:55 | 0:30:57 | |
this was all in the papers, because your little... | 0:30:57 | 0:31:01 | |
Oh, no, mate, come on. | 0:31:01 | 0:31:04 | |
-What we read in the papers. -I got cut up. | 0:31:04 | 0:31:07 | |
-Yes. -I got cut up. | 0:31:07 | 0:31:09 | |
What do you think? Rugged, right? | 0:31:09 | 0:31:11 | |
I see that. I can't wait to hear about it. | 0:31:11 | 0:31:13 | |
-So, was it Beatrice or Eugenie? -Oh, mate, I can't talk about it. | 0:31:13 | 0:31:16 | |
-Can you not talk about it? -No. -Oh, OK, sorry, I'll shut up. | 0:31:16 | 0:31:18 | |
Was it is a hat accident? | 0:31:18 | 0:31:19 | |
It was James Blunt, he was trying to get his pop career back. | 0:31:19 | 0:31:22 | |
He tried to kill you. | 0:31:22 | 0:31:24 | |
How did it end up in the papers? | 0:31:25 | 0:31:27 | |
I don't know. There wasn't a lot of people there that night. | 0:31:27 | 0:31:31 | |
-I have no idea... -He can't tell the story! | 0:31:31 | 0:31:33 | |
I can't tell the story. You can say ALLEGEDLY what happened. | 0:31:33 | 0:31:37 | |
Allegedly one of the princesses, Eugenie or Beatrice. | 0:31:37 | 0:31:40 | |
-James Blunt. -One of them, and James Blunt and Ed Sheeran | 0:31:40 | 0:31:44 | |
were in a room, presumably, in a palace. | 0:31:44 | 0:31:46 | |
And James Blunt ALLEGEDLY wanted to be knighted. | 0:31:46 | 0:31:50 | |
Is that a euphemism? | 0:31:50 | 0:31:52 | |
And so, one of the princesses found a handy sword to knight him. | 0:31:54 | 0:31:59 | |
-What?! -Did you not read this in the papers? | 0:31:59 | 0:32:01 | |
I didn't know James Blunt was involved. | 0:32:01 | 0:32:03 | |
-Up to THAT point... -Anyway, | 0:32:04 | 0:32:06 | |
there was a bit of sword play | 0:32:06 | 0:32:08 | |
and Ed Sheeran got cut in the face, is that right? | 0:32:08 | 0:32:10 | |
No. | 0:32:10 | 0:32:11 | |
Do you know what, I have no idea how that story came out, | 0:32:13 | 0:32:16 | |
I have no idea, because like, it was so tight, | 0:32:16 | 0:32:20 | |
and for, like, two weeks afterwards, I had this huge gash on my face | 0:32:20 | 0:32:24 | |
and people would be like, "What happened?" | 0:32:24 | 0:32:26 | |
And you would be like, "Oh, I fell?" | 0:32:26 | 0:32:28 | |
And then, suddenly, it came out. The alleged... | 0:32:29 | 0:32:32 | |
No, no, no. We'll stop. We'll stop. | 0:32:36 | 0:32:39 | |
Very quickly, Matthew, we must mention, this is a huge movie. | 0:32:42 | 0:32:46 | |
Sing. It's already been a huge hit in America. | 0:32:46 | 0:32:49 | |
Previewing this weekend, opens nationwide next Friday, | 0:32:49 | 0:32:52 | |
and it is an animated film, so presumably, | 0:32:52 | 0:32:55 | |
was this genuinely something, so your kids could go | 0:32:55 | 0:32:59 | |
-and see a film with Captain Fun? -Partially. | 0:32:59 | 0:33:01 | |
I had... I think my kids were tired of answering the question, | 0:33:01 | 0:33:05 | |
not being able to answer the question, they said, | 0:33:05 | 0:33:07 | |
"What is your favourite film your dad's made?" | 0:33:07 | 0:33:09 | |
"We haven't been able to see any." | 0:33:09 | 0:33:11 | |
I look back at my last ten years and I haven't made | 0:33:11 | 0:33:13 | |
anything my kids can see. It is not a good idea to sit them | 0:33:13 | 0:33:16 | |
in front of...a lot of anything I have made in | 0:33:16 | 0:33:21 | |
the last ten years...yet. | 0:33:21 | 0:33:22 | |
You know, that opens up a lot of discussions. | 0:33:22 | 0:33:25 | |
I said I want to make something that they can watch | 0:33:25 | 0:33:27 | |
and so, I went and did Sing. | 0:33:27 | 0:33:29 | |
-Loved it. -So, you play a koala, Buster Moon, and then... | 0:33:29 | 0:33:34 | |
LAUGHTER | 0:33:34 | 0:33:36 | |
It looks just like me. | 0:33:36 | 0:33:38 | |
When you were doing press for this in Australia, | 0:33:38 | 0:33:41 | |
people weren't upset, but must've been disappointed. | 0:33:41 | 0:33:43 | |
There was a bit of going, "That is our national animal. | 0:33:43 | 0:33:47 | |
"You should be talking like an Australian instead | 0:33:47 | 0:33:50 | |
"of like you did in the film." | 0:33:50 | 0:33:51 | |
I'm like, I lived there for a year, I didn't take it that literally. | 0:33:51 | 0:33:54 | |
I know it's a koala. I have seen them and they are not that fun. | 0:33:54 | 0:33:58 | |
They sit in the tree and everyone goes, "How cute." Other than that... | 0:33:58 | 0:34:01 | |
-Do you know they are all born with chlamydia. -And they are nasty. | 0:34:01 | 0:34:04 | |
-All koalas are born with chlamydia? -All koalas have chlamydia. | 0:34:04 | 0:34:07 | |
Lesson learned the hard way there. | 0:34:07 | 0:34:10 | |
It did make me wonder how it became a human disease. | 0:34:12 | 0:34:15 | |
If that's how you are getting laid, I am not interested. | 0:34:15 | 0:34:18 | |
Hence the stuffed pandas. | 0:34:20 | 0:34:22 | |
-I dug myself a hole there. -You did. | 0:34:22 | 0:34:24 | |
Were you in Australia for a year? | 0:34:26 | 0:34:28 | |
I lived there for a year, as an exchange student, | 0:34:28 | 0:34:30 | |
two weeks out of high school. | 0:34:30 | 0:34:32 | |
A lot of British people go there and Australians come here, | 0:34:32 | 0:34:34 | |
but that is unusual for an American, isn't it? | 0:34:34 | 0:34:36 | |
I think so. | 0:34:36 | 0:34:38 | |
I mean, look, a lot of, not enough Americans | 0:34:38 | 0:34:42 | |
even have a passport. | 0:34:42 | 0:34:43 | |
It's a sly joke. | 0:34:45 | 0:34:47 | |
You know what I mean now. | 0:34:47 | 0:34:49 | |
And where I was raised, a lot of us didn't have passports. | 0:34:49 | 0:34:52 | |
It was my mother's idea, because me, like every other 18-year-old, | 0:34:52 | 0:34:56 | |
I could say maybe I wanted to be this, but I didn't know | 0:34:56 | 0:34:59 | |
what the hell I wanted to be. | 0:34:59 | 0:35:00 | |
So my mom said, "You love to travel, why don't you go off to Australia, | 0:35:00 | 0:35:04 | |
"as an exchange student?" I was like, "Great idea." | 0:35:04 | 0:35:06 | |
I went for the year and worked 11 different odd jobs. | 0:35:06 | 0:35:08 | |
-But they must remember you. -They do. | 0:35:08 | 0:35:11 | |
Every time I do Australian press, | 0:35:11 | 0:35:14 | |
certain families, the first family I lived with, the Crockers, | 0:35:14 | 0:35:18 | |
whoever is doing the interview says, | 0:35:18 | 0:35:20 | |
"We've got a surprise for you, mate." | 0:35:20 | 0:35:22 | |
And in steps Raymond or Eileen and they go, | 0:35:22 | 0:35:27 | |
"How you going, you going all right?" | 0:35:27 | 0:35:28 | |
I say, "Yeah, I'm doing fine." | 0:35:28 | 0:35:30 | |
Because, Ed Sheeran, you went on your gap year, I guess. | 0:35:32 | 0:35:36 | |
-It was, kind of, a gap year. -Yeah. | 0:35:36 | 0:35:38 | |
Did you know how long it was going to be when you went on it? | 0:35:38 | 0:35:41 | |
What did you do? You came off social media. | 0:35:41 | 0:35:43 | |
I got rid of my phone completely. Still don't have one. | 0:35:43 | 0:35:46 | |
-You should try it. It is decent. -Way to sober up on that. | 0:35:46 | 0:35:49 | |
-Seriously? -I bought an iPad. Now I just do e-mails, | 0:35:49 | 0:35:53 | |
so I got rid of my phone completely and then was like, | 0:35:53 | 0:35:57 | |
I want to go to the countries | 0:35:57 | 0:35:59 | |
where I had been to and toured and only seen a dressing room, | 0:35:59 | 0:36:03 | |
a venue and a bar, and then... So, Australia was one of those. | 0:36:03 | 0:36:07 | |
I had never been to the Sydney Opera House or gone to | 0:36:07 | 0:36:10 | |
the Barrier Reef properly or Gold Coast, so I rented a Mini | 0:36:10 | 0:36:15 | |
and drove up the coast. And then, I did New Zealand | 0:36:15 | 0:36:17 | |
and Japan, for two months, | 0:36:17 | 0:36:18 | |
Iceland, which is great. Everyone should go to Iceland. | 0:36:18 | 0:36:21 | |
There was a lot of death wish, I feel, in your trip. | 0:36:21 | 0:36:24 | |
Iceland was the death wish. | 0:36:24 | 0:36:26 | |
I put my foot in a boiling geyser up a volcano. | 0:36:26 | 0:36:29 | |
-What?! -I was walking up, on my 25th birthday, I went | 0:36:29 | 0:36:33 | |
to Iceland to see the Northern Lights, and I got, when I was at | 0:36:33 | 0:36:37 | |
the top of the volcano and we were walking round, and they were like, | 0:36:37 | 0:36:40 | |
"Don't go off the path, cos it's dangerous." | 0:36:40 | 0:36:42 | |
I went, "OK," didn't clock it, and I saw a little pool | 0:36:42 | 0:36:44 | |
of water that was bubbling. I thought, "That is quite cool - | 0:36:44 | 0:36:47 | |
"volcano, bubbling." walked over, they were, "Don't walk over there." | 0:36:47 | 0:36:50 | |
And I was like, "Why?" And slipped, the ground collapsed. | 0:36:50 | 0:36:53 | |
-Scary! -And I don't know if you have had an experience where you felt | 0:36:53 | 0:36:56 | |
like you were going to die, but it went slow motion. | 0:36:56 | 0:36:59 | |
I was like, "Oh, right, that's it, then" | 0:36:59 | 0:37:01 | |
But I was wearing steel-capped Timberland boots, | 0:37:01 | 0:37:05 | |
so it slipped in and I, kind of, fell on the side | 0:37:05 | 0:37:08 | |
and pulled it out | 0:37:08 | 0:37:09 | |
and I just felt melting, and I was like, "Oh, my God!", | 0:37:09 | 0:37:12 | |
screaming, screaming, and they were, "Don't take it off." | 0:37:12 | 0:37:15 | |
And I was like "Why?" And I took | 0:37:15 | 0:37:17 | |
my sock off and all the skin came with it. | 0:37:17 | 0:37:19 | |
-That is so awful. -So, even worse... | 0:37:21 | 0:37:23 | |
That's not the end of the story?! | 0:37:23 | 0:37:25 | |
-Even worse?! -I get helicoptered out and they put a skin graft on it, | 0:37:25 | 0:37:29 | |
because there is no skin, and I am like shaking like this in bed, | 0:37:29 | 0:37:33 | |
like trying to get to bed. | 0:37:33 | 0:37:35 | |
Oh, man up! | 0:37:35 | 0:37:36 | |
LAUGHTER | 0:37:36 | 0:37:38 | |
Then, I just pass out and I wake up to the tannoy | 0:37:38 | 0:37:41 | |
of the hotel being like, "Right, there it is, folks, | 0:37:41 | 0:37:44 | |
"the greatest sighting of the Northern Lights | 0:37:44 | 0:37:45 | |
"in the last 20 years. That won't be happening again for a while." | 0:37:45 | 0:37:48 | |
I was hoping the announcement was, "There he is, folks, | 0:37:52 | 0:37:54 | |
"Ed Sheeran with a burned foot." | 0:37:54 | 0:37:55 | |
-It was pretty bad. -Wow. Is it all right now? -Is there scarring? | 0:37:55 | 0:38:00 | |
Yeah, it just, kind of, looks like that. | 0:38:00 | 0:38:03 | |
Take your word for it. | 0:38:03 | 0:38:05 | |
You're good, you're good. | 0:38:07 | 0:38:09 | |
So, you checked out for a year and travelled? | 0:38:09 | 0:38:12 | |
-Yes, took a whole year off. -Because? | 0:38:12 | 0:38:14 | |
-Er...I don't know. -Has this turned into a job interview? | 0:38:16 | 0:38:19 | |
I got to the end of a five-year tour and had everything | 0:38:19 | 0:38:22 | |
to show for it professionally | 0:38:22 | 0:38:24 | |
and nothing to show for it personally. | 0:38:24 | 0:38:27 | |
Kind of, like, I had all these accolades and plaques | 0:38:27 | 0:38:31 | |
and it was like, "Wow, everything is good" and everyone was like, | 0:38:31 | 0:38:34 | |
"So what you up to when you get back home?" and I was like, "No idea." | 0:38:34 | 0:38:37 | |
And they were like, "How was Australia?" I was like, | 0:38:37 | 0:38:41 | |
"I could tell you about this bar or the plane." I am sure you have that. | 0:38:41 | 0:38:45 | |
I asked, because I've taken trips where I needed to let memory catch | 0:38:45 | 0:38:49 | |
up with me and check in with just me, | 0:38:49 | 0:38:51 | |
go to places where you are anonymous... | 0:38:51 | 0:38:53 | |
That can't happen in very many places with you. | 0:38:53 | 0:38:57 | |
There is a few in Africa I've found. | 0:38:57 | 0:38:59 | |
But I mean, I know what you mean. | 0:39:01 | 0:39:04 | |
Japan was the one for me. | 0:39:04 | 0:39:05 | |
I looked a sales list of where I had sold albums, | 0:39:05 | 0:39:08 | |
and Japan was like... I was like, "I'm going there." | 0:39:08 | 0:39:11 | |
You are going to sing for us and this is extraordinary, | 0:39:11 | 0:39:14 | |
you are number one around the globe right now. | 0:39:14 | 0:39:18 | |
In America, Australia, everywhere. APPLAUSE | 0:39:18 | 0:39:21 | |
And this, is this the only country where you are number one AND two? | 0:39:24 | 0:39:28 | |
No, I am number one and number two in every country. | 0:39:28 | 0:39:31 | |
Apart from America, I am number one and six, cos it works differently | 0:39:31 | 0:39:34 | |
-with radio. -What, the numbers are in a different order? | 0:39:34 | 0:39:37 | |
-No, America... -It's a new era! | 0:39:39 | 0:39:41 | |
One, six, three, four, two. | 0:39:41 | 0:39:43 | |
America's the only country in the world where it isn't | 0:39:43 | 0:39:45 | |
just sales. It is radio, and loads of other shit, so it is harder. | 0:39:45 | 0:39:50 | |
So, is the one and two order the same around the world? | 0:39:50 | 0:39:53 | |
-Or does it flip? -Yeah. I'm hoping after this show, we flip them. | 0:39:53 | 0:39:56 | |
OK! I am hoping two will go to one. | 0:39:56 | 0:39:58 | |
OK. You are giving us your number two tonight. | 0:39:58 | 0:40:00 | |
Ha-ha-ha(!) | 0:40:02 | 0:40:04 | |
Your stage awaits. Ed Sheeran. | 0:40:05 | 0:40:08 | |
Very good. | 0:40:08 | 0:40:10 | |
APPLAUSE AND CHEERING | 0:40:10 | 0:40:12 | |
OK, here we go, performing Castle On The Hill, | 0:40:12 | 0:40:16 | |
it is Mr Ed Sheeran! | 0:40:16 | 0:40:18 | |
# When I was six years old I broke my leg | 0:40:23 | 0:40:26 | |
# I was running from my brother and his friends | 0:40:29 | 0:40:33 | |
# Tasted the sweet perfume of the mountain grass I rolled down | 0:40:35 | 0:40:41 | |
# I was younger then Take me back to when I | 0:40:41 | 0:40:48 | |
# Found my heart and broke it here | 0:40:49 | 0:40:52 | |
# Made friends and lost them through the years | 0:40:52 | 0:40:55 | |
# And I've not seen the roaring fields in so long | 0:40:55 | 0:40:59 | |
# I know, I've grown | 0:40:59 | 0:41:02 | |
# But I can't wait to go home | 0:41:02 | 0:41:04 | |
# I'm on my way | 0:41:04 | 0:41:08 | |
# Driving at 90 down those country lanes | 0:41:08 | 0:41:13 | |
# Singing to Tiny Dancer | 0:41:13 | 0:41:17 | |
# And I miss the way you make me feel and it's real | 0:41:17 | 0:41:23 | |
# When we watched the sunset over the castle on the hill | 0:41:23 | 0:41:29 | |
# 15 years old and smoking hand-rolled cigarettes | 0:41:33 | 0:41:37 | |
# Running from the law through the back fields | 0:41:39 | 0:41:42 | |
# And getting drunk with my friends | 0:41:42 | 0:41:44 | |
# Had my first kiss on a Friday night | 0:41:46 | 0:41:48 | |
# I don't reckon that I did it right | 0:41:48 | 0:41:52 | |
# But I was younger then Mm, take me back to when we found | 0:41:52 | 0:41:58 | |
# Weekend jobs and when we got paid | 0:41:58 | 0:42:01 | |
# We'd buy cheap spirits and drink them straight | 0:42:01 | 0:42:04 | |
# Me and my friends have not thrown up in so long | 0:42:04 | 0:42:09 | |
# Oh, how we've grown | 0:42:09 | 0:42:12 | |
# But I can't wait to go home | 0:42:12 | 0:42:14 | |
# I'm on my way | 0:42:14 | 0:42:17 | |
# Driving at 90 down those country lanes | 0:42:17 | 0:42:23 | |
# Singing to Tiny Dancer | 0:42:23 | 0:42:26 | |
# And I miss the way you make me feel, it's real | 0:42:26 | 0:42:32 | |
# When we watched the sunset over the castle on the hill | 0:42:32 | 0:42:39 | |
# We watched the sunset over the castle on the hill | 0:42:39 | 0:42:45 | |
# One friend left to sell clothes | 0:42:52 | 0:42:55 | |
# And one works down by the coast | 0:42:55 | 0:42:58 | |
# One had two kids but lives alone | 0:42:58 | 0:43:01 | |
# One's brother overdosed | 0:43:02 | 0:43:05 | |
# One's already on his second wife | 0:43:05 | 0:43:08 | |
# One's just barely getting by | 0:43:08 | 0:43:11 | |
# But these people raised me | 0:43:11 | 0:43:13 | |
# And I can't wait to go home | 0:43:13 | 0:43:17 | |
# And I'm on my way | 0:43:17 | 0:43:20 | |
# I still remember these old country lanes | 0:43:20 | 0:43:26 | |
# When we did not know the answers | 0:43:26 | 0:43:30 | |
# And I miss the way you make me feel, and it's real | 0:43:30 | 0:43:36 | |
# When we watched the sunset over the castle on the hill | 0:43:36 | 0:43:42 | |
# We watched the sunset over the castle on the hill | 0:43:42 | 0:43:49 | |
# We watched the sunset over the castle on the hill. # | 0:43:49 | 0:43:55 | |
CHEERING AND APPLAUSE | 0:43:57 | 0:44:01 | |
-Thank you. -Ed Sheeran, everybody! | 0:44:04 | 0:44:07 | |
Great job! | 0:44:07 | 0:44:08 | |
Come back and join us. That was fantastic. | 0:44:11 | 0:44:13 | |
Thank you so much. It was beautiful. Have a seat. | 0:44:15 | 0:44:19 | |
A hero's return. | 0:44:19 | 0:44:21 | |
Have a seat, do. | 0:44:24 | 0:44:25 | |
Sit, sit, sit, just bunch up there. | 0:44:25 | 0:44:27 | |
Very good. And, of course, the album, everyone's very excited, | 0:44:27 | 0:44:31 | |
the album comes out, Divide, 3rd of March. | 0:44:31 | 0:44:33 | |
-Third album, third month, third day. -Oh, I've got a vinyl. | 0:44:33 | 0:44:36 | |
-Oh, clever. -I do! | 0:44:36 | 0:44:38 | |
Check THAT out. | 0:44:38 | 0:44:40 | |
We haven't even made it yet, but we made that | 0:44:40 | 0:44:43 | |
specially for you. Look at it, it's not real. | 0:44:43 | 0:44:46 | |
Oh! | 0:44:46 | 0:44:47 | |
LAUGHTER | 0:44:47 | 0:44:49 | |
Hence, more valuable... | 0:44:49 | 0:44:51 | |
All right, it's nearly time to go, | 0:44:54 | 0:44:56 | |
but we've just got time to go for the visit to the Big Red Chair. | 0:44:56 | 0:45:00 | |
-Hello. -Hello. -Hello! | 0:45:00 | 0:45:02 | |
-Hi. What's your name? -James. -James, lovely James. | 0:45:02 | 0:45:05 | |
-And what do you do? -I'm a civil servant. | 0:45:05 | 0:45:07 | |
A civil servant, lovely, in London here? | 0:45:07 | 0:45:09 | |
-Yes, in London. -And are you from the London area? | 0:45:09 | 0:45:11 | |
No, I live in London, but I'm originally from Suffolk. | 0:45:11 | 0:45:14 | |
Yeah, mate! | 0:45:14 | 0:45:16 | |
It's a Suffolk massive. | 0:45:16 | 0:45:18 | |
Is he mentioned in the song? | 0:45:19 | 0:45:21 | |
Probably, yeah. | 0:45:21 | 0:45:22 | |
-What school did you go to? -Um, so...I went to Brandestone. | 0:45:22 | 0:45:26 | |
-Oh, sweet, yeah. I went there for primary school. -OK. | 0:45:26 | 0:45:29 | |
-Did we know each other? -Yeah. | 0:45:29 | 0:45:32 | |
Did we?! | 0:45:32 | 0:45:33 | |
LAUGHTER | 0:45:33 | 0:45:34 | |
I'm not wearing my glasses. Have a look. I'm not wearing my glasses. | 0:45:34 | 0:45:39 | |
What was it, James? | 0:45:39 | 0:45:40 | |
-Yes. -James. -Mee? | 0:45:40 | 0:45:43 | |
-That's the one! -What the fuck?! | 0:45:43 | 0:45:45 | |
-You DO know him. -He was my best mate growing up. | 0:45:47 | 0:45:49 | |
-You're kidding? -My best mate growing up. | 0:45:49 | 0:45:51 | |
And now you're talking to him on a monitor. | 0:45:51 | 0:45:54 | |
I'm not wearing my specs and he's, like... | 0:45:54 | 0:45:57 | |
Can we not flip him and just get him out here and talk to him? | 0:45:57 | 0:46:00 | |
-Yeah, do you have a story? -Yeah, I did, but it's up to you. | 0:46:00 | 0:46:03 | |
-Please let it be about Ed! -It IS about Ed. | 0:46:03 | 0:46:05 | |
-OK, tell your story. -OK, cool. -Then, we'll flip you. | 0:46:05 | 0:46:09 | |
-I'm going to sit with you. -Tell your story. | 0:46:09 | 0:46:11 | |
Yeah, cool, so, as Ed was saying... | 0:46:11 | 0:46:13 | |
-This is so random, mate. -It's really weird. | 0:46:13 | 0:46:16 | |
When we were younger, Ed used to come round my house, | 0:46:16 | 0:46:18 | |
and, like you were saying, we used to be quite good mates. | 0:46:18 | 0:46:21 | |
-BEST mate. -And I remember one time, one time you were coming | 0:46:21 | 0:46:23 | |
round for tea and I'd forgotten to tell Mum he was a vegetarian. | 0:46:23 | 0:46:27 | |
Um, at that point, anyway. | 0:46:27 | 0:46:28 | |
So, Mum cooked, I think it was sausages and mash for tea. | 0:46:28 | 0:46:32 | |
And Ed said, you know, after the meal, "These are the best sausages | 0:46:32 | 0:46:35 | |
"I've ever tasted, where did you get them from?" | 0:46:35 | 0:46:37 | |
And Mum had to lie, because she had no clue, | 0:46:37 | 0:46:40 | |
and so, yeah... | 0:46:40 | 0:46:41 | |
Do you know, that was the first time I ever had meat. | 0:46:41 | 0:46:45 | |
And also the first time I ever watched a Simpsons episode | 0:46:45 | 0:46:48 | |
-was round your house. -Yeah. That's right. | 0:46:48 | 0:46:50 | |
Well done, well, we are going to flip you now | 0:46:50 | 0:46:52 | |
and then we can be reunited back stage. | 0:46:52 | 0:46:54 | |
-Put him on the couch! -OK! | 0:46:54 | 0:46:56 | |
There he goes. | 0:46:56 | 0:46:58 | |
Bring him on, bring him on, he wants to meet him. | 0:47:00 | 0:47:03 | |
I feel like Cilla Black on Surprise, Surprise! | 0:47:03 | 0:47:05 | |
APPLAUSE AND CHEERING There he is. | 0:47:07 | 0:47:10 | |
Come on. | 0:47:13 | 0:47:14 | |
Were you just, were you just here randomly? | 0:47:14 | 0:47:17 | |
Have a seat, have a seat, have a seat, do. | 0:47:17 | 0:47:19 | |
LAUGHTER | 0:47:20 | 0:47:22 | |
-Sit down, sit down, sit down. -Hello! | 0:47:24 | 0:47:26 | |
That's James. That's all we have time for. | 0:47:28 | 0:47:30 | |
They are reunited. It's beautiful. | 0:47:30 | 0:47:32 | |
Well done. If you would like to join us on the show | 0:47:32 | 0:47:34 | |
and have a go in the Red Chair, you can. The address is down there. | 0:47:34 | 0:47:38 | |
But that is it. Please, a huge thank you to my guests, Ed Sheeran | 0:47:38 | 0:47:41 | |
and his mate, James. | 0:47:41 | 0:47:43 | |
APPLAUSE AND CHEERING | 0:47:43 | 0:47:45 | |
Josh Widdicombe! APPLAUSE AND CHEERING | 0:47:45 | 0:47:47 | |
Christina Ricci! APPLAUSE AND CHEERING | 0:47:49 | 0:47:52 | |
And Matthew McConaughey! APPLAUSE AND CHEERING | 0:47:52 | 0:47:55 | |
Join me next week, with musical guest Izzy Bizu, | 0:47:55 | 0:47:58 | |
and a Trainspotting special. Actors Jonny Lee Miller, Ewen Bremner, | 0:47:58 | 0:48:03 | |
Robert Carlyle and Ewan McGregor, | 0:48:03 | 0:48:05 | |
plus Oscar-winning director Danny Boyle. It'll be a good one. | 0:48:05 | 0:48:07 | |
I'll see you then! Goodnight. | 0:48:07 | 0:48:09 |